#what is so difficult to understand

[astaraelthesnek]

Time zones

Part 1 Part 2 Part 4

Next: South America. I can accept Venezuela going for -4½ as they are split down the middle, and the countries west of that are acceptable too, but Suriname, you are not in -3. Leave. The rest of the more northern countries pass too, with Brazil being lucky that they are so big that its acceptable to ignore the time zones a bit, also, as the section in -2 is mainly rainforest, we can let it go. Then there’s Uruguay, Argentina and Chile. None of you are in -3. Stop it. Uruguay is completely in -4, Argentina is half -4, half -5, and Chile is solely in -5. Also, the Easter Islands are not in -5 Chile, they are in -7. You’re wrong. Stop making everything 2 more than they should be.

[zuzu-draws]

Is it possible to love a character more than you already do? SOBBING because so many intricate details important for Sukuna's characterization gets lost in translation and lightning is an amazing person for bringing this to our attention (go follow them on their platforms ;_; They deserve it so much)

Sukuna's use of words are honestly so poetic and romantic, there is a certain grace and elegance with the way he presents himself, no doubt like a king. It may seem like he's a hot-headed maniac, but he's clever, cunning and intelligent. He knows when to let loose and when to reign himself in.

"You cleared my skies" I would literally melt at the spot, :') aaahhh I'm glad both of them ended up acknowledging one another, this really hits you right in the feels.

[lululeighsworld]

it was literally their moment and they just let us watch

(if you need me i'll be marinating in this for the foreseeable future)

[jaggedjot]

the notion that queer men can be flamboyantly theatrical, perform in drag, even occasionally refer to themselves with female pronouns, and nevertheless willfully uphold and enforce patriarchal norms, would have been a well worn complaint in any given 1970s lesbian collective, and yet

[do-the-foxtrot]

Fanart for @grainjew's and @oriigami's fanfiction kings and queens.

Thinking of colouring it but haven't decided yet.

[alexwilltellyouthings]

*walking around in my house talking loudly to myself* but also we have to consider they likely felt jealous of each other before, charles even recognizes edwin's jealously immediately when crystal is there, so during the whole season not only charles probably assumes edwin's jealously is platonic as it had always been, but also reassures him multiple times he's still the priority and that helps edwin warm up to crystal and not see her as a too much of a threat, EVEN after knowing they kissed, because the important thing is being sure of his place beside charles.

also that probably means charles may even know that what he felt towards monty was jealously but, then again, platonic, because why would it be romantic? how do you know the difference really between that and the fear of being left out, which is exactly what monty was doing to him? *gestures frantically*

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[stressfulsloth]

Thinking about Harry and all the animal parallels that follow him through the narrative. It's true that these animal parallels reflect the way that the brutality of individualist moralism strips him of humanity as someone who has fallen through the safety nets, and his agonised shout of 'I don't want to be this kind of animal anymore' can be interpreted as a direct admission of the RCM's dehumanisation of him as a disabled addict who is no longer as 'useful' as he once was. Gottlieb even directly tells him '[he] lost [his] human visage a while back.' Jean calls him 'the most dangerous animal of them all'. The rabid dog that needs to be put down, the black dog (also a common metaphor for chronic mental illness!) that Mollins shoots as it licks its wounds; the scared, hurt, frightened animal lashing out, chewing off it's own leg to escape the trap that it's caught in. The wild dog is all they can see.

But then there is a flipside to these parallels too; a kindness, a gentleness, almost a freedom in Harry’s animal parallels. He's strong like a 'goddamn ox,' like a bear ('I had to kill the bear to become the bear'). He's a harrier hawk, a name given to ensure his safety, raised up to the level of the aerostatics looking down over Revachol, 'soar[ing] on the wings of [his] spirit hawk.' He's a leopard ('its impossible to know where you end and the leopard begins'), discovering or rediscovering a love of softness and sensuality that he'd not known before via the leopard print leotard that 'speaks to the animal inside [him]' and touches on his relationship with his gender ('Yes, this is the type of animal I want to be.').

He's a 'seagull', a bird that will do 'whatever it takes to survive,' a 'bird of paradise' that tells a story of 'endurance- and adaptation' ('You! You and the seagull are just alike!'). He survives, despite everything, despite the grimness of the world around him. He endures. Even the sea monster comparison is oddly kind ('You've become a sea monster -- giant, hidden and... strangely tender at heart'). Even as a monster, he's still gentle; he still has so much love for this world that has wrung every last bit out of him. As if his tenderness is such an inherent part of him that no matter what monstrous face he wears, no matter what creature is there in his shadow, he cannot help but have some trace of it at his core. His tender soul 'quivering like jello.' The pain he feels is raw and animal but so is the love he feels. So is the hope and the fear and the wonder.

[queerpdsys]

seeing disability awareness posts end with “TLDR; no, read it” is fucking WILD

[eremin0109]

Idk what's up with people drawing Deadpool/Wade as a twink like yeah different art styles and all but are we forgetting he's an ex-soldier, mercenary and a strong acrobat? Sure he's nowhere near Logan's muscle mass, but that man is buff af too and I'm not even talking about the comics where he has biceps the size of an elephant's trunk. Like just take a look at DP 1 Wade? He's fucking ripped. And seeing people portray him as some skinny little guy just throws me tf off.

[wyrmswears]

see my ideal athena case would have her confront that issues lie not only within the court but also in the prison system. she encounters a case so like the ur-1's, except the person parallel to simon is guilty and realises the complete lack of benefit from the current system. learns to fight for innocent and guilty people alike. likewise, the dream path for her character would be for her to have a focus on restorative justice and contributing towards the community in contrast to her childhood isolation.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sysig]

Softly, slowly, I want to love you anyway (Patreon)

[verdemint]

People complaining on twitter about enea and most of the riders not being able to speak english, i dont care you know what? I hope they all decide to never use that language ever again :)

[maypersonne]

Shang Qinghua really does think that he is unlovable huh

He really thinks that he is of no value to anyone if he isn't making himself useful he will be disposed off and that will be it

He genuinely believes no would ever want him so he manipulate and posture as a lesser so to be seen as a necessary annoyance rather than the pest he believes himself to be

He hates all the work he has to do but he prefers exhaustion to the paranoia and anxiety that eat him up when he isn't showcasing his value

He is in a constant battle just to be acceptable rather than loved so he can just be in the presence of those who are dear to him

Like damn like father like son I can see where binghe got all his issues like airplane bro stop unloading it all on your OCs look you gave the poor dear anxiety

[chuthulhu-reads]

[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]

Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.