OFMD Spiral Parallels 32: Manipulative Pirate Buddies 3
Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from season 1 to season 2, but in season 2 everything goes deeper than season 1. Symbols appear and reappear, transformed. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, then the second season plucks the same ones--but louder, and then it weaves them together to create a symphony.
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In the middle of both episodes, private conversations about the nature of Ed’s and Stede’s relationship takes place between a manipulative pirate and one of our main characters. However, in the first episode, only Stede has a private conversation with Jack, but in the second both Stede and Ed have private conversations about with Anne and Mary. And while both the first episode and the second involve the new pirates manipulating our main characters, the outcomes of the scenes highlight how the meaning of the past has changed from one season to another, from destructiveness that must be avoided to chaos that invites transformation.
Anne and Jack both want to get information out of Stede, but they go about doing this in completely different ways.
Jack makes Stede defensive, provoking discomfort in Stede—and, crucially, denial about what’s happening between him and Ed. Stede obfuscates, pointing to an insecurity that Jack then exploits using repeated references to the past. Jack’s goal is to make Stede as uncomfortable as possible—use the shadows of Ed’s past and their connection to the present—to push Stede to isolate himself from Ed, and he entirely succeeds.
Anne, on the other hand, makes Stede comfortable. She is genuinely interested in what’s actually happened between Stede and Ed, because her goal is more open-ended than Jack’s. She wants to use the past to create drama, not destruction. And drama is actually what Ed and Stede need, because the only way to resolve the central conflict is for them to have a dramatic conversation.
Meanwhile, both Anne and Mary individually draw comparisons between themselves and the boys. Anne builds on what she learned about Stede’s personality—and its similarity to hers—in the antique shop, then tries to get Stede on board to make both their partners “so jealous,” to provoke drama in both their relationships.
Ed is actually the first one to draw a comparison between himself and Anne by bringing up how Stede stabbed him once. Anne then invokes the past, like Jack did, but not as a way to destroy the present—as a way to explain the present. Jack told Stede that he and Ed are “the same man,” but Mary tells Ed that both couples are involved in the same experience, are bound together by a chaotic “whirlpool.”
The scenes also illuminate important ways that Ed’s and Stede’s ideas of the past can shift.
Before, Stede was enjoying the “ideal past,” and to move forward with Ed he needs to accept that the past had negatives, too. He starts doing this with Anne, describing the problems of his past that arose when he went back to his wife.
Ed, on the other hand, was focusing on the negatives of the past, on the pain that resulted from Stede leaving. To move forward, he needs to think about the closeness that made the pain worth enduring. And he starts doing this with Mary, smiling and reminiscing about being stabbed by Stede. Before this, Ed rejected each attempt Stede made to suggest that their past relationship was a good place. But the bad ending didn’t define the whole relationship—the past influences the present but doesn’t determine it—and Ed starts to believe in that in this scene.
Other posts in this series:
Part 1
Part 2
Part 4
Part 5
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I saw Hournite and immediately rushed to send in an ask! 😁 "Is this a date?" -Rhuben
Homemakers
Beth wiped silky cobweb film on her patchwork jeans. Mindful to not let her upbringing with wealthy parents and a spotless home cloud her judgment, she stepped away from the giant 80s curtains, continuing to meander through the fixer-upper. The wooden floorboards were swollen with old water damage and spreading apart by the front foyer, creaking beneath her tennis shoes. A stubborn stale smell lingered in the air, even after Rick opened windows to stop her sneezing.
“I know it needs work.” Rick glanced around at the stains and barebones furniture, seeing his home through her eyes for the first time. “A lot of work.”
“That doesn’t matter.” She turned around, full with so much gratitude. To her knowledge, Rick had never let anyone visit his house. When he casually suggested they stop by because he forgot his hourglass in his room, she nearly kicked her feet with giddy. She was happy just to be on his property for the first time, she didn’t expect him to give her a private tour. “I think this place is wonderful.”
“It’s a shithole,” he corrected, shrugging a shoulder. “There was a pipe leak just last week. You don’t have to lie.”
It wasn’t a lie. She wasn’t about to deny that it needed serious TLC. The rugs could use a good beating and every room she saw was practically begging for a deep clean. The only mirror was dirty and cracked in the bathroom. The couch could at minimum use a cover, but honestly needed to be replaced…Swiffer could do a commercial here for their mops. No dishwasher and a clothesline for his flannel to dry. At the same time, in all its depressing neglected glory, many trinkets belonging to Rick’s parents were left behind by Matt Harris, writing them off as worthless in value. It was humbling and reassuring to see the reminders of the house this once was. It brought Rick’s past alive.
In fact, she was certain she could transform this into a rustic, positive and hospitable space Rick wouldn’t have to feel ashamed of. With some flowers in window planters and a few fruit trees for Grundy, they could even revive the farm and make it beautiful again.
“Nonsense.” Sitting down on a soft duvet in the room they ended up in, she slipped her hands behind herself to curb the itch she had to fetch her goggles and measure dimensions. She flashed him a grin instead. “It just needs a trip to Ikea.”
“…Ikea?” he repeated, like it was a foreign word.
Beth gave him an excited nod. “Mmhm!”
Rick crossed his arms with a strange look on his face, leaning against the doorpost as she looked around, noticing a mismatching vibe she couldn’t quite place. She sniffed after another tickling sneeze, nose no longer quite so clogged with dust mite. An earthy scent greeted her at last. A hint of sandalwood and trees.
“It smells so good here.” She settled in, crossing one leg underneath the other and pulled out her phone for Ikea’s web browser while ideas were still fresh. “Best spot so far.”
“This is my room,” he told her, amused. “And that’s my bed, so you’re smelling me.”
She gaped at him, ignoring the flush warming her cheeks. “Your room?”
But there wasn’t a single personal item here on display! No books, snack wrappers, or any pictures…There was the bed and a chair, and, yes, admittedly now she did see his phone charger plugged into the outlet in the corner, but…she at least expected the hourglass to be somewhere noticeable.
“What?” he teased. “Didn’t think my bed would be made?”
She stood up, sensitive to what was growing between them and unsure how to proceed. “I didn’t say that!” she protested hotly.
“I know, B. I’m kidding.”
His tone went soft. Like he loved to ruffle her feathers for the opportunity to gently set her at ease.
Opening his door to her also opened a part of himself that Beth always craved after. As guarded as he first was that she knew everything about where he came from, he’d quickly adapted and affirmed her presence much like the baby steps it took for Rick to invite her to sit shotgun in the Mustang. And now it was her unofficial official seat.
“But why is it always you now,” Yolanda used to whine when Rick picked them up for school. Beth would shrug innocently, like she hadn’t been aware their dynamic was charged from the start.
She wasn’t sure how long he’d ever had the peace they fostered in the Mustang, knowing this was the very place he’d used the car for to escape. It wasn’t lost on her that their friendship filled a lot of voids. Connection, solidarity, and, well, partnership. Which, at first, worked in the traditional sense on the team, but had now sailed into the uncharted gray area beyond intense friendship. She couldn’t help longing for more. And, she knew, she was the one that usually tested the boundary as the extrovert of the two, but it secretly thrilled her when it was Rick’s doing, which he was more often.
It had only occurred to her that she’d never let Rick into her bedroom all the times he’d stayed over. Why was that? Her parents never set out any ground rules. And there she was, curling up in his private space–She could only dream what was running through his mind. Was there such a thing as too comfortable? How much was too much?
“And—” she continued to justify, even though Rick never asked. “I likely have your scent memorized because I’m familiar with your car. Or something.”
“Sure.” Rick lifted an eyebrow at her, and kept going. “Or, you just really like my aftershave.” Bending down, he pulled out a storage container from under his bed with a padlock and that had all his stuff.
Beth glanced out the window at the field of dry grass, hoping he’d open it too when the room only grew warmer as more unwarranted thoughts of Rick shaving leisurely swirled around her head.
Meanwhile, Rick latched onto the golden chain of the hourglass and slipped it round his neck. She decided she’d rather be embarrassed about finding such random things Rick does attractive than stay sad about the state of his living habits, clearly developed from living with his uncle. He deserved a teenage room, not a hotel safe. Now that thought drove her to wrap her arms around his middle.
“Thanks for bringing me here.”
Rick returned her hug hesitantly, genuinely confused. “Is this just an excuse to smell me?”
“No,” she said with a roll of her eyes, a teeny tiny fib–she’d already buried her face into his shirt. But this was not the time for that, so she sacrificed the sandalwood for propriety and regretfully pulled away. “I know it matters, that’s all. You could’ve told me to wait in the car but you didn’t. So, thank you.”
He nodded and Beth stepped back, folding her arms.“So, Ikea after training?”
She watched him nervously rub his jaw and added, “We can set a budget. And you get veto power over anything we get.” She crossed her heart but in their business, didn’t think it prudent to hope to die.
“Okay, but I veto.”
Her hand is still over her chest. “You veto.”
“It’s my budget not yours.”
“Okay, but can I buy a few things?”
“Define a few.”
She held out a hand. “Ten things?” She saw his face twist and quickly adjusted. “Five things! Five things you really want!”
“One thing. Maybe. I’ll pay you back later. And, I’d need your advice anyway so don’t give me that look. And this is my house, not yours.”
She saluted as he shepherded her out of his room with a hand on the small of her back. “Message clear and understood.”
-.-
“Is this a date?” She peered into a display box with a dozen different door knobs in one of the Ikea showrooms. Rick gave her a long sideways glance as he pushed a cart twice the length of Courtney’s staff.
“What?” She laughed in his pointed silence. “People go on Ikea dates all the time! They browse interior decor, ask probing questions to get to know each other, share Pinterest ideas to share their dream house aesthetics, and find pieces that fit both styles. There’s a restaurant to eat Swedish meatballs for dinner…Not to mention the teamwork required afterwards for assembly.”
“You think building furniture together with wordless instructions is romantic?”
“It can be with the right person! And a pair of very useful AI goggles. Or a guy with very convenient strength.” She picked up an eight dollar lampshade. “This one?”
He wrinkled his nose. “Does it come in black? And I thought you were very against using JSA stuff for non-JSA things.”
“Exceptions can be made–Are you sure you want black? That’s a depressing color.”
“I’m sure.”
She sighed, resigning to the unforgivable fact Rick was a monochromatic minimalist by default. She noted it down to collect in the maketplace. “So, is this a date?”
The long cart came to a stop. Rick rested his elbow against the metal grate handle. “Believe it or not I do have standards. I’m not having a first date be a trip to Ikea because my house is so ugly it rendered you to tears.”
She laughed again in disbelief, having so much fun. “I did not cry!”
“You hugged me!”
“Because you smelled really good, and I was in your room, which also smelled really good, and I was happy,” she explained, gesturing wildly.
“You’re going to bump into that dresser,” Rick warned her, avoiding a backwards collision with the KOPPANG by tugging her close just in the nick of time.
Greeted by sandalwood yet again, she whispered, “So a first date in your books would not include Ikea at all?”
“Not a first date. Not any date.”
“Noted.” She peered at him quickly, then glanced away to watch other families and couples shop, clasping her wrists behind her back as they walked along the long natural way. Rick strayed away to pick up a few things.
It was when she got lost going through the Turkish rug samples hanging from the ceiling that an arm wrapped around her and she got a kiss on her cheek felt all the way down to her toes.
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in your latest piece of the receptionist au thena feared that gilgamesh would fall in love with somebody else one day. what if gil has a business meeting with a woman who wants to lay a hand on him. and one day thena wanted to grab something from her desk and has to see how this woman is kissing gilgamesh and Thena runs upstairs, tears in her eyes. and after gil is done with his crime business for the day he wants to spend some time with thena but she's avoiding him. he tries to talk to her but she's so angry and sad and so scared. she thinks gil has enough and doesn't want her anymore. some angsty fluffy drama :)
Thena taps her pen on the desk. Gil is in a meeting with some woman who runs casinos...or something. They have profit shares to discuss, and Thena has no reason to barge in on them.
No excuse, really.
She doesn't want to feel this way. It's not as if she would have any reason to feel insecure with someone as wonderful as Gil. For a hardened criminal, he really is the most wonderful partner she could imagine having.
Maybe that's it, though--the criminal part. Maybe she worries that he misses this life. He's been thriving since they came back to Korea to do some business again. So much so, that they extended their visit. And Thena can see some of the worries that settled into him since moving to London lift off of him.
Does he miss being a crime boss? Does he feel too suffocated in London, stuck in her flat all day, playing househusband for her?
Thena stands abruptly, determined to just...just...just ask if he needs anything before she runs out to the store. It's a lame excuse, but he's been a meeting with that woman for an hour, now. And Thena saw clear as day the way she looked at Gil.
Thena knows very well that Gil is a desirable man. She doesn't expect other people to be ignorant to it, after all. But it would be nice if she hadn't seen the woman literally lick her lips at the sight of him.
Thena opens the door, ready to ask if he wants a convenience store drink or something. But what she sees - before the door is even all the way open - is that woman, freely and happily leaning over Gil in his chair. Her hands are on his arms, and she's...she's kissing him.
Thena turns. She walks towards the elevators, practically sprinting the second half of the way. She slams her fingers against the buttons, desperate to escape what she just saw.
It's burned into her mind, though. That woman's silken black hair, the perfect ivory of her skin, her petite and willowy form. Her lips on Gil's. Her lips touching Gil's lips. Her hands on his arms--arms he uses to hold her every night, after work, after dinner, in their shared bed-
She storms off the elevator into the penthouse above his office. She feels absolutely sick, her breath coming in short gasps and her tears stinging her eyes. Her hands are shaking. She walks through the penthouse and directly to their bed, throwing herself onto it and pulling the covers up over herself. She curls herself up into a ball, trying to ignore Gil's half of the bed with his scent still clinging to it.
She doesn't know how long she lies there for. Obviously she's not doing a very good job as his receptionist, but fuck that. Fuck all of this. And fuck that woman for kissing her Gilgamesh like she has any fucking right.
She used to think about this, she reminds herself. She used to feel like such a lost little fawn when she first moved to Korea, literally trying to rebuild her life from the ground up. And then as she fell in love with her boss, her life got...rebuilt around that--around him. And the thought of having to see him fall in love with someone would plague her when she was harbouring those quiet feelings from afar.
She wonders if it would be as painful as this is now.
"Naekkeo?"
Thena sniffles, staying wrapped up in her cocoon of sheets and duvet. She could have left the building, she supposes. She could have locked the bedroom door and told him to go fuck himself. But why didn't she?
"Thena," Gil calls out softly as he walks into the bedroom. He takes cautious steps, trying to gauge how she's doing. "Sweetheart, will you look at me?"
She stays closed off. She doesn't hear him walk away, though. "Why?"
"Please, Gongjunim?" he tries again, with a different petname for her. He moves closer, sitting on her side of the bed at her feet. "I don't know what you saw-"
Thena stretches out her legs, giving him a bony kick right in the hip. She hears him grunt and finally pokes her head out. "You mean that associate of yours kissing you?"
Gil nods, and she wonders if she expected him to try and deny it or not. She wonders if she wishes he had at least tried to deny it a little. "Before I kicked her out?--yes, she did kiss me."
Thena throws herself against her pillow again.
"Baby, please," Gil sighs, leaning over so he can push the duvet down and brush her hair away from her face. "You know I don't want anyone but you."
She does know that, but she doesn't feel any less stupid over it.
"I told her to get away from me," Gil whispers, pressing light kisses wherever she'll let him. "That I'm very happy in my relationship with you."
Thena slowly turns over to look at him.
He sighs, more able to see now that she's been crying. He pulls her up to him, brushing his thumbs over the reddened corners of her eyes. "I'm so sorry, Thena. You know I would never do anything to hurt you."
She does know that.
"I love you," he whispers, kissing her softly, one hand on her waist and the other tangled in her hair, just the way he likes it.
Thena pulls away from him, and the devastated look on his face is almost enough to wipe away the vision of that woman all over him. "I can still see her, leaning over you-"
"I'm sorry," he whispers again, obviously prepared to keep on apologising as many times as it takes. "It came out of nowhere!"
Thena levels a look at him that makes the hardened crime lord shrivel. "Nowhere, Gil?"
He catches her meaning and offers her an impish smile, "come on, Sweetheart. You know what I'm like with that kind of thing."
Yes, she has extensive experience with how dense he is to someone having feelings for/being attracted to him.
"You really didn't notice," Thena glares, crossing her arms at him. He rests his chin on the hand on top of her knees, looking like a dog being scolded. "The hand brushing, the light arm touches, the eyelash fluttering?--none of it?"
Gil stares right up at her with those big dark eyes of his, "no. You think I can notice anything about her while you're in the room?"
Thena rolls her eyes in a huff, determined to stay strong and not get all charmed and fluttery over his cute little remarks. "You're terrible."
He winces, drawing up his shoulders, "a terrible boyfriend, maybe. But I'm telling you the truth, Naekkeo. I had no idea that woman was going to come onto me. Because I only have eyes for you."
Thena leans back against her pillows again, still crossing her arms and now pouting. He's so good at making himself at home in this heart of hers. She gives him a frosty side-eye. "You know, most women wouldn't care for your explanation. They would see you kissing another woman and that would be it."
Gil looks at her with hope in his eyes. He keeps his arm wrapped around her knees as he holds up a finger, "y'know, I don't consider it a kiss. She...put her mouth on mine."
Well, it does sound a little better when he puts it that way.
Thena takes in her loyal, devoted househusband, looking at her with puppydog eyes and a pouted lip. He knows she won't make him sleep on the couch. The only other time she'd tried it, she just brought him back to bed - because she couldn't sleep without him - anyway.
Gil senses her defrosting and leans forward, "I'm all done work for the day--what do you wanna do? Anything you want, baby. Are you hungry? D-Do you want me to take you to the spa?"
Thena cracks half a smile, if only at the sight of Gilgamesh - a major crime lord of Seoul - suggesting cute little things he can do to earn his forgiveness. She's going to make him work for it, but still.
"You name it," he smiles eagerly as she sits more upright against her pillows.
Thena maintains her right to withhold kisses from him, crossing her arms again and raising a brow. "I suppose I am hungry. I was about to ask if you wanted to order something when I walked in on you-"
"Okay, you got it!" he rushes, scrambling to stand off the bed and lean down to kiss her cheek and pull his jacket on all in the same second. "I'll get your absolute favourite, baby, you stay here--relax! Why don't you get into your comfy clothes? I'll bring food, and some wine, and we can spend all night here, okay?"
"Mm-hm," she smirks at him as he dashes out the door.
"I love you!"
Thena curls up under the blankets again. She will get changed into her comfy clothes, and she knows he's going to come back with a massive floral arrangement, and chocolates, and probably even more than that to go way overboard. She pulls out her phone, laying it on his pillow as she types.
I love you too. Hurry back xo
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