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comradekatara · 2 months

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sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

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proj-sh4dow · 6 months

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The way I drew these so fast after watching that shadow fan film

#ignore how messy they are #I did say I drew these fast #am still shaking #that was the best thing I’ve seen this year #the fan film is really well made. rlly recommend to those who haven’t watched it yet #it’s called project shadow on YouTube #sth #shadow the hedgehog #maria robotnik #shadz.art #sketches

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rattkachuk · 9 months

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this one’s for all my mattdrai besties :)

#mattdrai #1929 #my vid #my edit #also called how many times can i shake up the same ten clips to a different song #for two hockey players who hardly even see each other anymore #but yk what!!! idc!!!!#i know the mattdrai girlies get me

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tabithatwo · 1 year

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do you think shauna learned that cells turn over completely in seven years thing in high school biology and latched onto it and had an existential crisis meltdown of nuclear proportions when it was coming up on seven years since she’d consumed jackie because none of the cells in her body were born out of the energy she got from jackie’s flesh anymore?

#or am I the only one who thinks like this l o l #I WISH this was shitposting #I’m so serious tho lmao like #I think shauna would think about this #I think she’d study it. like she’d say okay that’s just an untrue fun fact right #but then like once you get down to the detail and the complexity she wouldn’t know if she was MORE jackie or LESS jackie #she’s sitting in the LITERAL CLOSET that she loves to sit in for environmental storytelling purposes crying about cell turnover #jeff comes home and she’s holding a medical journal in shaking hands asking about heart cells #through sobs she asks if only 40% of your heart renews in a lifetime was any of that at the RIGHT time #jeff says what…what Right time you’re scaring me a little #shauna rolls her eyes and kicks him out of his own bedroom so she can cry under better conditions (without him)#she calls taissa for the first time in two years but she of course can’t bring herself to ask so it’s just an awkward call all around #this is both funny to me and breaking my heart like I’m so emotionally dysregulated about this I’m not sure if I’m kidding or serious!!#much like yellowjackets showtime!!!#yellowjackets #shauna shipman #jackie taylor #jackie x shauna #taissa turner #shauna x jackie

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laniidae-passerine · 3 months

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the problem with Avenue 5 is that HBO was absolutely looking at the wrong demographic as the potential audience. bet you money they cancelled it because the 40-50 year old demographic wasn’t reacting to it like they did to Veep but that’s because Avenue 5 isn’t for them. it’s for the 18-30 year old demographic. because who else will see Hugh Laurie being the biggest lamest bisexual polyamorous weirdo fail guy in space and immediately want to see a billion episodes of him just eating metaphorical asphalt??? nobody. bring that loser and his crew of freaks and his insane wife and husband back to us!

#it’s for the people still traumatised by house md. for the girls who want to stick him in a pringles can and shake it. for the lesbians!!!#for the weird guys and the people who love their cringefail existence. for people who hate being called tumblrinas but know it’s accurate #avenue 5 #i miss them. rav would have run the world’s messiest dictatorship <3 #and then ruled nevada like a queen

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tin-can-iron-man · 1 year

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I'm just gonna say it again real quick:

Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.

Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.

The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.

He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.

#I—just—*slams fists on floor*—I WANNA PUT HIM IN A PIETRI DISH AND VIOLENTLY SHAKE HIM #tony stark #iron man #616 tony stark #marvel #marvel comics #*screams cries throws up* IT'S NOT HIS FAULT HIS CHARACTER WAS ASSASSINATED IN 2005 IN A WAY THAT HASN'T BEEN RECOVERED FROM YET #***starts openly weeping*** if the next main IM series is bad it'll have been 20 years of this shit make it STOOOOOP #being his own antagonist! his actions and mental state and poor judgement calls reaonates with people!!#I'm wildly under qualified to talk about this stuff but #I feel like that's *why* people with mental health issues. self esteem issues. addiction issues. flock to him.#he is not a BAD person. he is a person. who makes mistakes. and devastates himself. and even leaves himself half dead sometimes.#who doubts himself. is simultaneously oversensitive and alarmingly oblivious. he is a mess. that is a fundamental requirement of being him #that. resonates with people. it's *relatable*. Tony Stark is a lightning rod of interest for people...like him. hurting. sad. desperate.#and he brings *enjoyment*. he brings jokes. comfort.#he brings hope #because if a guy like *that* can be *iron man*...maybe we'll all be ok too #it's solidarity but also it's a kick in the right direction. it's saying ''it's ok that this is how you feel. I'm right there with you.''#''but you can't stay here forever. we always need to try''#Iron Man is and always has been about the future. after all.

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hallowclave · 2 months

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What a whimsical looking young man I wonder if he has received any job offers recently

Original photo

#my art #project sekai #rui kamishiro #if u saw this get posted before: no u didn’t #forgot to schedule the post for the morning incident 60 dead 600 injured.#i feel obligated 2 say I actually post abt pjsk on my main (apotelesmaa) frequently (I have brain worms)#& I only post on this blog once in a blue moon and it’s usually not serious art atp #so do not expect anything.#curtain call. what an event. love rui he’s such a good character. I hope he explodes.#he is so full of love and so bad at recognizing his emotions and problems.#‘I don’t have any emotional hang ups about anything’ says the guy who has so many emotional hang ups #rationalizing pulling back as safety measures instead of fearing abandonment/concern of hurting tsukasa (or others) again ->#rationalizing accepting asahi’s job offer because it’s the best for his future even if it’s not the best for himself #also tbh I think to some degree u could argue accepting the job offer was his way of getting ahead of being abandoned #not that it would happen and not that he’d recognize that to begin with #negative self awareness king! he is not processing his emotions at all!#would love for him to mention the job offer in a future event. even just offhandedly. shaking him by the shoulders. talk to ur friends moron #me when I’m in a not recognizing what I’m feeling and how it effects me competition and my opponent is rui kamishiro from hit game pjsk #etc etc. anyways.#once again falling into the ‘sure whatever this can go on the art blog’ category #in that I used simultaneously too much effort and very little in creating it #once again: [hope you’re hungry. for NOTHING] dot jpeg. as is typical here at hallowclave dot tumblr dot com.

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columboposting · 4 months

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Torchwood expanded universe content is wild because it’s like. Ok here’s an audiobook from 2009 where Jack Harkness goes to super hell. Yeah like Castiel. Yeah an Anglican thought he had too much charisma and banished him there. Yeah the black goop consumed his body and everything. No i’m not joking

#Ok tbf i am exaggerating it wasnt called super hell. Just “hell.” Left ambiguous whether or not it was the christian Hell #Anyway torchwood’s superhell is better because it’s not homophobic #Also the story was read by eve myles (gwen) and her jack impression (complete w/ spotty american accent) was so deeply distracting to me #If you’re curious this is about “In The Shadows” btw #torchwood #jack harkness #doctor who #superwholock #i feel unclean using that tag #supernatural #super hell #TO BE CLEAR: the audio is good. But I could not quite shake the feeling that i was listening to eve myles read me a podfic

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astraltrickster · 13 days

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Guys I don't normally talk about this on this blog, so I'm only going to say it once, and im going to say it as calmly as I can:

Stop with the pro-Trump - sorry, "anti-Biden" propaganda.

Stop spinning this as a choice between good domestic policy and bad foreign policy vs. bad domestic policy and good foreign policy - there is no universe in which Donald "Muslim ban" "build the wall" "turn Gaza into a parking lot" "has streets named after him in Israel" Trump is an improvement on our foreign policy, no matter how much it may FEEL like we can't get any worse and no matter how aggressively some people try to spin his end-of-term (i.e., EARLY COVID ERA) detainment numbers as "proof" otherwise.

Letting him win the presidency does NOT imply to the Democratic party that Americans want better foreign policy, either - they look at what the majority of voters say as evidence of what the people want. This is why they're so damned wishy-washy - because leftists keep trying, and trying, and trying the inaction strategy...so they go for the actual voters. They go further right - because that's where the people they see as "motivated enough to care" are. Abstaining doesn't send the message "I hate both of these options" - it just says "I don't care." It says "do whatever you want to me or anyone else, it's no skin off my nose." It says "those protestors? They're a tiny loud minority. Most Americans want more war, not less."

You cannot boycott a government the same way you can boycott a business - they're getting your tax money anyway.

You cannot change the world by sitting on your hands and doing nothing. Anyone with power who tries to tell you that inaction will get you what you want is someone who is trying to silence you.

If voting were useless, if voting made no difference, if the right weren't utterly terrified of losing power, then we wouldn't have gerrymandering, voter suppression, disenfranchisement of prisoners, disenfranchisement of anyone with a felony record, voter roll purges, we wouldn't have had to fight to secure voting rights for women and POC, the list goes on. The worst people in the world really, really want you NOT to vote. I am begging people to be more aware that just because someone knows how to speak your language to spin your silence as action does NOT mean they have the best interests of you or ANYONE else at heart.

And there is so fucking much more at stake than this one issue and "imperialists' comfort". Half the horrible shit that has happened domestically in the past four years has been because Trump stacked the Supreme Court - the overturning of Roe v. Wade? Remember that? We're likely to have more vacancies in the next 4 years. If he gets more appointments, we could be fucked for DECADES.

"But what about the rest of the world?"

Look. If I can't convince you that Trump's foreign policy would be worse (even though it is), let's consider climate change. Let's consider environmental laws. You know who the first people fucked over by climate change are, no matter who it is that's fucking around? People in Africa and South America, mostly. Do you want to enable the dismantling of the EPA? Or are you willing to admit that someone whose first act upon being sworn in was to rejoin the Paris Agreement is a lesser evil in that regard, even if his foreign policy re: international weapons sales is maybe 5% less dogshit at best?

If I can't convince you that the lives of disabled and queer people in America are worth the same as anyone else's - not more, not less, but THE SAME - then can I at least convince you that not turning Brazil and Congo into 45°C uninhabitable wastelands, or at least buying some time against that ticking clock, is a worthwhile endeavor?

I know some of you think that there's a chance that if we let Trump win, it will galvanize people to fight back harder. We tried that in 2016-2020. People died. Laws against protests tightened up worse than they EVER have under Biden - I was getting emergency alerts about curfews on a daily basis, because of crackdowns against the BLM protests. The actions being taken against the antiwar protestors now are despicable, yes - but they are nowhere near the same level of intensity. Accelerationism is tricky like that though - it FEELS like you're getting more done when the pushback is harder, doesn't it? - but all it does in the end is kill more people and set precedents to set us even further back.

Trump wants to invoke the Insurrection Act. Martial law. Do you really think that we can take on the most expensive military in the world, domestically, and win?

Do you really think that there is ANY amount of "motive" that will be enough to see us WIN a sweeping Hunger Games-style, burn it all down and rebuild from zero, "revolution" - i.e., a civil war against the US military - at all, let alone in time to save a SINGLE person in Gaza, or anywhere else for that matter? Let alone in the 5-7 months it will take to elect and inaugurate a president? The system will go on, with or without us.

At the end of the day, this is a trolley problem. People are going to die, and it sucks, but there is no third option - BUT, if you pull the lever, the casualties will be fewer. The question is not of which option results in fewer deaths, it's not of which of those lives is "more important", it's not of whether or not the numbers are ACTUALLY somehow secretly equal - it is only of whether or not you can pull the lever, or at least admit to yourself that you can't bring yourself to do it instead of trying to invent a reason the higher death toll is an objectively better outcome, actually.

Please. Think calmly for a minute about what the alternative is. Remember everything Trump has very clearly said about Arabs, remember the streets named after him in Israel, before just assuming that at least he can't be any worse, let alone that he's going to somehow be good on foreign policy and spare at least one non-American for every American he kills. Think about EVERYTHING that's at stake instead of flying into a blind rage about how that evil traitorous Joe Biden wrote "gullible" on the ceiling, because when you mistake sitting on your hands for a political statement just because the plea to do so was wrapped in emotionally charged leftist lingo, you are playing PERFECTLY into fascists' hands.

Please.

#serious tag #uspol #current events #muting this btw dont try to start shit with me #im being as calm as i can be but for me to actually say this on main?#i am EXTREMELY done #and if i have to see any more ''oh both sides are just as bad #no i dont have any evidence that a single palestinian will be saved for any american killed i just want to believe it #or i want everyone to suffer equally'' shit on my dash from people who USUALLY KNOW BETTER #i am going to spontaneously combust with an intensity that could level a city block #the devil is gonna fuck us anyway. grab a fucking condom at least.#i am begging you. just grab the fucking condom.#i dont want to just produce yet another smug rant #i am gently grabbing you by the shoulders #but i am shaking with rage internally that this talking point has been so effective #finally if i cant convince you with logos #can i at least invoke pathos + ethos and point out #on the narrative lovers' website #that ''it cant possibly get any worse'' is what we call ''tempting fate''?#if you didnt suffer that badly under trump the first time then look at the infamous b-52 diagram #and stop letting people tell you your experiences are universal #if you did then stop believing people when they piss in your eye and tell you its raining #just because biden didnt immediately bring about utopia #we're still undoing REAGAN'S damage right-wingers LOVE to set time bombs like that

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kittykillsposts · 7 months

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How have theyve been not arrested yet theyre literally the police

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cogcltrcorn · 1 year

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thinking about "what if kendall went to stewy after the carcrash" but specifically because I KNOW that stewy would immediately get into his gone girl era, not because he wants to keep kendall out of prison (he does) but because his first and most pressing thought would be "IF THIS COMES OUT THE BEAR HUG IS FUCKED"

#kendall shaking and crying: i think I killed a man #stewy who is already psychopathically coming up with a cover up: ok but we still need to call with sandy #also stewy would only have a crisis about the situation after. in the moment? problem solving and zero compassion for anyone involved #the moment kendall walks into the room stewy takes an adderal and starts making calls #succession #stewy hosseini #kendall roy #kenstewy

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wuxian-vs-wangji · 10 days

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With one lip touch, a picky eater is defeated and a bisexual is unleashed

#yes i call people who aren't bi or pan picky eaters #love in the air #lita #rain #payu #payurain #the way his lips shake

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prosebushpatch · 2 months

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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

#rose and rambles #wish 2023 #disney #disney wish #if you read anything i post let it be this im shaking the bars of my cage #I HAVE SO MANY FEELINGS ABOUT FAIRY TALES AND DREAMS LET ME AT THE PEOPLE WHO MADE WISH SO SHALLOW #ILL MAKE THEM TEA AND GIVE THEM A GOOD SCOLDING #WHILE STEALING THEIR CLOTHES AND PUTTING ON A FAKE MUSTACHE TO TAKE OVER WHILE THEY'RE NIBBLING ON NICE COOKIES #THAT'S A TOTALLY NORMAL THING TO DO RIGHT #if you want to tell a good story you gotta tell it yourself <- my villain origin story #or at least my Sebastian kiss the girl moment. i can't believe they took out star boy. God forbid independent women have romantic interests #anyway im obsessed with how Magnifico always called Amaya “my love” and i think we can do beautiful and twisted things with that #Also i kind of hate the whole 'oh there's no saving him from this evil magic corruption' like le please that's the most stupid thing to eve #be in a fairy tale #just proves these people didn't actually read the snow queen #also also go watch Astor Rhymemaster she's a genius and explains songs IN SUCH AN IN DEPTH WAY #i haven't interacted with much other wish stuff so idk how others are rewriting it but this my ideal

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