i don't normally make posts about things myself but i keep thinking about how the whole point of EW was that the strength you needed didn't come from a god, or a supreme being, or a primal or anything: it all comes from you
your love for this world and your friends and everything that you allow purpose and meaning- that is what gives you the strength to climb to your feet, even when you feel utterly alone at the end of the universe
In Shb we had Ardbert who gave us the strength to take that next step, but in EW we are alone (save for Zenos i guess but this ain't about him). That's why even though I agree that "it was the ancients" is becoming an extremely stale take, I still forgive MotR and the Twelve because it's hammering in EW's theme of being enough to handle what life throws at you without needing to rely on something much larger than yourself
EW's plot- and even the Omicron quests -point to the fact that dynamis alone does nothing. It has to be moved to action by feelings/emotions for it to work. As N-7000 says, "all [dynamis] requires is for us to ask "what if?""
Zodiark did not save the Ancients. Hydaelyn cannot save Her Children. The Twelve do not answer your cries. Primals are bound to the prayers of those that summon them.
The Warrior of Light is an imperfect being. More talented than most, but imperfect yet. EW does not make you a god. It shows that change can be wrought by anyone, at any time. You need not do it alone: there are others willing to come to your aid. But when you are alone, at the end of your rope, facing insurmountable odds: the strength you need can only come from within.
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
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Hey. The Finders have no idea that Bonzle was captured. Fritz and Spitz are still waiting, playing video games in the Monastery, for Cole to bring their sister out of hiding now that the blood moon is over. Geo is still sitting by the window, watching and waiting for a dragon on the horizon to return his kid safe and sound. Cole took a very unsure Bonzle, assured them all everything would be okay, and they'd be back soon. He promised he'd find a way to protect her.
Don't think about how they'll smile when Cole finally trudges back, happy to know he's okay. Especially don't think about the Finders stopping, looking out over the group, and how Cole can't look them in the eyes when they turn to him and ask; where's Bonzle?
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Listen.... Trafalgar Law is like Opposite Pick Me Girl.
Evidence:
He stole Doffy's whole look down to the shirtless sluttiness, feather coat and the earrings.
He COPIED DOFFY'S ACTIVATION METHOD. How "notice me, senpai!!" is THAT!?
Like Doflamingo, he acts as though your attempts at torturing him are absolutely precious.
Law straight up based his jolly roger on Doffy's. Like it's not even kinda subtle. (Not that Law does subtle. Which is weird for someone trying SO HARD to be dark, mysterious, and edge-y as Kikoku. )
Trafalgar spent years of his life travelling around the world, gaining notoriety and power, putting into place a series of intricate moving parts that all had to come together in just the right way all so Doflamingo would notice him and remember his face forever.
Law: Please, Young amaster-sama! Oh, please pick me!
Law: To kick your pathetic, subhuman ass.
[Thanks to @revlischarm who gave me this idea.]
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(mgv) the first few heats after giselle's birth leave house consumed with parental devotion. he is protective to an insane degree and if she isn't gone to stay with someone before his heat really kicks in, any and all energy that would have gone into sex instead goes to being feral over the baby. example:
house and their pup are curled up in a nest he has carefully constructed for Maximum Comfort + Hide, practically wrapped around her as they nap. wilson left earlier to go grab a snack house had asked for and got sidetracked while at the store (keeps finding stuff they may want/need/might like and it becomes a Whole Thing) so he ended up being gone for long enough that house dozed off. when he comes back and house hears the sound of the front door unlocking, his eyes shoot open and he's instantly growling -- he's not even really awake, just running on pure instinct while his brain struggles to catch up. it's enough that when wilson walks in and hears it he stops on reflex -- an omega, in heat, nesting, with a pup, growling? alpha weakness. shakes them to their blood even when it's their omega because when instincts run high like that. even those in bonded pairs will tread carefully because the omega will Not Hesitate. it's not until wilson hesitantly calls out to him that house shakes himself out of it ("rrrrmrrgghhrrr--" " 😰 house?" "--rrrmpp?"). then when wilson walks in with the snack and whatever other little tokens he found he plays it extra safe as an apology for being gone for so long; keeping his head bowed, placating notes in the scent he puts out, staying a respectful distance away from the nest until house explicitly permits him to come closer (house rolls his eyes when wilson hesitates to enter the nest even though he so clearly wants to)
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what im really enjoying about dungeon meshi is that at no point the progression felt unnatural. the stakes are so much higher than when they started and so is the general tone of the story but i was never like, "woah, thats a really big jump". everything made complete sense as the natural next step
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