#while typing this reply

[victorinoxghoul]

so sorry to everyone who attacked me in the last 18 hours i was Very Busy

[daylighteclipsed]

Your KH Enchanted posts are driving me INSANE! I've never thought about the connection before but like, Enchanted is literally about a cartoon character going to the real world and finding out that her designated "perfect" love interest wasn't actually the one for her despite the fact that he should be. And then cut to SORA WAKING UP IN QUADRATUM AND RIKU THERE LOOKING FOR HIM like... it's all coming together.

YES!!!! There are so many parallels. In Sora’s dreams, the way he and Riku wake up in this huge city at night with so many lights and signs and skyscrapers… it’s so much like Giselle pulling herself up into the center of Times Square. The area Sora’s in especially, Scramble Crossing, brings to mind Times Square.

Enchanted is about a fictional character becoming real. Giselle’s from a simple, “perfect,” fairytale world. She’s designed to be a stereotypical Disney princess, and she’s a trope more than a person until she ends up in the real world, where she’s quickly challenged by the real world’s imperfections and complexities, embodied especially in Robert and through her relationship with him.

I’ve talked before about how Kingdom Hearts features fictional characters waking up and coming to life, deviating from the script when they’re not really “supposed” to and becoming real. Like Giselle, Sora starts out as a pretty stereotypical trope — the hero — but over the course of his journey grows further away from that. He’s challenged and he changes, and a lot of that is embodied through his relationship with Riku, as Riku represents change and complexity, especially in the context of growing up.

There’s a lot of parallels in the dynamics between Giselle/Robert and Sora/Riku. They’re complementary opposites, and they learn from each other. Giselle inspires Robert to believe in the messages fairytales champion about kindness, the power of love, dreams coming true, and happy endings. Sora inspires Riku to follow his heart and open his heart to others. Robert helps Giselle understand that real life is not as simple as a fairytale. Riku helps Sora see and understand the nuances in their world and in each other.

Real people are complicated, but that’s not necessarily a bad thing. Giselle’s thrilled, for example, the first time she feels really, truly angry. Robert makes her feel things she’s never felt before, messy things that make her feel alive, that make it easier for her to understand him and grow closer to him. KH emphasizes that experiencing grief, sadness, anger, etc. allows us to connect with others deeper, whether we’re leaning on loved ones for support or trying to understand a stranger. Pain is a necessary part of having a heart, of being alive.

Also, these scenes are literally the same. Giselle and Sora even both smile in their sleep.

Giselle/Robert and Sora/Riku’s relationships develop significantly over the course of their stories. In comparison to Giselle/Edward and Sora/Kairi, which rely on trope expectations instead of character development/actual relationship building. Giselle hardly interacts with Edward. But he’s a prince, he resembles the man of her dreams, he saves her from falling, and she can finish his duet. Surely it’s true love! I’ve already compared sharing the paopu fruit with singing the duet. Kairi is also a princess. She saves Sora from falling to darkness in KH1. And it’s pretty and perfect and Disney, with him reappearing in her arms, gently pulling away, quietly thanking her with sparkles all around them. Just like how Edward catches Giselle right in his lap, perfectly in his arms, with the tree branches forming a heart behind them.

Compare that to later in DDD after Riku saves Sora from falling to darkness and Sora thanks him… and when Robert catches Giselle from falling off a billboard. It’s the same thing, but the moments are not pretty and perfect.

Giselle takes Robert to the hard ground, with a chorus of yelps and ouches as she nearly breaks his wrists. Riku is almost bowled over by Sora’s hug, and Sora holds him tightly, loudly exclaiming his relief, reluctant to let Riku go. But the lack of “Disney fairytale perfection,” I guess, in these scenes kind of makes them better, right? Robert is willing to get really hurt trying to catch Giselle. Sora is so happy to see Riku he can’t contain his emotions. Near the end of Enchanted, we see this again, except Giselle is the one catching Robert. And it’s still very clumsy and rough — he takes her down with him. It’s not perfect, but it’s real.

That’s the biggest difference between Giselle’s relationships with Edward and Robert, and Sora’s relationships with Kairi and Riku. In both surface dynamics and appearance, one is a pretty idea. A perfect, soft, simple fantasy that doesn’t exist, that can’t exist in reality beyond little boys and girls playing Prince and Princess. And the other is grounded in reality, with all the good and bad, the joy and heartbreak, laughter and tears, that entails. Being human is hard. But there is something magical about finding someone you can be human with.

Giselle mistakes Edward for the true love she’s been dreaming of. He’s got the blue eyes and the dark hair, and he catches her from falling. And it reminds me a lot of Sora mistaking Kairi for his light in the darkness in KH3.

It’s reasonable why Giselle and Sora would assume this… But Robert also catches Giselle from falling. He also has blue eyes and dark hair. Later, he dresses exactly like Giselle’s dream prince at the ball, and he even dances with her like in her dreams. In KH3, Riku sacrifices himself in an act of true love for Sora, and we see the light in the tunnel respond when Sora calls out Riku’s name. There’s a number of visual parallels from Sora’s dream and Dive to the Heart that indicate Riku is Sora’s light. While Giselle realizes the truth, it only seems to click for Sora a moment before he forgets. Giselle also gets a follow up parallel. Sora hasn’t yet.

Another little thing I want to point out — Giselle and Edward have a duet (that she stops singing), but Giselle and Robert have a waltz. They have the love song, and they dance to it. Sora and Riku don’t dance, but we see their hearts dancing to the song they create — a waltz version of Dearly Beloved.

Also Robert/Giselle still get the Disney singing element. It’s just not big and flashy like Giselle and Edward’s duet. Robert quietly sings a few words to her as they dance together… Sora and Riku still get the paopu fruit — it’s the keychain of Dearly Beloved (the Combined Keyblade) — but it’s not obvious like the cave drawing between Sora and Kairi is.

TLDR: I completely agree with you and I think, like Enchanted, KH intentionally plays with Disney tropes and audience expectations in order to subvert them. Like Giselle, Sora discovering his designated “perfect” love interest is not the one for him is part of his journey of awakening. It’s part of him becoming real, and growing up.

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[masc-wolverine]

[trensu]

do you think you'll put "Stasis in darkness" on AO3 eventually?

see, when the idea first came to me, I hadn't really planned on doing anything with it because I wasn't sure if I could make it work. there's a level of gravitas in the relationship between a god and their devoted servant that I didn't think would translate well to steddie because, let's be real, those boys are goofy dorks. but the idea wouldn't leave me alone so I typed up the original post in an attempt to work it out of my system and move on.

(the post kind of blew up, which I was not expecting at all!! like, not even a little bit! i post all sorts of rough little ideas for my own amusement and I've been able to do that without drawing much attention until that point.)

Anyway, I wouldn't have done much with it but @acowardinmordor left some comments/tags/what have you that helped me nail down the setting in my head which really opened the door for me to explore how the story could progress. (apologies, strife, I'm not sure I ever properly thanked you for that burst of inspiration, so please accept this shoutout as an expression of gratitude). And the amazing @ent-is-indecisive allowed me to rant about it which really helped flesh out the story. Seriously, there are elements and lore coming up that would not have existed if it weren't for ent. (and thank you once again ent for the ABSOLUTELY WONDERFUL fanart you made for the reveal scene, I'm still overcome with joy whenever I think about it!).

Once it got to that point, I knew I wanted it to be a self-contained story and I was afraid that if I did a multi-chapter fic I'd lose the thread and never make it to the ending I want the fic to have. (no, the end scene hasn't been written yet but I KNOW what it's going to be and I hope everyone will love it as much as i do). So I promised myself that I was not going to post it on ao3 until the whole thing was written out completely.

However, I occasionally need a confidence/motivation boost so I've been posting consecutive parts of the rough draft here. you have no idea how much the people who reblogged with tags or left comments have helped me fight off the discouragement my brain likes to bog me down with; off the top of my head, @godsweakestboy , @redfreckledwolf, @fuctacles , @spectrum-spectre , and @lawrencebshoggoth have given me lovely, enthusiastic words of encouragement. and they're only the ones I can think of at this moment. there's so many other people who've done this, so if you've ever left me nice tags or comments, please know that I've read every single one of them repeatedly whenever I need to get over a slump. I'm so grateful for all of you!

Anyway, all this is to say yes! It is going to be posted as a oneshot on ao3 once I've finished writing it. <3

[total-drama-brainrot]

This Alenoaheather AU is bringing me an unholy amount of serotonin and I love it- I’m still just now discovering it and I wish I knew about it sooner😭😭 But question if I may!

So, by the time Noah gets eliminated, where would you say his relationship lies with Alejandro and Heather? Like, does he leave the competition like, “You both tried to play each other, but I ended up playing the both of you, L” Like does he just think that Alejandro and Heather only romantically like each other, and he was just their attempt at emotionally manipulating one another, or does he at least have an idea that they potentially may feel romantically towards him? Honestly I’m just curious about how his elimination would play out between the three of them-

I'm glad other people are enjoying this AU as much as I am. Me and Perp are slowly spreading our Alenoaheather propaganda and it's working.

It's been established that Noah's elimination in this AU will take place at some point in the early post-merge game, probably either China or the Serengeti (though Niagara Falls might work too. We haven't exactly touched on how each challenge can/will play out since this whole concept has been put on the backburner), which gives his dynamic with Heather and Alejandro time to blossom from the initial double fake dating ploy into something more genuine.

Well before his elimination, Noah's been caught in his double-crossing ways; or to be more accurate triple-crossing, since Noah initially decided to play along with both Heather and Alejandro's schemes with the intention of throwing them both under the bus (or at least reaping all of the benefits for himself). But, by the time his ploy is figured out, the three of them have developed genuine feelings for each other.

As such, Heather and Alejandro are hesitant to have him eliminated; sure Noah somehow managing to pull the wool over their eyes for as long as he did was infuriating, but it was also impressive. Like recognises like, and the two biggest schemers in the game can appreciate when they've been outplayed, aggravating as it is, especially when the person who bested them essentially used their own trickery against them. Also, though the two of them would never admit it, both Heather and Alejandro know that they'd honestly miss Noah's caustic company.

Of course, at this point in the competition Heather and Alejandro are still deep in their "rivalry" phase, so it takes the two of them a very convoluted and overcomplicated conversation to figure out that they both share the same sentiment concerning a certain cynic- since every encounter they have with each other is practically a game of backhanded compliments and dancing around the true meaning of their words. It takes even longer for them to come to an agreement, given how stubborn the both of them can be, but eventually they manage to co-operate.

Which is what leads to The Confrontation, the point in the story where the two fake dating plots merge into Heather and Alejandro putting aside their differences to rule the game together, utilizing Noah as their shared right hand man since he's shown a knack for strategy and subterfuge. After all, why would they want to get rid of the one person on the jet who's able to go toe-to-toe with them in terms of scheming, when they can instead keep him around as an accomplice?

At least, that's the excuse they both use. But the two of them internally can't deny that, even if it was all pretend, Noah wasn't a bad "boyfriend" by any means, and they genuinely enjoy his company. In turn, Noah's accepted that neither Heather nor Alejandro are as insufferable as he initially assumed, and that playing along with their grand plots is actually really fun. (And maybe he also likes the two of them, but Noah would never admit that.)

But there's a a whole cast's worth of people on the jet who the trio also have to consider in their plans; it would be super suspicious of all three of them if the flirting and Aleheather's animosity suddenly ceased. No matter how oblivious the rest of the competitors are, a sudden public change in their dynamic would be the equivalent of waving a huge red flag and screaming "hey, we're in an alliance, vote us out!" Very counterintuitive to their goal of winning the competition.

So the three of them resolve to act as they have been during challenges, and sneak off to the confessional when it's most convenient/feasible to do so, where they can plot and scheme away from the rest of the cast.

This means that, at least to everyone else in the game, Noah's still in this weird grey area where he's actively flirting with both Heather and Alejandro. Or, well, "flirting", since I imagine most of the advances would be initiated by the other party and Noah would play the part of the blushing damsel- or more accurately the begrudging but highly amused recipient, since I just can't conceptualise snarky, stoic Noah being the type to get flustered easily.

I imagine The Confrontation would happen somewhere around London timeline wise (it just feels like the most appropriate place to have a major shift in the plot happen, for obvious reasons), which would give the initial fake dating aspect of the AU time to run it's course without getting stale, and allow the three of them to establish their dynamic as a trio before the merge hits. It'd give Alenoaheather around five or six episodes worth of time to grow closer as a trio (from Greece's Pieces to Niagara Brawls, at least) and have their feelings grow and develop at a natural pace, to the point where they acknowledge that, perhaps, not all of the romantic tension between them is fake.

And then, of course, the Fake Cheating Arc happens. Noah's elimination is the catalyst for this section of the plot, which Perp and myself touched on pretty heavily in one of our reblog chains, and at this point in the story Alenoaheather are in a sort of vague kind-of-dating situation; the three of them know there's feelings there, but they're all more invested in the competition (and their manipulation of such) than trying to figure out what exactly is going on between them. Plus, World Tour takes place in 2010- concepts like polyamory weren't exactly common knowledge back then, so the three of them wouldn't have any basis of comparison for what their dynamic is/would be.

That, and the three of them are all fairly emotionally closed off, so getting them to admit genuine feelings for each other and show vulnerableness to anyone would be like pulling teeth. As it stands, they're fairly content to continue acting as a Trickster Trio, contented to leave whatever's going on between them unlabelled for the time being in favour of focusing their time and energy on winning the million. There's an unspoken understanding between the three of them; what they have is special, inconceptual and indescribable by mere words... which is mostly just an excuse for the three of them not to breach the subject, since they have the collective emotional intelligence of a spork.

That doesn't mean they don't love each other. Because they do, even if some of them (Heather and Alejandro) aren't exactly familiar with concepts like "unconditional love" and "loyalty/compassion for someone besides yourself" and "lowering your emotional walls and being the most genuine version of yourself in front of the people who care about you". It's a steep learning curve, but they're doing their best.

But that's besides the point; at this point in the plot, the trio are essentially a throuple in all but name at the point of Noah's elimination.

That's why his suggestion of playing off of his "cheating" is initially met with hesitance on Aleheather's part- they don't want the one person on the jet (besides each other) they actually care about to risk his reputation, but they also know that it's a strategically sound idea. There's a conflict of interest between their desire to win the competition by any means necessary, and the budding sense of empathy they've both began to develop as a result of their situationship.

Of course, they eventually agree to his plan, and then the whole Cheating Arc plays out as it's been explored previously.

Which means Noah's actual elimination ceremony is a very tense affair.

He's intentionally playing himself up as kind of a scumbag during it, since he wants both Heather and Alejandro to appear as sympathetic as possible to the remaining competitors, so the three of them stage an altercation during that day's challenge where Noah's caught out in his "cheating", and consequently "admits" that he's been playing the two of them and it's all ingenuine on his part, to direct the majority vote against him. It'd kill two birds with one stone that way; Noah gets himself eliminated without having to do much out of the ordinary, since he's already kind of an asshole so all he really has to do is play up that aspect of himself a little and lie about manipulating his partners, meanwhile Heather and Alejandro can reap the benefits of whatever brownie points they gain from being his "victims" by using their own manipulative prowess to adopt the role of the ex-villains, redeemed by their shared heartbreak. Or something equally melodramatic.

Noah doesn't really care about the specifics of it, he'll be long gone before his partners can start playing up their "betrayal and heartbreak", and then soon enough one of them will win the competition. And spoil him rotten with their money.

So, during the actual ceremony, Noah becomes persona non grata. No one wants to sit anywhere near him on the benches, and the remaining cast members form a protective wall between him and a distraught Heather, who sniffles back quiet tears every time her eyes wander too close to the cynic's slouching, impassive frame, and Alejandro who's sat eerily still and taut with disgraced fury, who's fiery green eyes haven't strayed from the burning glare he's shooting towards the bookworm.

Not that Noah's a stranger to receiving glares; the rest of the cast are also shooting him some downright murderous looks. Though he is impressed by his partners' acting abilities. He's also physically biting back pearls of laughter- the gritting of his teeth only serves to make him look unapologetically indignant, and thus more irredeemable in the eyes of their company- because every time Alejandro knows that no one's focus is on him, he sends his cerebral partner a cheeky wink and a smirk. The smug bastard.

Unsurprisingly, the vote is fairly unanimous. Chris doesn't even bother trying to raise suspense or tension by counting the votes, since the result is inevitable. That, and the atmosphere is already so tense and dramatic, the host is revelling in it. Chris even goes so far as complimenting Noah for outshining Duncan's cheating fiasco, showing the audience "what real relationship drama looks like", and maybe even congratulating Noah on almost being as heartless as he is.

He's escorted to the Drop of Shame, parachute backpack in tow, but before he can take the plunge he glances back at his audience. A raging sea of hostility greets him, but within the depths of animosity two shining beacons of light greet him. Alejandro and Heather shoot him a fleeting wave, the ghosts of smiles flickering across their features before they continue their flawless acts, but it's enough to reassure Noah that everything will be fine.

(Spoiler alert, things don't end up being fine for Noah.)

Of course this is all just an idea I'm spewing out. Nothing in this AU is set in concrete and it's always open to peer review or change. That's the beauty of public AUs; you can do whatever you want with them!

[sleepinglionhearts]

How do you get watercolor to look the way it does in your art?

Well, you see, I do it by simply... not using watercolor to begin with!

I use Copic markers - but I'm bad and I don't always use them on proper marker paper.

Alcohol markers have a tendency to bleed through paper real bad, and some paper textures won't allow for optimal blending of the colors. But I think that experimenting with the papers I have - and I have a lot of papers, I'm a chronic stationery buyer - leads to a lot of really interesting results, some of which look a lot like watercolor!

Of the samples of how different paper make the marker look, I like the way the MUSE memo book croquis paper takes the Copic the best. Sure it necessitates putting a paper or using a shitajiki board underneath it to protect the next page, but I think that soft, saturated look is worth it.

I did take a watercolor course while I was in college and I enjoyed it a lot, but I've still got a lot of work to do to be like... as confident with watercolor as I am with markers.

(Copic marker on Pentalic Utility Sketch general use paper, with Sailor shikiori ink in fountain pen for the lines)

[h-doodles]

BREAKING MY SILENCE!!!

sorry im late but i was spamming one bestie with some more analysis thoughts on the borb while half scrolling through my fyp bc i do curate my experience ya know. BUT YOU GUYS. EVERYONE TAKE SEVERAL STEPS BACK AND A DEEP BREATH.

@oneginn I get your point and your post and I respect that, and I personally apologize for the boundaries that were set off with regards to some of my reblogs! I do recognize romanticizing toxic behaviors is BAD and a point of extreme concern, especially in real life! HOWEVER, at the same time, like you said! exploring and liking the darker themes are a thing, and fundamentally, people expressing their thoughts about it is part of the process, especially when writing about it in fiction. I believe that as long we do recognize the proper warnings AND DO give warnings, it's perfectly sane for people to post whatever in our personal blogs. Not to mention that while fiction has the ability to influence reality, some times fiction IS just fiction, and saying this from a place of love: IT'S NOT ALWAYS THAT DEEP. Sometimes the girlies just want some unhinged absolute gratitious smut, some girlies want the most heart wrenching traumatizing angst, some people want the most rancid and unhealthy parts to see how worse they can go, and some girlies want the soft slice of life absolute peaceful fluff AND that's why fiction is great, it can contain ANYTHING! Of course, it is still important to keep a critical lens on everything we read, but it's also important to keep in mind that it's a space where people can explore their boundaries SAFELY.

@shortstrawberry GIRL. when you said that i couldn't help but agree for a hot moment, bc EVERYONE needs a chill pill. But at the same time the arguement that it's just fiction isn't gonna cut it, bc there are too many flavors of fiction for people NOT to react. Thus, my earlier statements: that Fiction is a safe place to explore one's thoughts, no matter how dark it gets, but at the same time we have the responsibility in learning to recognize that there are still certain critical thinking we MUST do in order to properly handle such things. Not everyone is comfortable in what we create, and thus warnings need be applied. But otherwise, it's free real estate!!!

ALSO ough what anyone writes OR creates doesn't reflect their mental health or mental state!!!!!!!!! please you guys. sometimes exploring the possibilities is just that. EXPLORING. it doesn't mean the creator is a monster or a freak for making it. all content is a piece of artistic rendition, and just because the message is unpalatable to your senses doesnt mean it's garbage, nor of need to be censored. If you don't like it, simply click block and go!!!!!

As for the rest of the reblogs in the respective posts. Y'ALL. you dont WANT to start the kinkshaming discourse. But i'm on the side of NO kink shaming. As long as it's safe, sane, and consensual, who are YOU to judge the people involved? ... Don't forget the roots of the queer community. Our lifestyle was just kink to the majority then, and still is perceived by many conservatives as such. LEARN.

[tjerra14]

[chinhands] Hey so. If you could put Ikrie into Forbidden West, what would she be doing?

Oh buddy, I am SO glad you asked! The short answer to this would probably be "chase her down and then glue herself to Aloy's side because her spear needs company and what else is she gonna do" but since I'm slightly (pathologically) passionate about all That, I'll put a longer one under the cut (and buckle up because it will likely be overly long)

It's no secret that I'm an ardent believer in "Ikrie would not stay in the Cut" because there's just too much in the game's text to suggest otherwise. She categorically excludes going back to the White Teeth, and quite possibly the other werak(s) she's known since then at the end of her quest on the foundation of her beliefs not aligning with theirs, brings up the possibility of maybe forming her own werak further down the line; and when you meet her again at Snowchants, she expresses a certain uncertainty about what she wants to do with her future. Will she go back to Ban-Ur, after a little time to heal? Will she build Hunting Grounds of her own? "Fate's a long climb on a high cliff for people like you and me," she tells Aloy, and who knows where fate will lead her?

If you're a little deluded, like me, the answer to that would be "Aloy's side". She certainly is overjoyed to see her again at Snowchants, and when you tell her that you'll do her challenge another time, one of her possible replies is "Then I'll stay a little longer." For her. (cue me chewing through concrete again) But then Aloy leaves for the West, and isn't exactly subtle about it considering she just disappears after the Spire affair. Even if you don't stick with my personal headcanon (which sees Aloy asking Ikrie to come with her), I still think that word of what happened at the Spire (or is going to happen, depending on the timeline you prefer to follow) would reach the Cut, and eventually Snowchants, and Ikrie; and I can't imagine her sitting on her hands knowing the one person who helped her when she was at her lowest could use some help now (plus we all know Ikrie isn't all that good at boundaries and letting things and people go). (There's also a whole bunch about her and Inatut teaming up as Gildun's bodyguards and ending up in the West that way in my head.) So, if we then just skip to the "what would she be doing" instead of the "how did she get there", I always thought she would be a) a much needed addition to the gang (there is no real Banuk representative, as Sylens doesn't really count. Granted, with Talanah's bigger role having been scrapped, the Carja are also amiss, but I've always felt that to really drive home the point of the game, having members of all tribes as Aloy's companions would've been crucial, and they failed to deliver on that) and b) nicely tie into the Utaru arc. I really like Varl, so nothing against him, but I've always felt his role during the Dying Lands cauldron dive would've been better given to another character. He was there kinda just to hold Zo's hand, and while he did a good job at that, to me it also felt it didn't add all that much to the plot and character development, and was frankly a little underutilised. He was just Kinda There. The only stake he had in this was accompanying his friend and girlfriend, and while you can make the argument that alone was enough, he didn't really have as much connection to what was going on main plot-wise as the others (Zo, Kotallo, Alva) had with their respective sections of the subfunction collection quest. So here's where I'm fully going off the rails: I would've thrown Ikrie into that mix. She's from the Cut. She knows a thing or three about machines, be it fighting them or how they work and normally behave ("In thin air, [Scrappers] can smell metal for miles"), and she knows how Hephaestus affects them. Sure, Apex machines are a step up from Daemonic ones, but the pattern persists, and I'm pretty sure that upon seeing them roaming Utaru lands she would be able to make the connection similar to Aloy. And knowing what they have done to her people, she would have ample motivation to prevent the same happening to the Utaru. Not to mention it would've been fascinating to see her interact with Utaru culture and their approach to the Land-Gods, as I see a lot of overlap but also plenty of differences between Utaru and Banuk mindsets, and well. She seems an interesting character to explore some of that. After that, there's the Base. From then on, I'd just think she'd be part of the team. Maybe disassembling machine parts. Kissing Aloy. Hogging the work bench where you have to collect millions of parts to get a corrupted override working. Not that I necessarily think that she would be particularly good at that at first, but she'd likely be interested to learn. After all, if everything she sees turns Banuk belief and tradition on its head, why not figure out how things work in a different way? Also causing some havoc with Kotallo, because why not.

ANYWAY. This has gotten overly long, but the gist of it is. Ikrie in HFW. Yes.

[swiftmitsu]

more questions since the boredom is at it again 🥴 [i like asking tho lol] 1- PLEASE PLEASE PLEASE MROE MUSIC RECCOMNDATIONS EEE IT WAS SO GOOD 💥 2- What DnD class would you be [and what would the moral allignment be] if you could choose any 3-WAIT HOW'D YOU DO THE TEXT CHANGE COLOR THING I CAN ONLY DO ThiS [it doesnt melt into another color like the yellow thingy did 😭] 4- what are your top three ships [platonic or otherwise] [[personally poly star sanses 🗣🗣🗣]] 5- HAVE YOU TRIED THE WOOLIES COOKIES PLEASE OMFG THEY'RE SO GOOD THEY MAKE ME ASCEND 🎇 [not the ones with the macedamia, like the one with them BIG CHOC CHIPS EEE THEIR SO YUMMM]

YEAHHHH MOREEE >:DDD

1- AAAA IM GLAD YOU ENJOYED IT okay SOOO. pulls up killer playlist

If I Killed Someone For You by Alec Benjamin (MORE ROMANTIC KILLER EEHHEHE)

ORRR if you want sad/angsty Killer

Happy Face by Jagwar Twin

(has to force himself to be happy to cope with his life man. 🫠)

2- OKAY SO. IVE NEVER ACTUALLY GOTTEN INTO DND. (i really want to play a game one day though💔)

BUT I HAVE THOUGHT ABOUT THE CLASSES. I'd definitely would go with Ranger, being Chaotic Good hehehe

3- ISNT IT PRETTY??? (i did it because tumblr removed yellow texts option on desktop >:(( )

unfortunately I think you can only do it on desktop too, since you're unable to change the editor of the posts and stuff on mobile..... >:( (i used this post to help me :3)

4- EHEHEHEHEH

okay so honestly, im not much of a shipper lol

KROSS. though, i like seeing them as a queerplatonic pair more :)

KIST ALSO. EHEHEEE theyre both suffering similarly but also differently eueueu let them comfort each other 💔💔💔

but OF COURSE I NEED TO MENTION HORRORDUST. theyre made for each other man i cant even.

(alsO HELL YEAH POLY STAR SANSES EHEH. works good alongside the bad sanses poly *maniacal laughter*)

5- OH MY GOD. YES YES YESSSS.‼️‼️

exposing myself, but i work at a Coles bakery and we get to just. eat the cookies if there's any left over (there always is)

THERE WERE THE ONES THAT WERE SIMILAR TO THE WOOLIES ONE AND RAAAAAAA💥💥💥💥

I EXPLODE EVERY TIME BECAUSE ITS SO WARM. STRAIGHT OUTTA THE OVENNNN✨✨✨✨

[dasketcherz]

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

This was a pretty neat dub of my lil comic!! I love how the VA for Gregory performed the dialogues, it was really nice!! I'm so glad ya'll like it so much enough to wanna dub it ! Really makes me giddy and happy all around! This was really cool!!

Yall can go check them out, their channel's pretty neat ! :3

[gay-jesus-probably]

(Feel free to ignore this-! I’m just happy to hear someone’s deep takes on Zelda)

I really love your deep dives and interpretations/discussions on the Gerudo people and their history, influence and life in BOTW/TOTK (I totally agree with all you’ve said)

I just want to ask/Point out (after reading your imperialism post about TOTK) didn’t the Zora for many years like- not want to serve or be a part of the Hylian families army either? Like, even before Mipha’s death, weren’t the Zora very much against conforming to the Hylian’s rules and such? (In every game?) I’m a bit confused on how Hyrule is split up, the Zora’s having their own kingdom(s), the Rito and Goron’s having elder’s/their own leaders but still serving the royal family??

It’s always bothered me how these separate races all still have statues to the Goddess Hylia (Started in BOTW) and not their own deity’s to pray to or follow (Like the Zora praying to Nayru makes sense, or even something like Jabu Jabu to bring back- or the Rito could’ve prayed to Valoo, a great dragon or something.)

It just feels like Nintendo COULD’VE put so much care into all their races stories and histories! But oops no this game will be for Kids(TM) and we can’t put anything too deep or serious. Makes me sad :( I wanted to see them in a deeper context.

Oh yeah, it's very weird that they just put zero effort into explaining some of the worldbuilding. I mean, in BOTW it makes perfect sense to have the races be off doing their own things! It's post apocalypse, Hyrule does not exist anymore, these different communities have no real reason to interact with each other! And I really liked that BOTW outright showed that there was no particular effort for diplomacy, but people still got along as individuals - I liked that we saw different races hanging around each other. I loved that there were Gerudo in Goron Town to trade for their gems, I loved that Goron were allowed into Gerudo Town because they're a race of rock people that legitimately don't have any real need for gender and just use masculine terms by their own choice, and the Gerudo understood that. And I loved the whole Tarrey Town sidequest, because it actually felt really satisfying to build up a new town that had inhabitants from all the races, not for any particular reason, but just because they were people that wanted to live there and work together. They didn't need a big central government to make it a whole Thing; they were just getting by.

And we also saw the less good side of these things, like that one guy in Hateno that greeted you at the gate, and decided Link was trustworthy specifically because he was Hylian, making it clear that xenophobia still existed. I like that Kass was kind of thrown by Link asking if he was a giant bird, and the implication that Link was being kinda insensitive there and Kass was choosing not to be offended. I liked that there was a Hylian couple on their honeymoon in Rito village because the guy genuinely loved the town and its culture, while his new wife looked down on the Rito and hated being around them. And I liked that the older Zora still held a grudge against Hyrule for many things, up to and including the fact that Mipha died defending it, and the older generation would rather risk everyone's wellbeing than accept help from a Hylian that had been involved. And I like that you can run into other Hylian's near Zora's domain that outright tell you Zora have been trying to recruit them to do something important, but they all refused to get involved because they don't think that those weird fish people could have anything serious going on and it all seemed really sketchy.

My point is, BOTW really did feel like it'd been a hundred years since the end of the world, and everyone was just trying to get by and live their lives. You saw people being open minded and accepting other races for no other reason than the fact that they were all people, and you saw people being petty and bigoted just because they didn't trust people that looked and acted differently from them, but for the most part people were all just getting by and doing their own thing. BOTW gave the impression that Hyrule had been an equal alliance between the Hylian's, Zora, Goron, Rito and Gerudo (and with the Sheikah having a considerably less equal role, specifically built on the Sheikah having been forced to submit to cultural genocide to save their own lives, and the Yiga clan being the survivors that fought back instead), with Hyrule acting as sort of the core of the alliance, if only due to literally being in the geographic middle.

I mean fuck, the existence of the Divine Beasts suggests that things are equal! Yeah, Hyrule has a royal family with holy powers due to literally being the descendants of a Goddess, and they're the ones that always get the reincarnation of the Hero that's the only one who can wield the bullshit OP magic sword... but they don't get a Divine Beast (Link's dinky little DLC motorcycle doesn't count). The Divine Beasts were specifically made to be weapons of mass destruction, and they were specifically made for the non-Hylian races. That really does suggest an active effort being taken to balance the scales, that the ancient people saw that only Hylian's were granted divine favour, and so if the gods wouldn't give that power to other races, they'd fucking make it themselves. The existence of the Divine Beasts feels like a promise to keep everyone on equal footing, and say what you will about pre-Calamity Hyrule, but they didn't even question keeping that promise.

...And then in TOTK, all of that's just gone. The Sheikah aren't their own people with a complicated relationship to the throne, now they're just Hylian's with a different aesthetic. The 'alliance' between the races turns out to be built on Hyrule's first King and Queen pointing their stockpile of magical nukes at everyone and asking them politely to become their subjects, and pretending not to notice the implied threat that they'd magically nuke anyone who refused. In BOTW the Sheikah race being sworn servants of the Hylian royal family was acknowledged as a fucked up situation, and that power imbalance being horribly abused in the past was what created the Yiga clan. In TOTK, we're outright told that Rito, Goron, Zora and Gerudo all exist for the sole purpose of serving the Hylian royal family, and that is framed as a good thing and the proper way of the world; the first sign of Ganondorf being evil is that he refuses to submit.

And even putting all that super gross ancient past stuff aside, the present day is equally fucked. Hyrule has been gone for a century. In BOTW, few people even remembered that Zelda had ever existed, and of those people not many of them cared. Nobody was really interested in having a central government, they were all getting by just fine on their own. And again, it was made pretty clear that the pre-calamity situation had been an actively maintained collective alliance between independent nations. There was a reason that people were predicting that Hyrule's monarchy would be abolished in TOTK, and that's because we all saw that there was literally no reason for anyone other than the Sheikah to respect Zelda's authority as a ruler - the Zora were the only other people to still remember her, and they were completely done with the Hylian royal family anyways. If Zelda rolled up declaring herself the Queen of Hyrule anywhere else, she'd be laughed out of town, because that's the standard response to a random teenager showing up and informing you she was actually the highest authority in the land. Zelda had no inherent authority left at the end of BOTW, if she wanted to be in charge, she'd need to earn it. That's the state of the world that we were shown.

Except nope, nevermind, Zelda's the almighty God Princess of the world and literally everyone mindlessly accepts her ultimate authority. She can order people to strip naked and walk into a monster den to die for her amusement, and they would immediately do it without asking any questions (yes I know the underwear thing was a misunderstanding, but the fact that everyone jumped to follow the misheard order without a single question is horrifying). And the imposter Zelda arc just hammers home the point that Zelda is in a completely unearned, lifelong position as dictator of the world, and literally nobody cares if she abuses that power. Zelda brainwashed Yunobo and forced him to ruin his own business and nearly destroy his own people? He's just worried she'll be angry that the mask keeping him brainwashed was destroyed. Zelda summons a giant monster to attack Yunobo and Link then walks away? Oh my god, the giant monster Zelda just summoned to kill us might hurt her, we have to save Zelda from it! Zelda literally openly attacks King Dorephan and tries to murder him? He'd rather go missing in the middle of a crisis and suffer alone in hiding than let anyone know that Zelda just tried to kill him. I don't understand why they bothered with the fake Zelda arc, because literally nothing the fake Zelda does is allowed to have consequences.

It just doesn't make any goddamn sense. Nobody feels real anymore, there's no politics between the races, there's no reason for anything being the way it is now. The entire world of Hyrule has been reduced to just Zelda's Fanclub, and nobody would ever consider doubting her for a second. I don't understand why the fake Zelda arc is in the game, because it's never actually allowed to be part of the story. Nobody actually cares about 'Zelda' tormenting people, and so we're told that there is literally nothing that can possibly happen to make Zelda lose her authority. There's no stakes. We're not supposed to care about anyone who isn't Zelda, we're not given any real reason to care about Zelda herself, and so why the fuck are we still here?

...I've distracted myself a lot here lmaoo, I'm not really sure where I was going with all of this beyond just rambling about shitty writing and bad continuity. The point is, BOTW had some really good writing and worldbuilding. That Hyrule felt like a real place inhabited by actual people, and the different races were their own, independent people. When they worked together, it was a sign of them putting time and effort into reaching out to each other and meet on the same level. Meanwhile TOTK feels like it's made of fucking cardboard most of the time.

(Also for the record I agree that the Goddess statues being Literally Everywhere was kinda fucked, BUT I'm willing to let it slide as a matter of just game design; that's where you go to trade spirit orbs for upgrades, so you want a spot to do that in every major town for player convenience. And using different deities in different areas wouldn't work, because the players are introduced to the mechanic with a goddess statue; they're not gonna naturally assume that the statue of a giant fish can do that too, so most of them would assume the statue is scenery and just ignore it. I thought it was at least a nice touch that the goddess statues had different decorations in some towns, and that some towns put the statues away from the main areas; it gave the impression that while everyone while worshipping Hylia was widespread, everyone was doing it differently, and in some places it wasn't very popular - just look at the Kakariko statue being in the middle of town with a well maintained pond surrounding it and torches to draw more attention to it, then compare that to the Gerudo Town statue being down a side street on the edge of town, away from the main gate, with nothing of any real importance nearby, and nothing to get people's attention. It really works with the Sheikah's culture being built on their devotion to the Goddess, while the Gerudo's history with Hylia and her followers is a lot more complicated, and so their statue's location implies that worship of Hylia is pretty unpopular among the Gerudo.)

[thousand-winters]

What do you think of Hunters eating habits? Do you think he struggles to eat, struggles to keep on weight etc etc

I doubt he was eating all that well in the coven, but he also lives with Darius Deamonne who just wouldn’t let it slide

The way I struggled to find this, I need a better tag system for my blog, but anyway! I actually shared some thoughts here but let's go with some extra thoughts anyway.

It's definitely going to be a challenge for him to break his bad eating habits and actually have three meals a day and such. Because Darius wouldn't want to force him to eat either if he's not up to it, I can imagine at the beginning there was a lot of "well, at least have a snack" which he picked up for later and then that "later" coincidentially never came.

It would have been easier for him to eat normally and healthily at the Human Realm because it wouldn't feel like it's just him doing something he hasn't earned, his friends were unknowingly leading him with their example. It's easier to do something when everybody else is doing it and acting like it's totally normal to have multiple meals a day even when your make-shift portal exploded on your face for the third time this week. He might not fully understand but it's not him committing a wrongdoing all on his own and overtime he probably relaxed with how nonchalant they were about it too.

I think he was generally very polite with Camila, and very grateful, and he felt comfortable there to a certain level, while all of them knew it wasn temporary, plus Camila only had so much time in her day between work and six whole kids, so he didn't have to talk too much with her if he felt anxious. If he ever felt tense, he could just follow his friends' lead and keep going, even if he was doing something as innocent as grabbing fruit from the kitchen while Camila was around. Not so daunting when you have company and you don't have to spend a lot of time with this figure of authority anyway, even if they're nice.

Now, when he moves in with Darius, it's different. Darius doesn't have six kids he suddenly has to care for while simultaneously worrying about coupons and where to get the money for all of them to be able to live in decent conditions, and this isn't a temporary arrangement either, so Hunter would worry more about making a good impression because if this is to be permanent, he has to be a good kid, exactly how it worked at the castle. He spends more time with Darius than he ever did with Camila, and while they already have the precedent of their time at the castle, Darius is now his guardian, so it's different.

Darius would probably tell him straight away he doesn't have to earn anything at his house, and everything there is at his disposition because it's his house now too, but Hunter would probably feel too awkward at first to even open the fridge if he hasn't been specifically asked to retrieve something or told that he could. So between that and his tendency to tell Darius he's not hungry during this or that meal, very early on he would be kinda going back to his habits at the coven.

But yeah, Darius absolutely isn't going to let it slide, even one or two weeks is too much because Hunter needs to eat, he's a growing teenager. Part of it would be definitely Hunter feeling like he doesn't deserve the food, but even without that, once it gets actually into his head that he doesn't need to earn it, he might struggle to actually keep enough appetite for the three meals at first.

I think it's also possible at the Human Realm he could get away with it a lot because Luz and him were probably the club "I don't feel hungry" and then the others looked at them and they looked so worn down that it was evidently not a physical issue, so they just let them because no point in forcing them when they aren't feeling well. It's absolutely the same with Darius and Eber, except there's no urgency nor lack of ability to take Hunter to a healer and see if part of it is his body not being used to have frequent meals like that.

He probably has to start slowly, perhaps with light meals at first, and Darius would help him work through it both with making sure he has the meals he needs so he can eat properly and with encouraging him and supporting him so he stops feeling guilty about "wasting his time and resources".

He gets there eventually, and if he ever doesn't feel like taking a meal, Darius still takes the time to make him a snack. He doesn't pressure him to eat it, but he does encourage him to not feel like he doesn't deserve it. It takes time, but Darius has plenty of it and a lot of patient for this kid that has been hurt in far too many ways.

[xero013]

How do you think the Nimbasa trio would react to a positive pregnancy test? (Even if it turns out to be a false alarm)

False Alarm💀

Sorry this took so long, this ask came out of nowhere that when I first saw it I had to do a double take—

Maybe not the exact answer but lEMME GO AHEAD AND INFODUMP MY THOUGHTS ABOUT THIS—

They already discussed about their arrangements;

Marriage was a: "Not now but maybe until when the time is right (the three of them having only been dating for three years still)"

And: "Alright with having kids, but after they've actually settled down (and their schedules aren't as tight but the twins would definitely be the type of dads to wear a baby carrier and bring the kids to work if there's no babysitters available www)".

Elesa wants to too but she's the kind of mom who doesn't want her kids to be under the spotlight cuz y'know. But you bet your sweet ass that she'd spoil them rotten like the good mom she is!

The rules has been set, very original I know (xD) but the twins are the type to take it to heart so their reactions are pretty reasonable especially for Ingo www (Come on they care about her quite a lot and thought they had messed up by breaking two of them)

(Actually, there was supposed to be more pages to this that would explain their true feelings to it after the initial shock and Elesa explaining why in the world she decided to do a pregnancy test in the first place.

And she'd y'know, ask them a what-if possibility if it were a positive?

They'd be more concerned about her feelings and all, and it's up to her to decide what to do about, and whatever her choice would be, they would wholeheartedly do their best to y'know, support her, be there for her like the awesome boyfriends they are.)

Which if you want, you can ask for it again, I won't mind drawing the continuation to this, but it might be more fluffy than funny tho and of course, would take longer to post—

[ifindus]

Hi!! I’m learning Norwegian right now and I was wondering if you have any tips about the language as a native? Maybe some slang or good books you could recommend! :D

🤩💖

I'd def recommend having a look at NRK's website for free shows and films if you have a VPN. As for book recommendations I'd suggest the Phenomena series (I loved them as a kid), or Alvetegnet with Gravbøygen Våkner as an absolute favourite of mine with great folklore inspirations, and Sigurd Drakedreperen by Torill T. Hauger.

Some slang(?) for you:

Skjer? - What's up? lit. trans.: Happening?

Serr? - Seriously? shortening of "seriøst"

Hils - not really slang, but means to say hi to someone else for someone. Like "Oh, you're seeing them later? Hils", and when they see the person they'll say "Oh btw, I hilse from that person".

Lættis - Funny.

Klein - Awkward. Older meaning: ill/sick.

Legg - ID. short for Legitimasjon.

Those are the most common ones I can think of, but there's plenty more in different dialects; sju (skjønner du - you see) and læll (allikevel - regardless) from my own.

[getblammed]

🐤 !

meme.