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#when they played o2 they were like this was the first song we wrote that sounded like us :(
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cant believe nbt have apparently taking graveyard whistling off the setlist thought she was THE song babes
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foxes-that-run · 4 months
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Sad Beautiful Tragic: "When you were on the train"
I started this at the end of a post about trains I will post shortly, but it is too detailed. So here from the back of my brain:
Taylor wrote Sad Beautiful Tragic on a tour bus and that the original Red was the demo that was first recorded:
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On October 4 2011 she tweeted:
"Leaving Little Rock, headed to New Orleans. Writing a song on a moving bus."
She also said:
“Sad Beautiful Tragic” is really close to my heart. I remember it was after a show and I was on the bus thinking about this relationship that ended months and months before. The feeling wasn’t sadness and anger or those things anymore. It was wistful loss. And so I just got my guitar and I hit on the fact that I was thinking in terms of rhyming; I rhymed magic with tragic, changed a few things and ended it with what a sad beautiful tragic love affair. I wanted to tell the story in terms of a cloudy recollection of what went wrong. It’s kind of the murky gray, looking back on something you can’t change or get back.
On 2 May 2011 (5 months beforehand) Jake going to a single date of the Mumford and Sons Railroad Revival tour, the band (not Jake, he was there for the weekend) travelled on a train.
Which if that floats your boat, read no further.
This doesn't sit well with me because of All Too Well. ATW was a hard song for Taylor to write, it took months. (The "F the Patriarchy Keychain on the ground" to "What we had a beautiful magic love there" 2 month pipeline is not one I buy.)
She was editing ATW as late as March 2011, then Jake goes to a concert with a band that caught a train (not him) and she writes something as loving as Sad Beautiful Tragic, a song she still plays sparingly and kept the demo of because it was raw?
I wonder if the 'months and months later' is because this song is about a relationship that was not known, or specifically would not be known at that time.
So come to my rabbit hole, it's nice, we're all mad here
SBT was the first song that made me look more at 2011, because of this in the Cardigan BTS:
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"Sad, beautiful, tragic. Like a photo album" These are the same words Taylor used talking about 'the guy' (singular) most of Red is about (unlike Jake who did not listen to the album)
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Why Harry then?
In the 2011 timeline Harry and Taylor were in the same city a number of times that year and it is more plausible they met. Particularly in March Taylor played the mash up of Harry's audition song and Fearless in Paris on a date he was missing, they then both played the O2 in the same week. In July Hary was missing when Taylor had the Temper Trap Arm Lyrics he later tattoo's same song.
On 14 September One Direction go to the GQ Awards, where Harry saw and reportedly flirted with Emma Watson and Pixie Lott and in an interview after Louis says:
"Definitely without a question say Harry, like Harry, no matter how long is known her, or who she is he will go up to her, like if it's a celebrity, like at the GQ Awards, [Niall adds "Like Pixie Lott] he will go up and sing their song and dance. It's like 100% Harold Styles." Harry then changes the conversation to silly names, Louis brings up GQ again and Harry mouths "Stop going' on about it" (9:50).
On 28 September, 2011 the band are in New York to film Gotta Be You, which includes.... a train. And also the set on which Harry met EO, the girl he kissed in NZ in April 2012. Speaking of, after that Taylor wrote Babe with a member of the band Train, who Harry covered in his x-Factor audition.
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On the day Taylor wrote Sad Beautiful Tragic, 4 October 2011, 1D was at a 'Bring 1D to me' even in Munich they are asked about celebrity dreamgirls Louis has a dig at Harry and points out a love bite on Harry's neck.
The show before Taylor was thought to write SBT her arm lyrics were "It’s easy saying nothing when there’s nothing to say” an apparent reference to the interviews where Harry was trying to hide something.
And so my theory of Sad Beautiful Tragic was there was a Haylor flirtation that didn't get very far, because, well boybander. But it inspired this song and they continued that flirtation.
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yessadirichards · 1 year
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'So sorry': Celine Dion cancels 2023-2024 shows over health
PARIS
Pop icon Celine Dion has canceled all her remaining shows scheduled for 2023-2024, saying she was not strong enough to tour as she battles a rare neurological disorder.
The 55-year-old Canadian revealed last year that her condition -- Stiff-Person Syndrome -- was affecting her singing.
"I'm so sorry to disappoint all of you once again... and even though it breaks my heart, it's best that we cancel everything until I'm really ready to be back on stage," the "My Heart Will Go On" singer tweeted.
"I'm not giving up... and I can't wait to see you again!" she added.
A statement released by her tour said: "With a sense of tremendous disappointment, Celine Dion's Courage World Tour today announced the cancellation of all remaining dates currently on sale for 2023 and 2024."
"I'm working really hard to build back my strength, but touring can be very difficult even when you're 100 percent," Dion said in her statement, which was also posted on Instagram.
Dion, one of the top women singers with an octave-busting voice, is the author of hits like "Because You Loved Me", "My Heart Will Go On" and "Think Twice".
In December 2022, she posted a tearful video on Instagram to say she had recently been diagnosed with Stiff-Person Syndrome and would not be ready to start her European tour in February as planned.
She said the disorder was causing muscle spasms and was "not allowing me to use my vocal cords to sing the way I'm used to".
Sufferers commonly experience stiff muscles in the torso, arms and legs, with noise or emotional distress known to trigger spasms.
The cancellations will affect her 16-country tour in Europe which was due to start in Amsterdam in August and conclude with two dates at the O2 arena in London in April next year.
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Tickets purchased for the canceled dates will be refunded via their original point of sale, her website said.
Her "Courage World Tour" began in 2019, and Dion completed 52 shows before the COVID-19 pandemic put the remainder on hold.
She later canceled the North American section of the tour due to her health problems.
The dates in Europe were to have been the Grammy-winning singer's first global concert tour in a decade and the first without her husband-manager Rene Angelil, who died from cancer in 2016.
Fans online reacted with disappointment, but wished Dion well.
"Not surprising, but no less sad. Courage to you Celine, we are with you," wrote fan information account @LesRedHeads.
"You don't have to apologize queen! Take care of yourself. Your health should take number one priority," wrote @notaerz.
Dion had sparked hopes of a recovery when she released a new album "Love Again" last month, the soundtrack for a film of the same name, which contained five new songs as well as past hits.
The youngest of 14 children, Dion was born in Quebec, Canada and got her start at 12, when her mother sent a recording of her to Angelil, who mortgaged his own home to finance her first album.
She began singing in French, but started bellowing out hits in English after taking English lessons in the 1980s.
She gained worldwide fame in 1997 with "My Heart Will Go On", the theme to James Cameron's epic film "Titanic".
She parlayed that success into a regular gig at Caesar's Palace in Las Vegas, playing for audiences night after night for 16 years, with only a few breaks.
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finelinevogue · 3 years
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Okay this is probably something so sooooo different from other requests you have got.
Can you actually imagine if you were part of 1D. Like you are the only girl there and you and Harry are secretly dating?
Can you do one where the 1D are doing a interview and the intervier is keep on asking questions that is inappropriate to YN and she does not know what to say. And Harry and the boys com to the rescue.
Or
Can you do one where their in stage singing and YN and Harry is just playing around dancing all while singing
Or
Do you remember the BRIT Awards 2014 when Harry was late because he was having a ‘wee’ can you do that but like YN and Harry were just in the bathroom having a quick s3x.
You can which ever one you want but idk where this idea poped but yeah. I like the last one you don’t have to do it tho.
ok im going to try the last one but idk whether it’ll be any good :/
Being in the most successful band in the world was a title that you couldn’t quite understand still.
3 years since being formed on the X Factor you still struggled to wake up every day and remind yourself that this was your life. ‘This’ being the lead singer in One Direction. Alongside you was the other lead, male, singer; Harry. There was Niall who played lead guitar, Louis who played the piano, Liam who played the bass guitar and Zayn who played the drums. You were all a family, well except from you and Harry - that was something different.
It hadn’t taken long for you and Harry to ask you out and originally you’d said no. You thought he would’ve given up and it was his persistence that made you fall for him. You wanted stability in a relationship and Harry proved that he could provide you that.
You loved your relationship with Harry. He was perfect, at least to you. He knew exactly the ins and outs of you. He was able to detect when you were sad and would flourish you with chocolates and flowers to grow a smile back on your face. He knew all your favourite movie quotes and your favourite book characters. He wrote every song about you. You, about him. He made you laugh until your belly hurt and he made you experience unexplainable feelings.
He was a temple of love and it was all for you.
Just like now, as he thrusted into you from behind. He had you bent over the bathroom sink, making you watch him claim you his. His movements were primal and he wasn’t stopping for anyone or anything.
“Fuck you feel so good Y/N.” He grasped your hair and pulled your head back, groaning when he saw your reflection in the mirror. Your eyes were shut tight and mouth hung open in breathlessness. “Open your eyes. Open your eyes and look at yourself.” You did as you were told, moaning at the sight.
He had your dress hitched up around your waist and panties pulled to the side. You were lucky your hair had been done down so that it wouldn’t be obvious what you were doing. Harry was in a gorgeous black suit with a heart printed shirt. You’d picked out his shirt because it matched your dress. It was your first appearance out as an official couple and you wanted to make a statement. The Brits was a good place to make that statement.
“Fuck H, you feel so good.”
“Yeah? Love you so much baby. You’re so beautiful.” Your phone started ringing on the side of the counter. “Ignore it, fuck. I’m nearly there. Y’gonna come for me? Yeah?”
All you could focus in was the way Harry struck into you. He was hard and fast, gripping your hips to help force you back and push him forwards. The sounds were sinful and the pleasure was pure. Nothing would ever feel as good as this. He was pounding you so raw and you knew that you’d have a mass of bruises tomorrow from his grip.
“Wanna come so badly, mhm.”
“Come for me then, baby. Come and then i’ll fill you up so good.” He whispered into your ear, the sounds of your phone still ringing long forgotten. You were both on a cloud so high that nothing else seemed important anymore.
You did as Harry told you, your whole body shaking. Harry had to grip your waist tighter, as your legs were failing to work for themselves and hold you up. As you came, he coated your walls white. Feeling so full had never felt so good. You were so fucked for him, literally.
“Keep all of me in there and i’ll lick it out of you tonight.” He demanded as he pulled out of you, now feeling empty.
He helped you stand up properly and fixed your hair and makeup with you. “So pretty.” He told you, kissing you on the lips once, twice, three times.
“As are you.”
You both walked out of the locked toilets and down the corridors of the O2 arena, where the Brits were being helped. Harry was laughing at something you said when a lady rushed up to you both.
“Where’ve you two been? You’ve won a bloomin’ award and the rest of your band are on stage now!” She seemed cross, but also mixed with a little bit of star struck nerves. You and Harry didn’t miss what she’d said though and took each others hands whilst running off down the corridor.
Harry was in front of you, you not being able to run as fast with your heels on. As you entered the main arena you heard Liam speak.
“I don’t know where you are Harry and Y/N..” Before he spotted you both running down the centre aisle. Harry ran off a bit, leaving you run on your own.
You were scared of breaking your ankle, however, so stopped to try and take them off. You forgot they were buckled though which made the process harder. Before you got the chance to properly undo them, you felt someones, Harry’s, arms tuck underneath your legs and around your back and hoisting you up to carry you bridal style the rest of the way.
“You and your bloody heels.” He rolled his eyes and you kissed his cheek confidently.
As you got to the stage, Harry put you down and took the microphone off of Liam. “Really sorry! We were having a wee.”
Although everyone knew otherwise.
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Tobias Forge looks into the bright future of Ghost with measured confidence
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WORDS BY AL BELLING AND PHOTOGRAPHY BY MIKAEL ERIKSSON
2022 is officially the of our unholy lord Papa Emeritus the IV, the newest incarnation of Ghost frontman Tobias Forge’s alter-ego
Of course, a new Papa Emeritus means a new Ghost album, which is exactly what the world will receive next month with the release of Impera, the fifth LP from the Swedish metal masters who have gone from (oc)cult following status to arena-filling superstars in less than a decade.
Such is the fervour around Ghost that the band has been able to change their style, sound, and image to greater and greater critical acclaim, with an O2 Arena date in London the first of what is sure to be many milestones on this new album cycle.
“Of course, we’re aware that these songs are going to be played in front of a lot of people – we very much had to think of how much these songs will play out in a big boomy hall,” says Forge, who is chatting to us from Denver, Colorado where the band is currently engaged in some pre-album dates.
“We’ve had people afraid to come to the show, and then also people who refuse to get vaccinated who stand outside the venue because they’re not allowed to come in,” laughs Forge, who sounds stunned that, despite the album not being out, “a few thousand” people are still coming to each show.
The tour has been revelatory for Ghost fans, with Forge’s backing band – known as the ‘nameless ghouls’ – debuting a brand new-look, a cyberpunk aesthetic, while new singles ‘Call Me Little Miss Sunshine’ and ‘Hunter’s Moon’ have been getting their live debuts.
“The people seem to be really happy about it,” he says, but notes a catch – “every time we start a tour, an album cycle, there’s this tremendous amount of fucking push back. Always, always, always.”
Forge is referring to the polarisation around their success, criticism has followed Ghost’s footsteps, ranging from black metal purists to magazine buying mega-fans, turned off by the commercial appeal of the band’s poppy song-craft which channels the spirit of Blue Oyster Cult as opposed to Darkthrone.
“We get a tonne of shit because people miss what we used to do, and then in a few years they’ll miss what we’re doing now.”
“It ends up being the new black anyway – people have to deal with it,” says Forge of the band’s style.
“We get a tonne of shit because people miss what we used to do, and then in a few years they’ll miss what we’re doing now.”
Forge notes that he sees that polarisation around him on the road as well, regardless of what the issue is.
“We’ve had lots of confusion and mixed messages in the world at the moment around dangers and safety, and on the one hand, you have people who are quite anxious for their safety.
“Then on the other side you have those folks who refuse to get vaccinated, they’re all standing outside the venue ‘cos they can’t come in – given the circumstances though, the tour is going really well.”
It’s this polarisation that Forge notes sets this new album cycle apart, with Impera representing a time of contentment in his life as he watches the world around him capitulate.
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“One major difference between this new record and Prequelle is that I was personally in a very wounded state when I wrote Prequelle – I was very wounded and felt attacked, but the world felt like a more stable place.
“Making Impera, the roles were almost completely switched. I felt really content and good with life, but everything around us has fallen out.
“I got the idea to write an album about the concept of empires rising back in 2014 – but I also wanted to first write an album about the plague which was Prequelle, which was written from an ‘I, a mortal and single human being am being attacked by force.’ Impera is exploring the wellbeing of society.
“At the end of the day though, I just want to write songs that are cool and make you feel good – thematic ideas can just be a way to tie together a bunch of different songs that ultimately are for enjoyment.
“I just want to help people shake their asses – or foreheads- or both!”
The danceability of Ghost has been a major trump card for the band, with their satanic Vatican image juxtaposed by bluesy rock riffs and disco-infused pop-rock goodness.
As Forge points out, their success is representative of metal entering a point that rewards bands for going against the grain, noting that it’s something “very close to (his) heart”.
“I always felt proud that when we came out, we had a brief invite into the occult rock thing that was happening at that time, and as soon as things started to move for us we were out of that quickly…we started playing with lots of other bands,” he recalls.
“Once we started touring I felt very alienated because at that point, all these ‘core’ bands with a sentence for a name – they were the shit!
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“I envied the massive amount of opportunities they had because they were all new, current, same age…I’ve always felt like the odd kid…I felt we stuck out like a sore thumb.”
This point of difference has set the band apart from the ever-increasing glut of hyped metal acts, with their last record Prequelle taking the band to the precipice of ‘mainstream’ fame.
However, while Forge is quietly confident of the strength of the record, he remains cautious when it comes to attempting to replicate the crossover appeal of Prequelle.
“You should be cognisant of those things but within the limits of writing a good record that expresses what you feel,” he says.
“Back when we wrote ‘Dance Macabre’ for the last record it felt very immediate – same with ‘Square Hammer’.
“But all the time you’ll think ‘this could do this, this could open this potential door’ – but you just have no idea.”
“If you write a record that really fulfils where you’re at, and someone walks in and says ‘I don’t hear a hit… well maybe that record doesn’t need a hit.
“Commercially, I dare to say that anyone that has experienced any commercial success at all – they know when you write something you can think to yourself ‘this could be a good song to pitch for radio.’
“I had that sense with a few songs here, thinking ‘this could benefit from not being seven minutes long – maybe we should trim it down. You shoot yourself in the foot if you don’t have that sort of radar operating.
“But for every song you have that’s successful, you have ones that you think will open heaps of doors but it might never happen – ‘He Is’ for example, America never went for it, but in Europe, it charted on normal radio!”
Despite Forge’s caution, the stage is set for a massive 2022 for the band, with concert markets reopening and a fanbase eager to install Ghost on the throne of contemporary metal.
And that, Forge concedes, is a reason to smile.
“We’re in the restaurant business – it’s great and it’s fun, but if you get a Michelin star, that’s fantastic…it doesn’t define who you are or what you’re doing, but it really helps.”
MIXDOWN
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gwoongi · 5 years
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dancer in the dark (pt. 1)
jeon jeongguk / reader genre: rockstar/pop-punk au, smut, angst & fluff rating: explicit words: 33k warnings: slowburn, explicit sexual themes, alcohol use, recreational rockstar drug use, smoking, adult language, dark themes including negative side-effects of drug use and drinking including intoxication & irrational behaviour, dry humping, mental health struggle, koo has an australian accent, unprotected sex, slight exhibitionism, if things feel good in this fic then wait 4 part two to ruin everything a/n: ok.....hear me out......guk as a lead singer of an alternative-punk-rock band....and he looks like this......and this….. AND THIS………and his band r basically chase atlantic......Ok ur welcome & pls give this fic a chance!!!!!!!!!! i luv it a lot and its probs my fav so far ˭̡̞(◞⁎˃ᆺ˂)◞*✰ def a long one so get ur tea and blankets and buckle up! notes: have it. this has been in my drafts since like july. just take it and smile.
dedicated to @httpjeon, who force fed me pictures of rocker jeongguk and repeatedly kept me sane + motivated. thank u sm 
Money can’t buy you happiness. Jeongguk, for the longest time, thinks he’s happy. Truthfully, Jeongguk doesn’t know what happiness is until you find him.
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BIRTH OF DEVILS. (LONDON)
“That was August Blue in the Live Lounge, covering Thanks For The Memories by Fall Out Boy. These guys have some right talent, don’t they? Yeah...well, you can keep up to date with them by watching their interview with us on IPlayer right now, and they’re also going to be on tour in London and various other American venues within the next few months. I’m proper excited for that...”
No matter how many interview schedules and radio plays, Jeongguk doesn’t feel as though he is ever going to get used to this feeling. 
For now, it is an endless series of chaos, radio stations and newspapers wanting to talk to the newest music craze- because that’s what August Blue were, whether Jeongguk liked that or not. 
August Blue were a band who nobody thought could make it. From early fans of the band, when they were barely filling up Korean venues and getting more than a thousand views on original songs, to big-name celebrities like Axel Choi who had waltzed into Jeongguk’s part-time job when he was seventeen. The man, one of Jeongguk’s idols, had looked him in the eye, considered his band and his dream and said he didn’t have the talent to do anything good with his band, and told him, if you want to be big, you have to be American.
It wasn’t quite the same, or what Axel had intended for it to mean, but four years later Jeongguk now sits number one on the Billboard Charts with his ‘band with no potential’, making a name for themselves, bringing pride to their culture, love with their music, and money to Korea’s economy. The amount of fans that August Blue had collected over the four years of Jeongguk’s band being formally considered a band were unimaginable, many flocking to landmarks to photograph lampposts he stood next to on Instagram, others going to his home-country to enjoy the country that had birthed icons. 
If only Jeongguk had the same love and pride for his country; they had turned their backs on them simply because of their popularity overseas. 
Well, fuck them- Jeongguk and his band are going somewhere no other Korean band or artist can even touch, and while we’re on the subject- Axel Choi can eat a dick! Jeongguk’s not doing so bad for a Busan boy working at 7-Eleven, and while Jeongguk’s drinking champagne like a King on the top of the charts, it’s hard to see everybody else at the bottom.
August Blue leave the BBC Broadcasting House, on their way to the hotel for their last two nights in London before heading back to America. It doesn’t quite feel real yet, for Jeongguk to say that his band have sold out two nights at the O2 Academy Brixton. Admittedly, it’s not as big as their shows in America, which similarly happens to be where most of their fans are located, but for a first time in the UK, it’s a dream to see it sold out with his band's name and faces on billboards nearby.
Beside him in the black van, August Blue’s bassist Hoseok sighs deeply and fastens his seatbelt, his hands immediately rummaging into his coat pocket to pull out his phone. Nevertheless, a smile does dance on his lips; a few fans had gathered outside the building to see them off, as well as welcome them when they arrived for their Live Lounge recording and interview. It still feels surreal for Jeongguk to see his face on shirts, and to hear people call his name. As the car begins to pull out of the car park, Jeongguk squints through the darkened glass at the fans, a bright smile on his face as they cheer, right until the car is out of the building vicinity.
“Should arrive at the hotel in thirty.” From the passenger seat, August Blue’s manager twists to face the band in the back seats. Jeongguk barely lifts his face to see him, his eyes glancing over and then moving back out the window, watching London pass by in a blur. “Try and get some shut-eye. Good job today, guys.”
“Thanks, coach,” Seokjin replies. It’s always Seokjin who does the talking, taking the role of Big Bro whenever August Blue’s lead vocal and, let’s face it, the reason why they have fans, Jeongguk, isn’t feeling particularly chatty, which is more often than not. “Let’s keep working hard, yeah?”
The question is directed out to everybody in the van, and Jeongguk finally looks over. He nods, gently and smiles as if it hurts him to be genuine, and then his attention is back out the window, his mind back with the fans who had screamed for him, his heart filled with the warmth of the memory.
It’s good to be loved, to be accepted. It’s good to be successful when people doubted you could do it.
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THE DEVILS ARE DANCING. (VENICE)
“It sounds really good, Jeongguk. Want me to run it one more time?”
Jeongguk shrugs the weight of his jacket off his shoulders, twisting the cable attaching to his headphones so they unravel around his body and raises his thumb through the glass to the rest of the studio. On cue, the familiar sound of the opening melody to August Blue’s updated track, Hold Your Breath, floods through the speakers, slightly tinny but nonetheless clear for all to hear. While Sejin, August Blue’s manager, aids the producer by pointing out minor audio flaws, Jeongguk joins the rest of his band in the studio to gather around. The last to join the group is Seokjin, the drummer who rubs at his wrists pathetically, his duet of drumsticks poking out of his back pocket.
Sejin’s right- it does sound good.
The strums from Hoseok, Taehyung and Namjoon’s instruments sounds incredible, and it’s probably their strongest non-punk track of the year. Retrospectively, it sounds nostalgic, reminding Jeongguk of those summer evenings in Busan after a tiring day of school and garage-band practise with the guys. When the chorus moulds together, Jeongguk’s lips lift to a satisfied and exuberant smile, the harmonies from everybody’s vocals blending together before the chorus comes to a finale, and Namjoon’s deeper vocals come for the second round of verses.
As he listens, Jeongguk recalls the moment he sat down and wrote this song, back when he was eighteen and feeling like the world was against him. In that respect, this song means a lot to him and the band, reminiscent of a time where it felt impossible to get out of the garage and into venues. Then, when Friends brought them out of small Korean venues into charts abroad and giving them radio play, Jeongguk had stored Hold Your Breath on a memory stick and his worn out lyric book, until the right moment came for him to present it to a studio. It just so happened that ADORA, a respected and famous Korean producer based in the US-of-A, had loved the track, bringing it back to square one where Jeongguk stands still, unaware that the single has finished playing.
“It’s one of our best,” Namjoon admits bashfully, his hand brushing the back of his neck, a habit. He extends his gaze out to the rest of the band, “am I right?”
“Better than Friends?” Seokjin asks, surprised. He tilts his head as if he disagrees. “Nothing can beat Friends.” After that statement, something about another song comes up in conversation but it dies out over the sound of Hold Your Breath being rolled back and played again.
On the other side of Jeongguk, Hoseok hums and claps the younger on the shoulder, the sound of Jeongguk’s hiss ignored and silenced by the excited discussion over the track by the producers, lunch menus between Seokjin and Namjoon. With a slight wince, Jeongguk looks over at the bassist.
“It’s all thanks to you!” Hoseok says, a tight but honest smile on his face. “Without you, there’d be no songs. I’m telling you, we knew you were special!”
“Thanks, Hobi,” Jeongguk replies quietly. “Let’s hope people like it and it sells.”
“Why wouldn’t it?” Hoseok muses, frowning. “Just because it has a story doesn’t mean it won’t sell. Honestly, Guk, this one’s great. It’s gonna be amazing.”
Like always, Jeongguk finds that difficult to believe, despite records and albums selling luxuriously every time. It’s mandatory to doubt, especially when you’ve got a lot to lose; August Blue are just another band, another group of guys trying to make a name for themselves across the pond. Right now, they’re not huge, not as big as Jeongguk wants them to be- they can sell out a couple arenas, top charts and headline shows, but they’ve still got a long way to go, still got the prejudice of being foreign. If anything, that only motivates them more. Nothing feels better than proving the white man wrong.
“When it’s finished, we’ll have a promising B-side for the album,” starts Adora, the producer looking over her shoulder with satisfaction at the five guys. “I’d like to run through Dancer in the Dark, though? Adjust the drums, maybe add more to the sax?”
Jeongguk nods, taking a quick sip of water from a bottle on top of the small cabinet pushed to the wall of the studio. “Might work better as the A, actually. Guys, what’dya think?”
“Yeah, sure,” Namjoon replies. “It’s a good song- will probably look better with a music video too. Want us back in the booth for it?”
Adora shakes her head, rolling the song back up. “Nah. Just gonna listen for now. Good job, guys.”
With that, and the familiar opening melody of Dancer in the Dark filtering through the speakers, Sejin claps his hands and gives a thumb to the rest of the band, sending them off for an hour or two until they’re needed again. In ADORABLE TRAP Records, singers were more often than not props, voices for her to play with. Jeongguk provides a demo, a rough idea of what the song should sound like and Adora works her magic, changing tones and amplifying the bass, creating something magical and sensational for when August Blue regroup in the studio at a later time. The band trust Adora and her team, considering she’s half the reason why they’re big worldwide in the first place.
THREE AM is August Blue’s anticipated first full length album, after many months of EP’s and mini albums, alongside the handful of covers accumulated over the years. ATR expects it to be completed by the end of the week, with only minor final touches needed on a select few of the tracks, eleven seamless and sensually exciting songs ready to release to the budding and hungry public. Like always, the pressure of perfection hangs over the studio, intoxicating and infuriating, and as soon as he can escape the room, Jeongguk inhales the clean and purified air of the outer studio, where a leather sofa sits beside a flickering vending machine that’s surely seen better days.
Hoseok groans, massaging the cramp out of his shoulder with his leather jacket still in his hand, spinning wildly with the arms extended out, hugging the air. “God, I’m so fucking hungry. Shall we go out?”
“Mm,” Namjoon agrees, “sounds good. Guk, Jin, you in for some food?”
Somewhere behind Jeongguk, Seokjin sighs loudly- a noise that has the nerve to sound like a whine, childish and ungrateful. “I need to find new drumsticks. Look at the state of these things.” Over his shoulder, Jeongguk spies the blunt ends of Seokjin’s sticks, the smooth and rounded ends frayed and close to splintering.
“How did that even happen?” Hoseok asks incredulously, while Seokjin’s distinct laughter rises in volume.
“Don’t ask,” Seokjin shakes his head in reply. “Anyway, won’t take long. Isn’t that one store nearby? The one owned by the Daegu guy?”
Namjoon confirms this. Not too far away from ATR, located in a renovated storage house in Venice, there is a comfortably successful and trustworthy store that August Blue aren’t strangers to; DBOY is one of the best, expensive and well respected amongst musicians who frequent LA. Jeongguk recognises the name, as if on command picturing the small guy who runs it in his head. 
Of course, it’s not owned by him- DBOY is known for being established and owned by Min Dowoon, a retired music producer whose name is legendary amongst artists and most certainly intimidating to the likes of Busan boys like Jeongguk. Regardless, it is his son, Yoongi, who pretty much runs the place. From what Jeongguk can vaguely remember from the last time he met with Yoongi, he recalled the aforementioned to have a fine and grand collection of ostentatious instruments and equipment. As for the seller himself- well, Yoongi can be a little bit of a nouveau-riche, perhaps even unapproachable, but it’s not as if people go to DBOY looking for a conversation.
Jeongguk might be the lead vocalist of the band, but he most certainly does not regard himself the leader. Due to this fact, he stares back at the other members of the band, waiting for a decision to be made for him. While on stage, Jeongguk enjoys playing pretend and acting as if the world was his for the taking, his for his pleasure, off-stage he enjoyed living quietly and comfortably, some might say obediently, shying under the authority of his elder band-members.
“What? Yeah, of course,” Namjoon replies almost immediately. “It’s on the way to that Korean place we went to last time we came here.”
Taehyung sounds zealous at the mentioning of the Korean restaurant, which pretty much means everybody’s mind has been made up. When Seokjin catches up with Jeongguk and wraps his longer arms around him playfully, Jeongguk finally lets himself loosen the tension carved into his skin from the studio, being pulled and pulling Seokjin out of the studio and into the sunny street.
The drive to DBOY is neither long or difficult, considering the traffic has decided to fall on their side of luck today. Hoseok, who enjoys being the designated driver for the band whenever he can help it, turns right and pulls the car into the staff-only car park, uncaring for the signs that turn him away and parks awkwardly near the shrubs behind the store. 
Without being affected in the face of Seokjin’s disbelieving protests against Hoseok’s parking preferences, Jeongguk undoes his seatbelt in a grouchy silence and hops out, feeling the underneath of his knees aching due to the tightness of his jeans. The front face of his knees are torn, the tan skin poking out and slightly red from where, out of unhealthy habit, he scratches his skin, the only source of colour aside from his skin being the mustard of his shoes, comfy and worn out of love.
He always forgets just how warm America is- not that it’s not welcomed, of course. Only, now he half wishes he hadn’t worn an all-black ensemble, the sun hot on his neck and underarms. The rest of August Blue take their gentle time getting out of the hired vehicle, a cacophony on the right side where Seokjin and Hoseok have stepped out, arguing over the angle of the tyres as if it genuinely makes any difference considering the car is out of sight from the public, meaning it’s bothering nobody at all besides Seokjin, who appears to be the only person complaining. 
Jeongguk just rolls his eyes, over it, and brushes his untamed parting out of his eyes carefully, avoiding catching the curled strands on the bar of his eyebrow piercing.
DBOY, like always, is quiet and glorious, rising high against the bungalow-sized stores surrounding the lot. Its architecture is refined, boxy and brown and all-in-all American, a copy of every brown bricked building you’d see in the movies. And yet, it still stands out, with bright yellow accents like the colour of Jeongguk’s shoes, similarly promoted within the interior if Jeongguk remembers correctly. 
The first time Jeongguk had come here it had been with acquiesce, mostly just to shut Seokjin up after he read a few five star reviews online. That was around about the time Taehyung had joined the band, with little rockstar aura and a gift for the keyboard and saxophone, which incredibly added an accent to August Blue’s music that helped them chart worldwide, a Korean The 1975 as a headline which didn’t seem all that bad, given the leader of the latter seemed down to Earth about it. 
Jeongguk now cannot deny that DBOY offers something to a piece of music that quite literally no other can, hence why he sets off first towards the oversized yellow door and pushes it open with all its weight. Like Yoongi and his brusque facade, Jeongguk’s not shocked to find the door is a heavy metal, requiring attention to push it open, but yet it always catches him off guard, as if he’s expecting it to get easier each time.
Once inside, the all too familiar sound of I Want To Break Free greets his ears, the sound echoey and tinny, like you’d expect for a building with a high ceiling decorated with pipes drenched in the signature yellow. It is bright, and chilly as he enters due to the air-conditioning, yet the warmth engulfing him as all of the band enter and the door closes. On a good day, DBOY is virtually empty; majority of their orders are online and dealt with by another customs manager that is not the staff on duty, which coincidentally is how Yoongi likes it, considering he’s a bit of a black sheep, not exactly enthusiastic about talking when he can help it.
While Hoseok and Taehyung make a b-line towards the vinyls and collection of photographs that Yoongi displays in order to show off how many celebrities he’s had the delight of selling to, Jeongguk follows behind Seokjin and Namjoon as they head towards the desk, pushed towards the back of the store behind endless stacks of records, the left side of the store displaying a rare and gorgeous collection of instruments that Jeongguk ogles at as he passes. 
Yoongi is a personal collector of vintages, including exact pieces and similarly replicas, the newer models closer to the desk where the cameras can keep an extra eye on their condition. Jeongguk has half an idea to make a directional change and head right, but the opening to the operative desk appears before him, or over the shoulder of Namjoon as he walks behind him.
DBOY feels abnormally silent today, not even the distinct humming of Yoongi detectable in the stacks. Namjoon purses his lips, looking around half-heartedly before moving towards the desk, raising his hand to drum his fingers upon the varnished dark wood. The dull sound of his fingertips brings Jeongguk’s head away from the instruments, and similarly, a head from a book.
At first, Jeongguk’s only half-looking. In blunt honesty, he’s not too interested in whoever is behind the desk, a sigh leaving between his lips as he buries his hands into the pockets of his jeans with great difficulty due to the tightness, something which attracts the eyes of the little dove behind the desk, her eyes darting to the refined bulge of his biceps and veins crawling on his forearms.
“Oh,” comes a gentle voice that, with reluctance, pulls Jeongguk’s eyes back over. “Sorry. I didn’t even hear you come in! I didn’t even hear the bell…”
Namjoon’s eyebrows pull upwards. “You have a bell?”
“Yeah...I think?” Questionable. “Well, I thought we did...I bet Yoongi took it out again. Fucker, he doesn’t tell me anything.”
Seokjin leans backwards on one foot, taking a peek back towards the doors where, hoorah, there is a bell on the wall above the entrance. “Oh, look at that. Guess you do have a bell.”
“Well,” finishes the voice, and Jeongguk takes the chance to look at the little display on top of the desk, a complementary addition that spells out the cashiers name in a disgustingly ordinary font. Y/N is what it reads today, which Jeongguk makes a note of and looks away from at the same time. “That bell is definitely broken. Huh. Anyway, sorry. Can I help you?”
“Yoongi here?” Namjoon asks, his weight now entirely reliant on the weight of the desk. By this point, Jeongguk has led himself over to the instruments, the only sight of him being his back marked and outlined by the clinginess of his tee.
You nod once, smiling and slamming the book from your lap on the top of the desk. Never did Namjoon expect for the title to read The Encyclopedia of Sharks, and as you spin in your chair to heckle in the back office, Namjoon glances at Seokjin over his shoulder with an amused smile, his eyes gesturing back to the book earning Seokjin a snigger.
“...and you didn’t tell me the bell was broken at the door.”
Your voice enters the store once more from the back office, accompanied by the smaller frame of Yoongi as he discards a tinfoil ball into the trash underneath the desk.
“Sorry. Y/N, the bell at the door is broken,” Yoongi deadpans, and you sneer in reply, tugging away from his childish and playful smile to be seated. When he’s decided he’s finished fondly looking at you, Yoongi addresses the band in the room, a secondary smile lifts the corners of his lips. “Long time no see.”
“Yeah. Yeah, sorry, tour,” Namjoon offers as an explanation.
“Don’t sweat it,” Yoongi shrugs in reply. “You recording?”
“As we speak,” Seokjin pipes in. “And, look- went to some stores in Vancouver for sticks last year and got given this!” His tone is elevated with genuine aghast, holding up his drumsticks and Yoongi pulls a face.
“That’s what you get for going somewhere other than here,” Yoongi frowns. “Come with me. The newest collection actually just came in. You all in here? Keep sticky fingers away from my signed records.”
The remainder of their conversation is muted for you, as you watch the group of guys shuffle away from the desk and towards the display of instruments. Whereas Yoongi holds an extensive knowledge on music and instruments, you can happily and readily admit that it is not within your comfort zone.
Truth be told, the only reason you work at DBOY is for money, and because Yoongi happens to be a relative willing to pay you more than you deserve. Family history is the reasoning for Yoongi’s undying devotion to music, alongside a half-completed degree in sound engineering that he tells people he’s got, because the two years he braved University sure as hell didn’t happen for no reason. 
As for you, you prefer the less audible arts, the ones starting and stopping with paintbrushes and splashes of colour. If someone were to ask, your job at DBOY offers a daily observation of the various album covers dotted around the store, ready to be fingered and thumbed when you’re changing the display shelves, or cleaning the trays.
In simpler terms, Yoongi is the expert. You’re just the person who sits behind the desk and pretends to be a professional.
“Newer Hickory over here,” says Yoongi, as he leads the three ducklings through the store towards the lined stacks of drumsticks. In awe, like a child in a candy store, Seokjin surges forward and gapes at the selection, his eyes glued to a signature collection, signed and overwhelmingly expensive. “Oh, yeah. Queen. Signed by Roger Taylor himself, wanna feel ‘em?”
Seokjin does want; his eyes light up like tiny lamps and they widen in size, followed by the rise and fall of his feet as he hops with literal overflowing excitement. Namjoon laughs at the sight of it, the sound eventually calling Hoseok and Sticky-Fingers-Taehyung away from the pride of Yoongi’s photo collection and towards the rest of the band. Something deep within Jeongguk claws, a smile on his face as he watches Seokjin get visibly excited over the drumsticks formerly belonging to Roger Taylor. Even Jeongguk himself, despite the sudden appearance of his angst, oohs and aahs at the stick set, being directed by Yoongi to the line of new guitars and boxes on show.
“New face?”
By the time Hoseok has settled with the group, Yoongi looks up from the set of Les Paul that Namjoon is admiring for its matte polish and notices Hoseok’s gaze pointed in your direction. Yoongi follows, his chin lifting with satisfactory pride when he sees you’re reading, as always, unfocused on the group and submerged in your own world.
When you wanted, you could be excited about celebrities when they came into DBOY, but there was honestly the high chance that you didn’t even know August Blue. Considering Yoongi knew them through connections and through a year exchange programme in Australia where he had met Jeongguk and gave him advice for the band, he of course felt familiar, close enough to actually consider the members to be friends.
“Sorta,” he admits in reply. “She’s been here a while now. Y/N.”
“She’s pretty,” Namjoon comments, which, to no surprise, irritates Yoongi. He glares in the direction of the guitarist and scowls, his face pulled up with disgust.
That’s when Jeongguk looks over, drinking in the sight of you for the first time ever. Usually, Jeongguk takes great pride in the fact that he fears attachment, therefore closing himself off emotionally to everybody outside of August Blue. Due to this fact, he almost never finds himself interested in anybody, his limitations at sex which, even then, he doesn’t engage in often. 
He spies on you from where he is standing, next to the electric guitar displays, watching carefully at the way you carry yourself, what you choose to show people. What you are doing now is boondoggle, skimming through pages you’ve read before to present the image of you being busy. By luck, you had dressed more nicer than usual for this date- your hair pulled half up and half down, the lilac scrunchy keeping the curls together and a black and white striped dress wrapping around your body to where Jeongguk predicts could be your knee.
Without being modest, there’s really nothing world-stopping about you. Jeongguk knows this as he stares at you; he’s had better, and definitely had worse. God forbid it, but you have the audacity to look normal, mistakenly placed in the store, sticking out like a thumb that is sore.
“She doesn’t look like she should be working here,” Jeongguk throws in, offers almost, and Yoongi regards him with the raise of his brows, an amused smile on his face.
A deep groan rises out of Namjoon’s chest. “Here we go. He always does this- every time there’s a pretty girl, he gets like this.”
“Gets like what?” Jeongguk asks, scoffing.
“Jerky,” Hoseok agrees, laughing and pointing a finger at Jeongguk accusingly. When he silences with small gasps of amusement, he smiles and says, “did you know it’s a turn off for girls?”
“Then tell me why I have more game than you?” Jeongguk quips.
Hoseok just laughs, and both of them know it’s false, considering Hoseok and his unofficial girlfriend have been hooking up for the last five months, whereas Jeongguk has remained single and sexless; which he doesn’t care about, especially when there’s a million other things he could be doing and worrying over. Comfort previously found in pillowcases and sexual endauvers can now be found in white powders and green liquids, either- either warm enough to keep him happy, at least until Seokjin tells him he should stop and put it to rest.
Yoongi quietly twists the key in the display lock after confirming that Seokjin wants the sticks in his hand. “She’s good. She does her job, and in return, I let her do what she wants when nobody’s in the store. Give it a break, yeah?”
Jeongguk scoffs with surrender, raising his shoulders as he lets it drop at Yoongi’s request. Meanwhile Yoongi answers questions about the instruments for sale, lined up for the band to gawk at with ungraciousness, Jeongguk actually turns back around. Another elongated sigh leaves his mouth, the sound of creeping boredom, and finally, his gaze once again settles on yourself. 
You’ve moved since he last looked over; the book on sharks is set on top of the desk again, and now you’re risen. From where he is standing, the desk curves, revealing that his predictions on dress length were fruitless considering the stretch of your dress rises above the knee, bunching around your thigh comfortably. He has to respect it- it’s hot in Venice.
Without particularly wanting to, Jeongguk’s legs wander from his original spot towards the desk, his eyes elsewhere to feign disinterest. The truth of the matter is that he isn’t really interested, unless you counted the dull rise of arousal in the pit of his stomach. That being said, Jeongguk glances up at your face once more and sucks air into his cheeks, hollowing the skin as he knocks on his heels and turns away from you before you can notice. Namjoon was right, to some extent. You were pretty.
“You like The Clash?”
A sweet voice hauls Jeongguk’s attention up and over towards the corner of the desk, where on the other side you stand with both hands flat on the surface, your entire body lifting your weight cutely. Jeongguk’s heart leaps and he glares down at his hands, finding London Calling in his hands, indicating that whilst on his solo mission of pretending to be preoccupied near you, he had just picked up the first thing in front of him.
Jeongguk clears his throat gruffly and shakes his head once. “No.”
For a few seconds, nothing is said. “Oh.” And Jeongguk hopes you’ll leave it there, let him pretend he’s invisible until he’s thought of something to say, but as always, his prayers are ignored. “Do you need help finding something?”
“No,” Jeongguk grits out. He speaks with acrimony, the tone at first catching you off-guard until he looks up, and his eyes tell a quiet story that makes your mouth close tightly. “I’m browsing. Am I not allowed to browse?”
Whether he likes or expects it, the way Jeongguk speaks makes a grin spread across your face, covering your original expression of surprise. He’s not quite sure how to feel about this, or what to make of how his chest feels when it happens.
“Sorry,” you reply, not exactly sounding apologetic. “It’s my job to ask, I guess. Well...enjoy your browsing. If you need me…” Repeatedly, his gaze lifts from the stack of CDs back towards you and it is only when you look away that he allows himself to slip, the smallest of frowns tugging at the corner of his mouth.
Although he knows better, Jeongguk sighs and pushes himself away from his end of the desk. It slides, semi-circular with the front in the store and behind it in its own secluded room, decorated with posters and old lockers that are used for storage. It doesn’t take looking up to register the fact that Jeongguk has moved next to you, parallel; something about Jeongguk feels particularly distinct, heavy and intimidating with the smell of hazelnut that enriches woody elements, a signature male smell that fills your nose.
“So.” Jeongguk starts over, his voice clipped but also clear, as though encouraging a conversation. To you, it feels unpredictable, almost as if talking to him was absurd; to Jeongguk, it is a bravado. “You like sharks.”
Out of surprise, your attention snaps towards him. His expression gives nothing away, and it is only when he raises his eyebrows expectantly that you remember the book, that stupid book you found under the desk when you clocked in this morning after your nine-am seminar. The Encyclopedia of Sharks, smiling razor blades face up at you and an embarrassed heat rises in your body.
“Um, not really?” you confess, avoiding the scrutiny of his stare. Jeongguk’s face is levelled into unamusement, challenging the fact you don’t like sharks in the same way you questioned his interest in The Clash. A bewildered smirk dawns on his face and you smile, tightly and revealing a dimple near your jaw that Jeongguk’s attention is pulled to. “I like Sharknado, though.”
“Right,” Jeongguk replies, finishing with a laugh that is mostly air through his teeth, a snigger of sorts, and he shakes his head downwards, fluffing his hair all within the same movement. It shocks you, genuinely, to hear a laugh come out from his mouth.
While he is busy sniggering to himself, because apparently what you said tickled his remaining sense of humour, you seize the opportunity to dance your eyes across his body. “Your tattoos are pretty.” It leaves your mouth carelessly, but Jeongguk looks up with a smile on his face, a gorgeous set of pearly whites on show.
“Yeah?” he asks, and then he flexes his arms unintentionally, peering at the black ink decorating his skin. Your mouth waters inside, soaking in the sight of him before it’s snatched away, like all the good things in your life. “Thanks.”
“Mhm,” you offer, feeling mortified.
“I saw you’re close with Yoongi,” Jeongguk mentions, after a short pause. “Boyfriend? Best friend? Super close colleagues?”
“What? Ew, no. Yoongi’s my cousin. Well. You know, when someone just becomes a cousin ‘cos you’re close,” you reply, and Jeongguk nods casually, pursing his lips, and it ends there. “Also...none of your business.” He smirks.
On cue, an eruption of laughter simmers from across the store where Yoongi and the rest of Jeongguk’s friends are gathered, and you swallow the lump in your throat and glance at him, finding he hasn’t looked away. “Are you guys, like...in a band, or something?”
Jeongguk doesn’t know what to say. Should he be offended or relieved that you don’t know who he is?
“Something like that,” he nods.
“Can’t be that popular then, if I don’t know you,” you tease, fighting the urge to laugh when Jeongguk’s face falls dramatically. “I’m kidding. What did you say your name was again?”
“We’re called August Blue.”
“No, I meant your name,” you laugh.
Jeongguk splutters, coughing nothing out of his throat. “Oh. Jeongguk.”
There is no reasonable explanation behind why Jeongguk’s stomach feels weird when you smile- it is an unspoken rule that Jeongguk doesn’t do feelings. Jeongguk doesn’t do romance period, only hooks up on the rare occasion that he’s high enough to feel something for someone other than himself. Yet something is unsettling inside, bubbling like the top layer of boiling water in a cauldron, threatening to spill out in waves.
“Well, Jeongguk from August Blue- who I shall be indulging in very soon, as in, when you leave the store and I can do it without you watching me-,” you pause when he laughs again. You wonder if he laughs often, or if you’re one of the lucky ones. “-, it’s a pleasure meeting you.”
“Is it?” he questions disbelievingly.
You tilt your head curiously. “Why wouldn’t it be? I mean, aside from you coming for me doing my job.”
Jeongguk rolls his eyes. “Whatever. And, I’m just saying.”
A playfulness grabs at your shirt. “Why? Are you dangerous, Jeongguk?” Your eyes narrow into slits, challenging, and Jeongguk just smirks, exhaling softly. There is something charismatic about him, that’s for sure.
“All I’m saying, is that guys like me aren’t good for girls like you,” Jeongguk settles, unprepared for the unexpected laughter that bursts from your chest, bouncing around the room until Jeongguk actually feels somewhat uncomfortable. “What?”
But the laughter is uncontrollable, loud enough to bring Yoongi back to the desk questioningly, followed by the rest of August Blue as they shadow Yoongi like lost puppies. Yoongi pushes the small gate open and his eyes widen at you hunched over on the desk, secondly acknowledging Jeongguk as he stares deadpan at you, wondering what it was he said that was so comedic.
“You make it sound so simple,” you tell him, once the laughter has subsided. “It’s cute that you think you know what kind of girl I am.”
Hoseok side-eyes the situation as Seokjin fishes out his credit card, feeling as though they’ve all interrupted something they shouldn’t have. What is more shocking is the fact that Jeongguk accepts the challenge- he’s normally isolative with his voice when around new people, only comfortable at home or on the stage surrounded by people screaming lyrics he died to dream up and write down.
“Aren’t I right though?” Jeongguk asks, smiling like he’s got it figured out. “The pretty innocent girls like you...I’m the kind of guy your family warned you about.” While Namjoon snorts, Taehyung nods, supporting Jeongguk’s statement as you look over his shoulder at him.
Before you can even speak, Yoongi barks out a laugh, shaking his head as he returns Seokjin’s card. “Guk, you have no clue.”
If there’s one thing Jeongguk dislikes, it’s feeling as though he’s missing out on something. Back and forth, he looks at both yourself and Yoongi, waiting for an explanation. Yoongi prolongs it, finding sadistic enjoyment in the gradual irritation solidifying on his face, his tongue prodding his inner cheek with a bored expression to match.
“Dude, her daddy’s Axel Choi,” Yoongi snorts, and he laughs loudly when Jeongguk’s whole face drops to the floor, the butterflies in his stomach replaced with an instant sourness, like the bitter burn of alcohol after one too many glasses.
Bewildered, Jeongguk is rendered speechless, and while Yoongi burps laughter and makes a note of the stock now that Seokjin has purchased something, the respective remaining four members of August Blue share cautious glances, apprehensively watching what Jeongguk does or says. Saying Axel Choi feels stupid and minute, but within Jeongguk’s world, it has the same consequence as saying Lord Voldemort in Harry Potter. Whatever attempts Jeongguk has made to forgive or forget what Axel Choi once said to him in that 7-Eleven in Busan is fruitless, the judging and patronising tone clear in his ears, flooding back like a PTSD.
“Wait, what the fuck?”
“Ooh,” you start, lifting up with excitement, “what did he dooo?”, at the same time that Namjoon warningly mutters Jeongguk’s name.
“You look nothing like him,” Jeongguk says dumbly.
“That’s kinda where the step comes in. Stepdad, no blood relation, thank fuck!”
“Come on, Guk, it’s not like she was even there when he shat on all your hopes and dreams,” Yoongi frowns, raising his hand slightly in an effort to diffuse the tension. Purposefully, he ignores the way you look at Yoongi with question, realising instantly that Jeongguk’s behaviour isn’t a matter of personality but instead pride, a desperation to prove himself. “Lay off.”
“He’s family.”
“Is he fuck,” you snort, the sound and language together making Jeongguk even more confused, his head pounding with a mixture of nausea and relief, the upset of his seventeen year old self something he can’t quite shrug off, like the memory of a bad dream. “And, come on. Isn’t that unfair? Put it this way- your dad kills someone, should we go to jail too just because we’re family?” Jeongguk says nothing. “Besides, he’s been married to my Mom for like, six years? And I still don’t like him or get along with him!”
“We just have...bad experiences with him,” Namjoon admits, not forgetting to throw a glare in Jeongguk’s temperamental direction, and he reacts with a jerk, an annoyed scoff leaving his mouth.
Jeongguk crosses his arms. “He told us we’d never succeed. The fucker basically said we didn’t have the talent to be big.”
“And yet, here you are,” you point out thoughtfully, and Jeongguk pauses, acknowledging you fully. “People always succeed when others are negative. I guess we’ll just have to prove him wrong, hm?”
The funny part is that Jeongguk absolutely knows that you are right. In spite of the jarring fact that Axel Choi’s memory is now back in his life with the news of your connections to him, Jeongguk is fully aware of how none of this is your fault. Jeongguk knows better than anybody that baseless judgements were more often unhelpful and toxic than not, and instantly, an apology is brewing in his mouth, words connected by thin strings in his brain, formulating two simple words that feel impossible to mouth. 
Alas, rockstars and their inflated egos; Jeongguk swallows the words back down, battling the urge to say what’s truly on his mind because he’s afraid of what might come out in its place.
So he walks.
Dejected and confused, Jeongguk spares a look at everybody in the room before shaking his head, as if trying to get something out of his head. The worry that slightly pools in your stomach at the sight of it worsens when he storms back down the length of the stacks, closely followed by Hoseok who is a foot away from calling his name. For the rest of the band, it seems, this is instrinctic of Jeongguk, and they quietly but speedily finish up and follow suit. Before he exits, Namjoon smiles over at you, something hidden in the movement that assures you it’s not your fault, even when your agape mouth and stuttering starts suggest you feel otherwise.
Jeongguk makes it out of DBOY before his lungs cave inwards, the hot smell of air pumping into his body as he steps outside to catch his breath. Hoseok’s hand comfortingly presses between his shoulder blades as he finally catches back up with the younger, and Jeongguk refrains from snatching himself away. The demon in his head cackles and the desperate angel pets his hair, tells him that if he pushes more people away, he’ll have nobody. Jeongguk’s not sure if he’s heard that angel speak before.
Hoseok guides Jeongguk back towards the car, silently accepting that Jeongguk didn’t mean it. He never does. He quietly accepts it, patting his leg when Jeongguk sits down once the car is unlocked. Jeongguk doesn’t say a word, not even when the rest of August Blue pile in the car, animatedly talking about the Korean restaurant they’re planning to eat at next. Clockwork routine, they never bring it up afterwards.
The car pulls away and Jeongguk winds the window down with a frown. He’d like a cigarette.
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Not that Jeongguk has been counting, but it has been four days since August Blue had visited DBOY. 
Against his tight schedules consisting of long hauls in Adora’s studio, revising songs and making minor changes to each track in preparation for the album release in a few days time, the mere memory of DBOY has been the last thing and least important thing on his mind. In sooth, he doesn’t think about it until he’s alone, vulnerable in his own personal comforts surrounded by white and red. The memory haunts him, keeps him awake for no reason. Jeongguk wishes he could go back, wipe the slate clean, listen to the angel and not be such a prick. He can do this- he does do this.
On the following day, Jeongguk wakes up with a free schedule, waking in bed with the dark grey sheets belted around his lower waist. Casting a glance to his phone that lights up distractedly with notifications, he sees that the time reads eleven am and he yawns. Knowing the rest of the band, they’ve probably scattered already; Hoseok had mentioned something off-handedly last night about spending the day with Roseanne, and Namjoon would most likely be reading alone or exploring with Taehyung, the final man of the hour, Seokjin, sleeping in until it hurts to sleep.
He could do the same, but he doesn’t. Instead, Jeongguk gets himself up and ready, finding his body lead itself back in the direction of DBOY, only realising that he’s come back when he’s outside the front blinking up at the sign.
Somewhere down the street, the sound of screaming reaches his ears- sometimes it’s hard to escape the fans who long for a glimpse at their idols, and to avoid them catching on as to where he’s fled to, Jeongguk hurls himself through the heavy metal door and into the store. It comes as no surprise that it’s empty inside, cool again and this time bursting the lyrics to a Fleetwood Mac record he can’t quite remember the name of but recognises.
The long walk down the length of the aisle is intimidating, daunting as Jeongguk walks and sees nobody behind the desk. Aside from the echoed sound of Fleetwood Mac, the store is virtually silent- admittedly, there is a small group of teenagers at the other end talking quietly, but they are so muted that Jeongguk at first doesn’t realise they are there. Instead he continues forward, slowing significantly when he reaches the desk and finds absolutely nobody in attendance.
For a second, Jeongguk considers leaving. However, the herd of fans he had stalking him outside are no doubt still outside somewhere, and as soon as he considers it, the sound of your voice makes his head snap up attentively. The door that joins the desk space to the back office rattles slowly and then pulls open, and Jeongguk inhales a breath when you step out, as charming as you were five days prior.
Jeongguk is all you see when you pick your chin up, staring at his face closely as he hovers lumpishly, looking out of place. Before he can speak, you regard his appearance, a flattering mixture of tonal blacks; the tight leather jacket covering a black roll neck and tight skinny jeans, even the trademark face-mask that has been pulled below his face, hanging by his neck.
“Oh,” you breathe softly, stunned. “Jeongguk, right?…”
“Hi,” he replies, and you take pleasure in noticing the dulled volume of his voice. “You’re here.”
He considers it a win when you smile. “Well, I do work here.”
“Yeah, I know, I don’t know why I said that,” Jeongguk mutters. “I just...Are you free?”
You make your way towards the desk, gently kicking an empty storage box with your feet. “Sadly, I am always free. You know, considering Yoongi is so popular, this shop is always empty. What’s up with that?” It’s rhetorical, and Jeongguk laughs gently. “What’s up? Left something here? I didn’t think you’d come back...well, after…”
Jeongguk frowns immediately, the unmissable darkened gaze of regret on his face. “That’s actually why I came back. Look.” He sighs, deeply and loudly. “I know it’s not your fault. With Axel.” As he speaks, your gaze is glued on him, your eyes occasionally scanning various parts of his face. “And it’s so fucking unfair for me to hold you against things he said before you even knew him, or whatever, yknow? I guess it just caught me off guard.”
You nod genuinely. “It happens.”
“And, look, I know I don’t even really know you that well, but I can tell you’re just nothing like him,” Jeongguk continues, his temper rising slowly. “You’re kind, and funny, and he’s just an asshole and-” But he stops. And, what? And, he’s still family.
“You’re right,” you agree, laughter spilling from your tongue. “No, he’s the biggest asshole. And his music sucks, let’s be honest.” Jeongguk’s mouth opens, like he wants to speak. “No wonder it took him fourteen years to make a hit…” And he laughs, loudly and in agreement. 
It must be a rarity to see him smile, to hear him laugh; with your heart in the sky, staring at Jeongguk laugh makes you feel warm, your hands quivering with satisfaction at the way his eyes curve into horizontal brackets, like moons, his teeth free with the comfort of knowing he’s safe being happy.
So, explicitly, he doesn’t say sorry like he wanted to. He tries- the words are right there, it would be easy, it is easy. As always, you are understanding, sympathetic to Jeongguk as he struggles to get his words out coherently. You know what he means. You like that he cared enough to try, anyway.
Realistically, he could have left it there, and maintained that stereotypical air of mystery and unavailability he’s used to showing people. On the contrary, Jeongguk finds more reasons to slink back towards DBOY, until he’s entirely familiar with your work schedule, having accidentally turned up when you were at a lecture, and had to suffer the pressing curiosity of your cousin. Yoongi had been so over Jeongguk pretending he was here out of personal pleasure of being surrounded by music that he had eventually just told him your work times, prompting Jeongguk into working harder in the studio to ensure more free time.
Like always, nobody in the band minded. If it meant Jeongguk was investing his spare time in something other than his own loneliness, they were happy to let it be. As for yourself, the reoccuring showing of Jeongguk in DBOY was at first, something you anticipated until the third showing where he had turned up in what you think might be his best look yet. Finally, he wears splashes of colour, his aura breathing with life as he turns up to the store wearing blue denim jeans, with maroon boots and a red beanie over his hair which has been flattened.
Each visit from the man is memorable in its own way, for either parties; you gradually learn that Jeongguk was the lead singer of August Blue, his accent distinctly Australian no thanks to his mother’s dual citizenship that resulted in many family holidays out there, and the year abroad that had chanced him to meet Yoongi. In return, Jeongguk learns that you haven’t even turned twenty yet, your birthday approaching soon, and that your a dilettante, knowing virtually nothing technical about music and instead comfortable in the field of physical art, a first year studying visual art and media.
Jeongguk learns all of this on the third visit. On the fourth, he finds out that you’ve finally listened to his bands music in time for their album release the following day, now in love with the truth of their lyrics, a direct quote from your mouth that Jeongguk remembers perfectly. And on the day of THREE AM’s release, on one of his final days before tour preparations are due to start, Jeongguk finds himself in DBOY with the sound of his own voice on the speakers, and the breathtaking sight of you dancing while stacking the shelves.
It’s a new track, one off the album that dropped this morning. Dancer In The Dark plays all around him, his mind reeling when he reaches you, your back to him and hips twirling as you work. You don’t even need to turn around for Jeongguk to know that you look gorgeous- that’s something that has changed over the past few weeks of Jeongguk returning to DBOY to see you, and annoy Yoongi, respectively. 
Something inside of Jeongguk now craves you, beyond the simple lust he would have imagined. Perhaps it’s the way you didn’t know who he was, treated him like a human being rather than a God; maybe it was the way you’re so ordinary, a taste of normality Jeongguk misses, or the way you’re a relation to someone he’s been working for the past four years to prove wrong. It could well be all three.
The baby blue teddy coat over your body covers your skirt, a display of smooth and tanned legs for him to leer at, your hair once again twirled into loose curls, half up and half down, a signature style like Ariana’s high pony. 
Evidently, you’re unaware of his entry. Yoongi still hasn’t changed the bell above the door and the speakers playing his record are right above your head; this gives Jeongguk the perfect opportunity to quietly approach you from behind, waiting until the chorus fades to an end for him to carefully press his hands into your waist with a soft “boo” pushing between his lips. 
In turn, you jump, his hands momentarily cupping your waist as you move out of his grasp, turning around defensively to see who in the right mind would dare to put a hand on you, only for the guard to be dropped with reassurance once you see Jeongguk behind you, a grin on his face.
“Hi, you,” you say to him, wincing when you realise how loud the music is. “Congrats on the album release!”
Jeongguk laughs boyishly. “Yeah? You like it?”
“Mhm!” you assure, nodding with emphasis. Jeongguk follows the hint of moving away from the loud music as his voice transitions into the opening chords of a David Bowie track. “Do you even have a bad song? Like, the difference between Vibes, Dancer in the Dark and Keep it Up...gorgeous.” He laughs again, feeling over the moon at your authentic excitement. “I really love your voice.”
If humans could melt, Jeongguk would be gloop. “Thanks, Y/N. I mean it, I’m glad you like it.” His brows quirk playfully, “Clearly.” He means your dancing, circular swirls to his voice, and you conceal a smile and look away quickly.
“I recognise Hold Your Breath, too,” you continue, choosing to deliberately ignore his playful comment. One might even assume it to have been flirting. “Isn’t that one of your earlier songs?”
By this point, you’ve hopped over the desk, slid over the wood as Jeongguk watched your coat and skirt hike up with the lift of your leg. “Mmm. I see you’ve done your homework,” he comments.
“I got...curious,” you defend weakly. “I like that song. I’m so glad you decided to do a studio version, it is what she deserved!”
Today might be a new record broken for How Many Times Can Jeon Jeongguk Laugh In Your Company.
“Well, there you have it. You can listen to all of it in HD to make up for me not being here for a while.” Your smile falters and Jeongguk smiles in an attempt to ease your disappointment. “We start our promotions next weekend, actually. Just a couple shows in the States, nothing huge.”
“Oh,” you nod, your voice oddly lost and spacious. “Ugh, I’d love to see you live. I bet it’s gonna sound amazing.”
A breath hitches in Jeongguk’s throat. Come on, idiot, jeers the demon inside of him. The angel slaps him on the back of the head but his words do not cease. You haven’t got all day to do it.
“Then come,” he blurts.
Mirroring him, your mouth falls round, open. “...O-M-G, I’d love to...but I’m like...broke,” you tell him, jokingly but around the truth you both know is there.
“Y/N, you can come for free, I’m inviting you,” Jeongguk explains slowly, the grin widening on his face. Awestruck, you’re lost in the beauty of it. “I want you to come. See us play, see me. You won’t have to pay for a single thing- everything’s on me.” He breathes, “Please,” added as an afterthought.
Admittedly, he hadn’t anticipated the following silence. “When?” you ask, breathily.
“Next Saturday,” Jeongguk offers, having thought about it since before the album came out. “At the Hollywood Palladium. It’s our opening show, and I’d just really, really like for you to be there.” You think about the date for a moment, smiling when you realise what day the date falls on.
“Hollywood? That’s...amazing, Jeongguk, really,” you tell him, your voice quiet still. “...Can I bring a friend? When I listened to August Blue, they were there and we both got really invested.”
A weight is lifted off Jeongguk’s shoulders knowing that his offer has been considered. He smiles brightly, the moons back out. “Depends. Is your friend male?”
Now it is your turn to grin, your weight held up by your elbows as you lean on top of the desk towards him, slotted between his hands. His familiar hazelnut scent is strong here. “Yes. He’s male, gay, and incredibly in love with my cousin.”
What Jeongguk feels is not relief, or irritation; an elevated feeling of happiness stirs in his chest. You are so unlike anybody he’s met, from the way you see the humour in everything he says, not taking him seriously enough to treat him like he’s better than everything else, and the way you make him feel like there’s something about him worth liking; to the way you’re probably the only person he’s ever met who genuinely likes the Sharknado franchise. It without a doubt goes without saying that good things pop up where you least expect them to, in people you didn’t anticipate meeting. Feeling like his head is in the clouds, Jeongguk’s lips press together into a smile, bashful in appearance and nods, satisfied.
“Okay then,” he nods, taking a second to grasp the situation before he laughs to himself, scratching his ear absentmindedly. “Here’s my number for then, then. You can call me when you arrive, and then I’ll come out and get you, or I’ll have our manager sort some things out, so you can skip the lines and get in before everyone else.”
“Alright,” you agree softly. “Thank you, Jeongguk.”
Although he shakes his head nonchalantly, feigning only a moderate amount of happiness, on the inside, Jeongguk’s body is screaming, his heart vibrating rapidly in his chest. On the other side, even when he bounces into a following conversation about your hair and the new book placed on the desk that you’ll probably read when you’re bored later today, you feel like you can’t breathe, can’t quite comprehend the fact Jeongguk is standing before you, his number in your phone, the sun unmatching his smile.
Some things don’t feel right, but being with Jeongguk isn’t one of them. Maybe luck is on your side for once.
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(LOS ANGELES)
“So. You’ve decided to be late.”
Adjacent to where you’re standing, Park Jimin lies like a starfish on your bedsheets, his chin tilted up to the ceiling in agonising boredom as you fuss over your hair for the literal fifth time in the last four minutes.
Meeting Jimin was both the joy and the bane of your life, the boy being an unstable balance of chaotic and neutral, his sole purpose in life being to annoy the shit out of you. It had been a lovely sunny morning the day you first met him- only it had begun to thunderstorm the second he entered the arts classroom, pathetic fallacy. Being the quiet black sheep clearly did not always work in your favour considering the only spare seat left was the one next to you, meaning fate had decided to bring you both together to sketch still-life pears and grapes. Either that or a case of big, bad luck- the opinion differed depending on who you asked.
Regardless, here you both are; by cordial invite from Jeon Jeongguk himself, you have around twenty minutes to get to a venue that is thirty five away, and Jimin huffs for the fifth consecutive time, pointedly glancing over as you finish applying a generous amount of lipstick that no doubt will fade during the show. Your face is an art-piece, your body modestly covered in a silk buttoned shirt patterned with red flowers, tucked into some comfortable black jeans that Jimin turns his nose up at.
“They’re comfortable,” you argue weakly, finally following him to the car and deciding to do your shoes in the backseat. As half promised over text, Jeongguk sent a vehicle, the driver impatient and displeased by your tardiness but he says nothing, because it’s his job to drive, not to speak.
“Skinny jeans are the most impractical outfit for getting dicked down,” Jimin says with a clipped tone. “And isn’t it obvious that Jeongguk wants to do that?”
You shrug, biting the inside of your cheek. “It might not be like that.”
Jimin genuinely laughs. “Oh, come on- it totally is. Why else would he invite you backstage, send a car, and stop by at your work almost daily?”
“Maybe he wants to be friends?” you suggest, but both you and Jimin know that’s so far from the truth that you can’t even see it- you just don’t want to admit it just yet. When Jimin’s tongue darts out of his mouth with a smirk, you roll your eyes and lean down to your feet as the driver cruises down the street on the clock.
[17:39PM] Jeongguk 🎼: hey are you on your way?? [17:39PM] Jeongguk 🎼: havent heard from u [17:40PM] Jeongguk 🎼: u ok?
About ten minutes into the drive, almost peaceful save Jimin’s random questions about Jeongguk, or the venue, neither particularly answerable at this stage, a series of notifications flood your phone. Taking the chance to answer while Jimin finds time to bully the driver into talking to him to cure his driving boredom, you glance down at the messages, your body reacting with a flush when you see Jeongguk’s name light up in bold.
[17:41PM] You: yes !!!! in the car rn
His reply is instantaneous.
[17:41PM] Jeongguk 🎼: ok cool 😋 as long as ur safe [17:42PM] Jeongguk 🎼: got worried lol
“Five minutes,” the driver calls, to nobody in particular as he pulls up to a set of traffic lights. Oblivious to speed limits, he seems to have got you there in the designated twenty, before the gates opened for the crowds outside.
[17:44PM] You: we will be there in five minutes ☺️ [17:44PM] You: : i’ll text you when we’re here [17:45PM] Jeongguk 🎼: ok cutie, see you then 😛
You are grown, and too old to be crushing over a boy like you’re in high school, but the way Jeongguk interacts makes your toes curl with a whole new alien type of fondness, the need to giggle paramount. You refrain from doing so, because if Jimin hears he will never let you live it down. In an effort to ignore the excitement and nervousness coursing through your veins, your leg bounces erratically as the driver, who is apparently named Joe after the chauffeur bodyguard in The Princess Diaries (no thanks to Jimin and his “boredom” which borders insensitivity), pulls up in the barricaded staff car park. The fans outside have no idea: they just see a car and start screaming, their cheers making goosebumps ripple up your arms like romantic kisses.
“That makes me feel really important,” Jimin mutters, perhaps glum about the fact that he hasn’t had this much attention since he was chubby and innocent in third grade. “Ready to go?”
“Yep,” you breathe, unsure as to whether or not you mean it. Nevertheless, Jimin opens the car door and steps out, instantly making a crowd gathered by the barricade scream. They scream for anything, just wanting to be heard, but being Jimin, he soaks it up as you clamber out on the other side.
Jeongguk seems particularly popular, and it probably wouldn’t look good if fans saw an unknown girl get out the car to go backstage. You know how fans are, how it’s easy to jump to conclusions without the facts. While Jimin raises his hand to teasingly wave at the girls who scream in response, you follow Bodyguard Joe to the backstage door guarded by two oversized muscular men, bowing your head as you enter and feel the heat of the backstage rooms hit you in the face.
At some point, Jimin joins you inside, shuffling around your body when he spots Yoongi appear at the end of the opening corridor. Yoongi is always invited to August Blue shows, by personal invitation of the band-members who are mostly Namjoon. Remembering that Jeongguk technically has no idea you’re here, you quickly shoot him a text message before a female staff member touches your shoulder gently, offering a lanyard with VVIP written in black ink, likely a band members handwriting. She smiles, quickly running over the safety regulations because, give her a break, it’s her damn job. You’re nodding, acknowledging her words blindly until she’s done, sending you on your way towards Taehyung who pops his head around the corner and smiles brightly when he sees you.
“Hey, you!”
Quite honestly, you don’t think you’ve ever said a word to Taehyung before. He doesn’t seem particularly awkward to speak to you despite this fact, and beckons you closer with a wave of his hand. As you draw nearer, you smell the faint aroma of vodka crossed with raspberry, clinging to his clothes and mouth as he comes close to speak so you can hear him over the heavy bass filling the speakers.
“What?” you ask him loudly, seeing his mouth move with nothing coming out. All you can hear is the recording of Obsessive on the speakers, pounding, reverberating the floor beneath your Dr Martens.
“I said,” Taehyung shouts, his lips on your ear, “Jeongguk’s waiting for you. I need a wee really badly, but he’s in the artists lounge, that way.” He points vaguely in a direction, but the sight of Jimin stepping in and out of a room indicates the general direction regardless. “Enjoy the show, yeah?”
“Course!” you nod to him, and he wastes zero seconds staring at you and legs it in the opposite direction, towards where you assume the toilets are. Your eyes follow him as he leaves in endearment; he’s cute, constantly looking bewildered and confused. It’s his almond eyes, like puppy dogs’.
But the thought of seeing Jeongguk outweighs watching Taehyung leave; you hurry down the corridor and enter the room you expect to be the artists lounge, and your breath is taken away immediately when Jeongguk is the first thing you see.
As if anticipating your entry, he stands the second you enter, and while he moves, you freeze. Jeongguk looks absolutely breathtaking: his hair is curly, falling over his face with a slight parting not directly centered, hooped earrings hanging from his earlobes, adding a sparkle secondary to the way his eyes are shining in the backstage lights. His skin is gorgeously tanned, shaded and accentuated by the slipping material of his shirt that reveals the expanse of his collarbones, the black complementing the tightness of his jeans. You don’t get to look at his shoes- he stops at your toes and you peer back up at his face, rendered speechless by the smile on his face.
“Hi,” Jeongguk says, laughing as if it’s so crazy that you’re here, actually here. Before you can even think of speaking, Jeongguk inhales a breath and brings it back in with one movement; he reaches for you, encircling his arms around you for a quick hug that you’re not going to let go to waste. As soon as he feels your hands on his back, he pulls you closer, tighter almost, one hand on your lower spine and the other on the back of your head.
The hug is genuinely short, but it feels eternal.
“You made it,” he comments, his voice so bewildered that for a moment, you’re actually confused. Jeongguk speaks insecurely and it makes your heart wrench- you wonder who hurt him before, what made him think that he wasn’t deserving of things as simple as somebody coming to a show when he asked them to.
“Of course. I wouldn’t have missed it for anything,” you tell him truthfully, your arms slipping to his forearms. “I’m excited!”
Jeongguk grins happily. “Me too! Ah, I’m happy you’re here. You look gorgeous.” And without shame, he drags his gaze up and down your body.
“That’s good, then,” comes Jimin’s thrown in comment from across the room, where he occupies one of the leather seats next to Yoongi and across from Hoseok, who fidgets skittishly and fiddles his fingers at a Rubix cube. “Do you know how close we were to being late because she was busy deciding a lip colour? Jimin should I go red or nude? Jimin does this shirt go with my shoes? Jimin should I paint my nails red or black to match?”
A laugh ripples out of Jeongguk’s chest and he looks back at you adoringly.
“That’s not how it happened,” you protest weakly, pouting when Jimin cackles and smirks. “And we made it didn’t we? Shut up before I revoke the plus one card.”
“I’m already here, though,” Jimin reasons.
“I’ll force you outside,” you reply.
Yoongi pulls a face, then, finally joining the conversation. “Y/N, you can’t even open the front door to the shop when you enter, let alone drag Jimin outside. Nice try, though.”
An offended gasp leaves your mouth and Jeongguk turns around, petting the top of your head. “It’s okay. Sometimes, even I can’t open it. Anyway- drink?”
You decline this offer, not really wanting to drink anything heavy in fear of vomiting it up when the show starts. Based on your history, throwing up when you’re overly excited seems to be a dirty habit, something Jimin is very happy sharing when you opt for a glass of water while Jeongguk carefully pours himself a glass of whiskey. He doesn’t tease or poke fun. Jeongguk simply smiles, like the story is a memory he’s fond of remembering, and nods you in the direction of the couch where he wants you to sit. It stays this way right up until the show starts, and then the chaos begins and the nerves settle.
Now, you’ve never been backstage before, never seen how crazy it gets as the show’s about to start. While the rest of the band hurry around collecting outfit pieces, taking a drink or tuning their instruments to perfection, Jeongguk quietly tugs at your arm and brings you to the side, a gentle and reassuring smile on his face, a frequently used expression when it concerns yourself.
“Rachel is our main backstage manager and she’s gonna take you and Jimin down to where I’ve put you for the show, yeah?” he explains, his gaze intent. Rachel is the woman from earlier, smiling patiently near the door. You spare her a glance and then look back at Jeongguk. “I’ve put you down by the stage so I can see you, okay?”
You nod. “Yeah. Yeah, that’s okay.”
“Hey, it’s okay, you’re not in the crowd, you’re right by the stage in front of the barricade with the staff,” Jeongguk says. “Safe and sound, comfy and cosy. Can you come back after the show? There’s a party. I’ll- I’ll take you?” His tone is expectant, hopeful, and you’d be absolutely insane to let him down.
“I’ll come,” you promise. “Good luck!”
Again with the boyish charms; Jeongguk’s following smile is relaxed and lopsided, his head similarly quirked.
“Thanks, baby,” he calls, his smile widening when he notices the surprise flood your cheeks. “Cheer loud for me?”
“Always,” you tell him, gauging the scrunch of his eyes before Rachel directs both Jimin and yourself out of the backstage vicinity and towards the VVIP standing just next to the barrier. Whether or not Jimin overheard the entire ordeal is unclear; he doesn’t comment even if he did happen to overhear, remaining uncharacteristically silent until you reach your spot and he loosens up, gazing up at the stage in wonder.
When the venue feels packed to the brim and the reverberating bass of guitars literally vibrates the room, Jimin screams something about his excitement over the noise, catching your widened smile in his direction and laughing, throwing his arms around you.
Hollywood Palladium is genuinely packed to the brim, the fans by the barricade stamping excitedly as the VCR rolls to an end, the lights fade to a crimson red and silhouettes of August Blue appear on the stage. They are sensational, eliciting a chorus from the crowd that is deafening. Jimin laughs again, looking back and forth at the crowd and back at the stage, two girls from the barricade recognising him as the guy from outside and taking a photo, likely anticipating that he is of importance.
Like all concerts, the first five minutes are mind-blowing, epic and fantastical and slightly nerve-racking for all parties. At the sound of the opening chords of Meddle About, another wave of screams pierce the crowd and you wince, not expecting it but a smile still wide on your face. The cymbals crash and the lights flash brightly, revealing Jeongguk on the stage at the front, both his hands on the microphone as he speaks the first words of the night, lyrics dripped in smooth vocals that make your body swirl like on drugs. It’s mesmerising, sexy and sounding perfectly like the studio recording.
Hearing them live is a whole different experience- the way that August Blue perform is otherworldly, feeling like you’re in a subspace of slow-motion, every movement on stage emphasised. Not wanting to waste all of the show gawking at the lead vocalist, you glance at all of the other members, in awe of their talents and presence on the stage, even spotting the golden gleam of a saxophone in your peripheral vision. It is only then that you register the fact that Taehyung plays the saxophone live, and excitement and anticipation replaces birthed nerves from the opening song.
When Meddle About fades to a finale, Jeongguk smiles to himself widely as the melody to Obsessive plays almost immediately after, Namjoon’s riff introducing Jeongguk’s welcoming, “Hollywood Palladium, are you ready?” before he dives into the song. Here, Taehyung fiddles for his sax and beams down at both you and Jimin, returning to his spot to play as the song continues.
Like all songs from August Blue, you wish it would never end, your heels grinding the floor as you bop in Jimin’s arms, his chin buried in your neck as he rocks you from side to side affectionately. For the entirety of the song, and even after then, you refuse to take your eyes off Jeongguk; he moves with calculation and care, the world his bitch beneath his feet as he smirks, fucking the crowd, swirling in figure eight motions as he sings. Jeongguk is the eighth wonder of the world.
Obsessive ends, your torso rising and falling after their performance. It was a show of elan, your body buzzing with small vibrations like a bumblebee; Jeongguk’s hair is disheveled, and he exchanges caring looks with the other members, giving them the opportunity to catch their breath as he once again addresses the crowd.
“Hollywood…” he starts, smiling wolfishly when the crowd erupts into piercing screams, the fans at the barrier pounding against the metal bars impatiently and Jimin eyes them cautiously, wrapping his arms tighter around you and considerately shuffling further away. Jeongguk glances down, then, making sure everything is okay, and his eyes fall on you. The first thing he sees is your smile, enamoured and bright and wide, like golden light at the end of a dark tunnel he can’t get out of. You notice now that he speaks how strong the accent is, months and years of Australian visits clearly paying off. It’s nice, new and different, completely unlike how he speaks in Korean. “We feelin’ good tonight?”
The crowd respond gleefully, and Jeongguk chuckles into the microphone.
“Thank you all for coming out here tonight,” Jeongguk begins, swaying slightly on his feet. The movement is endearing. “Being here, on this stage, is something we have dreamed about, and now that we’re here...Wow. We couldn’t be here without you guys. Everyone who’s here- friends, family, lovers-” the crowd scream because they’re used to being mentioned this way, but when Jeongguk’s gaze briefly flickers down to you, you immediately burn up, curling into Jimin as your best friend laughs knowingly, squeezing you tighter when Jeongguk finishes his speech to the crowd, “-you guys are fucking awesome. You like the album?”
Of course, Jeongguk is not alone on the stage. Reminded of this fact, you pay attention to each members introduction, occasionally finding your eyes wandering back to the lead vocalist who seems to always be staring back. In a sea of screaming fans and waving banners, Jeongguk’s eyes land on you each time, as if reminding himself that you are here, you are here for him.
When the band finish their introductions and Jeongguk says his piece, and the opening hum from the guitars around him announce Dancer in the Dark, Jeongguk glances at you one final time and sees the way your body reacts to the song familiar to your ears, a curve extending the corner of his mouth. Jeongguk brings his attention back to the crowd where it will stay for the rest of the concert, his mind wandering between each lyric and break. Maybe- just maybe, things would work out for him in the end.
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DEVIL IN THE DARK. (HOLLYWOOD)
There is a constant hum in your ears, your fingertips vibrating as you force yourself out of the car.
Judging by the sky draped in an ebony black, it’s either extremely late or extremely early, the loud music from the large estate already audible and you haven’t even entered the party yet. Even though Jeongguk had expected to take you in his personal vehicle to the party that would celebrate their first American show of the year, things hadn’t exactly gone to plan; his eyes met yours as soon as you hurried backstage to find him, pleading and frantic and your name on the tip of his tongue, unspoken when Rachel ushers the band out of the venue after an already overstayed welcome. Still, the frequent vibration of your phone under your thigh when you settled travelling with Yoongi and Jimin instead kept your thoughts preoccupied, Jeongguk’s contact practically permanent on your lock screen.
[23:40PM] Jeongguk 🎼: shit !!!!! [23:40PM] Jeongguk 🎼: i wanted to wait but they kept pushing me outside [23:41PM] Jeongguk 🎼: did u get out safe? [23:43PM] You: yep don’t worry !!! [23:43PM] You: we’ll be on our way soon [23:44PM] You: im hungry so we’re getting food first oops [23:45PM] Jeongguk 🎼: ok baby see u soon [23:45PM] Jeongguk 🎼 is typing…
The triple dots are constant.
Bodyguard Joe is the driver who drops you off, muttering under his breath when all three of you pile out the back and he’s free to leave. Before Yoongi can even shut the door properly he is speeding away, desperate to get out of there. Yoongi can’t say he blames him- he’s only staying for a little bit, at least until Jeongguk starts being Jeongguk. He deliberately doesn’t mention it to you. He wants you to see it for yourself.
Inside, it’s hard to see through the smoke. There had only been about fourty minutes difference between Jeongguk arriving there and the three of you, and evidently, they waste no time bringing the party into motion. Already, guests either by invite or chance are drunk, intoxicated with dark beer bottles and shot glasses, a wreckage of splintery glass by the door surrounded by a pair of shoes, like a warning. The lights are dimmed, each room dark save a lamp with a dying bulb or LED lights, flashing rainbow colours to the beats of songs, the smell of alcohol and weed lifting in the air. It’s rancid, strong and pungent but typical of parties you’d expect celebrities within the realm of Jeongguk to do, people who held the world at arms length.
Along the wall, the coat pegs are covered in a bundle of mismatched coats and jackets, a single Converse hanging by its laces as some sort of practical joke. In light of this, you decide to just keep your coat thrown over your shoulders, the black suede comfortable and moreover protective as faces you’ve never even seen before regard you with high interest as you pass. Jimin scowls and drags you closer to him, Yoongi leading the way with a gaze that could kill, parting the sea of dancers like Moses. The vibe, however, remains undisturbed, the bodies continuing to dance and drink as they were before Min Yoongi stepped through the mix, with two virtual nobodies behind him. He knows where he’s going- he’s done this before.
This mansion is a maze, with corridors leading everywhere, filled with bodies you didn’t know. You deduce that the main parlour where you’re headed to is the hub of the party, judging by the way the small groups of people outside become multiplied, the sound of laughter and music louder when you enter through a doorway. The room is soaked in an indigo neon light, the long haul of strip lights attached to the moulding by the ceiling by silver pins; almost all of August Blue accommodate one of the recliner sofas, one particular male suspiciously absent.
“Yoongi!” Faintly over the sound of the music, Namjoon’s voice carries its way to your trio, Yoongi’s attention moving to the band and he moves in that direction, with both Jimin and yourself close on his heels. Namjoon already looks affected by the alcohol stirring in a whiskey glass, the colour clear and making no difference when it sloshes over the side onto the bare skin of his forearms. Exchanging a tight lipped smile with Hoseok, who seats a beautiful girl on his lap who sips her drink quietly, you glance around the room for Jeongguk, your heart sinking when you don’t spot him anywhere.
“Great show,” Yoongi says, now that the music has been turned down somewhat, no thanks to Taehyung who has just stepped out of the bathroom and winced at the volume, now sitting back in his original spot beside Seokjin and his widened legs. As an afterthought, he adds, “as always. This is Jimin, by the way- and you know Y/N.”
Seokjin looks up from his glass: “Hi honey. Good night?”
“Yes, it was amazing,” you reply, your eyes wandering again. A few strangers are seated on the couch alongside the members, including three girls you aren’t familiar with. Two look out of this world, mentally vacant and the third watches you carefully, her lips pouted sourly. “Hello,” you call to her, uncomfortable.
“This is one of Rosanne’s friends, Cassandra,” Seokjin introduces, although he doesn’t sound particularly enthusiastic.
“Cassie,” she throws in.
“Oh, like the song,” you judge, looking back at Seokjin and catching the roll of his eyes before he can hide it away. Concealing a smile you look back at Cassandra.
“Yeah. Isn’t that funny?” she asks, giggling sweetly. “I like to tease Guk about it. It gets him shy. Did you see him on the way in, by the way? I’ve been looking for him.”
Oh. So she’s one of them- it’s evident in the way August Blue glance over at her with annoyance, glancing back at you with a blank stare. You know better. “No, actually. I just got here.”
“Well,” Cassandra-Cassie continues, smiling tightly, the look so ingenuine that it looks as though it hurts her to fake politeness, “if you see him, let him know that I’m looking for him.”
“Does he even know who you are?” Jimin asks before he can stop himself. Cassandra narrows her eyes.
“We met in passing.”
A snort exits Jimin’s nose. “If he remembers you, I’ll genuinely be surprised.”
Whatever is or isn’t said by the rest of the couch is unheard by you; once Jimin has finished his slander of Cassandra-Cassie whilst perched on Yoongi’s knees, you decide you’ve heard enough and pick yourself back up off the couch despite having only just sat down.
Whoever remains at the couch pays you no mind, aside from Yoongi who nods gently as you gesture to the connecting hallway, an arch in the cream smooth wall that no doubt leads to either the outside, the kitchen or a bathroom, perhaps all three at once. His eyes do not leave you until you’ve wormed your way out of the room, quietly and meekly weaving through bodies on the walls and declining at least three drinks offered in your direction. After peering into several rooms, including the kitchen that was far too crowded and scorching to even enter, and glanced out through the french doors to the scattered party outside, looking on the patio glowing in blues and pinks, the pool splashing with laughter.
Even the end bathroom that is larger than the kitchen is practically empty save the guy passed out in the bathtub with a glass of sparkling champagne in a slender glass on the sink, and you suddenly feel very dejected, closing the door behind you as you exit back to the long hallway. Maybe everything was too good to be true- maybe girls like Cassandra were girls Jeongguk had invited, like he had you, suddenly ghosting when they all appeared in the same room. It feels rude to assume that, but with no text messages or indication as to where he might be and with whom, disappointment begins to simmer in your stomach.
It nearly settles, confusing dejection with nausea and the thought of Jeongguk having played you is a thought you ruminate, until you’re halfway down the hall and a door to a connecting room that has now opened welcomes a body cloaked in the bedroom darkness, an arm leaning out to grasp your sleeve and pull you inside.
A strange sense of deja-vu hangs over this situation, familiarity striking with the hand that unwraps from around your arm and meets the second around your waist. Before you have even finished twirling to face the body in ownership of said arms, the sound of quiet chuckling makes you relax instantly, a smile growing when you fall with a soft thud against the torso of Jeongguk, his mouth in level with your eyes.
“Hi, stranger,” you laugh softly, looking up at him with wide eyes. “I’ve been looking for you.”
Jeongguk hums, and you catch a whiff of alcohol practically pouring off him. “Been hidin’. You found me, you win.” Jeongguk does a poor job of attempting to be sober, his speech slurred and his smile cheesy and smirkish. “I was tryna ride with you, but Joon shut the car door and we just drove off, you know?” You honestly don’t, but you nod anyway. “Tried to call you but dunno where my phone’s gone. Think Joon’s got it.”
“That explains why you weren’t replying,” you say, mostly to yourself. Jeongguk inhales the air through his nose quickly, one sniff, and relaxes his arms around your middle; his forearms are resting on your hip bones with his fingers gently stroking and drumming against your lower back, and it is here, with him so close, that you notice the glow of sweat on his hairline, the fringes slightly matted down and smudged black under his eye, glitter shines of his eyebrow piercing. “Got worried about you.”
“You were worried about me?” he repeats, that same smile on his face. Jeongguk sounds so amazed by this fact, so bewildered that you’d care.
Anticipation whirls in the pit of your stomach as his voice drops in volume and hardness, and the school-girl crush swims back to bite when Jeongguk’s forehead bends to press against your own, the taste of alcohol on your tongue before he’s even leaning in to kiss you. Jeongguk’s hands immediately fly to cradle your face, accidentally bringing a fistful of hair to your cheek as he holds you, practically picking your face up to warm to his mouth. It is just one kiss, long and deep and soft, leaving behind the taste of a bitter liquor.
Jeongguk’s eyes open through slits when he pulls away, analysing how you still haven’t come back to reality from it, and so he moves in again, in a body roll motion stealing a second kiss, his lips pressed up against you in full. He doesn’t know if it’s the booze in his veins or the electrifying feeling of your hands over him that has him buzzing all over- it could be both, for all he knew.
Beginning to doubt his own self control when you mumble and sigh into his mouth, Jeongguk gently brings himself away, out of the kiss and sending your eyes open in a daze. Cracking his own eyes open, Jeongguk restrains himself from going right back in- the orange glow from the outdoor lights shine on the left side of your face and his heart leaps, drumming in his ears. He frowns loudly, feeling your thumbs rub against his wrists. “Sorry.”
You pause, “Why?”
“For making you worry,” Jeongguk explains, his voice murmured through pouted lips. “I made the baby worry.”
“The baby?” you repeat, chuckling. He grins. “We’re almost the same age, y’know.”
“The baby,” Jeongguk coos, his giggles indicative of his level of soberness, which seems to be unlikely. “Little nineteen year old baby-”
“Twenty,” you add, and Jeongguk stops with a quiet “huh” that sounds like a baby, ironic. Jeongguk remembers you telling him your age, and that you’d be twenty soon. Had he missed your birthday? As if hearing his internal struggle, you smile softly: “Today is my birthday, actually.”
Truly, Jeongguk doesn’t know what to say. His mouth hangs agape, like the information was sacred. “What…? You didn’t say anything- I could have got you something, done something-”
“This whole day has been a gift,” you stress, cutting him short and calming him down. “Truly. My Mom and Asshole are in the Maldives because that’s more important than me, and so I went out for breakfast with Jimin, skipped my yoga session because treat-yourself-vibes only on my birthday, and then I had the best time at your show and now we’re here. So, honestly-” as you talk, you finger his shirt, wrapping the material around your nail, “-everything has been amazing. This is my gift- you are my gift.”
Jeongguk pouts. “You’re way more important than the Maldives...you wanna go to the Maldives? Shall we go?” Based off the state of things, Jeongguk is a playful, chatty and overall excited drunk, his eyes blown wide with what you hope it just alcohol buzz. “I’ll take you.”
You laugh, gently stroking his jaw and very briefly, before he can get too addicted, kiss him. Before Jeongguk can pucker his lips back for you, you’re back on the ground with your feet flat, shyly smiling at the way he still tries anyway- because you can’t blame a man for trying.
“You like the party?” Jeongguk asks, unconcerned. His hands are back on your back, now, his arms wrapped around you tightly.
“Mm, it’s fun,” you agree. “Will you come out and join all of us? We’re all in the lounge-” you smirk up at him and he raises his brows, “Cassandra is there.”
“Who the fuck’s Cassandra?” questions his voice, and you laugh loudly, surprisingly gleeful.
“Someone else who was looking for you like me,” you tell him, frowning. He hums, interested in this fact and your expression. “Think she likes you.”
Outside the door, someone rattles at the handle, the noise falling short as though they’ve been stopped from entering. Jeongguk seizes the last word with a triumphant smile.
“Don’t worry,” he assures, and your gaze drops to his lips as his teeth drag on the bottom, pulling teasingly. “I’ve got my eye on someone special.”
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There had been reasoning behind Yoongi’s decision to not mention Jeongguk’s habits.
For one, it’s none of his business to talk about what Jeongguk does and doesn’t do when under the influence. Secondly, he feels as though he’s not supposed to say, like it’s a secret he’s sworn to keep. Truthfully, Yoongi doesn’t want to give the wrong idea- he doesn’t want the truth to be misunderstood or misinterpreted, and so he stays quiet. Like all other members of August Blue when Jeongguk touches alcohol, he’s quiet. At this stage, there’s nothing he can do but wait for Jeongguk to stop, patient and helpful.
It has to be early hours, now, and if Yoongi’s phone wasn’t dead, he’d check. By this point, the party is on its last legs, the volume of people decreasing dramatically as songs become more slow and sultry, all the lights blood red. It’s about time he and Jimin leave, actually; like always, Seokjin and Taehyung have disappeared into one of their bedrooms on the second floor, and Namjoon is asleep on the couch with his mouth ajar, Hoseok and Roseanne planning to remain present in the hub until the party goes to sleep, because someone needs to clean up, and it sure as hell won’t be anybody else.
Yoongi bids his farewells individually, with Jimin needily clinging to the sleeve of his shirt with the vodka oozing out of his body, his head on a whole other planet. By the time Yoongi makes it to the other side of the room where you are with Jeongguk, he’s worried Jimin might actually fall asleep before they get to the car.
Something interesting has happened. Yoongi slowly moves towards the leftover crowd around Jeongguk and sees your face immediately, worry crossed with affection etched into the look on your face as Jeongguk tightly holds you on his lap, his legs twitching and smile on display. It’s around about this time Yoongi begins to overthink it, letting his gaze drop to your hands holding one of his while his other reaches out to the coffee table, littered with bottles and shot glasses, and most importantly, the puddles of white. He gulps, looking back at you. Surprisingly, you don’t look put off, or disgusted- more so you look sad, as if filled with intense guilt as Jeongguk hugs you, his heart in one place and head in another.
When one of the girls next to Jeongguk pats his arm and Jeongguk looks over, you spare the chance to look back in the direction of Jimin, overwhelmed with relief when you see him losing balance over the shoulder of your cousin. Jeongguk struggles for a second to let you free but he does, and you move towards Yoongi, already expecting his departure.
“You should leave too,” Yoongi says seriously. “Before he gets worse.”
He- you look over your shoulder at Jeongguk. Now, he’s on his knees, his chin on the coffee table as he inches towards a fresh line on the surface. Someone’s credit card sits decorated in the powder and Jeongguk, whilst pressing his finger to one nose, snorts the line without question and with a smile. You look away, facing Yoongi with a dark expression.
“You knew?”
“We all knew,” Yoongi sighs. “This...is moderate.”
Processing what he’s saying, you shake your head stubbornly. “If I leave, then it will get worse. I don’t want to leave him on his own. I wanna be here for him, before it gets worse than what it already is.”
“It will get worse, always does.”
“I don’t care, I’m not leaving him here,” you reason. “Before you tell me I’m not special and I can’t change him, I’m not here to change him. I’m here to support him. I’m gonna stay, make sure he’s okay.”
Yoongi really wants to intervene, warn you against it. People before you have tried, he wants to say. But he doesn’t; he smiles weakly, thinking about how you’re too good for the world and people around you and he brings you in for a hug, kissing the crown of your head.
“Alright. Happy birthday, by the way. Twenty...Hag,” Yoongi mutters before he pulls away. Jimin mirrors the movement, drunkenly giggling in your ear as he pulls away and thuds against Yoongi’s side. Yoongi doesn’t even flinch, doesn’t complain; secretly he likes the clinginess.
“Thanks, Yoongs,” you laugh, standing still until he steers himself and Jimin away from the scene and you’re left with no other option but to retreat back towards Jeongguk, who must be on his third line. The distinct and slightly jarring sound of snorting makes you hurry quicker towards him, until you can reach out and pet his hair, making him look up before he’s even finished the line.
The boyish grin that Jeongguk gives you when he looks up and sees your face is beyond beautiful, and he’s so distracted from the lines that he doesn’t notice or care when the girl next to him, displeased with his lack of attention, finishes it off for him. Doing everything in your power to not cry about how Jeongguk looks, fucked and wrecked with white powder under his nose, you shoot him a smile and smooth your hands down the side of his face.
“‘m pretty,” he mutters. “You’re so fuckin’ pretty.”
Laughter tugs at your throat, little puffs of air through your nose as you bend your head to meet his wandering gaze, wiping the powder from his nose before it kills you to keep looking at it. He sniffs, finding that it tickles, and plops his chin in your lap, hands on your thighs.
“Sleepy?” you ask, petting his curly hair.
“Mm.”
“Mm yes, or…?”
“Mm...comfy,” mutters Jeongguk. Through his hair, he looks up at you. “Can we make-out?”
You snort out a laugh, massaging his scalp. “Oh my God, you are so drunk. Come on, big guy.”
“Wanna stay with you,” Jeongguk says. “Don’t leave.”
“I’m not gonna leave you,” you tell him. “I promise. Look, everyone’s getting ready to leave now, too, I think the party’s pretty much over.”
Jeongguk eyes the room with a half-lidded gaze, furrowing his brows like he doesn’t quite know where he is. “Huh. Everyone left.”
“Mhm.” He starts to reach for the cocaine on the table again and your heart beats with panic. “Hey, I think that’s enough now.”
“Lemme finish,” Jeongguk requests.
“You’ve had enough,” you stress, taking hold of his hand. “Let’s leave it there for tonight, okay, baby?”
Jeongguk’s head snaps towards you. “Baby?”
You nod, affirming. “Yes. Look, oh, I’m so tired-” you pretend to yawn, keeping one eye open to observe his expressions as he smiles childishly.
“You’re faking,” he accuses.
“Nope. I’m so tired, let’s go sleep,” you continue.
Jeongguk continues to smile, occasionally laughing when the sound can get out of his throat. You’re half expecting it to be a waste of time, for him to insist on taking more lines and drinking more booze, but he does neither of these things. Jeongguk nods once and runs his hands across your thighs, taking them in his palms and roughly squeezing, getting to his feet when you tug him up.
Across the box shaped recliner pattern, Cassandra-fucking-Cassie glares up from her seat, alongside several others who stare at you as if you’ve grown another head. Truth be told, and unbeknownst to yourself, Jeongguk has never listened to anybody like he does for you. You have no idea how insane it is to see Jeon Jeongguk following the orders of a girl nobody knows, and honestly, you don’t care. Feeling Jeongguk’s hand slide into yours and the other occasionally reaching to fondle the back of your leg as he searches for you in dark is enough, it’s the only thing you care about.
You don’t really know where you’re going; behind you, Jeongguk is mumbling the way to his bedroom, which appears to be up the grand staircase and on the top floor, where he can pretend he’s above the world. Even with his directions, the path seems unpredictable, his torso occasionally bumping into you when you pause at corners. Eventually, Jeongguk notices where he is and conceals a yawn, his face contorted into sleepiness as he gently pulls you in the direction of his room, unsurprisingly at the end of the corridor, a master. Before he can open the door, Jeongguk yawns loudly, slumping against the doorframe and laughing slowly when you curve around him, reaching for the handle and forcing your way into the room.
Inside, it’s cold, the window propped open and a midnight colour hanging on the walls, silence. Jeongguk doesn’t turn on a light, and he doesn’t want you to either. He still holds onto your hand, or rather your fingers, and leads the way inside. His bedroom is like a hotel suite, a small lobby area of sorts when you walk in with three doors North, East and West, all leading to separate rooms including the main bedroom, bathroom and closet, all his for his own liking. He, of course, heads to the East, in the direction of his bed. It’s equally as cold in there but Jeongguk doesn’t care.
Under his breath, Jeongguk hums something unintelligent, waiting until he’s right by the side of his bed to twirl around. His arms find themselves back around you, lifting you off the ground which elicits a squeal of surprise and falls with a soft pat on top of the bed. Your pelvis is on his abdomen, your face on the bed next to his neck and he holds you tighter, engulfing your smell and warmth. Amongst the drugs and the childlike excitement, Jeongguk is an affectionate drunk around those who matter to him. His exhale of breath akin to a sigh tickles a breeze on your ear, and you struggle to pick your head up and look at his face; he meets you with a titter and puckers his lips, kissing you before you can decline. He grins triumphantly.
“Got it.”
“Mm, you did.”
He laughs again, the kind of laugh that sounds gravelly. He’s so drunk. “Got you.”
Humming, you entertain that thought, reaching your head to peck his jawline. Jeongguk sighs contently, about to move his hands from your waist to your thighs when you shuffle up and away, his brows furrowing with perplexion. “You’ve got me.”
Jeongguk’s head tilts. “Where are you going? Don’t leave.”
“I’m going to use the bathroom, and then I’ll be right back,” you promise him. Jeongguk pouts, emotionally clingy which is unusual, but flops back down onto the bed without vocal protect.
In the time it takes for you to rush to the bathroom, pee out of nervousness and nervously pet your hair and make it look absolutely no different, Jeongguk is knocked out asleep when you re-enter the room. His breaths are quiet, and heavy, his legs hanging off the side with his heels on the floor. The urge to sigh is unreal, but you know he must be tired, more tired than you are. Standing just before him on the bed, you’re uncertain of what to do first, but then you move to pull his feet out of his shoes, quietly tossing them to the side and then hauling his legs up onto the mattress. At some point during the night, he might shuffle- he does, slightly, when his body is on one level, and he sleepily worms his way to the side of the bed closest to the window, the right side, his side.
Half of your heart wants to leave. Maybe the way Jeongguk acted tonight was purely because of things he drank, things he lets into his body. But, subconsciously, you know better; the other half of you begs for you to stay. If Jeongguk changed his mind, it would be one walk out of the door and out of his life, easy and simple.
Instead of thinking about that, you gently toss your jacket to the floor and kick off your own shoes, laying flat next to Jeongguk as he falls deeper into sleep. Even if he wakes up with cold feet tomorrow morning, at least he won’t be alone.
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The next morning, it is raining. It doesn’t often rain, and so you can’t help but hear the heavy sound of rain outside the window, no thanks to yourself for forgetting to close it before climbing next to Jeongguk. Speaking of the man, he remains asleep, his head twisted on the pillow facing you with his body flat on his back, one leg up and the other spread out. He looks so peaceful, hopefully at peace with his dreams.
Without waking him up, you roll over off the bed and sink your feet to the floor, silently retreating to the bathroom with your phone in your hand. Surprised by the time, it reads eight fifty am, and you scroll down your notifications which seem to have multiplied unusually. Few are from Instagram but majority are texts, from Yoongi and Jimin, one from your Mom that reads a simple “happy bday” and nothing more.
[03:32AM]: Yoongi 👹: hope ur safe and ok [03:41AM] Yoongi 👹: did u go home?
He sent those at three.
[08:50AM] You: shit sorry [08:50AM] You: was sleeping [08:51AM] You: im still with jeongguk, he passed out and i stayed so he wouldn’t wake up on his own
There is a short silence.
[08:53AM] Yoongi 👹: ok, be safe [08:53AM] Yoongi 👹: jimin says good morning lol
Sitting on top of the closed toilet, you hurriedly reply to the flurry of messages and by the time you’ve finished, ten minutes have passed and it is now nine. Checking over yourself in the mirror and deciding that you could ultimately look a lot worse, you move back into the bedroom, overhearing loudness from the remaining people in the house who had an early start to the day.
Jeongguk stirs slightly, showing signs of being awake. Under his breath he groans, reluctant to confirm his consciousness by keeping his eyes closed, and you slowly reach to put your phone back on the bedside table and clamber on all fours onto the bed. With the weight dipped, Jeongguk huffs, peering open one eye and watching you crawl up to him, knees near his body and hands brushing the long hair out of his eyes.
“Morning, sleepy-head,” you coo, voice quiet because nine is still early.
Jeongguk groans, saying nothing. He shifts, ironing out the cramps in his limbs and sitting up, reaching a hand out for you, grabbing air like a child. Your gaze drops to the way his fingers roll expectantly and you slip your hand into his, taken aback when he tugs you over onto him, your legs over his hips as his arms steady around your waist.
Suddenly he’s very awake, moving your hair back and then kissing you, like he’s been starved of it. It begins gentle, timid, with his hands barely touching you as if he’s expecting you to move away and reject it. You don’t, however; when he pulls back you immediately move back in, twisting your arms around his neck, prompting him to follow by tightening his arms around your body, bringing you flush up against him, hips touching, sex throbbing. Jeongguk groans into your mouth, his hands guiding your body as you make shy movements, barely rolling up against him creating friction he wasn’t aware he needed so badly.
Jeongguk isn’t sure if what he’s doing is okay, and you don’t care. All that seems to matter is having you near him, as close as you can possibly be. Under your shirt, Jeongguk slides his hand up your back until it’s at the back of your neck, his left tight on your hip bone as the guider. He welcomes, no, encourages, your hips rocking against his slowly, teasingly, perfect momentum for the morning with the rain. It is both unnerving and exciting in how Jeongguk remains silent, save his occasional groans into your mouth. 
Once Jeongguk has grown bored of kissing your mouth, satisfied with all he’s done, his mouth departs and moves to your jaw, peppering a line of wet kisses from the underside to your neck. His hands spring away and move to hastily unbutton your shirt, unpopping one at a time as you whimper, feeling the hardness buried in Jeongguk’s jeans begging to be free.
Jeongguk breathes heavily, desperately pulling the buttons undone and undressing your shirt from your body. At first, he barely notices the fact that your bra is missing until the shirt is down to your elbows, sexily like a shawl, and his eyes land on your hardened nipples. Jeongguk half laughs, touching his thumbs on the underside of your breasts.
“Just like that,” he mutters, and you pout through a whimper that brings his eyes up to your own.
“Shut up, there was no way I was sleeping with it on,” you reply, and he hums, it makes sense. Jeongguk doesn’t blame you- why would he? He’s a guy, he likes tits; he likes your tits, smallish and round, big enough for him to hold and fit in his mouth, which he does.
Raising his eyebrows, Jeongguk smirks and brings his mouth to your right tit, his mouth around your nipple and you moan sweetly, your hand raking through his messy bed-curls. Like taking a toothless bite out of a whip of ice cream, Jeongguk’s lips pull around it, his eyes flickering up to observe your expressions- one glance and he immediately feels overwhelmed, a pressure on his crotch, discomfort, the need to be free. His hips stutter and he ruts up against you, two clothed crotches rubbing together, stolen gasps in the morning ambience. Finished with his hands on your tits, Jeongguk fully removes your shirt, balling it up and throwing it across the room, where it lands pathetically on one of the knobs of his drawers.
In one movement, Jeongguk secures his arms around you and hikes himself up onto his feet, squatting and turning so you should fall on your back. Following, he pushes you down into the mattress, your head half on the pillow and this time, his legs on your hips, not an overpowering weight but enough to keep you pinned down. You writhe, your back arching up off the mattress as Jeongguk’s mouth trails down from your face, where he leaves a starting kiss on your lips, down your neck and between your breasts, encouraging the roll of your hips with his hands. Muttered incoherence is all he can hear as he shimmies down, his tongue on your skin, teasingly licking a stripe up across your crotch covered by uncomfortable jeans.
Jimin, that fucker, he’d been right. Skinny jeans truly were the least practical outfit.
Jeongguk straddles himself up, planting his body over you like one would during sex. Humming against your lips, Jeongguk’s teeth pull at your bottom lip, his left hand gripping your leg and positioning it around his waist, your legs parted and his crotch directly hitting yours with every grind. Jeongguk gives nothing away- he stares, unwaveringly and deadpan directly into your eyes, grunting at the faces you pull, the whimpers leaving your lips, your rutting underneath him.
He buckles unexpectedly, pounding you deep into the mattress with a high pitched moan, captured by his mouth as he squeezes your flesh around his hand, holding you to him like letting you go would result in him losing you entirely. Jeongguk’s torn between wanting to cry and scream; in his short, sad, twenty one years of living, he’s not sure he’s ever felt as desperate for another person before. Never craved somebody the way he craves you, never needed somebody the way he needs you. Jeongguk stares into your eyes, opia. For fucks sake- he likes you so much, needs you so much-
“Jeongguk, you up?”
Freeze frame. Namjoon steps into the room, his eyes widening with surprise when he comes through the East and spots your shoes and bra by the door, shirt hanging off the cupboard, and Jeongguk on top of you with his lips on your neck, hands on your waist, leg around his middle and crotch up against his. Over Jeongguk’s bicep, you stare at him, your eyes blown open, but Jeongguk doesn’t seem to stop, or even care. Even when you grip on his bicep to let him know you’re not alone, Jeongguk looks up from your neck and spots Namjoon. A soft exhale leaves his lips and he grunts, unbothered.
“Yeah,” he replies bluntly, biting down on your neck and revelling in the tug he receives in his hair when he does so. Still, Namjoon stands by the door in awe, unsure of what to do or say. Jeongguk pulls away, his face still stuffed in your neck, “you need something, Namjoon?”
“I,” Namjoon says, gathering his thoughts. He clears his throat. “Sejin called...He said he’s going to be round at about eleven ish, so I was, um, coming to see if you wanted breakfast, or…” As he speaks, Jeongguk is selfish, still grinding against you like Namjoon’s not even there. He’s listening though, his ear free to hear as he sucks his mouth on your skin, practising sex against your jeans.
Naturally, Namjoon’s gaze wanders to your breasts when Jeongguk picks himself up slightly, grabbing one with his palm and kissing patterns across your sternum. He gulps, uncomfortable.
“Be down in a minute,” Jeongguk says, shrugs, not really a promise. Namjoon nods, flushing as you moan unexpectedly, your traitor pussy having a mind of its own, controlling the way you think. Namjoon about makes out an arch on the grey comforter and catches your gaze, half-lidded, and he turns away, he’s seen enough.
“Take your time,” Namjoon squeaks out, unsure of whether the flush is for his head or his dick but he’s not sticking around to find out, and hurries out the door and back into the house. Jeongguk’s facade doesn’t fall until he knows for certain that Namjoon has left, which means he waits until the sound of laughter resonates downstairs, meaning Namjoon’s said his piece to the rest of the band likely gathered somewhere, waiting for him.
Planting one final kiss to your breast, Jeongguk groans and picks himself up onto his hands, his torso still over the lower half of your body and his gaze on your chest. It doesn’t move for a moment, staring in silence until he suddenly starts laughing to himself. The tangled mess of hair bounces with his shoulders and his head drops for a few moments, and then he peers up at you with a smile and you can’t contain your own bubbling laughter, scandalised.
“I know I’m a day late,” he breathes, “but.” Jeongguk smiles softly, “Happy birthday, gorgeous.”
“Mmm. Thank you,” you preen. “Best birthday ever.”
This causes Jeongguk to guffaw, laughing under his breath. “Joon enjoyed it too.”
“You’re such a prick, you could have stopped,” you laugh to him, slamming his shoulders gently. Jeongguk grins, shuffling until his ass is on your stomach, straddling with his hands intertwined with yours.
“Yeah,” he agrees, because he could have. “Didn’t feel like it though. Plus, he said you were pretty once. ‘Mnot taking any chances with you.”
You gasp, astounded. “And what if I had thought he was pretty, too?”
“Then I’d cry,” Jeongguk replies simply, considering it a successful quip when you laugh sweetly, your cheek on your shoulder looking up at him like he was God’s angel. He blinks, like he’s processing the information, “thank you for staying. Look, if last night I was fucked up, it’s okay if you’re not cool with that. It can be a lot and I-”
“Jeongguk, I’ll always stay. If you need me, I’ll stay,” you tell him seriously. “I’m here for you, even when it’s difficult. I-” you pause, “I care about you.” It won’t be the last time Jeongguk feels like he has nothing to say to you, and honestly, it’s not the first time either.
Jeongguk looks down at you, his face devoid of a smile now that your words have settled in. When he realises what you’re saying, what that means for him.
“I’m sorry. I’m...a fucking shit show,” Jeongguk says quietly, and he barely moves when you instantly sit up, rising with your palms cupping his face, holding him gently and closely.
“Please don’t say sorry. I’m here, if you need me,” you say to him. “If you want me.”
“I do,” replies Jeongguk. He licks his lips, “of course I do.”
Warmth blossoms in your chest, and it would be easy to kick back, let him keep kissing, stay in the warmth of his bed covers. So suddenly, life feels like it can get better. So suddenly, it feels like everything is going to be okay.
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(LOS ANGELES)
Things begin to change quite suddenly.
In the moment, you hardly realise how fast paced life is moving for you, too caught up in the moment, in the thrill of what has become of your life after the show at the Hollywood Palladium. For some reason, you didn’t expect to be an addition to Jeongguk’s life after the party, especially considering August Blue still had several other shows and cities to perform in, meaning the likelihood of seeing him decreased.
He had surprised you, though, by making a considerable effort to frequent DBOY whenever he could before he left for Jersey, alongside the rather spontaneous decision to take you for dinner after your shift, ending with a bang and a kiss and your mother peeking from behind a curtain inside the house when Jeongguk pulled up to drop you home instead of your own flat afterwards. 
As far as you knew, nothing with Jeongguk had especially changed; judging off the lingering smell of nicotine and alcohol when he turned up to get you, and pictures of dark lights and white tables on his private accounts, which only made it harder to say goodbye to him.
There had been a change in pace between Jeongguk and yourself, an establishment of feelings discussed over that afternoon dinner looking out at the ocean. It had been unexpected and impulsive, you still dressed in your lackluster University outfit and Jeongguk in attire that he put on when he woke up in the morning, but everything seemed to feel right.
It hadn’t been much, nothing but him setting the record straight that he wasn’t sure what he was doing, but he wanted to do it- if you would have it, he’d like to be in your life. There was the bump in the road that was his status, his tours and his unspoken struggle with white lines and drunken nights that could be troublesome. Could turn you off, could make you not want him. You laughed at that like it was the funniest and simultaneously the stupidest thing he’d ever said, and maybe it was.
Across the room, Jimin kicks his feet up onto the coffee table despite countless efforts to get him to stop. Now that the late birthday weekend spent with your family had come to a happy end, you were once again welcomed in your shared flat with Jimin; it’s a measly apartment close to campus with an expensive empty third room that you both use as art storage. Next to him on the couch is the greasy pizza box, his fingers pulling a slice off the cardboard. You stand behind the couch, looking at the back of his head, and then look back at your phone. As always, there’s nothing, no notifications besides an Icloud storage backup failure. You sigh, having expected it.
Jimin looks up when the couch dips in weight as you sit next to him, moving the pizza box to his lap rather than your spot. He has the nerve to appear offended, still shoving a slice in his mouth.
“I’ve picked the movie,” he starts.
“Swear on God, if you’ve picked Orphan again, I’m going to beat your ass.”
“It’s the best horror movie to date, come on!” Jimin argues, making zero effort to change the movie once it’s already started. People who didn’t know Jimin would take a look at him and anticipate him to be an angel, questioning why you would ever be annoyed by such a cute face. This- this is why. 
Regardless, all you give Jimin is an eye-roll and decide to quietly accept the fact that your movie night has, once again, become an ode to Orphan. It’s not a problem- if a movie could define and represent a friendship, Orphan could summarize your relationship with Jimin.
The movie plays as far as Esther pushing her sister into the road when disturbance arises. Jimin is the first to stir, hearing the front door to your apartment crack open and a sheepish Yoongi steps inside, a bag of takeout in his left hand and keys in the right. He is, of course, late as always, and you expect he won’t hear the end of it by the time he’s wedged himself into the room; rightly so, Jimin interrogates him on being late as the front door closes, and right as the sound of arguing fills the room a blaring ring from your phone picks up.
It’s sad to admit that you pick up your phone in lightning speed, peering in the light as Jeongguk’s contact fills the screen. The way seeing his name light up on the screen feels like an urgent release, like finding treasure after searching for so long- you haul yourself up off the couch and head back towards the kitchen as the couple shuffle in. Glancing at them as they collapse in laughter to the couch, you smile and answer the call from Jeongguk that never stops ringing.
“Jeongguk,” you say, once you’ve picked up and heard nothing but murmured party ambience over the line. Something crackles, like the movement of clothes, and Jeongguk hums like he’s in a trance. “Can you hear me?”
“Hi baby,” his voice calls. He laughs, lucid, “Y/N, baby. Hi baby.”
“Hi,” you coo in reply. “Where are you, I can barely hear you…?”
“Party!” laughs Jeongguk. “Wrap up party. ‘so funny, you should come.”
A smile ignites. “I can’t, I’m not in that state. Are you having fun? What are you doing?”
For a moment, Jeongguk doesn’t reply. From the sounds of it, he seems otherwise occupied, for in the background the quiet sound of party laughter and glass clinking reminds you of where he is, what he’s doing, what he’ll end up doing. You swallow thickly.
“It’s okay,” Jeongguk says after some time. “Kinda fun.” He waits one second and then says, “can’t hear you. I’m gonna go outside, don’t hang up.”
“I won’t. I’m not going anywhere.”
Jeongguk moves outside, the party tucked behind as he leans against the brickwork of the rented bar used for the party. There’s a payphone on the wall, dripped in neon lights and he stands next to it, his body chilled by the night, leather on his skin.
“What are you doing?” Jeongguk asks, sniffing. That’s the indicator. Something inside of you sinks thinking about what he’s done, how sad it is that he does it to himself and nobody bats an eye.
You throw a glance back across the room; Jimin is settled in Yoongi’s lap, bringing soft laughter out of your cousin as the still frame of Orphan burns the television screen. “It’s movie night, so Jimin and Yoongi came over.”
“Mm yeah?” Jeongguk says. “Fun, sounds so fun, Yoongi said you lived with Jimin.”
“I do,” you reply gently. “When do you come home?”
“Saturday, maybe,” Jeongguk estimates. “Then I’m gonna come see you. Wanna take you out again, can we go out somewhere, I wanna go out.”
You laugh, tucking yourself into the kitchen when Yoongi and Jimin start laughing too loudly. “Course. Just let me know when, I’ll make room for you.”
For a while, Jeongguk doesn’t say anything interesting. In fact, it’s mostly a string of incoherent and confusing sentences, his pout audible as he speaks and at least he’s not making bad decisions, half the reason you haven’t told him to go back to the party. Maybe you’re in it too deep, maybe you have no right being worried about him like that. If his band members didn’t seem to be too worried, and they’ve clearly known him longer, then why should you be so concerned?
“Called you for a reason, you know,” Jeongguk says, after a short breath of silence.
You raise your eyebrows and lean against the doorframe, pulling at your bottom lip with your teeth after asking him why.
Jeongguk sniffs and then drops a deep exhale of breath. “Missed you.” Your heart thuds painfully. “Miss you, miss your voice. You should have come.”
“Maybe next time,” you offer. You’re unsure if telling him that you didn’t come because you don’t know what you are to him is wise at this exact moment, and so you decline to offer him a reason. Not that he asks. “I miss you too. I miss you coming to see me at work, made my day.”
Jeongguk laughs to himself. “I miss it. Coming home on Saturday, can I see you then?”
You pause to think. “Ah...it’s Yoojung’s birthday.” Yoojung is Yoongi’s sister, which Jeongguk remarkably remembers. He frowns, questioning. “There’s a party at her house, I’m obviously going because I’m family.”
“Yoo is a fan of the band, I think,” Jeongguk says. “Maybe I’ll ask Yoonie if I can come, surprise her or something. Wanna see you.”
“You can’t wait an extra day? I think I’m free all day on Sunday,” you offer, but Jeongguk declines.
“Nah. Greedy.”
He sniffs once, curtly and quickly, like inhaling sandpaper. You repress a sigh, not wanting to give away anything that might upset him, and you tuck further into the kitchen to escape the noise of the couple on the couch. It rises in volume, Jimin’s tone calling for you which Jeongguk can surely hear, but clearly cares little for.
“Fair enough,” you reply, smiling. “Are you going to go back in and party?”
For a second, Jeongguk says nothing. Unbeknownst to you, Jeongguk leans against the damp bricks with his chin tucked to his collarbones, gaze hazy and a smile on his lips. The air is cool enough to straighten his head, at least clear his vision from speckles to something clean.
“Just like talking to you,” he mumbles. “I don’t know, I don’t know if I wanna party anymore.”
“Then don’t, baby, it’s okay,” you tell him, trying to avoid eavesdroppers in the living room. “Find Seokjin and leave for the night, hm? Have some rest and then we can see each other when you get back for Saturday, m’kay?”
Jeongguk says nothing, listening in the background to Yoongi and Jimin as they heckle you into living room to finish the movie. He wants to say something, more than anything he has words on his mind, sentences on the tip of his tongue; he doesn’t. His head isn’t clear enough for him to trust himself to speak. So, instead, he takes an inhale of the outside air and glances around at his surroundings, observing the moonlight on the lake nearby and the dark green ferns around the car park.
“Yeah. Yeah, I’m gonna go to bed,” he decides to say.
“That’s good. Just let me know when you’re home safe, okay?” you tell him, silencing the duo with a finger to your lips and the couple on the couch suppress giggles of amusement. To them it’s funny. “Okay?”
“Yep. I’ll text,” Jeongguk promises. From behind him, the door to the club opens and you can faintly hear a voice calling him. It’s out of your hands but you hope that it’s Seokjin, or another member of the band. “Miss you.”
You smile, “I miss you too. Get some rest, okay? I’ll see you on Saturday.”
Jeongguk hums. His voice is gone in the wind, too small to speak out.
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(HIDDEN HILLS)
“And, you know, don’t get me wrong- I love parties as much as the next person, believe me, but if you can’t have an Iron Man balloon just because your parents are too damn lazy to go across town to Party City to get me one, then is it really a good party?”
Min Yoojung takes a sip from her glass and practically shrivels with distaste. For some or known reason, she had assumed that when you turned eighteen, life would dramatically change and you’d suddenly enjoy the taste of alcohol. Or, at least, that’s what UK TV shows had told her- mind you, she now knows that’s entirely inaccurate.
“I mean, think about it,” she continues with a huff. “Yoongi gets his own private club hired out for his birthday with the members of KISS playing on stage, and I can’t even get a balloon?”
Yoongi sits directly across from her on the patio sofas, a cigarette between his two fingers and a glass of red wine on the small table. He hides a smirk, feigning absolute disinterest as his sister speaks, waiting until she’s finished and looking between yourself and Jimin for some sort of explanation before he speaks.
“It’s because you’re adopted,” he replies smoothly, which only sets her off more.  
To some extent, what she is saying is not flawed. For Yoongi’s eighteenth birthday, he had gotten everything he wanted, things he brought up in passing wrapped up and gifted to him on the morn of March 9th. And, Yoojung is walking proof that the myth of the baby sibling being the favourite is simply not true. Granted, Yoongi’s only the favourite because he’s semi-famous, whereas Yoojung still attends public school and dines in three star restaurants with allowance money she may as well not have. That’s not to say that her birthday sucks; it doesn’t, because the Min’s have money and standards and this party in the backyard might make a headline in some Indie magazine online. Who knows.
It’s leisurely and small, with only few celebrities in attendance not including the Min’s and their relatives. You’re not entirely unfamiliar with the life of stardom- unfortunately, being the step-daughter of Axel Choi therefore meant having a camera in your face once or twice. Even though Axel was no relative of yours, and by no means did he ever have the audacity to assume he could fill the role of your Dad: Axel was an okay guy, protective of his family and by extension, protective of you. You didn’t mind, just one less camera to hide from, one less ugly photograph uploaded online for a bit of money. 
That being said, Axel pulled a few strings and got a few A-Listers to show up, including a KPOP group that Yoojung had liked when she felt like an alien in her own country. Amongst those are some of Yoojung’s friends, who fear sitting near Yoongi because he’s the hot older brother type, and fearful of you who they don’t know, which isn’t any less scary from them knowing you.
“You haven’t done the cake yet, right?”
From behind Yoongi, out comes Wheein, one of his old friends from University. She carefully climbs over the seat to sit next to Jimin, mindful of her glass that sloshes and Yoojung sighs, pressing her chin into the heel of her hand.
“Nope. Yoongi says people haven’t turned up yet, so I don’t know what’s up with that,” Yoojung shrugs. “Honestly-” now she rises slightly, her back straight and finger pointed accusingly, “you fucking planned my whole party. Is this the Yoongi and Co show, or what?”
“Yes,” Yoongi replies, as though it were obvious. He drinks. “Stop complaining and wait, it’ll be worth it.”
Yoojung scoffs, “Yeah right. If Tony Stark doesn’t come to this house dressed in his suit making that suity noise, then consider this birthday over.”
Yoongi pauses. “Okay then, I guess I’ll start sending people back home, because you can’t even get an Iron Man balloon, what makes you think he’s gonna pop round in person?”
Yoojung shrugs, “Poetic cinema?”
“Keep dreaming, cabbage patch baby.”
“Cabbage patch baby?” Jimin laughs. That’s when Yoongi ignores Yoojung’s frustrated groans and launches into an explanation behind the name, which involves Yoongi telling Yoojung when she was little that their Mom found her in a cabbage patch. You’ve heard it before, so you’re not listening when it’s explained. Your gaze instead lifts across the patio, awkwardly catching your mother’s as she looks around for you. 
Her eyes light up when she spots you and immediately she waves you over, not taking no for an answer as those round holes turn into slits faster than you can even mouth the syllable “n”. While Yoongi dives deeper into Yoojung’s misery, you pick yourself up with a sigh and head on over towards your mother.
She stands next to Axel, as well as Yoongi’s parents, and two celebrities you vaguely remember for being present at Yoongi’s birthday many moons ago. You fake a smile, wanting to be polite, wanting it to be over. It seems your arrival had been pre-planned and expected, for your aunt turns to you with wide eyes and brings you by the elbow.
“Y/N. We were just talking about you- you know Maxine, don’t you?”
No. You regard the stranger, subtly looking them up and down and smiling tightly. “Of course! It’s so nice to see you.”
“We were just talking about the arts- classical, of course, because we all know how you turn up your nose at the modern artists of today,” your Aunt says.
“Well, I do like modern art, I just find classicals more interesting to study. More composition, colour, texture...more empathy.”
“Whatever,” your Aunt interrupts. “Maxine has a son who works in the Louvre. He’s looking for junior guides, people to talk arty to visitors and make everything sound nice.”
Maxine smiles to intervene. “Actually, he’s not high enough in the business to request people, but I do know that he’s got an eye for women who like the arts. Miyoung told me that you study it at University level.”
You nod, bored. “Yes, I do. I’m not sure I want to move to Paris for a job, though...so…”
“Oh, no,” Maxine laughs. As she does this, one of Yoongi’s other friends, Jaehyung, creeps up behind you and quietly says hello to your mother and to Axel, half listening when Maxine says, “Duke is actually on pursuit for somebody who can match his artistic background.”
This, of course, makes Jaehyung laugh suddenly. He takes a slice of cake off a nearby tray and takes a bite, moving to walk away as he says, “Y/N doesn’t need help in the dating department, I don’t think.”
You glare at him.
“What does that mean?” your mother asks. “Do you have somebody?”
“No, Mom. Nobody.”
“Sure she does,” Jaehyung winks. “Was all over Instagram.”
“That’s a lie,” you gape.
“Is it?” he shrugs. Is it?
Aunt Miyoung gasps like she’s heard an offensive secret, touching her collarbone as she looks between Jaehyung and yourself. Jaehyung grins, saying nothing and running back to Yoongi before you can slander him. You’re in for it now.
“The boy that dropped you home?” your mother presses.
“You knew about this?” Miyoung asks. “Maxine, I am deeply sorry- I feel foolish.”
“I-Yes,” you tell her finally. Jeongguk, the man in question, might not be what everybody now thinks he is, might not even be what you think he is. “It hasn’t been long, so I didn’t want to get my hopes up.”
“And he’s famous?” Axel asks.
You look at him. “Yeah. I guess. You wouldn’t believe he was, but he is.”
Axel raises his eyebrows, by now not in the least surprised by the bitterness in your tone that has been there since your mother first introduced him. He’d probably be more surprised if you didn’t talk to him like that. Regardless, Axel takes it with acquiesce, glancing at your mother for some sort of guidance that she can’t and won’t give to him. It is in this moment that the back gate that leads to a leaky trail next to the spacious garage and past Holly’s doghouse opens, like arms inviting a hug.
The gate needs oiling, screeching to gain attention as it opens and in steps pairs of booted feet. The selection of pauses, gasps and an excited murmur from Yoojung’s friendship group out over by the poolside paints the picture for you, and you don’t feel the need to turn around. Noise alone confirms that the person who opened the gate is the same man in topic of conversation, his eyes dancing around the yard until they land on Yoongi’s father, acknowledgingly and then finally onto Yoojung, who he happens to notice quickly than he does the back of your head.
“Speak of the devil,” your mother starts, recognising him.
Axel hesitates visibly and audibly. “That man. That’s him?”
You purse your lips, taking a peek over your shoulder at Jeongguk. He speaks for himself; his muscles cling underneath a white tee and leather jacket that feels overdressed, paired with faded black jeans decorated with gashes and two zips. Axel only frowns because he’s not dressed like a prep, or a future Doctor like he would have liked for you, hypocrisy. Not even dressed ‘normal’ like boys he sees on the covers of magazines belonging to your step-sister, his own blood, his actual daughter. Jeongguk is dressed for attention, his gaze high over his glasses that you’re unaware he owned.
“It might be,” you reply quietly, and it’s telling enough that Axel sighs, folding his arms.
“Not that it’s any of your business,” Miyoung says quickly. “You should have just told us it was Jeongguk.”
“You know him?” asks Axel.
Miyoung nods, sipping her wine. “Sure. He’s been friends with Yoongi for a few years now- we actually cleared him to visit for Yoo’s birthday.” Finally she acknowledges you: “Handsome boy, Y/N. How did you find him? Yoongi?”
“More like he found me,” you muse. “I tried to remain professional, but he kept coming back to visit me at work.”
“Romantic,” your mother sighs honestly.
Yoongi’s father laughs. “Jeongguk has a type.”
You stare at him. “What’s that supposed to mean?”
He shrugs. “The last time he had a girl on his arm he bed her and got rid of her. Funny, actually, you two had the same hair.”
“Hair isn’t a type,” Miyoung snaps.
“I’m just saying,” he continues, shrugging again. “Don’t get your hopes up, honey.”
“So, he’s a player?” Axel grunts.
“No,” you defend quickly. “No. Well- yes, he was. People change when they’ve found the right person to change for.”
Axel chuckles wryly. “And you think you’re the one to change him?”
“Not change him, but I’ll be there for him whenever he needs me,” you nod. “I trust him.”
“I can feel my ears burning.”
Jeongguk’s voice creeps over your shoulder before you can even notice that he has made his way over towards you; the feeling of his chin rested just above your ear makes your body pause and he wraps one arm around you, observing everybody in the huddle. The Min’s consider Jeongguk secondary family, welcoming him with a smile that Axel doesn’t reciprocate, not that Jeongguk gives a shit. For Jeongguk, this is monumentous, the time for him to prove himself to the guy who didn’t believe in him.
Actually, he’s surprised to find that the feeling of worship he felt for Axel as a teenager is still there, now that he’s standing right in front of him. It’s strange, subdued and numbing, but still there and pressing. Jeongguk tries to look anywhere but at Axel, but he can’t help it. Axel doesn’t even remember him, and has the audacity to stare at Jeongguk like it’s his first time, first impression of the guy dating one of his daughters.
Jeongguk pauses his thoughts and thinks back to you- are you dating? Wouldn’t hurt to lie, just to piss of Axel even more. Jeongguk wasn’t an exceptionally smart guy but he wasn’t stupid; it was evident that Axel didn’t like him, obvious from the ugly grimace on his face. He doesn’t care- Jeongguk relishes in his dislike. That gives him power, now.
“Jeongguk,” says Miyoung, smiling wide.
Beside her, your Uncle sips his drink, silent and occasionally glancing between Jeongguk and Axel. Maybe everybody disliked Axel, Jeongguk thinks to himself, as he stares at the pulled crease between your Uncle’s eyebrows. He knows vaguely that you’re related to the Min’s through your mother, and that they, unlike your mother, never got over the death of your Dad. Maybe they too can’t stand the sight of Axel, bragging and sour-faced, acting like a member of the family when in reality, all he is is an imposter, a wolf in sheeps’ clothing, awkward and looking misplaced.
Jeongguk smiles back at Miyoung. “Hi, it’s good to see you. Thanks for having me.”
“Our pleasure,” Miyoung replies. “You’re a punk, y’know- dating our Y/N. None of us had any clue! Why hide such a beauty?”
Jeongguk grins. His arm wrapped around you tightens gently. “Sorry. We didn’t want to rush into making anything public…” He trails off, looking at you. “Get nervous and tell people?”
“Actually, you have Jaehyung to thank for that,” your mother pipes up with a sigh. For the first time, Jeongguk looks at her entirely. She looks nothing like you, too done up with surgery and makeup for him to see a resemblance. Maybe you looked like her before, maybe you favoured your Dad. “I’m Jennifer, Jenny, by the way. It’s lovely to meet you.”
Jeongguk smiles constantly, accepting her tight hug as she welcomes him. “Jeongguk.”
“Y/N doesn’t talk about you,” she says.
“In fairness, I don’t talk about anything,” you add, but she’s not listening. Jeongguk is, though, and his heart tugs. He’s got the situation kind of figured out.
“I don’t blame her,” Jeongguk replies smoothly. “We weren’t sure it was time to make things official- it’s new.”
“And it’s serious?” Axel asks, speaking for the first time.
Jeongguk watches him. “Yes, sir.”
Axel bristles. “I don’t believe we’ve been introduced. I’m Axel, I’m Y/N’s father.”
“Step father,” you cut in.
“Father,” he repeats. Axel extends a hand outwards for Jeongguk to shake. Even though he hesitates, Jeongguk accepts, firmly shaking it. It’s a good handshake, Axel ought to be impressed. What doesn’t sit right is Axel calling himself your father- something he’s never been given the right to say.
“We actually have met before,” Jeongguk says, and around his arm he feels you tighten, briefly glancing up at him.
All eyes in the huddle are on Axel, including the long forgotten Maxine who watches quietly. “Did we? I don’t remember you.”
“Well, it was a long time ago,” Jeongguk explains with a flat tone. “We were in Busan. You came into my work and bought some cigarettes, I had your opinion on some of my work.”
While Axel thinks about it, your mother gasps happily, clueless and embracing her hands. “Oh, that’s wonderful. Honey, it’s great that you helped this young man.”
Unknowingly, the Min’s writhe on their spots. They know this story. They know the truth- maybe that’s why they dislike Axel the way everybody else does.
“Did I?”
“Yeah,” Jeongguk continues, with the same flat tone that makes you shudder. “Yeah. You told me our music was shit and that I’d never make it in the business because I was a Korean boy from Busan with dreams I couldn’t reach. You told me we’d never succeed and that we’d be stuck in Busan flipping burgers and working night shifts at 7-11, and that the only way I’d succeed was if I was American. Dunno if you remember that, but I did.”
Nobody says anything. Not even Axel, who stares coldly.
“Well, we made it,” Jeongguk laughs quietly. “I took your advice and it really helped motivate me to prove you wrong. We’re number one on Billboard and we’re making history as the first all Korean band to top the charts and headline The Governors Ball next year. Not bad for a basement boy from Busan, right?”
Your mother gulps. “That’s really wonderful, Jeongguk, you should be really proud.”
Jeongguk pities her. “Thank-you. We worked hard for it. Now we’re here.”
“And I suppose it will do Y/N some good, being with somebody so successful.” For the first time since Jeongguk’s arrival, Maxine speaks up. She cradles her champagne glass tenderly and examines Jeongguk with her slinted fox-like eyes, as if nursing a different agenda.
“Thank you,” repeats Jeongguk. He tightens his arm around you, obviously enough to create a statement. While it’s mostly to prove to everybody- and himself- that you and him are an item, it’s also to rub extra salt into Axel’s wounds, his face like he’s sucking on a lemon. “Y/N helps keep me driven a lot. I owe her so much already, I’ll make her happy and do her proud. Thanks to Y/N, I don’t think I could be here. I’m here because she suggested it, actually, for Yoojungie.”
“And a good job, too,” Miyoung finally says, trying to avert the tensions. “Else Yoojung would be miserable at her own birthday party.” And everyone laughs, apart from Axel, not that anybody cares. “Jeongguk, shall we start the music up?”
Jeongguk nods. “I’d love to. Thanks, Mom.”
She smiles, walking away to prep. Feeling Axel’s stare cold on your skin, you gently push yourself into Jeongguk, until he’s walking backwards towards the selection of trees where you turn in his arms, looking up at him. Jeongguk smiles honestly for the first time, his heart thumping.
“Hi,” he says gently.
“Well, you know how to make an entrance,” you note thoughtfully. Jeongguk’s eyes rake your own, wordless. “Be careful how you act around Axel. He’s strangely protective.”
“I thought he wasn’t family.”
You frown. “He’s not. But he’s still… you know. Part of the family.”
Jeongguk says nothing at first. “I get it. I do,” he assures with a nod. The next moment, he has his hands on your upper-arms, smoothing. “It’s good to see you, by the way. You look beautiful.”
A smile crosses your face. “It’s good to see you, too. Missed you.”
“I missed you too, we just got off the plane this morning,” Jeongguk explains. Took a nap on the way home and then got dressed and we came straight here.” He pauses playfully: “Do I look okay?”
You laugh girlishly, catching his elbows with your fingers. “You look great. Who knew you wore glasses?”
Jeongguk grins. “They’re fake, I’m a fraud.”
“Of course,” you joke. “Like all rockstars.”
“Hey, don’t bring in my fellow rockers!” Jeongguk laughs too, an unusual sound. “As much as I wanna stand around and stare at you, I need to go and say hi to Yoojung and perform and stuff. It’s kinda why I’m here…”
“LOL,” you say. “You don’t have to explain yourself, Guk. Go, I’ll survive.”
“Okay,” he resists. “But I’ll come back later, yeah? Can’t ignore my girlfriend.” Jeongguk raises his eyebrows mischievously and then, rustles in his pocket whilst speaking, “Oh, wait. Happy-” he checks the time and shows his phone screen to you as he steps backwards, “-ten minute anniversary, babe.”
As Jeongguk steps away, dragging his fingertips along your palms as he steps backwards towards the curved pathway around the pool, a warm feeling simmers in your stomach. Maybe it’s the sunlight shining gold across his skin or the way his smile finally reaches his nostrils, extending wide, his eyes folded into moons- but something about the whole ordeal seems safe, seems gorgeous and heavenly, at the same time domestic. He winks, turns and heads towards the rest of August Blue sheltered around Yoojung and Yoongi, and you’re left with the imprinted image of Jeongguk’s smile on the spot of grass he just stood on, burning, refusing to leave.
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[23:39PM] Jeongguk❣️: so i don’t think ur family like me…. [23:39PM] Jeongguk❣️: am i out of the picture now?
The sound of your phone fills the room and pulls you out of the bathroom, which connects to your family bedroom back in the house your family live at currently. Yoojung’s party had ended hours earlier, the grand finale with Jeongguk helping bring out her cake, fireworks on the evening, a hand on your waist.
Rubbing at your wet hair, you sit on the bed and reach for your phone, glossing over the messages, smiling.
[23:40PM] You: hey now [23:40PM] You: i don’t think my family like me either [23:41PM] Jeongguk❣️: wanna run away and be my family? [23:42PM] Y/N: where are we running to? [23:42PM] Jeongguk❣️: idk yet [23:42PM] Jeongguk❣️: somewhere nice [23:43PM] Jeongguk❣️: far away [23:43] You: omg yes [23:44PM] You: kinda wanting to go to hawaii...what are your thoughts on hawaii, gukkie? [23:45PM] Jeongguk❣️: hawaii on a first date? imagine that….. [23:45PM] Jeongguk❣️: u DO dream big [23:45PM] You: i tried [23:46PM] Jeongguk❣️: it’s not exactly hawaii [23:47PM] Jeongguk❣️: but how about a late night rendezvous at olive garden
(At the same time…)
[23:47PM] Jeongguk❣️: omg … as if i just spelt that word right [23:47PM] You: autocorrect, u cant fool me [23:47PM] You: and omg sure…..,,,,,, [23:48PM] You: something tells me ur already here and thats why you’re asking
(A honk outside your window.)
[23:49PM] Jeongguk❣️: 🤪 [23:49PM] You: my hairs wet 🥺 [23:50PM] Jeongguk❣️: i’ll roll down the windows?
(A sigh.)
[23:50PM] You: pls give me five minutes
Jeongguk had been parked up outside, his car hidden half in the shadows by a flickering streetlight, inconspicuous and with the inside lights on. It had taken all but three minutes to find his car, and another three for you to warm up to talking to him inside the car. Slipping into the passenger seat with the sound of Magnetic Moon on the AUX and the shining smile from Jeongguk had been nerve-wracking, perhaps nerve-wracking is even an understatement. Nonetheless, the song had rolled to an end and just before Tiffany could transition into the smooth vocals of Lana, Jeongguk said his first few words beyond “hi”.
Olive Garden was a few miles away from your neighbourhood- small and pushed to the side with a selection of palm trees scattered outside, like a postcard for Malibu. Like most, if not all American’s, you’ve been here before, already have a go-to on the menu. Jeongguk drives into a parking bay near the shrubs and opens the doors for you, pulls out chairs, goes the extra mile ordering wine in advance in a private section of the restaurant that you didn’t know existed. You’ve only ever been here with Yoongi and Yoojung, two celebrities who sometimes have the luxury of leaving the house and not getting immediately noticed.
“What do you wanna do after?”
Jeongguk, halfway through cutting his sirloin steak, glances up with an honestly surprised expression. “You still want to hang out after?”
You shrug, taking a sip of the wine. “Sure. Why wouldn’t I?”
“Because our first date since I got back from tour is at fucking Olive Garden,” Jeongguk states.
“I like Olive Garden…” you mumble, which he hears.
After swallowing a large mouthful, he sends it down with a gulp of wine. “Well, I’m not gonna complain. Shall we go for a drive? You ever been to the beach at night?”
“I live in LA, who hasn’t been to the beach at night?”
“Okay, true,” he replies. “I used to do it all the time in Busan, too. Lived right across the road, could see the sands from my front porch.”
Once dinner is over, and once Jeongguk has quite finished coercing you into sharing an ice-cream sundae with him, Jeongguk takes you up on the invitation to drive to the beach, the night sky like looking into the eyeball of a stuffed animal, the stars like specks of dust on an Afterlight edit. The boulevard is lit up by circular bulbs, tiny attractions for moths, bright like close up stars. Jeongguk drives smoothly, the window slightly down and occasionally his eyes glanced over at you; your hair is messed in the wind, the sound of Kim Petra on the AUX sending your body into little bops, something Jeongguk wants to remember for the rest of his life.
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“So much for letting my hair dry.”
Jeongguk laughs from the back of the car, closing the boot and bringing out some spare towels to hand over to you. They’re yellow, like fresh little buttercups, and slightly wrinkled, smelling like faint juice and sea-salt. Regardless, you take the towel off him and begin to quickly rub it against your hair, once again trying to even out the wetness, less than the shower back home, enough to still drip on your arms and legs.
“You splashed me first,” Jeongguk replies, standing outside the door whereas you sit with your legs hanging out, sideways on the backseat. Behind him is the beach, dark and the sound of the ocean lapping like television static, the faint sound of the amusement arcade down the prom. His body is wet too, the ankles of his jeans clinging to his skin with ocean water.
You turn your head to him, smiling. “Guilty.” When he laughs, you continue to speak and bring the towel back down to your lap, “Okay, it’s what they all do in the movies. What else are you supposed to do on a beach at like...midnight. Wait, what time is it?”
“I dunno, like, three?” he guesses.
“No way.”
“Feels like three. Check the front.”
You lean over to check. “It’s definitely not three.”
Jeongguk shrugs boyishly, that same grin creating dimples near his chin. “Not far off. It was a guess.”
“Good for a guess,” you assure. Jeongguk wrangles the towel from your hands politely, wringing it out and throwing it back into the boot. Your hair can dry again in the wind when Jeongguk drives away, the same way it did when he picked you up. He has this theory on his mind as he walks back around to the open door, although the words leave him when he returns, having found that he has nothing at all to say now it’s come down to it.
Jeongguk moves back in, his body shoved between your legs slightly as he moves closer. You gaze up at him, the light behind him making his body glow dark, sighs like whispers in the quiet ambience.
“I really had a lot of fun tonight,” Jeongguk says, like it’s a secret. “Even though this morning your family almost had a heart attack discovering that we were, well, whatever we are...I still had fun.”
You hum in agreement, watching his face as it moves into the light. “Yoojung had the best time. I haven’t seen her that happy since she met Paul Rudd at Disneyland, and that’s seriously impressive.”
Jeongguk laughs quietly. “Paul Rudd.” He almost can’t believe that.
“As for us,” you continue, stress on the ‘us’ which brings Jeongguk’s attention full circle and back entirely onto you in the backseat of his ride, “well...what are we?”
For a few moments, Jeongguk doesn’t say anything. “I have the fantasy and the reality.”
You nod, encouraging, and so he continues. “The fantasy is that we give it a go. We try it, really try. Y/N, with every small inch of my delicate, precious body-” (giggles are delivered by you as he speaks)- “I absolutely adore you. And I never knew I could feel like how I feel with you. I only ever wanted the sex, and even then, I didn’t want it that badly, and then you wandered into my life and everything feels so...so...I don’t even know a word. I just know it feels amazing when I’m with you- I feel amazing. And, of course, the reality is that we’re two sad early twenties rich kids who are pining and don’t know what to do about it.”
And it’s true, it’s so true. The sad reality of it all was that unless either one of you stepped up first, this dynamic of uncertainty would continue on as the norm. Where you were too shy to be bold and make a move, Jeongguk felt too insecure to step up.
“Well, then…” you start, chewing the inside of your cheek, thinking. “How about we try making the fantasy our reality?”
Nothing.
Jeongguk blinks and cocks his head in bewilderment. “Really?” You nod. “You want to?”
“If I didn’t want to, why the hell would I leave my house with wet hair to go eat at Olive Garden and lovingly stroll on a beach at midnight?”
Jeongguk’s eyebrows raise in amusement. “Oh, so it was loving?”
“I was definitely feeling some kind of way,” you confirm.
At long last, Jeongguk smiles wide, shuffling closer. His hands wrap around your face gently, like holding a delicate bird in two palms, and his fingers brush against your ears, tickling the skin, nails fingering your hair.
“That’s good to hear,” he replies, “Great, actually.”
“Yeah?”
Now, Jeongguk hums, his trademark reply for when his eyes are too lost for words to be conjured up to describe how he feels about what he sees. He is, what one might recall to be as “lost for words”. His teeth clip at his bottom lip as he questions what he’ll do next, and for a brief moment you catch his tongue darting out in nervousness as he leans closer, smell of mint on his breath as his lips touch yours, and the heavens open.
Metaphorically and literally, so. As Jeongguk brings you closer to him, his lips still pressed on yours, his heart elevates into subspace, his body light and euphoric. At the same time, the sky grumbles, hungry, and it begins to pour, tiny droplets on the roof of the car and on Jeongguk’s back. He winces, doesn’t pull away, and quickly separates himself from you to squint at the sky.
He sees nothing, because it’s way too dark, but he feels it. Sighing briefly, Jeongguk turns back to you and nods his head upwards, miming for you to shuffle backwards into the car. A rush of something hot creeps down the middle of your body as you do so, feeling Jeongguk’s hand on your calf as he climbs in after you, his ankle caught on the door bringing it to a close, but not fully. The red alarm light is bright and begging for attention but Jeongguk pays it no mind.
Instead, he crawls back to you, eager to pick up what he left. It’s welcomed, warm and inviting, as Jeongguk holds you back closer to him and returns the kiss, hot and open mouthed. Something clicks inside of you, a moment of realisation as Jeongguk sets himself over you, his thighs like a cage and his hair tickling your eyebrows. When this feeling simmers, you grin, something Jeongguk is only mildly surprised about. He doesn’t ask questions, he doesn’t really need to.
In fact, Jeongguk doesn’t really say anything at all; he doesn’t need to, and he actually can’t, given the volume of the rain now it comes down heavier. It’s so loud, almost deafening, which you almost thank out loud for. The rain at least covers up your breathy moans as Jeongguk’s hands wander, pulling at the bottom of your dress and fisting it into a ball, the fabric rising higher.
When Jeongguk finally pulls himself away, it is selfish. He pulls back and sits down, in the middle seat so there’s a window view from every angle, his feet in either footwell. Jeongguk shakes his head and hair out of the way, his hands making their way back to you to bring you up and over into his lap. This time, Jeongguk accepts a kiss from you, his cheeks cupped almost by your hands which gives his hands free reign to smooth across your body, swiftly lifting the bottom half of your dress up, wrapping it like a belt across your hips. If the rain were silent, he’d like to have heard you, heard the way you whimper as the bulk in Jeongguk’s jogging bottoms brushes against your pussy, the fabric of your underwear making it hypersensitive and ten times more exciting.
Jeongguk’s lips widen, his mouth open and inviting for you, accepting tongue when you bring your lips back to his after a short break. His eyes flutter and roll backwards, the tickle of your breath through your nose on his skin as he holds you closer, as if you can get any closer than what you already are. Then, when you quite suddenly bite down onto Jeongguk’s tongue and lips, he groans, pleasured, his hands moving beneath your skirt to grab your ass, lifting you up and down on his very attentive boner.
If Jeongguk or yourself ever thought that the first time you’d have sex would be near the public beach in the back of his car in the middle of a very thunderous rainstorm, you might have laughed, or said there would be more to it. In actual fact, it’s just how it is- Jeongguk shimmies himself out of his bottoms soon enough, reaching into the back side of the car to pull out a condom, since he always has some in case of emergencies, like most guys do. He’d like to not use one, but he knows it’s not safe- he doesn’t know if he’s got something, or if you’ve got something. Either way, he rolls it onto his dick in a record speed and sinks you down onto him all within the same ten seconds, and, yeah- it’s not what he expected to happen, it’s not what anybody expects to happen, but it feels right, feels great. When he’s fucking somebody as good and as lovely as you, he’s not allowed to be picky on the location.
He can’t allow himself to be picky- he knows that he’s wanted you ever since he saw you swirling to Dancer in the Dark, he knows that things are meant to be how they play out. Actually, he doesn’t mind it. He likes the risk of someone seeing, likes the way the windows fog up and how the car rocks slightly, obvious to people outside. Jeongguk relishes in that excitement, crossed with the pleasure and arousal coursing through his body when his attention is pulled out of hit thoughts and back onto you. The rain quietens down and he hears you, feels his hands grip tighter around you and his guided pace quicken, all with a breathy high tone in his ear, occasional breaches of rain and roars of thunder, an orchestral accompanying each of you through the sex, until gushing sounds of rain are what he hears when he sees white in his eyes and over his dick, a melting handprint in the condensation on the window.
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[02:34AM] You: def just heard something on my balcony so if i die, pls tell yoongi that it was ME who lost his left airpod and it was also me who stole his signed Nirvana album it’s on my shelf im sorry [02:35AM] Jimin 🦶🏽: um  [02:35AM] Jimin 🦶🏽: wtf….. [02:35AM] Jimin 🦶🏽: u really just gonna die and not leave anything for me???? [02:36AM] You: SSKSSKKSKSKSK [02:36AM] You: u can have my bank account details + contents [02:36AM] Jimin 🦶🏽: !!!!!!!! [02:37AM] Jimin 🦶🏽: omg rip y/n <3 u will be missed omg…..omg cant believe ur dead
All jokes aside, you stare for a long time at your balcony doors, going insane at the sight of nothing at all through the glass and your curtains, slightly see-through to allow the sun in the mornings.
The night burns on your eyes, flashing swirls of colour taking over as you stare for too long at seemingly nothing at all. Quite possibly, it is the wind, or an animal that has climbed onto the balcony from out of one of the trees. It’s happened before- one time, a family of raccoons migrated onto your balcony during the September months of last year, and stayed there for so long that you forgot your balcony had doors. Those same doors are locked, like they always are on a nighttime, but the bedroom window remains open, slightly pushed out to allow in a breeze to circulate the room.
Knowing that it’s probably nothing, you settle back down into bed, drifting back into sleep remarkably fast for somebody previously quite concerned with being killed. This fact is startling- not just to you, but also to Jeongguk, who cocks a leg over your balcony rail and then through your window. What also shocks him was how easy it was to do all of this, now that he’s standing in your bedroom with nothing to say given the fact that you’ve fallen back to sleep.
Jeongguk sighs softly. It’s been about a week and a half since the beach, and the car, and the rain and the first time, but it feels like it’s been months. Jeongguk had to leave for a few days, three at the most, to film some puppy interview for Buzzfeed and continue other solo interviews while the rest of the band settled for a break in their LA residence. Every moment away felt like agony, so painful that Jeongguk found himself back outside your house, surprises stored in emails on his phone.
He steps quietly over towards your bed, wincing when his weight on top of the comforter causes a loud rustle and squeak. Still, you don’t wake, not until Jeongguk lays himself over you with his hands near your shoulders, his voice quiet and murmuring your name, hair tickling your face, lips on skin.
“Wha-Jeongguk?” you ask quietly, your voice groggy. “How’d you get in here…?”
“I think you need security, urgently,” Jeongguk replies quietly. When you roll over onto your back, he smiles gently and wraps hair from out of your face around your ear. “And you need to start locking your windows. You make a robbery look very easy.”
You sigh. “Oh. I thought it was okay.”
“Just be glad your intruder is me and not somebody else,” he says caringly. “Sorry I woke you.”
“No,” you say, rubbing your eyes. “I was awake...and then I closed my eyes for a bit. Hey, was that you out on the balcony?”
Jeongguk grins. “Knew you saw me.”
“I didn’t. Well, I did, but I thought I was being overly paranoid,” you tell him. You yawn away from him, “What time is it, babe?”
Jeongguk purposefully ignores the feeling in his chest. “It’s two fourty.”
You groan. “Are you stopping the night? Get in, I’m tired.”
Jeongguk brings himself down to kiss you once. “No. No, no, you can’t sleep right now. I wanna go out.”
“Now?” you ask, aghast.
“Yeah. Let’s go somewhere.”
“At like three-am?”
“Yeah, sorry, it was the only time I could get it. I wanna take you somewhere special.”
Once Jeongguk is finished speaking, you open your eyes wider and observe him. It’s only then that you notice his clothing; over his upper body, he wears a large oversized grey hoodie, slightly worn out and wrinkled with the drawstring missing, and as always, dark jeans that blend in with the night. A frown worms its way onto your face, your expression unreadable to Jeongguk’s eyes.
“Get it? Get what, babe?” you mutter.
Jeongguk hums, like shrugging.
“Where are we going?” you ask, starting to sit up which forces Jeongguk to roll over on the bed, until his feet swing over the side and hit the floor. He wants to stay quiet for the sake of yourself, considering he’s not looking forward to accidentally waking up your family. You’ve been staying at your parents' place for the entire week, abusing reading week for sleeping in, going out for something to eat, and returning home to watch Glee rather than finish your art assignments. Naturally, Jeongguk doesn’t want the whole family to reject him just because he woke them up at three in the morning to collect you from your room.
“Hm,” Jeongguk starts, straining to hear if anything outside your bedroom catches his ear. He faintly hears the sound of claws across the wood, remembering you once mentioning that your family had a dog. “How about we go to Paris?”
You whip around to look at him, making out his silhouette in the dark. “Paris? Are you fucking with me?”
“Why, what’s wrong with Paris?”
“There is nothing wrong with Paris,” you affirm, gasping. “I just...really? Paris?”
“Yeah. Thought we could stop by The Louvre to see that dude Maxine tried to set you up with.”
You snort quietly, moving to turn on a lamp which brightens the room into shades of orange. “How did you even know about that?”
“I hear things,” he says, shrugging. Jeongguk then shakes his head and looks back at you, making his way to the bottom of the bed. “No. I just really wanna take you out somewhere special.”
“The beach was special to me,” you tell him.
Jeongguk smiles, “Me, too. But...Paris.”
Laughter bubbles at the back of your throat. “Okay. Let’s go to Paris. Why not?”
“Yeah,” Jeongguk agrees, laughing also, “why not? Need help packing anything? You won’t need a lot, I can take you out when we get there.”
You pull a face, looking back at Jeongguk. “Wow...our first vacation together and you’re already going to spoil me?”
Jeongguk grins widely, “Well, on our first date I humped you, so I guess we’re pretty unconventional.”
You have nothing to say in reply to that.
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(PARIS)
One thing you never thought you’d get the chance to do is take a trip on a private jet, holding up the scheduled flight times of other aircraft at the airport. That changes the second that Jeongguk pulls up outside of LAX, his hand carefully and tightly clamped around your own as he escorts you whilst also being escorted by his own small handful of security right into the large building. Thankfully for him, the airport is empty, occupied by sleeping flyers who wait on hard, metal chairs, the tinny sound of music playing at volume three.
His jet is small, yet luxurious; it’s everything out of a movie set, decorated in mocha creams and whites, clinking glasses of champagne waiting to be swallowed. His pilot knows him by name, and there’s a handpicked air hostess who looks bored and old, her lock screen a picture of her children. Jeongguk smiles at her, even addresses her by name and introduces you with a chirpy tone. The lady looks surprised, covering it up with a tight smile of nervousness. Maybe you’re the only girl Jeongguk’s ever brought on the plane before. Maybe you’re another girl he’s brought on the plane, you don’t know for sure.
After take off, Jeongguk spins in his recliner seat and drums his fingers in his lap. You sit opposite, looking meek, your gaze out the window at the dark clouds and sky. As you continue to fly, the sky opens up, into ombre colours that fascinate. One is looking at the beauty of nature and the other is looking at the beauty of a woman. Neither says a word.
When the plane reaches touch down, the airport is quite bustling and energetic, thankfully again no fans who caught an air of mystery from Jeongguk’s suspicious tweets at one in the morning, when he spontaneously booked tickets without even getting the green flag. Money to waste, risks to take, is what he’d say. Jeongguk helps you carry your small bag to the hired vehicle, an inconspicuous black car with black-out windows. He’s half expecting the vehicle to give him away, but nobody present actually gives a fuck about who is in the car and who isn’t. So, he climbs in without being noticed, his hand in yours, right up until the doors close and you’re hotel bound.
“Fuck, jet-lag.”
Jeongguk dives onto the bed, his back on the duvet and nose tipped up to the ceiling. Presently, you’ve been in Paris for a few hours, staring at the roads below with tired and sleepy eyes, heavy shoulders, a day indoors. Jeongguk’s been to Paris before, quite a few times actually - you haven’t, seeing the city in glimpses outside your balcony. To his right, the bathroom light clicks off and you shuffle out, a towel wrapped around your body as you cross the width of the room.
“Right?” you agree with a small frown. You crouch to pick up a fallen jacket off the back of the chair, tucked underneath the white vanity. “I almost fell asleep in the shower.”
“Yeah? You tired?”
“Exhausted,” you say honestly. “Once I’m dry, I think I might head to bed.”
Jeongguk hums in reply, maybe agreement. He lets you do what you need to do; of course, he takes a peek, because he’s a boy and he can’t help himself. You’re dressing by the window, staring out at the pretty Eiffel Tower who shines, lit up for the evening. The room is dark, dressed in midnight tones, the only light outside and the glow of one of the lamps upon the table top. Jeongguk is so wordlessly in awe that he doesn’t care about not being able to see. He sees your silhouette against the light of the city, curved and beautiful, hidden away by a long button up that you picked out of the wrong suitcase, not that he cares. His cheek is pressed against the pillow and he feels his body lifting up off the bed like he’s levitating. God, his chest is so light, it hurts, he wants to scream, he wants to cry, laugh, smile, leap up and yell. You finish buttoning and turn and he returns to the mattress.
The bed dips as you crawl up onto it, your knees by Jeongguk as you sit next to him on the bed. Instantly, Jeongguk’s hands move to your hair to move it away from your face as you look down at him, one hand on your knee also. On command, the smile on his lips widens softly when you brush away his fringes off his face, humming and then reaching down for a kiss, stealing one from his lips without warning and another off the slope of his chin.
“Paris is pretty,” you tell him. Jeongguk hums. “Thank you for bringing me here.”
He shrugs awkwardly. “Sorry it’s not the Maldives, baby.”
“Whatever. Paris is better,” you say. “Our view is gorgeous.”
You look back at the window. Jeongguk does not. “Yeah, it’s beautiful.”
“Must have been expensive as fuck,” you exhale, turning back to him. His hand that was once on your face drops to your back, wandering until it’s found on your ass. It feels nice, you can’t complain.
“Rich kids of LA come to Paris to make noise and take tourist photos by the Eiffel Tower,” Jeongguk replies, joking but sounding serious, which is a talent of his. You laugh, so he knows it’s something you recognise. He laughs too. “It’s actually in Yoongi’s name. Just asked him if I could use it for a weekend away.”
Your brows curve upwards in amusement. “Oh?”
“Yeah. Yeah, I’m a fraud, it’s not my apartment,” he sighs, “but, at least we’re here. Like it enough, and I’ll buy us a house here.”
“Are we really there yet?”
“Might be,” Jeongguk theorises. “Wanna try it for a bit longer?”
Nothing is said. Outside, a car honks and you sigh at the same time, through your nose, playing with your fingers with Jeongguk’s locks of hair that grow longer over his face. His head hasn’t moved, still squashed against the pillows, his earrings tangled and most likely stuck to strands of his hair, a difficulty for when he decides to move. He feels your hand on his face again, comforting, and he inhales your familiar scent and knows you’ve come closer by the time you’re there, pressing your lips to his.
It’s fleeting, fast. You pull away right as Jeongguk comes to terms with what you’re doing, and so he follows you up as you move away. He’s sitting up, his hands on your elbows as he moves to kiss you again, finish what you started.
A bar door outside opens and music spills out, just as Jeongguk’s hands move from your elbows to your ribcage, his heart in his throat when you reach up to tenderly hold his face, fingers near his ears on his neck. This is euphoria; your hands drop, Jeongguk moving once more to prod and palm. As he kisses you, his thumbs gently massage around your breasts, in circular motions, soft and cradling and exploring. Into his mouth you groan, quietly, like a vocal moan that lasts for a few seconds before being captured by his lips again. Jeongguk’s left hand claws at your boob, grabbing, reaching up to your neck. Now he’s holding you, his hair in his eyes tickling as he guides you. On your cheek, you feel his thumb grazing, holding you close to him even when you pull apart for a modicum of a second to capture your breath. Quite possibly, he could be sick out of nerves - your hands fall limply to his wrists, then down as his hands hold the damp back of your head. After a little longer, Jeongguk pulls himself away, his eyes half-lidded and yours closed entirely.
He admires what he’s done and what he sees. Once more, he kisses you, dragging it out until he’s moved away again, simply admiring. You’re far from done, though; you pull him back after catching your breath, your eyes now open and slightly fuzzy. Jeongguk smiles, warmly, gently. You might cry. As his hands drop from your head to the top of your shirt, fiddling with his fingers around the buttons, your lip gets caught between your bottom teeth and Jeongguk’s eyes are drawn to the sight. He might make a comment, might not. He decides not to. Instead, he moves back in and bides his hands time to undo your buttons.
The cool silk of your shirt drops as he undos the buttons, sliding like rainwater down your shoulders and arms, until it pools around your elbows. Thankfully for him, Jeongguk’s only in joggers and a button down, something he can easily slip himself out of. You’re wearing next to nothing, now that the shirt’s out of the question; all that decorates underneath is underwear, which Jeongguk doesn’t care for anyway. His hands paw at the shirt, trying to undo the last button without pulling away but it feels impossible. Frustrated, he huffs and moves away, his gaze locked on the final button above your pantline and he flushes when a laugh leaves your lips, something small and delicate and girly. He twitches.
“You, too,” you say, once the shirt is removed and you’re only in underwear, which is next on Jeongguk’s list of things to remove. He looks up with mild surprise, having the audacity to be confused by what you’re talking about. It is only when your fingers curl around the waist of his joggers that he smiles, like an idiot, and hums charmingly.
“Shuffle back for a minute?” Jeongguk asks, and you do, excited and buzzing when Jeongguk quickly pushes the joggers down his thighs. When they bunch around his ankles he kicks furiously, like a child, grunting - and you’re laughing, giggling like a school-girl, drunk on the residue of his lips. Of course, he smiles too, because happiness is a goddamn drug. He inhales with exasperation, muttering “아이씨” under his breath. He finishes it up with a chuckle, a voiceless laugh out of his throat, and then he kisses you again.
Jeongguk eventually ends up lifting you, one arm flush against your waist and his other hand graciously ripping down your underwear, careless and selfish when he hears the fabric tear. Your eyes widen, having heard it too, but you’re too dazed to mention it. The undies are tossed towards the balcony door and Jeongguk settles you back on his lap, for a brief moment. He kisses you again, pulling himself snug against you and then, he lays you down.
“So pretty,” Jeongguk comments, his hands sliding down your sides.
“You can’t even see me,” you say.
Jeongguk shrugs, shuffling down the bed. His elbows pinch into your thighs, locking his arms over them and his chin is on top of your groin. “Don’t need to. I just know.”
You slightly laugh, finding it endearing. Jeongguk chuckles too, pressing a kiss to your stomach and then his hands push up at your calves. With your legs up into arrow shapes, knees to the sky, Jeongguk kindly peels them apart, planting himself right in between.
“Jeongguk,” you breathe his name. He grins, you can feel his mouth extending against your skin. He doesn’t reply.
Situated between two smooth legs, Jeongguk’s head dips and dives. A groan is rasped out of you, followed by a string of moany exhales as Jeongguk’s tongue lays flat, covering every inch of your pussy further with sucks and nips that make your toes curl. Jeongguk’s not done this to you before. He feels slightly anxious, because he wants it to be good for you. He wraps his arms around your thighs, burrowing his head in.
“Mpmf- Jeongguk,” you gasp, your head hiding in the comforter. Jeongguk’s on his stomach, nonchalant. Jeongguk licks everywhere he can, kitten licks that stretch out into long ones, exploring. Your mouth drops. Jeongguk moves one hand away from your leg, his fingers curling up to your pussy to stretch out your labia, one finger lazily brushing against your clit. Each brush is exciting, teasing, sensitive. He hums. He’s heard you. He wants to hear more.
He doesn’t do more, because Jeongguk doesn’t want you to cum yet. He has his fun, feeling your thighs lock around his head and quiver when his fingers swipe on your nub, his tongue inching into your cunt, driving out sounds from your lips. Jeongguk entertains that for a few more minutes, hard and throbbing by the time you’re begging for him to stop, rather than keep going.
When he pulls away, your legs shake, quivering like being left out in the cold for too long. He lays down flat instead, tapping your body for you to make a move when you’re ready, which doesn’t take long. Soon after, he feels the brush of your wetness against his leg as you haul yourself up and onto him, hovering over his middle, your hands on his chest.
Jeongguk cocks his head thoughtfully. “Want to?”
You bite your lip. “Yeah.”
“Okay.”
Hair falls over your shoulder. “Do you have a condom on you?”
“In my bag, somewhere,” Jeongguk suggests. He glances to the pile of bags near the door, “But it’s so far away. Are you on the pill?”
“No,” you frown. There’s nothing for a minute. “Want to anyway?”
Jeongguk hesitates, “Yeah. Do you?”
“Yeah. I do,” you tell him. Just as you’re about to take his dick in your hand, Jeongguk reaches out to stop you. You look up at him, finding the glimmer in his eyes in the dull light, “what?”
“What if I cum?” Jeongguk asks.
“I’d like you to.”
“What if I cum inside of you?”
A short silence. Jeongguk drums his fingers impatiently against your thigh. “Whatever,” you settle with. His heart trembles when your hand wraps around him. “I’d be a good Mom.”
Jeongguk laughs, then, his other hand joining the other on your waist. “If it happens, I’ll look after both of you. You can be unemployed and pampered if that’s what you want.”
“God, that’s fucking sexy,” you sigh.
He’s kidding, so are you, but the risk is still great. Jeongguk swallows a thick lump down his throat and settles his hands on your hips, embarrassed to be nervous with the build up of you rising up on your knees, planted either side of his waist. A tremor of coldness makes him shudder as your hand touches the base of his dick, hypersensitive without the rubber. For a brief moment, he catches your gaze, slightly hidden away behind fringes of hair that cast over your eyes.
“Are you sure about this?” he asks, nervous and rubbing his hands against your skin.
You dip your head. “Yeah. Are you?”
“Mhm. I just - just want it to be good for you,” he confesses. “Don’t want it to hurt you. Don’t want you to regret it.”
“Well, are you clean? I got tested not too long ago, did it before my last pill. I’m clean.”
Jeongguk shifts. “Did it on tour with Hoseok. He was going because of Rosie and I was going because he suggested it for us. I’m good. That sound alright for you?”
“Yeah,” you nod. “It sounds perfect for me.”
And so it’s perfect for him, too. Jeongguk questions whether this is right, whether he should stop, but right now he can’t think properly. Not when he can feel himself growing rigid in your grasp, the bristle in his body when you slowly rub your clit across the head of his cock, vibrations. He grunts under his breath, his fingers shaking against your hips. Looking up at Jeongguk once more between your hair, catching the pull of his bottom lip in the scarce light and feeling his body rising beneath you, you shake your head over your shoulders and position yourself. And then you sink.
Paris is a gorgeous city, bustling with life. Across the narrow road, where another small apartment sits with a bay window and a balcony decorated with plants, the lights flicker in strobe patterns, neons bleeding into dulls seeping into pastels. A party, a parade, an applause when the size of Jeongguk adjusts inside of you. He can’t hear you, not over the noise of the party that has suddenly birthed in the moonlight hours. Perhaps Jeongguk is thankful for this, and the way it covers up his noises also.
Jeongguk groans inwards when you clench around him, familiar with the way it feels, remembering the unaccustomed sting and burn. After some time to adjust, you relax, making your first movements up and down, testing the waters, building a rhythm. Jeongguk can’t breathe, his mind paused, his breathing lodged in his throat, his lungs singing. You keep it up, the momentum, finding a pattern in the beat of the music in the background; the bass is your routine, each bump a drop onto Jeongguk’s hips, the brush of his head against your inner walls, euphoric.
“Oh my - fuck,” Jeongguk hisses, his voice barely heard. You catch it though, like a faint whisper, the sound burning your face with embarrassment. His grip tightens, nails digging into your skin as his palms slide from your hips to your ass. He holds like handles of a motorbike, guidance.
You’re slouching, hunched over with your hands on Jeongguk’s chest. He feels a pressure, not sure if it’s your hands pushing down or if it’s his own body, forcing down an orgasm he doesn’t want to have too soon. He sees purple behind you, your dark silhouette cast over him like an angel. With every slap against his body made by your ass, Jeongguk groans, grunts, borderline moans. When he strains to hear your gasps of air something in the background masks them, a sabotage.
“Feel good?” Jeongguk asks. His hands move to your wrists.
You whimper, thoughtless.
“Babe, does it feel good?”
“Mhm.” Your head falls to the side, cheek on your shoulder: “Mhm, feels good.” Something moany comes out of your lips, something muffled and whined. Imploring, spoiled. “Fuck, Jeongguk, that feels so good - keep….keep it like that.”
Jeongguk thinks it over, familiarising himself with his own movements. His grip squeezes around your wrist.
“Like that?” He follows with his body slowly thrusting up, like he would move if he were grinding the air, like inching his hips up under the covers to feel his dick on the duvet.
“Yeah,” you breathe. Even though he can’t see that well, you glance down at him: “can you - can you hold my hands?”
Jeongguk feels his stomach sink and rise, flipping, the butterflies. “Sure, baby.”
When you feel Jeongguk’s hands in your own, you hum to yourself, rising with your fingers interlocked. Jeongguk lets you do what you want with them, obliging when you slightly part his arms, hands locked on either side in the air. You sink, and rise, and sink, and rise, and Jeongguk is lost in the stars. Red, orange, blue, magenta- the rainbow appears as your wings, Jeongguk’s eyes trying to adjust in the dark on your face, on your tits, on the bits that are grainy in his vision. He imagines instead, based off memory of the beach, and the rain. When he feels your cunt clench around him again and your hands slip away to fall back behind you, Jeongguk curses into the air and lifts himself up, his arms wrapped around your middle.
“You feel so good,” Jeongguk says, his lips ghosted over yours now that he’s sitting upright. “Mhm? Hear me? Fuck, you feel so fucking good right now-”
You whimper. Jeongguk seals it up, steals it, captures it with his mouth as he kisses you. His hands are all twisted and searching, one between your shoulder blades and the other on your ass, his mind reeling when you put your palms on his cheeks, absolute bliss. It’s loud, or it would be if he could hear over the sound of the music in the apartment over, and Jeongguk picks up pieces in between the basslines, vocals and harmonies stripped apart so he can find your voice underneath. He pulls his mouth away, latching it to your neck, where your mouth is near his ear, right where he wants it. A hot flush runs up his body when he feels your breath on his ear, hears your needy moans and groans, feels your hands clawing at his back.
“Ugh- umf, Guk, I’m - I’m close,” you pant, his reply a bite to your neck. He sinks his teeth in, like a vampire with dull teeth, and you cry out into his ear. His cock twitches inside of you, the ridges of his cock smearing against your walls. He hums, not sure if you’ll hear it. You don’t. He pulls away and mouths the bite.
“Cum when you want to,” he says sweetly, moving his mouth to your ear briefly before moving back away. His hair is soft against your neck, his head angled to kiss at your skin, covered in a glow.
“What about you?” you ask.
Jeongguk smiles, his teeth present on your skin. “Don’t worry about me. I’m right behind you.”
He nuzzles his face into your neck, his eyes closed serenely as he holds you tight, holds you as you bounce up and down for the finale. Above him, your body trembles.
“Tired,” you laugh breathlessly, and Jeongguk makes a confused noise, like he hasn’t quite heard you correctly. After no reply, he sniffs, collecting you in his arms to hold you tighter than before, using his energy to move you. You may as well be paralysed, a fucktoy for him as he bounces you up and down, basking in the moans in his ear, pornographic and nasty and lewd and heard over the music that has changed tempo.
“Ah!” Jeongguk grunts into your ear with every slam onto his dick, feeling his body seize up in warning. “Gonna - I might…” He doesn’t finish the sentence. You’re not listening to it. All you can focus on is the feeling in your stomach, pressing your nails into Jeongguk’s skin.
Jeongguk saves his own release for later. He focuses, instead, on you and making you feel good, slowing himself down in the race so that you can come first. His lips press back to yours, tongue hot, and he stops bouncing you. One arm is tight around your waist and the other snakes to the front of your body, between your legs where around your thighs he finds your clit, rubbing with his thumb. He can feel your body tense and dither over him, a tightness clenching around him as you squirm, Jeongguk’s hips tiredly thrusting upwards in a slow and steady rhythm.
“Ah - Jeongguk,” you cry, words sinking into his mouth. “Baby-”
With one final flick upwards, Jeongguk lets out a throat-forced grunt into your mouth right as the pot spills, and down the length of Jeongguk’s dick trickles white. You can’t see, it’s dark and blurry, and everything feels numb. It’s nothing like the beach, which was sweet and tender and a rainy haze. This time, it’s a burning that feels dull until it races up your body, like hot goosebumps, until it washes over your body like the drop from the tallest roller coaster. Jeongguk milks it up, his own hands shaking as he grunts wordlessly, until he stutters, his toes curling.
“Umf- babe,” he pants. He moves his hands, you’re attempting to move for him but you feel stuck. Instead you clench, hard and soft, Jeongguk squirms. “Gonna- I’m-” He’s silent. One moment, you hear the laughter and a cork pop outside, and the next moment, Jeongguk’s moans are in your ear, his hands rubbing up your thighs as he moves twice upwards, as if storing his cum in safe spots inside. And then, as if on cue, he pulls out, stuffing his hand where his dick was to feel the cum drip out, like a melting ice-cream.
On his forehead he feels your lips parted and breathing and he fiddles his fingers around, non-sexually, curious. The cum stains his fingers, dressing them, and he laughs from his chest, lost of breath.
Jeongguk sighs, slotting his fingers into your mouth quite suddenly. He can barely see you, the light is still dim behind you but it’s enough for him to make it out, the grain obtrusive. He feels your lips close around his fingers and your tongue on his fingertips, a dazed smile across his face.
He sighs again. “Shit. You’re incredible.”
With a wet sound, he moves his fingers out. Despite cumming, his dick is still semi-hard, on it’s way out. Jeongguk preens when your arms wrap around his neck, his mouth needily on yours for a brief kiss. “So good.”
“Yeah?” you ask quietly.
“The best,” he confirms. “Where’ve you been all my life, hm?”
You laugh through your nose, quiet. “Wasting money at Uni and working for my cousin.” He laughs too, a small one that makes him sound small. You play with the hair at the back of his head, “Sorry for making you wait so long.”
He shrugs. “Was worth it. You’re worth the wait.”
You hum in reply, too tired to move.
“Sticky,” you say with a frown.
Jeongguk’s arms tighten around you, acknowledging your words. “And you just got clean.”
“Don’t worry about it. I’ll shower in the morning.”
After a short while of sitting there, you slowly untangle your arms from around him. Jeongguk has the nerve to be confused, a small hum in question as you climb off him.
“Where you going?” he asks.
“I’m going to pee,” you reply. “To be safe.”
“Oh. Okay, pee on.”
“Sorry,” you say. Leaning up to kiss his lips, Jeongguk smiles into it and all the while as you move to hurry towards the bathroom. The sound of the toilet seat being lifted, and a slight squeak from the toilet that Yoongi desperately needs to consider replacing, and then Jeongguk settles down onto the bed with a happy sigh. His chest rises and falls as the party goes on outside, fireworks behind the Eiffel Tower.
He could get used to this.
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Something wakes you up with the sunrise, twisting into soft orange colours that stretch across the agriculture of Paris. It barely lights up the city, enough for shadows to still be drawn across the mocha coloured buildings, the stone still cold in the shade. You wriggle inside the sheets slightly, discomfort between your legs and very slowly, your eyes adjust to the slight light brewing in the bedroom.
The patio doors leading out onto the small balcony are drawn open, the see-through curtains swaying like slow hips in the wind. Beside you, the bed is cold, untucked and open where Jeongguk has climbed out. Mentioning Jeongguk, you notice that he sits on the end of the bed, facing the sunrise and the Eiffel Tower with a notebook in his hand. The pages are folded over the spine, bulking it up, and he taps a pen against his ear quietly. The sound is all you can hear alongside the early-rising birds, a car honk outside and the next door neighbours hanging out of their window with chocolate bread and strong coffee.
“Mmm. Guk?”
Your voice is slightly hoarse, bedirdden, and Jeongguk manages to hear it as he turns his head over his shoulder. A smile dawns on his face and he shifts, one hand on the bed and the book closing shut on its own. “Hey, baby. Sorry, did I wake you up?”
You yawn, rubbing your eyes. Some mascara rubs off onto your hand. “No, you’re okay.” He doesn’t say anything at first, there’s no competition for the next word. When your vision finally settles onto a visible image, you see Jeongguk’s face and the book in his lap. “What are you doing…? Wait, what time is it…”
“It’s about five thirty,” Jeongguk estimates, although he’s not sure. He’s actually not far off, it’s five fourty one. “And, um...not much.” For a moment, Jeongguk sounds bashful. He shrugs, hiding the book and smiling at you. “You can go back to sleep if you want. I’ll be quiet.”
“Kinda hungry,” you admit. You inhale the air, “Oh my God, those fuckers next door have coffee.”
“Chocolate bread, too. Caught a glimpse when I opened the doors.”
You groan. “What the fuck…”
Jeongguk laughs, genuinely. His head turns back towards the Eiffel Tower, in awe, and after a few minutes of nothing but morning silence, you sigh and clamber over the sheets. They’re cold, crisp and wrinkled, and Jeongguk looks up at the noise. He frowns, only because you’re wearing barely anything.
“You’re gonna get cold,” Jeongguk points out, his hands reaching for the bed throw that had been kicked onto the floor during the night. “Want me to close the window?”
“No, it’s pretty.”
“It’s cold, though.”
You push your face onto Jeongguk’s shoulder blade. “Whatever.”
He chuckles, resigning from the conversation. You’ll win anyway. A tiny bird lands on the patio rails, and you inhale the morning air, planting a kiss on Jeongguk’s shoulder.
“You sure you’re okay?”
This makes Jeongguk look up. His eyes wear confusion and adoration, round and searching as he looks over his shoulder. “Yeah. Why, why wouldn’t they be?”
“I worry about you, ‘s all,” you reply quietly. “All the time.”
Jeongguk’s heart breaks.
“I’m...I’m good,” he replies honestly. “Really good. I haven’t been doing this great in...well...I don’t know, forever? Call it cringey, or whatever, but having you in my life...Fuck, it’s changed everything.”
You gaze up at him. “You’ve made a pretty big difference in my life, too, you know?”
“Yeah.”
“And I’m here for you. Always.”
Jeongguk doesn’t miss a beat- his hand wraps to stroke your hair, curled from the shower earlier, pressing a little kiss to your nose. He nods, and his hair brushes against your face. “Yeah.” He nods, confident, “Yeah. Actually- LOL,” he laughs, “I. Um, I wrote something.”
“Oh? Yeah, what did you write?”
He reopens the book. The pages are littered with lines of writing, alongside small doodles in the margins, words like arrows shooting across the lines. His hands flip to a page that has the corner marked down, the numbers “23” in bold outline at the top of the page. You inhale, nervous, your eyes lazily looking at the lines.
“Just a song,” Jeongguk explains. “Woke up, looked over at you, just got the idea. I had to write it down as soon as I thought about it. Got the melody and stuff worked out, just need to make a note and tell the guys when I get back.”
You hum, genuinely enthralled. You quickly look at him, “Can I hear some?”
If it were light enough, you might have caught a blush across his face. He clears his throat, shy.
“I’m fadin’ away off some kind of drug, maybe it’s lust, maybe it’s love,” his voice is quiet, almost as if speaking the words is something wrong, “I know I said I’d straighten a week ago, I feelin’ though, bout to reach my peak, you know. This city’s got me fallin, now, I’m fading away, I’m losing my head…” He mutters the lyrics, singing quietly. As he skims over what he’s got scribbled down, you can feel your heart thudding, soaring, feeling numb and soft and warm and everything else.
“It’s about you, called 23,” Jeongguk says. At some point, you’ve missed the rest of the lyrics, intent on gazing at Jeongguk like he is God’s angel sent down from Heaven. He is so beautiful, so kind and pure. “Sound okay?”
You nod, and maybe Jeongguk sees tears pearling in your eyes. “Yeah. Fuck- it sounds beautiful, Guk.”
A smile immediately reaches across Jeongguk’s face. It lights up the room better than the sun, now reaching higher into the sky. “You’re beautiful. I wanna make you so happy.”
“You do make me happy.”
“Yeah?” he asks, laughing, his eyes turned into moons. “Well...Look. I’ve never had to ask anyone, so it’s awkward as fuck right now, but...like…” He laughs, and you do too, because you know it’s coming, “Do you, like...wanna be my girl?”
“Your girl?”
He laughs louder. “Fine - my girlfriend! Y/N L/N, the light of my small and sad life, will you please be my girlfriend?”
Once your laughter has calmed down, and Jeongguk’s hand tiredly slips from your hair down to the bed next to your own, you really, honestly look at Jeongguk. Above everything else, you can’t quite believe that you are here with him; with somebody you never thought you had a chance with, with somebody who you would do absolutely anything for. The way you presently feel about Jeongguk is overwhelming and dangerous, so strong that sometimes you feel afraid by it. You bite your bottom lip, amusing the idea of actually thinking about it, and then you nod.
“Sure. Of course,” you agree, kissing his shoulder. His head follows you, his breath on the bare skin of your shoulders as he ducks his head to kiss the side of yours. “You’ve got me.”
Jeongguk feels like he could quite honestly burst into tears. “I’ve got you.”
(“I’m not 23 though,” you say to him once the love has died down. He cracks a smile and pushes you back onto the bed, returning to look at the Eiffel Tower.)
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part two (final)
774 notes · View notes
evansfm · 3 years
Text
𝙨𝙚𝙚 𝙛𝙤𝙧 𝙮𝙤𝙪𝙧𝙨𝙚𝙡𝙛 –– 𝐞𝐯𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐥𝐲 .
every  morning  evan  woke  up  to  a  london  sky  that  refused  to  let  the  sun  in  ;  summer  was  drier  than  spring  ,  but  the  clouds  seemed  to  linger  year  round  .  .  .  not  that  she  minded  .  she  had  ,  after  all  ,  grown  up  in  county  dublin  ,  where  things  were  always  a  bit  damp  .  still  ,  the  lack  of  COLOR  could  be  draining  .  .  .  so  she  searched  for  it  in  unexpected  places  ,  creating  little  pockets  of  color  for  herself  in  a  rather  grayscale  world  .  golden  lights  strung  on  her  balcony  ,  isla’s  bright  red  hair  and  matching  smile  ,  an  array  of  bright  letters  boasting  NME  lining  a  wall  ––  covers  from  past  decades  ,  a  rainbow  rubik’s  cube  next  to  her  keyboard  ,  two  framed  photographs  perched  on  her  desk  .  the  first  seemed  like  forever  ago  ,  a  beaming  eloise  with  a  twin  on  either  side  ;  beck  on  the  left  ,  evan  on  the  right  ,  both  planting  kisses  on  her  cheek  one  valentine’s  day  years  and  years  ago  .  the  second  was  more  recent  ,  backstage  at  a  show  in  galway  ;  kieran  sat  in  his  chair  with  his  fingers  intertwined  with  evan’s  as  she  draped  her  arms  over  his  shoulders  from  behind  ,  chin  resting  on  top  of  his  curls  and  a  smile  that  looked  SOFT  compared  to  the  goofy  one  ruairi  wore  ,  looming  behind  her  with  his  chin  on  her  head  .  she  felt  warmth  every  t​​ime  she  looked  at  them  ,  but  there  was  always  a  tug  in  her  stomach  .  .  .  the  undeniable  feeling  of  something  missing  .  she  found  her  little  pockets  of  color  ,  but  they  still  seemed  muted  w​​ithout  the  people  she  loved  ––  the  PERSON  she  loved  .
their  schedules  had  begun  to  clash  ––  and  evan  hated  the  way  she  was  beginning  to  get  used  to  the  dull  ache  of  his  absence  .  distance  had  been  a  part  of  their  relationship  for  months  ,  but  the  time  zones  were  killing  her  .  they  couldn’t  always  make  time  for  hours  wasted  away  on  facetime  ;  she  couldn’t  always  fall  asleep  to  the  sound  of  his  voice  on  the  other  end  of  the  line  .  they  were  both  where  they  were  supposed  to  be  ,  chasing  their  dreams  together  ,  separately  .  .  .  but  evan  was  beginning  to  wonder  if  the  path  she  was  on  ––  the  desk  ,  the  deadlines  ,  the  distance  ––  was  actually  what  she  WANTED  .  there  was  a  lack  of  creative  control  at  nme  ;  she  was  a  part  of  a  greater  whole  ,  confined  to  a  desk  when  she  wasn’t  out  in  the  field  .  she  felt  restless  .  .  .  bored  ,  almost  .  and  with  her  most  recent  deadline  met  and  a  job  of  her  own  ––  evan  connely  ,  sans  nme  ––  waiting  at  the  end  of  the  week  ,  she  was  distracted  .  
“  WHAT  are  you  doing  ?  ”  isla  popped  up  behind  her  ,  coming  out  of  nowhere  to  look  over  her  shoulder  .
“  jesus  ,  ”  evan  startled  ,  nearly  dropping  the  plastic  puzzle  in  her  hand  ,  “  where  t’e  fuck  did  you  come  from  ?  ”
“  charlotte’s  office  .  answer  my  question  .  ”
“  playing  wit’  a  toy  ,  ”  she  held  up  the  half  solved  rubik’s  cube  ,  then  let  out  an  audible  sigh  as  isla  looked  unimpressed  ,  then  jutted  her  chin  towards  the  computer  screen  ,  “  trying  to  put  together  a  mood  board  for  t’is  gig  i’ve  got  wit’  saint  valentine  on  friday  .  ”
perfectly  shaped  auburn  brows  raised  ,  “  we  got  saint  valentine  ?  ”
“  no  ,  ”  evan’s  lips  lifted  into  the  faintest  smirk  ,  “  i  got  saint  valentine  .  ”
“  you’re  bloody  joking  .  shut  UP  ,  ”  isla  gasped  ,  rounding  to  her  side  of  the  table  desk  ,  just  to  roll  her  chair  around  ,  “  and  you  didn’t  fucking  tell  me  ?  ”
“  no  ,  because  you  couldn’t  keep  a  secret  if  you  tried  .”
“  well  that’s  because  it  shouldn’t  be  a  fucking  secret  ,  ev  .  this  is  fantastic  ,  ”  hazel  eyes  widened  with  excitement  ,  “  so  you’re  shooting  them  for  ––  .  .  .  ”
“  t’ey  weren’t  too  explicit  about  it  .  i  know  for  certain  i’m  covering  bot’  shows  at  t’e  o2  ,  documenting  t’e  whole  thing  from  t’e  moment  they  get  there  ,  ”  evan  huffed  a  curl  away  from  her  face  ,  nodding  to  the  screen  ,  “  and  t’en  a  shoot  on  site  at  t’e  venue  .  so  i’ve  got  to  work  wit’  what  i’ve  got  .  i’ve  got  ONE  chance  here  ,  and  nicky  haven  scares  t’e  absolute  fuck  out’a  me  ,  so  i  can’t  blow  it  .  ”
“  nicky  haven  scares  EVERYONE  .  it’s  part  of  h​​is  charm  ,  ”  isla  leaned  in  ,  ma​​king  herself  perfectly  comfortable  in  evan’s  space  as  she  took  the  mouse  and  began  clicking  through  different  ideas  opened  on  photoshop  ,  “  let’s  see  what  you’ve  got  so  far  ––  .  .  .  ”
“  isla  ,  it’s  not  a  big  deal  .  really  i  shouldn’t  even  be  working  on  t’is  HERE  ,  right  now  .  it’s  not  exactly  nme  related  stuff  ,  you  kn––  ”
“  i  TOLD  you  she  was  here  today  ,  ”  a  girl  called  sophie  ,  who  manned  nme’s  front  desk  in  the  mornings  ,  materialized  on  the  other  side  of  evan’s  desk  .  a  junior  writer  ,  andrew  ,  was  hot  on  her  heels  .
“  soph  ,  now  really  probably  isn’t  the  best  time  and  it  really  isn’t  your  busi––  ”
“  someone’s  got  to  show  her  ,  ”  sophie  was  ,  admittedly  ,  obnoxious  .  and  coming  from  EVAN  ,  that  was  a  feat  .
“  show  WHAT  to  WHO  ?  ”  isla’s  voice  changed  in  tone  ,  taking  on  a  hint  of  authority  as  she  looked  at  andrew  ,  “  aren’t  you  meant  to  be  doing  some  social  media  research  right  now  ?  ”
“  i  WAS  ,  but  ––  ”
“  but  we’ve  found  something  that  evan  HAS  to  see  ,  ”  sophie  .  again  .
“  we  ?  ”
“  ME  ?  ”  evan  said  in  tandem  with  isla  ,  brows  lifting  as  she  clicked  the  final  piece  into  place  on  the  cube  .  she  glanced  over  at  isla  and  felt  a  strange  twist  in  her  stomach  when  she  saw  the  redhead  had  gone  rigid  .
“  is  this  about  ––  ”
“  rebecca  stringer  ,  ”  andrew  nodded  solemnly  ,  as  though  evan  was  supposed  to  know  who  the  hell  THAT  was  .
“  better  known  as  BEX  ,  ”  sophie  added  .
it  was  evan’s  turn  to  go  rigid  .  her  back  straightened  ,  and  it  felt  like  ice  had  just  been  shot  through  her  veins  .  truth  be  told  ,  she  was  more  worried  about  conflicting  schedules  lately  .  .  .  not  the  way  bex  sing-songed  a  shortened  version  of  kieran’s  name  .  .  .  or  the  way  she  answered  his  phone  and  simply  couldn’t  remember  who  evan  was  .  .  .  or  the  way  she’d  made  sure  evan  could  hear  her  promise  to  personally  deliver  kieran  to  his  hotel  room  that  first  night  in  los  angeles  .  it  wasn’t  exactly  PLEASANT  being  reminded  of  the  instinct  that  she’d  shut  down  ,  intuition  telling  her  something  wasn’t  quite  right  there  .  her  brows  pinched  together  as  the  rubik’s  cube  slid  from  one  hand  to  the  other  and  back  .  she  glanced  over  at  isla  with  a  prompting  look  .
“  we’re  .  .  .  doing  a  piece  about  nepotism  babies  in  the  industry  ,  and  she’s  a  PERFECT  example  of  one  so  i  was  having  andrew  look  into  the  way  she  interacts  with  fans  and  her  socials  and  what  not  .  she’s  one  of  like  TEN  people  we’re  look​​ing  into  ,  ”  she  explained  with  an  apologetic  look  .  it  was  then  that  she  turned  a  sharp  eye  to  andrew  and  sophie  ,  “  don’t  know  what  THAT  has  to  do  with  evan  ,  though  .  ”
“  see  for  yourself  .  ”
“  SOPHIE  .  ”
“  what  ?  it  probably  isn’t  even  new  information  for  her  ,  ”  she  shrugged  ,  reaching  over  two  monitors  to  hand  evan  a  phone  .  twitter  was  opened  to  a  profile  with  bex’s  beaming  face  in  the  icon  ,  but  the  handle  wasn’t  hers  .  she  gave  the  pair  of  them  a  skeptical  look  before  glancing  over  at  isla  who  only  offered  a  half  -  hearted  shrug  .  it  didn’t  take  long  to  see  what  ,  exactly  ,  sophie  had  been  talking  about  ,  a  slew  of  tweets  and  retweets  .
bexupdates  :  bex  &  kieran  pulled  up  to  the  venue  together  .  .  .  and  then  left  at  the  same  time  .  why  are  they  lowkey  so  cute  annathefound  :  not  bex  wearing  a  baby  tee  version  of  the  found’s  merch  .  .  .  stanning  her  boyfriend  just  like  the  rest  of  us  
ruairidailyposts  :  ok  wait  are  evan  &  kieran  even  dating  anymore  bc  i  could  be  down  with  a  bex  &  kieran  moment  cheerupbailey  :  @ruairidailyposts  you  know  two  people  can  have  a  relationship  without  posting  about  it  right  ???  they’re  in  separate  countries  rn  lol
babybexxx  :  i  just  think  that  bex  &  kieran  walsh  as  a  power  couple  .
bxhq  :  no  offense  but  bex  is  simply  so  much  better  for  him  than  some  rando  from  ireland  like  what thefoundupdates  :  @bxhq  babes  they  LITERALLY  grew  up  together  ????
totallyconan  :  be  honest  do  u  guys  think  the  reason  evan  isn’t  on  tour  with  them  is  bc  they’re  not  together  anymore  like  she  literally  never  misses  shows
adamfitzupdates :  why  are  y’all  so  obsessed  with  a  relationship  that  doesn’t  concern  you  ???  chill bexlevitates  :  @adamfitzupdates  bc  it’s  weird  that  evan  knew  him  for  so  long  and  only  started  dating  him  AFTER  the  found  started  to  get  big  like  that’s  shady
bexupdates  :  find  someone  who  looks  at  u  the  way  bex  looks  at  kieran  on  stage  wtf  did  y’all  see  that
newruleshq  :  no  waaaay  this  man  has  a  gf  when  he  and  bex  look  so  good  next  to  each  other  LMAO  
thefoundupdates  :  according  to  the  girl  who  wrote  the  article  kieran  literally  WALKED  OUT  on  the  interview  ???  rockstar  behavior  but  also  hope  he’s  ok
evan  could’ve  kept  scrolling  for  hours  as  her  heart  rate  began  to  rise  and  rise  .  the  crease  between  her  brows  deepened  ,  and  she  reminded  herself  of  everything  she  knew  to  be  true  .  kieran  LOVED  her  .  twitter  was  a  BRUTAL  place  .  it  was  as  though  the  worst  parts  of  her  subconscious  had  come  to  life  in  280  characters  or  less  .  her  head  began  to  swim  as  her  heart  sank  into  her  stomach  .
“  what  does  t’is  ––  .  .  .  ”  her  voice  cracked  ,  and  she  cleared  her  throat  ,  finally  looking  up  from  the  phone  screen  ,  “  why  ,  exactly  ,  are  you  showing  me  this  ?  ”  
sophie  looked  as  though  she  was  shocked  by  evan’s  question  ,  “  because  i’ve  dated  musicians  .  .  .  and  like  HALF  of  those  are  in  bex’s  likes  .  which  are  public  ,  by  the  way  .  just  doesn’t  seem  subtle  to  me  .  ”
“  are  you  trying  to  insinuate  something  here  ,  sophie  ?  ”  her  tone  shifted  ,  irritated  as  she  handed  the  phone  back  .
“  like  i  said  ,  i’ve  dated  guys  in  bands  ,  too  ,  and  ––  ”
“  enough  ,  ”  isla  snapped  ,  “  you’re  sticking  your  nose  where  it  doesn’t  belong  .  BOTH  of  you  should  be  off  doing  your  jobs  right  now  ,  so  ,  run  along  .  ”
both  of  them  scurried  off  without  a  word  .  
evan  was  still  for  a  moment  ,  but  her  fingertips  were  itching  for  the  keyboard  .  she  was  no  stranger  to  things  like  this  ,  unkind  words  from  strangers  who  didn’t  LOVE  the  idea  of  her  ––  despite  not  knowing  her  .  the  good  outweighed  the  bad  on  the  internet  ,  but  the  voices  who  didn’t  like  her  were  always  the  loudest  .  even  BEFORE  she  and  kieran  had  gone  public  with  their  relationship  .  .  .  even  before  they  were  ever  in  a  relationship  at  all  .  over  time  ,  she’d  learned  to  tune  it  out  and  focus  on  the  kindness  that  flooded  her  comment  sections  and  mentions  .  .  .  but  every  now  and  again  something  slipped  through  the  cracks  .  .  .  and  when  they  did  ,  she  absorbed  them  like  a  blow  to  the  abdomen  .  they  settled  into  her  memory  and  cemented  themselves  there  ,  tucked  away  until  they  found  the  perfect  moment  to  make  her  self  conscious  .  like  the  fan  who  had  commented  on  the  shape  of  her  body  before  and  after  going  to  uni  .  .  .  and  another  from  galway  who  made  it  their  business  to  let  everyone  know  she’d  slept  around  while  living  there  .  .  .  and  every  time  someone  said  she  wasn’t  good  enough  for  kieran  or  any  of  them  .  that  she  had  bad  intentions  ,  leeching  onto  the  boys  for  fame  .  that  her  career  was  based  SOLELY  on  the  four  of  them  .  
if  she  caved  and  kept  scrolling  ,  she’d  commit  it  all  to  memory  .  .  .  everything  that  made  her  intuition  about  bex  STRONGER  .  
instead  ,  she  launched  forward  and  snatched  the  rubik’s  cube  back  up  ,  immediately  distorting  its  perfect  faces  and  mixing  it  up  again  .  it  was  good  to  keep  your  hands  busy  ,  she  knew  ,  when  your  mind  began  to  run  away  .  
the  worst  of  it  wasn’t  even  TRULY  comments  about  their  relationship  .  .  .  those  hurt  ,  but  they  didn’t  sting  quite  as  bad  as  real  -  time  updates  about  kieran  and  bex  showing  up  or  leaving  venues  together  .  she  dulled  the  pain  by  reminding  herself  that  THREE  other  boys  were  never  too  far  behind  .  that  kieran  would  never  .  .  .  COULD  never  .  .  .  
but  then  again  ,  there  was  the  tweet  that  weighed  heaviest  in  her  mind  .  kieran  walked  out  in  the  middle  of  an  interview  ,  and  he  hadn’t  told  her  .  something  rattled  him  to  the  point  of  his  version  of  an  outburst  ,  and  he  hadn’t  told  her  .  that  seemed  like  something  he  would  have  told  her  .  .  .  it  seemed  important  enough  ,  she  thought  to  herself  ,  right  ?  RIGHT  ?
her  throat  felt  tight  ,  and  she  kept  running  the  tweets  she’d  read  over  in  her  mind  .  there  was  a  deep  furrow  in  her  brow  as  she  looked  down  at  her  hands  ,  still  vehemently  mixing  up  the  toy  .  something  felt  off  kilter  .  .  .  but  she  couldn’t  pin  down  which  hurt  more  :  the  slew  of  tweets  from  people  pretending  to  know  what  went  on  in  her  relationship  .  .  .  or  the  thought  of  kieran  doing  something  as  rash  as  storming  out  of  an  interview  ––  and  then  not  telling  her  .  
“  i  didn’t  know  about  t’e  interv​​iew  bit  ,  ”  she  said  quietly  ,  eyes  still  trained  on  the  colorful  cube  .  she  was  certain  her  face  was  the  opposite  ,  color  drained  .  
“  evan  ––  .  .  .  ”
“  it’s  fine  ,  ”  she  said  firmly  ,  “  it’s  probably  not  true  .  just  like  t’e  rest  of  it  isn’t  true  .  ”
her  voice  sounded  distant  .  .  .  and  she  wasn’t  sure  if  she  was  trying  to  convince  isla  or  HERSELF  .  clearing  her  throat  again  ,  she  set  the  toy  back  down  on  her  desk  and  scooted  towards  the  computer  .  
“  i’ve  got  work  to  do  ,  ”  she  said  quietly  ,  getting  back  to  the  monitor  .  though  all  she  wanted  to  do  was  go  home  .  how  many  more  people  thought  that  she  wasn’t  GOOD  ENOUGH  for  kieran  ?  how  many  people  thought  someone  like  bex  was  a  better  fit  ?  how  long  would  it  take  for  the  suggestion  to  become  potent  enough  to  make  the  people  who  KNEW  them  question  it  as  well  ?  and  if  kieran  had  walked  out  of  an  interv​​iew  ,  WHY  hadn’t  he  told  her  ?  
she  glanced  down  at  her  own  phone  screen  ,  hoping  that  maybe  she’d  missed  a  text  or  a  call  .  .  .  but  all  she�� got  was  nothing  .  nothing  but  the  words  she’d  seen  written  down  ,  now  cemented  in  her  mind  :  bex  is  simply  so  much  better  for  him  .  .  .  because  SHE  was  there  ,  wrapped  up  in  the  same  world  he  was  in  .  she  was  accessible  .  immediate  .  beautiful  .  
and  evan  was  stuck  in  london  with  nothing  but  time  to  wonder  .
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psychodollyuniverse · 5 years
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The Long Blondes
The Long Blondes were a five-piece English indie rock band formed in Sheffield, United Kingdom in 2003 by Dorian Cox (lead guitar and keyboards), Reenie Hollis (real name Kathryn Hollis) (bass guitar and backing vocals), Emma Chaplin (rhythm guitar, keyboards and backing vocals), Kate Jackson (lead vocals) and Screech Louder (real name Mark Turvey, drums).
After several critically acclaimed singles, they released their debut album, Someone to Drive You Home, on Rough Trade Records in November 2006. Their second album, Couples, was produced by Erol Alkan and released in April 2008. On 20 October 2008, due to the unexpected illness of their primary songwriter and lead guitarist, Dorian Cox, the band announced their amicable split via a message on their website, the same day their singles compilation, "Singles" was released.
The band was formed in 2003 in Sheffield, United Kingdom. All the members were attending, or had attended university in the city.The following quote appeared on their website and served as an introduction to the Long Blondes; "Our shared influences include The Mael Brothers, Marx Brothers and The Bewlay Brothers. We do not listen to The Beatles, The Rolling Stones, Jimi Hendrix, The Doors or Bob Dylan. We chose an instrument each and learnt to play it.".The band have stated that the original inspiration for The Long Blondes was to form a fantasy pop group: "Nico, Nancy Sinatra, Diana Dors and Barbara Windsor. Sexy and literate, flippant and heartbreaking all at once." Singer Kate Jackson was inspired by bands with front women like Siouxsie and the Banshees and Blondie.
In July 2004, The Long Blondes released their debut single "New Idols" on the local Thee Sheffield Phonographic Corporation label. This was followed by singles "Autonomy Boy" and "Giddy Stratospheres", on Angular. In 2005, they released further singles, "Appropriation (By Any Other Name)" and "Separated By Motorways", the latter being produced by Paul Epworth and released on his own Good & Evil label. These releases were met with a positive critical reaction and growing media attention
Still unsigned, in February 2006 the band were recipients of the NME Philip Hall Radar Award, which in previous years was won by Franz Ferdinand and Kaiser Chiefs. Further adding to their reputation, the band were named by The Guardian and Vogue as "the best unsigned band in the UK". As they were unsigned, during the early success of the band, members remained working in various day jobs; Jackson sold vintage clothing on eBay, Cox was working in the University of Sheffield Department of Law, Hollis in the Media Studies department of a nearby college, Chaplin in a Leeds art library and Louder in the Home Office.
On 13 April 2006 they signed to Rough Trade Recordsand began recording their debut album over the summer with Steve Mackey, the bassist with Pulp. The album was preceded by the singles "Weekend Without Makeup" in July and "Once and Never Again", which was released on 23 October and debuted at number 30 in the UK Singles Chart.The song was named the 15th best track of 2006 by NME. Someone to Drive You Home was released in November 2006. The music was written by the band collectively while the majority of the lyrics were written by Cox with Jackson completing the lyrics for "Separated by Motorways" and "Madame Ray". Critical reception was generally positive with the NME calling it "fantasy pop, performed to perfection" in a 9/10 review.Reviews picked up on the predominant themes of the album; outsider status, popular culture references from the 1950s and 60s and relationships from a female perspective. Other reviews indicated the numerous inspirations for the work. For example, a four-star review in The Guardian said that "if talent borrows but genius steals ... the Long Blondes should be taking their Mensa tests", comparing the album's style to Franz Ferdinand and 80s indie-pop band The Flatmates.Some noted the impact of Jackson's voice; Colin Roberts of Drowned In Sound said "her delivery is like a public address call across a Sunday marketplace” while The Guardian said it was "marvellously belting, if unsubtle".A 3-star review in Uncut magazine recognised the ambition of the band's sound, advising that they should acquire "a ruthless pop producer, one who can coax them out of their indie-pop dowdiness – like Blondie needed Mike Chapman, like ABC needed Horn.They appeared at a number of UK festivals over the summer of 2006, including the Carling Weekend. In 2007, they played on the Other Stage at the Glastonbury Festival.
After an extended European tour, in October 2007 The Long Blondes began work on their second album with producer Erol Alkan, who had previously produced their more dance orientated b-sides such as "Five Ways To End It" and "Fulwood Babylon". On 19 December 2007, it was announced that the new album's title would be "Couples". The title alludes to the David Bowie album "Heroes" and also to a loose theme of the album as a "big breakup album". Before the album was released, all five members created their own cryptic promo videos explaining the inspiration behind "Couples".The band stated that the album drew influences from Italo disco revival acts such as Glass Candy and the Italians Do It Better label.and ABBA. Cox stated that "...there's something really innocent about Abba videos... really kinda funny, futuristic but old fashioned at the same time and that's how we see our music on this album.".
"Couples" was released on 7 April 2008, preceded by a single, "Century", released on 24 March 2008. The album reached number 48 in the UK album chart. The album was generally well received by critics. Click Music gave the album a 4.5 out of 5 and said it was "a worthy contender for record of the year".[24] The Guardian gave the album another 4-star review, noting the album's shift in style – saying that some tracks shared "more with the cinematic perfection of Kylie Minogue's "Confide in Me" than the kitchen sink dramas of Pulp". A mixed 6/10 review in NME said the album was "not terrible, but disappointing" and "whereas once they sang of suburban boredom tempered with the thrill of escape, now they’ve started to sound like they’d be happy to stay put".After "Century", the next song to be taken off the album was "Guilt", which was released on 7" and digital download.
On 9 June 2008, the band posted on their official website that Cox had fallen ill and that he had to be rushed to hospital, which meant that they had to cancel all their live appearances until the end of July.The band were due to play a support slot on Duran Duran's Red Carpet Massacre tour at the Birmingham NIA and the O2 Arena in London and on the John Peel stage at Glastonbury.
After "Couples", the band decided to release a compilation of their rare early 7" singles, which was titled "Singles" on 20 October 2008 on Angular Records.The twelve track album collected all of the songs from the band's first singles. The version of "Separated By Motorways" differs from the single version produced by Paul Epworth, instead the group opted to include the demo version instead. The compilation also featured one previously unreleased song – "Peterborough". "Singles" was named the 25th best album of 2008 by Artrocker magazine
On 20 October 2008, Guitarist Dorian Cox posted a message on their official website that the band had split up. The main motivation for the break-up was Cox's stroke in June 2008, which resulted in a swath of cancelled gigs.Cox thanked fans for their support and goodwill. "We have decided to call it a day," he wrote. "The main reason for this is that I suffered from a stroke in June and unfortunately I do not know when/if I will be well enough to play the guitar again. On behalf of the band I'd like to say a big thank you to anyone who ever came to one of our shows, bought one of our records or danced to one of our songs in a club." The announcement was made the same day their compilation "Singles" was released, with the inside of the rear album art also containing news of the break-up. Upon their split, The Guardian wrote an article entitled "Why music will miss the Long Blondes".
It was reported on 1 December 2008 that Cox was undergoing physiotherapy for his paralysis and is still hoping to get back to playing guitar.
Jackson has been working on her debut solo album with producer and ex-Suede guitarist Bernard Butler. She will be working under the name Madame Ray (after the song on Someone To Drive You Home). Jackson has said that the sound of the album first tended towards country rock but has now become a "big pop record". She released the album 'British Road Movies' in early 2016.
Dorian Cox's new band is called Unmade Bed and have made a number of songs available on-line.
Hollis continues to play in The Bon Bon Club, a band she formed with Louder.Their debut single features three cover versions—"Lullaby" by The Cure, "Love Is Blind" by Pulp and "Romantic Rights" by Death From Above 1979. It was released through Thee Sheffield Phonographic Corporation on 23 June 2008. The 7" single was limited to 500 copies.
Hollis also plays with Nature Set and their first single 7" has been published by Elefant Records in 2011.
The Long Blondes' songs reflect a number of influences, including 60s pop, Buzzcocks, The Fall, The Ramones, Suede,post-punk and new wave. Jackson's vocals have been compared to Ari Up of The Slits, Deborah Harry of Blondie and Lesley Woods of Au Pairs[citation needed]. Dorian Cox's backing vocals are also similar to those of former Pulp frontman Jarvis Cocker. The music features angular guitars and prominent bass guitar lines. However, the band themselves claim somewhat more eclectic influences than their sound suggests, citing Burt Bacharach, Holland-Dozier-Holland, Chinn and Chapman, and Stock, Aitken and Waterman as influences. The band named some of their actual influences and favourite bands. Chaplin's were The Smiths, Sweet and The Jesus and Mary Chain. Hollis's were Belle and Sebastian, ELO and The Eagles. Cox's were ABBA and The Fall. Louder's were Scott Walker, The Slits and Captain Beaky. Jackson's were The Smiths, The Fall and Nancy Sinatra and Lee Hazlewood. Screech Louder cited Siouxsie and the Banshees, a group they were likened by the critics.Louder said about them: "[Siouxsie and the Banshees] made much more interesting records than any of the instant hits could manage, and they didn’t run out of ideas after the first few singles. Like Pulp, they’re testament to the power of waiting".
The Long Blondes are known for referencing films, singers, starlets and artists in their music. Screech Louder said that Alfred Hitchcock was a big inspiration when it came to referencing films in their music, he said "the whole film noir thing is very important because it's stylish but there's depth to it as well".
Lyrics
"Appropriation (By Any Other Name)" is a homage to Hitchcock's 1958 film Vertigo. It has been said[by whom?] that the song is told from Judy's perspective, due to lines such as "When I met you, I never wore dresses like that" & "You can't have me, make me act the same". Lead singer Kate Jackson painted two different portraits for the CD single and 7" Vinyl, they both depicted Kim Novak's characters Madeleine Elster and Judy Barton.[41]
"Darts" mentions British darts player Bobby George and darts commentator Sid Waddell.
"Erin O'Connor" is a homage to Erin O'Connor which also mentions fellow model, Lily Cole. It begins with a line by Ronnie Corbett and David Swift from the BBC play No Sex Please, We're British.
"Five Ways To End It" mentions Carry On star Hattie Jacques and also the producer of the Carry On films, Peter Rogers.
"I Liked The Boys" ends with "Not the most original sentiment I've ever heard, so what's new" which is a line from a radio show by Terry Wogan.[22] Whilst recording the second album, they found an old reel-to-reel radio recording and decided to use parts in some of their songs
"I'm Going To Hell" ends with a line by Peter Sellers.
"Long Blonde" mentions punk band Ramones, one of their influences.
"Lust in the Movies" mentions underground actresses such as 60's socialite and muse, Edie Sedgwick, American actress Arlene Dahl & French actress Anna Karina. Also the repeated line "Nag nag nag" is a reference to the same repeated lyric in the song "Nag Nag Nag" by Sheffield band Cabaret Voltaire.
"Madame Ray" is inspired by Lee Miller, the photographer and muse of avent-garde artist Man Ray.
"Melville Farr" is based on Dirk Bogarde's character in the 1961 British film Victim.
"Never To Be Repeated" references film-star Greta Garbo.
"Only Lovers Left Alive" takes its title from the 1964 science fiction novel by Dave Wallis, and includes the title of 1950s film From Here To Eternity as a lyric.
"Round The Hairpin" begins with a line by British comedian Kenny Everett.
"Swallow Tattoo" has a lyric ("you fill me with inertia") which is a reference to the parody pop band fronted by Peter Cook in Bedazzled.
"You Could Have Both" namechecks American singer Scott Walker. The song also alludes to the Morrissey song "My Love Life".The song also mentions the character of C.C. 'Bud' Baxter from The Apartment
Artwork
Before "Couples" was released, all five members created their own cryptic promo videos "explaining" what the inspiration behind "Couples" was. Jackson explained who inspired the album cover, she found artist Richard Hamilton, videos by ABBA, Lee Miller and Le Corbusier to be the main inspiration.
The two front covers of "Weekend Without Makeup" are paintings of Diana Dors.
The front cover of their debut album Someone To Drive You Home is a painting by Kate Jackson of Faye Dunaway in the film Bonnie and Clyde, with a Mark 3 Ford Cortina as her getaway car.The artwork inside the album sleeve is a painting of Nicolas Cage & Laura Dern in the film Wild At Heart.
The front cover of "New Idols" is a painting of Diana Dors in Yield to the Night.
from their Wikipedia page
Why music will miss the Long Blondes from The Guradian Uk October 21st 2008.
It's hard to sum up just how exciting the Long Blondes were when they started out. I first heard them after they'd released a few singles and they were still without a record deal. Amongst my friends, urging them on to bigger and better things was a cause we felt passionately about. And it wasn't long before the NME had called them the Best Unsigned Band in Britain.Matching the media hype was the fact that those early singles - Giddy Stratospheres, Autonomy Boy, Once and Never Again and Lust in the Movies - were stunning. Unlike anyone else, they seemed to be addressing exactly what suburban teenagers were going through: self harm, bitchy jealousy, social climbing, pretending you were a much cooler film star than the sad sack you actually were. For those of us who couldn't relate to guitar songs that sounded like football chants, these were a revelation. It helped that they looked like a proper pop group. A bunch of ex-librarian mis-shapes and misfits dressed in thrift shop chic straight out of a Pulp song, it was impossible to take your eyes off front-woman Kate Jackson. In the miasma of boys with guitars they were the only band who were mining a wealth of influences often overlooked by the keepers of rock music's "canon" - Blondie, the Ronettes, the Human League, Pulp, John Cooper Clarke and the B-52s - to name just a few. They were often criticised for not being able to play "properly". These people, I thought, were missing the point – in the grand tradition of their heroes the Long Blondes were anti-technique.In fact, their heroic statement of intent on their website read: "We do not listen to the Beatles, the Rolling Stones, Jimi Hendrix, the Doors or Bob Dylan. We chose an instrument each and learnt to play it."None of them were really proper musicians. And unlike all of those perfectly coiffured indie bands who became their peers, they were clearly just a group of friends who wanted to form a band for the fun of it.Also, in an age where most other indie bands' default option was "dumbing down", the Long Blondes weren't afraid to flaunt their high falutin' literary and pop culture influences. Like their beloved Roxy Music, high culture met low culture in their aesthetic. Billy Wilder, Arlene Dahl and Kenny Everett were all lyrical inspirations while their sleeves referenced Bonnie and Clyde, Poor Cow and 50s pulp fiction novels.They produced two great albums (Someone To Drive You Home and Couples), and a pretty weighty stack of classy singles and b-sides (Ten Reasons To End It , Christmas Is Cancelled and Long Blonde to name a few). These, along with their sense of fearlessness (in their music, attitude and look), will be their legacy.
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nuclearblastuk · 5 years
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MACHINE HEAD have shared another brand new song, ‘Circle the Drain.’
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Listen here - https://www.youtube.com/watch?v=To_4s0WE8vo and pick up your download here https://nuclearblast.com/mh-circlethedrain.
In March 2018, MACHINE HEAD frontman/guitarist and visionary, Robb Flynn began having ideas for a new song.  Over the following 6 months, a crazy series of events would lead to what would become this new track, but not without unsuspecting detours and downright sad events as the band in its ‘then current’ form, fell apart.  These two video diary clips document the ‘making of…’ ‘Circle The Drain’. 
Part 1 - https://youtu.be/Cz2clO10Lcs
Part 2 - https://youtu.be/EIYTQAEEH90
Guitarist / vocalist Robb Flynn describes the song as the anti-Valentine's Day song. "The song is inspired by an acquaintance of mine who returned from Afghanistan only to have his relationship fall apart with his girl. She had messed around on him, then got paranoid about him messing around on her, and drove him crazy. We had a conversation on Valentine's Day and he said to me "they were just circling the drain”… the phrase struck me. A few days later I incorporated it into the song I’d been working on. It was a strange parallel with my life at the time, having recently had two band members quit, and even more bizarrely, two long-time couple friends of my wife and I, also divorce. It was break-up season, and it played out with friends taking sides, people not being invited to certain events anymore, social and emotional pressure, and all the typical stuff that happens when a relationship goes bad.  Watching this guy pull through it, helped me pull through my own upheaval. The lyrics to 'Circle The Drain' came out of that frustrating time. It's a sad song about relationships gone bad, but accepting that it's over, and making yourself move on. I wrote it in a more metaphorical tone, as I didn’t want it to be about my life, but to be about anybody’s life who may be going through a rough time like that. It may not be a song that connects with everyone, especially those in a solid relationship, but if the day ever comes when your life goes awry, this song will be a lifeline for you, something to help pull you up out of that dark place.  The irony that he and I had the original conversation on Valentine's Day, and are now releasing it on Valentine's Day isn’t lost on me, it really is the anti-Valentine's Day song.” 
The song was once again produced by Robb Flynn (Machine Head’s Through The Ashes Of Empires, The Blackening, Bloodstone & Diamonds), and co-produced by Zach Ohren (All Shall Perish, Suicide Silence, Machine Head) at Sharkbite Studios in Oakland.  Joel Wanasek (Attilla, Bloodline) once again handled post-production duties, while Russ Russell (At The Gates, The Wildhearts, Dimmu Borgir) over at Parlour Studios UK handled the beefy, guitar-heavy song mix. Finally the track was mastered by the same gentleman who mastered “Through The Ashes Of Empires” Greg Grimaldi at Oasis Mastering.  “Circle The Drain" features the drumming of Navene Koperweis (Entheos, Whitechapel, Animals As Leaders, Animosity).
In late 2019, the band also dropped a video for the new song ‘Do Or Die’ through Imperium Recordings x Nuclear Blast. Watch and listen to that track here. 
MACHINE HEAD are currently on the last few dates of the US leg of their "An Evening With" Winter 2020 tour.  With increased demand for tickets, the band make a return to the UK and Europe for a second string of shows this Spring.  The current tour features three hours of music spread over two sets, while celebrating the 25th Anniversary of Burn My Eyes.  Part One features a battery of fan favourites from the band's vast catalogue, including "Imperium," "Halo," "Ten Ton Hammer," and "The Blood, The Sweat, The Tears."  This set features frontman/guitarist Robb Flynn and bassist Jared MacEachern, performing alongside new members, Vogg Kiełtyka and Matt Alston on guitar and drums, respectively.  Part Two of the show features the band's classic debut album Burn My Eyes played in its entirety for the first time ever on tour.  Taking the stage for this part of the set are original members and Burn My Eyes-era alumni, drummer Chris Kontos and guitarist, Logan Mader.
Tickets for the upcoming UK and EU dates are available now from  https://www.livenation.co.uk/artist/machine-head-tickets.  A very limited amount of VIP packages per show are also available.  Click to http://machinehead.vip for details. 
MACHINE HEAD ON TOUR:
APRIL 2020
Sun 19th - Spain, ZARAGOZA, Teatro de las Esquinas
Tue 21st - Spain, SANTIAGO DE COMPOSTELA, Capitol
Thu 23rd - Portugal, OPORTO, Coliseu de Porto
Fri 24th - Portugal, LISBON, Coliseu de Lisboa
Sat 25th - Spain, MADRID, La Riviera
Mon 27th - Spain, MALAGA, Paris 15
Tue 28th - Spain, MURCIA, Gamma                                               
Wed 29th - Spain, VALENCIA, Republicca
 MAY                      
Fri 1st - Spain, BARCELONA, Razzmatazz
Sat 2nd - France, TOULOUSE, Le Bikini
Tue 5th - Germany, LUDWIGSBURG, MHP Arena
Wed 6th - Germany, WIESBADEN, Schlachthof
Fri 8th - Germany, HANNOVER, Swiss Life Hall
Sat 9th - Czech Republic, PRAGUE, Forum Karlin
Sun 10th - Slovakia, BRATISLAVA, Refinery Gallery
Tue 12th - Romania, BUCHAREST, Quantic Club
Wed 13th - Bulgaria, SOFIA, Universiada Hall
Fri 15th - Greece, THESSALONIKI, Fix Factory Of Sound
Sat 16th - Greece, ATHENS, Piraeus Academy
Wed 20th - Ukraine, KIEV, Stereoplaza
Fri 22nd - Russia, MOSCOW, Club 1930
Sat 23rd - Russia, ST PETERSBURG, A2 Green
Mon 25th - Finland, HELSINKI, The Circus
Thu 28th - Sweden, STOCKHOLM, Fryshuset Arenan
Fri 29th - Norway, OSLO, Sentrum Scene
Sat 30th - Denmark, AARHUS, Train 
                         JUNE                     
Mon 1st - Germany, HAMBURG, Grosse Freiheit 36
Tue 2nd - Netherlands, UTRECHT, Tivoli Vredenburg
Wed 3rd - France, LILLE, L’Aeronef
Fri 5th - UK, LONDON, Alexandra Palace
Sat 6th - UK, BIRMINGHAM O2 Academy
For more info on MACHINE HEAD, contact [email protected] or point your mouse at www.machinehead1.com
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ORIANTHI's New Album Will Include Lyrical Contribution From MÖTLEY CRÜE's NIKKI SIXX
Australian guitarist Orianthi (ALICE COOPER, RSO, Michael Jackson) has confirmed to the "Australian Rock Show" that she has completed work on fourth solo album.
"I'm so excited about this record — really excited," she said (hear audio below). We did it in 28 days in Nashville. [I made the record with] Marti Frederiksen, who's a dear friend of mine, an amazing songwriter, producer. I just go out to Nashville, where my management is at, and I love it over there. I made actually my last record too, with Dave Stewart there, at Blackbird [studio]. There's some kind of energy in Nashville — it's just a great feeling when you get there. So many musicians are there. And we just jumped right into the studio. Marti and I wrote and recorded, in 28 days, all the songs. And, yeah, it was just a great, fun experience."
Regarding the musical direction of her new material, Orianthi said: "This record is not too much of a departure from my past stuff, but it is different. So I think people will get what they sort of expect, with that heavy riffage and big solos, but there's a lot of different sounds going on and textures, with drum loops and synths. It's not just staying with one tone throughout the whole record… There's some heavy tracks on there. There's some lighter tracks [and] bluesy tracks. As I said, it's different, but it's kind of what people were sort of expecting.
"The thing is you have to keep on evolving and changing," she explained. "You don't make the same record over and over again; I would just bore the hell out of myself and everyone else. So I wanna keep on changing. And I'm already thinking about the next record right now. Marti+- and I are writing next week for it."
Asked if all the songs for the follow-up to 2013's "Heaven In This Hell" were written specifically for this project or there were some which she had previously written that were later "finessed for inclusion," she said: "A couple were finessed, but pretty much the majority of them were just all written for this record. A song called 'Sinners Hymn', which I had for a minute, I brought that in, and we added the chorus to it, 'cause it had a different chorus, and made it sound a little heavier. And I think that's kind of it. 'Cause the rest of it was just written all for this record. And one was written with Nikki Sixx from MÖTLEY CRÜE, which was amazing. [He wrote] killer lyrics. He e-mailed them to me, and I was, like, 'Woah! These are amazing.' So, yeah, we wrote a song with those lyrics — Marti and I. I'm really excited for everybody to hear this record. And hopefully they dig it as much as we enjoyed making it."
According to Orianthi, she has yet to pick the first single from her upcoming album. "There's a couple that I'm thinking of right now," she said. "I don't know. I've talked to the label about it, 'cause there's gonna be an announcement soon from the label. And then we're gonna decide upon which one or two songs we put out. I kind of wanna put out two songs, 'cause it's been a while since I've put out music. But we'll see what makes sense and what's right. It's a team discussion with everybody."
Orianthi's new LP does not yet have an official release date, but it will likely arrive before the end of the year.
Over a year ago, Orianthi recorded a song called "Love Bomb" with producer Paul Dawson, who had previously worked with Rihanna, Ariana Grande, P Diddy, Justin Bieber, Jay Z and many more.
Born in Australia, Orianthi was inspired to learn guitar at a young age after discovering her father's vinyl collection. She rose to international fame at age 24 after the release of her hit single "According To You" and a high-energy performance backing Carrie Underwood at the 2009 Grammy Awards. Although she had already been invited to jam with the likes of Carlos Santana and Steve Vai, mainstream audiences had not previously heard of this captivating guitar prodigy.
Her recognition increased even further when Michael Jackson called with an offer to be his guitarist for his dates at the O2 Arena in London. Although the concert series was not to be, the release of the behind-the-scenes documentary "Michael Jackson's This Is It" showcased Orianthi's masterful playing as well as her creativity and collaboration.
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foxes-that-run · 8 months
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2011 Haylor Timeline
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We don’t know the whole story
Although Harry and Taylor have never said when they met or started dating, often assumed to have met At the March 2012 Kids Choice Awards, because it was the first time we saw them together. 2 weeks after the awards Justin Bieber said a superstar liked Harry, but didn't name Taylor or say they met at the awards. I have a post about the Kids Choice awards/IKYWT Secret message and Harry's Jacket here.
A source close to Taylor later said to Vanity Fair he had chased her for a year, before the started dating, which was also before he kissed Emily Ostily on the 21 April 2012 and Taylor posted about infidelities to Instagram on 23 April 2012 (which doesn't make sense if they met 24 days earlier).
That would indicate they had met by March 2011. Which is likely as they were in the same city and locations throughout 2011. In 2014 Taylor told Rolling Stone:
"People think they know the whole narrative of my life, I think maybe that line is there to remind people that there are really big things they don’t know about."
As Taylor said to Time Magazine in 2023 and Harry said to Howard Stern in 2019 it's not in their interests for a new relationship to be public before they are solid.  In Harry's words 'it's never benefited me' for a relationship to be public. In 2011 people were sent death threats for having dinner with him. It's no wonder they were hidden for most of that time.  Special thanks to @cntfightmydemonsthyknowhowtoswim for help with this. You are the best.
2010
31 January - Fearless won AOY & CA Grammy
27 March - Harry styles auditions for xfactor
23 July - One direction formed on X factor.
23 October - Taylor first seen with Jake at snl taping, sung monologue song
25 October - Speak Now released.
12 December - X factor semi final, 1D third, Syco signed One Direction for £2 million, each boy was only paid an initial £8,000. Maybe signed on the 13th.
13 December - Jake not at Taylor’s birthday, in January announce broke up in December. It was 7 weeks.
2011
4 January - Taylor seen in LA on the 5th January then not again for a month.
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25-30 January 1D fly to Los Angeles. The Sun reported they were in US meeting writers and producers to start recording. It's likely they first met here.
5 February - Taylor seen for first time in a month, in LA, wearing the Key necklace in LA. It later appeared in the I knew you were trouble music video (4:45) and was sold as merchandise, there was a key for Fearless too, but it stopped after this.
19 February - 9 April; X-Factor live tour. TS tour break 20 & 21, 20th was X Factor O2 show.
1 March - Harry left Manchester hotel and arrived Sheffield
3 March - Harry pokemon white/black
7, 9 March - Harry Liverpool
10, 11, 12, 13 March - Harry in Manchester
17 - 30 March - Speak Now in Europe. Taylor wrote ATW
15 March - one direction Birmingham show, fans see boys leaving on the 16th then have 4 day weekend where he is not seen.
16 March - Taylor's Lover Journal talks about Paris, seeing castles, 4th grade and career anxiety over the Mean video. She talks about visiting having visited Neuschwanstein Castle that later appears in Bejewelled MV.
16 - 19 march Taylor seen in Paris
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17 March - Taylor plays speak now in Paris at Zénith de Paris, in park bordered by Canal Saint-Denis, (technically) outside Saint-Denis.  Holy ground's secret message is “when you came to the show in SD” later the film clips for Begin Again, EHC, Falling and LOT tour images all reference canals in Paris. Taylor plays Soul Sister / Fearless mash-up for the first time that show. Soul Sister was Harry's first X-Factor Audition song. She plays the mash-up on/off for the rest of the tour and on the DVD.
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21 March - Taylor in London Recording Studio wearing a rose dress key from IKYWT video. Taylor wore a Rose ring and Rose Dress the day before too.
22 March - Taylor shopping at Portobello Market and photographed at Alice in Wonderland themed store (Wonderland)
23 March - a Wednesday, Taylor wore white dress (Begin again cover) in London, Harry also in London before Nottingham show. Vanity Fair article later says they'd known each other for a year by March 2012. Harry return to hotel after performing at O2
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30 and 31 March - One Direction Tour Break, Speak Now at O2
4 April - 1D iTV Studios (filming a year in making)
6, 8, 9 April - Harry Cardiff
30 April - 1D Recording Studio
2 May - 1D outside hotel London
10 May - 1D recording studio Kent
23 May - 1D left Britney Spears Concert LA Staples Centre
27 May - November 22 - Speak now in US, arm lyrics start.
2 June - 1D LA recording studio
3 June - 1D meet fans London
11 June - “In Detroit, Swift seemed somewhat melancholy. Once in a while, I had the feeling that she was on the verge of bursting into tears. She said that she had recently decided that life is “about achieving contentment… . You’re not always going to be ridiculously happy.” She had written about ten songs so far for her next album. Asked to characterize them, she said, “They’re sad? If I’m being honest.” The most recent one, she said, “is about moving on.” (x)
6-12 June - 1D in Sweden, likely record What makes you Beautiful.
13-20 June - 1D has a break, Harry unseen, not active on social and reappears in LA on the 20th. Taylor also free 13 - 16 other than the 15th:
15 June - Taylor arm lyrics "“A moment, a love, a dream, a laugh, a kiss, a cry, our rights, our wrongs.” – The Temper Trap, Sweet Disposition. Xcel Energy Center in St. Paul, Minnesota. Exactly one year later Harry got the lyrics from this song tattoo'ed.
17 June - Lover Journal Taylor wrote in her journal on way to Nashville “Something so unexpected and amazing happened recently... I’ve become blissfully happy with my life. Like, actually grateful for every second of the day. I've notice this onset for a while, but it's really hit me in the last week and especially since I wrote those 2 new songs. I'm happy I get to meet so many people on the road who make me feel like my music really matters to them.” One song may be State of Grace.
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20-27 June - 1D in LA. Speak now break 23 & 24 June.
20 June Harry reappeared in LA at Britney concert
21 June - Harry at Staples centre LA
26 June - Harry Heathrow
27 June - Taylor in Teen Vogue with photos like Babe video
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2 - 10 July - Speak Now dates rescheduled due to Bronchitis. Taylor in LA and does magazine shoots.
8-15 July - 1D in LA. What makes you beautiful shot at Sycamore Cove Beach in  Malibu 14-15. 15 July - arrived back at Heathrow
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27 July - 1D iTV London (shot A year in the making where H cried)
16 August - 1D Key 103 Manchester
24 August - Arm Lyrics “But my heart cried out for you, California.” – Joni Mitchell, California. Staples Center in Los Angeles, California.
31 August - Harry wearing paper plane necklace in heat photo shoot (1:55)
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6 September - One Direction at GQ Men of the Year Awards 2011 - London. It gets mentioned in a few interviews after.
7 September - Taylor plays Tacoma -arm lyrics: “You are the ever-living ghost of what once was.” – Band of Horses, No One’s Gonna Love You. In her Lover Journal she went to Nashville rather than LA and writes Red on the plane.
10 September - WMYB on Red or Black, Harry is anxious in his solo and his hand shake. Arm lyrics “There was always something that meant more to you than me” - Jessica Andrews, “There’s More To Me Than You”
11 September - What makes you beautiful debut #1. 21st - Up all night. 1D helicopter to Manchester, shown in A Year in the Making
13 September - 1D Real Radio Manchester
14 September - asked who was most confident with girls LT says "Definitely without a question say Harry, like Harry, no matter how long is known her, or who she is he will go up to her, like if it's a celebrity, like at the GQ Awards, [Niall adds "Like Pixie Lott] he will go up and sing their song and dance. It's like 100% Harold Styles." Harry then changes the conversation to silly names, Louis brings up GQ again and Harry mouths "Stop going' on about it" (9:50).
16 September - 1D Harper Collins London
18 September - Harry at G.A.Y. perform WMYB
21 September - Harry at GQ end of FW party
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18 - 30 September - 1D in New York, filmed Gotta be You in Lake Placid NY 29 and SUNY 29 September. Speak now break 18, 21 - 23 September, shows other days. The film clip included scenes on a train, the SBT message is "when you were on the train", she wrote it sometime on a bus. Speak Now dates in Colorado, Utah and Georgia. However, 28 September is possibly an anniversary and in the Four hang out (31-33) Harry said gotta be you was his favourite 1D song of all, which Niall clapped and said “well done Taylor your boyfriends back”. Harry met Emily Ostilly.
30 September - 1D at Heathrow
4 October - At Bring 1D to me Munich, when asked about ‘Celebrity Dreamgirls’ Louis says "Celebrity dreamgirls um,  yeah like there's a lot of people I suppose that we think is HOT, like... Harry?" the look Zayn, Niall and Liam's expressions, and Louis this is not flirting, he is 'ribbing' Harry for making out with a famous person and sharing his secrets. Harry says his crush is Emma Watson, who the interviewer says has a crush on him,  H blushes and, not willing to let it go, Louis points out a love bite. Arm Lyrics “It’s easy saying nothing when there’s nothing to say” - KT Tunstall, “Fade Like A Shadow”
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5 October - Taylor tweets “Leaving Little Rock, headed to New Orleans. Writing a song on a moving bus” in the album video (8:20) Taylor said she wrote sad beautiful tragic on a bus.
17 October - Harry goes to Ed Sheeran concert with Louis at Eleanor's university then not seen till rehearsals 2 weeks later.
19 October - Harry did a 10 min phone interview alone with Grimmy and said he was passing through Birmingham. There are voices in the background at the end.
20 October - Taylor played San Diego. Harry was not seen. He posted "Finally set the correct time on my Microwave..I feel like a new man." on Twitter.
24 October- Harry is coughing in an interview and looks and sounds unwell. At 16:20 the interviewer asks about their break, Harry purses his lips for age thinking then says he is tried when he comes back to work because he spends his break rushing around to see everyone. Zayn looks to Louis who gives a loud “Hmmm” which is a tell of his for knowing more than is said.
30 October - Taylor writes in lover journal she (also) has a chest infection!
31 October - Taylor adopted Meredith!
2 November - One Direction Tour rehearsals Harry back in London for month
9 November - Harry Shepperton Studios
13 November - Harry Fontain Studios, Xfactor also
15, 17 November - Harry London. filmed One Thing Hyde park 17th
17 November - Louis quoted in media  "Harry's found 'The One' now." and doesn't name Caroline. Harry and Caroline never say more than friends, Eleanor seen with Louis often. Harry in London
18 November - Up all night released. In listening party says “more than this” is his favorite, it’s a deep one. Harry in London,  has dinner with Caroline Flack. On 27 November on chatty man Harry clarifies there were other people there and again says just friends. Articles and Caroline tweets about death threats for having dinner with Harry. (Like WTF would anyone date him publicly?).
19 November - Harry Dublin
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22 November - Harry Alan Carr. Taylor posts photo of London shop for preppie rugby menswear (!) and posts a photo to instagram with "Superior Style and Quality Fit" 👀 written on the window. This is a latergram, she had a show in Madison Square Garden. On October 3 Harry had said Rugby shirts look better on girls.
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24 November Sugarscope asks if they have an eye on anyone in the US and mention Taylor Swift, all 5 are actually quiet for the first time, Liam’s face changes to serious (0:34), Harry and Zayn look at Louis, maybe because of Oct 4. Niall offers Demi Lovato and all the boys start saying Hollywood in a silly voice. The same interviewer asks about romantic Christmas plans, Louis looks at Harry again, Harry answers truthfully “Christmas at home with family” seems the interviewer and band know what’s not being said, they ask Harry twice
6 December - H Caroline's house
8 December - Caroline and Harry photo, see Caroline post from another blog
10 December - Harry london nightclub,
13 December - Taylor's birthday party inside her Nashville apartment. posted a photo in a recording studio, so assumed that Begin again was recorded on on her birthday. Taylor not seen again that year other than Snow on the Beach Photos. Harry seen in London on the 13th. One direction in tour rehearsals till tour begins 18 December in England (12 & 13)
15 December - Harry posted that he went skinny dipping, as in no shorts to avoid doubt. Taylor still MIA. Paper Rings vibes.
16 December - it snowed in Liverpool, including the "Snow on the beach" 50 minutes from Harry's house in Holmes Chapel.
I8 December - 1 July - Up all night tour, Europe till us in February
22 December - in 1D you tube the band chose a fan question “from Taylor, if you were a girl who would you date” and Zayn laughs and says Harry.
24 December - One Direction Holiday till 3 January. Taylor MIA.
28 December - Taylor posts three photos from a beach one with her face on the beach "Childhood beach memories revisited" and one with snow on the beach behind her "Nothing quite like a freezing cold, wintery beach." some have assumed this was in New Jersey, but the shadows look like an afternoon on an western coast and there was no snow in NJ, nor Taylor seen near there. It had snowed at the beach in Liverpool which is west.
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29 December - Taylor posted a seashell with Safe and Sound Lyrics written (it had just been released) with the caption "Saying goodbye to the shore, writing on a seashell."
30 December - Harry got his drivers licence, on 28 June 2012 on Bert show (11 mins) said “the first thing I did was my …….. someone brought the car to me and I dropped them off at the pub” Harry was in Manchester. Louis posted he was in Paris Disneyland with Eleanor. Apart from the winter/snow on the beach photos Taylor hadn't been seen for a week, she then posted a goodbye and Harry's first drive was to drop someone secret somewhere. 👀 
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31 December - Harry goes back to London flat for new years party, in same interview Harry said they spent Christmas at home
3 January - Caroline Break up announcement. Harry later tweets, he 'didn't dump' her, he never said they were more than friends. Caroline also said "95% of what was reported was false". 
Continue to 2012
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maylovexhs · 6 years
Text
Coincidence
Author’s Note: Where do I begin? I started college, so I’m swamped with work. I’m filled with requests so I still have to write those even though they are VERY LATE. But anyways, how have y’all been? Enjoy this one. xxx M
Masterlist
Concept: H is running late for a show and he thinks it might not be a coincidence.
Tags: @justanotherdaydreamersoul
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*Y/N’S POV*
“If you want my body and you think I’m sexy. Come on, sugar, tell me so” I sang, spinning around in the chair.
“If you really need me, just reach out and touch me. Come on, honey, tell me so” Taylor joined in, singling along to Rod Stewart’s song with me.
I tapped on my thighs as I heard the drums in the song play.
“You’re off by a beat” Taylor commented on my fake drumming.
“Thanks, obvious” I said, teasing him.
“No problem” Taylor said, not recognizing I was insulting him.
“I was joking” I told him.
“I know you are” Taylor said. “I’m just an amazing drummer who knows when someone has horrible drumming skills”
I was about to respond to his comeback but we were interrupted by a knock on the dressing room door.
Knock knock.
“Come in” I said out loud.
The door opened, revealing Andrew. Again. He was in charge of performance set times. He was probably reminding us of how much time we had left. He kept checking in every five minutes.
“Hi guys,” Andrew started to speak. “I-“
“We know, we have 15 minutes until stage” I told him. “I was about to get my mic checked in”
“We are all done and ready except Y/N” Cristina said as she sat on the couch with Andy and Alexa. “It only takes 2 minutes anyways”
“It’s not that news” Andrew said to us.
We all looked to each other, knowing we either got rejected last minute or something was wrong.
“What is it then?” Andy asked him.
“Harry Styles, the act after you is running late” Andrew explained. “He’s stuck in traffic”
“And?” Taylor asked Andrew. “What does he have to do with us? He’s after not before”
“The manager asks if you can do your set longer.” Andrew said. “We don’t want the crowd to know he’s late and negative attention towards BBC”
“You want us to stall?” Alexa asked him, getting up from the couch. “We can’t do that. We only rehearsed the songs we knew we were going to do”
Andrew let out a breath, clearly nervous seeing he was the one who had to convince us to do this.
“I know this is last second,” Andrew said. “But you are the only people I have left to ask. BBC will forever be in your favor”
“But we are unprepared” Andy said to him. “It’s gonna take time to change the setlist”
Taylor crosses his arms.
“We definitely are not doing it” Taylor said.
“We came for one thing only”
“Why?” I asked him. “I think we could”
Taylor turned to me.
“Are you serious? We have a 25 minute set.” Taylor said, having the tone of hostility in his voice. “If we do this, it could be an hour long. We didn’t sign up for this”
“It will be good promo” I told him. “And I know we can figure out which other songs we can sing fast. We can do covers”
“Yeah, but it’s not so easy playing it” Cristina said. “We’re probably gonna mess up”
“We’ll blame it on technical issues” I said, looking to Andrew. “Can we?”
“Why not?” Andrew said in an uncertain voice. “I just need an answer now”
I looked to my band mates.
“All in favor of not doing it?” I asked them.
Taylor and Cristina raised their hands.
“All in favor of doing it?”
Andy and I put our hands. We all looked to Alexa as she slowly put her hand up seeming unsure.
I looked to Andrew.
“It’s a yes” I told him. “We need more than 15 minutes to get ready”
Andrew nodded his head at me.
“I’ll push for 25 minutes” He said to me. “Thank you”
Andrew left, shutting the dressing room’s door closed. Taylor uncrossed his arms at me.
“So crazy,” Taylor said to me. “What’s your plan?”
*HARRY’S POV*
“You know the entire setlist? You don’t need any sheet or anything?” Jeff asked as we quickly walked to the side of the stage.
“Yes, I am” I said to him. “Are Mitch and everyone else here?”
“Of course” Jeff answered. “They’re at the side, waiting for you”
“For fuck’s sake” I cursed to myself. “I should have left earlier”
“H!” I heard Clare call my name.
I looked to her, seeing Jeff was right. Mitch, Sarah and Adam stood next to her. Even Nick was there. They all turned to me. Everyone was at the side of the stage, all ready to go on. I walked over to them.
“Oh look who had arrived finally!” Nick said, exaggerating how upset he was with me. “Did you purposely come late so you can finally be a diva?”
“I wish” I answered him.
I looked to everyone else.
“Sorry” I apologized. “I couldn’t do anything in the traffic”
“We forgive you” Nick said, accepting my apology even if it wasn’t meant for him. “Besides I found someone else to dance to. You really missed out on good shit”
I chuckled at Nick’s choice of words.
I looked to the stage, watching a brunette woman talk about a song to the crowd.
“Umm, this next song I wrote with one of my band mates” She said in a soft voice. “His name is Andy and he plays the guitar in my band”
She waved to a man who I assumed was Andy.
“And usually whenever I sing this song, he would come up here and play the guitar as I sing, so . . .”
Andy walked towards her. He held his guitar closer to himself.
“This song is called The One That Got Away” She said.
Andy began to strum the strings on his guitar, playing the song.
“Summer after high school, when we first met. We make-out in your Mustang to Radiohead and on my eighteenth birthday, we got matching tattoos” She began to sing. “Used to steal your parents liquor and climb to the roof. Talk about our future like we had a clue. Never planned that one day I'd be losing you”
“In another life, I would be your girl” She continued to sing. “We keep all our promises, be us against the world”
I turned to Adam who was standing beside me.
“What’s her name?” I asked him.
“Y/N” Adam said. “She’s great. Watched her play since she got on”
I looked back to the stage, watching Y/N perform. I smiled as she continued to sing.
“I was June and you were my Johnny Cash. Never one without the other, we made a pact. Sometimes when I miss you, I put those records on, whoa”
Y/N looked to my side of the stage. Her eyes grew in surprise as she noticed me. I let out a chuckle. She looked back to Andy.
Nick poked my arm. I looked to him.
“Be careful, H” Nick said. “You’re starting to fall in love with her”
I laughed at his joke.
“I already am”
*Y/N’S POV*
“Hey, I’m gonna go” I heard Taylor say behind me. “I’ll see you tomorrow?”
I tugged tighter on my hair tie, making sure my ponytail would come apart. I spun around in my chair to him.
“That soon?” I asked him. “You’re not gonna stay until the end like Cristina and Andy?”
“No” Taylor answered. “The last minute show tired me out”
“Oh,” I said. “Okay”
“See you at rehearsals?” Taylor asked.
“Rehearsals” I said, smiling at him.
Taylor nodded at me before heading out. He shut the door behind him, leaving me alone in the dressing room. I turned around in my chair to see myself in the mirror. I looked a bit tired too. My dark circles were peeking out under the layers of concealer. Maybe I should have left with Taylor.
Knock Knock.
I got up from the chair and headed to the door. I expected Taylor to be knocking since he probably forgot something to take. Except when I opened the door, I didn’t see Taylor. Instead, I saw a handsome man with gorgeous green eyes and brown curls. The same man I saw on the side of the stage when I sang earlier. He was holding a bouquet of flowers this time. He must be Harry.
“Hi” He said. “I’m Harry”
“Hi, I’m Y/N” I introduced myself to him. “Are those for me?” I asked, referring to the flowers he was holding.
“Uh, yeah” He answered. “They’re a thank you. For tonight”
I blushed. Harry smiled, his dimples being clearly seen. Harry handed me the flowers.
“Oh, it was no problem” I said to him. “You should be thanking my band mates. I had to convince them to play”
Harry laughed.
“Are they here?” He asked me.
“Oh, no” I answered. “They all left. Do you want to come inside?”
“Love to” Harry answered, shooting me another smile.
I let him in, letting the door close on its own. I settled the flowers on the table next to the couch.
“I really enjoyed your set” Harry told me.
“Did you? You mean only the two songs at the end?” I asked him in a playful tone.
Harry chuckled.
“Yes, those two” He answered. “I was wondering . . . can I take you out for dinner?”
I smiled immediately, blushing.
“Now?” I asked him. “I can’t now”
“Tomorrow then?” Harry asked. “It’s the most I could do for earlier”
“I can’t do tomorrow either” I told him. “I’m swamped with rehearsals. Tuesday, I can. After my show”
“Perfect” Harry said. “Where’s your show?”
“The O2″ I told him. “It starts at eight”
“I’ll be there” Harry said. “And I’ll stay for more than two songs”
I chuckled. I took a pen from the dressing room draw and wrote my number on a piece of scrap paper.
“Here” I handed it to him. “My number”
“Thanks” Harry said. “I’ll call you, Y/N”
I smirked at him.
“Well, I gotta go” I told him. “Need my sleep for tomorrow”
Harry nodded at me. He walked to the door, opening it. He turned to me before walking out.
“Thanks again” Harry said. “For the coincidence”
Harry shot me a wink and walked out. I stood still, watching the door close on its own.
That wink was definitely not a coincidence.
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thevampsupdate · 5 years
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The Vamps announce the release date of 'The Missing You EP’
The Vamps are back and this time they're doing it on their terms, with the release of their Missing You EP. Entirely co-written and co-produced by the band, the EP will be available for pre-order via Virgin EMI UK on April 4th. The EP will be available on all digital streaming and download partners and can be pre-ordered here. Also today, Live Nation and the O2 have announced that The Vamps are the only band to headline for 5 consecutive years. The Vamps were presented with a plaque at Craft London overlooking The O2. The Vamps return to the O2 Arena next month as part of their four corners UK & Ireland Tour. Tickets to The Vamps upcoming UK tour are on sale now at www.livenation.co.uk/artist/the-vamps-tickets.
The four-track EP features Right Now- a collaboration with their friends, Krept & amp; Konan, and this song is available on Spotify and to download now as an instant grat when the EP is preordered on iTunes here. The other tracks featured are title track Missing You, Waves and a special acoustic version of All The Lies (their recent release with Alok and Felix Jaehn).
The EP marks the band, who is now all in their mid-20s, taking charge of the music and creative direction, and showing off their individual talents in songwriting and production.
"We've always been involved in everything we've done, however, we have never sat down together and planned an entire campaign. This time, from photo shoots, music videos, styling to songs, we have each been there every step of the way to ensure everything fits with how we're feeling. We want people to feel like they're part of this EP, and that's why every detail has to be on point. It's been really enjoyable to get involved every step of the way," said, the band.
"Missing you is a song I wrote with a friend of ours called Jordan Riley, he's a producer/writer from Newcastle and a frequent collaborator. We were finishing a song of ours called Hair Too Long, and he started playing this progression on piano, the melody and lyric came pretty quickly. We got another day in at his studio and finished the verse and pre-chorus. The songs about a previous relationship and the struggle to move past it, that feeling of looking for love but not having the closure or just not being over it yet," said Brad Simpson, writer of the lead track 'Missing You'.
"Grime is a genre where you have much more opportunity to say how you feel, there are generally more room for lyrics and the flow is completely different to say a pop/rock song. Right Now is not a collaboration anyone would expect, and the song is all about appreciating life and really living in the moment! I remember we recorded Konan's verse in between two shows, on the night of the Birmingham show I returned to London to record Konan at 3 am and then headed early in the morning to the next show which was in Liverpool. There was a really good vibe working with Krept and Konan," said, Tristan Evans, drummer and producer of 'Right Now'.
'Waves' was written by bassist Connor Ball at home while they had some downtime over the recent Christmas period. "I was really inspired over that time so I just sat down with an electric guitar one day and started jamming the riff! The term Waves in the song is referring to the ups and downs in a relationship that can ultimately bring it to an end. It also talks about feeling a sense of worthlessness and that you're not going to find someone new. One of the lyrics is that even the ghosts in your home want to leave," said, Connor.
The fourth track featured on the EP is a special acoustic version of All the Lies. The original version with Alok and Felix Jaehn was released last month and was added to no less than 29 New Music Friday playlists around the world and is steadily rising up the global streaming charts. This truly international collaboration set the mood with The Vamps' catchy vocal piece and touches of Felix Jaehn's instantly recognisable production style, which solidly builds a tropical pop vibe. The original version of the song can be listened to here.
"Over the years we have enjoyed working on our recording/production skills. We've been keen to produce bits on all our albums but decided to take the step and actually produce something in its entirety: the Missing You EP. We have done an album a year for the last five years too, so wanted to try something slightly different. The EP takes us back to how we started The Vamps: instruments and melody. We haven't used big synths like our previous songs and have focused on lyrics more than ever before," said, James McVey, guitarist, who recently came 5th in 2018 series of ITV's I'm A Celebrity.
"It gave us the chance to experiment and although it's a small batch of songs, it's a very eclectic mix. Working in the dance world, with the Krept and Konan collaboration and then songs like Missing You and Waves, feel very true to where we are at as a four," added Brad.
The Vamps are one of the most successful British bands of the last decade. They have gone onto have huge amounts of global success with over 2 billion streams worldwide. Their first two albums, Meet The Vamps and Wake Up are both certified Gold in the UK.
In 2016 they released All Night, collaboration with Norwegian DJ Matoma, as their first single from their third studio album Night & amp; Day. All Night quickly became their most successful single with 3.5 million sales and 350 million streams on Spotify alone.
In 2017, they scored their first number 1 on the Official UK Albums Chart with Night & amp; Day. They are also a force to be reckoned with on social media, with almost 6 million likes on their Facebook, over 4.09 million followers on Twitter and 2.5 million followers on Instagram.
They have continuously toured since their debut in 2012 and were recently announced as the first band to ever headline London's O2 Arena 5 years in a row. Later this month, they kick off their Four Corners UK & amp; Ireland 2019 Tour at Plymouth's Pavilions on Saturday 27th April. The Vamps are Brad Simpson (Vocals, Guitar), James McVey (Guitar), Connor Ball (Bass) and Tristan Evans (Drums).
One of their recent achievements includes the recently held at London's O2 arena where they were recognised for being the first act in history to play the arena for five consecutive years.
Bottomline Media Pvt. Ltd. Founded by Tanaaz Bhatia has collaborated with Universal Music Group's British music label Virgin EMI Records for strategic alliances in India. Bottomline Media was the first to introduce The Vamps to India and got them on 'The Kapil Sharma Show' as well as on 'The Stage'.
One of the most reputed integrated marketing companies in India, Bottomline Media has also facilitated the band's first ever sold out show at Hard Rock Cafe, Mumbai. In addition to this, the company has curated collaboration between the Vamps and Indian music composer duo Vishal-Shekhar to compose the chartbuster track "Beliya".
In 2018 later that year, Bottomline Media got the Vamps to perform for Global Citizen India for a crowd of over 80,000 people with sold out shows in Mumbai and Pune.
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omdaily10 · 6 years
Text
RIGHT PLACE RIGHT TIME
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Album: Third
Writers/Producers: Claude Kelly, Steve Robson, Chuck Harmony, Ed Drewett, Steve Kipner, Lucas Secon, Wayne Hector, Andrew Frampton, FutureCut, Iyiola Babalola, Darren Lewis, Jim Eliot, Iain James, Julian Bunetta, John Ryan, Carsten Mortensen, Adam Argyle, Martin Brammer, Matt Prime
Release Date: 26/11/2012 (Original) / 25/11/2013 (Reissue)
Chart Positions: #1 (UK), #1 (Scotland), #3 (Ireland), #5 (Austria), #6 (Switzerland), #14 (Sweden), #17 (Canada), #19 (US), #19 (Denmark), #20 (Australia), #22 (Germany), #27 (New Zealand), #32 (Japan), #38 (Finland)
Sales: 1.38m (UK, 4x Platinum), 100k (Germany, Gold), 15k (Ireland, Platinum), 35k (Australia, Gold), 10k (Austria, Gold)
It goes without saying that ‘Right Place Right Time’ is unquestionably Olly’s best album to date – certainly the one that fans cite as their favourite to this day. The 1.38m copies it shifted in the UK alone might explain that one away, but it doesn’t tell the full story of why he is still to this day the only male solo graduate of The X Factor to better the sales of each of his subsequent albums. However, just as with its lead single, Olly’s third album in as many years had a bit of a shaky start. At least, to its US release it did.
The plan from Colombia had initially been to release an American version of the ‘In Case You Didn’t Know’ album (proposed artwork here), which would have been a 50/50 split of songs from his first two albums, in early September 2012. The flop of the US remix of ‘Heart Skips A Beat’ quickly put paid to those plans – and just as well really, for by the time that idea was put on the backburner, he had a new studio album ready to go that could be released across all markets. Naturally, however, his home turf would be the first to get the album.
Knowing full well that this was an album with an eye on launching Olly internationally, the feel of the music was reflected in the choice of producers in order to appeal to as broad an audience as possible. On his down days in between the One Direction tour in the States, Olly hooked up with Claude Kelly in New York to write with his collaborative Stateside partner Chuck Harmony, collectively known under their performing  moniker of R&B/soul outfit Louis York. Out of those sessions  came several songs for the album: ‘Loud & Clear’ and ‘Head To Toe’: one, a sweeping, lighters aloft torch ballad that called to mind ‘X&Y’ era Coldplay, and the other a toe tapping swingathon with a jaunty piano line and a set of counting in verses.
Columbia also granted him access to two of their star boyband’s chief writers for the record, in the shape of LA based Julian Bunetta and John Ryan, who turned in possibly the most perfectly Olly song that’s ever existed on an album of his before or since. Little wonder then, that ‘What A Buzz’ was written especially with him in mind, a shuffly slice of kitchen sink breakbeat pop calling to mind Norman Cook (aka Fatboy Slim)’s remix of Cornershop’s 1998 chart topper ‘Brimful Of Asha’. It’s suitably cheeky Essex lilt about first date nerves was added courtesy of lyrics from Ed Drewett, a much in demand singer and songwriter from just over the border of Essex in Bishop’s Stortford, who had turned in two number one hits for The Wanted and duetted with Professor Green on his 2010 single ‘Need You Tonight’. The pair quickly became good friends and have continued to write together on subsequent albums of his.
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Whilst it is less pronounced on this record, Olly was evolving and shifting sound again, this time, to corner the same funk laden pop avenue populated by Jamiroquai, M People and Maroon 5. The sound of the former is particularly prevalent on both ‘Troublemaker’ and on ‘Hey You Beautiful’, a four to the floor come-hither belter that proved a fan favourite after Olly’s performance of it over the suspended catwalk section of his supporting arena tour around the UK and Ireland for the album in the spring of 2013.
That tour was also a first, as on several of the numbers, Olly got to showcase his skills on the guitar and piano that he’d been painstakingly practicing away at in the year since the last tour. It was the latter that got an airing for his performance of this album’s closing track – a simple but stripped back piano number called ‘One Of These Days’. It trod the same path as ‘I Need You Now’ on the last album, but also took a slight leaning towards the sound of modern country and adult contemporary radio.
The album’s original release was accompanied by a deluxe edition, on which were four additional tracks (plus a small change in colour on the artwork’s font from black to dark red). This would be the first album of Olly’s to come out on two separate formats. Adam Argyle and Martin Brammer are once again behind three of the four songs on the deluxe version, best of all being the soaring midtempo piano pop stormer ‘Sliding Doors’, a conversational track about dreaming of life with someone else in another moment that was inspired by the Gwyneth Paltrow film from 1998 of the same name. The closing track, ‘The One’, was another of his collaborations with Ed Drewett, which Olly also played guitar on, and is a rousing number, almost evocative of a poppier ‘Tender’ by Blur, about offering support to a friend in a dark place.
Critical consensus was divided between applauding and denigrating his approach of going forward by advancing the same sound that had carried him through two multi-platinum albums already. But it was seemingly missing the point either way. As Lewis Corner, reviewing the album for entertainment website Digital Spy wrote, “it may not be a big departure from Murs’ previous efforts, but when you're on to a good thing, why change the pace?” With this still being the biggest studio release of his career by far, Olly’s third album definitely was a case of being in the right place at the right time.
RIGHT PLACE RIGHT TIME: SPECIAL EDITION 
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When viewed retrospectively, 2013 was truly the year when Olly went global, with tour dates and promotional commitments expanding not only to Europe, but also to America, Australia and even Asia by year’s end – not to mention his successful stint supporting his ‘showbiz brother’ and former X Factor duet partner Robbie Williams on every single UK and European date of his ‘Take The Crown’ stadium tour that summer (the two would also record a rousing cover of ‘I Wanna Be Like You’ from the Disney adaptation of The Jungle Book for Williams’ second swing album ‘Swings Both Ways’).
This did however, create a small problem, in so far as all this hive of activity meant there was no time to record a new studio album for the end of the year, as had been the case in the last three years. Thankfully, Sony saw a little more mileage in the campaign for ‘Right Place Right Time’ to keep Olly active and present until he had his next album in the can, hence its repackaging and reissue with all new artwork almost a year after its original release.
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The original twelve tracks on the album remained, and joining them were several tracks that had been recorded during the album sessions (some even earlier than that) but which for one reason or another hadn’t made the final cut first time round. It meant we got to hear ‘Stop Tryna Change Me’, a gentle paced toe tapper Olly co-wrote with Claude and Chuck which again, had a slight feel of country pop.
First demoed for ‘In Case You Didn’t Know’, ‘That’s Alright With Me’ was another jaunty post-Britpop offering from Samuel Preston and Mark Taylor, the sort of guitar flecked number you could see spilling forth from the mouths of The Kooks or Preston’s old band The Ordinary Boys. A stripped back seasonal take on Wizzard’s festive evergreen ‘I Wish It Could Be Christmas Everyday’, recorded back in December the previous year for BBC Radio 1’s popular ‘Live Lounge’ slot on Fearne Cotton’s mid-morning show follows and is a heart-warming delight.
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Rounding out the new tracks were collaborations with two European pop chanteuses, both done to try and break Olly into their respective territories. It means that he turns up on ‘Did I Lose You’, a hypnotic, wistful track that you could’ve imagined playing over the opening credits of a Bond movie, for Italy’s Giorgia, whilst his own ‘Dear Darlin’ was given a Gallic reimagining by popular French star Alizée, who had scaled the UK top 10 in 2002 with her Europop thumper ‘Moi...Lolita’. Olly performed this version with Alizée at the Parisian date of his European tour that autumn whilst she was taking part in the French version of Strictly Come Dancing.
But the special edition didn’t end there. Footage of the first O2 show in London on Easter weekend from the spring arena tour that year had been filmed and broadcast live via Olly’s Facebook page, and it was quickly decided, after much demand from fans, to release it on an accompanying DVD, marking the first time that a live show of Olly’s had had a home video release. It was undoubtedly a large factor in helping the album to return to the top end of the album chart a year on from its debut, as well as being amongst the top 5 biggest selling albums of the year in the UK for two years running.
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Link
Standing centre stage at Amsterdam’s vast Ziggo Dome arena, Snow Patrolfrontman Gary Lightbody attempts to apologise for the fact that his band have not been on tour for six years, or released an album for seven. “What can I say? We’re just really f**king lazy.”
The line gets a laugh but it isn’t the truth. Wildness, the Northern Irish quintet’s seventh album, was released last May but almost didn’t arrive at all due to Lightbody’s crippling mix of writer’s block, depression and heavy drinking. When the songs were finally written, the central sentiment of Life on Earth (“It shouldn’t need to be so f**king hard”) and titles such as Heal Me and Don’t Give In were all clear signs of his struggles.
In contrast, when we meet in a backstage lounge a couple of hours before the show, the 42-year-old is in grand form, enjoying touring sober and looking down on his troubles from the safe hilltop of recovery. “It’s blown my mind that we’ve come back to the same arenas we toured last time,” he says, anticipating imminent gigs in both of London’s biggest indoor venues, the O2 and Wembley. “I thought we’d have to work our way back up after seven years but nearly all of them are sold out. I get emotional thinking about it.”
The rest of the band — drummer Jonny Quinn, guitarist Nathan Connolly, bassist Paul Wilson and keyboard player Johnny McDaid — don’t do interviews, and don’t tend to get involved in the songwriting process until it comes time to get into the recording studio. Long-term producer Garret “Jacknife” Lee is generally the first pair of ears to advise, but for the most part it sounds like Lightbody toiled alone in the home he bought in Santa Monica, LA, in 2010.
“The best advice I got was ‘Just write’, which seems so simple, and yet I wasn’t doing it. I was opening my laptop, seeing that cursor flashing on the white screen, and just going, ‘No, not today’.”
All the sun, sea and palm trees didn’t help. “That sunshine can be misleading,” he says. “You think you’re in paradise but when you’re writing, you’re better off being in rainy weather. It’s too tempting to be outside.” Today he’s predominantly based in his other home in significantly rainier Bangor, the Northern Irish town where he grew up.
Then there was drink. He doesn’t use the word “alcoholic” but he doesn’t sound far off. “I ended up drinking on my own a lot, which I’d always said I wouldn’t do. That was the beginning of the end. I was always a happy drunk. I don’t get into fights, I’m not dribbling or talking weird s**t. I’ve always been told that I would make an event better, not worse. But what would happen when I got back from the party was that I would keep going on my own. That’s when it started to get messier.”
He still wrote music with relative ease but got more and more stuck with the lyrics. “I’ll write hundreds of songs musically. Melodies come very easily,” he says, touching the wooden table between us. “The writer’s block that I have is with words. The lyrics would never catch up with the music.”
I ask why he didn’t ask for help with the writing. He wouldn’t have had to look far. Bandmate McDaid has a booming second career as a writer of hits for others, his most notable co-writer credit being on Ed Sheeran’s Shape of You, the most streamed song ever. In one week in spring 2017, five of the UK’s 11 best-selling albums included his songs.
“When I’m standing on stage, I want to have written the songs,” says Lightbody. “It’s the same with [side-projects] Tired Pony and The Reindeer Section. I’ve never been very good at singing other people’s songs. So the horrible Catch-22 is that as soon as you go, ‘I need help with this,’ your recovery isn’t your own recovery. I wanted to come out of the tailspin myself. I’ve realised now that it wasn’t the best course of action. It probably took longer. But I do look back and stand up straighter when I think about the journey that I took to make this record. If I’d said, ‘I need help with my homework’, it might not have felt like that.”
He did need others to help with his personal problems, however. A doctor wanted to operate when he developed a serious infection in his ears, throat and sinuses. He went to an acupuncturist friend instead, who treated him on condition he stop drinking. He also saw a therapist to explore his feelings about growing up during the Troubles. “I think people are realising now that we are suffering from a collective trauma, and that needs to be addressed by talking about it,” he says.
Today he’s a regular at the gym, he meditates almost every day and feels the benefit of the Chinese martial art qigong, too. He’s enjoying life in the creatively dynamic Northern Ireland of today, as president of Belfast’s Oh Yeah Music Centre, a music hub that is a charity and social enterprise with a live venue, rehearsal space, recording studio and other bits. “It’s so different from the place I grew up in. It has culturally blossomed,” he says. “The music scene is incredible, lots of people are doing great movies. It’s an amazing place to make art at the moment. There’s so much going on.”
Then there was drink. He doesn’t use the word “alcoholic” but he doesn’t sound far off. “I ended up drinking on my own a lot, which I’d always said I wouldn’t do. That was the beginning of the end. I was always a happy drunk. I don’t get into fights, I’m not dribbling or talking weird s**t. I’ve always been told that I would make an event better, not worse. But what would happen when I got back from the party was that I would keep going on my own. That’s when it started to get messier.”
He still wrote music with relative ease but got more and more stuck with the lyrics. “I’ll write hundreds of songs musically. Melodies come very easily,” he says, touching the wooden table between us. “The writer’s block that I have is with words. The lyrics would never catch up with the music.”
I ask why he didn’t ask for help with the writing. He wouldn’t have had to look far. Bandmate McDaid has a booming second career as a writer of hits for others, his most notable co-writer credit being on Ed Sheeran’s Shape of You, the most streamed song ever. In one week in spring 2017, five of the UK’s 11 best-selling albums included his songs.
“When I’m standing on stage, I want to have written the songs,” says Lightbody. “It’s the same with [side-projects] Tired Pony and The Reindeer Section. I’ve never been very good at singing other people’s songs. So the horrible Catch-22 is that as soon as you go, ‘I need help with this,’ your recovery isn’t your own recovery. I wanted to come out of the tailspin myself. I’ve realised now that it wasn’t the best course of action. It probably took longer. But I do look back and stand up straighter when I think about the journey that I took to make this record. If I’d said, ‘I need help with my homework’, it might not have felt like that.”
He did need others to help with his personal problems, however. A doctor wanted to operate when he developed a serious infection in his ears, throat and sinuses. He went to an acupuncturist friend instead, who treated him on condition he stop drinking. He also saw a therapist to explore his feelings about growing up during the Troubles. “I think people are realising now that we are suffering from a collective trauma, and that needs to be addressed by talking about it,” he says.
Today he’s a regular at the gym, he meditates almost every day and feels the benefit of the Chinese martial art qigong, too. He’s enjoying life in the creatively dynamic Northern Ireland of today, as president of Belfast’s Oh Yeah Music Centre, a music hub that is a charity and social enterprise with a live venue, rehearsal space, recording studio and other bits. “It’s so different from the place I grew up in. It has culturally blossomed,” he says. “The music scene is incredible, lots of people are doing great movies. It’s an amazing place to make art at the moment. There’s so much going on.”
He says he’s “well known” in Northern Ireland rather than famous. “I don’t cause mayhem. We’ve never gone anywhere and been screamed at.” He seems content that although Snow Patrol continue to tour arenas, their fanbase is less huge than in the days of their biggest albums, Final Straw from 2003 (six-times platinum in the UK) and 2006’s Eyes Open (eight-times platinum). Wildness has been certified gold so far, and is worth hearing for one of the band’s most euphoric anthems, Empress, and one of their most moving ballads, What If This is All the Love You Ever Get?
The Amsterdam crowd this evening is mature and polite. Mayhem is definitely thin on the ground. Lightbody is an upbeat, funny, surprisingly sweary bandleader. He divides the room into two halves to sing Shut Your Eyes, then says: “Of course, this is how the problem started in our country.” It’s obvious he feels at home up there, literally larger than life as he looms down in black and white from the video wall.
What would he have done if he never managed to get the songs on Wildness finished? “I don’t know how to do anything else, so I probably would have written songs for other people or the movies. But I wouldn’t have been living the life that I truly wanted to be living.”
He understands much more clearly what that life is now. “To get to play in venues like this is what I wanted as a kid. I might also have wanted to be a rock star, but I didn’t know what it entailed. Now I know. I’ve never really had to deal with fame in a real sense, but I’ve seen it up close with friends and I don’t want it. I have the life I truly want. I can forgo the rock-star bit.”
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Notes On: Rose Pools
Hey all! Today, we’re checking out Rose Pools! Shout out to Mike Liorti for sending me their way! 
Rose Pools is a band based out of Minneapolis, MN. They are a 3 man band that met in high school at the Main Street School of Performing arts in Hopkins, MN. The members include Bob Korkowski (lead vocals and guitars, and producer of all their new content), Pauls Svelbe (keyboard) and Ian Eberlein (drums). Initially they are all from different cities/suburbs, but the school is what brought them together.
When asked what they would describe their style as, they said they were influenced by many different kinds of music. They describe their style as alternative rock, or indie rock, with a little bit of emo. People have stuck them with the 80′s tag, because of their use of synthesizers. Someone has also called them “post new wave,” and Bob says it makes sense to a degree. (A video is posted below of their song, High Hopes).
After getting to know a little bit more about the band, Bob took some time to answer some more questions via the bands Instagram, while also getting some input from Ian and Pauls.
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What;s the story behind your band name?
Bob: We were to music one day, already thinking of changing our original name, and the song “Pools” by Glass Animals came on. We thought the word was cool and we were like “there’s probably someone with that name already,” and I think it was me that said “Rose” because it’s just like a default word that comes to mind, I love roses and grew up near a street called Rose Street. I originally hated it after I said it, but the others liked it, and it stuck. I don’t hate it now!
What has been your favorite show (that you have played) to date?
Bob: It was probably the last one we played on the 29th of December (2018). It was one year to the day after our very first show. It was absolutely packed. It was one of the first shows we’ve played where we would start a song and everyone would like, cheer and sing along. It was an amazing feeling. We also played a bunch of new material we we’re working on, including a new song we wrote the night before. We meant it to be an intro to the show but it evolved overnight and became one of our favorite things we’ve made. It will be out soon hopefully, really different from everything else we’ve done. The show we played with Mike was a very close second too! He’s a great guy and we had a lot of fun at that show.
Who are some of your inspirations?
Bob: For me, as a write, Matthew Healy of The 1975, Justin Pierre of Motion City Soundtrack, Ben Folds, and Tom Petty are some of the big ones. Petty was big for me. It might not sound like it, but I adore his songwriting and performances. A genius. The 1975 are my favorite band overall, they’re amazing at making beautiful music, and Matty is a such a great lyricist. Ian is big on punk and metal stuff; we became friends through a mutual interest in Green Day. Pauls is really into electronic music and jazzy stuff. Some crazy experimental stuff and some more mainstream stuff: Deadmau5, etc. (Pauls also added in that  Prāta Vētra should be mentioned). We were actually just talking about Enigma last night. We wanna make a song like “Return to Innocence,” who knows if it’ll happen. We all are into really different stuff, that’s what makes this so cool. We’re able to all influence each other.
Ian: Well, my inspiration as a drummer I guess when it comes to Rose Pools more of the punk kings like Travis Barker,  Tré Cool, the dude from Rise Against. Of course Danny Carey from Tool, I can’t play like him but I try. Oh, especially the Rev from Avenged Sevenfold.
How do you handle nerves before a performance?
Bob: We really don’t. Most of the show is the nerves coming out. Especially for me, a lot of my writing is super personal. We’re stopped performing “Just Like You” because it’s too personal and I’ve broken down on stage before playing it. It makes the show interesting though. We’re all pretty erratic; it’s like a brotherhood. I love performing with them.
Where is your dream venue?
Bob: I think the obvious one for us as we are from Minnesota would be First Avenue. Going bigger, Armory in Minneapolis is also an amazing venue. Ian really wants to play the O2 or Brixton Academy, and Pauls says  Mežaparks in Latvia (he’s from there!)
Where do you see yourself/selves in 5 years?
Bob: And existential one for sure. Hopefully doing this full time, touring and making music that lots of people resonate with and love. We love doing it now, don’t see how that’ll change in the future.
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Shout outs: “The Jonas Brother’s. We’re glad your back!” 
 Ian said “Shout out to Denmark for surpassing our US listeners for a second.”
                       Remo Drive: https://www.facebook.com/RemoDrive/
Links to check out Rose Pools:  https://www.facebook.com/rosepools/
                                                       https://www.instagram.com/rosepools/
High Hopes- Rose Pools
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Remo Drive- Yer Killin’ Me
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