#which makes them much more interesting than their canon relationships in my humble opinion | Explore Tumblr Posts and Blogs

heniareth · 3 years

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I was really curious about what your opinions on the DAO companions are :) I know we have talked about some, but I'd love to hear more and about the others as well :D I hope it's ok to pose this as an ask :)

Sure! That sounds like a ton of fun. This might be a long one tho. Mind you, this is not the finished version of the answer. I'd like to link stuff and add a cut, but rn that's not possible. I'll update it when I can.

Edit: I have updated it ^^

Let's go alphabetically bc why not.

Alistair:

Sweet guy. So sweet. There was a moment when I was hard pressed chosing between him and Zevran (alas, Zevran won). Also, he's weirdly tall according to the wiki? How did I not notice that before?

Let's get a bit more serious now, Alistair is a great guy. The only reason he's not the hero of the story is because he doesn't want to. He has all the qualities of a leader: he's good at dealing with conflict (as evident with the conversation with the mage at the beginning. He gets where he wants to get without antagonizing the mage, but without allowing him to trample all over him). He's a solid tactitian and knows how to make allies (he suggests to use the Grey Warden treaties, after all). I bet if he was in the leadership position, he'd even not bicker with Morrigan. His moral code is pretty tight; some might say too tight, but I think it's less about the moral code and more about learning to judge people by their actions, not by the labels they fit into (Morrigan is a proud apostate and therefore bad. Wynne is a humble circle mage and therefore good). He also has a bit of a black-and-white way of seeing the world. I empathize a lot with Alistair, especially with his experience with the Chantry and his subsequent reluctance to deal with it. I really wish I had gotten to know more about concrete experiences he had during his training as templar, but he seems reluctant to talk about it (gee, I wonder why).

Since I've only played the game once, I haven't really picked up on Arl Eamon's abuse towards him, which apparently exists (Isolde, however... I mean, even if he were Eamon's illegitimate son, he's a kid, ma'am, he didn't exactly get to chose his parents. So that's so not okay). Alistair's way of speaking about them both, however, is either sign that he has not come within a hundred miles of acknowledging how much it hurt him, or that he's already gone through the whole process and has decided to forgive them. The latter shows a very strong character; yes, he relies on the approval and leadership of others, he has his issues, but he's already started working on them.

That being said, irl Alistair would be like a little brother to me. I'd tease him relentlessly (all in good fun and I promise to stop if it makes him uncomfortable, but he's just so teasable). I still wish the videogame gave him the chance to take important decisions for himself. But that, of course, would somewhat defeat the point of the game.

Leliana:

Another sweet, sweet person. Her singing voice is amazing. Her belief in the Maker inspires me (I'm a religious person and seeing religious characters represented in a positive light is Very Cool. It's also sometimes a source of discomfort, because the Church has done a lot of very messed up stuff and positive representation can sometimes veer into apologetics for things that should not be excused, but that's a whole other can of worms. The bottom line is that religious characters sometimes work for me and other times don't and Leliana works for me very much bc she's an outsider inside the Chantry).

Leliana is best friend material, tbh. I'd love to get to know her irl, discuss theology and philosophy and maybe even politics? She makes mistakes and has prejudices, but, tbh, so do I. And I do get the feeling that she tries her best to learn. From the times she intervenes in a conversation between the Warden and an NPC, she shows herself to be compassionate and open to the needs of others. What I get from her character is that she genuinely wants to help, which is something that I adore of her. I suspect that she sometimes has a hard time deciding wether she's a good person or not. She has killed and seduced and worked for a morally dubious person, and she doesn't show the same nonchalance about it as Zevran (though they both do discuss their line of work in very... professional terms). This is, however, more of a headcanon than actual factual canon.

I also very much enjoy her girly side, like her interest in shoes and dresses. She's one badass woman who also looses her cool about the latest fashions in Val Royeaux. I like that. Between her and Alistair, a non human noble Warden has as good a help to navigate the Fereldan court as they're going to get. Leliana is also, I can't forget that, clever and insightful. It'd be easy to write her off as the innocent chantry girl, but she's so much more than that. Her kindness is paired with foresight, I think. She knows that taking on the trouble to help now can go a long way in the future. I just have a lot of respect for her.

Loghain:

This one's gonna be short bc I didn't recruit him. He's an amazing villain and would probably be a great Warden as well. He reminds me of Denerhor from LOTR; once a hero/stewart of his people, ambition and desperation have driven them both down a terrible path. I have also only little idea about his past. People say he lost a lot, and I believe it wholeheartedly; it doesn't excuse the fact that he plunged the country into a civil war in the middle of a Blight. I don't have a lot of sympathy for short-sighted politicians. I wish he hadn't made himself regent. That's what I take away from his character.

Edit: One thing I forgot to mention that really impressed me was his death. I had Alistair duel him (that was a rough duel), and then it kinda just jumped to a cutscene of my Warden nodding and Alistair executing him. That didn't sit well with me. I didn't want to kill Loghain, and less so in front of Anora. But what impressed me was that Loghain just accepted it. That takes a whole lot of guts. Compare that to Howe's death, and how he screams out that he deserved (more, probably, or anything but death) and it's crystal clear who the more noble of the two is. Loghain strikes me as very lawful neutral, and any neutral alignment has the particularity that it can be dragged towards good or bad, sometimes without the characters noticing it (which is interesting from a DnD perspective; neutral is often concieved of as just as stable as good or evil, but that may not be true. But that's a different post). Anyway, Loghain's death was impactful.

Morrigan:

I could kick myself for not maxing out her approval in the first play-through. I got to enjoy a bit of her friendship by the end of it and boy was even that little bit worth it. Friendship with Morrigan is something that is hard-won. It's all the more precious because of that.

Morrigan is full of paradoxes, I think. She's incredibly wise in some ways, yet also very short-sighted (”just kill them, don't solve their problems”. Morrigan, dear, I'm not going to gain a lot of allies if I kill everybody who poses a problem to me). She is so intelligent, but emotionally... not so. She knows so much about some things, and very little about the next. She's incredibly wilful and knows what she wants, but follows Flemeth's orders all the time through. She hungers for power and independence, yet craves closeness, but won't allow herself to have it. She asks you to prove yourself to her and is extremely critical of your actions, I think, because she's afraid. She bites the hand that feeds her because it might hit her next.

Like with Eamon, I haven't managed to catch the undercurrent of abuse that seems to permeate Flemeth's relationship with Morrigan. Except there are signs, because there must be something Morrigan is scared of and who has instilled all that rage in her, and that's Flemeth. Also, she clearly hates/does not care about her and wants her dead (unless killing Flemeth was part of Flemeth's plan as well? Hm.)

Morrigan is that one person who you are nice to, continuously, because nobody else is. And suddenly she becomes less cold. And then friendly. And suddenly you're asking yourself why everybody hates her, because she's a really good friend! I just wish the other companions came to a similar conclusion, especially Alistair and Wynne.

Oghren:

They did this man dirty. He has such great lines and I'm convinced he was a great person before Branka disappeared. He has that dwarven warrior spirit, and while he looks like Gimli, some of his most impactful lines remind me of Dwalin or even Thorin Oakenshield himself. He could be so noble had he gotten some character development, damnit!

Oghren as he is written is somewhat disgusting. I hate the lechering comments and the drunkenness. And still, I don't hate him because of those amazing lines he has when he's actually sober. It's frustrating and I'll give him that character development myself if the game won't. I strongly associate the song Whiskey Lullaby with him, bc that's how he would have ended up if the Warden hadn't taken him along (warning: the song talks about suicide and alcoholism). Like I said, they could have done such cool things with his character. As he is written now... it's just sad. Moments of lucidity drowned in alcohol and creepy jokes. As you can see, I don't blame the character for either. The alcoholism happens all too often irl. The creepy jokes... I put that one on the writers' tab.

I actually think Oghren could have been a great mentor figure (I know, I shock myself as well sometimes). Next to the Grey Wardens, the ones who know most about fighting darkspawn are the dwarves because they have to deal with them constantly. Especially a warrior caste dwarf like Oghren could have brought a lot of that invaluable knowledge to the team, especially since there are no Grey Wardens in Ferelden but two extremely green recruits. Next, you get the chance to give Oghren the command of the teammates you leave behind in the battle of Denerim with the reason that he has lead men into battle before. Where did that suddenly come from? Oghren should have been right up there telling my Warden that they were doing this wrong, that they needed more food (and booze) and a confident leader to keep the armies they've called together going. Oghren should have been able to tell my civilian city elf who got recruited into the Grey Wardens a six months ago how one leads an army. How one presents oneself to inspire confidence, how one doesn't crack under the pressure, how one gets the leaders of said armies (some who hate each others guts i.e. Dalish elves and humans) to work together. And, last but not least, Oghren could have had a great story about grief. This is a man who has lost most of what made him (and what he hasn't lost he's spilling down the drain with every mug of ale). This is a man who, if you take him into the Deep Roads, has to see what his wife did to his family, how his wife got absolutely obsessed, and can be forced to kill said wife or watch her die. All Wardens loose their home and families at the start of the story. It would really have rounded the whole narrative out if the Warden and Oghren could have recognised their grief in each other and hashed it out somehow. Such as it is, Oghren is a depressed drunkard and there is nothing we can do about that. I find that frustrating.

Rascal (a.k.a. Dog):

Best boy. 100/10. I wish we had gotten to see the reaction of the different origins to the mabari (because elves probably have a whole different experience with them from mages or humans. And dwarves just... I think they straight up have none? XD). Other than that, no complaints. The name Rascal was the one I gave my dog because you have to be a right rascal to survive what he did and play the pranks he plays. Smartest breed in the world indeed.

Shale:

Shale is one of those characters that I recruited rather late in the game, so I haven't had the chance to explore their personality and worldview, really. I didn't even get to take them to the Deep Roads (this will be ammended in playthrough nr. 2). As such, I don't have particularly strong opinions on them (or her? The wiki refers to Shale as 'it', but that sounds weird). But, because I know so little about Shale, I have a lot of questions. First, what were they like before they were a golem? Shayle, as she was called then, was the best warrior of her time if I remember correctly. Why did she become a golem? Was it to be able to eternally protect her people? Was the sarcasm the golem Shale exhibits also part of the dwarven warrior Shayle or did that come later (if for thirty years you have nobody to talk to but yourself, you better be entertaining. And I can imagine how it could make somebody terribly jaded as well).

Next, how attached is Shale to their golem form, exactly? According to the banter, they infinitely prefer it to a squishy fleshy form. If that is the case, however, why go to Tevinter to try and become a squishy dwarf again? It's not like that process could be reversed if they wanted to become a golem again; if Shale survives to the end of the game, the Anvil of the Void is destroyed and Caridin is dead. Was the whole spiel about their indestructible form a façade? It might have been, but not because Shale actually disliked their form. I think it would have more to do with the loss of their memories and with the very invasive experiments and alterations of Shale's body made by the mage Wilhelm. The loss of memories means that Shale is unable to remember life as a fleshy creature. They might be deflecting by pretending that they didn't care for that experience anyway because of the superiority of their golem form. The modifications made to their form by Wilhelm would have alienated them from their body. In light of this, it's significant that Shale asks the Warden to decorate their form with crystals.

All of this is, of course, pure speculation. I may have easily missed or forgotten details that would disprove the above thoughts. All in all, I like Shale and I hope we meet them again in DA4 (given that it's mostly set in Tevinter). It's a liking from a respectful distance, because Shale is tall and made out of rock and also way more experienced than I will ever be (they are literally the oldest member of the Warden's little Blight fighting squad).

Sten:

Sten is another person I'd keep a respectful distance from physically. That seems to be the what he would prefer, at least. I've enjoyed his character a lot, especially because he seems pretty clear-cut at first, but slowly lets the nuance of his person show (gruff and stoic, but then he has an eye for art, a sweet tooth and he likes cute animals). It's also very interesting that there's no moment when you learn "the truth" about him the way you do with Zevran or Leliana. There's no big reveal about his life under the Qun before coming to Ferelden. He says he was sent to monitor the Blight, but honestly? If neither Ferelden nor Orlais knew there was a Blight, how could the Qunari know? I think he's lying, and he takes his secrets back with him when he leaves Ferelden. And yet I think I know him enough to say that a Warden who has become friends with him has nothing to fear from Sten.

One thing I find very interesting about Sten is how he thinks. His conversation about how women can't be soldiers has been analysed a lot on this page I think. He seems to be arguing based on a different paradigma than the one the Warden has. He also seems to have a very clear-cut view of the world. What is fascinating to me is that, when arguing with the Warden and learning about their culture, he is not necessarily becoming more lax about his worldview. I think it's more likely that he is expanding his paradigma, the structure of thought through which he understands the world. I don't think that he is now convinced that women can be warriors as well. I think he rather understands that, in Ferelden, the relationship between occupation and gender is different than under the Qun. Which of the two he thinks is more right or more agreeable, I have no idea. I'm also not very interested in that. But I find it fascinating how he always seems to be looking on quietly, gathering data, classifying it and trying to fit it into his understanding of how the world works. I wouldn't be surprised at all if his original party was a scouting party to see how vulnerable Ferelden was at that moment to outside forces. One thing I don't understand with all of this is why he urges the Warden to meet the Blight head on. No smart soldier would suggest that, except if they are foolishly proud (and Sten doesn't seem like that kind of guy tbh). I get that the Warden takes way longer to gather allies than expected because they first have to solve all of their allies' problems. But surely Sten sees the need to have allies? Is he just that impatient? Does he have a death wish (à la, I lost my sword and am without honour, better to die sooner than later and in glorious battle)? Was he his group's previous commander and is he now having trouble following somebody else's orders? Or maybe it's his way to make sure the Warden knows what they are doing? To push them into becoming the self-assured commander their allies will need once they're all gathered? I really don't know. I like the last option best, however.

For me, Sten is my fellow, more experienced soldier. Like Alistair, he can potentially be the Warden's brother in arms, but he's definitely the older brother here. He probably doesn't take kindly to tearful confessions of how hard everything is, but I feel like he's otherwise a solid rock to lean on. I feel like the Warden can trust him to do what is necessary and count on him no matter what, especially after they get his sword back. His devotion from that point on is honestly so powerful.

Wynne:

Wynne was such a support for my Warden (except with the whole conversation about love vs. duty and that she may have to choose between Zevran and ending the Blight and that she should therefore break up with him. Wynne had a point. Astala was so not willing to sacrifice her relationship with Zevran. But the whole conversation came at a point where she was already so disillusioned that she blew up in Wynne's face (”can i please just have one (1) nice thing????”)). But all in all, Wynne is great.

She has a lot of flaws. She was very marked by her life in the Cricle and, for all her age, she has little experience living outside of it. She is also a conformist despite her strong moral core. In a way, her ability to find peace with her lot in life impresses me deeply because it speaks to a lot of strength of character. Sadly, however, strength can be ill applied and used to suppress. I think she has convinced herself that the Chantry is right under (almost) all circumstances to be able to rationalize the life that mages live. She's had her son taken away from her as a baby and an apprentice killed. Her reaction seems to have been to convince herself that this was right, or for the greater good (and now I'm thinking about the Guardian's question at the temple of Andraste's Ashes; are you wise or do you just repeat what others have told you? The answer is not as clear-cut as it might be). This is why she is so irritated by Zevran and Morrigan. By aligning herself with the Chantry, she is, in her eyes, good. Zevran and Morrigan are not; they do not conform to Chantry morality and they defend themselves tooth and nails against somebody who would try and convert them. This is something Wynne never allowed herself to do; she always did the "right" thing and it has cost her so much. I'm not saying she was right (it would probably have done her some good to rebel from time to time, and to trust her own gut instinct more), but in light of this, it hardly surprises me that she's so judgamental. She has to be, or she would be forced to confront all the evil she has not fought against all those years and all the hurt that has been caused to her by the very institution she protects (and thank God she only tries to argue and can appreciate it when people have found a good life outside of her comfort zone. If she tried to convince by force or, for example, drag her former apprentice back to the Circle... boy oh boy that would get ugly). If you think about it, Wynne really is a good example for what happens if you live by a philosophy of always choosing the lesser evil.

Something that I keep forgetting over her grandmotherly and dignified character is how damn powerful she is. She has escaped the carnage at Ostagar; HOW!? She protected those mage apprentices in the Circle tower for God knows how long. In the battle of Denerim, she wades through an army and comes out alive on the other side. The wiki lists her age at 40, I think, but that doesn't make a lick of sense unless 75 years of age are the Fereldan equivalent to 100. This lady, about whom people make grandmother jokes, did all that. It's impressive.

Zevran:

You know, I would really love to know what Wynne thinks about the events at Kirkwall in DA2. It might be a disaster for her, or it might pave the way for one last bit of character development. She certainly didn't want to return to the Circle after fighting the Blight. That may be an indicator of some change in her stance on the Circle of Magi.

Edit: I forgot that she is what the Circle considers a literal abomination! Holy cow, how could I forget that?? Anyway, her conversation about what being an abomination means is so... heartbreaking, actually. It's so tentative. So careful. "Am I an abomination? Am I the same thing that has killed my students? The same thing as Uldred? Am I lost and damned? Did I invite this spirit in? Is this my fault?" Like wow, Wynne is going through something huge right there. I love it. I have to continue playing the game to see what it ends up as, but it's fascinating and such a huge thing that she allows the Warden in on that.

Ah, Zevran, my beloved (he has stolen my heart so much it's not even funny anymore). He's funny, he's charming, he's so so loyal and it breaks my heart. Zevran is the one about whom I've read most meta: these three wonderful posts for instance, as well as this one about his possible lack of scars, and this one about his lack of freedom. All of these have influenced my opinion of him and they are great reads.

I have talked about Zevran with you before, so I'll just skip to the new stuff. I have come to conclusion that Zevran is an artist at heart. This is totally not biased by the fact that I also do art, but hear me out. One of his preferred gifts are bars of silver and gold. While those have the obvious utility of basically functioning as money (they can be sold to any silversmith or goldsmith and their value is pretty stable through time and in different countries), there's also this from his codex: "Zevran shows an affinity for the finer things in life—hardly surprising for an Antivan Crow—but his appreciation can be more poetic than he lets on. A simple bar of refined silver or gold, uncomplicated by a craftsman's hammer, is elegantly valuable." Tell me that is not an artist's eye that sees that gold and sees the beauty in it. Then, there's also the meta about Zevran the Seducer which I linked above and link here again. It talks specifically about how he lets himself enjoy the target and be seen in his enjoyment. Tell me that is not an artist's eye that beholds the beauty of something he is set out to destroy. Even his talk about his assassinations show this. He talks about it as an art, the way somebody would talk about the brutal intervention in stone that produces a sculpture. Yes, it's a rationalization of the act of killing and yes killing is still wrong. But he doesn't go on about it on a moral tangent the way Alistair or Wynne would (”this person was bad, killing them was necessary”) or even through the argument of survival like Morrigan would (”it was either them or me and it sure as Hell wasn't going to be me”). He talks about the pleasure of a job well done, of the satisfaction of striking the precise point and executing a plan to the perfection so as to minimize chances of discovery and to make a clean death possible. And pleasure in seeing and in doing, this I firmly believe, is absolutely fundamental for an artist.

My favourite part about my Warden and Zevran as a pairing is that Zevran precisely brings out that ability to take your pleasures as they come and to really savour them. Fighting the Blight is tough; it's so important to find good things amidst the chaos to stay sane. If Astala saves Zevran from himself by offering him a place to stay and a purpose, Zevran saves Astala from herself by keeping her from running herself into the ground trying to save the world.

There are some things I don't like about Zev. The incessant flirting, for example, sometimes makes me uncomfortable (it becomes enjoyable for me once the Warden and him are in a relationship, but before that? Nah, no thanks). I wish he would also leave the other female characters alone (and there's so many more shameless comments of his aimed at Morrigan, Leliana or Wynne than at Alistair or maybe even Sten).

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And that's my take on the Origins companions (this was rather long. Whew ^^' I hope it was still readable and that you enjoyed it!!) Thank you so much for the ask!! It's been a joy thinking about this. I was worrying at first that the less prominent companions like Sten or Shale wouldn't get as much content but... well XD

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the-insomniac-emporium · 3 years

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Mia Deserved Better: An Analysis of RE8's Themes/Symbolism

Foreword: I would like to thank @lepusrufus for posting about both Mia and Miranda, and at one point directly saying that Mia deserved better, which is a large part of what caused me to start examining her role in the canon story. Now, I will say that this post, like some of my previous explorations of Village (such as my attempt to determine Donna's age), will not be the best organized. My ADHD makes such things rather difficult for me. However, I have tried more than usual, and have broken up this "essay" into several distinct sections. Still, I am worried that my thoughts will not be as concise or coherent as they were inside my head.

Under read-more for length and spoilers for RE8: Village.

Introduction:

Village is, inarguably, about parenthood. Is it a horror game? Yes. Is it also science fiction? Also yes. But is it still, at its core, a story, and therefore contains imagery, symbolism, and themes? Yes. Now, you may be wondering what this has to do with Mia deserving better. My proposal is as follows: While Village is overall about parenthood, it is more about motherhood than fatherhood. Furthermore, Mia's background + actions from the previous game tie her story directly with Mother Miranda's, making their potential interactions massively important to the story... and could have served the theme beautifully. The missed potential in her involvement in the story is honestly a little bit absurd.

Now, let's examine each of the Four Lords + their sections, as the beginning of analyzing the game's theme.

Lady Dimitrescu + Castle:

Ah, perhaps the clearest (albeit unimportant) bits of theme within the whole game. We are immediately presented with another parent, with three daughters she loves very, very much. Initially they work as a team to capture Ethan, easily overpowering him. When they do split up, each still has dialogue regarding their family members. Each of the daughters expresses a desire to be like their mother/make their mother proud. Lady Dimitrescu herself gets very upset every time one of her daughters perishes, and delivers some important dialogue about this in her final confrontation with Ethan.

To paraphrase, Lady D says that Ethan has done something unforgiveable, caused damage that can never heal, and deserves to die before his daughter. That last part is interesting, in the sense that Lady D seems to believe that outlasting your own child is a fate so terrible that she would not wish it upon anyone, including the person who killed her daughters.

Throughout her dialogue and actions, Lady D serves as an important figure of a living mother. What do I mean by that? Well, the only other mothers we see in game are Mia and Miranda. The former doesn't show up until almost the end of the game (seeing as the "Mia" at the start is not actually the real Mia), while the latter does not have a living child, and her behavior has (presumably) changed quite a bit since that loss. As Ethan goes through Castle Dimitrescu, he watches (he causes) Lady D to go through what Miranda did all those decades ago. When we see her loss, when we experience her loss, it is something we connect with, even comparing it (as Lady D does) to Ethan's loss of Rose.

For the more visual side of symbolism, we can turn to Lady Dimitrescu herself. She is very tall, is visibly older than the majority of the Village cast, and has a fairly classic (old-school) motherly look. Everything about her reinforces her position as an example of a mother, especially when she's with her daughters and becomes such a strong figure of protection. Her height allows her to seem the caretaker for her children, even though they are scary/intimidating in their own right.

Donna Beneviento + Waterfall House:

Yes, the baby/fetus/monstrosity is part of this. No, it is not the only bit of thematic work in this section of the game.

To begin, you can find out that Donna is officially the adopted daughter of Mother Miranda. Her birth parents are dead, implied to be from especially tragic causes (more than is the norm when it comes to "orphan making"), and she has suffered greatly from it. We see that she has been seemingly neglected by Miranda, and is incredibly isolated. The tragedy of her loss, along with the consequences presented by it, are something to keep in mind further down the road, when we inevitably deal with Ethan's own death.

One of the consequences of the environment Donna was raised in is, arguably, her reliance on Angie. While interpretations of their exact relationship (aka how much control Donna actually has at any given point) vary, the two very clearly have something akin to a mother/daughter vibe. Alternatively an older sister/younger sister sort of thing. This shows in the way that Donna holds/carries Angie, as well as the contrast in their demeanors. Moreso, the fact that Donna gave a part of herself to create Angie is almost enough to make the symbolism nonnegotiable.

We also see that Donna has a strong understanding of family/family dynamics, through the way that she uses her powers to manipulate Ethan. She dissects his connections to Mia and Rose, taunts him with the lengths he's willing to go to save his child, then shows him a grotesque version of parenthood: The aforementioned fetus monster. Does the monster represent Ethan's fears, or Donna's?

What if the monster is how Donna sees herself, in some way, perhaps thinking that it's her fault her parents died? Bit of a stretch, but it's not a keystone of my theory, so I'm just throwing it out there. We could, however, go a step further and ask ourselves if Donna has noticed the way Miranda neglects her, and the fetus monster is how Donna thinks Miranda sees her. A baby, true, but grotesque, so terribly imperfect compared to her "real daughter" (Eva, obvs).

Regardless, the monster presents an ugly side of parenthood. It shows us the blood, the hunger (with the way it repeatedly attempts to swallow Ethan whole), the wailing. If Lady D shows us the love of parenthood, the bond, Donna in turn shows us the hate, the misery. Everything that one must endure to reap the rewards of family.

Lastly, we get one last bit of symbolism with Donna's death: We play a game with Angie. A childhood classic, hide and seek. Ethan chases her down repeatedly, stabbing away, seemingly only hurting the doll. But what happens when he kills Angie? It turns out that he killed Donna. You kill the child, you kill the parent. A reinforcement of the connection that comes with parenthood, along with another notch in Ethan's family-murdering belt (not saying that he's the "true antagonist" or anything, just keeping track for one of my later points).

Moreau + The Reservoir

Let's get the worst possibility out of the way: Moreau, weakest and sickest of the four lords, lives in a reservoir, where he is relatively safe. To defeat him, you have to drain the water, forcing him onto dry(ish) land. Paired with the main ideas of his section (which I will detail after this nightmare), one could theorize that he's meant to represent birth itself. Again, he's safe in his ("womb") water, and becomes vulnerable when he leaves (like a fragile newborn). Kinda gross, in my opinion, and also not a strong enough connection for me to care much about. It was merely an interesting (albeit horrifying) enough thought that I felt it warranted sharing.

Moving on to the big stuff with Moreau: He's a baby. Evidence: Whiny, has difficulty moving around, struggles to adapt to his growth, throws up a bunch, loves his mother very much, cries for his mother when he's in trouble, etc. Although Mother Miranda does not care for him, he clearly cares for her, and plays yet another role of an abandoned child (like Donna). Without Miranda there to protect him, he perishes terribly, crying out for someone who does not care to answer.

Hearing him cry out for Miranda, over and over, only for her to continue ignoring him is a key piece in the build-up to our confrontation between Ethan and Miranda. The game, in many ways, centers around the comparison between the two. In my humble opinion, Mia should have been involved in this comparison, as opposed to supplying the solution to the result of said comparison. Yes, I know that was a lot of words that don't mean much yet, but trust me, I'm getting there.

Heisenberg + The Factory

Ironically, of the four lords, Heisenberg is the most similar to Mother Miranda. In his massive factory, he is alone except for his numerous experiments, the results of decades of playing God. In comparison to Ethan + Mia, Heisenberg represents artificial parentage, or more accurately, the artificial creation of "life". While the others Lords also performed experiments, they used living subjects. Heisenberg instead chose to use corpses, which he then "brought back to life" with cybernetics + his powers, a somewhat futuristic version of Dr. Frankenstein.

Together, Miranda and him show a rotten side of parenthood (whereas Donna + Moreau showed us the uglier side of the children themselves). To put it simply, they are bad parents. They throw their "children"/experiments into the fray, uncaring, using them as pawns for their own greater gain. The most important part of this is that Heisenberg offers to "help" Ethan: By using Rose as a weapon. In his act of refusal, Ethan demonstrates one of several important distinctions between himself and Mother Miranda. Where she is willing to use her "children" (read: lives that she is responsible for) as tools, he is not.

Miscellaneous Symbolism/Imagery:

The old hag is one of my favorite parts of Village. She's seemingly nuts, has a crazy old lady laugh, wears bones that make soothing bone noises when she moves, and she draws lots of symbols in the dirt. If you look closely (I can provide screenshots if anyone desires, but it will take a bit of work to get them onto my computer), she's drawing one of the most iconic images in the titular village: The winged unborn. This symbol acts as the key you build up after every fight with a Lord, understandably called the Unborn Key (which turns into the Winged Unborn Key). Whether this counts as foreshadowing towards the hag's identity reveal is technically irrelevant, but I like to think it does.

In essence, you build up the key, this depiction of an infant, to progress in the game. The more wings it gains, the closer you are to your goal of rescuing your child.

The cadou itself is very clearly fetus-shaped. Furthermore, the only place within the human body that we know it ever gets implanted is in the "tummy" (thanks Moreau), aka roughly where someone's womb is/would be. Every infected person we see presumably had the Cadou implanted there (though I think it would be interesting if implanting it in different spots caused different mutations. of course, that is a discussion for another day). To become immortal, you have to "bear" a "child". Does it get more direct than that?

Mother Miranda gained her immortality in part for her grief at the loss of her child. She embodied the despair that Lady D spoke of, becoming an eternal source of anguish. Just as the loss of a child is a wound that lasts forever, so too would Miranda last forever (well, until Ethan comes along).

Mia is a loving mother, who puts up with the BSAA making her move across the world, deals with the complications of having a mold husband and mold baby, and has proved herself (see her section in RE7) to be an immense badass. Previously I had forgotten that, and even embarrassed myself in the comments of another person's post by implying she wasn't a tough, ass-kicking machine. Y'all remember feral Mia? People talk about "poor Ethan's arms", but sometimes we forget that Mia was one of the people who did a number on them. Furthermore, she's one of the only living people (from outside the village) to have any connections (pun intended) to Mother Miranda. They worked together, although possibly not directly, on Evelyn. If anyone in Village has a chance of really understanding Miranda's plight, or knowing the truth behind it, it would be Mia. Yet we don't see them interact a single time. Which leads me to the next section...

Conclusion On Theme + Missed Potential:

Okay, okay, so it's pretty obvious at this point that, as previously stated, the game's theme is parenthood. Every section has its symbolism, the story is very obviously about a man trying to rescue his daughter, etc, etc, but what's the point? Is there a lesson, or a more focused interpretation of the central theme? Let's take one last step back, and focus on something I've mentioned a few times now: The comparison between Ethan and Mother Miranda.

Recurring dialogue from Ethan, Alcina, and Mother Miranda all point towards the developers acknowledging that the characters are similar, but there's nowhere near as much conversation about it as I would like. Several times we have the antagonists ask Ethan how he's so willing to kill someone else's child, or prevent them from (essentially) doing what he's doing (aka saving his daughter). While Ethan responds with a mix of "well you started it" and "aghhh fuck-a-you, bitch", there's a much more solid, unspoken difference: Mother Miranda sends her underlings to kill, so that she may revive her daughter. Ethan kills (read: does the work himself) to get his daughter. The difference is much bigger, and more important, at the end of the game, when we realize just how far it goes. Ethan dies to save his daughter. Time and time again Mother Miranda has killed others for her work, but in the end she is stopped when someone willingly dies to stop her.

Where does Mia come in? Mia, the badass mother, the one who once worked alongside Mother Miranda, should have been the nail in the coffin. She is the one who survives, who lives on to raise Rose, she is the silent solution to Ethan's sacrifice. Miranda, you fool, what could you have accomplished if you had held onto your makeshift family? Through Mia (and Chris, to a lesser degree), his "loss" becomes a victory. There's a certain poetic justice that comes with Rose's full family being instrumental in saving her, when Miranda so readily spurned her own family.

Mia could have had an actual conversation with Miranda, their history giving the latter a reason to actually listen. I'm not saying that Miranda would have changed her mind/plans, but the conversation would have been a well-needed contrast to Ethan's "arggg what the fuck is happening, I only have two reactions to things. agg fuck you". Additionally, I feel that Mia (who was captured and had to endure who-knows-what) deserves the opportunity to be the one who points out Miranda's mistakes, who delivers the final "fuck you" to her. More than that, she's the one at the end who can say that hey, maybe she can understand some of what Miranda did. Was there anything her and Ethan wouldn't have done to save Rose? As much as Ethan is a foil to Miranda, Mia could (and should) have played a similar role.

When so much of the story and symbolism revolves around Miranda's experience as a mother, it only would have been fair to shine a light on her equivalent. Her better.

There's more I wanted to say/feel like I didn't properly get across, and I might add more to this at some point, but it's 5:40 AM right now, and I'm starting to feel like my brain is slowing down, so... Feel free to reblog/comment and add your own thoughts!

#mother miranda #mia winters #ethan winters #rosemary winters #resident evil: village #re8 village #god what do I tag this as

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pumpkinpaix · 3 years

Note

Hello! Feel free not to answer this question if it is in any way too much, but I've been wondering about something concerning the "western" mdzs fandom. Lately, i have seen multiple pieces of fanart that use what is clearly Christian symbolism and sometimes downright iconography in depicting the characters. I'm a european fan, but it still makes me vaguely uneasy. I know that these things are rarely easy to judge. I'm definitely not qualified to do so and was wondering if you have an opinion

Hi there! thank you for your patience and for the interesting question! I’ve been thinking about this since i received this ask because it?? idk, it’s difficult to answer, but it also touches on a a few things that I find really interesting.

the short answer: it’s complicated, and I also don’t know what I feel!

the longer answer:

i think that this question is particularly difficult to answer because of how deeply christianity is tied to the western art and literary canon. so much of what is considered great european art is christian art! If you just take a quick glance at wiki’s page on european art, you can see how inextricable christianity is, and how integral christian iconography has been in the history of european art. If you study western art history, you must study christian imagery and christian canon because it’s just impossible to engage with a lot of the work in a meaningful way without it. that’s just the reality of it.

Christianity, of course, also has a strong presence in european colonial and imperialist history and has been used as a tool of oppression against many peoples and nations, including China. I would be lying if I said I had a good relationship with Christianity--I have always faced it with a deep suspicion because I think it did some very, very real damage, not just to chinese people, but to many cultures and peoples around the world, and that’s not a trauma that can be easily brushed aside or reconciled with.

here is what is also true: my maternal grandmother was devoutly christian. my aunt is devoutly christian. my uncle’s family is devoutly christian. my favorite cousin is devoutly christian. when I attended my cousin’s wedding, he had both a traditional chinese ceremony (tea-serving, bride-fetching, ABSURDLY long reception), and also a christian ceremony in a church. christianity is a really important part of his life, just as it’s important to my uncle’s family, and as it was important to my grandmother. I don’t think it’s my right or place to label them as simply victims of a colonialist past--they’re real people with real agency and choice and beliefs. I think it would be disrespectful to act otherwise.

that doesn’t negate the harm that christianity has done--but it does complicate things. is it inherently a bad thing that they’re christian, due to the political history of the religion and their heritage? that’s... not a question I’m really interested in debating. the fact remains that they are christian, that they are chinese, and that they chose their religion.

so! now here we are with mdzs, a chinese piece of media that is clearly Not christian, but is quickly gaining popularity in euroamerican spaces. people are making fanart! people are making A LOT of fanart! and art is, by nature, intertextual. a lot of the most interesting art (imo) makes deliberate use of that! for example (cyan art nerdery time let’s go), Nikolai Ge’s What is Truth?

I love this painting! it’s notable for its unusual depiction of christ: shabby, unkempt, slouched, in shadow. if you look for other paintings of this scene, christ is usually dignified, elegant, beautiful, melancholy -- there’s something very humanizing and humbling about this depiction, specifically because of the way it contrasts the standard. it’s powerful because we as the audience are expected to be familiar with the iconography of this scene, the story behind it, and its place in the christian canon.

you can make similar comments about Gentileschi’s Judith vs Caravaggio’s, or Manet’s Olympia vs Ingres’ Grande Odalisque -- all of these paintings exist in relation to one another and also to the larger canon (i’m simplifying: you can’t just compare one to another directly in isolation etc etc.) Gauguin’s Jacob Wrestling the Angel is also especially interesting because of how its portrayal of its content contrasts to its predecessors!

or! because i’m really In It now, one of my favorite paintings in the world, Joan of Arc by Bastien-Lepage:

I just!!! gosh, idk, what’s most interesting to me in this painting is the way it seems to hover between movements: the hyperrealistic, neoclassical-esque take on the figure, but the impressionistic brushstrokes of the background AAA gosh i love it so much. it’s really beautiful if you ever get a chance to see it in person at the Met. i’m putting this here both because i personally just really like it and also as an example of how intertextuality isn’t just about content, but also about visual elements.

anyways, sorry most of this is 19thc, that was what i studied the most lol.

(a final note: if you want to read about a really interesting painting that sits in the midst of just a Lot of different works, check out the wiki page on Géricault’s Raft of the Medusa, specifically under “Interpretation and Legacy”)

this is all a really long-winded way of getting to this point: if you want to make allusory fanart of mdzs with regards to western art canon, you kind of have to go out of your way to avoid christian imagery/iconography, especially when that’s the lens through which a lot of really intensely emotional art was created. many of my favorite paintings are christian: Vrubel’s Demon, Seated, Perov’s Christ in the Garden of Gethsemane, Ge’s Conscience, Judas, Bastien-Lepage’s Joan of Arc, as shown above. that’s not to say there ISN’T plenty of non-christian art -- but christian art is very prominent and impossible to ignore.

so here are a few pieces of fanwork that I’ve seen that are very clearly making allusions to christian imagery:

1. this beautiful pietà nielan by tinynarwhals on twitter

2. a lovely jiang yanli as our lady of tears by @satuwilhelmiina

3. my second gif in this set here, which I will also show below:

i’m only going to talk about mine in depth because well, i know exactly what i was thinking when I put this gif together while I can’t speak for anyone else.

first: the two lines of the song that I wanted to use for lan xichen were “baby, I’m a fighter//in the robes of a saint” because i felt that they fit him very well. of course, just the word “saint” evokes catholicism, even if it’s become so entwined in the english language that it’s taken on a secular meaning as well.

second: when I saw this scene, my immediate thought was just “PIETÀ!!” because LOOK at that composition! lan xichen’s lap! nie mingjue lying perpendicular to it! the light blue/white/silver of lan xichen in contrast to the darker robes of both nie mingjue and meng yao! not just that, but the very cool triangular structure of the image is intensely striking, and Yes, i Do love that it simultaneously ALSO evokes deposition of christ vibes. (baxia as the cross.... god..... is that not the Tightest Shit) does this make meng yao joseph of arimathea? does it make him john the evangelist? both options are equally interesting, I think when viewed in relation to his roles in the story: as a spy in qishan and as nmj’s deputy. maybe he’s both.

anyways, did I do this intentionally? yes, though a lot of it is happy accident/discovered after the fact since I’m relying on CQL to have provided the image. i wanted to draw attention to all of that by superimposing that line over that image! (to be clear: I didn’t expect it to all come through because like. that’s ridiculous. the layers you’d have to go through to get from “pretty lxc gifset” --> “if we cast nie mingjue as a christ figure, what is the interesting commentary we could do on meng yao by casting him as either joseph of arimathea or john the evangelist” are like. ok ur gonna need to work a little harder than slapping a song lyric over an image to achieve an effect like that.)

the point of this is: yes, it’s intentionally christian, yes I did this, yes I am casting these very much non-christian characters into christian roles for this specific visual work -- is this okay?

I obviously thought it was because I made it. but would I feel the same about a work that was written doing something similar? probably not. I think that would make me quite uncomfortable in most situations. but there’s something about visual art that makes it slightly different that I have trouble articulating -- something about how the visual often seeks to illustrate parallels or ideas, whereas writing characters as a different religion can fundamentally change who those characters are, the world they inhabit, etc. in a more... invasive?? way. that’s still not quite right, but I genuinely am not sure how to explain what i mean! I hope the general idea comes across. ><

something else to think about is like, what are pieces I find acceptable and why?

what makes the pieces above that reference christian imagery different than this stunning nieyao piece by @cyandemise after klimt’s kiss? (warnings for like, dead bodies and vague body horror) like i ADORE this piece (PLEASE click for fullview it’s worth it for the quality). it’s incredibly beautiful and evocative and very obviously references a piece of european art. I have no problem with it. why? because it isn’t explicitly christian? it’s still deeply entrenched in western canon. klimt certainly made other pieces that were explicit christian references.

another piece I’d like to invite you all to consider is this incredible naruto fanart of sakura and ino beheading sasuke after caravaggio’s judith. (warnings for beheading, blood, etc. you know.) i also adore this piece! i think it’s very good both technically and conceptually. the reference that it makes has a real power when viewed in relation to the roles of the characters in their original story -- seeing the women that sasuke fucked over and treated so disrespectfully collaborating in his demise Says Something. this is also!! an explicitly christian reference made with non-christian japanese characters. is this okay? does it evoke the same discomfort as seeing mdzs characters being drawn with christian iconography? why or why not?

the point is, I don’t think there’s a neat answer, but I do think there are a lot of interesting issues surrounding cultural erasure/hegemony that are raised by this question. i don’t think there are easy resolutions to any of them either, but I think that it’s a good opportunity to reexamine our own discomfort and try and see where it comes from. all emotions are valid but not all are justified etc. so I try to ask, is it fair? do i apply my criticisms and standards equally? why or why not? does it do real harm, or do i just not like it? what makes one work okay and another not?

i’ve felt that there’s a real danger with the kind of like, deep moral scrutiny of recent years in quashing interesting work in the name of fear. this morality tends to be expressed in black and white, good and bad dichotomies that i really do think stymies meaningful conversation and progress. you’ll often see angry takes that boil down to things like, “POC good, queer people good, white people bad, christianity bad” etc. without a serious critical examination of the actual issues at hand. I feel that these are extraordinarily harmful simplifications that can lead to an increased insularity that isn’t necessarily good for anyone. there’s a fine line between asking people to stay in their lane and cultural gatekeeping sometimes, and I think that it’s something we should be mindful of when we’re engaging in conversations about cultural erasure, appropriation etc.

PERHAPS IT IS OBVIOUS that I have no idea where that line falls LMAO since after all that rambling I have given you basically nothing. but! I hope that you found it interesting at least, and that it gives you a bit more material to think on while you figure out where you stand ahaha.

was this just an excuse to show off cool (fan)art i like? maybe ¯\_(ツ)_/¯

(ko-fi)

#Anonymous #asks and replies #art #fanart #art history #christianity #mdzs #mdzs meta #meta #mine #mymeta #cyan gets too deep in the weeds #lmfao this post is a mess ive been staring at it for like a week and at this point im just gonna post it to the wall and keep moving asldfj #hope you enjoyed

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shinygoku · 3 years

Note

gordon gordon gordon gordon

Gordon Gordon Gordon Gordon!!

He's been sneaking into these asks by proxy, so it's finally time for his dedicated session, hehe~

First impression

WUAAAGH what's up with this WEIRD LONG NOT-THOMAS and his FACE?!

Impression now

His face is still pretty weird! But you know what else it is? Part of an Absolute Legend ✨

Like, man, Gordon is such a big presence and interesting character, the entire premise leans heavily on him. I'm inclined to go as far as to say that the Blue Boys of 1, 2 and 4 here are the three most important characters for the franchise (not at all to knock everyone else lmao) and they slot nicely into a Triforce of Courage, Wisdom and Power, and Gordon has Power in spades!

Gordon is The Vain One (not James!). He's legit very strong and the fastest on Sodor (which isn't just being a big fish in a small pond because that island has some crazy cool engines!) but unfortunately he lacks humility. His success seems to have been lodged in his head before the series even begins and this Pride is the source of pretty much every single conflict he's involved in.

But when it isn't his self satisfaction in his actions, it's being smug about being such a grand, magnificent Tender Engine and he is snooty as hell about it. He seems to look at smaller engines [pretty much everyone compared to him lol] as a lesser class, particularly if they're small and cheeky and Tank Engines. This may not be the case exactly, but his way of talking to them and some other things he says are very condescending.

However... as much as a gigantic jerk he is at several points, with Gordon I kinda feel like he plain ass doesn't conceive of his words being out of line. That and having to Unlearn things... he's not innately better than everyone else. He sees things in black and white. There are Useful Engines, and those who should be scrapped. There are Noble Tender Engines and Lesser Tank Engines who exist to do the tedious chores on behalf of the Superior ones. Edward doing shunting is seen as Demeaning and contradicts Gordon’s world view that Tender Engines Don't Stunt™, and he doesn't like that one bit! (Also Edward was crossing the picket line but that wasn't Awdry's concern lmao)

Related is Gordon does seem oddly dense at times, like assuming that Tenders are in of themselves a Status Symbol rather than a large lunchbox of sorts lol, or that Tender Engines like him being too heavy for Branch Lines being because something about Branch Lines are degrading. This might be all Elitist Brainwashing influence. But still, that he just takes these as The Truth means I get to affectionately call him an idiot. And there is no other way to explain how he genuinely believes Bill and Ben were going to murder him if he wasn't missing a few brain bolts in there.

Fortunately, he does eventually start to learn the important lessons.... very gradually, but the Early Gordon is a pretty different beast to Later Gordon, and it's wonderful~

Also, I gotta give credit to him for having some moments of utter brilliance and actual grasp of reality and more complex matters, like culture. (Yeah, I'm rolling with his geniune Opera Knowledge from s6 of all things. It's good!) As much as Awdry himself may have disagreed, Gordon was in the right to want a Station Pilot and the Strike was called for (not bullying Edward for it, but myeah) ...but this leads to my next point: He seems to have a mental block when it comes to Emotions.

Certainly, he's as emotional as the others are, it's not just a scale of Snooty, Arrogant, Condescending, Prideful ....well, it is, but ALSO the more mixed and varied feelings: Shame, Sadness, Fear, Ambivilance, Irritation, Anger, Passion, Amused, Delight and so on. However, Gordon is seemingly unaware of how his words may make the others feel, and even at his cruellest it doesn't look like he's aware he's twisting a knife in. To Gordon, he's being honest, but his verbose manner ends up twisting and wriggling away from any valid point like an overgrown vine that somehow links back to how [Other Engine] is disgracing him, Gordon, by association.

Examples include: Being offended by Henry's new shape (??? Gordon dude he nearly died and this is an improvement, a good thing!), saying that Edward's age and difficulty starting a heavy ass packed load of passengers is grounds to be Retired or even Scrapped, other little insulting things like calling the likes of Thomas and James Little insistently (it seems to vary if he's trying to put them down or actually be affectionate), and many more when in the hands of inept writers who have to wheel out the same Gordon Learns A Lesson Plot every other season.

Like I said in the James post, I also think he kinda poisoned the Red guy with his snooty attitude... but I maintain that I think Gordon was unaware of this. He may know he has Influence, and enjoy that, but he really truly doesn't appear to mean to mould James into a smaller, redder version of himself. He's oblivious and from his own point of view, benevolent. Which is in fact a dangerous combo indeed!

It's... a lot o7;;

Again though, if you're looking at the books and s1-s5 of TVS you can see him grow and change. He does take a while to learn the lessons, but as time goes on he moves 2 steps forward and 1 step back, then eventually less steps back entirely. It's great! And so is Gordon. A big dumb meathead with not entirely uncalled for delusions of granduer. A dramatic so-and-so who is the best engine for his job.

I love this sophisticated jock who grows more kindness~ 💙

Favourite moment

Hm! This isn't as easy to decide lol. We all like Gordon Goes Foreign... but you know what sticks in my mind more?

hOOOOOOOOOOSSSSSSSHHHHHHHHHHH

Look, I’m not 100% objective, here! But Ringo’s read of this line is fantastic (and keeps making me expect him to finish saying OOOHH SHIT) and it’s also a well deserved bolt of divine retribution for how rude he was being earlier. (As long as my essay already was, he very much needed the knocking down of some pegs here!)

Idea for a story

While both my fics with him thus far have been variations of Pre-Canon, Full-Arrogance and Snobbish Gordon (and both were a lot of fun!) ...but I cannot bear the same expired horse being beaten more when the story is set waaay later but he’s still up his own ass. Please, PLEASE writers, let him hold what growth he’s managed to gain!

I think it’d be good to accept that he’s gonna be outdated sooner or later, so have him help train another High Speed Engine and take them under his wing. The Christopher Awdry books kinda have something similar with Pip and Emma, but I think a better way of having Gordon be involved would be if he was actively doing some mentoring himself, as well as being a neat parallel with Edward, whose type was once Express only but got outclassed by A1s, and so the same can happen to this big A1 -> A3 lad and he can form a healthy relationship with some bright eyed newbie (and maybe have some self awareness and try to stop their head getting too large, lol).

Unpopular opinion

I know I just said him mentoring would be a cool story idea, but in canon? He is NOT a resident Dad type!! He’s a hotshot young man but he’s also a hot mess. He’s physically large but he’s not got the Energy of someone who dispenses sage advice and a shoulder to cry on. At best, he’s a weird uncle! One who means well but you shouldn’t take his life advice to heart because he’s actually just as, if not more clueless than you!

Favourite relationship

I feel inclined to say Thomas here. Emphatically not because Gordon is ‘old’ and Thomas is ‘young’, but because they’re so damn alike and actually make an excellent, albeit unconventional type of Rivalry.

Both are self important with genuine finesse in their respective talents, both are honest to a fault, both have redeeming qualities to offset their initial abrasiveness, and the first TVS episode is centred on the both of them and sets the tone for the series as a whole. There’s more parallels, of course, but I also wanna point out they’re effectively the mascots of North Western Rail in universe too, and I absolutely love this picture:

I also have immense fondness for the Down the Mine paradigm shift! Thomas gives Gordon grief over the ditch incident and later when it emerges the Fat Controller is gonna send for Gordon to pull him out, Thomas is filled with dread. But Gordon isn’t using the chance to lord over Thomas, he’s actually so amused by Thomas’ mishap and it coming at a time where he’s been significantly humbled, they instead become Comrades and I love it. I eat it up! Paint Pots and Queens isn’t anywhere near as good but I adore the little bit where they’re appealing for the other, equals and watching each other’s back~

But yeah, as Friendly Rivals they both feel very authentic and yet, in a daft way, sweet ;3

Favourite headcanon

He still says “Hurry, hurry, hurry!” when pulling the Express. That’s a HC as I think the show phased it out, but I like it lol. I feel like my essay on him contains most of the headcanon stuff, but it’s all based on what’s shown, baybee!

#this is ttte #TTTE Gordon #ttte talk #Gordon the Big Engine #Thomas the Tank Engine #TTTE Thomas #snuck in a bit in there lol #mentioned Edward a lot as well but not in as much depth #I love me some Blue Engines #TTTE

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falloutjay · 3 years

Note

Stan x anxious/compassionate reader (kind of has a little canon divergence)

After giving up on Wendy (around Season 12), Stan and us start dating, we were always worried about him (no we weren't dating him out of pity, we were just a very anxious person). Some people find of clingy, others find us adorable but We've never left his side:

Ex: We were by his side helping with whales (Whale W)

We were the only one who didn't leave him when he got depression (You're Getting Old/Ass Burgers)

Next to Heidi, we became social pariah because we didn't want to dump Stan (this even made Wendy guilty)

But him moving, really gets to us, the coronavirus makes it worse. We get worried about him, then we start getting worried about everyone else as everything falls apart (Kyle, Kenny, Eric, Butters, Tweek, Craig, Scott, etc.) And we pass out of stress. About waking up in the hospital, we find out, everyone was worried about us. And Stan is the most worried of all, he spends the whole day with us. We tal-no vent about all the happened to the both of us. By the end of it, we agree that whatever happens we'll do it together.

Guess whos back! :D

Well, while it's not my best work, in my humble opinion, I sure hope you enjoy and like it. Again sorry for the delay! ಥ_ಥ

And if it's not that clear, because I know I can write a little cryptic, there is a time skip. You can either have all the show events happen when they are children and have the time skip between Covid and the memories or between you getting together as kids and the memories. Choose however you like! ^^

_________________________________________

Stan x anxious!compassionate!Reader

Tiny eyes watched the scene unfold.

Normally, Wendy was the one to break up with Stan, but not this time around. Stan was actually telling Wendy that he had no interest in her anymore.

“What changed Stan?” Wendy asked, obviously confused.

“I think I like someone else… I don’t know yet…”

Wendy gave him a smile.

“I wish you all the luck Stan, say if you need anything!”

“I will.” And with that, Wendy took off to be with her friends, while Stan turned a corner and told Kyle and Kenny how it went.

Cartman was there too, but he only wanted to know if she cried, because “she would deserve it.”.

You closed your locker and felt your heartbeat like crazy. Ever since you changed school a few months ago, Stan captured your little ten-year-old mind.

He was kind and showed you around when you had no idea where to go. It was a little crush you developed, and you never felt as scared and excited as now, since that Stan had broken off with Wendy.

This newfound feeling almost made you dizzy but you quickly snapped back into reality when you heard your name.

“Y/N?” Stan asked and waited patiently for his answer next to you.

“Oh, sorry, I was thinking, what did you want?”

“Would you maybe like to hang out some time?”

Stan almost got a heart attack when you suddenly squealed but was happy when you managed to get a high-pitched “YES!” out.

“Okay, what are you betting Kenny? Some Pennies or a dead rat?” Cartman almost fell from his chair laughing about his shitty joke, while Kyle and Kenny rolled their eyes.

“Don’t you think it’s weird how clingy they are?” Kyle asked his blonde friend, while they kept watching you and Stan, who were seated at a separate table at lunch.

“Honestly, I think it’s pretty cute.” Kenny said with his muffled voice.

You held his arm and hugged him from the side, while he happy kept on eating his lunch.

Eric, who had now calmed down from his laugh attack eyed the couple critically. “I’m giving them a month max.”

He said lazily and looked around. “I say longer than a year.” Kenny said, throwing a crinkled five-dollar note on the table.

“You two are horrible.” Kyle shook his head before he threw 10 dollars on the table.

“Four months.”

Kenny was a happy man after a year, because despite everyone believing you two would eventually break up, you never did.

You were always by his side, no matter what.

His desire to desperately save whales with the help of a braindead ship crew?

You were always right by his in the interviews he gave.

His horrible depression that even drove Kyle away? No chance, you stood strong and helped him through the whole thing and even help reuniting the gang.

Even during the protest against Skanthunt42, you chose to sit this one out, despite you absolutely hating that the troll photoshopped a dick into your mother’s mouth.

At least you and Heidi got close due to you guys both becoming social outcasts. When Wendy heard this, she was impressed by your dedication and felt somewhat guilty for obviously not trying as much in her former relationship.

Everyone admired your patience and endurance. No matter what obstacle came, you managed to get through it.

“You don’t need to be sad, Y/N. I won't be that far away.” Stan said, holding your hand.

“B-But it's outside of town. You need ages by bike to get there and vice versa.” You said, holding back tears.

Randy walked past you and you desperately pleaded to him.

“Please Mister Marsh, please stay in town!” Randy put the box he carried into the car, before turning to you.

“Real sorry, dear Y/N. This town is…How do I put it… Absolute shit and I really want to get away.”

He patted you on the head and went back into the house to get more boxes.

“Told you, you cant talk to him.” Stan said and shrugged.

“But it’s unfair. We won’t see each other as much anymore.” Stan pressed a kiss onto your cheek, which made you blush intensely.

“Don’t. Worry. I will make time for you.”

With that in mind, you didn’t feel as sad, when the car with the Marsh Family in it left for their new home.

“I will make time for you, my ass.” You mumbled while you sat at a bench near Starks Pond. Letting out a deep sigh, you leaned back and just enjoyed the warmth of the setting sun.

Covid was one hell of a bitch and just had to have this big impact on everyone’s life. Stan and you now saw each other less and less.

It was just a horrible feeling that tainted your heart and made you worry a lot.

Maybe he was feeling just as bad as you are, maybe even more?

Maybe he just didn’t want to tell you how he felt?

Were you maybe a bad partner? Your mind began racing and your train of thoughts became unrailed.

So many bad thoughts manifested themselves and it made you almost gasp for air.

“I need to check on him.” You mumbled getting up from the park bench.

You began walking and you kind of hoped that maybe just the walking would get your mind in check, but sadly it didn’t. Involuntarily you had to think about all the other stuff that happened during this horrible time.

The precious Broship was more fragile than ever. You had become such good friends with Kenny, Kyle and Cartman over time that it hurt you a lot too.

You also saw Covid take a toll on your other friends, like Craig and his group, who now took Cartman into their gang after the split up.

However, that came to be…

The girls were also pretty divided, so hanging out with them meant picking sides which wasn’t your thing, you kinda just want them to get along again.

Everything felt like it was falling apart. Your parents had fights ever so often, all your friends had problems and your beloved boyfriend was stuck on that stupid farm.

God how you hated that stupid farm and Randy.

When he gave you one of those plushies that looked like him, you functioned it into a voodoo doll. But sadly, it didn’t seem to affect him, no matter how many needles you rammed into it.

Your heart felt heavy, and it seemed hard to breathe, but you brushed it aside.

You had already reached the busy streets of South Park and mingled between the newly vaccinated people.

Everywhere you looked, the people seemed happy.

Everyone was happy except you and the people around you… Maybe…You were the problem?

You shook your head. No, you didn’t allow those kinds of thoughts.

You much rather think about Stan. How you miss him and how amazing your dates were.

Oh, how much effort he put into all the small things… Well… At least he did.

Now that you thought about it when was your last date?

It feels like it had been ages. It has been ages. Everything had been ages. Going out with him, hanging out with your friends, your family not fighting… How long has this been the new normal? You can’t help but wonder.

Your heart clenched again. “Stop it, stupid heart.” You mumbled under your breath.

An exhausted sigh escaped your lips when you thought about how you maybe had to walk all the way up to the farm… It would take ages, but you really craved being held by the person you adored so much.

So, you continued walking down through the street when an elder lady stopped you.

“Excuse me, but you look rather sickly, are you alright?” Confused you raised an eyebrow. Did the vaccines make them delusional?

“No, I’m fine.” You answered, somewhat snippy, even when you didn’t know why you were so agitated.

“But you look rather pale, maybe you- I am fine.” You interrupted her and continued your path.

Were all people in this shitty town stupid or- The thought could not be completed, due to you suddenly losing consciousness.

When you woke up again, you immediately recognized one of the Hells Pass Hospital rooms, once your eyes had adjusted to the bright lights. Around the bed were your parents and more importantly Stan and his mother.

“Thank God, you’re awake again!” Your mother said when she went for a hug.

Confused you asked why you were here.

“Well, seemingly you were so stressed out, that your body basically shut down.”

Somewhat shocked you looked around. Was it really a surprise to hear that? Not really, but it still felt odd knowing that it happened.

“Well, I’m glad you’re fine, Y/N.” Misses Marsh commented and smiled warmly at you. She had always liked you and you felt the same. She was always nice to you and you felt like she was the only one with a brain in the family…

Feeling a sudden sensation of warmness on your hand, your eyes darted down to it. Stan held you hand while answering something your dad had asked him.

“Well, Sharon, you wanna accompany us to get some hot chocolate for us all?”

Your mother said with an odd wink, which made you and Stan roll your eyes.

The three adults left the room chatting happily. Stan looked at you with a stern expression, which kind of surprised you.

“I swear, whenever I think I couldn’t get more worried about you, your parents call me, to tell me that you’re in the hospital.”

“Worried? About me? I should be worried about you?” You laughed to which Stan shook his head.

“Listen, everyone has been super worried about you since you seemed so down and just exhausted. Like, Kyle already called me earlier to ask if you’re awake again. I don’t know why you worry about me; I am really fine babe. Promise.”

With that said, the door opened, and your parents came back inside.

“Y/N, the doctor said they would like you to stay the night, so they can check that you’re really alright.” Your father informed you and you were immediately annoyed.

Well, you had no choice but to oblige. Your parents left after an hour, wanting to get you some clothes and other things you’d need.

Sharon also bids her goodbye and so you and Stan were left.

And just like you wished, you got to cuddle with him. He held you close, and you vented to him, how worried you were about everything and everyone, while he told you just how worried all of your friends had been since you were acting so out of character.

“Even Cartman?”

“Yup, even when he would never admit it.” Stan laughed. He held your hand tight, and his content smile never left his face.

“I think we should talk more about feelings and being worried and all that. I know I’m not all that good at it, but I don’t ever wanna have to visit you in a hospital again.” Stan said, giving your hand a squeeze.

“That sounds good. But you gotta accept, I worry a lot, because I care a lot about you, okay?” You said sternly and Stan nodded. You two looked fondly at each other and just enjoyed the time you got.

“Together forever?” You asked and he whispered “Forever.”, before he pressed a sweet kiss onto your lips.

#south park x reader #stan x reader #stan marsh x reader

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allthingskenobi · 3 years

Text

Obi-Wan in Exile – Owen Lars

(Originally published on AllThingsKenobi.com January 10, 2021)

Welcome to the second in a series of looks into Obi-Wan Kenobi’s time in exile on Tatooine between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope. We’ve tried to mine as much Legends and canon material as possible to help guide you through some of the period’s most common and repetitive themes so that when the new Obi-Wan Kenobi series airs, you’ll be ready.

Not everything he ever did in the entire 19 years will be explored here, but as we said, we’ve tried our best to pick out the most prominent and impactful moments to give everyone a better understanding of exactly what one hermit had to endure out there all alone in the sandy deserts of Tatooine.

There’s no way around it: Owen Lars hated Obi-Wan Kenobi. But why? A young Luke Skywalker could have benefited greatly from the two men working together, but it was not to be so. Here we will look at just a few of the many times the Jedi was rejected by the hardened moisture farmer in an attempt to understand just how fraught with tension their relationship really was.

“That wizard’s just a crazy old man.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen Lars was the very first person to ever paint a picture for us of the now-illustrious Obi-Wan Kenobi, and this is what he had to say about him. Though we, alongside Luke, quickly recognize Owen’s words for the untruths they are, we were left to wonder exactly where the animosity, and possible bad blood, between the two men began. Especially since well up until Attack of the Clones was released, Owen was Obi-Wan’s biological brother (as confirmed in original drafts of Return of the Jedi), which made the exchange all the more tragic.

“But what if this Obi-Wan comes looking for him?”

“He won’t, I don’t think he exists any more. He died about the same time as your father.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen continues to try and deter Luke by point-blank telling him that Obi-Wan is dead. It’s another clear falsehood that, at the time, carried little to no weight until twenty-eight years later when we witnessed the “deaths” of both Anakin and Obi-Wan on the slopes of Mustafar in Revenge of the Sith. But that’s a story for another time…

“He makes his terms abundantly clear: “We’ll take him in, but you’ll play no part in his upbringing. If you have to stay on Tatooine, you keep your distance, do you hear? You neither see the boy nor speak to him. He must know nothing about his father.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Obi-Wan was glad and relieved that Beru and Owen agreed to raise Luke, but his mission did not end there, as it was also his duty to watch over the boy. He had thought that his ongoing presence would be some comfort to Owen and Beru. He soon learned that he was mistaken.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Star Wars Episode III: Revenge of the Sith

From the moment Obi-Wan arrived on Tatooine with a newborn Luke Skywalker, Owen made it abundantly clear that the Jedi would have nothing to do with the child. It was an unfair set of terms that Obi-Wan, while doing his best to adhere to, would breach with regular frequency, often pushing his already contentious relationship with the farmer to its breaking point.

Over the years, not only would Obi-Wan often be forced into interceding on the family’s behalf as protection (much to Owen’s chagrin), but he would also willingly cross the line to try and form a relationship with Luke from afar. Whether it was a simple gift of parts for Luke’s skyhopper (1) or a handmade wooden toy (2), the attempts would be vehemently denied and Obi-Wan would find himself right back where he started.

Star Wars 15 C

Was Owen right to be concerned that trouble would follow Obi-Wan back to Luke and their homestead? Of course. Obi-Wan understands and even acknowledges that his watchful gaze could attract attention (3), so he backs off, moving farther out into the Jundland Wastes until the time comes when he is needed. (3)(4) But Owen took his concerns above and beyond, twisting reason into a deep-seated personal hatred of the other man.

“The hut was approximately 136 kilometers from the Lars homestead—farther than Obi-Wan would have preferred, but probably still too close to satisfy Owen Lars.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

“I managed to steer clear of Owen Lars this time. The man doesn’t like me at all.”

KENOBI L

“I’d always believed – always hoped – that Owen’s anger would cool toward me, that one day I would be allowed to train young Luke in the ways of the Force.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Old Wounds” – Star Wars Visionaries L

Why? Why did Owen Lars hate Obi-Wan Kenobi so much? First and foremost, he placed the blame of Anakin’s downfall solely on Obi-Wan, going so far as to accuse Obi-Wan of “murder.” (1) It’s interesting to say the least that Owen would have such strong opinions about a man he’d only met once (5), but it seems to become more clear when you take into consideration that Owen adored his step-mother, Shmi. But while Shmi no doubt loved her adoptive family, she often spent her time looking to the horizon waiting for the day when Anakin would return. (6) So for Obi-Wan to have lost Shmi’s beloved son might have been too much for Owen to bear.

We’ll discuss this more in depth later, but Owen even removed Shmi’s headstone, along with the stones of other family members, so that Obi-Wan could no longer visit the site. (7) Consequently, it also ensured that Luke would never know about his grandmother. At least not while he lived at the homestead.

“If killing me would have brought [Anakin’s] mother back to life, I know he would have killed me then and there. I could see it in his eyes.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

At some point, Owen also seemed to have distrusted the Jedi as a whole. It was a prejudice formed the day he watched an angry and unrepentant Anakin Skywalker return from slaughtering a village of Sand People. (2) That being his only interaction with a Jedi before Obi-Wan came along, Owen didn’t want Luke to have anything to do with what he saw in Anakin that day.

“Everyone was stunned when Owen abruptly told Ben to leave and not to come back. The experience had left Luke baffled. Even now, some ten years after the incident, he still did not know why Owen had been so angry with Ben. From what little he knew, he assumed that Ben’s purpose on Tatooine had been to discreetly watch over him while Owen and Beru raised him as if he were an ordinary child, not the son of a Jedi-turned-Sith Lord. But if both Ben and Owen had been responsible for protecting Luke, why hadn’t they gotten along? Luke could only imagine why Owen had so aggressively objected to Ben’s presence. Luke remembered listening to conversations between his uncle and aunt, practically spying on them, hoping to hear any small detail about his father or Ben Kenobi. Owen and Beru never revealed much but merely reinforced that they preferred not to discuss either man.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Luke cheers, running full pelt toward me, arms as wide as his smile. There is a crunch behind me and I turn, Owen’s fist burying itself in my nose. I slam down hard on the ground, the lightsaber skittering from my hand. All my training, all my experience, and a humble moisture farmer has achieved what neither battle droid nor Sith has achieved, knocking me flat on my back.

“Uncle Owen!” Luke cries in confusion as his uncle manhandles the boy toward his aunt before turning to glower at me.

“Go,” he all but spits, an accusatory finger punctuating the furious decree. “Get away from here. Haven’t you people done enough to this family?”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

Lastly, and most unfortunately, Owen never minded expressing his distaste for Obi-Wan in front of Luke, going so far as to strike Obi-Wan and send him away while the boy watched. Would Owen’s treatment of the strange desert hermit help one day drive a wedge between the boy and his uncle? Maybe. Maybe not. All we do know is that Luke, like his father before him, was already inextricably linked to Obi-Wan Kenobi. And there was nothing Owen Lars could do about it.

Citations:

Star Wars 15 by Jason Aaron C

“Time of Death” – From a Certain Point of View by Cavan Scott C

Kenobi by John Jackson Miller L

Life and Legend of Obi-Wan Kenobi by Ryder Windham L

Star Wars Episode II: Attack of the Clones C

Star Wars Episode II: Attack of the Clones Novelization by R. A. Salvatore L

A New Hope: The Life of Luke Skywalker by Ryder Windham L

#Obi-Wan in Exile #Obi-Wan Kenobi #Kenobi Series #Owen Lars #long post #text post #crossposted from wordpress #allthingskenobi #no doubt we will get to see this play out on screen in the show #:((((

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theoriginalcarnivorousmuffin · 3 years

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Thoughts on the ship Rosalie/Bella?

While it’s a nice thought, sadly, I don’t think either Rosalie or Bella are what the other would ever seek in a partner.

Indeed, I think the other would be too close of a reminder to what they see in the worst of themselves. So, even in better circumstances, I don’t think they’d choose each other.

Let’s break that down.

What is Rosalie Looking For?

Rosalie’s past is one filled with brutal trauma, betrayal, and heartbreak. She has been violated by men in the worst of ways, betrayed by the man she thought would be her husband, and then has the surreal experience of being turned into something that, while alive, is not human.

She romanticizes the human life she could have had, clinging to it, never acknowledging that circumstances were such that she never would have had it.

Rosalie never was going to get that simple future of being a humble, good, simple man’s wife with beautiful children and a comfortable life. She was raised in society, uncommonly beautiful and charming, and was set to marry the wealthiest man she could. It might not have been Royce, she could have married a good man, but she would have married into this wealthy world and not ended up with someone like Emmett.

I think this is very telling.

For very understandable reasons, Rosalie has never confronted nor truly gotten over her trauma. Oh, she murdered her rapists and murderers, and put their deaths behind her, she married Emmett and has a (fairly) good relationship with him, but she hasn’t taken her full final steps to recovery.

I think this in part shows in her ending up with a guy like Emmett.

Emmett’s not bad, don’t get me wrong, but it’s very telling in what he loves of Rosalie and that Rosalie loves him for it.

He worships her beauty above all other things and is described as a very simple but pleasant and laidback guy. I think Rosalie is at the point where she wants to be worshipped, especially for the quality that was most valued in her human life, her beauty.

She wants to be with someone safe, someone who loves her, and that someone is definitely Emmett.

I think in the short run this works out very well for the pair of them and perhaps even in the long run. I think both could have chosen a better partner.

Rosalie is complicated, she’s not the shallow vain bitch Edward complains she is nor is she what Emmett seems to see her as. Emmett doesn’t really get his wife, or defend her all that much, he’s in love with her beautiful cheerleader persona. Rosalie, similarly, is in love with this man whose greatest attribute is his love of her. I’m sure there are moments she finds Emmett rather boorish and slow on the uptake.

What Do I Think Rosalie Needs?

To be honest, of all the characters where I raise my eyebrow at Meyer putting them with someone of the opposite gender, Rosalie’s one of the ones where they raise the highest.

Even Carlisle, when Rosalie drags in this man’s bleeding carcass, goes, “Oh, is this your cousin?” And has a “Him?!” moment when Rosalie explains this is her new husband.

I always would have expected, especially after her experiences, for Rosalie to be with a woman. That said, I do think her society’s prejudices and expectations would be a huge barrier for her and she’d have to do a lot of character growth before this would ever be possible. And I mean a lot of character growth, as in, Rosalie hasn’t reached this point even post Twilight saga.

Right, regardless of gender, I think Rosalie needs a partner who a) understands her b) does not value her looks c) accepts the good and the bad parts of her.

Like all of us, Rosalie is flawed. She’s a very impressive, down right intimidating, woman who has an iron clad will and gets what she wants. She has a deep love for her family and a great capacity for compassion. However, there are times when she’s the sixteen-year-old girl who has very much not escaped her society’s mindset. She fully advocates Bella Swan’s murder so the family won’t have to move, not realizing until Carlisle points it out that this is a heinous thing to do. Rosalie says vicious, racist, things to Jake likely never realizing exactly what it is she’s saying. She’s stubborn, proud, and as Edward put it a bit pig-headed.

Emmett tends to just go “Yeah, she’s a bitch, but she’s my bitch”. Which... great, thanks Emmett, that’s very helpful.

Bella Swan is Not That Person

Bella per the start of the series is a seventeen-year-old girl with cripplingly low self-esteem, huge parental issues, and a dangerous inclination towards depression.

Bella shows serious interest in women sexually (her relationship with Alice has some serious homoerotic undertones) but she’s also very intimidated by them. Rosalie, especially, makes Bella evaluate and feel worse about herself as she knows she will never be as beautiful as this teenage blonde goddess.

In other words, this Bella is not in a position to be the kind of person Rosalie needs. She’s too caught up in figuring out who she herself is, cares very much about Rosalie’s appearance and using it to compare against her own, and isn’t stable enough to be what Rosalie needs.

And by the end of canon... Well... Bella’s left the planet and will soon join Esme in being a hauntingly strange person entirely divorced from reality.

What if we’re in a slightly AU world?

Well, we’re banking on a lot of character development for Bella that I don’t believe can happen with Edward around. Either Bella shows interest in Edward or, well, he eats her. (No, seriously, this is canon, both Alice and Edward confirm as much.)

And if the family packs up and leaves during New Moon and never comes back... Well, of all the people Bella might end up with after that, I think Rosalie might just be the least likely (not to mention Rosalie would not be down for hanging around Edward’s stupid human girlfriend).

What is Bella Looking For?

Bella’s looking for validation of her very self. She wants to be loved, more than that, she wants to be worth something.

Bella has such a low opinion of herself that, at this point in her life, she needs this feeling to come from elsewhere. She finds this in both Edward and Jacob.

And it doesn’t matter how scary they are (and both are, indeed, very scary towards her), it doesn’t matter what it is they value, just that they both seem to want her even though she’s a foolish, clumsy, pale, ugly, human, nobody, loser.

That’s all Bella wants.

Edward’s a perfect storm in that he’s inhumanly perfect, beautiful beyond all comprehension, and completely obsessed with her. In Edward’s eyes, Bella is not just perfect, she’s fascinating.

And then, of course, she’s not and it utterly destroys her.

Basically, Bella’s is a very sad life.

What Does Bella Need?

Bella needs time to grow up and find out who she is and how to value that.

Bella is your very typical teenage girl. She’s precocious, has a lot of issues growing up with her mom, but she has a lot of issues many teenage girls do have.

I think, before Bella can find a truly good partner, she needs to learn how to value herself.

This will be painful and take a lot of time. In New Moon, I think Jake actually sets her back as she uses him to find value in herself for her (essentially replacing Edward).

Only after Bella discovers who she is, reaffirms why she is important and worthy of love, can she find someone.

What does that person look like?

Well, it sure as fuck isn’t Vampire Patrick Bateman, otherwise known as Edward Cullen. Nor is it Jake Black who sexually assaults her, tells her to kiss him or he’ll kill himself, then tells her that her dying is pointless as it means he and Edward fought over nothing.

It also isn’t Alice, who treats Bella a lot like she would a life-sized Barbie Doll rather than a friend and a human being.

I’m not sure who it is, to be honest.

Someone who recognizes who Bella is, certainly, the good and the bad. Someone who is able to... reconcile her with the world she truly lives in. Maybe, circumstances changing around a bit, it’s Carlisle Cullen? (Though that would certainly be a dumpster fire of divorce and despair with Edward and Esme) Maybe it’s Jasper (also a dumpster fire of divorce and despair with Edward and Alice)?

I really have no idea here. Unlike Rosalie, I can’t even tell you what this person would need to be like.

What I do know is...

Rosalie is Not That Person

Just as Bella views Rosalie as a threat, as something to measure herself against and feel unworthy of in every way, Rosalie does the same.

Bella is a pretty human woman who captures Edward’s attention in a way she never can. Rosalie, at the time we start canon, for all her accomplishments and all she’s done is still insecure enough that she needs to be the prettiest woman in the room.

Just as Bella’s not secure enough to be what Rosalie needs, Rosalie is not secure enough to be what Bella needs.

Rosalie also doesn’t see Bella for what she is. Rosalie sees, at first, a normal boring human teenager and dismisses her. She falls into the typical Cullen trap (for all but Carlisle) that they forget humans are people too. Later, Bella discounts Rosalie’s very earnest advice and Rosalie never forgives her for it. This is understandable, Rosalie lays her soul bare, but she forgets Bella’s a teenage girl and more can’t see what Bella herself is battling with.

Bella thinks being human is worthless because Bella thinks being Bella is worthless. Children and a human future mean nothing to her.

It would take a lot, A LOT, of character development for Rosalie to be someone that Bella needs in this situation and even then... Well, they’d have to deal with the horrifying shit show that is Edward. Because if Edward/Bella isn’t happening...

It’s lunch time.

TL;DR

I’d say pin your hopes on Alice/Bella, except that one’s not happening either for all that they do have their very homoerotic friendship.

#ask #anon #twilight

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thoughts-on-bangtan · 3 years

Text

“Let’s BTS” asks about “I like you the most” and Jin’s reaction

by Admin 2

First of all, I want to wish you all, far away in the world of Vmin and BTS, a healthy and peaceful Easter, if you celebrate it, and a nice weekend for those who don’t! Since Admin 1 is quite busy right now and currently also participating in Camp NaNoWriMo, I (Admin 2) will take over our blog for a little while though Admin 1 will still be lurking and checking comments etc. I want to emphasize right away (you will probably notice it anyway) that I have no literary talent compared to Admin 1. I'll try to worthily “replace” Admin 1 for the time being and talk to you about Vmin and more.

Unlike Admin 1, I am not so careful with shipping discussions (and I even like them) as long as everything is done respectfully and we’re all sticking to the truth about the BTS members. I don't like criticizing other shippers because I understand that other fans may love their favorite members and ships just as much as we love Vmin or Namjin, but sometimes it’s inevitable that I have to say something.

So, I invite you to a discussion. I am open to discussion.

We got two interesting questions about “Let’s BTS” and specifically Jin’s reaction to vmin and I want to discuss them.

From anon: Hi, just wanted to see what you made of Jin’s reaction to Tae’s message to Jimin on the Let’s BTS show. I’ve seen some people say he looks so done and even annoyed with it. I can understand him looking apprehensive at first because Tae is a bit of a loose canon, but everyone’s reaction after is to laugh and smile and shout but Jin is very stoic. I’m kinda new and wondering whether he isn’t a fan of Vmin’s brand of declaring their love on national TV. Although when I think of how he behaves with Joon - I’d struggle to wonder why he doesn’t like it. Any thoughts?

From anon: Hi, I cannot believe what I’m reading about Tae on some platforms. What is wrong with people? Anyways I wanted to ask you what you thought of Jin’s reaction to Tae’s message for Jimin? I’ve started seeing people saying that Jin hates the fact they’re close that’s why his reaction was weird. I’m a vmin shipper but Jin is my bias and I can’t get my head around the fact that Jin doesn’t love them both dearly. He did look “apprehensive” perhaps but I’d say with Tae being Tae; that isn’t surprising.

In order to answer these two questions and to form my opinion on the matter, I’ve looked at the situation with regard to Jin and other members several times.

I admit that I’m surprised myself that Taehyung went this far. Actually, it's not even about the content of his words, but about the whole circumstance and the atmosphere that he created around his "confession". I don't know who added the music, whether it was a Taehyung hint or simply something the editors and PD thought of, but the whole situation and phrase gained even more "meaning" and "seriousness" through it.

I seemed as though the background music was supposed to make the moment remind everyone almost of a scene from a K-Drama (or one of vmin’s playful roleplays), but it only added to the effect of this being a serious, sincere and weighty moment instead.

Taehyung joked around by turning the table and pretending the envelope was not intended for Jimin, but this just led to an increase in the tension displayed by the members and the moment itself, and yet still Jimin was immediately convinced that he was the one for whom the envelope would be. Everyone was acting (which makes it sound like they were faking it which isn’t what I mean) like they were curious, but you could clearly see everyone's tension and nervousness, especially when looking at Jimin. Taehyung added that the contents of the card within the envelope were for Jimin's eyes only, emphasizing the seriousness and intimacy of what he was about to say. As a result, Jimin’s reaction led to uncertainty, nervousness, and at the same time an awareness of the sincerity and seriousness of Taehyung's words.

The words "I like you the most" are (on a superficial surface level) nothing big when compared to "I love you", but they still had the biggest reaction. Jimin wrote "I love you" to Suga and absolutely no one reacted nervously, everyone joined in on the declaration, and the situation was relaxed and even funny. Why did Taehyung’s words cause such reactions then? Why?

My thought is this: When the envelope was revealed to be for Jimin, it was met with tension by both members and Jimin. We all know that Taehyung can be a bit of a loose cannon sometimes, even on national television, when it comes to Jimin.

Jungkook immediately commented that "it’s about friendship", Suga laughed nervously and loudly, as if he wanted to end the situation quickly, and Jin had a serious face that didn’t seem all too positive or eager about what would happen next.I'm not going to go into Jimin's reaction here, but rather Jin’s, since that’s what the anons were wondering about.

In my opinion, Jin doesn't like situations that slip into seemingly too private matters. He is definitely the kind of person who gives up the least private information. The situation with Vmin clearly didn't suit him. And not because Jin doesn't like Vmin (because that’s simply not true), but because he knew this program would be broadcast nationally and streamed worldwide, that it would be debated, that every word would be analyzed, and most importantly, because the team that recorded the show wasn’t their own but one that belonged to KBS. Jin doesn't want anyone to have access to BTS's private life, after all he even asked the You Quiz editors to cut what he saw as too sad/depressing about his answers so clearly he thinks about and considers many such things. I think Taehyung didn't care all that much, but Jin did care.

Perhaps I will go too far in my analysis and imagination here, but let's not forget that in the near future Jin is going to have to leave for his military enlistment in the highly conservative Korean army, which holds very homophobic views. Any shadow cast on any of the BTS members (even if some of them are already suspected to be queer) can endanger Jin or make it even more difficult for him to perform his service well and safely. The suspicion that two of the members might be in a relationship with each other would make Jin an accomplice, since they belong to the same group and would lead to him also being suspected of being queer, guilty by associating basically. This is my opinion at least.

Jin is the oldest and feels responsible for BTS, much the way Namjoon does as leader, for everyone including Taehyung, because Jin is aware of the wave of hatred that will be/is poured onto Taehyung across sns after such a public statement. According to Jin, in my humble opinion, this is neither the time nor the place to take such a step in such serious manner. As long as everything was done in form of jokes and witty answers, Jin was joining in and having fun, but when it was Tae's turn his face became serious, as if to warn Taehyung. Jin knew that "Taehyung's atmosphere" could/would fluster Jimin and the entire team, and could become the subject of rumors spread by the staff that isn’t their own.

So no, Jin’s reaction wasn’t because he hates vmin or anything like that, because that’s not true on any level, but because Taehyung’s words about liking Jimin the most were perhaps too sincere for the setting they were in, raising too many brows, and that’s potentially why he reacted the way he did. After all, if you watch the 5th Muster concerts, and especially the one in Seoul, when vmin stand at the very end together, Jin approaches them and throws water at them as though to pull them out of their bubble and back into reality. All in good fun and because he simply cares a lot about them.

Also, an alternative and even more simple answer could be that Jin’s face has no relation to anything I just said and doesn’t tell us anything about what he thought about Taehyung’s words. After all in some interviews he also just sits there quietly and watches/listens to the other members and that doesn’t mean anything at all, or at least nothing negative. But since you asked for my thoughts, here they are, though they don’t have to be right.

I actually have no idea what the reactions are to this show in Korea and among the general public, but I've seen the reactions to Tae’s words across various sns, which one of the anons also mentioned so I’d like to talk about those for a moment as well.

My hair stood on end when I read some of the responses/posts about Taehyung. I never thought that people who call themselves ARMY or fans of BTS would have such opinions about any of the members. A wave of hatred literally flooded Taehyung, like Admin 1 previously mentioned in their answer to an ask.

I just wanted to cry. It shocked me how far shipping can go (literally playing with actual, living people with no regard to their own words and thoughts) that it can cause such extreme emotions in "fans". It's hard to say which is more negative and alarming for some, Taehyung potentially really having (romantic and reciprocated) feelings for Jimin, Taehyung's feelings not being for the “right” person, or the mere fact that Taehyung's feelings are for a person of the same gender.

It’s also interesting to see how deceptive some are. I don’t even mean that “Taehyung and Jimin like each other most” is ignored, which it is, but rather that those mutual feelings were manipulated to twist them into a completely different direction and to another person, or turned into mere jokes or sarcasm. As if all of this simply never happened.

On the other hand, the fact that Jungkook unbuttoned his shirt before going on stage for “My Time”, as opposed to him not doing so during rehearsals, has become very important and an example of J*k*ok being in a relationship, how that’s now even clearer than ever before and is an indisputable fact, according to shippers. Apparently, J*k*ok were flirting with each other throughout the entire segment and show and only had eyes for each other. Somehow Jungkook imitating Jimin is the final piece of evidence to prove everything shippers ever claimed and thus, according to them, everyone must now see that they love each other romantically.

I've carefully watched this show three times, this particular segment and everything else too, and frankly I haven't seen anything that could be called anything even close to flirting when it comes to the two main ML ships. I'm mature and I think I know what flirting is and I can “read” the simplest human behavior, but I really couldn’t see any of it. In my opinion, Jungkook imitating Jimin is clear and open and not a secret. I fully understand Jungkook, I would also follow Jimin in his place :-) Jimin's dancing and looks, as well as his professional work ethic, are truly breathtaking, inspiring and worth imitating. However, this has absolutely nothing to do with romantic affection or a romantic relationship between them, in my opinion.

Hence, I fail to understand these behaviors which in turn lead to a wave of hatred against Taehyung and the, repeated, disregard, belittlement and erasure of Jimin’s and Taehyung’s friendship and relationship bond, and even some going as far as pretending anything vmin was simply not there at all just to make their ship seem more real, booo.

#BTS #vmin #Jimin #Taehyung #Seokjin #Let's BTS #answered ask #answered by admin 2

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keepyourlife · 4 years

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What fics do you like/read/recommend?

Difficult question, cause recommendations I can give but only very limited.

What I like? Slow Burn, Angst, Fluff, damn it I also read Smut sometimes, AUs (I mention something about that later). Basically: I want to suffer, I want to cry, but give me a happy ending. I LOVE good interpreted characters and I LOOOVE well-written relations. What I mean by that is, basically, if a sibling relationship is weirdly written, I tend to just.. not read the story at all. Does that make sense? Whatever.

While I read a lot, I rarely save what I read and more often than not I kind of.. lose half of the fics I read? There’s one I am currently obsessed with, which I found via @worstloki:

doubt truth to be a liar. absolutely amazing tbh. it’s about a younger Loki suddenly appearing in the Avengers Tower, without any memories about what happened (post Ragnarok), it’s got trans Peter & cultural differences between Asgard and Midgard I find quite interesting. Cause while I do know that comic Loki mentioned that the concept of gender and sexuality do not exist in Asgard the way they do on Midgard (I think that is what he said), I found the differences portrayed in that story very believable and also super interesting, cause I didn’t think of that? Especially interesting when you know a bit about the Viking age and its culture, which MCU Asgard clearly was set to resemble.

So, next I need to put a little disclaimer about myself: I normally do not like Reader fics, because more often than not they’re super ooc and I just find this whole.. “y/n” thing kind of offputting and it just makes me uninterested very often. However I have a friend who do likes these kind of stories. And she lets me know. And she needs someone to talk about these stories, so there’s that. And I read a handfull of them and tbh only those I actually find 1. well-written, 2. well characterised & 3. no darn use of “y/n”, cause no I never imagine myself there, I create characters in my head for each story.

A Job Million PRs Would Die For by @saiansha. Jesus fucking christ the amount of times I re-read this story. Honestly, it is, I think, the first Reader fanfic I read in my entire life, was super weary at first cause. idk. I know some people on this website (and AO3, let’s be real) that just post very weird stuff. This one has an interpretation of Loki that I can 100% believe and it is one I support. That was one of my main reasons to continue reading, but it’s also the general writing style that I like and that there’s a Reader character, who is not a helpless damsel in distress. Ultimate proof of that was the most recent chapter. (dear author knows my thoughts, I dared to dm cause I was just. very enthuasiastic about this story)

Broken Crown by @michelleleahhh. Second one I started reading at one point cause my friend kept asking me to read it. a kind-of AU? It’s set in Asgard. That’s what you need to know. Again, a story that had me from the beginning, once I started. For the writing style and for the characterisation. The story really had me guessing sometimes, cause,, well-written! and really good dialogue!! damn you Freya!! and a decent Reader character that doesn’t have me ripping out my own intestines. (also very enthusiastic about this story, yes this phrasing as a meaning)

Foruneyti by Evaldrynn or @foruneyti (I tagged the blog for the story here, too, don’t mind me pls) Also kind of an AU, basically just Asgard. Anyway, I am so in love with the aesthetic this story gives me. It’s hard to explain, but after 85 chapters I just have this very clear picture in my head of what I think this story looks like. Now, Reader here is also good and well-written, the Original Characters are likeable and not super overpowered, neither is Reader. The canon characters are, in my humble opinion, interpreted nicely and tbh for some reason I just always imagine them in this comic style, rather than the way the films portray them.

Of Different Emotions by @wanderingworldwarrior. my. goodness. I am in love with these stories and I am just. so desperate for an update. idk if we will ever get one, but honestly, I re-read it this week and. Just stopped after the second part, cause I can’t deal with the pain of the third part one more time. First part is set pre-Thor 1, second part is set during Thor 1 and the third during The Avengers. I love the Reader character a lot and the Original Characters just. belong so much to the story. idk I just love the way this story is written, I love the characters, I just love it a lot, alright.

Onwards to anime. Bungou Stray Dogs:

where your loyalties lie by writingfromtheshadows. this!! story!! it’s so good!! it’s a Yakuza!AU and oh my gooood. It’s all just so so well put, compared to canon and I love the dynamics Dazai and Chuuya have here.

Forgettable Significance by Witheryvine. THIS STORY. took my sanity, threw it out of the window and then spat on me. It broke my heart so very often, cause it manages to make you question yourself. morals about relationships out of the window. I re-read this story like five times.

still still still by toriosaurus. I was waiting, desperately, for every single chapter. This AU gives me everything I need and more. I remember doing fanart for this story and being very proud of it, even though it did no justice to the original story. Normally I am not a fan of, idk what to call it, no power AUs because most people just do the thing wrong for me. But this one hits.

If I recommend Twist and Shout now I get thrown into Turbohell, so idk if you want a very sinful Destiel fanfic, then read

Hot Water by Chiyume. I was 16, I decided to read Destiel fanfictions and this one kind of did it for me.

Don’t @ me. I really read a lot more than this, but I suck at organising myself and I just barely ever save shit. Also it’s late, I’ve been on a video call with my friend for over three hours now and I just like to clown when I am tired. Anyway, I used to bookmark Destiel fanfics back in the day and the rest is just. Read it, kudos, comment, and then I forget to save. The multichapter fics are often still in my subscribes, but sometimes. just.. not.

#sam shamed me for this #you can do the same now #and kol if you maybe see this #and think wtf is annika doing #then i have news #this is barely all #answered #anonymous

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subjecta5newtella · 3 years

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alright fuck it it’s been about a week the blinding rage has simmered down into a tasteful anger stew so I’m gonna talk about the crank palace a little. technically this is probably spoilery, but I don’t really go into specific plot points

there’s... a lot of shit I can point to that’s wrong in the crank palace. blatant contradictions to things in the original trilogy. pacing. weirdly explicit descriptions of violence. some truly baffling choices made when it comes to dialogue. newt forgetting glader slang for some reason? everything about how sonya and newt’s sibling relationship is handled, which is still probably something I can’t talk about without going nuclear so i’m just gonna direct you to point 4 on sami newtedison’s excellent post here.

some of these things just make it hard to read and enjoy from a technical perspective, and some of them show that there wasn’t enough care taken to make sure basic established in-universe facts weren’t directly overwritten. while all of those are warning flags in their own right, the issue at the core of tcp is, in my distinctly less than humble opinion, that newt himself is barely a character in his own novella.

obviously at the point where the story starts, he’s not going to be the exact same newt we’ve seen throughout the trilogy. partly that’s because we’re now actually in his perspective, partly it’s because the flare is progressing so quickly, and that would create some understandable differences. the problem here is not just that he’s kind of different; the problem is he’s hardly an actual character at all.

one of The Most Basic things about characters is that their history has an impact on them. this is not fucking groundbreaking, but I say this because I literally do not think it’s achieved here. aside from his resurfacing memories (which... even then is basically all stuff we already know from tfc) we do not learn anything about newt that is not established in the trilogy, which is an incredible waste. I don’t think it’s a stretch to say that when people have expressed interest in newt’s POV, it’s to get information we don’t have from the earlier books, like his time in the glade, conversations he had that thomas didn’t see, anything we couldn’t see or easily extrapolate from thomas’ perspective.

thomas in book 1 has no memories. newt, theoretically, has over two years of them at this point, so why doesn’t it feel like his pre-series past exists any more than thomas’ does? i’m not about to subject myself to a reread just to 100% fact check this, but I don’t think we get any meaningful recollection of his time in the glade before main series canon begins. there would’ve been plenty of opportunities for these kinds of things to be woven in naturally, but more crucially, there are a couple places where I think pieces of his past should have absolutely come up, and they just... don’t.

newt obviously has leadership experience as the glade’s second in command, and yet in tst is very vocal about not wanting to be the leader. when he’s kind of thrust into a leadership position in tcp, both of those things should affect the way he acts, and yet they don’t really seem to. if we’re looking for places to sprinkle in memories, this would be a really good one. he could be thinking about the point at which he became alby’s second, the reasons he accepted, and the anxieties associated with that, all in relation to his current situation. in tcp, becoming the leader of the group of cranks is just... straight up something that happens to him because he was a WICKED subject, with no real internal strife about it. I do not like the vibe of this whole plot point anyway, but im not gonna get into that.

in a similar vein, I swear to god dashner forgot newt used to be a runner, because there are times where it should have logically come up. there’s a point at which newt talks about minho as a runner while giving absolutely no indication that he himself also used to be one, even though during the situation in question it would be relevant for him to have the skills and memories of his time as a runner (you could argue this was forgotten in any meaningful way as of tst because a similar thing happens, but i’m not gonna go on that rant rn). this is a crucial fucking character piece! based on a loose timeline, newt was a runner until probably ~6 months before tcp. it should have an impact on the way he acts and the way he evaluates situations.

regarding minho himself, newt’s descriptions of him feel like he read the wikipedia page, not like this was a) someone he’s been through over 2 years of highs and lows with and b) one of his only surviving friends in the first place, let alone one of the only ones from that original group. and minho’s hardly the only one that gets fucked over. alby? newt’s best friend as of the first book, with whom he co-ran the glade and who literally saved his life? mentioned once, as part of a list of the dead. those are the two that immediately come to mind as deserving better based on the way we’ve seen newt interact with them previously, but none of newt’s dynamics with existing characters feel lived-in at all. I think that contributes significantly to the fact that he feels so off, and frankly, not really wildly compelling a lot of the time despite being one of the most interesting and well written trilogy characters (there’s also times where his dialogue is just... weird and ooc, but im trying to stay out of nitpicking to that degree).

and to what end?? was dashner just too lazy to write in anything more than what’s established after this long? was it because creating any too-meaningful relationships with other characters could potentially take away from the thomas/newt dynamic that it seems like he’s relying on in order to stay relevant? even for people who go hard for newtmas, I can’t imagine it could really be considered a bonus to have one character’s past and other significant relationships stripped away. also?? even though he mentioned thomas’ name a lot, I don’t feel like we got that much of a sense of a meaningful connection there either.

there were parts I liked about tcp, which may come as a fucking shock at this point, but still. keisha was a good character, a good break from the mold in terms of anything we’d seen before in the series, and I did honestly appreciate some of her interactions with newt. some of the minor characters were kind of interesting, and there were a couple small pieces that were... surprisingly well written? i think in terms of word choice and description, his writing has improved from what we see in the trilogy, so there’s my positive feedback. also, newt bitching about the lack of fruit and vegetable offerings at the crank palace was objectively funny as shit. one of the most genuine moments of Personality in the whole thing.

this could have been something. I think some pieces would’ve worked well as a short story, in which case I wouldn’t have expected nearly as much in terms of characterization and utilization of backstory. instead we just get a lot of suffering and not much out of it, because the one thing that could’ve made it worth it was an actual deeper understanding of this character and I truly don’t feel like we got that.

#the crank palace #if you’re one of the people I’ve already ranted to I’m so sorry but at least this version is... cleaner #maybe #getting back into tmr is kind of fun in that I have gotten so much better at articulating my anger jkhfdsjkhdfjhk #love to be full of rage but with a College Degree #not that this like. Requires a college degree but still. it’s all gotta count for something might as well be this

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favberrys · 4 years

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No one asked this and no one cares, but here’s my personal opinions about every glee ship:

Finchel: they had their cute moments, but in general I really dislike them as couple. They brought the worst out of each other when they were together, Finn made Rachel insecure and was also incredibly possessive of her (not in a cute way) and Rachel pressured Finn too much. She wanted to control him and often tried change him, they’re too different and not compatible. I think Rachel needs someone more simalar to her or someone who can understand her, because Finn really didn’t get Rachel.

Klaine: I’m neutral about klaine, I don’t hate them, but simply I’m not invested into this ship. They aren’t toxic, but I think their relationship has many issues and is a little unhealthy sometimes.They had a good start, but as the show went on they got worse. I love Blaine, he’s my gay son, but he was too jealous and controlling about Kurt. Kudos for the gay representation, i acknowledge their huge impact on the lgbt community

Brittana: wow what can I say about them ? They’re everything, best friends to lovers excellence. Brittana had a rough start, but their dynamic became a beautiful and mature relationship in which they always supported and loved each other. Even when they dated other people, Santana and Brittany respected each other. It had and still has a huge importance for the sapphic community, it is good representation and one of the first big teen wlw couples. Brittana are the definition of soulmates

Quick: absolute trash, Puck got Quinn drunk on wine coolers and then had sex with her while she was still drunk. There was nothing consensual about that. The fact that rib never acknowledged this is disgusting. They had very little interactions, their relationship was not developed. Puck and Quinn have literally nothing in common, they’re not compatible in any way and them getting together at the end always irked me because in s3 Quinn said she didn’t care about all the boys she dated in the past. If you ship them idc it’s fine, but I hate this pairing. It’s a huge no from me, I think Puck liked Quinn only because she was hot.

Faberry: THEY’RE MY RIDE OR DIE YOU DON’T UNDERSTAND HOW IMPORTANT THEY ARE TO ME. Enemies to lovers excellence, I know faberry was queerbaiting, but I still ship them after all these years. They have chemistry, lots of yearning and sexual tension, impossibly high angst level. This is the only pairing in which I will accept the trope “homophobic jock falls in love with the person they bully”. At first they were terrible to each other, but they managed to built a nice relationship and I seriously think Rachel was the only one for Quinn because she was the only person who always showed Quinn love and support even when they were enemies. I also think that Rachel felt something more than platonic for Quinn at some point (always ranting about how beautiful Quinn is ? That’s gay)

St berry: I like them, I know they had little screen time and they weren’t even supposed to be a thing according to rib (bc they planned on making finchel endgame), but I think they’re compatible, Jesse is probably the only person who could keep up with Rachel. They have many things in common and even though he was shitty to her at first, he redeemed himself. Rachel and Jesse have good romantic chemistry and excellent musical chemistry, their duets are amazing. I’m happy they got together in the end.

Pezberry: oh boy they’re so hot together, lots of sexual chemistry, they could have been enemies to friends to lovers excellence or at least friends with benefits, but ryan murphy is a coward. I enjoy their scenes, they’re hilarious together and always make me laugh. I think they’re a pretty explosive duo, pezberry has great musical chemistry, all their duets are iconic and there’s a lot of sexual tension between them, they’re definitely compatible in bed but idk if they would last in a long term relationship.

Quinntana: this pairing was very random in my opinion because Quinn and Santana lowkey hated each other and always wanted to destroy each other, BUT they are very hot together, they’re probably the most gorgeous couple on glee because both dianna and naya are insanely attractive. Quinntana gave me my sapphic!quinn rights and I’ll be forever thankful about that, they’re compatible in bed, but I like them only as friends with benefits. I don’t see any romantic chemistry between them, mostly because they were always competing about who was the hbic of the school. I don’t think they would last as a stable couple. I wanted to see more of quinntana though.

Fabrevans: if Quinn had to end up with a man, the only heterosexual Quinn ship I tolerate is fabrevans because Sam was really kind, sweet and good to her. Sadly she wasn’t very interested in him, he was just the hot new guy soon to become quarterback and I think she dated him for popularity. I don’t think they would have lasted in a long term relationship, they were cute together romantically speaking but I don’t ship them.

Samcedes: should have been endgame, definition of wasted potential

Tike: should have been endgame, even though I don’t care about Mike and Tina they were really good together, the love was genuine. Tike is one of the few heterosexual couple I don’t mind

Artittany: is a huge no from me, they had zero chemistry and he treated her like trash, artie deserved to be cheated on lol (I’m joking no one deserves that but I really don’t like artie because he’s sexist, misogynistic and he also treated all his gfs like crap)

Seblaine: I honestly don’t see it, Sebastian was definitely interested in Blaine, but Blaine always only had eyes for Kurt. Still I think they should have dated in s6, it would have been fun to see Kurt jealous about his nemesis dating his ex bf. I like the idea of Seblaine having a one night stand, but I don’t ship them as a couple. I also don’t like Sebastian very much, sorry.

Fuinn: A HUGE NO, they were aesthetically pleasing together, but that’s it. They didn’t have sexual tension, they just had tension. Fuinn is a little dysfunctional in my opinion, they get together, they break up and then start dating again just like finchel. I honestly don’t think they were in love, but they cared about each other in a platonic way. Finn wasn’t a good boyfriend to Quinn and Quinn constantly manipulated him. I don’t like them as a couple, they’re too messy.

Blam: best friends to lovers excellence, lots of wasted potential. I’m not saying they should have been endgame, but Sam and Blaine should have dated. I like the idea of Sam discovering he’s bi or pan and exploring his sexuality with someone who cares about him. They have chemistry and I like their dynamic. I also fancy their duets and I think they could have fallen in love with each other.

Hevans: ok if I squint I can see it, they had potential, Kurt was definitely attracted to Sam and Sam was kind of curious about him, I’m sure he admires Kurt and cares about him, but I don’t ship them together

Sebtana, Finntana, Pucktana: ABSOLUTE TRASH DON’T SHIP CANON LESBIAN CHARACTERS WITH MEN, IT’S INCREDIBLY HARMFUL AND INVALIDATING. There are so many heterosexual ships, why do you have to take away from the gays the few lgbt characters we have ?

Quinncedes: i don’t ship them romantically, but I ship them as best friends. I wished their friendship was more developed, Quinn and Mercedes were so good to each other.

Quinntina: have they even interacted with each other ? (Lmao I’m joking again don’t get pressed, you can ship what you what). I don’t ship it, they’re cute and I lowkey like Tina, but it’s not my cup of tea. Still it’s a wlw ship, so I don’t have anything against it.

Wemma: no

Artie x Tina: I don’t even know their ship name, imagine how much irrelevant they are to me. Again I don’t like how artie treats women, I don’t ship them and Tina deserves better than him.

Samchel: underrated af, i’m not saying they should have been endgame because they wouldn’t have lasted in a long term relationship, BUT they were cute together. Sam was really good for Rachel, he made her more humble and helped her to heal after Finn died. They deserved more development and had a lot of potential. I don’t remember what happened in s6, but I liked samchel dating, I don’t mind them as a romantic couple, even though they’re not very compatible.

Brochel: it was not as bad as rib tried to make us believe. I don’t ship them but they have sexual/romantic chemistry and also musical chemistry. I’m neutral about Brody and Rachel, he was hot, but he was also incredibly boring and one dimensional

Julyberry: the sexual tension between them is so high, i loved it when they did all that jazz, I think they should have been fuck buddies or had a one night stand. Lots of sexual and musical chemistry, i lowkey ship them bc milf!kate hudson rights. Maybe after Rachel graduates at nyda, they could date

#these are just my thoughts #my personal opinion #don’t attack me #pls I’m just expressing my thoughts #and I haven’t said anything offensive #so don’t be a dick #glee #tv show #glee ships #glee characters #glee meta #non canon ships #canon ships #wlw ships #mlm ships #straight ships #otps #notps

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technofantasia · 3 years

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coffee shop AU, enemies to lovers, fake dating, high school AU, hurt/comfort, hurt/no comfort, soulmates, time loop 🤔🤨🤔

(In response to this)

OOOO ooo ooo ooo this is many!! :D

But okay letsgo >:3

Coffee shop AU: Eh, C. Coffee shop AUs feel like the least interesting kind of domestic AU to me for some reason. Like, I won't AVOID them? But I feel like the author needs to really try to make it great. On its own, it falls a bit flat. Maybe because I don't tend to go to coffee shops myself, so it's not relatable...? Also whenever I do, I don't talk to the person working there. Like, they're doing their job, I don't want to bother them. Do most people have conversations with their baristas? idk maybe it's just because I'm not social. Either way, I think it's ok. A bit bland unless the author does something special with it.

Enemies to lovers: Honestly? D. I do not care for it at all. I like the fluffy stuff! Enemies to FRIENDS to lovers, I could get behind, but you CANNOT skip the intermediary step there. Otherwise, it's like, what is the relationship even based on, y'know? If they just flip from hating each other to being all lovey-dovey. Kismesisitude and non-hs relationships like it are another thing, and I do really like that, but only when it's done right, and it usually isn't. IT'S ABOUT THE MUTUAL TRUST AND ADMIRATION OKAY!! NOT THE RANDOM OUT OF THE BLUE LOVEY-DOVEY STUFF >:0

Fake dating: B! I can get behind it. It really allows for some great character interaction opportunities, all based around the premise of what you show to the world vs. what you actually feel, and how those feed into each other (which is a great hook). You get that good good private relationship and public relationship dynamic, until they inevitably collide!! Lots of fluff or hurt/comfort opportunity there as well. I don't tend to read a lot of it, but whenever I see it for characters I care about, it can be nice.

HIgh school AU: C. My interest in high school AUs plummeted after leaving high school, surprisingly enough. They're okay, to be sure, but the usual fare relies on a kind of rose-tinted glasses view of high school that I can't imagine anyone being able to slip into after going through it themself. It really depends on the fandom, though; some sets of characters work really well put into that kind of a structured social ecosystem, but for others, it just kind of feels limiting.

Hurt/Comfort: YESSSS YES YES SOLID A NO QUESTION. My drug of choice!! THIS is where the heart of fandom lies, in my humble opinion. It's alllll about putting characters in bad situations, and seeing the other characters help them out, be it physically or emotionally! Mostly because, while that kind of thing is central to the construction of any kind of story, most canons don't spend much time exploring the aftermath of the hurt they inflict. It would take up too much time. BUT it's exactly that aftermath that holds the deepest depths of the characters' emotions!! As fandomgoers, then, it is our duty, nay, PRIVILEGE to uncover those depths via exploring that hurt in the ways the original author didn't! And also sometimes creating new hurts in order to get to that same place of vulnerability, that works too. The best fandom trope, either way.

Hurt/No Comfort: Ooooh this can be great too. Another A. While the purpose of Hurt/Comfort is to use the characters' vulnerabilities to experience catharsis, Hurt/No Comfort (or angst? whump? all names for similar things) is all about a different kind of catharsis. It's to say, "what if the worst happened? what then?", and exploring that for a while, since the characters' true depths always come out the clearest in their darkest hour; then, you can come back from that, appreciate the fact that the worst HASN'T come to pass, and also appreciate the characters in a new, more meaningful light. When you're in the mood for it, that's the gooood shit.

Soulmates: F. Straight up. This is probably my most unpopular fandom opinion, but I hate soulmate AUs. It takes away all the interesting parts of a ship, waters it down into uninteresting, out of character, amatonormative nonsense, and flavors it all with shallow worldbuilding that falls apart into dystopia if you think about it for more than two seconds. Like... I understand WHY people like it. If you just want an excuse for your favorite characters to have a meaningful-feeling, adorable meet-cute, okay! Yeah, it allows for that. But if you care about ANYTHING deeper, soulmate AUs destroy that by its very premise. They don't allow for depth, because when you try to take the concept deeper, you start running into essential problems; things like "what if they ever have an argument? its not like they can ever split up. what kind of pressures might that inherent fact put on their relationship?" or "if these two characters MET knowing that they would be romantic partners, wouldn't that completely change their relationship? would their dynamic even be close to what drew me to them in the first place?" or "wouldn't a world where everyone spends their lives looking for their "soulmate", before meeting them and then not being able to leave that person no matter what happens, be fucking terrible? that sounds like a BREEDING GROUND for abuse." Not to mention that, as an arospec person myself, the idea of "everyone has one person who is made for them, who completes them" just feels... slimy. I can't enjoy it. No shade to people who do, obviously, but it makes me VERY uncomfortable. I have a whole big rant about soulmate AUs that I've touched on the basic points of here but I won't go into it any more than this, because hoo boy, this is already getting pretty long.

Time Loop: AAAAA YES I LOVE TIME LOOPS!!!! A, for sure. It's the PERFECT hurt/comfort and/or angst setup, with a heavy focus on character development. How will the character first react to being in a loop? What do they do? How do they feel? All with that slow rise in desperation, as their personal problems just keep compounding and compounding with the knowledge that, in order for anything to change, THEY have to be the one to do it.... aaaaa its such a good scenario!!! GUARANTEED to bring out the most juicy parts of the character, I love it.

And noooow we are done!! That was very long. But thank you so much for asking, I have so many thoughts all the time lol :P

#hunny rambles #hunny answers #my thoughts on fanfiction of different kinds are many and very complex #this is because fanfiction occupies like 90 percent of my thoughts at any given time

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