#what kind of possible story it would be

[selliho6530]

I want to see a fanfiction where Jayce, after all the shit he saw, moves not back to his universe, but to the past, to season 1, where he meets Viktor in their laboratory and kills him...

One fanfiction started like that, but everything slipped into the usual gay fuck, which of course I don't mind, but the beginning was too promising...

[lazylittledragon]

so uhhhhhhhh. not to be cryptic and bitchy on main but congratulations to everyone in my messages for like 5 months on being right i guess

[pastelaeqy]

can someone PLEASE get these characters out of my head I do NOT want them here anymore they keep making me SAD

more on the first one in the tags

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[mumblesplash]

actually now that i think about it malevolent might have one of if not my favorite execution ever of the ‘two characters have to share one body’ premise. like in theory i’m a huge fan of that trope but in practice very few stories do it in a way i find interesting

[random-cockroach]

What transformers ships do you like?

So far In a romantic way for sure: Prowl/Jazz, Ratchet/Drift, Swerve/Blurr, First Aid/Vortex, Onslaught/Blast Off, Knockout/Breakdown, Blurr/Shockwave (Specific versions of them, and because of SOMEONE I am now constantly on the pinch of daydreaming of their happy life)

In a romantic/platonic (means both fit but platonic is closer ahah): (Little note, only hell knows how Rodimus works so he is mostly on the platonic side for me even thought I think he can be in romantic, but it is a disaster in my brain XDD) Starscream/Bumblebee, Prowl/Constructicons, Dratchrod, Megarod (I deeply love how their closer friendship side is), Cyclonus/Whirl/Tailgate, Brainstorm/Perceptor, Sunstreaker/Bluestreak (welcome onboard!), Lost Light/Rodimus (teehehe), Deadlock|Drift/Rodimus, Sixshot/terrorcons, Dead End/Perceptor

There is plenty that I still didn't get a grasp on or can't remember for the reason of that exact weak grasp I also don't include the ones I personally might ship because even if I ship them what I do doesn't count because I am not as attached to things I create unless I make a hella good story and dynamic in my head to fall in completely, so the ones from above come from sources that made me scream/fall down ahah

[lunar-years]

“I know Haymitch will be up for hours. He doesn’t like to sleep when it’s dark out.” Okay so what terrible thing happens at night in Sunrise in the Reaping that’s going to emotionally shatter us :)

[lochallthedoors]

Noel Versus the Council Skies Tracklist

Context: If you pick just one interview of Noel's to read/listen to from the Council Skies promo run, chances are that interview will feature Noel complaining that he fucked up the tracklist--that he now believes "Think of a Number" should have been first and "I'm Not Giving Up Tonight" should have gone last.

I find his obsession with the album's messaging kind of fascinating in the context of whatever led up to the Oasis reunion, so I thought I'd put together a masterlist of interview excerpts where he explains why he made the choice he did and why he wishes he could go back and get a do-over.

I have thoughts but they're very rambly so they're going in the tags. The focus should be on the transcripts here anyway.

NME Interview Posted 3 June 2023

Noel: "Think of a Number," yeah, it's got a Bowie feel to it. If I had my chance--if I had my time again, I would have had that as the opening track on the album. I've kind of--yeah, that's--that's--I mean, every album that I make, anyway, tends to be flawed in some way, and this is almost perfect, but that's the biggest flaw, is that the opening track, "I'm Not Giving Up Tonight," should be the closing track, and "Think of a Number" should be the opening track. But I didn't think "Think of a Number" was strong enough until it was too late. You know, and, uh, yeah--what a dick. But there you go--I'm allowed to be a dick when it's my own music, so. later in the interview Interviewer: I mean, you talked about how, uh, Council Skies was about you asking "how did we get here, and how did I get here?"--as in you, not me. I know how I got here. Um, did you find any answers? Noel: (pause) No, I think--I think the last line of, um, "Think of a Number," although--although it should be the first track on the album, I think the last line of it is perfect for an ending of an album, which is--is--it's like, "let's drink to the future / I hope it comes round again." Did I find any answers? No, but I will--no, I will find them, though.

Radio X Interview Posted 8 June 2023

On "I'm Not Giving Up Tonight" Noel: The biggest or the most interesting thing, or what I find interesting is I--this should be the closing track on the album because it ends with a lot of hope, you know I mean? "I'm not giving up tonight" and all that. And I, for some reason--the track that closes the album, we'll get to that obviously at the end, but, um, I didn't feel the track that closes the album was strong enough to open a record with. It's a big, epic kind of affair, and I thought that would be a bit obvious. And, uh, I thought "I'm Not Giving Up Tonight" would be a great way to ease into a new record. If I could go back now, I'd--I'd have it closing--closing the record, but it was too late to change my mind. But, um, I do like that song. It's, uh--it's, uh--yeah, it's got a great vibe that's slightly reminiscent of Buffalo Springfield, and, uh, Gem plays a great guitar part on it. And, uh, yeah, I mean, it's--I don't know. Kennedy: Yeah, yeah, no, it's interesting. I mean, it's got the strings on it, it's got the horns on it, and there's a little bit of the gospel choir, and-- Noel: Yeah-- Kennedy: Those are all elements that are through the record. Noel: But I guess the sentiment of it is a song of defiance, you know? "I'm not giving up tonight," and that, you know, obviously writing these things in--in lockdown there was a bit--there was a bit of that in--in a lot of the songs. But, yeah, it's a grand--it kind of sets it up perfectly because it's a--it's a grand kind of opening, but it's a bit laidback as well. On "Think of a Number" Noel: I love the song. Now--and it's me playing the guitar, so it's really epic, and, so, as mad as this sounds, I didn't think that song was strong enough to open a record with. I liked it, right? And I did, and--and something inside of me hung in there with it, and--I don't like closing records on a negative kind of, uh, almost, um, what's the word I'm looking for--uh, pessimistic kind of, um, feel to it. The last line is, you know, "let's drink to the future, I hope it comes around again"--that really should have been the opening track on the album and finished with "I'm Not Giving Up Tonight," you know? That would have been the journey through the lockdown and isolation and all that. But as that song went on, I was like, you know, just didn't feel it was strong enough. I thought it was just a bit standard High Flying Birds rock kind of tune. Obviously, when we finished--when I finished it and mastered it, the penny dropped one night at home, and I was like "Oh, God," you know. And then you do the frantic "Can we change it?" and it was like, "No, we pressed up now. What are you doing?" Um, so it really should have been the opening track, but I love the lyrics on it, and they paint a really pessimistic picture of the future, which is what I was feeling at the time. And, yeah, there's some great--the lyrics are really visual, and, um, yeah, it's--I mean, it's an epic rock tune, and it's--it's got the full production and, yeah, really great.

XS Manchester Drive Posted 9 June 2023

Note: For the clip of Clint calling out Noel's pause, see definitely-rubbish's post here

Noel: Let's do a track called "Think of a Number." Clint: "Think of a Number"--now, this is the--it's the actual last track on the album, innit? Not including the bonus track? Noel: Mm-hmm. Yeah. Clint: When I heard this--and I made some notes--some of the--"Let's drink to the future / I hope it all comes 'round again." It sounds like you reaching out to somebody. Noel: Well, uh-- [Long pause] Clint: That was a brilliant pause! Noel: I could never-- Clint: That pause was amazing. It's gonna sound great on the radio, that! Noel: I could never decide if that track should have been the opening track or the closing track. And if I had my time again, I'd have it as the opening track, because the track that is the opening track, "I'm Not Giving Up Tonight," would end the album on a real--"I'm not giving up tonight"--a kind of sense of hope. But with this song, right up until the death--I never thought it was strong enough to open a record. I thought people would go, "You know, okay, well, I was expecting that from him." And--yeah, I kind of bottled it a little bit and put it as the closing track, which ends on a really bleak note, you know? Uh, but there you go. You know, you live and learn.

SoCal Sound Interview Recorded June 9, 2023

Harcourt: The opening track is "I'm Not Giving Up Tonight," and, I mean, that's full-on. Noel: Mm-hmm. Harcourt: There's bells, there's whistles-- Noel: Oh, yeah. Harcourt: It's--it's the whole thing. Noel: Yeah. Harcourt: Uh, is that at the beginning of the album for a reason? I mean, it sort of seems to set an intention. Noel: Yeah, I should have actually had it as the closing track. I think--I think there would have been a--well, so, the--the closing track is a track called "Think of a Number," and, actually, the entire track listing was set in stone very, very early, apart from these two tracks, and I kept flipping them, just to listen to at home, and I kept flipping them, and I--ludicrously, I actually thought "Think of a Number" wasn't strong enough to open a record, and I thought people would be expecting a big, kind of--and, actually, in hindsight, I should have had that as the opening track, because it would have meant the album would end on a more positive note, whereas it ends on a bit of a bleak note. Harcourt: Mm. Noel: But that's the one change I would make. Um, but, no, it's ["I'm Not Giving Up Tonight"] not there for any specific reason other than I felt like, for this--you know, my albums always open up with something huge, and I thought for this one, maybe something a bit more understated, um. But it's a fucking great song. Harcourt: It is a great song. Noel: Yeah, it's a great song. Harcourt: Yeah. Noel: The way that it--the way that it came out sounding is amazing. Yeah.

[electrikworm]

Anyone else worried about the fact that Cal made the comment that Mookie looked like him and the doll was later thrown on a funeral pyre? That feels like it could be foreshadowing

Especially because Kata's the one to make the decision to burn Mookie.

[lunar-wandering]

i don't think i've gotten over reading those few chapters of that one version of the Bible we used for a university class cause it was so fucking jarring like;

the version of the Bible I grew up with: god is a gentle but occasionally strict father who genuinely cares for his children and creations. as punishment for eating the apple, Eve and all her descendants will now experience the pains of childbirth + periods.

the version of the Bible a lot of people have read, apparently: God is an Authoritative Figure to be Feared, and you must do anything to please him and avoid punishment. as punishment for eating the apple, Eve and all her descendants must now serve Men, forever. oh and also the childbirth and period thing.

like. wow. holy shit. a lot of Specific People's behaviour makes a Lot More Sense if that's the version they grew up with. I mean, "respect all figures of authority and do whatever you can to please them Or Else" sure is something that would fuck someone's brain up

[guaxinimraccoon]

I’m not sure if anyone’s asked you this yet, but if they didn’t, what would happen if Alex were to spot Toby? Would he recognize his son cause of the blue hair or red hat, or would Alex not know who he was? Would he pretend to not know anything, or would he come clean to Brad and Toby? There are so many possibilities and they are rotating in my mind, so please help my brain calm down

After I'm a free human once again I'm actually planning on making a few comics to play around with the idea of: if Alex and Elisa were to find that their sons know each other, how that'd happen?

I have some ideas and I'll 100% work on them to explore this so awaited and requested meeting

But to give you a lil spoiler: Alex would instantly recognize Toby because of his hair c:

That's all I'm saying for now hihihi

[greenfiend]

If you want to know what’ll happen to the characters… just watch the show and look for clues.

[hyperpotamianarch]

So, after seeing @half-shadowgalra's post about what if Bianca stayed alive, I thought of analyzing the topic. So, my take on what might change, following the details of canon I can remember:

Firstly, let us assume that Bianca accidentally drove Talos into the Labyrinth, and just got severe head trauma and amnesia instead of dying. Zoe, Percy and co, however, still think she died and continue under this assumption. What happens next?

Well, as far as I know, only one god might actually know Bianca is still alive - her father, Hades. Who, I might say, is not present for the Winter Solstice council and doesn't seem like he'll inform anyone. He would want his daughter safe, probably, so there's a chance he'll send Alecto to find her and bring her somewhere safe - possibly the underworld. No guarantee that the Erinyes would succeed, though.

As to what we see in canon... In his angry burst, Nico mentions feeling Bianca being judged in the underworld, and having nightmares. I'm going to have to assume his nightmares will be altered. And, well... This certainty of her death, which was another sign of them being children of Hades, will likely not exist. How will it change things? Well, I think Nico will still be angry at Percy and consider him guilty of Bianca's death. Maybe. After all, the lack of certainty he had in another timeline can't actually help him realize Bianca is alive. He can't know he would've felt it if she died - even if he started feeling such things, he probably didn't understand that well enough yet. He might have some doubts, though. That's still a minor change, all things considered.

Next time Bianca's death affects the plot is the Iris-net messages. However, we might need to explore first what happened to Bianca. Especially since she not only fell into one of the most dangerous pieces of magical architecture, she did so in a time it was being explored by a whole bunch of people. At any given moment, she could encounter Luke's forces, Clarisse, Daedalus or one of the creatures looking for her. So, you're Bianca Di Angelo, daughter of Hades, who's trapped in a maze underground and have amnesia. What can you do?

Well, I think her bow and arrows are either right beside her or a summon away - the latter is going to be problematic, because she doesn't remember how to summon them. She'll probably have her hunting knife. Oh, and did I mention that she won't remember her training, whatever amount she had?

I don't think canon gives us much indication on what she might do in such a situation. Part of the question is how much she forgot. And since we're makeing this up anyway, we can go for the option we find the most fun! Oh, and I forgot Nico is joining everyone in the Labyrinth pretty quickly. Either way, I think I'll go (regarding her memories) with forgetting everything except for her brother. And English, though it will be fun to have her speak some Italian dialect for some time. Oh, and her name. Easier that way.

So, Bianca wakes up in a cave. She only remembers her name and that she has a brother called Nico. Who is, for some reason, not present. She hears weird sounds and runs away from them.

Now here's another bit: we don't know what Bianca's powers include beyond the ability to permanently kill skeletal warriors. Incidentally, we have another canonical Pluto kid who can control caves. Now sure, Hazel and Nico supposedly have between them Hades' two dominions: riches and death. No reason to keep them separate, however. Bianca can have some power over underground spaces. We have seen Hazel interact with the Labyrinth in the House of Hades, even manipulate it - though she was using magic instead of demigod powers, so we can't be sure if someone with similar powers but no magic could do it. I do think it's possible, though - especially without anyone directly resisting her. It'd be mostly instinctive and unintentional, though, so there's no telling where it would lead her.

Now, where would Bianca find herself? It's hard to tell. Everyone goes through the arena eventually, but it takes time. Bianca can get to many places, Camp Half-Blood included as well as Geryon's farm or the underworld. There really is no telling. Meanwhile, Nico is looking into ways to find his sister and bring her back. Does he realize she's alive? Or does he still try to learn from Minos? As far as I know, we were never told how he made his way to the underworld. Did Hades send Alecto to collect him? If so, does that mean we'll have a family reunion sooner rather than later? Or maybe does Bianca inadvertently run away from it in effort to stay alive and, ironically enough, find her brother?

One possible change would be that when Hades gets Nico, he tells him (at some point) that his sister is still alive. Not in an attempt to console him - Hades doesn't really know about that - but as a throwaway line when Nico mentions her death. I think I can picture that. Nico still runs away, but this time to find his living sister - all that assuming he somehow got to Hades' palace in the time between the Titan's Curse and the Battle of the Labyrinth. In such a case, he might not turn to Minos, which would significantly change BotL. So... Maybe the best option here is Nico not getting to Hades' palace/Hades being too secretive about it all.

Now, no Percy Jackson story is complete without old myths underlining events: Percy isn't compared to Heracles for naught, there are a couple of parallels between them - at least in monster slaying and such things. Sadly, I can't say I'm an expert in Greek mythology, and I'm not sure I know enough to create a story paralleling any myth. So, I kind of hope someone more experienced could come and give a fitting story - only thing I can think of right now is Atalanta, the huntress who took a vow of virginity, joined the Argonauts for a time and participated in the hunt for the Calydonian boar, drawing first blood and thus winning the boar's hide - which eventually lead to much strife. Now, one would think this boar was used in the past, like in tTC - but nope, it was a different boar, so I'm sure having some taste of the Atalanta myth could work. Kind of. Maybe, somehow, I don't know.

So, Bianca is dealing with her own stuff. Maybe, because I just thought of it, she can also have a taste of Cadmus' story - the guy looking for his disappearing sister who went on to found a city instead. I'll have to think about it for a bit, especially since I think both Atalanta and him had a weird "happily ever after in animal form" thing. Cadmus and his wife became snakes, while Atalanta and the husband she eventually did marry (thus breaking her vow of virginity, though the consequences were somehow unrelated) were turned into lions. Huh.

Anyway, she deals with that while running away from Alecto. Nico tries to find a way to reassure his sister while Minos hides the fact she's actually still alive from him. And maybe Bianca encounters Luke.

Now, the repercussions of Bianca being alive include Percy not getting the Iris-net calls about Nico. Which would mean that, if they meet in Geryon's farm, Percy has no way to convince Nico that Bianca doesn't want what he does. Which leaves us at an impasse, so Nico would head out with Minos straight away... Probably. Here's the thing: Bianca being down there means she can be found by someone. I think Clarisse isn't a good option for that, though. So, what if Luke found her? Would she join him? Or be killed? Well, obviously not the latter, we didn't save her so that someone else might kill her. But since we want her as a hero, we'd prefer her not to serve the titans, right?

So, after some thought: maybe she got to the arena and was forced to compete. Her fighting talent was promising, so Luke suggested she join them. And then... I think she run.

This is just a vague outline, and you may have noticed this is stream of thought writing. So, umm... well, I can only say that next she's probably told to give up the search for her brother and follow a cow, which probably should lead her to the huntresses, but instead of following it she'll keep looking and will find Nico, because I honestly don't like how easily Cadmus gave up on Europa just because the oracle told him. Curses be upon Zeus. Coming to think of it, the myth of Cadmus might fit well with the theme of BotL, because Cadmus is Minos' uncle. Yeah, it's all still stream of thought.

Bianca will probably meet Nico before the whole "king of ghosts" fiasco. I think this should affect the larger story, but I'm not sure how. So, umm... Let's leave it here for now?

So, a suggestion to a more organized outline: Bianca is in the Labyrinth. She runs away from some monster and accidentally finds herself in the company of some half-bloods loyal to Kronos. At first she journeys with them and they slay monsters together. However, after having drawn first blood from a very strong monster, some of the half-bloods became angry at her for hurting their egos or something? So she run away from them? Then she gets the magical cow, maybe Alecto finds her, and then she continues to search for her brother, who she maybe finds on the verge of killing someone to bring her back to life.

I might try to write it at some point, but I'm not very good at finishing stories. So, I guess we'll see.

[clownjacket]

Okay my crack theory for Lucy’s god situation:

What if instead of dying Lucy’s god became an archfey and fucked off, forsaking all of their followers. I could see that as justifiable for a minor god—maybe you don’t want your personality and existence to be dependent on a group of people small enough for a really big hurricane to wipe them out. Maybe you want to try your hand at self actualization, which you can’t really do as a god. Whatever.

But that would still mean Lucy’s grades would be screwed for the year, and the whole group would be switched to pass/fail.

Whatever god they’re trying to bring back seems like they want to stay a god, but would also only have a single living cleric so their nature would be heavily influenced by who that cleric is, and could still be controlled. Bringing back an established dead god with living followers probably reduces the risk of the god immediately dying or completely sucking ass/not being powerful like what happened with YES!(?), and we know the Ratgrinders LOVE minimizing risk. And choosing a dead god that represents something Lucy is actually passionate about preaching and proselytizing would make her work as a cleric much easier for her emotionally than, say, switching to Helio and just going through the motions, and bringing back a god would probably look good on college resumes.

Idk, that’s just an alternative theory to Lucy’s god dying based on what’s been established this season.

[moregraceful]

many things i have been keeping under wraps at work, such as pronouns, but also, very critically, age. bc i got that ageless mixed race asian swag where i am very clearly not an undergrad but also??? they just don't know. and it WHIPS and it is so funny to ME because all the managers and shift supervisors are like damn this girl in her mid-twenties is so easy to talk to, it's like talking to a peer. surprise bitch i'm older than you. and maybe this means i'm performing psychological experiments on cis men, but i am ngl if i hand you a two page resume that you don't read, it is simply none of MY business if you think i am in my mid-20s. they are going to be so mad when they find out lmao

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!