#who do i have to murder to be her

[whoisspence]

no of course i'm not jealous

[umblrspectrum]

the Solver of the Absolute Fabric, the Void, the Exponential End acting like an entitled toddler is the funniest thing

[biggest-gaudiest-patronuses]

demanding a series in the same vein (heh, vein) as Dexter/Hannibal wherein a prolific serial killer plays cat & mouse with the police--except the serial killer in question is a preteen schoolgirl. this would make for compelling television due to the fact that middle school frequently causes girls to become deranged, and more media should reflect this

[tricoufamily]

just some ivy league kids trying to figure out necromancy

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[stil-lindigo]

family resemblance.

--

prints

wolf's story (left)

ash's story (right)

[izzystizzys]

“ - but have you ever considered, I don’t know, not sucking all the time? Just a thought.”

It takes the combined grips of Nuisance and Hound to keep the wriggling, snarling body beneath Fox from throwing him off its back. With three years’ practice of having to fix his own rickety desk chair over and over again, the movement merely ruffles the proverbial fringe on his helmet.

“And I don’t mean that as an insult, necessarily. Well, I do a little bit. But also I have some amount of empathy for the no doubt immense amounts of trauma that had to go into the creation of something so dysfunctional as you, on a very personal level, so have you considered going to the root of that in a way that’s like… useful? Instead of wasting it all on kriffing Kenobi, I mean. Look at the guy. All he does all day is drink tea and commit warcrimes. I bet he knits for fun. Bit of an embarrassing nemesis, don’t you think?”

“I”, says Kenobi, then pauses. The space between his eyebrows is creased with uncertainty, and he looks deeply torn between continuing rocking the shaking Duchess of Mandalore against his chest from his corner of the throne room and re-activating his lightsaber to continue losing his fight against the Darksider Fox is currently sitting on. “I feel like I should object to some part of that, but I’m not entirely clear on what. Or how this happened, again. Isn’t Mandalore a few star systems from your purview, Commander?”

“Probably the warcrimes”, mutters Nuisance underneath his strained breath.

“About as far from my supposed assignment as yours, General”, says Fox a little louder.

Kenobi twitches. Fox cannot claim to know which of them does it. Both, maybe. Probably.

“I will - taste - your - flesh!”, heaves out Darth Maul, snarling and hissing.

“Oooh, kinky!”, calls Grids, from the corner where she’s got her stun-setting aimed at the other Zabrak, currently passed out cold. Fox sighs deeply. He knew he shouldn’t have taken those three - any combination of Grids, Hound and Nuisance in a room together usually spelled chaos.

Unfortunately, it also spelled competence. The Basic alphabet can be funny that way.

The point being: as of some months into the war, one of Fox’s assigned tasks is the surveillance of all GAR-wide communication. All command-class staff theoretically got that memo, but no one seems to have read the fine print where that includes both professional and personal communication, as well as any and all comm devices registered or suspected to be registered to that person. Especially not one Anakin Skywalker and Padmé Amidala.

The point further being, if that sounds both immensely impractical and sort of terrifying in a democratic supposedly non-surveillance state, you’d be bang on the credits, and to Fox’ eternal chagrin the singular person in this whole useless army who’s spent the second of thinking necessary for that conclusion.

The final point being, when one frantic General’s mad dash across the Galaxy to rescue his teenage sweetheart from the spectre of his supposedly dead nemesis crosses his desk on its way to the Chancellor’s inbox, it doesn’t take much time for him to block any and all trace of it across the digital space of the GAR commboard and take matters into his own hands.

“ - which is why I told Thorn to suck it up and be in charge for a few days, and also why you’re still alive, your Highness, very welcome, was no trouble at all”, he concludes, drily. The Duchess stares the wide-eyed look of someone attempting to reconcile clones with ‘sentience’ or perhaps ‘personality’ in her head, but won’t say it outright.

Or the look of someone who’s just been violently overthrown and nearly murdered, perhaps, Fox allows.

“Um -“, Kenobi hedges, blinking rapidly.

“And the reason you’re still alive, probably. You’re welcome for that too, by the way”, Grids calls from the back of the throne room, cheekily.

“Alright”, says Kenobi, loudly. There’s color back in his deathly-pale cheeks, Fox notes, even if that color is a lot of red. It doesn’t fade very gracefully into his beard. “Opinions on whether or not I had everything under control notwithstanding -“

“You really didn’t”, Hound supplies helpfully.

“ - opinions notwithstanding, I am admittedly still lost on why you’re now sitting on Darth Maul and attempting to, to - jeer at him, Marshall Commander!”

“We’re not jeering, we’re trying to create a safe space and lay the groundwork for more open communication”, Fox says, primly.

Maul screams into the ground, attempting for the umpteenth time to rear up and visit great violence upon Fox, which admittedly has him rattling in his crosslegged seat atop his back.

Kenobi raises a perfectly plucked eyebrow. “Safe space?”

“He’s restrained and not stabbing anyone, I personally feel much safer than before”, Grids muses. “Watch the teeth though, Hound. Little biter.”

Indeed. Fox’s right greave will have to be replaced posthaste.

“And anyways, the point isn’t to jeer at him, it’s to make clear that he’s focusing his energy in the wrong places and could be doing much better things with his admittedly not-great life”, Fox adds, shifting to cast a pointed look down at Maul. The Sith is panting open-mouthed into the durasteel floor, sharp teeth gnashing wildly as his piercing yellow eyes shine with barely restrained rage. “I’m just saying - aim higher. You aren’t seeing the forest for the Kenobis, Maul. Can I call you Maul?”

“I will feed you your own entrails”, yowls Maul.

“See, that’s exactly what I’m talking about. Right now, I’m an easy target to focus all that built-up rage on, but is killing me really going to help you achieve any of your goals? No! Think about it - when it all comes down to it, who sent you on that mission to Naboo in the first place? Who made sure the Jedi and, by extension, Kenobi would be there to kill you? Who used you as a dejarik piece and then cast you aside the second you outlived your usefulness?”

Beneath him, Maul slowly stills in his struggle, still panting heavily. Hound and Nuisance don’t let it deter them in their vigilance, because they’re damn good vod’e and possess an ounce of common sense.

“And, look, I get it. I could spend the rest of my life punching every civilian who spits on me in the streets and it would even be satisfying. I could hit back the Senators who think of clones as easy targets. Or - I can aim my sights at who’s on top. And I think you know who I mean, because you know as well as I do the same damn man has ruined both our lives.”

Kenobi makes an alarmed noise, and Maul an interested one - not that Fox is going to let him walk out of this place awake. Still, he tilts his head in a way he hopes conveys his helmeted grin successfully to non-vod, as well as the bloodlust behind it. “You’re also welcome for the fact that the Chancellor won’t have heard of your spontaneous resurrection yet, by the way. You’ll retain your element of surprise instead of gambling it away on petty revenge on Kenobi.”

“He cut me in half!”

“He killed my master!”

Fox waves their protests away.

“Also, that’s treason!”, Kenobi adds, sputtering. Fox grins. Kenobi purses his lips, and continues. petulantly, “…do you have any proof?”

“So. Much. Proof”, says Nuisance, dreamily. “Like, do you want it alphabetically or by date?”

Which is when the Duchess, of all people, bursts out into barking, crazed laughter.

“You - you’ve certainly given yourself an edge in that fight, Marshall Commander”, she wheezes, brushing tears from her eyes. Fox raises his eyebrows at her, which she somehow seems to be able to tell, because she gestures at the clunky handle dangling from his belt.

“What, this old thing?” He unclasps the black rectangle from its hook, holding it up in the air. Maul stills strangely beneath him, and Kenobi goes ghostly pale again. Fox is starting to get a bad feeling.

“I took it off Viszla and beat him over the head with it. I figured he’d taken it off a Jedi cadet or something. What? Why are you looking at me like that?”

[trappedinafantasy37]

There are multiple gods in the game that you can directly interact with and they all have ties to the narrative. You can interact with Shar via Shadowheart. You can interact with Mystra via Gale. You can interact with Myrkul via Ketheric when he takes on the avatar form. You can interact with Bhaal via Durge and in the fight with Orin. You can interact with Bane after killing Gortash and using "Speak with Dead" in which the soul you speak to is not Gortash, but Bane himself. I would include Vlaakith in this list but Vlaakith is not a god, she is a lich presenting herself as a god. And, of course, there is the Absolute which doesn't really become a god until it ascends into the Netherbrain (although that is debatable).

But, did you know that Lolth will also interact with you? As far as I am aware, Lolth is the only non-story related god in which you do have interactions with. One of them is only available if you are a Lolth-sworn drow, and the other is only available if you are a Cleric of Lolth (you do not need to be Lolth-sworn for it).

The first instance is in the goblin camp with the spiders in the pit. This does require that you are a Lolth-sworn drow and that you have the ability to speak with animals. When talking to the spiders, you will have the option to present yourself to the spiders as Lolth herself. If you fail the persuasion check, Lolth gets pissed off as she was listening to you and is not happy that you tried to present yourself as her. And she tells the spiders you are an imposter and they attack you. But if you succeed the check, Lolth doesn't do anything and the spiders will think you are Lolth. So, Lolth doesn't really have a problem with you pretending to be her. But if you are going to pretend to be her, you better do it right. If the spiders think you are Lolth, you can ask them about what's going on in the goblin camp and the spiders only talk about one thing. They immediately tell you that there is another drow in the camp who has forgotten her way and that she is forsaken. And, as I said, Lolth is here. She heard the spiders admit this. Lolth does nothing about it.

The second instance is in the Underdark with the Phalar Aluve. When you interact with the sword, you have two different checks, a Strength check and a Religion check. If you do the Strength check, you can just pull it out of the stone and be on your merry way. If you perform the Religion check, the narrator will tell you different things depending on certain conditions. If you are a Lolth-sworn drow and/or a Cleric of Lolth, the narrator will tell you that the religious rite to pull the blade from the stone is blasphemous as it pays honor to the weak. If you are of any other race and/or cleric of any other god, the narrator will tell you that the sword is of Eilistraee and the rite pays honor to the fallen. The religious rite is that you spill a little bit of your blood and the sword will rise out of the stone on its own. If you do this as a Cleric of Lolth (you don't need to be Lolth-sworn) you will feel hundreds of spiders crawl all over you as Lolth is warning you not to do shit like that ever again. Not only did you perform the religious rite of another god, you performed the religious rite of a god she hates. And she is letting you know how much she hated that.

These are the only two instances in the game that I have found in which Lolth interacts with the player but there are plenty of other moments in which Lolth could interact with you, but doesn't (such as with the Phase Spider, the baby spiders in Grymforge, Kar'niss, or the dead spider in the Gauntlet of Shar). Of these two moments where Lolth does interact with you, one of these instances is in the goblin camp, and the other is in the Underdark not too far away from the goblin camp. I don't think it is much of a coincidence that these two interactions occur in close proximity to Minthara. Almost as if Lolth has a reason to be in that area specifically to watch and monitor things, and you just so happened to be there. And the only things that compel her to interact with you is because you pissed her off. But, as long you don't piss her off, she will do nothing and she will say nothing.

When Minthara was being tortured by the Absolute, she prayed to Lolth and begged Lolth to give her the strength to fight her enemies. But Lolth does nothing and Lolth says nothing. In fact, that was the full extent of Lolth's "punishment" for Minthara, nothing. All Lolth did was not answer Minthara's prayers and not show up when Minthara needed her the most. Lolth did not torture Minthara like the Absolute did, Lolth did not turn her into a drider, nor did Lolth eat her. All she did, was nothing. And yes, Lolth is known for abandoning drow and no longer interacting with them. A drow has to do something incredibly awful in order for Lolth to just back away from them entirely. But you cannot convince me that Lolth is going to let one of her Baenre's go so easily. It's not as if Minthara has done anything truly awful either to make Lolth that mad.

According to Minthara, she herself has sinned against the Spider Queen, but it's not as if she chose to abandon Lolth, she was forced away and mind controlled into being devoted to another god. But would this make a difference to Lolth? Does it really matter if Minthara was compelled to have faith in another god besides Lolth? It isn't until Minthara is freed and feels the absence of Lolth that she chooses to no longer follow Lolth. Minthara even mentions how turning against Lolth is a big no-no in Menzoberranzan. Minthara herself at one point has hunted down and killed those who turn their backs from Lolth so she knows the same will be done to her if she were to ever return home. In fact, if you are a Lolth-sworn drow or a Cleric of Lolth, you are given unique dialogue options with Minthara to kill her because she is a traitor to Lolth and these options continue to show up until you recruit her into your party and she joins your roster. Despite all of this, Lolth does nothing. Minthara spews anti-Lolth rhetoric left and right, and Lolth does nothing. If you take Minthara to the tabernacle, she will spit on a shrine to Lolth, and Lolth does nothing.

Minthara is also able to walk through the Gauntlet of Shar, which is in the Underdark, and Lolth does nothing. Sure, you could argue that its connection to the Shadowfell and the fact that Shar is there via Shadowheart is enough to keep Lolth away. The lore of DnD does not make it quite clear what the relationship between these two goddesses are. But I am willing to bet that Lolth is smart enough not to step on Shar's toes because Shar would annihilate her. However, there is a small little section of the Gauntlet where it actually does spit you out directly into the Underdark and into Lolth's territory. Minthara can walk right out there just fine, and Lolth does nothing.

But most importantly, Minthara's default ending is her returning to the Underdark with the sole purpose of destroying House Baenre and then killing Lolth. Destroying House Baenre could lead to a chaotic and political disaster in Menzoberranzan, and Lolth does nothing. Minthara quite literally wants to kill Lolth and has intentions to do so after taking House Baenre, and Lolth. Does. Nothing!

If Minthara goes into the Underdark and destroys House Baenre, this will cause chaos and death. And the Baenre's won't be the only ones she has to destroy, but any and all allies of House Baenre in which they do have a lot. And Lolth will feed off of all the death and carnage and chaos that Minthara is about to bring to Menzoberranzan because Lolth loves chaos more than she hates traitors.

Maybe, Lolth has not abandoned her as Minthara thinks she has. Maybe, Lolth has done nothing and said nothing because Minthara has not actually upset her. Maybe, Lolth has done nothing and said nothing because Minthara is already doing everything Lolth wants her to do. And all it took, was making Minthara think that Lolth abandoned her. There was no need for Lolth to answer Minthara's prayers, because Minthara always had the strength to fight her enemies.

[bishopony]

does anyone else have any fandoms they aren't a part of but sort of like, admire from afar? for me it's sonic. I don't play the games, I don't read the comics, I don't follow any sonic artists and I don't have any real sonic ocs. but i still like sonic lmao

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[blackthornish]

martin short is a legend!!! his performance in episode 2 of s4 is an emmy tape!!!!! he was brilliant!!and the script for this season is amazing!!! they separated the suspects into two episodes, which I found very interesting!! cuz they didn't interact at all and we can't exclude anyone who has appeared so far…. (SPOILERS IN THE TAGS)

[cheshiresense]

[Last Part]

Can't have a Yuzu POV without a Karin POV lol~

-0-

Karin makes it back before curfew with fifteen minutes to spare. Their brother had extended hers and Yuzu's curfew to 10pm since they'd hit their double-digits, and she's always been mindful to never break it. Yuzu isn't usually one to stay out late, but Karin likes her freedom to wander around without supervision enough that she isn't going to risk a grounding just because she couldn't be bothered to check the time. Besides, she knows kids her age don't get half as much trust or leeway from their guardians, so Karin isn't going to disappoint Ichigo's expectations by not following the few rules he'd set for them.

Not to mention she has exactly zero faith in her own ability - or honestly anyone else's - to slip under her brother's radar anyway. Only an idiot would think they could, and Kurosaki Karin wasn't raised a fool. Sneaking in late isn't even worth considering.

So she's back by 9:45 sharp, and she unlocks the apartment door to reveal a scene in the sitting room that's not entirely unfamiliar ever since dinner last Tuesday.

"Shoes," is Ichigo's greeting, and Karin immediately rallies.

"I rinsed them!" She insists defensively. "Thoroughly!"

She had. Karasu River, specifically that spot where their mother had died so everyone's avoided it ever since like they might get cursed if they stray too close, is a great place to get rid of evidence.

"And now you're thoroughly tracking water through the door," Ichigo points out dryly, which, oh yeah, she is, whoops.

Karin makes a vaguely sheepish face before quickly toeing out of her sneakers and leaving them outside to dry instead. Just her luck that Yuzu dropped a vial of her newest poison yesterday and burned a hole straight through the entryway doormat, and they haven't had a chance to replace it yet.

She shuts the door, drops her duffel bag against one wall, and ambles over to her brother for a hug and a cup of tea from the fresh pot on the kotatsu. Or rather, Ichigo goes about pouring her one while she slumps into his side with a content, if tired, sigh.

Ichi-nii has never really been one for hugs, even when she and Yuzu had been smaller, and that's no different now. Occasionally, on a birthday or new year or when - very rarely - something had made them cry, he'd dole one out to each of them, stiff and a little awkward, but genuine in a way Karin knows he'd had to learn just for them, and that alone had made it precious. Besides, he's never refused their hugs when they take the initiative to go in for one, and Karin knows full well that anyone else would be thrown across the room or tossed out a window, Mizuiro included, so that's just as good even if Ichigo doesn't often return them.

She leans against him now, and he endures it stoically, handing her tea and also casting a surreptitious eye over her for any signs of injury. There are none of course— Karin's been learning how to protect herself ever since her brother had become the undisputed head of the household, even if Isshin still remains determinedly blind to anything related to his son to this day. And on top of that, Ichigo's long since ensured their safety from most lesser predators in this town, so it's not as if they have anything to worry about.

Of course, there are still morons who slip through Ichigo's iron-fisted oversight - or rather, are allowed to slip through - either because they're new to Karakura or they're lured in from a neighbouring town, all of them deemed harmless enough prey for Karin and Yuzu to play with. They make for wonderful test subjects for Yuzu when she's getting creative again, and very convenient outlets for Karin whenever soccer and karate aren't enough to siphon off her excess energy. Unlike Yuzu, Karin really isn't made to sit still or stay indoors all day.

She blinks when Ichigo jostles her out of her thoughts with a nudge and a succinct reminder, "Greet."

Karin's pretty sure there's some kind of What Manners And Social Norms To Teach Your Kids So They Can Fit Into Society self-help book squirrelled away in Ichi-nii's room somewhere. Possibly even a series. Of course, her brother certainly doesn’t follow his own lessons on conduct, but this is one of those things that Ichigo has always implicitly expressed his preference for her and Yuzu to ‘do as I say, not as I do'.

So Karin can only swallow a forbearing grumble along with her tea before nodding curtly across the table, "Good evening, Hirako-san, Urahara-san."

Ichigo's already turned back to some papers in front of him, because bright side— her brother's number of fucks to give begins and ends with the most perfunctory of civilities, so at least Karin doesn't have to waste time on small talk. Yuzu, her crazier half, is the only one of them who actually enjoys that stuff. Karin sometimes can't believe they're related.

"Brat," is Hirako's response, and his voice says amusement but his eyes say caution. Well, amused caution, but Hirako seems to find almost everything a little funny, and it's not even some weird bravado because his reiatsu manifestation is constantly a glittering field of yellow-gold-blue that takes the form of a sunny beach. Usually.

On the other hand— "Good evening, Kurosaki-san," Urahara returns, perfectly polite, with a perfectly pleasant if distracted smile, perfectly suited for someone who's genuinely glad to see an acquaintance's sister home safe. Except his reiatsu manifestation is a fucking ocean of blood, deep and dark and completely still on the surface no matter what he says or does. The only times Karin's seen even just a ripple in it is when Ichigo is talking. Her brother at least seems to have a knack for taking Urahara off-guard. Nobody else though, and the external mimicry of human reactions - no matter how expertly crafted - doesn't impress Karin one bit when she can see the disconnect between his insides and outsides.

So she snorts and goes back to ignoring them both. Since the dinner last week, these two have come back a couple more times, mostly meeting with Ichigo for something or other, probably a ghost-related problem, with Urahara also dropping off a stack of books and scrolls for Yuzu, and they seem like they'll be sticking around for a while. But until Ichigo tells her that they're going to be part of the family, like Mizuiro, Karin's not going to waste her time on getting to know them. Honestly, just by dint of being people, and worse, troublesome ones, means that they're more likely to get themselves offed at the business end of Ichigo's swords than anything else.

"Ichi-nii," She says instead. "I have another away game on Friday. Can you sign me out of class?"

Ichigo makes a noise in the affirmative. "Leave the form on the kitchen table before you go to bed. Is it in Naruki City again?"

"Yeah," Karin makes a face. "Back-to-back matches against Hiromasa. Dunno why they even bother when they're not serious about it anyway. And they're so annoying. We always kick their asses but they still look down on us cuz I'm a regular on the team. What, a girl can't play soccer now? But we literally run the score up into the double digits every time we play and all they say is that they were going easy on us cuz we've got girls on the team!"

She stops and takes a deep breath. She's actually complained about this before, multiple times, ever since she'd turned nine and been deemed old enough - and tall enough - to play in official matches. Or as official as elementary school club competitions can get anyway, and being able to play against other schools was awesome, but that didn't mean some of their opponents weren't dickheads. At least she'll finally enter middle school next year and probably won't ever bump into this particular group of idiots on the field again, but until then, she's no doubt going to complain some more.

And her brother always listens with the sort of patience he wouldn't extend to anyone else's whining, which Karin likes to take shameless advantage of, but on occasion, she also needs other ways to vent, and that was really what today had been all about after enduring last Friday's game.

Right on cue, Ichigo asks without looking up, "Haven't you gotten it out of your system yet?"

Karin huffs and takes another long drought of tea before speaking. "Kind of? But the guy didn't even put up a fight! He even pissed himself, Ichi-nii! Before I even did anything! It was gross!"

Ichigo finally lifts his head just to level a look at her. "You play with your food too much."

Karin stares indignantly back at him. "I do not!"

"How long have you had your eye on this latest one?"

Since like, three weeks ago, but that's not Karin's fault! "It's not my fault he took forever to take the bait. You'd think it would've been easier with the way he stalked my jogging route every single day just to see me in a tank top and shorts. Besides, I was saving him for after last Friday's match! You know, as a treat."

"And now it's already Tuesday," Ichigo mutters, but he also pats her on the head in a vaguely comforting if condescending manner, like he's consoling her for a botched job.

Karin splutters. "Ichi-nii!"

Ichigo smirks briefly. "You're still young. You'll get better. There's no rush."

Karin pouts into her tea. Eleven - literally twelve in less than half a month! - isn't that young. She's definitely not a kid anymore. Ichigo was already scaring the crap out of half the town before he'd even hit his pre-teens. He hadn't even killed anyone yet back then but people twice his size would pick fights with him that he'd always win, and then he had started killing once he'd turned thirteen, which had only cemented his reputation. Karin and Yuzu had had to beg forever to get their brother to teach them some of the tricks of his trade, because they hadn't wanted to wait years to follow in Ichigo's footsteps, and Ichigo had thankfully agreed that it made sense for them to learn how to protect themselves.

Still, no matter how many bodies she and Yuzu have put in the ground - not that many actually, they've got a long way to go to catch up to Ichigo - Karin isn't so oblivious that she doesn't know that a good portion of the respect they receive these days is entirely down to their brother's looming shadow behind them. But everyone needs a goal or two in life, and one day, she wants people to look at her and flinch because she's scary enough all on her own.

"Did you clean up properly tonight?" Ichigo adds like an afterthought.

Karin rolls her eyes. "I would've called you if there was a problem. You know I have like three different cleanup crews and Mizuiro-nii on speed-dial."

She can't wait until she's tall enough to bag and carry adult corpses around on her own. It's embarrassing to have to call someone every time she - okay, she admits it - makes a bit of a mess. It's not an issue when Ichigo is there, and she just has to help him, but when she's alone, it pays to have extra hands in the aftermath, even if it feels kind of like she still has to be babysat.

"Cleanup crews?" Hirako suddenly interjects from where he's just been watching them and listening like he's never heard a single conversation in his life and it's somehow super fascinating. What a weirdo. "Where'd ya get those from?"

Karin squints at him. Why does he want to know? Shinigami old as dirt still don't know how to do their own cleanup?

"They're just local yakuza," Ichigo actually takes the time to answer, which seems exceptionally tolerant of him. He must really like this guy for some reason. "Someone always has some free time to lend a hand, and they don't mind sharing their dump sites."

Hirako arches an eyebrow. "They don't?"

Ichigo smiles lazily at him. "Not anymore."

Hirako stares at him for a beat longer before bursting into raucous laughter, except the sunny beach from before is shifting, sliding, fucking shimmering, and then it's no longer a beach even if it's still a field of yellow-gold-blue. Instead, sand dunes rise where there'd only been wild grasses and rocky outcrops before, an endless desert as far as the eye can see, while the sea isn't a sea at all but something that could be an oasis or just a mirage, now gone hazy behind a wave of heat, and all of it so deceptive and deadly that you might wonder how you could've ever mistaken it for anything remotely harmless at all.

And it's even worse beside him, because Urahara is sitting there, blandly smiling away from behind his fan, and he doesn't look much of anything, but the ocean of blood he's literally submerged in stirs for a minute like there's something large and lethal swimming in its depths. Karin can't see what it is though because the blood is so thick that she can barely even make out Urahara's face, let alone anything else.

She rubs at her eyes. They're giving her a headache. This is why she prefers baseline humans over ghosts. Ghosts naturally have more reiryoku than average living beings, and Shinigami have even more than that - way more - so Karin in turn sees a whole lot more than just flashes of transparent images when she has to look at them. And it would be bad enough if it was just that, but these two lie so much. She doesn't know if it's a Shinigami thing or Ichigo just attracts complications, although now that she thinks about it, Mizuiro had given her headaches at first too. It'd just been easier with him because when he'd started coming over to hang out, he didn't have anywhere near as much reiryoku as these two guys, and now Karin's just used to him so it doesn't much matter anymore.

But these two. She doesn't even know what Hirako's deal is, because as far as she's aware, he hasn't really lied about anything so far. His insides match his outsides, so to speak. But his manifestation also seems to imply that everything he says is as much a truth as it is a lie, or that it could be a lie just as much as it could be a truth, depending on the situation. Which doesn't make any sense, at least not to her.

And don't even get her started on Urahara. That man oozes shady vibes so it's not exactly a shock that his manifestation reflects that. It's just... who the heck has an ocean of blood representing their soul? It's not the fact that it's blood that confuses her; it's that the blood is all there is. Even if you kill a person a day for a thousand years, it can't be all that you are, right? Even Ichigo doesn't have something like that. Although to be fair, his reiatsu manifestation can probably come across as pretty disturbing too. But Karin basically grew up with it so she can't really say for sure. It's certainly never frightened her. Not that Urahara frightens her either. It's just... weird.

Both of these old dudes are so weird. They're the first people she's come across whose manifestations are as complex as her brother's, but she doesn't really know what she can interpret from them because manifestations are different from emotions, and besides that, emotions are her sister's wheelhouse anyway. Yuzu is the one who can pick up what someone is feeling at any moment and extrapolate from there. Karin just gets a bunch of pointless shitty abstract art shoved at her eyeballs, and Shinigami are clearly the worst about it.

And just to make it really unfair, Yuzu says that emotions rarely get too loud for her. Karin doesn't know if it's because her sister had been born with natural talent when it comes to controlling her ability while Karin... hadn't, or if Karin's ability encompasses so much of one of the senses she depends on most in everyday life that it simply affects her more easily, but either way, if the manifestation is a powerful one, then the longer she focuses on it, the more it can overwhelm her.

It'd been almost unbearable at first when she was younger, all of eight years old and finally tapping into her portion of the family inheritance, except even a glimpse of another student with slightly above average reiryoku levels could wipe her out for hours. There'd been days where Ichigo had had to pull her out of school just so she wouldn't have to see anyone, living or dead, and she'd needed almost six months before she'd gotten a proper handle on it.

During last Tuesday's dinner, she actually couldn't even see what Hirako and Urahara's faces looked like until near the end of it. Their reiatsu is just that strong, which means their manifestations appear completely solid and three-dimensional, and that means that those manifestations are the only things Karin sees most of the time when she has to look at them.

She doesn't even get the benefit of practically being able to read minds like Yuzu can. Although Yuzu always says it's nothing like reading minds. Karin remains unconvinced. Emotions can reveal a lot, especially with context clues. Manifestations on the other hand almost never react to whatever is happening in real time. Unlike emotions, they're rarely a consequence of outside stimuli. Hirako's had changed earlier, from illusory beach to the real desert hidden underneath, but that's because his manifestation has always been like that, switching between the two when the mood - his mood - strikes. Even now, it's already settling back onto the beach scene. It may have been somewhat affected by what Ichigo had said - by cleanup crews??? - but it hadn't shown anything that hadn't already been there, part of Hirako's soul.

In contrast, Urahara's the real outlier. Karin doesn't even want to think about his manifestation, never mind look at it. It's not that his soul has become something new either - the whole person would have to be swapped out for that to happen - but she's never met anyone, ever, whose manifestation seems to hinge so absolutely upon one person before. She's not even sure if Urahara is aware of how... fixated he is. And she definitely doesn't know what it means. Ichigo doesn't even like the guy, and Urahara - inside or outside - doesn't seem particularly hung up on Ichigo. Except of course for the little matter of how his actual-facts immortal soul is doing the near-equivalent of placing itself in the palm of Ichigo's hand, which- what. Didn't they just meet like two seconds ago? If Karin actually believed in love at first sight, she'd say this might be what it would look like if it could manifest a physical form in the creepiest way possible, but she doesn't, so to her, Urahara's just insane.

Anyway, no one can blame her for not wanting anything to do with these crazies, especially when coupled with her ability. She wouldn't give it up if she could, because it's hers, and it makes her special like Yuzu, like Ichi-nii, makes her part of the family in a way no one else but the three of them can be, but at the same time, it's honestly a pretty useless skill. Manifestations are just... portraits of souls laid bare, which sounds all kinds of impressive and philosophical but is actually just a fancy way of describing a lifetime of squatting in an art museum with all its exits sealed.

It's terrible all around, made doubly so by their houseguests, and in Karin's opinion, the sooner Ichigo gets tired of them, the better.

The room has gone silent, and Karin only notices when the mostly empty tea mug is plucked from her hand. She's pinching the bridge of her nose with her other hand, eyes closed, but she opens them then to peer up at her brother.

"It's getting late," Ichigo says without much inflection in his voice, but he also pats her head again, and a flare of reiatsu floods her retinas like cold spring water on a hot day, washing away the pain. "Go to bed. Lights out by eleven."

Karin's more than happy to get out of there, away from Less Crazy 1 and More Crazy 2.

"Mm, I know," She gives her brother a quick hug before clambering to her feet. "'Night, Ichi-nii. I'll leave the form in the kitchen."

Ichigo grunts his acknowledgement, and Karin spares a moment to nod in the general direction of the Shinigami before wandering away, pausing only long enough to scoop up her bag before making her way up the hall and to the master bedroom. She and Yuzu still prefer sharing each other's space even though Yuzu is fastidiously possessive about her own belongings, so Ichigo had given them the biggest room when they'd moved in, while he and Mizuiro had split the single and study-turned-bedroom between them. The best perk of this is of course the fact that she and Yuzu get the en suite bathroom to themselves.

Her sister is still up, bopping to some music on her headphones while reading one of the scrolls Urahara had given her. She barely glances up when Karin comes in, although she wrinkles her nose plenty when it's clear Karin hasn't had time to do her laundry.

Karin rolls her eyes and shuts the door behind her. "I won't leave anything lying around, don't faint."

Yuzu glowers at her. "I don't faint!"

Karin snickers as she ducks into the bathroom. "Whatever you say, princess."

The thud of a pillow hitting the bathroom door is her reply. It's actually pretty hilarious when Karin thinks about it. Yuzu's manifestation is a sterile white room lined with perfectly preserved faceless corpses wall to wall, but give her a human body with its guts spilling out, and she immediately runs for the nearest toilet. She doesn't mind the scent of blood, but gods forbid any stains linger where they shouldn't.

Speaking of, Karin digs out the set of clothes she'd changed out of earlier, after her stalker had been dealt with. She hadn't even gotten them very dirty this time, and she'd made sure to scrub everything clean in the river anyway before coming home, but she'll still have to toss them into the washer again if she doesn't want Yuzu nagging her about it. In the meantime, she shoves it all into a vacuum seal bag and leaves it in the corner. She can haul them over to the laundry room next door in the morning with the rest of the past week's load.

Her knives are tucked inside the duffel as well. Those she'll take care of tonight. Ichi-nii went all the way to Nagasaki to commission them for her from a semi-retired blacksmith last year. They're elegant and gorgeous, and they cut like a dream, sheathed in black leather and embossed with a small stylized K on the flat of each blade, only noticeable when the metal runs red. It's the best gift Karin has ever received, and if they ever rust, or she ever loses them, she'll probably bawl her eyes out.

She hops into the shower next, sighing happily as she relaxes under the hot water. Despite the atrocious company Ichigo keeps these days, today's still been an overall good day. She'll be able to go back to her jogging in peace starting tomorrow, and the upcoming match on Friday doesn't seem quite as irritating now that she's had someone to stab a time or ten. Of course, after the match is another matter entirely. Maybe she can tag along to Yuzu's bake sale on Saturday. There's always a couple suckers at the outskirts of Karakura too stupid to live.

It's something to look forward to. For now though, she finishes her shower, brushes her teeth, and then gets to work cleaning her knives. She doesn't have all night.

"Was Onii-chan still talking to Hirako-san and Urahara-san?" Yuzu asks a little later as they get ready for bed because their brother always knows if they stay up too late.

"Yeah," Karin says around a yawn as she sets her alarm. "They might still be out there. Can't you sense them?"

Yuzu shakes her head, leaning over to switch off the lamp on her nightstand. "They're... quiet, I guess. Quieter. I have to be in the same room as them to pick up on their emotions."

Karin hums as she rolls herself into her blankets. "What do you think about them?"

"I don't, really," Yuzu admits easily, so they're agreed on that at least. "Although if Onii-chan gets rid of them, I hope he can wait until after Urahara-san has finished teaching me."

Karin snorts. Typical.

They're silent for a moment until Yuzu speaks up again. "I think they're trouble. I mean, Onii-chan did mention it during dinner last week. But I think it's a different kind of trouble than the usual stuff. Not like yakuza or random creeps or even the monsters. Worse, I think they're going to bring trouble."

Karin frowns into the dark. Well, it's not anything she hasn't thought of herself. It's another reason why she dislikes them. If they've got problems, why do they have to dump them at Ichigo's doorstep? What have they ever done for Ichi-nii?

Still, "Ichi-nii will be able to handle it," Karin says with certainty. She's never known her brother to fail at anything. There has never been a problem Ichigo couldn't solve. He'd even cowed their father without ever laying a single hand on him, and that was back when Isshin had still been stronger than Ichigo.

"Well, obviously," Yuzu says, equally confident. "Maybe Onii-chan will even have some fun with it. I know the monsters don't give him any kind of challenge anymore. And he likes Hirako-san and Urahara-san well enough."

"He likes Hirako," Karin corrects, shooting a flummoxed look at the bed across the room. "Urahara, he could take or leave. I'm surprised Ichi-nii lets him come here at all."

"Yes," Yuzu says with an audible smile. "Onii-chan lets him come here."

Karin blinks. ...Huh.

"So, what, is it like... a crush?" Karin grimaces. Ew. "They're old and weird!"

Yuzu giggles. "I don't think I'd go that far. Yet. Besides, they're also powerful and interesting and not afraid of him, and you know what Onii-chan's like."

"Yeah, but I also thought Ichi-nii doesn't get crushes," Karin grouches. "I can't believe it's both ways."

"Both ways?" Yuzu echoes, and Karin can almost hear her eyes go wide. "Urahara-san too?"

Karin squints up at the ceiling. "What, you didn't pick that up from him? I mean I don't think it's actually a crush. Like you said. But there's something there."

"Urahara-san is a bit strange about Onii-chan," Yuzu agrees thoughtfully. "But I'm not exactly sure what it is. His emotions are hard to read sometimes. Hirako-san is easier. And nicer."

Karin makes a disgruntled sound. 'Nice' isn't how she'd put it, considering Hirako's reiatsu manifestation.

"Hirako-san isn't that bad," Yuzu says, amused. "And they're both kind of like Onii-chan, so that might be good. It's good to have friends."

Karin shrugs and grabs an extra pillow to hug. "Whether they're like him or not, if they do something dumb, Ichi-nii will handle it all the same."

Yuzu laughs, bright and cheerful and just a little anticipatory, even if she does seem to have a better opinion of them than Karin does.

The conversation between them fades away. Karin shuts her eyes and lets her thoughts drift. She has morning practice tomorrow and can't be late, so old weird men calling on her brother are frankly the least of her priorities.

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[rottengurlz]

lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.