Good reveal au, where after learning phantom's identity and realizing the atrocities that the GIW have committed (or alternatively, ethical science au, where they find out the GIW plagarized them), the fenton parents decided to create the 'ultimate ghost-ending weapon' and sell it to the agents.
They go absolutely overboard, describing to the agents in meticulous detail how it evaporates any ghost it hits near-instantly and describing it quite ruthlessly in the blueprints, and soon the GIW have raplaced all their main weapons with the new gun.
Except it doesn't actually kill ghosts. It's the Fenton Bazooka. You know, the one that creates a portable portal to suck the ghost back into the ghost zone? What they actually did was retool it slightly to make it look more grusome than it actually is. They even added a beacon in Phantom's Keep, which all Fenton Bazookas will target when they open a portal, so the ghosts are always delivered to the keep.
From there, Phantom stationed an emergency medical team at the keep to treat the many injured and ragged ghosts that the GIW 'destroyed,' and to explain what just happened.
What they didn't anticipate was that now that the GIW have a mass-produced weapon that they believed would effectively eradicate ghosts, they would go on the offensive. They have a number of cities they've been monitoring but didn't want to get involved in without better tools.
One of those cities is Gotham.
And the Bats are ectocontaminated enough to register as ghosts.
Batman witnessed several of his children get evaporated by green energy weapons within mere moments of each other. He's absolutely gutted. Devastated. They didn’t even stand a chance.
He'll get his revenge, and it's frighteningly easy to track the weapon to private subcontractors. The Doctors Fenton, in Illinois. Their research calls for the genocide of all ghost kind, and apparently, that war started by killing his own children.
His children will not die in vain.
He gets to Amity Park and finds the Engineer's Nightmare of a building that is Fentonworks, but that night, before he can hack through the security and break in, one of the windows opens.
It's one of his kids that he had watched evaporate before his very eyes. They give him a silent signal of one of their identifying security codes and gesture for him to come inside.
Is it a trap? A prank in poor taste? Utterly genuine?
He goes through the window.
All of his dead kids are there, wearing borrowed pajamas and only their dominoes to conceal their identities. Daniel Fenton (son of the Fentons, this is his bedroom, has voiced a few arguments against his parent's views, but still an unknown) is among the crowd of teens and young adults, twirling on an office chair and obnoxiously sipping a capri sun.
"First thing you need to know, Bats," Daniel says after finishing his drink, "is that my parents are absolutely NOT genocidal ectophobic scumbags, and that is the reason why your kids are still alive."
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!!
YES. thank you king let me don my court jester attire
So Milo. You may know him by the times I am insane about him in the tags of unrelated posts. I am now going to do that some more :)
Milo is a character who is just... so impossible. He is inherently conflicting. Everything he is, he is also the opposite. He is his own juxtaposition in nearly every aspect. This pervades fucking everything but I'm going to go more into one in particular: his thematic relationship to the moons.
I'm now realizing this makes me sound like an insane person. You gotta give me the benefit of the doubt.
One more thought before I get into that: Milo is actually most heavily associated with the sun. He's the Sun character, you know. Light and warmth and familiarity and family and safety. He is all of those things, particularly in how he is. Externally. He conjures all of these from the people he interacts with. But there's more to a person than what you see- there's some of that juxtaposition again.
The moons (two of them because it's fantasy how could i resist, even if there didn't have to be two for...lore purposes) have a certain amount of in-universe weight to them. They carry stories that are used however is most convenient for the one telling the story. Milo's problem, for a while, is who is telling the story.
Early on, the moons are... well they feel like a threat. They are eyes on him. They are mocking, soliciting, watching. Aware. Like a friend who's a bad influence trying to get you to do something you know will end poorly. Except he can't just say no and they know it. Hands in his and horns interlocked, they are constant in a way that feels far too visible, at a time when he revolves around remaining hidden.
But then this shift occurs. It takes place so slowly you couldn't tell as it happens, but that threat fades away. They are still constant and watching and knowing, but that eventually stops being as dangerous and starts being more of an understanding. Visibility is still a threat more often than not, but the unrest doesn't come from them, then. It's externalized.
This just means that the way HE thinks about the moons, and with it, the way they're referred to in the story*, undergoes this gradual change. He resents them, early on, turns away from them, doesn't meet their eye, hides from them. They're cruel and he despises their effect on him. And then eventually none of that is true. He no longer resents them, he appreciates their company, their ever-present hand. It never stops feeling like a secret, but he stops hating them, instead accepting their role and with it, his own. The way they are presented goes from being seeped in ugliness and resentment, to being seen with less bias. He looks at the moons, then, how you or I may. They're just moons. It's always a little bit more than that, but he finally can separate the fact from the stories, something he never could do before.
*I mean like. In The Story. Not the in-universe storytelling. lore. bullshit. Like straight up just Writing. Is this comprehensible.
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One of my cats, the one who is the best natured, the most tolerant and loving, bites my mom. Real, hard biting that breaks skin. He doesn't do this to anyone else in the house. She acts very victimized by it.
But when I ask, were you bothering him? I know you like to annoy the cats on purpose, were you teasing him after he gave you warnings to stop? Were you ignoring boundaries he set? And she'll give the most nonchalant, 'Yeah, probably.'
I'm realizing a lot about my own childhood trauma. I'm remembering, vaguely, distantly, the way I would have my own warnings ignored. I think I remember being overpowered, physically. In good fun! To play, to tickle! Except that I was so so small, and whether I wanted to play was irrelevant. And I was laughing, clearly I liked it! There was nothing I could do once she was playing, so I started avoiding physical play, keeping myself out of positions I could be trapped and tickled as much as I could.
I remember... How important it was to me to speak for my brother. To make sure he was clearly understood. He needs this, he wants that. He doesn't like that.
He doesn't like that. (Please stop doing that to him.) (Please stop doing that to me.)
We both got bigger and were eventually able to defend ourselves. Strong enough to squirm free and crawl away, or to stay curled up in a ball and not have our limbs pulled open and tickle spots revealed. My brother learned that if he gave no reaction, it would bore her until she stopped, and that worked for him. I learned that I had to grab her wrists and physically push her away for her to stop, and that, in combination with avoiding getting into the situation and repeatedly saying while in a safe position I didn't really like to be tickled ('Of course you do, you used to ask me to tickle you as a kid!' maybe sometimes.) finally got her to stop.
We're both big now. She bothers the cats. She likes to touch their noses and whiskers. The girl cats have learned when to walk away from her, they are able enough to squirm and then run. Roman is too big, too out of shape to run, so he's learned that when he has had enough, the only thing she'll listen to is his teeth.
I don't like being touched by strangers. I hate being tickled, it makes me feel out of control, and helpless. I hate feeling helpless.
I love my mother and she never meant any harm. But I am recognizing more and more harm from her as I start to dig deeper into my past and recognize things as trauma that I didn't flag earlier because they didn't sound traumatic. "I was often held down and tickled by my mom as a child" sounds like a cute childhood story. "I was physically overpowered, touched in ways I didn't want to be, had my protests ignored, and made to feel helpless by a parent" has a much different ring to it.
I was also shamed/guilted into having very, very lax physical boundaries. My mother could touch or grab me wherever and whenever she wanted. I was never sexually abused, never, so it has taken me a long time to recognize the situation as traumatizing. My mom jokes that when I started picking my own clothes, I always dressed like a prude, I never wanted even an inch of skin uncovered on my legs or waist and I would make sure to find the right clothes to achieve that. Leggings, all socks, oversized shirts, layers. As soon as I learned I was allowed to wear jeans I started to do so, and to this day Denim feels like armor to me. She's mentioned it's a texture she doesn't like. I wonder if that's related. I wonder if I was always subconsciously (maybe even consciously, I don't remember much of my childhood and I mostly have emotional amnesia about the parts I do remember- as if it was someone else's life I'm remembering) shielding myself from unwanted touches.
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𝜗𝜚 HOW THEY HIT ON YOU
─── . satoru , suguru , sukuna , kento, toji x f!reader
꒰ request : jjk men noticing you during a night out ꒱
꒰ fluff : curseless au ◞ maybe ooc Satoru and Suguru◞ mentions of reader drinking ◞ suggestive and a bit of touching w Toji ꒱ ★ taglist
࣪ ִֶָ☾. SATORU
it’s even a little bit funny the way Satoru eyes you up and down, casually sipping on a non alcoholic beverage while fixing his sunglasses, not subtle in the slightest, there is to add, not as if he actually tried.
an elbow straight into Suguru’s waist and the dark haired man groans, “fucker...”
“look at that girl over there” Satoru, again, does nothing to be subtle, motioning towards you standing at the bar with a friend.
“the one you’ve been ogling at while I talk?”
“isn’t she so pretty?”
it’s like talking to a damn wall.
“i’m going to talk to her”
yet Suguru raises a brow as if the sudden approach was not a good idea, “you sure man, she looks kinda busy with her fri—”
and he’s gone, walking with confidence and a smirk to mask the actual nervousness rushing through the white haired’s body.
“hey” is the first thing he says, elbow propped up on the bar next to you, “can I get you a drink?” eyes drop to the glass on your hand, “... another?”
that did not start well, but your smile makes up for the embarrassment, “sure” you say finally, after a second of knowing glances towards your friend, which didn’t go unnoticed by Satoru, so by reflex, the cocky smirk is back.
he orders a drink, asking for your order or perhaps if you’re feeling adventurous, “and while we’re at it... can I have your name?”
࣪ ִֶָ☾. SUGURU
“the trick is to aim for the head” Suguru casually blurts out. mansplaining? nah, he’s genuinely trying to help after watching you struggle in the claw machine for quite some time now, having come up next to you with soft, light steps that did not break your previous concentration.
the truth is, Suguru was looking at you earlier, something about your determination made him prop his cheek on a hand and look at you, entertained by your groans and complaints whenever the plushie you were trying to get just slipped past the cough, broken claw.
“this game is broken either way” you huff a laugh, turning to stare at the eyes of the stranger man, with a soft gaze and gentle smile, “wanna give it a try?”
“only if you tell me your name first” so that’s how he does it. you thought to yourself, offering a chuckle and your name before he nodded his head, “i’m Suguru”
then he’s gently moving you around, with a hand on your lower back so you’re switching positions, sliding a coin into the slot and getting into position.
it was truly not as if he tried to impress you, he did not, but... maybe... just maybe he did, pulling out all his highschool knowledge learnt from his best friends, and avoiding the part where they all shook the machine when didn’t get a prize.
“is that the one you want?” he really did not need to ask since he already saw you struggle to get it, but still waits for your affirmation before proceeding.
“you really are a magician or something” you chuckle, gripping the plushie Suguru just got for you, “thank you”
“no need to thank me... why don’t you... just give me your phone number?”
࣪ ִֶָ☾. SUKUNA
approaching you? pfft no. the... tv screen was more visible from the spot Sukuna currently sat at the sports bar, an important match was happening so the bar was crowded, and oh, coincidentally, he chose a table coincidentally closer to where you sat with other people.
when the night started, Sukuna was focused on the game, until of course, you arrived, and his heart skipped a beat.
“that guy is so into you” one of your friends giggles next to your ear, eyeing at Sukuna while you roll your eyes.
“where did you get that from?” it was obvious the man was not interested, with a lazy position, arms draped over the backrest of the booth and a leg crossed, so uninterested.
“he’s totally into you, I can sense this kind of thing, plus, he stared at you when you went to the bathroom”
that... was true, Sukuna couldn’t help and let his eyes drift from the screen and towards you, checking you out in a way that was apparently not too subtle.
but he was not desperate, he was not the one to approach first, girls fell for him, girls wanted his attention, girls that weren’t as half as pretty as you.
“fuck” he grumbles, annoyed by his own feelings while suddenly and quite unexpectedly standing up to go to the toilet, only for you to land face first into his chest as you were about to leave.
“oh, god, i’m so sorry!" you gasp, noticing the stain of food on his shirt from where your leftovers package smashed into him. and Sukuna should be mad, really, but it was so cute how you rambled apologies and clumsily wiped the stain with napkins.
“i didn’t mean it, i—”
“it was quite expensive”
...huh?, “huh?”
“the shirt” he mutters, the previous stoic expression turning into a devilish smirk, Sukuna was an idiot, watching the color drain from your face, “you better pay it back”
“i... i can tr—”
“do you have somewhere to go after this?”
࣪ ִֶָ☾. KENTO
for the blonde, there was no better way than destressing after a long day at work, then getting drinks.
hopefully without his annoying white haired coworker getting on his nerves.
he often does not care about his surroundings, that’s how he is, quietly taking his own drinks without minding everyone, until you arrive.
you look troubled, it’s been a while since you got in and sat at a table in the back, are you sad? lost? did your friends cancel on you? or are you just awfully early to meet someone?
doesn’t matter, but Kento is unable to keep his eyes off you.
he’s being nice, alright? “can I sit with you?” somehow getting up from his seat and coming to you, his smile is kind and points at the now empty table he was previously at, “i came alone, might as well have some company” he says, holding back the need to say ‘pretty company’
“of course” you know he means no harm, sitting quite far in a still polite distance while clearing his throat and engaging in small talk.
without realising the hours pass, between friendly chatter and introductions exchanged, leaving the bar with a promise of a future date.
࣪ ִֶָ☾. TOJI
“did you see the hunk standing at the back?” you and your friend giggle, not so subtly stealing glances at Toji, whose casual pose leaning against a wall and hand holding some cheap beer was enough to make most people at the bar swoon.
“you should talk to him” your friend wiggles her brows playfully, “he’s so your type”
“he’s hot, but kinda looks like a criminal...”
“you love that, don’t you?” and ouch, she was right.
and said comment did not go unnoticed by Toji, who was far but not too much as not to hear your giggling, truth is he was eyeing you for a while, eyes on how your outfit showed your body, and how he wished to come a bit closer and smell what perfume you used.
Toji has never been a man to mince his words, gulping down the rest of his beer and walking to you with a smirk and a brief flirty lick of his teeth as soon as your friend rushed to give you some privacy while still remaining within an earshot.
“have some business with me, doll?” and oh, that should not have been so hot, making you squirm and face heat from being caught.
“i um, no ...?”
“you and your friend have been looking at me for a while” she’s quick to flee after hearing that, not waiting to see how Toji’s hand casually rests on your waist, subtly and almost unnoticeable tugging you closer.
“i’d offer to get you a drink but I think you had enough” liar, he just didn’t have money, “so why don’t we get some fresh air instead?” and you fall for it, squirming and nodding at the promise of what would happen later, or perhaps, at the alley next to the bar.
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