michaelfiebrig

[aquaticmercy]

Kickoff

Bucky Barnes x reader drabble in which he tries supporting your favourite football team.

warnings/tags : fluff fluff fluff! Cursing. Football not american football, soccer

note : This was just completely self indulgent. My team is doing well but not well enough. We drew the other day after leading most of the game so this is how I cope lol.

It was a quiet Saturday morning, the kind Bucky loved. The coffee was brewing, a slight chill in the air, and for once, there wasn’t a mission hanging over his head. All seemed perfect until he heard that noise.

"GOAAAALLLLL!"

You were screaming at the top of your lungs from the living room, making him flinch as he nearly spilled his coffee. He sighed, running a hand through his hair. He should’ve known. It was match day for footy—your football, not his football. To him, it was soccer, but you’d sworn up and down that it was football, proper football, and it was a huge deal. 

Bucky shuffled toward the living room, cup in hand, to find you sitting on the couch in your team’s jersey, eyes glued to the screen. Your team was playing a league match, and you were completely absorbed in the game. He couldn’t for the life of him figure out how you could get so worked up over something so... simple. Just people kicking a ball around, right?

But still, he settled onto the couch next to you, his arm draped lazily over the back of it. 

It didn’t take long for his eyes to get wide with disbelief as he watched you, of all people, yelling at the television with a fire he had only ever seen in battle.

“THAT WAS A CLEAR FOUL!” you screamed, standing up abruptly and throwing your arms in the air. “ARE YOU FUCKING BLIND, YOU PRICK?” 

The referee on screen made no further acknowledgment of the questionable tackle, and that only fueled your frustration. You swore under your breath in a string of words Bucky was sure Steve wouldn’t approve of, even though some of them didn’t even sound like English.

You sat back down but not for long, and when your team made a bad pass, you jumped up again, this time making a rude gesture with your hand. Bucky blinked. The TV wasn’t even responding to you, but that didn’t seem to matter.

“Still don’t get it,” he mumbled, sipping his coffee. “What’s the big deal?”

“Shh,” you hissed, waving your hand in his direction without even looking at him. “They’re on the counter attack.”

He glanced at the screen, unimpressed. The crowd was roaring, a chorus of chants filling the stadium, but it wasn’t the joyful kind of cheering he was used to from baseball games. No, these fans were... well, rude.

“Did they just call the ref a—what was that?!” he asked, eyebrows raised, suddenly a bit more invested. He couldn’t believe the words flying from the crowd.

“Yep.” You smirked, not even turning to look at him. “Welcome to football, my love. It’s brutal.”

He blinked, stunned. “And you enjoy this?”

“I love it,” you grinned, finally glancing his way. “It’s the passion, Bucky. It’s in your blood when you’re a fan.”

He stared at the screen in disbelief, still baffled at how people could be so... into it. And you were just as bad. You had your team’s scarf, the jerseys (home, away, and third, of course), and enough attitude to match any of those rowdy fans. 

Bucky couldn’t wrap his head around it. “I just don’t get how you’re so obsessed with this team.”

Without missing a beat, you shot him a knowing look. “You’re telling me you don’t get it, Mister ‘I Listen to Reruns of Brooklyn Dodgers Games on the Radio’?”

His mouth opened, but no words came out. He was caught. 

“They’re not even in Brooklyn anymore,” you pointed out.

Bucky's face flushed a little, caught off guard. “That’s… different. That’s nostalgia.”

You gave him a knowing look. “Uh-huh. What about the New York Mets? I’ve seen you turning their games on in the background, pretending like you’re not paying attention, but I know you’re keeping track of the score.”

He opened his mouth to protest but stopped. You had a point. Hell, he used to know the stats of every Brooklyn Dodgers player by heart, even though they’d been gone for decades. And after that Mets game, he had caught himself following them in the papers every now and then. Maybe, just maybe, he was getting a bit invested, too.

“I’m… trying to get into it again,” Bucky admitted, his lips curving into a sheepish smile. Bucky rubbed the back of his neck, suddenly feeling sheepish. “Besides, that’s different.”

You snorted. “Is it? Sounds pretty similar to me.”

He groaned, dropping his head back against the couch. “Fine, you win.”

“Always do,” you teased, turning back to the game just as your team nearly scored. You gasped, leaning forward with excitement. “C’mon, c’mon, cross it in!”

Bucky watched you, completely absorbed in your love for your team, and despite himself, a small smile tugged at the corner of his lips. Maybe he didn’t fully get it yet, but seeing you this happy... maybe he could give this whole football thing a shot.

“You know,” he mused, leaning in closer, “I should get one of those scarves for your team. Might as well support ‘em if I’m stuck watching this with you.”

You lit up at his words. “Bucky Barnes, are you saying you’re gonna support my team?”

He shrugged. “Well, as long as I don’t have to chant anything... too rude.”

You laughed, pressing a kiss to his cheek. “Deal.” 

-end

[vigilante-3073]

Harm

Edward Cullen x Female Reader (Platonic)

Summary: Y/N has always had issues with physical contact and Edward never understood why until an accidental touch brings up unpleasant memories for her.

TW: Mentions of sexual assault, death and molestation, angst.

*Contains mature themes that could be triggering*

Y/N had always had an issue when it came to physical contact, she would shift away like any kind of unexpected touch made her squeamish. Edward had never questioned it, simply assuming that it had been a matter of personal preference. Physical contact had never been a big factor in their friendship and Edward found it easy to respect her boundaries.

Most people were willing to accept her dislike of physical touch, but there would always be people who didn't understand or respect her wishes.

They were walking down the hallway talking about their biology assignment when Emmett ran up behind Y/N and grabbed her waist. She let out a panicked scream as memories began to race through her mind. The memories were so powerful that Edward couldn't keep himself from hearing them.

"Here, munchkin, I got you a toy, but you can only have it if you promise not to tell anyone about our little game," The man said to a 5-year-old Y/N.

The sound of a belt buckle clinking and a sudden unyielding feeling of fear overcame everything.

"Such a good little girl," The man said, tucking a strand of hair behind her ear before leaving her bedroom.

The memories continued to fly by, each one more unpleasant than the last. It was years of torture, fear and abuse. Her emotions were overwhelming as the memories began to resurface, like a festering wound that never healed.

Emmett set her down on her feet and she immediately broke free of his hold, running down the hallway and into the girl's bathroom.

"The hell was that about?" Emmett asked.

Edward shook his head before quickly following after her. He pushed aside his discomfort and made his way into the women's restroom. Edward moved over to the stall where Y/N had fallen to her knees, coughing and retching as she threw up.

Edward held her hair back, providing silent comfort as she continued to get sick. The memories obviously weighed heavily enough on her to produce such a visceral response.

She finished getting sick before slowly shifting onto her butt, leaning back against the wall of the bathroom stall. Tears rolled down her cheeks as Edward reached past her and flushed the toilet. He stepped away and wet some paper towel for her before returning to her side.

He held out the paper towel to her and she took it silently, wiping her mouth. Edward watched her, listening to her erratic heartbeat as it began to return to normal.

"Who was it?" Edward asked, she gulped, "My uncle," Y/N admitted softly.

"How long?" Edward asked.

"Until I was twelve," She stated.

"Where is he now?" Edward questioned.

Y/N shrugged, "I don't know," She said, toying with the paper towel in her hands.

"Did you ever tell anyone?" Edward asked.

She shook her head, "No, I was-I was scared and I just- I felt like it was my fault," Y/N said shakily, more tears gathering in her eyes.

"You were a child," Edward said, kneeling down beside her.

Y/N scoffed, "I could have said something but I didn't... I thought that no one would believe me," Y/N said, wiping the tears from her cheeks.

"I'm sorry that you felt like you were alone in that, Y/N. No one should have to go through that," Edward said.

Touch had become an evil thing for her. That man, that family member, had taken her choice away and robbed her of her innocence. Y/N was just a child when he took advantage of her and it went on for years before she was able to escape him.

Y/N was abused and manipulated into thinking that no one would believe her. She endured years of pain and lived in a state of constant fear of this man who was supposed to be someone she could rely on.

He was family.

...

Edward took some time away from school after that day. He told Y/N that he was going to see his cousins, but he wasn't going to Alaska. Edward went to Y/N's hometown and found her uncle stumbling drunkenly out of a bar.

The stench of alcohol permeated the man's entire being as he staggered over to his truck. He fumbled for his keys in his pocket, dropping them down onto the pavement with a mumbled curse. The man bent down to pick them up and Edward had appeared in front of him when he straightened up.

"The hell do you want, kid?" The man asked.

"I'm a friend of Y/N's," Edward said.

"Oh, wow, I haven't seen her in years," The man chuckled.

"You mean that you haven't assaulted her in years?" Edward questioned, eerily calm.

The man scoffed, "Now, I don't know what she told you-," He started.

Edward didn't allow him to finish, grabbing onto his throat and slamming him back against the side of his vehicle. The metal caved in from the force, knocking the wind out of the man.

"I know all about what you did to her and you deserve to endure a lifetime of suffering for it," Edward growled, leaning closer to him and tightening his hold around the man's neck.

He sputtered, hands shoving desperately at Edward's chest to try and push him away.

Edward felt like an avenging angel in this moment, choking the life out of such a vile man. It brought him comfort to know that he would be removing a very evil person from the world.

Edward leaned in and bit into the side of the man's neck, shredding the arteries and spilling his blood in the parking lot brutally.

He pulled away, watching the life drain from the man's face, "You will never hurt her or anyone else ever again," Edward said before letting him go.

He watched the man's body slide down to the ground, gasping and gurgling on his own blood as he died. This man was a predator and he finally knew what it felt like to become the prey.

...

Edward returned to Forks a day later with red eyes, Carlisle knew what he had left to accomplish and chose not to acknowledge it. Even Carlisle had to allow him leniency in this case, violence was never the answer until it was the only answer available.

That man was sick and he deserved to suffer for what he had done to such a kind person, a child nonetheless. He could not be saved or changed and the world would be a better place without him in it.

Edward never told Y/N about what he had done that day, but he would never forget the day her mother had told her the news. They thought it was an animal attack, her mother called it 'gruesome' and 'awful.' She had said that the animal responsible hadn't been located, but assured Y/N that they were searching for it.

Edward watched the look of recognition cross Y/N's face before her glossy eyes slowly came to focus on him. She hung up the phone, dropping it down on her bed.

"What happened?" Edward asked.

"My uncle is dead... They said it was an animal attack," Y/N said.

"Seems to be happening a lot lately," Edward stated.

Y/N stepped over to him, sliding her arms around him and pressing herself against his chest. Edward slowly wrapped his arms around her, holding her gently.

"Thank you," She mumbled, a few warm tears soaking into his shirt.

"You're welcome," Edward said.

She let out a soft breath before her body began to shake with sobs. Y/N cried until she had nothing left in her, standing silently with her head on his chest and her arms wrapped tightly around him.

His shirt had been saturated with her tears and he could feel her beginning to shiver from the ice cold temperature of his body. Edward wanted to get her a blanket or a warm cup of tea, but he knew that she needed this. She needed to hold onto him and feel safe.

Edward had protected her more than anyone else had and Y/N finally allowed herself to enjoy the touch of another person. Y/N would never have to live in fear of that man again and maybe she would eventually be able to tell her family about what he did to her. And if she didn't, her secret would rot in the ground with her abuser.

[alvojake]

Too Far | C.JH

「prompt」 : get out 「pairing」 : bf!jongho x fem!reader 「word count」 : 0.8k

「synopsis」 : when you and jongho had any kind of argument it always ended in a screaming match, however, this time it may have gone too far.

「genre」 : angst

「warnings」 : cussing, arguments, jongho calls reader clingy, lmk if I missed anything!!!

masterlist ─ navi. ─ angstober list

It was supposed to be an uneventful night, one where you and Jongho stayed in, ordered takeout and watched whatever movie you both found. That’s how it started, uneventful. Until Jongho suddenly got a call from one of his friends asking if he could come over and help with the new game he got.

You sat on the couch with the remote in your hand, waiting for him to tell San that he would have to come over another night, but instead, you felt your smile drop with your heart when he told him that he would be over in just a few.

Normally, this wouldn’t have bothered you so much besides the fact that both of you have had midterms all week long on top of your part-time jobs. So the amount of time you have seen each other is close to none. You had been looking forward to this all week long, wanting nothing more than to spend time with your boyfriend.

“Can’t you go tomorrow? We were just about to start the movie," you asked, looking up at him with hopeful eyes. Yet it all crumbled when Jongho shook his head while moving towards the door.

“No, he sounded pretty frantic.” His response was short and it only annoyed you more. Why was he so quick to leave when you haven’t seen each other all week besides a few passing glances in the university halls?

Standing from the couch, you made your way over, “Jongho, we haven’t seen each other all week. Why can’t San wait until tomorrow?”

“Dammit, y/n, not everything has to be about you.” He blew up, standing straight and looking at you. The rise in his volume made you jump before anger started to bubble in your gut.

“I’m not trying to make this about me; why is it so wrong for me to want to spend time with my boyfriend, whom I haven’t seen all damn week?” You seethed, tears involuntarily brimming in your eyes as you stared up at him, “or do you just not want to spend any time with me? Is that it?”

Jongho scoffed, “No, I would rather be here than go out in the middle of the night.”

You couldn’t help but laugh, confused by his words and actions. His words say that he would rather spend time with you, while his actions say otherwise. Although you wanted to believe his words, this wasn’t the first time something like this had happened.

“Really? Because you seemed so quick to tell San that you were on your way, and for what? A stupid ass game that can easily wait until tomorrow.” You shouted, your anger starting to bubble over the longer you watched him get around to leave. It all just seemed to go in one ear and right out the other, “god, it feels like I’m talking to a fucking brick wall!”

“What do you want me to fucking do, y/n? Turn him down when he’s asking for help?”

“Yes!” You cried, fed up because it felt like you weren’t even looking at the same person anymore. Sure, you both had your fair share of arguments, but you weren’t too sure this was one you’d be coming back from. “He asked for help for a fucking game Jongho; it’s not like his life is on the damn line! He can wait!”

“Oh my god! Pull your head out of your ass, y/n; the world doesn’t revolve around you! If I want to go help my friend in the middle of the night and get out of dealing with your clingy ass, then I will.” He shouted right back at you, and his words hit you like a truck.

Did he really see you as clingy? Is that why he was always so adamant to get away from you? Tears started to roll down your eyes the longer you just stared at him in disbelief. Jongho cursed under his breath as the reality of what he said sunk in and he tried to reach for you, but you were quick to move out of his way.

“Y/n–”

“Get out.” Your voice was steady, but your eyes stayed glued to the ground as tears dripped from your lashes.

“Hold on y/n–”

“I said get out.” You raised your head to meet his eyes, and his heart dropped at the look of anger and hurt on your face. Had he really taken it too far? You raised your hand and pointed at the door with a shaky finger, “If I’m so clingy, then go. Get. OUT!” 

It didn’t matter what Jongho tried to do or say; you intervened every time, telling him to leave until he finally did. This left you to stand in the entryway of your apartment, staring at the now-closed door as tears spilled endlessly from your eyes.

Was this really going to be the beginning of the end of your relationship? Because you weren’t too sure if you would be able to come back from it…

@alvojake | Do not steal, plagiarise, translate, or repost any of my work

𝖉𝖎𝖘𝖈𝖑𝖆𝖎𝖒𝖊𝖗 : ᴛʜɪꜱ ɪꜱ ɴᴏ ᴡᴀʏ ᴀ ᴛʀᴜᴇ ʀᴇᴘʀᴇꜱᴇɴᴛᴀᴛɪᴏɴ ᴏꜰ ᴀɴʏ ᴏꜰ ᴛʜᴇ ᴍᴇᴍʙᴇʀꜱ. ᴛʜɪꜱ ɪꜱ ᴘᴜʀᴇʟʏ ꜰɪᴄᴛɪᴏɴ ᴀɴᴅ ꜰᴏʀ ᴛʜᴇ ᴇɴᴊᴏʏᴍᴇɴᴛ ᴏꜰ ᴛʜᴇ ʀᴇᴀᴅᴇʀ ᴀɴᴅ ɴᴏᴛ ᴛᴏ ʙᴇ ᴛᴀᴋᴇɴ ꜱᴇʀɪᴏᴜꜱʟʏ.

[trappedinafantasy37]

Let's talk a little bit about Minthara and her oath real quick. Now, a question that I have seen pop-up in a few places between Reddit, Tiktok, and even Tumblr, is how the in the hells Minthara isn't already an oathbreaker. Well, I have 3 potential theories as to why that is.

Because it is merely a game mechanic and Larian did not want your only potential paladin to be an oathbreaker upon recruitment.

Her original oath to Lolth never broke because she never willingly joined the Absolute and her oath to the Absolute was made under false pretenses.

When she joins your group, she makes a new oath in your name instead.

Personally, I think that Minthara's oath is actually a mixture of 2 and 3. Yes, it is possible for a paladin to have multiple oaths at the same time. It just isn't a recommended practice in tabletop DnD because they can sometimes contradict each other, some oaths will straight up break other oaths, or the players just are unable to manage them properly. In this case, I do believe that Minthara has two oaths, one to Lolth and one to you.

I have not been able to find any reference to how paladin oaths work when the paladin is being coerced or mind controlled. But from what I have read in DnD lore, when a paladin makes an oath they have to do so willingly, deliberately, and consciously. None of those things occurred for Minthara when she took up her oath to the Absolute which is why it did not break her oath to Lolth (because it otherwise would have as she would have been sworn to destroy the Absolute for Lolth). And, technically speaking, the god that the oath is sworn to cannot go in and break the oath. Only the paladin can break their own oath. I only think gods can revoke divinity from their clerics. So, even if Lolth was truly pissed at Minthara, Lolth herself cannot just break Minthara's oath. That is something only Minthara can do. Minthara's original oath to Lolth still being intact is not necessarily indicative that she still has Lolth's favor, it just means she hasn't yet broken the terms of that oath. Even a crisis of faith (which Minthara is going through) won't break the paladin's oath either.

Another thing that is important to note is that as of 5e, a paladin actually does not need to make their oaths in the name of a god or before a god as their divinity is powered solely by the oath itself. Paladins are able to just summon divine smites and other holy based powers by sheer force of will and conviction (which is pretty damn sexy if you ask me). I mean, oathbreaker paladins still have access to divinity as well. Of course, paladins can still make an oath in the name of a god and most typically do, it's just that gods are not the source of power behind that oath. An oath is nothing but a vow, a promise that the paladin makes *to* a god, not the other way around. It does not even need that gods approval. So Lolth abandoning Minthara will also not break Minthara's oath either because Lolth is not the one who made an oath to Minthara.

So, it is very much possible that when Minthara joins your group, she does make a new oath in your name as oaths don't need gods. But, Minthara herself does not actually know how to live her life without having some kind of god figure so she just kinda puts you in that spot for the time being. I mean, she literally prayed to multiple gods and you were the one that answered. Which is also one of the many reasons why she does to along with what you want to do (even if she disagrees) because the oath she made to you would keep herself in check and keep her from acting against you. Minthara already is a very loyal person, but if you have any doubts on Minthara's loyalty, just keep in mind that she is quite literally oath bound to do whatever you tell her to do and will not betray you.

Minthara also never goes out of her way to become an oathbreaker, even after you free her from the Absolute. To be precise, you have to command her to break her oath. And of course, she will do so willingly knowing the consequences. Despite her oath being broken, she will still abide by the tenants of that oath. But she does enjoy the freedom that comes with being an oathbreaker and now nothing will hold her back from achieving her goals. However, she also says she does not know if her oath will still stand when all the nonsense with the Absolute is resolved and she even implies that if you do take the Absolute, she will no longer have an Oath of Vengeance, but an Oath of Conquest (which I think fits her better than vengeance if I'm being honest).

Minthara also makes quite a few suggestions to you that would actually break you oath if you are a paladin. Such as making an oath to Gortash, or making certain choices in regards to the vampire spawn. But, Minthara never does any of these things herself and I think that is purposeful. She knows these actions are oathbreaking type of actions. She attempts to orchestrate a fight between Dame Aylin and the wizard knowing fully well that it will break Aylin's oath. And she really wants you to go snitch on the wizard (although I just think it's because of her disdain for wizards rather than her being a little scoundrel to mess with Aylin's oath).

She is very very careful to keep herself in the position that she is because she doesn't want to be an oathbreaker initially. She is also very careful to tell you to do all these things. The language that she uses in regards to her oaths are also very important. Her original oath to Lolth would have her sworn to destroy the Absolute. But, we also know that Minthara very much has other ideas for the Absolute that do not involve destroying it (but oaths only break from oath breaking actions, not oath breaking thoughts). And her oath to you, she very specifically says that she is sworn to destroy all those who serve the Absolute, which is not exactly the same kind of oath she has with Lolth.

But, there is only one instance in this game in which Minthara will willingly become an oathbreaker and you do not have to command her to be one and that is if and only if you claim the brain. Her choosing not to destroy the brain when she had the opportunity to breaks her oath to Lolth. Now, the oath that she makes to you is where it becomes very very tricky. The oath she made to you, she specifically uses the language to "destroy all those who serve the Absolute". Her oath gets broken to you because she has become someone who serves the Absolute. But, there's more than that. If you become the Absolute, you also enthrall all your other companions which would make them servants of the Absolute and she also does not destroy them. Ironically, her choosing to serve you as the Absolute, breaks the oath she made to you because she has gone back on what she said she was going to do in your name. But most importantly, she chose not to get vengeance for herself.

Her oath to you was never to help you become the Absolute. Her oath was specifically to assist you with destroying the Absolute and all those who serve it. Her choosing not to destroy the Absolute and everyone who serves it, breaks both of her oaths. So, the Minthara that greets you at the gallows is now an oathbreaker. But, as I mentioned earlier, Minthara has already expressed the notion of taking up a completely different oath if you were to claim the Absolute. She helped you become the Absolute, knowing it was going to break her oath, and she had the intention of immediately replacing it with an Oath of Conquest, making her the first official paladin of the Absolute.

The fact that she wants you to become Absolute at all and that she prefers being an oathbreaker is why I read her as a canon oathbreaker. But she will never break her oath out of betrayal, but because of loyalty and devotion. She breaks her oath trying to make you as powerful as you can be. I have also discussed previously that her devotion is her fatal flaw and her choosing to remain devoted to you could potentially get her back in the same position you found her (that is if you betray her and choose to use the Absolute to reenthrall her). Her becoming solely devoted to you officially removes any and all ties she has to Lolth. But it causes Minthara to remain stagnant in which she doesn't learn anything, she doesn't change at all, and she doesn't grow.

She will live the rest of her life devoted to someone that isn't herself and act in the name of someone that isn't herself. She will live the rest of her life helping you achieve your goals and ambitions and what she wants is kinda secondary to all that because she has propped you up on a pedestal. She has always lived her life in service of a god and she does not know how not to. Many of the things that she has done in her life are not because she wanted to do them, but because she had the burden of expectations either from Lolth, from her family, or from Menzoberranzan culture and her oath kept her bound to these expectations. And she is falling back into that cycle with you because you failed to show her that there was another way and that she could be devoted to herself. You failed to show her that she does not need a god and she can indeed choose for herself.

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[julibf]

JON WAS PROMISED TO SANSA

So, one of my favorite theories that I have seen floating sometimes is that Jon Snow is actually The prince that was promised to Sansa. The idea is that Lyanna not only asked Ned Stark to protect Jon, but also, asked him to marry his first born daughter to her son, in order to fulfil an important prophecy and that the breaking of this promised is what led for all this pain and sorrow to fall onto House Stark. This would parallel the pact made by Doran Martell promising his older daughter to Viserys Targaryen, both men made promises to marry their daughters to Targaryen princes, yet both failed to fulfill their promises.

What if Jon and Sansa had been betrothed all their lives since their birth? What if this union is very important for the future of Westeros and the Gods are making everything possible for them to be together?  This would be a big twist in the end of the story, because the reader usually associates Ned Stark with someone who takes oaths very seriously, yet, having the hero of the story breaking an oath and disgracing himself its kind the story that George likes to write. In A GAME OF THRONES there is a lot of hints that Ned actually broke his promise to Lyanna.

********************** He slept and woke and slept again. He did not know which was more painful, the waking or the sleeping. When he slept, he dreamed: dark disturbing dreams of blood and broken promises. When he woke, there was nothing to do but think, and his waking thoughts were worse than nightmares. (A Game of Thrones - Eddard XV) **************************

Ned keeps on dreaming about broken promises…….

*************************** The thought of Jon filled Ned with a sense of shame, and a sorrow too deep for words. If only he could see the boy again, sit and talk with him … pain shot through his broken leg, beneath the filthy grey plaster of his cast. (A Game of Thrones - Eddard XV) *****************************

In his lasts moments Ned is thinking of Jon and the memories of him bring immense shame and sorrow. Remember, not only he never told Jon about his mother, he also allowed the boy to join the Nights Watch without ever explain to him how truly terrible that place was. I am certain now that Ned Stark broke a very serious promise to his sister…

******************************************

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad." "And why was that?" Luwin peered through his tube. "It was something to do about Jon, I think." The dream had been deeply disturbing, more so than any of the other crow dreams. "Hodor won't go down into the crypts."(A Game of Thrones - Bran VII) ************************************

Again, what Ned had to say to Jon was so important that he came back from the death just to tell Bran. I believe that Bran will finally remember about this dream in the last volume of the books, “A dream of Spring”. One of my favorite moments in A CLASH OF KINGS, is the red comet that crosses the sky during the entire opening of the story. In Sansa’s first chapter she asks one of the knights of the kingsguard what does he thinks the comet purpose. Several Jonsas writers have made metas over this idea.

**************************** The morning of King Joffrey's name day dawned bright and windy, with the long tail of the great comet visible through the high scuttling clouds. Sansa was watching it from her tower window when Ser Arys Oakheart arrived to escort her down to the tourney grounds. "What do you think it means?" she asked him. "Glory to your betrothed," Ser Arys answered at once. "See how it flames across the sky today on His Grace's name day, as if the gods themselves had raised a banner in his honor. The smallfolk have named it King Joffrey's Comet." Doubtless that was what they told Joffrey; Sansa was not so sure. "I've heard servants calling it the Dragon's Tail." "King Joffrey sits where Aegon the Dragon once sat, in the castle built by his son," Ser Arys said. "He is the dragon's heir—and crimson is the color of House Lannister, another sign. This comet is sent to herald Joffrey's ascent to the throne, I have no doubt. It means that he will triumph over his enemies." (A Clash of Kings - Sansa I)

******************************************

We know that Jon is the Dragon Heir, since he is the son of Rhaegar, so what if the comet was meant to him???? There are some other hints too, that looked like foreshadowing in my mind…........

************************************************

He grinned. "I will hold you to that promise, my lady. Until that day, may I wear your favor in the tourney?" "You may not. It is promised to...another." She was not sure who as yet, but she knew she would find someone. (The Winds of Winter - Alayne I)

People may think that I am crazy but if you re read the books all over again, paying attention to a small detail, you may start believing this theory too. As I was reading the books again, I started noticing that every single time Sansa’s receives a marriage proposal, the next chapter that follows is a JON SNOW chapter. Isn’t that interesting???? So let me show you. 

Right from the beginning we have King Robert arriving at Winterfell and visiting Lyanna Stark tomb in the crypts, there he offers a marriage alliance between House Baratheon and House Stark, with the marriage of Sansa and his son Joffrey Baratheon. This is the only chapter that Sansa will receive a marriage proposal not directly, in this chapter is Ned Stark that receives the proposal since Sansa is only 11 years old in the beginning of the story and her father is her guardian, after that, since Sansa will lose her parents and protectors, the proposals will happen directly to her.

A GAME OF THRONES CHAPTER 4 AND 5

Chapter 4, Eddard I 

****************************************

"Come south with me, and I'll teach you how to laugh again," the king promised. "You helped me win this damnable throne, now help me hold it. We were meant to rule together. If Lyanna had lived, we should have been brothers, bound by blood as well as affection. Well, it is not too late. I have a son. You have a daughter. My Joff and your Sansa shall join our houses, as Lyanna and I might once have done." This offer did surprise him. "Sansa is only eleven." Robert waved an impatient hand. "Old enough for betrothal. The marriage can wait a few years." The king smiled. "Now stand up and say yes, curse you." "Nothing would give me greater pleasure, Your Grace," Ned answered. He hesitated. "These honors are all so unexpected. May I have some time to consider? I need to tell my wife …""Yes, yes, of course, tell Catelyn, sleep on it if you must." The king reached down, clasped Ned by the hand, and pulled him roughly to his feet. "Just don't keep me waiting too long. I am not the most patient of men."…… For a moment Eddard Stark was filled with a terrible sense of foreboding. This was his place, here in the north. He looked at the stone figures all around them, breathed deep in the chill silence of the crypt. He could feel the eyes of the dead. They were all listening, he knew. And winter was coming. (A Game of Thrones, Eddard I)

*****************************************

What if the dead were watching Ned break his promise made to his sister and are sensing the Doom of House Stark?? This proposal is immediately followed by Jon Snow first chapter in the books. 

Followed by JON I

BTW, in this chapter we have Jon getting completely drunk in the feast. Word in the castle have traveled and everyone knows Sansa has been betrothed to Joffrey. I always assumed that Jon was so upset in the feast, not because he was seating far way from the rest of the family, but because he heard of the news of the betrothal between Sansa and Prince Joffrey. 

********************************** He had sated his curiosity about the visitors when they made their entrance. The procession had passed not a foot from the place he had been given on the bench, and Jon had gotten a good long look at them all…… His half sisters escorted the royal princes. Arya was paired with plump young Tommen, whose white-blond hair was longer than hers. Sansa, two years older, drew the crown prince, Joffrey Baratheon. He was twelve, younger than Jon or Robb, but taller than either, to Jon's vast dismay. Prince Joffrey had his sister's hair and his mother's deep green eyes. A thick tangle of blond curls dripped down past his golden choker and high velvet collar. Sansa looked radiant as she walked beside him, but Jon did not like Joffrey's pouty lips or the bored, disdainful way he looked at Winterfell's Great Hall. ***********************************

Jon is jealous, again, in a first glance we may think that he is jealous because he is a bastard and can not be part of such important ceremony, but what if he is jealous because he can not be sited right next to Sansa??? A few moments later, Benjen Stark comes to talk to Jon and that’s when Jon ask Benjen to go to the wall and take the Black…

A STORM OF SWORDS CHAPTERS 6 AND 7

Now those two chapters are quite interesting, because both are surrounded by SONGS, in Sansa’s chapters, we have the singer singing THE BEAR AND THE MAIDEN FAIR while Sansa is being introduced to the leader of House Tyrell, Lady Olenna also know as the QUEEN OF THORNS, while in Jon’s chapters, we have a singer playing The Dornishman's Wife while Jon is introduced to the leader of the Freefolk, Mance Rayder THE KING BEYOND THE WALL (who just happens to be the singer)  Sansa is taken to meet the Tyrells by Ser Loras, someone she clearly desires, Jon is taken by Ygritte, someone who desires him.  In both chapters Jon and Sansa are asked to tell the truth and their lives are in danger, Sansa feels like if she tells the truth and the information falls into the Lannisters ears she could be punished and killed and Jon knows that if Mance doesn’t believe what he says, his life is at risk. Sansa tells the truth, Jon lies. 

In the end of this chapter Sansa receives a marriage proposal by the Tyrells, while on Jon chapter, Bael the Bard is mentioned in relation to Jon’s sisters. Once again, by the end of the chapter Sansa will receive a marriage proposal followed by a Jon Snow chapter.

The song THE BEAR AND THE MAIDEN FAIR, You may as well wonder where this song comes from, and it seems that Ser Duncan The Tall first heard this song at the Ashford Tourney (yes, that same Tourney that foreshadows the marriage between Sansa and a Targaryen prince)

Sansa I 

************************************

"The old woman turned back to Sansa. "Are you frightened, child? No need for that, we're only women here. Tell me the truth, no harm will come to you." "My father always told the truth." Sansa spoke quietly, but even so, it was hard to get the words out. "Lord Eddard, yes, he had that reputation, but they named him traitor and took his head off even so." The old woman's eyes bore into her, sharp and bright as the points of swords.

"Joffrey," Sansa said. "Joffrey did that. He promised me he would be merciful, and cut my father's head off. He said that was mercy, and he took me up on the walls and made me look at it. The head. He wanted me to weep, but . . ." She stopped abruptly, and covered her mouth. I've said too much, oh gods be good, they'll know, they'll hear, someone will tell on me.

That’s when Lady Olenna calls for a Song to cover up the conversation between them and finally makes their proposal.

Next chapter of the book is JON I

In this chapter Jon is brought before Mance Rayder, since Rattleshirt doesn’t trust him. In the King’s tent, Jon mistakes Styr for Mance Rayder. But it is the gray-haired man playing the lute who is the King-Beyond-the-Wall. Rattleshirt reveals his misgivings about Jon to the king, but Mance wishes to speak with Jon alone.

The tent was hot and smoky. Baskets of burning peat stood in all four corners, filling the air with a dim reddish light. More skins carpeted the ground. Jon felt utterly alone as he stood there in his blacks, awaiting the pleasure of the turncloak who called himself King-beyond-the-Wall. When his eyes had adjusted to the smoky red gloom, he saw six people, none of whom paid him any mind. A dark young man and a pretty blonde woman were sharing a horn of mead. A pregnant woman stood over a brazier cooking a brace of hens, while a grey-haired man in a tattered cloak of black and red sat crosslegged on a pillow, playing a lute and singing: The Dornishman's wife was as fair as the sun, and her kisses were warmer than spring. But the Dornishman's blade was made of black steel, and its kiss was a terrible thing.

If the show is correct, Jon is Dornish, since he was born in the Tower of Joy and if he marries Sansa she would literally be the Dornishman’s wife. I also like how the song compares the woman to the sun, which brings back to Jon thinking of Sansa as radiant.  Jon blade, Longclaw is black since it's made of Valyrian steel and it was with a kiss that Jon killed Daenerys in the end. So this little song its foreshadowing pretty much the end of the story.

While Jon and Mance continue to talk, the King beyond the wall tells Jon that he remembers him from his visits of Winterfell, he tells Jon that he was also present at the Feast for King Robert that happened at the beginning of the novel, that’s when Jon mentions Bael the Bard back to Jon Snow story!!!

" The night your father feasted Robert, I sat in the back of his hall on a bench with the other freeriders, listening to Orland of Oldtown play the high harp and sing of dead kings beneath the sea. I betook of your lord father's meat and mead, had a look at Kingslayer and Imp . . . and made passing note of Lord Eddard's children and the wolf pups that ran at their heels." "Bael the Bard," said Jon, remembering the tale that Ygritte had told him in the Frostfangs, the night he'd almost killed her. "Would that I were. I will not deny that Bael's exploit inspired mine own . . . but I did not steal either of your sisters that I recall. Bael wrote his own songs, and lived them. I only sing the songs that better men have made. More mead?"

NOW LOOK AT THAT!!!!

Now this is the first time in the story, that the idea of one of the Stark sisters be stolen by a freefolk is introduced. Not only George brings back Bael to Jon’s chapter, he starts to associate the story with Jon’s sisters. Based on the end of the tv show, Jon will be the King beyond the Wall, and Sansa will be the last Stark woman in Winterfell.

"He gestured at the board between them, the broken bread and chicken bones. "Here you are the guest, and safe from harm at my hands . . . this night, at least. So tell me truly, Jon Snow. Are you a craven who turned your cloak from fear, or is there another reason that brings you to my tent?" Guest right or no, Jon Snow knew he walked on rotten ice here. One false step and he might plunge through, into water cold enough to stop his heart. Weigh every word before you speak it, he told himself. He took a long draught of mead to buy time for his answer. When he set the horn aside he said, "Tell me why you turned your cloak, and I'll tell you why I turned mine." …….. "And did you see where I was seated, Mance?" He leaned forward. "Did you see where they put the bastard?" Mance Rayder looked at Jon's face for a long moment. "I think we had best find you a new cloak," the king said, holding out his hand.

By the end, just like Sansa, Jon is asked to tell the truth. Mance Rayder ask Jon why he deserted the Nights Watch. Of course, we all know that opposite of Sansa, Jon doesn’t tell the truth, he lies to Mance about being resentful of the Starks. 

A STORM OF SWORDS CHAPTERS 68 AND 69 

SANSA VI

Now we have Sansa arriving at the Vale, scaping from Kings Landing. She arrives at the Vale with the help of Littlefinger. As soon as she is introduced to Lady Lysa she receives a marriage proposal to marry her cousin Lord Robert Arryn. The proposal doesn’t bring much joy to Sansa that laments that marrying for love may never happen to her.

******************************************

Lysa waved a hand negligently. "Not for many years. You are too young to be a mother. One day you shall want children, though. Just as you will want to marry." "I . . . I am married, my lady." "Yes, but soon a widow. Be glad the Imp preferred his whores. It would not be fitting for my son to take that dwarf's leavings, but as he never touched you . . . How would you like to marry your cousin, the Lord Robert?" The thought made Sansa weary. All she knew of Robert Arryn was that he was a little boy, and sickly. It is not me she wants her son to marry, it is my claim. No one will ever marry me for love. 

***************************************************

NEXT CHAPTER????? Once again, JON SNOW!!!

I knew it the moment I saw this line next to jon’s chapter that George was planning this marriage. That’s why I never believe that Jon and Sansa would have a political marriage, this union would be for love. 

 A STORM OF SWORDS CHAPTER 79 AND 80 

JON XII 

We start the chapter with Jon practicing sword fighting with Iron Emmet and he can not stop thinking about King Stannis Baratheon offer to legitimize him and make Jon not only a Stark but also the Lord of Winterfell. During his practice with Emmet he remembers another fighting practice many years ago at Winterfell….

******************************************

Every morning they had trained together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. "I'm Prince Aemon the Dragonknight," Jon would call out, and Robb would shout back, "Well, I'm Florian the Fool." Or Robb would say, "I'm the Young Dragon," and Jon would reply, "I'm Ser Ryam Redwyne." That morning he called it first. "I'm Lord of Winterfell!" he cried, as he had a hundred times before. Only this time, this time, Robb had answered, "You can't be Lord of Winterfell, you're bastard-born. My lady mother says you can't ever be the Lord of Winterfell." I thought I had forgotten that. Jon could taste blood in his mouth, from the blow he'd taken. (A Storm of Swords - Jon XII) *****************************************

Jon thinks of rebuilding Winterfell, just like Sansa in the next chapter will literally rebuilt the castle in the snow.

************************************************************

Lord of Winterfell. I could be the Lord of Winterfell. My father's heir….. It was short walk to the bathhouse, where he took a cold plunge to wash the sweat off and soaked in a hot stone tub. The warmth took some of the ache from his muscles and made him think of Winterfell's muddy pools, steaming and bubbling in the godswood. Winterfell, he thought. Theon left it burned and broken, but I could restore it. Surely his father would have wanted that, and Robb as well. They would never have wanted the castle left in ruins.

*************************************************************

A interesting detail is that, the offer to be legitimized by Stannis comes with a demand. Jon needs to marry Val. Stannis wants the union of a Stark with a wildling princess, to unite the Freefolk with the North (but what if in the end we get a Wildling King marrying a Stark Queen?)

*******************************************************

"Good," King Stannis said, "for the surest way to seal a new alliance is with a marriage. I mean to wed my Lord of Winterfell to this wildling princess." Perhaps Jon had ridden with the free folk too long; he could not help but laugh. "Your Grace," he said, "captive or no, if you think you can just give Val to me, I fear you have a deal to learn about wildling women. Whoever weds her had best be prepared to climb in her tower window and carry her off at swordpoint . . ." (A Storm of Swords - Jon XI)

Ygritte wanted me to be a wildling. Stannis wants me to be the Lord of Winterfell. But what do I want? The sun crept down the sky to dip behind the Wall where it curved through the western hills. Jon watched as that towering expanse of ice took on the reds and pinks of sunset. Would I sooner be hanged for a turncloak by Lord Janos, or forswear my vows, marry Val, and become the Lord of Winterfell? It seemed an easy choice when he thought of it in those terms . . . though if Ygritte had still been alive, it might have been even easier. Val was a stranger to him. She was not hard on the eyes, certainly, and she had been sister to Mance Rayder's queen, but still . . . I would need to steal her if I wanted her love, but she might give me children. I might someday hold a son of my own blood in my arms. A son was something Jon Snow had never dared dream of, since he decided to live his life on the Wall. I could name him Robb. Val would want to keep her sister's son, but we could foster him at Winterfell, and Gilly's boy as well. Sam would never need to tell his lie. We'd find a place for Gilly too, and Sam could come visit her once a year or so. Mance's son and Craster's would grow up brothers, as I once did with Robb.

***************************************************

Jon is now thinking as a wildling and realizing that he needs to steal Val if he wants the marriage to be valid. Which is why I have no doubt that he is stealing Sansa in the end of the books, this storyline is foreshadow in his chapters numerous of times. But the marriage with Val doesn’t make Jon very happy, he doesn’t love her and hardly know her. Just like Sansa, Jon would like to marry someone he loves, and not have a marriage just for a political alliance. But the truth is that he does longs for a family, for Winterfell, he dreams to one day be a true Stark. 

************************************************

Red eyes, Jon realized, but not like Melisandre's. He had a weirwood's eyes. Red eyes, red mouth, white fur. Blood and bone, like a heart tree. He belongs to the old gods, this one. And he alone of all the direwolves was white. Six pups they'd found in the late summer snows, him and Robb; five that were grey and black and brown, for the five Starks, and one white, as white as Snow. He had his answer then. **************************************

Finally Ghost comes back to Jon and he has his answer right there. The wolf brings back the memory when they all found the puppies. Jon belongs to the old Gods like his wolf and he cant turn his back to his old golds. I always assumed Bran sent Ghost to help Jon make his decision. 

As he walked toward the armory, Jon chanced to look up and saw Val standing in her tower window. I'm sorry, he thought. I'm not the man to steal you out of there.

So we this chapter Jon Snow was forced to make a decision and turn down not only Winterffell but also the marriage alliance with Val, the wildling princess. He decides he wont be the one stealing her, but he did show a desire for love, family and Winterfell. Next Chapter we are going to have Sansa being “kissed by the Snow” and those kisses are going to rekindle her childhood dreams…. 

SANSA VII

(gif from https://iheartgot.tumblr.com/post/708718314588946432/glorianas-sophie-turner-as-sansa-stark-in-game)

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She had last seen snow the day she'd left Winterfell. That was a lighter fall than this, she remembered. Robb had melting flakes in his hair when he hugged me, and the snowball Arya tried to make kept coming apart in her hands. It hurt to remember how happy she had been that morning. Hullen had helped her mount, and she'd ridden out with the snowflakes swirling around her, off to see the great wide world. I thought my song was beginning that day, but it was almost done….. Drifting snowflakes brushed her face as light as lover's kisses, and melted on her cheeks. …. She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams. *********************************************

Sigh, I will never get over this little foreshadow. The poetry, the romantism, the idea of dreams. This little paragraph will always be one of my favorites written lines in this entire novel. The idea that a new lover can enchant Sansa and bring back all her childhood dreams after all the pain and sorrow that she went through. And again, the dream involves Winterfell….

When Sansa opened her eyes again, she was on her knees. She did not remember falling. It seemed to her that the sky was a lighter shade of grey. Dawn, she thought. Another day. Another new day. It was the old days she hungered for. Prayed for. But who could she pray to? The garden had been meant for a godswood once, she knew, but the soil was too thin and stony for a weirwood to take root. A godswood without gods, as empty as me.

And then  she goes to work, once she starts playing with the snow she wonders what she would like to build…

************************************* The snow fell and the castle rose. Two walls ankle-high, the inner taller than the outer. Towers and turrets, keeps and stairs, a round kitchen, a square armory, the stables along the inside of the west wall. It was only a castle when she began, but before very long Sansa knew it was Winterfell. She found twigs and fallen branches beneath the snow and broke off the ends to make the trees for the godswood. *****************************************

Again, in the past chapter we had Jon dreaming on rebuilding Winterfell, having a family, marrying for love. In the follow chapter we have Sansa literally rebulding Winterfell with the help of “Snow”. She longs for her old days, the days of her childhood. This for me was always one of the strongest foreshadows of their romance and future. 

Then, we also have some interesting scenes that the show drop on us, that also are pointing towards a promise… first we have that scene on season 3 Episode 2 (Dark Winds, Dark Words) where Catelyn Stark tells Talyssa about a broken promise that she made involving Jon Snow and how she believes breaking this promise brought all this pain and sorrow to House Stark.

***********************************************

Catelyn Stark: Many years before that, one of the boys came down with the pox. Maester Luwin said if he made it through the night, he'd liνe. But it would be a νery long night. So l sat with him all through the darkness. Listened to his ragged little breaths. His coughing, his whimpering. Talissa: Which boy? Catelyn Stark: Jon Snow. When my husband brought that baby home from the war, l couldn't bear to look at him. l didn't want to see those brown stranger's eyes staring up at me. So l prayed to the Gods, take him away. Make him die He got the pox. And l knew l was the worst woman who eνer liνed. A murderer. l'd condemned this poor, nnocent child to a horrible death all because l was jealous of his mother. A woman he didn't eνen know. So l prayed to all seνen Gods, let the boy liνe. Let him liνe and l'll loνe him. l'll be a mother to him. l'll beg my husband to giνe him a true name, to call him Stark and be done with it, to make him one of us. Talissa: And he liνed?  Catelyn Stark: And he lived…..And l couldn't keep my promise. And everything that's happened since then, all this horror that's come to my family, it's all because l couldn't love a motherless child.

A BROKEN PROMISE LEADING TO THE FALL OF HOUSE STARK............

Later, in season 6 Episode 10 (The Winds of Winter) we have Jon and Sansa finally taking back the North and Winterfell together. Sansa tells Jon that she sees him as a Stark and Jon tells Sansa they need to start trusting each other, then he kisses her and remind Sansa of a promise made by Ned Stark.. (Interesting fact ton notice that after receiving this kiss from Jon, Sansa never again allows Littlefinger to kiss her). 

*****************************************************

Jon Snow: I'm having the lord's chamber prepared for you. Sansa Stark: Mother and Father's room? You should take it. Jon Snow: I'm not a Stark. Sansa Stark: You are to me. Jon Snow: You're the Lady of Winterfell. You deserve it. We're standing here because of you. The battle was lost until the Knights of the Vale rode in. They came because of you. You told me Lord Baelish sold you to the Boltons. Sansa Stark: He did. Jon Snow: And you trust him? Sansa Stark: Only a fool would trust Littlefinger. I should have told you about him, about the Knights of the Vale. I'm sorry. Jon Snow: We need to trust each other. We can't fight a war amongst ourselves. We have so many enemies now. Sansa Stark: Jon. A raven came from the Citadel. A white raven. Winter is here. Jon Snow: (Smiling) Well, Father always promised, didn't he? ************************************

I really wished George had not separated Feast and Dance because we know Sansa receives another marriage proposal In Feast, to marry Harrold Hardying, and I am pretty sure if the books had been released a 1, we would have another Jon Snow chapter following that Alayne chapter, but alas, it didn’t happen. So, that’s my take, I am always paying attention to the change of chapters in the books because I believe that this is how George foreshadows a lot of the events in this book series. 

So thats it, I can not wait for THE WINDS OF WINTER..........

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART TEN, THE FINALE: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ]

Welcome, friends and travellers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(no, this photo isn't the spoiler, I just like it.)

The Story of Solas: Him Solas Evanuris, Da'durgen'lin (3/3)

— From the Long Sleep to the Dark Present —

If you're still here, I thank you, from the bottom of my tired heart. I am doing MY BEST to get through this final bit of theorycrafting, all in one long, gigantic post, the night before Veilguard.

I haven't been spoiled. Please no one tell me anything. I want to be able to properly say I did all this, all 10 parts, without spoilers of any kind.

This post is going to be long. Let's dive right in. We've got:

A Tiny Aside, First: Solas's Paintings are Really Important, Actually

The Herald, the Breach, and the Horrible Future

Solas's Thoughts on the Grey Wardens

Fear in the Fade

All New, Faded for Her

But Solas Left, and Not for Pride

Terror Unfolding on the Din'anshiral

What Rook Did and the High Cost of Failure

Veilguard Predictions

[Image Source.]

A Tiny Aside, First: Solas's Paintings Are Really Important, Actually

I'm writing this segment last, but placing it up here because the other sections are sort of in order. So hello. Welcome, first, from a very tired Nadas Dirthalen.

I just wanted to make mention of a few key lines regarding Solas's paintings. Emmrich remarks on them as not just memories: they are what Solas wishes to forget. (No source; I'm not hunting for footage right now.)

The Regret demon is able to spring out from them. Huh.

And, finally:

Cole: You like to dance, but can't. You hate to sing, but can. You should not paint. It would be very bad if you did.

Given that I believe Sera's playing with "small painted boxes" gave her a fragment of that memory Mythal stole from Andruil (its own theory; so many people before I have explained it in depth), I'm going to go out on a limb and say that the Evanuris, existing in a time before sundered Titans, could trap memories in things.

Like stone. Like paintings on stone.

It's said that the Shapers put their actual thoughts into the Memories. I wonder if this means creating small spirits, like wisps, in the Stone; an echo of Titans' ability.

I wonder if this means Solas was literally offloading tiny spirits of Contemplation and Regret in his paintings, the whole time. Memories taken out of himself, so he could stay true to his purpose.

(Do I have any idea how that would work? No. Do I still think it's true? Yup. Do I have time to look it up and weigh it against everything else that could be possible? Absolutely not. Enjoy!)

Anyway. I wonder if that's why he paints everywhere: because if he doesn't, his problems will consume him, forcing him to take another... terrifying... shape.

(Yes, this is foreshadowing; keep reading. <3)

The Herald, the Breach, and the Horrible Future

Solas wakes up from uthenera, hands his orb off to Corypheus, and then Corypheus doesn't die. We know the story. What I want to touch on is the fact that the Inquisitor doesn't die, either. They are dyING, but they do not die immediately, which Solas thought would happen even for Corypheus. Beyond the fact that Corypheus has, by that point, been using the orb for some time, I want to talk about why the Inquisitor doesn't die from the orb.

Because I have a theory.

Solas speaks to a high-approval Inquisitor about wisdom: one that he has never seen in their people, regardless of who those people are. I had to look it up to make sure, but it's true.

dwarf PC Solas: Dwarves are practical. They do not dream. The cannot even imagine a world beyond the physical. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people. Qunari PC Solas: Qunari are savage creatures, their ferocity held in check only by the rigid teachings of the Qun. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people. human PC Solas: Humans are shortsighted, brutish. Blind to the beauty of the Fade, their minds cast in a duality of black and white. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people. Dalish PC Solas: You have shown subtlety in your actions, a wisdom that goes against everything I expected. If the Dalish could raise someone with a spirit like yours… have I misjudged them? [Source.]

The Dalish dialogue speaks of what I want to focus on: a spirit like yours.

My hypothesis is that the Inquisitor is a spirit from the same Titan as Solas is, and that Solas's true name really is Contemplation. He is seeing a spirit like himself, from the same home.

I think this is why the Inquisitor, even a non-mage Inquisitor, can visit Solas in the Fade and surprise the shit out of him. It's because the Inquisitor, imbued with the mark, has awakened something deep in their subconscious. Something they don't even understand.

Connection.

Isatunoll, with one singular other person (who is very single, the moment she asks, if she asks, har har).

From this and other things already covered, I know: Solas marvels at the sight of spirits similar to his, and people similar to him. He seeks for those spirits and people to thrive, and mourns their death. Ultimately, he wants the Titans to be restored, likely for the benefit of all future spirits and for the benefit of the Titans themselves (we'll get there).

That's why the Breach is a threat to him, even when he wants to tear down the Veil.

Solas wants the Titans brought back, but not as they are right now. Right now, they are Terror, Malice, Pestilence, and Spite. Before, they were something else: something happy and whole. Un-sundering them is a first step to their regeneration, but they will first come back as those unhealthy aspects.

And the Breach, should it tear open the Veil, would likely break the Evanuris's prisons, thereby releasing them. The freed Evanuris would continue wounding the Titans and manipulating the blight. The Titans would never heal; they would always be fighting back. (We'll get there, too.)

And we know this information because we had the chance to play through In Hushed Whispers.

During In Hushed Whispers (IHW for short), we saw a timeline where the Breach had been allowed to completely tear open the Veil, without the Evanuris being re-imprisoned. We see Solas as a prisoner during this questline, showing that he did not get to do what he wanted.

The whole sky is blown open and swirling green—but surely we all saw how much red lyrium is everywhere, too. They're growing it out of people, and if we remember the Chant of Light, we remember that (however abstractly) the Chant tells us that the Maker's second children (aka, everyone after the Evanuris) are formed with bodies made of lyrium and spirits comprised of Titans' thoughts.

That is Solas's worst nightmare, even though the Veil has been torn open. Because what Solas wants isn't just the Fade being rejoined with the waking world, but for the Titans he was forced to wound to be able to heal.

Clearly, with that abundance of red lyrium, they were not.

This, I believe, is also why Solas says, "You change... everything," to a high approval Inquisitor.

If the Inquisitor's soul truly is a spirit that comes from Terror, either pre- or post-Veil, it means one very crucial thing to Solas. It means that not all of Terror is blighted. That someone mortal, so much younger than him, is comprised of a thought from the Titan he has been mourning for thousands of years.

Which brings me to...

Solas's Thoughts on the Grey Wardens

Picture that you are Solas: once Cool Contemplation, now Cold Dread. You have spent thousands of years mourning the action you were forced to take, leading to the destruction of everything you knew, and also your connection to everything and everyone else. You have just woken, made another grand mistake, but in the process you have discovered that one singular person is made from the same Titan as you, and remains free of the blight.

One. But it is enough to hope for a world you thought could never exist; one you were willing to tear down the Veil to fight for anyway, despite that.

Still some hope remains for restoration.

PC: I wouldn’t mind never having another Blight. Corypheus interfering is the real problem. Solas: The Blight is the real problem. PC: And the Wardens are trying to end the Blight. Solas: Yes! Would it have worked? Do you know? Do they? The fools who first unleashed the Blight upon this world thought they were unlocking the ultimate power. [Source.]

Except for that some people have been drinking the blood of archdemons, WILLINGLY ingesting the foulness of turned Titans. Some people are WORSENING the very thing that you think has a teeny tiny itty bitty chance of being fixed. And what do they want?

They want to charge straight for Titans' hearts to exact violence upon the archdemons, who aren't actually the cause of the blight at all. Because you are. You, who is watching them suggest all of this as if it's a serious idea.

I dunno, folks. I'd be a little salty, too. Especially if they were unknowingly making casual mention of my worst fear...

Fear in the Fade

I always found it curious that Fear spoke to Solas in Elvhen. I mean, yeah, it makes sense, but why do that to the player, when Solas clearly has a grasp on the common tongue?

To make it a puzzle, because BioWare loves their puzzles. Well, I love puzzles, too, as we can all probably guess by now.

Trick Weekes says that, essentially, the Nightmare's words are, essentially, "Your pride is responsible for everything that has gone wrong; you will die alone." Solas's response, according to Trick, is, "Nothing is known for certain / Not necessarily."

But, knowing "dirthara-ma," "banal," "ma," "enasalin," and "salin," I am led toward this interpretation.

Dirth ma, harellan. Ma banal enasalin. Mar solas ena mar din. May you know, Dread. Your blight led to victory. Your pride leads to your death.

And Solas's response?

Banal nadas.

Two interpretations. One is "nothing is inevitable," just like Trick says. The other is "The Nothing is inevitable," where The Nothing refers to the blight. And yes, they knew that in this scene. The Nothing is Sera's greatest fear.

Knowing what I know now, I agree with Solas on both counts, and that's why I think, now, that this is such a genius line. Solas toes the line between hope and being "grim and fatalistic."

The blight—the blighted Titans, fighting back—are inevitable to him. They are a fact of life, and why he must tear down the Veil. So they have a chance at ever being healed.

But with the Inquisitor's existence? That chance exists already. The Nightmare shows us, then, that Solas stands on a precipice throughout his time in Inquisition, because hope continues to chase him.

The Titans are waking—but what will that mean?

All New, Faded for Her

This, I feel, is the deciding line for Solas during his time in Inquisition. We know that ultimately he makes the same choice at the end either way—he leaves the Inquisition as soon as Corypheus dies.

Cole: He hurts, an old pain from before, when everything sang the same. You're real, and it means everyone could be real. It changes everything, but it can't.

But until that exact moment? I believe, for many Inquisitors, Solas makes the firm decision to stay.

The Inquisitor is real. They are a real person, with a spirit so much like his own, and they continue to survive, not blighted. There is hope for Terror. It means everyone could be real. The Titans might heal on their own. It changes everything, but Solas can't depend on that change: not when the Inquisitor might be the only good thing to ever happen in these thousands of years, and abandoning his duty now might mean never seeing the world healed.

Can't he?

I believe that doubt in his own convictions—and his decision to stay—come in the moment pictured above. The moment where his friend is allowed to die as itself, as Wisdom, not bound as Pride. The moment where the Inquisitor shows Solas that there might be a world where the current society embraces the People (spirits; Titan-thoughts; Titans) that he knew.

You know what else happens during that part of his personal quest? Solas leaves. He genuinely debates leaving the Inquisition while he mourns.

PC: Guess I owe Varric an ale. I wasn’t sure you were coming back. Solas: Neither was I for a time, but only a short time. [Source.]

He visits the Fade; the spot where his friend used to be.

PC: Where did you go? Solas: I found a quiet spot and went to sleep. I visited the place in the Fade where my friend used to be. It’s empty, but there are stirrings of energy in the Void. Someday something new may grow there.

Stirrings of energy. Not in the Fade. In the Void, which the ancient elves referred to as synonymous with the Abyss. That's odd—shouldn't spirits go back to the Fade when they die?

No: this represents a Titan healing. Stirrings of energy; a scab crawling over a wound.

Cole speaks often of hope. The Inquisitor as a beacon, burning bright for both spirits and the people worshipping the Herald of Andraste.

I believe this is why: the Inquisitor represents hope for the two worlds joining—literally and figuratively. And their soul represents something that Solas sees in Wisdom's death: that the Titans may be healing on their own, in a way he never expected. The blights may end on their own, in time.

And Solas would have stayed to see it. He would have come back to a romanced Lavellan, after Corypheus's death.

But...

But Solas Left, and Not for Pride.

Let's remember Solas's first words after Corypheus's defeat.

Solas places the pieces back on the ground and stands. If Solas has high approval: PC: There’s more, isn’t there? Solas: It was not supposed to happen this way. [Source.]

He sounds genuinely shattered in the moment, much like that orb. That's because he had no time to mask the feeling, as he had been for the entirety of DA:I up until that point. This was a crushing loss.

The defeat of his fleeting hope.

Why? Well, to keep it brief because I swear my hands will give out before Veilguard releases at this rate: I, like many, many others, believe that pieces of the Titans make up magical foci. The ancient Tevinter call them the vessels of dreams, and we know now what dreams are.

We also remember the Trespasser mural of a sundered Titan, and how the orb on the Fade half (left) bears a direct resemblance to the ones Mythal and Elgar'nan carry in Solas's Lighthouse mural.

I believe that this may have been Solas's sundered heart of his own Titan. Terror.

Home, all gone.

Now there is only the Inquisitor sharing kinship of any kind with him, because Wisdom is dead and Terror is half-dead, too.

It doesn't matter how much Solas appreciates the Inquisitor's company, or how they represent an end to his loneliness. It doesn't matter how much he loves a romanced Lavellan. It can't matter.

Because the Inquisitor is mortal. They will die, and unless Solas does something, their soul will not go back to Terror if Terror does not exist at all.

Solas—Cold Dread—was not motivated by pride when he left the Inquisition.

He was motivated by fear.

Terror Unfolding on the Din'anshiral

I literally have no time to unpack the existence of this man's wolf form. Anyone who wanted to read this post for that, I'm so sorry: I don't know why it's a wolf. I suspect I'm not supposed to know why.

I will say this: I wonder if when Solas sundered the Titans, maybe he also sundered a (blighted) wolf form from himself. One he could previously shapeshift into, like seems to be the case with the Evanuris and their archdemons.

Do I have evidence to link? Nope not really; only that it's weird, then, that Solas's Dread Wolf absorbed—

Nope, okay, I've got a theory. Normally, I edit out these real-time realizations. Not today, Satan.

What I was going to say is that, if Solas had to sunder himself from the wolf when he made the Veil, it's awful weird that the wolf (sundered) somehow absorbed Urthemiel's power from Mythal.

Only: I don't think the wolf was sundered, and I remember evidence that backs that up.

Anyone remember the inexplicably killed Qunari from Trespasser?

"Backs hunched, eyes wide open... They were scared shitless when they died," says Bull.

"More dead Qunari with terrified expressions," the Inquisitor later remarks.

They were killed without wounds. They were so afraid that they instantly died. I really wondered what happened, there, since Solas has been known to petrify (a lot of) people.

It's because there's two magics going on. One, Solas's magic from being from the Stone/Titans.

The other... Dread.

I'm not sure if Solas mysteriously left no pawprints (lol) in Trespasser. What I do know is that Solas and the Dread Wolf are the same being—and that if the Dread Wolf truly is blighted, that is why both sides of the Evanuris's conflict would worship him. Solas symbolizes power over the blight—representing hope for a future with a cure, or indomitable Evanuris power, depending upon the story.

Now that THAT epiphany is out of the way, let me continue on with what I was going to say about Trespasser and the din'anshiral.

Solas, after Corypheus's defeat (more importantly, after his orb shatters), has little left to lose. If he doesn't act and do everything necessary, it's only a matter of time until the other orbs are lost this way. Until the Veil weakens and breaks entirely. Until the Evanuris walk free and take the Titans for all they've got left.

His fear is mounting. He is not acting in Pride during Trespasser (however haughty he might come across); he is acting in fear. Fear that makes him try to put on a brave (and maybe prideful) face. Fear that sends him crumbling every time his vhenan is in his line of sight. Fear that has him suddenly callous with an Inquisitor he isn't friendly with, because he no longer has time to play nice and is scared shitless of the consequences of failure.

The man is literally the living embodiment of anxiety. Cold Dread.

This is why Solas says he is walking the din'anshiral. The path of death; the path of endings. Because Terror's heart is dead in his hands. Because he carries the blight. Because the Veil is weakening, the Evanuris are on the verge of escaping their stone prisons, and he doesn't have a way to stop them.

If he fails, the Inquisitor is mortal. Wisdom is dead, and there are mere stirrings in the Void. There is no guarantee either his spirit friend or the Inquisitor will ever come back in a way he will recognize, if either of them come back at all.

And if Terror's vessel of dreams is shattered and lifeless, who is to say that Terror will ever dream again? Who is to say that there will ever, ever be another Titan-thought, another spirit, that Solas will feel close to in the same way?

I'd be willing to cause an apocalypse for that reason, too. Maybe a war between Tevinter and the Qunari, just for funsies, because my perpetual anxiety that makes up the entire core of my being sometimes needs a distraction.

(Tiny sidenote that did not fit in elsewhere: mentioning again that the spirit guardians in Trespasser say, "Revas vir-Anaris," which means "Freedom we-Anaris," which is the name of a Forgotten One. Wondering if it means Solas previously fighting to free the elves borne of Anaris, or maybe freeing Anaris (Terror??) from the blight. But also? I wonder about that Anaris and Andruil story in a way I have no time to dissect. Really, what does anything mean? Okay. Carry on.)

What Rook Really Caused and the High Cost of Failure

I honestly think things were going great for Solas (as much as a sad, dirty bed roll alone in the Deep Roads where he was probably cuddling rocks and crying can be called great) before Rook showed up.

Yes, he had an itsy bitsy little Regret demon tear apart Skyhold.

Sure, he had a little bit of a Dread-Wolf-shaped meltdown at the Mortalitasi. (On that note, I think he had said wolf-shaped meltdown because the Mortalitasi are stopping spirits from reconnecting with their Titans once they leave the fade because, oopsie, all the necromancers are catching them and putting them into corpses instead.)

But other than that?

Great. Really great. No sense of cold dread here. Nope. No sir. Definitely not guiding every single one of his actions, from petrifying random people all the way to breaking time a little bit (?) to save Varric's life in Arlathan.

He makes it up onto his little (dilapidated, fracturing) staircase in his (also under-construction and very unstable) ritual site in Arlathan, and his ritual's begun (right out in the open, with an eluvian leading right to it that we all somehow have the password to, because he definitely doesn't want to be stopped at all, nope, not at all).

The Evanuris are going to go into their stone prisons! Rock Jail 2.0: Waking World Edition! It's great!

Until Rook shoves over one of those not-quite-stable statues. Which falls into another statue (Falon'Din's?). Which then topples one more statue, before Solas shatters it (which....... buddy. Why.)

Point is: ritual broken, Ghilan'nain and Elgar'nan freed, blights inevitable, Titans doomed. You know: Ma banal enasalin. Your blight wins, Dread.

Except that's not all.

Those other Evanuris, whose archdemons we killed? My guess is that they're not gone from their stone prisons. Remember what happened when we killed Corypheus's dragon? The soul just flew back into Corypheus, who was then mortal for a time (and we dropped him in the Fade instead, smh, Inquisitor, we literally went over this right before the final fight).

This means that the same is probably true of every archdemon we have killed. That means Dirthamen, Falon'Din, Sylaise, June, and Andruil are all out there somewhere, ostensibly, if they are freed from their stone prisons.

What happened in the Hissing Wastes when the stone broke, when we put the torches in the wrong order?

Demons. And what did Cole say about them?

"They were Dwarves. They think they still are. They sound like dust tastes."

And what does the Chant of Light say about the Evanuris?

Those who had been cast down, The demons who would be gods, Began to whisper to men from their tombs within the earth. — Threnodies 5

(sidenote, what if tombs within the earth doesn't necessarily only mean the abyss-earth, but also the rocks in which they're imprisoned in the fade? juicy...)

I think that not only are Ghilan'nain and Elgar'nan freed, not only is Terror still broken, not only are the blights back in business, not only are all the Titans still turned—

But five of the seven Evanuris just came back as world-endingly-bad demons.

Who could possess anything.

Or anyone.

I don't know whether Solas is trapped-trapped in Fade Jail™ (because there's an awful lot of wolf statues in there, and yet, he is not bound inside any of them), but honestly, that matters little when examining the scope of things.

The Evanuris all walk free. All seven. And our friend Fen'Harel, Dread Wolf, Cold Dread, Anxiety Incarnate, isn't going to be able to trick them twice.

Veilguard Predictions: the Ballad's Conclusion, or Does the Song Go On?

Oh my god this post is so long, this series is so long, my hands hurt, please for the love of god, I need to employ some sort of brevity somewhere.

Here's some predictions. I'm so tired. I've written so much.

Harding: her powers awoke, apparently, when she touched Solas's dagger. I'm wondering if that is reconnecting her to Solas's blood (which might be what makes the dagger?) or Solas's Titan. We also saw that diamond concept art, didn't we?

Varric: If you know, you know. Lyrium dagger, dwarf. If you don't know, close your eyes and pretend you read nothing.

Lucanis: You know what's really funky to me? The fact that Lucanis is possessed by Spite. And this is a time when all the other five Evanuris might possess some people. And this game might really just be Who Got Possessed By Whom. But, I think the thing Spite wants might be to see Solas dead. Or, Spite might want to see all the Titans healed. Or some other third thing that is sure to stomp on my heart.

... Sidenote I think we're going to see all the Forgotten Ones, and maybe even find out the one who's unnamed.

Solas: Fen'Harel walked among both clans of gods. The Forgotten Ones counted him as one of their own. It's possible Solas might be Terror. Not sure how that works! Not sure how sundered Titans operate! But it would sure be neat if the elven word for Contemplation were Solas's true name, and also the "true" name of the final Forgotten One (as they all have two names; their qualities and their name-names).

Emmrich: You know who'd have a really good shot of freeing all those spirits from the Necropolis? Three guesses. And you know what might happen if all those happy spirits that the Mourn Watch gave therapy to all move back into their Titans? Well, something really nice, plus a whole lot of crying from us. Sidenote: if Wisdom had enough time to reincarnate into an incomplete wisp before Solas's terror-orb broke? You know who'd be a really great candidate for a skeleton to house New Wisdom? Three guesses.

Neve: Magister Gallus is the one mentioned in the Gangue codex. :) But also, Neve is widely theorized to be the Archon's bastard child. It would be amazing to me if Magister Gallus were some other relative of hers—but how would that work, with Neve notably born as a commoner? The other, OTHER theory I've seen floating around is that this Magister Gallus is actually Neve's husband. But also—how does THAT work, with what we know of Neve?

Taash: Sylaise creation. Or Ghil creation. Who knows? Maybe Taash is how we find out the origin of all kossith. Maybe Taash is a little bit more dragon than other kossith. Maybe Taash is half scaled one, half kossith.

Davrin: Something something, the griffons woke up as the Veil began to come down. I don't know what that means, except more in the line of "Titans are waking" things. But also? He's a Warden, and he's about to see how much the Wardens didn't know about the blight. And also, Solas is blight patient zero and/or the source of all blight. And he's the Dread Wolf. Either Davrin and Solas have a lot of growing to do, or maybe Davrin is a source of anti-Solas sentiment.

Bellara: :) I really think Dirthamen, who potentially escaped the Fade in the time of the Magisters Sidereal, is hanging out with Bellara. She's got new vallaslin that none of the rest of us have access to. She's obsessed with knowledge. She has a very funky piece of ancient technology and just seems to have a way with old elvhen knowledge and equipment. Sleeper agent Bellara? Secret betrayer on our hands, or has Dirthamen become something better, kinder, than he was?

The Truth About Solas and Mythal's Relationship: I'd be so shocked if it were romance. I think, rewatching that post-DAI credits scene, they just trauma-bonded a shitload when Solas was born. Maybe I'm wrong! But if anyone in all of Thedas would have a reason to trauma-bond, it's them: the guy who started the blight, and the woman who made him do it; the two Evanuris who begged the others not to go back looking for more blight.

The Eclipse: Dirthamen and Falon'Din? Do I just love the Bird Boys™ too much, or is there something here?

Blackened Hearts Memory: I was wrong with Falon'Din, I think, and stumbled into the answer with Mythal. I think Mythal blackened the first Titan heart.

Do We Win?: man. Please. I'm just begging. Please let us be happy after all this. Do you know how much I cried, falling into the truth about Solasan and the dread at the door? I need a happy ending here. Or I need someone at BioWare to get me a nice cup of hot chocolate. Something.

Is Solas A Villain?: Bro have you even been reading? No. Pookie's never done anything wrong a day in his goddamned life. Let him sing Hallelujah in peace. :)

Do We Stop the Blight?: What other choice do we have? It's beat the Evanuris and fix the Titans now, or end up in a blighted world forever...???? Or... kill the Titans and kill all magic? Guys. Please don't kill all magic forever.

That's all I have in the way of major predictions. Probably.

---

I need a nap. You're a hero for reading all of these, if you have. <3

I'm still on an internet blackout until I have Veilguard in my hands, so I am likely not to reply here. But I promise: I will be back soon, when I've seen the game's story play out!

Let's all have some fun in Thedas tomorrow. :)

[katerinaaqu]

Have you seen the new epic saga, it's something alright lmao

Of course I haven't seen it given that I never followed the live streaming to begin with not even in the first two sagas that I genuinely liked, much less now but a friend wanted to fill me in and since you asked and I wanted to be accurate, I tormented myself for almost 16 minutes to listen to the plot changes that I was told there would be and I am like

WHAT THE FUCK DID I HEAR?!!!!!!!!

I am sorry but again speakig purely on plot of course because honestly the music is really solid as always and the singers were amazing to transfer the emotions they wanted to transfer. Loved some of the melodies given, for example the intro of Charybdis was my favorite part I think but I am like HOW IS IT POSSIBLE THAT ALMOST ABSOLUTELY NOTHING OF THE FREAKING ODYSSEY IS IN THIS SAGA?!!!!!! Like he just kept the bare minimum again!

Sorry for the runt but yeah here goes:

"Not sorry for loving you"=> After all that backlash that song got even from the most loyal Epic fans he still kept it. I mean I admire his loyalty to his ideas but like he should have known that the song was not a good idea. I mean it was almost clear from the song's ideas that Jorge would dodge the subject of SA and that he would leave his fans guessing (smart move gotta give him that) at first given the suicide attempt Odysseus make but now it seems almost clear that he would want to dodge the subject just like he dodged the Circe thing it is just that right now he couldn't do it as blatantly because Calypso was an infamous moment of the Odyssey And of course the "I love you" Odysseus said...I said it before and I say it again it reminds me a blunt way to translate the reconsiliation of Odysseus and Calypso in the Odyssey. Okay even Odyssey was interesting in that (see my other analysis) even Homer uses the phrase "they rested by each other's side enjoying their closeness" so in one way even Homer seems to be implying that Odysseus forgives her and even tries to see it from her point of view but honestly what else could he do? Hold a grudge? A day before he would be FINALLY given the tools to make a raft? I think not. It almost felt like Odysseus felt sorry for Calyspo for one second in the Odyssey, when Calypso, a literal goddess, compared herself to his wife. It was an almost pity move on his part at that moment. Dunno what the musical wanted to do with this but this was not the way to do it! All the context of their talk and all was lost! If anything he tried to use a made-up thing, AGAIN to show some compassion for Calyspo. Calypso was already a lonely deity. That tragedy was enough for her. She didn't need any more tear-jerking stories for people to feel for her more in my opinion (kinda like whatever PJO did if I am not mistaken...either way yeah...)

"Dangerous"=> You know...at this point I am not even surprised that he made Hermes and Odysseus interract....like that would be my least of my problems. He does make Odysseus interract with all the gods under the sun in the musical even if Odysseus only interracts with is Hermes at Circe's island ONLY and Athena in the Odyssey and that after he has been through everything! Either way of course we would have Hermes there but like again with all the things we have from "video game logic" or whatever he wants to do...Hermes gives him another bag?! like I have no idea what is going on here! The only thing I would praise here is the emotional preparation for a possible reunion with Athena given how Hermes doesn't tell Odysseus who helped him so maybe he has an emotional load there.

"Charybdis"=> Okay for starters.....WHAT THE FUCK?! What is Charybdis doing AFTER Ogygia?! Not even a flashback!? (and I was wondering where the "Hermes told me" thing came from in that preview) Like where is that damn desperation of Odysseus having to face Charybdis right after he lost everyone?! Alone and hungry in the sea after a terrible storm that took away his men?! I also love it really how everyone thought originally that at least Charybdis would be accurate to the text and everyone was making their analysis and "look how fighting he is here compared to after when he wants to throw himself in the sea in Ogygia" and now it is clear that this thing came AFTER Ogygia for some reason. Like I am not even surprised anymore that some of the most iconic moments of the Odyssey were twisted. It almost seems deliberate at this point like "yeah let's change exactly the most iconic parts" that's why Circe was changed, Sirens were changed, Skylla was changed, Charybdis was changed...even the storm after the Helios island... The intro slaps no lie there but honest I have expressed my opinion on that before and got in trouble but I think that moment of desperation shouldn't be a fucking epic song. It was a man hanging for dear life from a tree! Trying his best not to die! (made also one small thing here) And like I get it, if someone sees that escape as "epic" for being so dramatic and impressive, I get it. have epic music in the background but what on earth with the lyrics? Like "destroy you"?! Really? or "bring it on!" like the last thing Odysseus wanted in the Odyssey was Charybdis to...bring it on! Lol! You may as well speak on the "I'm still fightng here" thing, I totally get it why, but to actually challenge the beast seems totally random. But then again I guess it fits more with THIS context given how he thinks he is now favored by the gods? In the Odyssey he was alone abandoned by all and everything with no hope left so I guess...

"Get in the Water"=> Like okay I have seen this in more replays than I can count from the very beginning from the demos till now. Ironically out of this whole thing it could be lowkey my favorite! Lol! Mainly because it fits the Odyssey PARTIALLY (yeah again Poseidon never wanted to kill Odysseus. That was written straight out in the freaking Odyssey! Even 1997 version that was inacurate as hell in many things did that right!). I would have loved it if this song was Poseidon having a monolog and Odysseus having his cries like "oh no!" or prayers as a second monolog. Like not actually interracting but have two parallel monologs! This trope is not used much and I wish I saw it more. Like Odysseus praying to Poseidon but Poseidon doing his thing alone and the two not having a dialog to each other. Apart from that the song was as we expected so far. Maybe the last part had me a bit iked but again I feel like it would be massively fixed if the two characters had parallel monologs and not actually interracting. I also love it how casually we have Odysseus accuse Poseidon in this saga for destroying his men while he CONSCIOUSLY killed the last of those himself.

"600 strikes"=> I'm sorry but....WHAT THE HELL DID I JUST SEE?!?!?!?!?!?!?!?!?!?!??!?!??!?!?!?! Like I am sorry never felt like good music was so wasted in my entire life ever since the Siren fiasco! Like the song is amazing musically but what the hell did just happen?!?!?!?!?! For starters the underworld has a bus service apparently and all come up... I feel like Jorge uses this as a pattern at this point. When scenes like the underworld attracted so much fans and emotions from people who praised his choice to bring the ghosts and the voices up he wants to use it every time to focus on emotional load in a similar manner (like I said never followed him for real so I am not sure how much of it was planned before and how much of it was done on the way). But yeah of course we would expect the appearance especially with the hype at Love in Paradise. But excuse the fuck out of me WHAT!? Odysseus beating up Poseidon with his FUCKING TRIDENT with the power of friendship?! LOL! I have no idea what to take of this! We do know humans fought gods before (Diomedes looking at you) but ironically to my knowledge NEVER THE BIG THREE! Like you know...fucking ZEUS POSEIDON AND HADES?!? The three main pillars of the world (Heaven Earth Underworld)?! I don't think I ever loved a lyric so much (Odysseus admitting what he became from his trip) and so cringe at the same time (Fucking POSEIDON begging for mercy?! and calling him "monster" for fighting back?!" I am not sure to which to cringe first). Is this supposed to be the part where Odysseus redeems himself against Poseidon?! To dodge the fact that Tiresias DIDN'T give him instructions to break the curse?! So basically Odysseus redeems himself for what he did...by stabbing a fucking god?! Like...remember how Diomedes was cursed by the narrative for stabbing fucking Aphrodite after fucking ATHENA ordered him to?! Yeah right that works! What the hell?! And the final part was supposed to be some sort of redemption from the pattern "All I hear are screams"?! Like "how will you seel at night?" and the response "next to my wife"?! Is that supposed to be the last of the "all I hear are screams" pattern?! Is this supposed to be the ultimate "monster move" of Odysseus or something?! And of course we had to have an encore from the previous bag of winds scene as well like yeah once more the god Poseidon the fucking literal god of seas and land inhabited by humans, the guy who has the epithet Προσκλύστιος (Prosklystios)= the one who strikes against (to imply the waves) was taken down by a bag of winds?! I mean yeah makes total sense!

You know...it almost feels like Jorge read my fanfiction with his men supporting him against the Trojans! Looooool just kidding I just am too shook by the random things that come out of that magic hat! Like yeah Odysseus swimming, literally SWIMMING for two days in a fucking storm to reach Scheria was not epic enough apparently...we needed some sort of final boss god fight here...like Hades game or something like yeah...what's next?! Odysseus will shoot fucking ZEUS with his bow with the blessings of Athena to get even in thenext saga?!

Also of course we have sped up plot again because screw the Phaeaceans, the very reason Odysseus even TELLS HIS STORY! The one we could have his redemption, his cry and the move of compassion from them (not to mention it makes so much more sense than someone traveling on a freaking RAFT from Calyspo's island all the way to Ithaca since the Phaeaces gave him a ship and all) unless they somehow pop up later which I doubt... I also heard that the storm or whatever is signifying Penelope the coming home of her husband? Not sure again not following but yeah

To conclude as always music-wise really solid work very good harmonies and by n large very good intros

Plot wise

WHAT THE ACTUAL FUCK?!?!?!?!?!?!?

Again I deeply apologize on the Epic fans out there and even to the creator himself if I sound harsh! I know but still...I just cannot anymore...the plot is like killing me!

and these are my PERSONAL OPINIONS! If you love it good for you guys! I just had enough of it really. Is it impressive? HELL YEAH is it creative ABSOLUTELY!! is it good? To me absolutely not! Honest never expected to say that but I think the "Get in the Water" is the song that makes the most sense out of it.

PS: I am sure the animators did a FANTASTIC JOB in their work too! And I believe I will see impressive stuff from now on! The same good job as the singers did!

[meyerlansky]

#hboww2rewatch timestamp roulette: MASTERS OF THE AIR, PART TWO ↳ rank has its privileges, boys.

[quietwingsinthesky]

youtube stop recommending me that five hour long “fall of doctor who” video challenge. there is not a video i could be less interested in watching.

[atd-everything-girl]

A Demigod of my own.. Ch. 1 my little seashell.

This is a fanfic about Triton from Percy Jackson series and his point of view along with an couple of ocs of mine to make the story interesting. (With a couple of my hcs enjoy!)

The prince Triton, the son of poiseden.. That was his only identity so far.. expect for that dumb Disney movie the little mermaid (he swears that movie portrayed him way too old). Triton had been feeling more insecure than ever, a thought he had heard a couple of fish gossiping about earlier 'Prince Triton takes so much pride in being poiseden's heir he's immortal it's not like he gonna die anytime soon.' and then another fish said 'you know a couple years back I heard poiseden telling that Demigod boy of his that he was his favourite son.' Triton had left not wanting to hear more (he silently destroyed those fish later on due to anger) but the thought had remained with him since had that stupid Jackson boy accepted immortality instead of telling the gods to be better parents his father would have replaced him in a heartbeat for Percy, the thought still silently terrified him though he knew that confronting poiseden and demanding to ask why a puny Demigod was his favourite; he knew that he would only be asked a thousand questions and probably punishment 'How do you know I said that? ' 'He saved olympus twice what have you ever done to become my heir besides being my oldest son?' 'He beat Ares in a fight when he was 12 tell me do you have the guts to fight Ares?' and so on Triton had silently been growing more resentful of Percy and more depressed worrying about how much importance did he really have and that his father probably couldn't care less about him in general, he'd been growing more paranoid as well. However, some help and comfort he had received due to a certain friend. A couple years back he had been answering calls on Poseidon's behalf because poiseden had some 'matters' to attend to (probably chasing a poor Ocean nymph) when a certain call by a minor god only a few years younger than him intrigued him a son of Hades called Zagreus, the younger god had been rather friendly with him and told him that they should meet sometime when he comes to the surface, Triton had agreed on the condition that they would not be up there for more than 7 hours since his mother would question him if he were and those questions would annoy him, Zagreus had told him to meet at a beach near one of the exits out of Hades's realm. They had infact met there and Zagreus said ' Dude, try assuming human form so can roam on land and we can a proper conversation ' ' what's wrong with me being in the water?' Triton had asked. 'Well I don't like sitting on sand for too long and also your face looks like a monster-like green.' 'Thank you for your honesty Mr underworld prince but I don't know how to walk on legs. ' 'come on just try it I'll teach you ' 'fine.' so he had transformed, his skin colour was a perfect tan, his Curly Black hair still tied in a high ponytail, he had some black leggings and blue sweater on and of course he stumbled a couple times but Zagreus had taught him how to walk properly soon Triton could run, for a while it has become a weekly thing Zagreus would ires-message him to meet up, Triton would make his father was too busy to notice that Triton had stepped out of his realm and then he would talk with Zagreus for hours, despite being two princes/heirs of two different realms they had a lot in common their fathers being rather neglectful and distant, them having better relationships with their mother figures,them feeling rather questionable due to their fathers having obvious Demigod favourite ism (Though a difference being that Zagreus actually liked his Demigod brother a lot), there had been a couple of times where they couldn't meet due to the war with gaea and Kronos and during approximately 2 or 3 years before Percy's intial claiming, Triton had met a certain woman a lifeguard who worked part time at wallmart, Sofia malician. A beautiful red headed woman with olive skin colour and kind sky-blue eyes. He had met her when zag had ires-messaged him and he was waiting for him. He had saw her sitting and ended up staring at her, Sofia caught him once he turned his face away, twice he turned his face away again.

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[the-acid-pear]

I never tried the option myself bc it'd probably mean skipping the Reason You Suck speech at the end (fire for speedrunners though) but I Love that you can frame your Phoneys in 3, especially so if you've already killed the previous two. Like yeah couldn't send you off to die so i'll let the goverment do it for me 🧸 like its just Peak evil imo.

[asyipyip]

hold on everyone shut up im getting super emotional about jonathan sims

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[julibf]

JON WAS PROMISED TO SANSA PART 1

PS - I want to apologize for my super long post, I received a couple of messages of readers explaining that the long form of the post makes harder for some people to read all the information. I will try to do in 2 parts. This first using some of the hints from books and tv show and the second part approaching the book chapters.

So, one of my favorite theories that I have seen floating sometimes is that Jon Snow is actually The prince that was promised to Sansa. The idea is that Lyanna not only asked Ned Stark to protect Jon, but also, asked him to marry his first born daughter to her son, in order to fulfil an important prophecy and that the breaking of this promised is what led for all this pain and sorrow to fall onto House Stark. This would parallel the pact made by Doran Martell promising his older daughter to Viserys Targaryen, both men made promises to marry their daughters to Targaryen princes, yet both failed to fulfill their promises.

What if Jon and Sansa had been betrothed all their lives since their birth? What if this union is very important for the future of Westeros and the Gods are making everything possible for them to be together?  This would be a big twist in the end of the story, because the reader usually associates Ned Stark with someone who takes oaths very seriously, yet, having the hero of the story breaking an oath and disgracing himself its kind the story that George likes to write. In A GAME OF THRONES there is a lot of hints that Ned actually broke his promise to Lyanna.

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He slept and woke and slept again. He did not know which was more painful, the waking or the sleeping. When he slept, he dreamed: dark disturbing dreams of blood and broken promises. When he woke, there was nothing to do but think, and his waking thoughts were worse than nightmares. (A Game of Thrones - Eddard XV)

Ned keeps on dreaming about broken promises…….

The thought of Jon filled Ned with a sense of shame, and a sorrow too deep for words. If only he could see the boy again, sit and talk with him … pain shot through his broken leg, beneath the filthy grey plaster of his cast. He winced, his fingers opening and closing helplessly. "Is this your own scheme," he gasped out at Varys, "or are you in league with Littlefinger?" (A Game of Thrones - Eddard XV)

In his lasts moments Ned is thinking of Jon and the memories of him bring immense shame and sorrow. Remember, not only he never told Jon about his mother, he also allowed the boy to join the Nights Watch without ever explain to him how truly terrible that place was. I am certain now that Ned Stark broke a very serious promise to his sister…..

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad." "And why was that?" Luwin peered through his tube. "It was something to do about Jon, I think." The dream had been deeply disturbing, more so than any of the other crow dreams. "Hodor won't go down into the crypts."(A Game of Thrones - Bran VII)

Again, what Ned had to say to Jon was so important that he came back from the death just to tell Bran. I believe that Bran will finally remember about this dream in the last volume of the books, “A dream of Spring”.

One of my favorite moments in A CLASH OF KINGS, is the red comet that crosses the sky during the entire opening of the story. In Sansa’s first chapter she asks one of the knights of the kingsguard what does he thinks the comet purpose. Several Jonsas writers have made metas over this idea

(https://www.tumblr.com/nattyslove22/745268948796407808/what-do-you-think-it-means-she-asked-him-glory) (https://chispas-and-broken-bindings.tumblr.com/post/642883177830137856/glory-to-your-betrothed-ser-arys-answered-at)

The morning of King Joffrey's name day dawned bright and windy, with the long tail of the great comet visible through the high scuttling clouds. Sansa was watching it from her tower window when Ser Arys Oakheart arrived to escort her down to the tourney grounds. "What do you think it means?" she asked him. "Glory to your betrothed," Ser Arys answered at once. "See how it flames across the sky today on His Grace's name day, as if the gods themselves had raised a banner in his honor. The smallfolk have named it King Joffrey's Comet." Doubtless that was what they told Joffrey; Sansa was not so sure. "I've heard servants calling it the Dragon's Tail." "King Joffrey sits where Aegon the Dragon once sat, in the castle built by his son," Ser Arys said. "He is the dragon's heir—and crimson is the color of House Lannister, another sign. This comet is sent to herald Joffrey's ascent to the throne, I have no doubt. It means that he will triumph over his enemies." (A Clash of Kings - Sansa I)

We know that Jon is the Dragon Heir, since he is the son of Rhaegar, so what if the comet was meant to him????

There are some other hints too, that looked like foreshadowing in my mind…

He grinned. "I will hold you to that promise, my lady. Until that day, may I wear your favor in the tourney?" "You may not. It is promised to...another." She was not sure who as yet, but she knew she would find someone. (The Winds of Winter - Alayne I)

I have been rewatching the tv show and a couple of scenes got my attention. First we have the famous added scene of Catelyn Stark telling Talisa that she broke a promise made to the Gods. This happens on Season 3 Episode 2 (Dark Wings, Dark Words). Catelyn Stark tells about a broken promise that she made involving Jon Snow and how she believes breaking this promise brought all this pain and sorrow to House Stark.

Catelyn Stark: Many years before that, one of the boys came down with the pox. Maester Luwin said if he made it through the night, he'd liνe. But it would be a νery long night. So l sat with him all through the darkness. Listened to his ragged little breaths. His coughing, his whimpering. Talissa: Which boy? Catelyn Stark: Jon Snow. When my husband brought that baby home from the war, l couldn't bear to look at him. l didn't want to see those brown stranger's eyes staring up at me. So l prayed to the Gods, take him away. Make him die He got the pox. And l knew l was the worst woman who eνer liνed. A murderer. l'd condemned this poor, nnocent child to a horrible death all because l was jealous of his mother. A woman he didn't eνen know. So l prayed to all seνen Gods, let the boy liνe. Let him liνe and l'll loνe him. l'll be a mother to him. l'll beg my husband to giνe him a true name, to call him Stark and be done with it, to make him one of us. Talissa: And he liνed?  Catelyn Stark: And he lived…..And l couldn't keep my promise. And everything that's happened since then, all this horror that's come to my family, it's all because l couldn't love a motherless child.

Later, in season 6 Episode 10 (The Winds of Winter) we have Jon and Sansa finally taking back the North and Winterfell together. Sansa tells Jon that she sees him as a Stark and Jon tells Sansa they need to start trusting each other, then he kisses her and remind Sansa of a promise made by Ned Stark.. (Interesting fact ton notice that after receiving this kiss from Jon, Sansa never again allows Littlefinger to kiss her again). 

Jon Snow: I'm having the lord's chamber prepared for you. Sansa Stark: Mother and Father's room? You should take it. Jon Snow: I'm not a Stark. Sansa Stark: You are to me. Jon Snow: You're the Lady of Winterfell. You deserve it. We're standing here because of you. The battle was lost until the Knights of the Vale rode in. They came because of you. You told me Lord Baelish sold you to the Boltons. Sansa Stark: He did. Jon Snow: And you trust him? Sansa Stark: Only a fool would trust Littlefinger. I should have told you about him, about the Knights of the Vale. I'm sorry. Jon Snow: We need to trust each other. We can't fight a war amongst ourselves. We have so many enemies now. Sansa Stark: Jon. A raven came from the Citadel. A white raven. Winter is here. Jon Snow: (Smiling) Well, Father always promised, didn't he?

Once again, the show makes sure to connect Ned Stark with a promise, they could have use any word for this dialogue. It could have been Father always warned us, or Father always told us but they made sure to use the word promise which we know its always associated with Jon Snow and the promise Ned Stark made to his sister. So it made me wonder if we ever will found out more about Ned's promises to Lyanna.

Next is part 2, the books chapters.