I've decided that I would like to understand what my mutuals see in the old man music cinematic universe. I have loved and supported their derangement from afar in my life and would like to dip my toes in, so to speak. so I come to you humble now and ask: where can I get information about the beatles that will make me think about old British boy band members exploring eachothers bodies? if it helps, I dont mind their more well known music, but I've never really dug into it properly.
Oh man. You've no idea how tough this is to answer lol. My derangement regarding the Beatles has been built up over 6 years now and I hardly remember how it even began.
I suppose that yes, if you're new, you should begin with listening to all their music because it's genuinely very good stuff. Their filmography is also good. If you haven't seen any of their films yet, it's a great place to start because the Beatles' looks, personalities, and sense of humour are just as important to understanding their appeal as their music is (in order: A Hard Day's Night (1964), Help! (1965), Magical Mystery Tour (1967), Yellow Submarine (1968), and Let It Be (1970) - most of these should be free to watch on Dailymotion).
If you're very serious about the Beatles and into the history on an actual academic level, this is a pretty good list of free resources to browse through.
My personal introduction into becoming an actual gay Beatles truther was a series of fan-made documentaries on YouTube called Understanding Lennon-McCartney. It's been a very long time since I've seen them, but I remember them blowing my mind and making me believe in the concept of soulmates. As fun as it is to make jokes about the Beatles exploring each other's bodies, there's something genuinely profound and beautiful about Lennon and McCartney's relationship that shouldn't be overlooked. Chris Evans said it best:
The Understanding Lennon-McCartney documentaries series is also just the most comprehensive overview of McLennon that I know of, even if it's semi-outdated now. I watched them in 2019 and even in just the last 5 years, a lot of new McLennon info has come out. We are truly living in the golden age of Beatles RPF.
One of the biggest recent developments was Peter Jackson's 2021 Get Back series. They're basically a revamped version of Let It Be (1970) and also required viewing at some point. I know a lot of Beatles fans who were introduced to the band via Get Back so I suppose it's not a bad place to start if you're so inclined, though since they chronicle some of the last days of the band, I think they can be best appreciated if you're already at least somewhat familiar with the boys.
After watching all of that, I think you'll have a pretty decent foundation of what people on Tumblr are talking about. Then oddly enough, I'd consider Tumblr the best resource for info. There's more in-depth Beatles talk on here than any other website as far as I know and, in my experience, I learned a lot just by freely exploring various tags and blogs.
There's also the Beatles biopic cinematic universe which is worth dipping your toes into if you like RPF and want an entertaining way to learn the gist of the band's history. There's a lot of low budget biopics out there about those boys. Even I haven't seen them all yet so I wouldn't say watching them is an absolute must, though there's three iconic "gay john lennon biopics" that are entertaining bc of how genuinely gay they are: The Hours and Times 1991 (about John's relationship to Brian Epstein), Backbeat 1994 (about John's relationship to Stuart Sutcliffe), and Two of Us 2000 (about John's relationship to Paul McCartney; the most iconic and revered of all Beatles biopics).
I don't really know what other reccs to give. If anybody wants to chime in with other suggestions, go forth! There's just so much Beatles lore and it's easy to become overwhelmed by it all so definitely take your time lol. And if you ever have any specific questions about the Beatles, I'd be very happy to answer them!
Happy RPFing!
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I love how you characterize Aaron Hotchner! Would you please write something for him along with the quote ‘keep your eyes open, sweetheart’? Completely up to you, but was definitely thinking about some heavy angst 🙃🙃
"look at me" - hotch x gn!bau!reader - 985 words
cw: injuries and depictions of violence, general angst, anxiety, hotch literally just being a hero as per freakin usual
why hello my love! thank you sm for this request <3
i don't write a lot of angst, it's certainly something i need practice with! but i really enjoyed writing this and i smooch ur lil forehead
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People always say that in a near-death experience, your whole life flashes before your eyes.
Not yours.
You didn’t see your whole life, no. You saw bits and pieces - learning to ride a bike, walking at your high school graduation, pinning your FBI badge to your blazer. And then you just saw Aaron.
The first time you met, shaking hands as a brazen formality in the middle of a case, feeling his deep, brown eyes scrutinize your every move, watching him watch you. He was testing you back then, seeing if you’d be a good fit for the team.
The first real conversation you shared with him - The Beatles, which song was his favorite? Laughing at him when he said Yellow Submarine.
When he held your hand for the first and only time on a particularly rough case, about four months ago, and promised you that things would get better.
When you comforted him for the first time, about three months ago, after Haley left him. You promised him that everything happens for a reason.
Five minutes ago, when you told him you felt certain the unsubs were going to strike again. You felt it in the pits of your stomach, you told Aaron. And he just nodded and said he trusted your intuition. Then he held the door open for you, and led you out of the police station, into the dead-quiet night of the street.
He clicked the key fob in his hand, and the SUV burst into red-hot flames and sent you both flying. You were immediately knocked unconscious, your body thrust out into the street flippantly, like someone had simply thrown a baseball.
You come to on the concrete, your head pounding. All sound is muffled, but you see Aaron on his knees, hovering over you. His face is covered in dirt and soot and blood, and he keeps cupping his hand over his ear.
“ - hear me?” Sound is restored in the middle of Aaron’s question. It’s abrupt, like someone changing the channel on the TV, but you can hear again. You feel dizzy and disoriented as you prop yourself up on your elbows.
“Stay down,” Aaron instructs, guiding you gently to lay flat on your back once again. Your entire body is throbbing.
“Aaron,” you feel a panicked, whispered sob escape you. He grabs your hand and you feel him squeeze it. Your eyes roll into the back of your head. You feel dizzy, like you might pass out again and Aaron’s grip tightens around your hand. “It hurts.”
“Keep your eyes open for me, sweetheart. Please?” The endearment rolls off of Aaron’s tongue like he’s said it a million times before. He hasn’t. Your relationship with him has been professional-ish up until this point. You’re not sure how he feels about you, exactly, but at this moment, it doesn’t matter.
He doesn’t even acknowledge that he said it. “What hurts?” Aaron’s speaking loudly, like someone who has headphones in. His hand is still pressed against his ear.
“All of it,” you murmur. “Everything.”
You feel tears in your eyes. Your stomach is in knots and you feel like someone is sitting on your chest. You blink a few times, feeling the tears drip down your face and onto your lips, salty and full of dread.
Aaron’s checking you over, you realize, lifting your head gently and quickly to make sure you’re not bleeding. He’s talking to you, telling you what he’s doing so you don’t panic even more. He uses feather-light touches to lift your arm, and pain shocks you, coursing through your wrist. “Shh, hey, I’m sorry,” he says, laying your arm by your side. “I’m sorry. I’m so sorry. Your wrist is broken.”
You blink a few tears away.
“I’m going to pick you up, Y/N,” he tells you. He never calls you by your first name, but you’re in so much pain that you can’t even be jarred by it. “Can you move your other arm?”
It feels laden, but you can. You nod and whimper in confirmation.
“Can you hook it around my neck?” He asks as he slides his hands under you. The crooks of your knees and your back are cradled by Aaron’s arms and you wrap your arm around his neck. Once he determines you’re stable in his arms, he lifts you up. You hear sirens blaring as they get closer, and you see Aaron grimace. You feel his body tense up, his fingers curl around the fabric of your shirt.
“What’s wrong?” You ask him in an unfiltered mumble, sniffling as he carries you towards the nearest ambulance.
“It’s just my ear. I’m fine, Y/N. I’ll be fine,” he promises, but you feel how labored his gait is. It’s taking everything in him to carry you to the ambulance. You want to tell him to stop, to remind him that the paramedics can bring the gurney to you. But you’re so tired, so dizzy. You think maybe if you just rest your eyes a little bit, you might feel better. Your head tilts to rest in the crook of Aaron’s neck. Your eyes flutter shut.
“Y/N, you might have a concussion. You have to stay awake, okay?” Aaron’s voice draws you back. Your eyes are shaky when they open, and you see him looking at you with weighted concern as he sets you onto the gurney.
The paramedics load you shakily up into the ambulance, and you reach your uninjured arm out. “You’re going to the hospital with me, right?” You ask.
Aaron nods, climbing in after the paramedics and sitting beside you. His eyes are piercing and full of consternation as he takes your uninjured hand in both of his. He runs his fingertips over your knuckles, nodding assuredly, though you are certain he is feeling exactly the opposite. “Yeah. Of course. I’m not going to leave you.”
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So didn't realise that people didn't know about the John Lennon 1980 'dear one' thing. As we're all here though I wanted to mention that the phrase 'my dear one' potentially has a bit of a story arc when it comes to John's relationship with Paul. For those familiar with British English, 'my dear one' sticks out as it's not a used term of endearment at all. So where does it come from? It could be a non-straightforward Victorian throwback, but more likely its hearkening to the use of the phrase in Eastern meditation to denote your nearest and dearest. Great, already off to a sweet start (and lines up with Yoko having Paul on the next-of-kin list with Julian and Mimi when John died).
It POTENTIALLY gets a bit more layered than that though once you add in the idea of hugging meditation. Contrary to what Paul says (sorry Paul, I do believe you on most things, just not this) despite being 'Northern men' TM the Beatles were a huggy bunch. John mentions it in the 1967 Hunter Davies interview:
''We used to be embarrassed about touching each other. We’d do an elaborate handshake just to hide the embarrassment… or we did mad dances. Then we got to hugging each other. Now we do the Buddhist bit… arms around. It’s just saying hello, that’s all.''
As pointed out in @thecoleopterawithana and @monkberries amazing posts, the Buddhist bit is hugging meditation which became popular in the 1960s. In hugging meditation, you
''have to make him or her very real in your arms, not just for the sake of appearances, patting him on the back to pretend you are there, but breathing consciously and hugging with all your body, spirit, and heart. Hugging meditation is a practice of mindfulness. “Breathing in, I know my dear one is in my arms, alive. Breathing out, she is so precious to me.”''
We know physical touch was important to John. One of the plusses of being with Yoko was being affectionate with his best friend, he tells Paul that touching is good whilst hugging him and in the Get Back sessions he delightedly asks Paul about a vivid dream where he was touching Paul (whether platonic or romantic this always read to me as a blatant subconscious desire for increased intimacy with Paul). The desire for intimacy is still present in the 'Real Life/Love' demo in 1977 where John muses about holding a mysterious has-a-baby-expecting-another-lives-on-a-farm someone in his arms as if it was only yesterday (another piece of media I still cannot believe we have on tape).
With John's evident desire for physical intimacy in mind and the focus on holding dear ones in hugging meditation, I don't think it's too far to think that John would associate this term of endearment with a certain level of both physical and emotional intimacy. Whether its a slightly bittersweet ironic recollection of those times together in the late 60s or a sincere statement of their current relationship, Paul as his dear one could be seen as continuation of John's suppressed, resentful but ultimately present desire for reignited intimacy with Paul on multiple levels (again romantic? Platonic? Choose-your-own-adventure there, I'm not in charge of you).
Or I could be talking shit. Who knows? It's just fun to think about!
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