#which is why I added that again

[dire-kumori]

Okay so I... kinda sorta figured out the layout of the first floor. Maybe. The Afton house is basically a Tardis at this point; bigger on the inside. Don’t question it.

Oh, also, I added Fredbear!

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[elvyn]

Some sketches of Shinji and one lost Jugram xD

[alithographica]

y'all wanted pvp enabled on tumblr, I think that's exactly what this awful new note preview feature is because it's really making me want to fight people

[krysmcscience]

I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯

do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]

[local-limebug]

jason todd has so many underrated canon love interests. essence, isabel, artemis, and rose are all characters i love with him. like those are good ships. why is everyone ignoring them?

[hephaestuscrew]

When it becomes clear that Pryce is threatening to walk Minkowski out of an airlock in Ep57 The Devil's Plaything, Eiffel says No for three lines in a row. The first of these lines is a low Oh no of horrified realisation. The third is a defiant shout against the idea that he'd surrender. But nowadays it's the second of these lines that gets me the most: a No that's soft, understated, almost breathed, not addressed to Minkowski or Pryce, just a word which escapes him as the full reality of what might happen sinks in. It's quiet enough that it'd be easy to miss if you were listening in a loud place. It's not an initial sound of realisation. It's not an attempt at defiance. It's not Eiffel trying to plead with Pryce or snap Minkowski out of Pryce's control. He'll do those things later: yelling at both Pryce and Minkowski, banging against the airlock door, crying out in desperation. But before that, he breathes the word No, and he's not trying to communicate anything to anyone. He's just whispering No, expressing beneath his breath - perhaps unconsciously - that this cannot happen. Minkowski cannot die.

[presiding]

high chaos/low chaos/join the chaos in my dishonored 2 rewrite

[frogayyyy]

thus with a kiss i die.

killing time (first edition) by della van hise // romeo and juliet, act v scene iii by william shakespeare

[amazingspider-z]

Continuing to be back on my bullshit, I'm rounding out the year with the next installment of my Blue Beetle au nonsense or.

AKA @wazzappp 's Blue Beetle headcanons give me life and I'm yoinking them because. Everyone deserves a little body horror. As a treat.

(Well. Except for Oo'Li, by virtue of being the type of alien (yk more or less) that the scarabs are using for that sweet sweet basic DNA template)

Anyway, following my timeline of Jaime ending up with his second 'upgrade' after the reboot re: Khaji Da's last ditch effort to keep him from smashing into the ground of terminal velocity, Xiomara and Roma end up more buggified after their altercation with the Crimson Scarab in issue...2? I think, when their powers get drained, in the same vein of their scarabs getting inventive with ways for their hosts to defend themselves in power drain scenarios.

In keeping with their power-sets/specialities, Roma ends up with a scorpion-esque tail (yes ik that's not an insect but if she can manifest tentacles Im saying it counts) and retractable claws, while Xiomara has fully armored hands/gauntlets and extra insectoid legs

[birdstooth]

For everything else, there’s MasterCard 🙃

The WIP

[necessarymeanstoanend]

“she bruises, coughs, she splutters pistol shots. hold her down with soggy clothes and breezeblocks. she’s morphine, queen of my vaccine. my love, my love, love, love.” (breezeblocks - alt-J)

told y’all i put this bitch in a psych ward

these two are technically the originals

white void and sketch

[megumi-fm]

.

[sunshades]

Obviously a complicated subject to navigate but the theme of "a person's worth" in the canto is a very interesting adaptation of the book and I'm enjoying it very much.

Heathcliff's attitude towards and understanding of his own upbringing shapes how he acts with the second generation- it's a sort of experiment for him, as he sometimes likes describing it in scientific terms. Talking about the boys with Nelly he draws this distinction between Hareton and lil Linton, that Hareton is an incredibly smart child and very aware of his own situation and degradation- especially as he meets other people his age, namely the younger Cathy, for whom he quickly develops feelings for, and love becomes yet another thing he cannot be allowed to participate in.

While in game it's someone else who ends up saying these lines, what they're actually referring to + what they represent in the book is actually shown through Hindley, the degradation, relegation to servant and denial of education as well as the condemnation that to Hindley is the most cruel and most important: losing the worth "necessary" to be loved.

In the end book!Hindley's efforts go through in making Heathcliff a horrible person just like him, though neither his nor game!Hindley's plan ever manages to actually deprive Heathcliff of his sister's love (though they certainly work in making him believe that!), but book!Hindley's plans are further defied by Heathcliff becoming rich and educated, and book!Heathcliff's plans go off the rails even further as Hareton is not only smart, but also manages to become a legitimately good person- which is where I think it's very clear how game!Hindley is inspired by Heathcliff's book self. This line describes game!Hindley's behavior towards Heathcliff and Catherine just as much as it describes book!Heathcliff's towards Hareton and young Cathy.

But in the end the point is there's this awareness of being hurting and turning a person into something they're not, something worse.

I think it's also very important to note those first rate qualities he talks about are very heavily referencing Hareton's ability to learn. While Heathcliff doesn't talk about this when referring to himself by this point it's obvious his own learning abilities are something he's quite proud of, all through the book he's adapting and changing to what he's faced with (from his first appearance as a child, where he doesn't even speak the same language as the family, but learns soon after, to his final plan for his own burial) and by comparing himself to Hareton he's recognizing those same qualities in him. And I feel like with what we've seen of game!Heathcliff ever since the first chapter, and what we see of him in the different identities and mirror worlds, this is gonna be quite important in part 3- all the abuse has never deprived him of his ability to improve, to learn new things, to trust in new people, just as it's never deprived him of the love he no longer feels worthy of. So! Hope we'll get to see you realize that soon, Heathcliff!!!

[synthshenanigans]

Jashtober Day 14- Blinded

points if you can guess what this is referencing

below is a smaller like, phonescreen size? Idea for my phone but idk how good it'll be lol v

[l0ganberry]

I never shown this to anyone else except for those close to me but here's a thing I did for my first time drawing all the neighbors in WH (Welcome Home) in my comfort art style. This is one of my favorites that helped me be more comfortable with WH itself. (And to practice on how to draw them in general.)