#with the movie i/robot

[erigold13261]

Ohhhh how about Robots (The 2005 movie) for the Power Revolution combo? It’s about a group of robot people standing up against an oppressive company

That is a good contender actually! I love that movie a lot, but the characters are not ones I am very connected to. At least not enough for me to want to write them into a story.

I'll try to sleep on this idea and think of it some more. Like character interactions and stuff. Honestly you saying Robots made me think of Overwatch and how Omnics in London (and maybe England in general I think) are treated so horribly.

So kinda like combining the ideas of Omnics in London Overwatch with the whole world of Robots and just sticking that close to the Vandelay Tech. area could work!

I was actually debating on doing something Overwatch related in the story, but if I do that would be a third generation kinda deal. Like farther after the major timeskip and that itself would be more with OCs, kids of canon characters, Homestuck and JJK as adults.

Though most likely I am never going to get to that part of the story (I still might take elements from the game and other media though. Things like hardlight from Overwatch or virtual reality realms from Sword Art Online are things I possibly have plans for).

Okay, back on topic. I am definitely going to think about how Robots could play into the Eriverse. I love the concept of that world (and can definitely make a story about the company), it's just the characters that is the problem for me.

There are plenty of stories that I love, but just have no drive to make content for. I can consume content made for those media forever, but not make my own. And I think Robots is one of those media for me. But that was also Psychonauts and HFR for a bit, so maybe I just need to think more about it (and rewatch the movie), and perhaps I could get a lot more attached to the idea!

[hellspawnmotel]

intimacy between an evil spiteful building-sized supercomputer and the lone scientist left behind after everyone else ditched and forgot about her (in which computer wants to kill scientist really bad but her programming wont let her so she just attempts to make her as miserable as possible instead, which also doesn't work because scientist is a freak)

[lastoneout]

Pacific Rim is the best movie ever made for the same reason Sif is the best boss in Dark Souls. It's not bcs of quality or craftmanship or whatever it's bcs when I hear "giant robots fighting giant monsters with the power of love" and "huge wolf with a big fucking sword" I am overcome with the urge to scream "HELL FUCKING YEAH" at the top of my lungs before headbutting a wall so hard I leave a dent in the plaster.

[corruptimles]

That makes my Miku Movie Marathon for this year’s #MikuAllWeeku! If anyone has a favourite from the set, I'd love to hear it. Until next time...  

[tentacle-therapissed]

I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:

-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.

-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)

-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.

-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.

-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.

-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”

-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)

-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.

I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[peanutlolxd]

Robot dreams 🧟

[pizzazz-party]

Victors.

Based off an illustration by Joseph Michael Linsner, this is a redraw @sroloc--elbisivni commissioned for their friend @kithnkin!

[fluttytheflutt]

this movie messed me up 💖💕

[hsboo03]

Remember, how we knew love was here today. ☀️🌼💫🌻❤️‍🩹💝

[portalmonsterrr]

Would you guys believe this is the second time I'm putting my otp in into a detroit AU, I just love it so much I'm going to change every aspect of it

also there will be a 4 page comic a bit later!!

[transformers-synergize]

How does your Wheeljack feel about King-Kong?

I G1 one enjoyer I see, I get the references ;)

Ok, but to answer the question, yes, he does in fact like King Kong, along with many other pieces of human cinema, especially the ones with giant monsters or dinosaurs. wheeljack is always looking for inspiration for new projects/inventions, and being on Earth has provided him with tons of new inspiration.

[maruchanart]

Robot Dreams if it was fucking awesome /silly

[cinderoo]

airazor if she had a robot form in ROTB

[mushtoons]

yeah i love them

[cybertron-smash-or-pass]

TFA Blitzwing