#which I'm pretty sure he didn't

[noxdemon]

I'm not even an izzystan, I'm a frenchiegirl myself, but god that was STUPID. I was already annoyed by how they seemed to be speedrunning his arc but now I see why they were doing it and it's so DUMB. He didn't have a single interaction with the crew this ep even though he has this entire speech about found family. No one helps him when he gets shot even though they must have noticed (i mean come on he was standing in front of a gun). While dying he only talks about and to ed, even though these two have never really TALKED about what happened on the Revenge. Also didn't he get shot on the right side? Why do cartoony physics only work on ed and stede. I just don't understand why they decided on this it's so not needed!

[wildflowercryptid]

❝ just you wait, florian... ❞

how we coping tonight, kieran nation?

[sysig]

Recently had a silly Handplates dream where Papyrus was trying to snoop around Gaster and Alphys’ lab, but didn’t know who Alphys was and so was trying to pass it off as his own lab lol (Patreon)

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[bluekitty-art]

*twirling my fingers through my hair* hahaha sooo there's this green rapper midwestern sports muppet.

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[originalaccountname]

Oda is his family/last name

Sakunosuke is his first name

In Japanese, they (usually) write the last name before the first name, so it's Oda Sakunosuke

Odasaku is the fusing of his last name (Oda) with the first part of his first name (Saku) to form a nickname

I keep seeing confusion in the form of "Mr Sakunosuke" or inverting his name compared to other characters or thinking Odasaku is his actual name in some way, which are all very understandable mistakes, so here is your handy reference guide

[mic-check-stims]

Walkshipping board for that one anon from forever ago who asked about my ships

X-X X-X X-X

[tswwwit]

The newest installment of the Cult AU was so amazing and gratifying! I do have to ask about Dipper's reaction when Bill suggested that next time he hide *in* his bed - should we assume that Dipper just truly doesn't think there's any possibility that Bill would want him like that, or does it potentially reflect some truly non-existent sex ed within the cult? Did the cultists have relationships like that within the cult?

I hope you post this AU and your other shorter works on AO3, id love to be able to bookmark and comment.

Thank you for your kind words!

Dipper's reaction was mostly because the cult had sub-par to non-existent sex ed. Though to be fair, even if he was aware that Bill was, ahem, an option, he definitely wouldn't think there's any way he'd want Dipper like that.

[fisheito]

my princess nonsense is being encouraged watch ouyt imabout to be eneaabled

OK WHATF ATHAT'S SO CUTE I HAD TO MAKE IT i know realistically there's little to no chance that rei DOESN'T know how to work heels 🤣 BUT IMAGINE.....ING.... YAKUMO GENTLY GUIDING REI IN HEELS, WEEKS BEFORE THE BIG GALA AND HAVING NONE OF HIS NORMAL FEAR OF PHYSICAL TOUCH BC HIS [TEACHER MODE] IS OVERRIDING HIS INSECURITY

[discjude]

whatever afterlife exists in SGE must be the funniest shit ever imagine being some Jaunt Jolie peasant who gets a little too in the way of the Snake and dying only to see The Literal School Master cheering the Snake on. Imagine dying of like cholera or something and taking a little Ghost Vacation to Camelot and seeing the King of Camelot - who's dead, apparently - beating the shit out of some random other boy with weird eyes. imagine how flesh and blood went down. Do you think they all had popcorn for that

[symbioticsimplicity]

I have a theory that someone else has probably already put out but I haven't seen it so here we go.

I don't think Alastor is actually all that powerful.

Propaganda under the cut.

There are a lot of things that make me think this but we'll start with the first and frankly most obvious to me.

His methodology. Alastor's main thing is making contracts and deals. When we're first introduced to him in the pilot, its with a warning to never make a deal with him. While plenty of other Overlords obviously wheel and deal, I think Alastor's are different. They're more binding and more dangerous because they're his modus operandi.

Another thing is his seeming lack of territory. Every Overlord has actual terf that we see them in, except for Alastor. This could be from lack of interest, or due to having been gone so long, or what have you but it seemed like a strange thing to have not mentioned. In addition, Carmilla, who was leading a meeting on the property and interests of all the represented Overlords and how to protect it, was utterly dismissive of his sudden return. Which to me implies that whatever he controls is likely minimal at best. Meaning him being there is pretty inconsequential to the larger picture. Dude was able to disappear for seven years and it was mostly fine? So what does he actually have?? (My only thought honestly is that maybe the air is his space since radio waves and all. That would honestly be broke as hell but there's no real evidence for this, is would just be really cool.) As much as Vox as making a dig at him, he did have a good point that the reach of radio has certainly died down over the years. While that alone doesn't mean Alastor's power has waned, its not really a *good* sign for him. He still has speakers all over but that and one really rundown store front with a single radio are really the only traces we see of him outside of the hotel.

This bit is conjecture, but when talking about his past, not only does no one ever mention HOW he killed so many powerful Overlords, they don't go into detail about much at all. There's every chance that he could have contracted them the same way he did with Husk and either forced or waited for them to break their end of their deals and THEN used them as fodder to terrorize the masses. Most of his power comes from fear and word of mouth. Most people don't even bother fucking with him because they've heard the stories, or the broadcast.

Which brings me to my next point: The Broadcasts. There are a LOT of ways that Alastor and Vox parallel each other and I can't help but wonder if using their medium to deceive people isn't one of them. So far a lot of the magic we see Alastor use is largely illusionary. Phantoms and shadows and temporary changes of environment. So what if his broadcasts are the same? What if he DOESN'T kill the Overlords he claims to have and instead used his broadcast to simulate it instead. Like War of the Worlds, but on purpose. Honestly it would be smart of him, especially if he's NOT as strong as he seems. This is also conjecture but if he made deals with those Overlords instead, he could still have them stashed away somewhere and just be calling on them and their power as needed. (Also: Husk. This man is a constant pain in the ass and usually disrespectful at best. The only time he pops off on him about it though is when Husk mentions his deal which is really just a big No-No. But he still only *threatens him* which to me implies that he actually does need him. If not for his services, even if only for the power granted by his contract. In the same way that Val doesn't actually kill Angel or anything because he can't REALLY afford to, so he controls him in other ways. If Al isn't this super strong demon, he can't really afford to just go wasting the contracts hes got due to momentary irritation when he can bring them back to heel with some light terror.)

The next thing that makes me think he's probably not super powerful is his fight with Adam. Not because he lost (I firmly believe he only actually lost because he was fucking around most of the time/ wasn't fighting for loved ones) but because of the form he took to do it. He was in a life or death fight with an ostensibly high ranking angel, and yet he didn't pull out anything more than he would have used to fight other sinners. Sure, that could be him being prideful, but I just don't think so. Home boy was being recorded and presumably knew that, if he was being prideful shouldn't he have gone balls to the wall??

In relation to that, he also made a deal himself. Not that we know what it was for or who its with, but would someone as control oriented as Alastor really make a deal if he didn't HAVE to? Overlords don't just DO that, there had to have been a compelling reason and honestly assuming Alastor isn't as strong as he makes himself out to be gives a very good opening for it.

Smaller detail, but it still matters, the smiling. He very clearly uses it as both a shield and a tool to help him maintain control of a situation. Thats not really the kind of thing you think of and commit to if you're the strongest person in the room. Covering up weaknesses obsessively is the sort of thing someone who's fronting does so their secret stays exactly that.

In the same vein, the way he reacted to Lucifer. He was threatened, which is understandable given that Luci is leagues above even the strongest Overlords, but I think it was slightly more than that. Having Lucifer around would make it drastically obvious very quickly that Al isn't as strong as he claims. So of course he tries to unbalance the situation and put focus somewhere else, the same as he always does. (Its actually the same thing he does in his duet with Vox. I'm almost certain Vox IS actually stronger than Alastor but hes so wrapped up in Al's head games he might never notice.)

It's honestly unclear if this has always been the case with him, or if its a result of his deal or his time away or something else entirely, but to me it seems incredibly likely. Alastor mostly keeps order and power through fear, not through enormous shows of power. And even those when he does them are strategic and mostly against opponents he knows are weaker than him. He's clever as all fuck, and still very dangerous for it but I don't think hes actually all that physically powerful.

[sanji-screenshots]

I'm FINALLY through with Dressrosa which means I'll be seeing our main man again soon, but now I'm thinking about how long I'm going to be in Whole Cake Island... like it took me a (relatively) long time to get through Dressrosa and Sanji wasn't even there for most of it! With WCI I'm going to be pausing every 5 minutes to get screenshots! Lord help me, I'm going to be stuck there for the rest of my life...

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[joey-the-boy]

I'm mid-rewatch of The Hollow and I forgot how much I hated these motherfuckers in season one

[kevin-sedai]

The vibe really deteriorated as the day went on, and now I'm sitting in bed, awake, feeling like garbage