#what i mean. but i guess it's all subjective anyway!

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[constelationprize]

Okay so I wasn't going to post about this because there is a kind of person I don't want to attract to this blog and I have so blessedly few followers it might not even matter but. It's been driving me insane for days.

You guys know we can't hold people accountable on information they don't know, right?

I've seen this said in two contexts: Kevin and Thea (and the other Ravens) in regards to Jean, and Nicky and Aaron in regards to Andrew.

I won't elaborate much on Jean because TSC2 is yet to be released and I expect this to be expanded upon there, but I'm going to point out a few things: there is no proof that the Ravens at large knew exactly how old Jean was (I do not personally looked that different between 16 and 18), which is a shit excuse, but is compounded by: the Ravens are a cult with a dog-eat-dog mentality. No one there had the time or the will to think "well let's consider the ethics of this situation" because they were all locked in the fucking Torment Nexus. Riko deliberately packaged Jean and the circumstances of his SA so that it would further alienate him from the rest of the team. He was offered to them as a scapegoat and even if a single person there thought the situation looked iffy, they were not in an environment that allowed people in power to be questioned, and so no one was going to look their captain and head coach in the eye and say "hmm actually Mister Moriyama I think you're wrong". They accepted the version of events that Riko and the defensemen he picked told because they were the loudest voices and because an easy lie is so much better to hear than an ugly truth. Yes they are complicit for not seeing the red flags and cowards for not standing up if they did, this does not mean that their actions were senseless or purely out of some inherent moral cruelty.

But most of all: none of them saw a need to defend Jean because JEAN never defended HIMSELF. And yes, WE THE AUDIENCE know why that was, but you cannot expect everyone to. Jeremy knew, because he was outside of the situation and already looking for signs of abuse in Jean.

So, while I don't LOVE how Thea seems to have reacted to Jean's assault, I understand why she did it. (And if Nora hadn't been bullied off of writing her, I would have loved to see her come to terms with how she played a part in the abuse of someone she clearly cares about). As for Kevin, Jean himself says he did his best to not let him know the full truth of the situation, and for other reasons I have my theories, but I will just sit back and let TSC2 prove me right on this one.

Now, about Andrew. It fucking baffles me how anyone can interpret Nicky and Aaron as deliberately malicious toward Andrew for no reason when they have made sacrifices to stand by his side for no reward at all.

Aaron's first contact with Andrew is a hopeful letter he wrote as an abused child longing for love and connection, which Andrew just threw back in his face. When Andrew is in juvie, Aaron tries AGAIN, even though he had no reason to believe it would work, and for all intents and purposes it looks like it doesn't change a thing when Andrew moves in with him! He is cold and cruel and distant and he kills Aaron's mother and buys a sports car with the life insurance money. Can you really blame Aaron for believing Andrew's motives are petty when Andrew himself goes out of his way to pretend they are? He bought a car. With the life insurance. Of the woman he murdered in a car accident.

What is more likely: that the brother with a history of violence who has pushed you away at every try killed your mother as revenge for her abandoning him? Or that he did it to be the first person to ever keep a promise to protect you?

And even after that, when Aaron truly believes that Andrew does not and cannot care about him, he makes a second deal to keep Andrew in his life. And then renovates it through college. He can't hold a single conversation with Andrew and he still won't let him go. Aaron reaches for Andrew in the only form he knows that Andrew will reach back even as he tells himself that it's for nothing.

I won't even talk about Nicky because that man left his only chance at happiness behind in a heartbeat to care for two teenagers who were all but strangers to him just because he (correctly) believed no one else would.

It's so crazy to look at this story, a tragedy about how the Minyard-Hemmick children were so systematically failed by the adults in their lives that they were subjected to horrible abuse, and the consequences of that made it so they had incompatible coping methods that stood in the way of them being capable of understanding each other, and those misunderstandings only drove them apart even as they were holding onto each other for dear life, and ask: Oh but why didn't they notice Andrew's trauma? :(

Bitch they tried!!!!! But at the point that Andrew even met Aaron and Nicky, he was past believing that the truth would make a difference, so he didn't even try to tell them; rather, as Nicky says multiple times, he did his best to push them away and make them believe there was nothing behind his attitude other than cruelty. And they still stood by him ANYWAY. Not even Neil, who has more context than both of them, figures out the truth of what Andrew went though until the literal last minute. Because Andrew, and repeat this with me, didn't want them to know, and they were not fucking mind readers.

It is so naive to believe that every single person who struggles does so openly; or even that if they do, that they'll accept help just because you, who Knows and Fixes everything, offered it. Be so for real. If there is one thing AFTG does well is portray realistic trauma responses and how people from the outside perceive them. Try to learn something from that, or if you don't want to, at least try not to publicly put your foot in your mouth so much.

[stop-breaking-my-heart-dragonage]

So you know this party banter between Aveline and Carver?

Aveline: I don't like some of the people you've been associating with, Carver. Carver: Talk to my brother/sister. He/She's the one in charge.

If you're on the rivalry path with Aveline, she says:

Aveline: Who says I don't mean him/her too? This city's full of people who are dead set on ending badly. I don't want to see you end up the same way.

I just- Aveline, you- you're so- hhhhnnnngggggg

I always rival Aveline when I play a mage, and if you think Edgar Aristide Hawke, who practically raised Carver and Bethany after Malcolm died and Leandra became a distant mother in her grief, wouldn't stop dead in his tracks at Aveline heavily implying he's a bad influence on his brother and Carver shouldn't hang around him so much since apparently Ed's someone set on ending badly...? Absolutely not.

This is another case of me wishing Hawke had the option to jump in during party banter with different options, because Ed would've chewed Aveline out for that.

Oh, and then there's:

Carver: Would asking you to stop spying on me help in the least? Aveline: No.

Aveline...................stop it.

[kushanna]

[terresdebrume]

I have trouble figuring out what I want. This isn't new, I'd been thinking of getting a tattoo since I was twelve and only did it when I was 21. I still don't feel the obvious "want" people seem to experience even with respect to transitioning, yet that desire hasn't moved since I came out as trans 8 years ago

So, yesterday, just because the time where I can start trying is kinda getting there fast, I decided to take a "Am I ready to have a baby" quiz, and I have to admit I was quite miffed that if you answer questions about your life with "I like my life right now" the test immediately goes to "you're not ready"

Idk, am I missing something about wanting children? I was fine with my arm without tattoo, that doesn't mean I regret mine. I don't understand why a person enjoying their life without children is apparently a sign they shouldn't have any... Are we meant to be miserable adults until we procreate?

Absolutely baffling reasoning.

[arsenicflame]

well i think its finally time to open this box

[darthlenaplant]

L-FUCKING-MAO,

What sort of loser actually thinks the ending of The World's End is "~forgetable~"?

Bitch, your entire existence is "~forgetable~".

Filmbros (well, certainly 99.95% of them) really are the weakest species out there.

Like, sure, it's not my most beloved of movies, but I actually understood the message of it. And it did hit hard, you know? How about you learn how to deal with your feelings in any other way besides suppressing them and acting as if nothing is there and maybe then you'll calm down.

And be truly appreciative of human art, for that matter, too.

[gender-euphowrya]

i'm getting a good grade in transgender

[gdrflxboy-gayace]

so fucking sick of trans mascs who don't work hard to fix their toxic masculinity and misogyny

[theriverdalereviewer]

ENOUGH WITH THE REBOOTS AND SPIN OFFS ENOUGGGHHHHH

[fazcinatingblog]

It's wild how much the ATO correspondence is "up to shit" (Colleen vocab) and how much my boss never (Italian) broaches the subject of what's come in the mail recently and what? She just trusts that I'm sending it out as soon as it comes in? And there's nothing that needs doing urgently or extension requests to be done or

[tradedsymmetry]

It is almost impossible for me to read the word "extant" without thinking about mushrooms and sokka and "decay is an extant form of life/you cannot kill me in a way that matters" and it really sucks because the authors of my world religions textbook LOVE the word "extant" lolol Not as much as they love "immanent" and "antiquity" and "august" but they still love it lmao

[illusioncanthurtme--art]

I've been waiting to share this for a while!! My design for an "older" Gaz. Of course, I love love love experimenting with any and all my invader zim fanart stuff, so any design I give these characters is subject to change. She's supposed to be a young adult, but since I didn't change her much, I think most people would assume she's a teen. I guess I don't like changing cartoon characters designs; I feel like there's a certain vibe they have as they are, and I don't want to mess with it. Besides, she has to stay short, it means she's closer to hell that way :'D

I also drew Dib of course! It's just that I don't have as many drawings of him, and they aren't all colored. I really want to do more action poses for him before I call his character board truly finished - but he's dang ol' hard to draw!! For some reason I don't understand. Because I draw him all the time. I think that's what kept me from sharing gaz, because these have been done for a long long time, but I wanted to post them together.

I think I'll share what I have of dib anyway. Soon :)

[tiktaalic]

let's all talk about supernatural. i'll start. in 2009 kim manners told misha collins it was gay to sit on a bed. due to the lack of distance. he was right. and misha collins did it anyway. what followed was 12 years of television subject to different directors writers and actors all with different opinions on the subject of whether or not dean and castiel were gay. because of this rotating list of minds and directions the messages you receive are varied. but crucially. there is groundwork laid in closeups. standing five feet apart in bobby's kitchen filmed as if they're face to face. across the room from each other in tmwwbk but cuts between close up to close up. now you could easily argue that camerawork that rejects this method is trying to convey a different message of less empathy. but. we are not working only with camera work that conveys distance. we're working with a foundation of intimate conversations filmed as intimate closeups . followed by intimate conversations filmed with yards and yards between them. for an amv i was trying to use the s8 talk where cas is sitting on the bed and dean walks over sits down and says talk to me and i eventually had to scrap it because they're never in the same frame. i was going frame by frame in that scene trying to get maybe three seconds where you can see both of them but you never can. in the scene where dean sits a foot away and asks. what's wrong. you can tell me. you can talk to me. and cas proceeds to bare his soul. which is one of two things: bad directing, or purposeful directing. bad directing requires us to operate under the assumption that people who work on supernatural are bad at their jobs (likely). purposeful directing requires us to operate under the assumption that people who work on supernatural are good at their jobs, and given an intimate conversation, looked for ways to dilute the emotion in it, and did so. this is also likely. when supernatural shows me castiel telling dean i love you, and does it with shoddy camerawork, they are practicing tell not show. they are turning to the camera and telling me. this means nothing. disregard this. dont you see how they're a good court length apart from each other. doesn't this distance make you feel like you should interpret this with a platonic lens. but what they are showing me. is castiel telling dean winchester. i love you. which comes across even through the janky disjointed shots. the diluted effect still has an outsized emotional impact. so my takeaway is not. well i guess this means nothing. it is. i see the tricks you are trying to use on me. and they dont work on me because i know how to interpret storytelling and i'm not young and shiny and stupid. my takeaway is . wow. dean and cas., are in love for real, and they put it on my screen, and i am going to plant dynamite in director richard speight's home

[pure-smut]

inexperienced.

featuring: Itadori Yuji x f!reader

contains: first time s*x, friends to lovers, cunnilingus, mildly dom!yuji, virgin!yuji x virgin!reader

note: all characters are over 18!

MDNI | 18+ content

word count: 2.7k

masterlist

a/n: I adapted a story I'd already written bc re-reading it made me realise it's perfect for Yuji lol

Itadori Yuji and you were always the subject of the “will they, won’t they” debate in high school – as if you couldn’t be friends with someone of the opposite sex without wanting to fuck them. The truth is, you’d always viewed Yuji completely platonically. He’s easy to be with, makes you laugh, and you have way more in common than any of our other friends. You're even going to the same university.

The night of your graduation party, you're both tipsy at some guy’s house party and giggling in the corner while you watch a boy in your year helplessly flirt with the head cheerleader.

“Bless him,” you say. “He’s trying his best.”

“Can’t blame the guy for giving it a shot – it’s more than some people do,” Yuji agrees, leaning with his back against the wall.

“Yeah, it’s better than endlessly pining.”

He casts you a sidelong look but doesn’t say anything. Instead, he takes a long swig of his beer.

“You got your eye on anyone tonight?” he asks, changing the topic. You shake your head.

“Nope. I’ve fully accepted that I'm going to graduate a virgin.”

“Yeah, we’re both going to suck at college with no experience.”

“It’s a bit easier for me, I think,” you say, shrugging. “Blowjobs aren’t hard.”

“How would you know?” Yuji laughs.

“I just know!” A hint of defensiveness crawls into your voice. “Anyway, you’ve got the harder job. D’you even know where the clit is?”

Yuji’s cheeks go pink and you think you might have gone too far. You open your mouth to apologise but he interrupts you before you can.

“Are you offering to help?”

You stare at him for a long moment, not quite registering what he’s said. He’s wearing an easy grin but his hands are shaking as he takes a sip from his beer. To be frank, you’ve never entertained the thought of anything romantic or sexual with Yuji, despite all the peer pressure. He’s just Yuji to you. Not a potential boyfriend or even one-night stand.

But then your mind begins to whir, seriously considering him for the first time. You think of losing your virginity in college to someone you haven’t even known that long. Someone you might not trust fully. Maybe even someone who you find out, too late, is an asshole and the memory of your first time becomes tainted.

And then there’s the experience part – you don’t really want to go into college a virgin. You don’t want to fumble around in the dark, unsure of yourself. You want to go in a fully-realised woman, a sexy one who knows what she’s doing.

You’ve been quiet for too long because Yuji shoots you a worried glance and clears his throat awkwardly.

“Listen, I was just joking-”

“I think we should do it.”

The words fall out of your mouth before you can stop them. Yuji’s eyebrows shoot up and he freezes, the tips of his ears turning pink.

“R-really?” he stammers out, his previous grin wiped off his face.

“Yeah. I mean, for practice. Before we go to college, right?”

“Practice what?”

“I guess… all of it?”

You watch his Adam’s apple bob as he swallows hard and he shifts uncomfortably on the spot. You suddenly realise you’ve gone too far.

“Oh, I’m sorry, Yuji. You were just kidding around and I took it too seriously.” You avert your eyes, cheeking burning. “You can ignore me.”

“No, no, you didn’t.” He leans in close and lowers his voice. “I just didn’t think you were going to say yes.”

“Oh.” You get a waft of his aftershave – something dark and sweet. “So, you were being serious?”

“Yeah.”

You look at each other, pressed together in the throng of the party, and you’re suddenly finding it hard to breathe.

“We… we can’t do it now, obviously,” you say, breaking eye contact. “We’re drunk. And stupid.”

“Yeah. Of course.” Yuji shifts awkwardly again. You glance down and spot the bulge in his jeans.

“Wha… You have a boner?”

“Keep your voice down! Yeah, the thought of getting a blowjob gives me a boner, shoot me.” He rolls his eyes. You trail your eyes over him.

“Is it the thought of getting a blowjob or the thought of getting one from me, specifically?” you ask.

He presses his lips together and rubs the back of his neck.

“You,” he mumbles.

“Sorry, what was that?”

“From you,” he says between gritted teeth. You smirk.

“Why, Yuji, you didn’t realise I had that effect on you,” you say, batting your eyelashes. Secretly, a thrill runs through your chest. He groans and puts his beer down.

“I’m leaving before your head gets too big to fit through the door.”

He turns away but you grab his hand and he glances back at you.

“Come round to mine tomorrow night. My parents are out,” you tell him. It’s only two sentences but they’re so loaded with possibility that your throat goes dry. Yuji licks his lips and nods, once, before exiting.

*

As soon as your parents leave, you’re in panic mode.

Yuji texts to say he’ll be around in an hour so you take a hot shower and carefully shave everywhere below the neck. You have one pair of lingerie you own, bought more out of curiosity than with a goal of wearing it for anyone, so you put it on. It’s black and lacy and slightly uncomfortable but as soon as you look in the mirror, it’s like you see a different person. A woman. Sophisticated and sexy. Your heart sets off at a gallop as you throw a silky dressing gown over the top of it and wait for Yuji.

He arrives an hour later on the dot. You jump up from your bed when he texts to say he’s outside and scurry down the stairs, a ball of nervous energy. You open the door and watch his jaw drop.

“Jesus,” he exclaims, even though he can’t see the lingerie yet. You drag him inside before any of the neighbours see.

“It’s no big deal,” you say even though your heart is thumping so loud you’re pretty sure he can hear it.

“You look… fuck…” he breathes.

“I look fuck?”

“No, you-” He stops when he sees you’re grinning at him. He smiles back and shakes his head. “You look amazing.”

“Thanks.” It’s not the first time he’s complimented you before but usually it’s a “Oh, you look nice” or something. This feels different and heat crawls up your neck. Yuji clears his throat.

“So, you still want to…?”

“Practice? Yeah.” You gesture up to your room even though he’s been to your bedroom hundreds of times before.

We head up in silence, the tension so thick in the air it feels like treacle. You sit side by side on the bed and you gnaw at your thumbnail, not sure where to go from here.

“I think… this is really awkward,” Yuji says and your stomach drops.

“Have you changed your mind?”

“No, not at all,” he says quickly and half-turns to you. “But I think we’re, like, forcing it a bit too much?”

“Yeah.” You chew your bottom lip. “You’re probably right. What should we do?”

He glances at the rest of the bed before snaking his hand around your waist.

“Here,” he says and lays back, pulling you next to him. “Let’s just cuddle for now.”

You draw a relieved breath and lay draped over him, your cheek pressed against his chest and your leg slotted between his thighs. You’ve been physically close before, like when you fell asleep on his shoulder while you watched a movie, but you’ve never… cuddled. You realise you like it. You wrap your arm around his toned stomach and pull yourself in closer. Yuji chuckles, his breath ruffling your hair.

“You cosy?”

“Mhmm. How come you never told me how cosy you were?”

“Top secret information,” he replies, his hand resting on your waist.

This is nice, you think. Deep down, something inside you wants it to happen again. You feel yourself relax against him, warm and firm.

“Hey,” Yuji whispers and you look up.

His mouth catches yours softly. You melt into it as his hand cups your face and his lips part yours. His mouth tastes of mint. You run your tongue across his. Fuck, has he always been great at kissing? He tilts his head slightly and you instinctively turn in the opposite direction, your mouths fitting together perfectly. He catches your bottom lip between his teeth and you moan into his mouth.

Something presses against your thigh and you realise he’s hard. An animalistic urge to touch and suck it overtakes you and your hand shoots down to his crotch.

“Wait,” he says, slightly breathless. You pull back, confused. “I’ll tell you when.”

“Okay,” you reply, still confused, but there’s a command in his voice that you can’t ignore. Warmth unspools between your legs at the new gruffness in his voice and the lust in his eyes that you inspired.

“I want to touch you first,” Yuji says before pressing his mouth against yours again.

His hand travels down to untie your dressing gown, flinging it open and exposing your lingerie-clad body to him. You automatically go to cover yourself up but he grasps your wrist, not hard but enough to stop you.

“Leave it,” he says, so you do.

His kiss is still soft but his hands become rougher as he pushes down under the cup of your bra and kneads your breast. No one’s ever touched you there before and you feel like sparks are running through your body. He pinches your nipple and your clit throbs in response. His mouth leaves yours to kiss his way down your neck before closing around your nipple. Pushing gently on your shoulder, he puts you on your back, still sucking.

“Yuji,” you say. “I want to touch you.”

“Not yet.” He repositions himself so he’s laying over you, nudging your knees apart to make space for him between your legs.

“But-”

“Only when I say,” he orders you and you pout.

Yuji only smirks in response and moves further down, planting soft, slow kisses along your stomach as he goes. You get a brief moment of insecurity over what your body looks like, what he must see, but Yuji grabs your hips and holds you in a way that makes all those thoughts disappear.

You expect him to slide off your panties but instead, he pulls them to the side, exposing your bare pussy beneath. You inhale sharply as the cold air hits you, open and vulnerable for the first time. Yuji doesn’t hesitate, running the flat of his tongue deftly across your pussy lips.

“Oh, fuck,” you breathe, your hips bucking.

You keep your legs spread for him as he moves up to suck gently on your clit. His finger finds your entrance, slick with your arousal, and begins to push in. You’ve fingered yourself before, of course, but it never felt like this. Yuji’s finger is thick and he curves it upwards slightly until the pad of his fingertip grazes against something deep inside you. You give a low moan as pleasure shoots through your body.

He keeps up a slow, relentless pace with his tongue on your clit while he fingers you and you feel yourself opening up to him. Your orgasm builds quickly - too quickly for you to realise what’s happening. You cry out, your back arching and your hands grasping the duvet. Yuji doesn’t stop until you beg him to, your thighs shuddering around his head. When he looks up, his mouth is glistening with your juices.

“Goddamn,” he says, wiping his chin. “That was so fucking hot.”

You try to respond but you’re out of breath. Your chest heaves as he drags himself up until he’s holding himself over you. He brushes a lock of hair from your face.

“I… I need to do you too,” you say weakly, pleasure still tingling through your abdomen.

“No,” he says even as he reaches down to unbuckle his jeans. “I want to see you do that again with my cock inside you.”

You know you can tell him no, but you don’t want to. You want him inside you. You need him inside you. You look up at his face and wonder how you never felt this way before about him.

“Yes,” you say. “Fuck me. Please.”

He makes a noise from his throat, low and dark, and pulls his cock free. you have no basis for comparison but it seems thick and you’re simultaneously thrilled and terrified. Yuji pulls his t-shirt off, throwing it to the side, and you have a newfound appreciation for the firmness of his chest and the definition in his shoulders. You help him tug his jeans off until he’s completely naked on top of you, the heat radiating off him. You run a hand over his hard stomach and down to his cock, grasping it firmly. The tip is shiny with precum.

“God, you have no idea how badly I want you to suck me off.”

“Why don’t I?”

“Because I want to fuck you more.”

The head of his cock nudges against your folds, hard and hot. You’re more than wet enough for him and let your head fall back as he pushes in the first few inches. You sink your nails into his back, feeling him stretch me.

“Jesus,” he gasps. “Fuck. You feel amazing.”

You can only whimper in response, your pussy gripping him as he withdraws and hungrily pulling him back inside as he sinks even deeper. You move your hips in time with his, meeting him halfway until he’s fully buried inside you. You expected pain but there is none, only the raw pleasure from his cock rubbing against the sensitive walls of your pussy. Yuji starts to move at a steady pace, each stroke pushing you closer to another orgasm. He moves to support himself on one arm while the other plays with your tits. His fingers tease and pinch your nipples, catching you in complete ecstasy.

“Cum for me,” he growls, his eyes moving from where his slick cock is sliding in and out of you to your face. “Cum on my cock.”

You open your mouth to say something but only a lustful moan escapes. You reach back to grab the headboard, the bed rocking beneath you with the force of his fucking.

“Yuji, I…” You don’t get to finish your sentence. A tidal wave crashes over you as your pussy contracts around him in a vice-like grip. You wrap your legs closer around him, holding him to you. You buck and shudder underneath him but he doesn’t let up. It’s only when you push him back, your hands on his chest, that he slows down.

He withdraws completely, pulling his cock free and leaving you feeling empty. You reach for him but he’s already grabbing you by the hips and turning you over.

“On your knees,” he instructs, his voice thick.

You do as he says despite your head being foggy with post-orgasm bliss. You bend over, pressing your cheek against the pillow and arching your back. Yuji smooths a hand over your ass cheek before slapping it.

You yelp, feeling the sting of his handprint but you find yourself enjoying it. Your pussy drools for him, your arousal dripping down the inside of your thigh.

“This is even better than I imagined,” he breathes.

You don’t have time to register what he means before he’s lining the head of his cock up with your hole again.

This time when he presses inside you, the ridges of his cock rub against somewhere new. It’s even more electrifying and you push your hips back, wanting him to go deeper. He quickly obliges, grabbing your hips hard enough to mark you and slamming his cock inside. His balls slap off your thighs and he grunts with satisfaction. you can feel yourself getting wetter at the thought of him looking down at you, watching himself fuck you.

“I’m… I’m gonna cum,” he groans.

“Inside me. Please,” you whisper.

You hear him moan, long and loud, as his cock spasms. You feel him unleash a torrent of cum, filling you to the brim. He doesn’t withdraw straight away, catching his breath and stroking your back, but when he does, his cum spills out and down your thigh. You roll over onto your back as he collapses on the bed next to you. He gives you a lazy grin.

“Best practice ever.”

masterlist

Support me on Ko-Fi! ♡

[hazard-symbols-that-fuck-hard]

Okay time for the PBS Kids essay

Read it under the cut!

:readmore:

In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.

Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.

Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.

Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.

Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.

This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.

For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.

Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.

Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.

Just one year after the debut of Mr. Roger’s came Sesame Street.

While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.

While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)

At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.

Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.

White actors were and still are a minority on show.

In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.

It doesn’t get more explicit than this.

I want to point out this comment because it’s funny

You’re telling me this bitch isn’t Hispanic???

Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?

That’s right. Non-white focus.

These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.

Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.

It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.

Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.

Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.

A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”

One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”

There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.

Sagwa, the Chinese Siamese Cat

Created by Chinese-American woman Amy Tang

Dragonfly TV

Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups

Maya & Miguel

One of the network’s first Hispanic-led shows

SciGirls

I shouldn’t have to explain what the goal of this one was.

Molly of Denali

When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!

It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.

Disney Jr. could never. (Other than trying to teach colorblindness, of course.)

I’m gonna have to cut this into two parts, since I just hit the image limit