#write what makes you feel good to write

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[rasangan-raspberry]

I'm gonna post the pages that I have finished, this comic is going to end up being pretty long i think.

Next page >

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[lunar-years]

? He very much did also write Ted Lasso btw. He was a credited writer on Ted Lasso. He was in the writer’s room for Ted Lasso. He was writing it!

[hungharrington]

jayy!! lately i’ve been thinking that steve really really likes it when you ride him. like yeah, he loves to see you on top but i feel like he loves the idea of you using him to get off yknow?? like he just wants to be your boy toy. doesn’t even care if he doesn’t cum, but gets SO WHINY and blushy when he does cause he just feels so so lucky to have you jump his bones🙌

UGH i need him like i need to BREATHE. need him to whine in my ears 24/7

-🍒

oh lawd. this one…. brain goes BRRRRRRR what did you PUT in this ask cherry…. does this fit the prompt? maybe 🤪 but it was written at work so have mercy on me

Of all the things Steve loves in the world, making you feel good? Top of the list.

That much is a given— with the fervor in which he’ll bury his face between your thighs, moans that vibrate against your cunt just right, his fingers digging into your thighs as his hips rut against the bed.

When he’s determined to pull an orgasm out of you with his hands, his darkened hazel eyes drinking in every moan, desperately flicking between your blissed out expression and his fingers pumping into your cunt, covered in your slick— all of it shows in the ache in his pants, in the breathy noises he makes when you tip over the edge.

So, you’re not at all surprised at what he says to you that night — take what you want.

You’re both tangled together, haphazardly draped across the bed— too entranced in the hot press of each others mouth to think about letting go, even as you had both staggered up the stairs and into the bedroom. It had been one charged dinner date, with one hand far too comfortable sneaking up your skirt go tease you.

Now, Steve lies beneath you and when you break away, panting, to work on the buttons of his dress shirt, he’s a fucking sight to behold. Chest heaving, face flushed so much it crawls down his neck, his eyes fix on you with such an intenseness that it makes you shiver.

His shirt has been driving you crazy all dinner, undone just enough to show a flash of chest hair. Now you work it open quickly, each button revealing a little more of his glorious tanned chest, sprinkled with hair. Lust drools through you. You rake one hand down it, fingernails pressing into his skin lightly and Steve groans.

“Okay, you need to get naked, like, right now,” His hands pair with his words, finding the edge of your shirt. He’s tugging it up and your arms go up to let him pull it from your frame. His insistance makes your grin.

“Funny how you can say that when you’re still wearing pants.” You bicker back, using your now free hands to work on his belt buckle.

Steve watches you for a moment, his tummy clenches when you palm at his bulge for a moment and his head rolling back onto the duvet. He makes a pained noise. His hands form fists at his sides — just for a moment, before he’s sliding them up your thighs.

They creep beneath your skirt, finding the elastic of your panties — then one of his hands shift forward, cupping your heat tightly. You moan at the same time Steve does, his hand pressing up against your clit perfectly. He shakes his head on the bed, his hair messing up against the sheets.

“I take it back,” He whines. His hands shoot down to overtake yours, shucking his pants down his thighs as best he can. Just the thin material of his boxers remains. “I don’t think I can wait, honey, I need— you can just- please,”

“Hey, hey, I got it, I got you,” You push his hands away and Steve melts. He grows still, only his hands twitching and his neck craned up to watch as you tug his boxers down.

His cock must be aching with the way it looks, all pretty and flushed in the head, crying just for you. You can’t help yourself, giving it a quick pump, rubbing the head with your thumb.

Steve keens loudly, his body growing taut, his head thrown back. A strangled whimper tears from his throat. “Ngh- please, oh fuck, pleasepleaseplease—“

You release his cock and Steve deflates a bit, panting loudly. Your skirt takes only a second to remove and it takes another to push your panties to the side, your knees straddling across his hips. Your core burns hotly, clenching in anticipation of being filled.

You make sure Steve is watching as you hold his cock, prepped to sink down — and he is. His face, still flushed with his eyes bright, is intent on watch your own.

It makes the heat in your gut flare hotter. Hot lust sparks beneath your skin as he keeps his gaze on you for as long as he can — your hot, wet cunt sinking down on him finally forcing his eyes closed.

“Fuck, fuck— shit, don’t move just yet,” The words pour from Steve’s mouth, his eyes screwed up and head thrown back. Your hands shift forward, planting on his chest and you give him a minute— revelling in the delicious stretch his cock gives you. Fuck, it never gets old.

You lean down and kiss the closest skin you can find, his collarbone. Steve smiles, eyes still closed. His hands shift off the sheets, trailing from your thighs, your hips, up your ticklish sides, until he finds your face. His thumbs stroke over your cheeks delicately and when he pulls you closer, you follow without hesitance.

He kisses your lips, soft and sweet, and then murmurs against them. “Take what you want, baby.”

A little whine creeps out your mouth at his words and your hips follow without thinking, beginning to rock gently. A dose of lust licks up your spine and you sigh prettily.

Steve’s face shudders, pleasure rippling across his features and his eyes slip shut. His mouth drops open a little bit, the smallest noise escaping, his cheeks almost as pink as his lips. His eyes crinkle open, watching you closely.

“Ye- yeah, that’s it.” Steve manages to murmur. His hands haven’t left your face, still gently holding either side as you roll your hips back, slow and sensual. “Good girl.”

A gasp pushes past your lips and this time when you rock back, it’s a little more desperate. Steve moans, voice drenched in desire, and his hands fall from your face to grip the sheets. You lean on his chest further, your thighs aching deliciously as you fuck yourself on his cock— up and down, faster and faster.

“Steve,” you mewl out. It’s instinct to reach for him, to call out for him and in response, you feel the buck of his hips, pressing him deeper within you. Steve whimpers.

“You got it, honey,” He assures, voice more and more breathy. “Doing so good.”

There’s a soft squelch as you work yourself down on him, a coil of pleasure beginning to tighten up in your tummy. You feel a fiery warmth beneath your skin that spikes with every movement you make.

One of Steve’s hands comes up to cover your own, holding it tight to his chest — right over his heart and he lets the other nudge your face back to facing him. You hadn’t realised how it had begun to tilt forward, lost in your own pleasure.

“Mhm, fu- fuck, that’s my girl,” Steve whispers. You shift up to change the angle and when you fuck back down, you moan loudly — Steve writhing beneath you to contain himself from fucking up into you. You, however, show him no mercy.

“God,” Steve whines loudly. His breathes are coming out with little whimpers now. “That’s—that’s it— just fuckin’ take what you need. Take it, take it from me, baby.”

Your cunt gushes and you whimper — and you do just that.

[bamsara]

So is the reason for Tyren getting more unhinged the side effects of the devotion necklace, or was this a downward spiral he would have gone done regardless of the necklace? I remember you talking about how the necklaces have consequences, and I'm curious if this is one of them.

Yeah!

Tyren would have been an already overly-doting and even jealous character on his own without the loyalty necklace, (and had been due to his crush on the Lamb even before recieving it, and what happens when you reject followers in-game) but his spiral into a unhealthy obsession and idolization was aided by the loyalty necklace.

If it was given to perhaps a regular, less devoted follower, the effects maybe wouldn't have had such severity. But Lamb got the materials/necklace from the mystic seller and isn't fully aware of the effects it might have on their followers yet.

So, dog is unhinged a bit on his own, but amplified by the necklace. He's originally friendly, caring and sweet. But you take good traits, too much of a good thing, and they can turn bad

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[foundfamilywhump]

see like the thing with 'carewhumpers' as a concept to me is it just like... i know this is prrrrobably not really how it's meant but something skeeves me out about the idea that kindness or caretaking mixed in with hurting someone can somehow meaningfully complicate or dilute the harm done to the point of making that character no longer a 'whumper' whereas someone doing the same 'bad' things but not ever being gentle or caring for them would just be a straight-out whumper. when like... that's how 90% of irl abuse dynamics work? so i just... don't really get the point, i guess. like to me it implies something about the 'care' provided somehow mitigating or combating the harm done that. i just do not personally appreciate or enjoy.

[turtleblogatlast]

[ cw: dismemberment / ]

I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)

I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.

[mothric]

mob psycho 100 has impressed me on multiple counts but one thing that keeps standing out to me is the way Mob fills the role of Shonen Hero.

I love me a classic shonen protag. I love the hinata shoyos and the ash ketchums and the gokus, the spunky go-getters who are a little rough around the edges but want to be The Best at the Thing, or Save the World, or Win the Championship. I also love the protags who are reluctantly shoved into the role of Hero and must stumble their way into accepting it, whether or not they actually wanted it at first.

Mob isn't any of those. he doesn't start out as a bundle of boundless energy and optimism. his goal is not to be a hero or to subvert the trope by Resisting the Call. in fact, in the beginning, there isn't a Call. there is no Grand Quest for him to set out on. he's just... a kid, who happens to have psychic powers, and his goal is just to figure out who he is and what he wants and where his place is in the world. that's his hero's journey, really.

Mob doesn't come prepackaged with ambition; he has to work to unearth it. he has to figure out that he has any agency in the first place, and then use that agency to figure out what he wants. he has to handpick his own goals, and he has to choose growth. and he does choose growth, over and over. that in itself is a heroic feat. man, there are whole adults who won't do the internal work this kid does to figure himself out and adapt to new information! we constantly see him meet people who act and think so differently from him, and really think about the things they say and do, and learn something valuable in the process. we continually see him waking up to various aspects of himself, and clarifying his convictions, and adapting the ways he moves through the world, and taking on a more solid shape as a person. we continually see him choosing.

his growth is so organic, and natural, and marked by an increasing sense of self-possession, that by the time he gets to do Big Impressive Heroic Shonen Things, it feels earned. Mob Shigeo Kageyama has come into himself, and he must face some truly terrifying things, but he reaches out to meet them with both hands because he's already learned to meet his own personal challenges and the people in his life in the same way.

Mob doesn't start out as a Shonen Hero, but by the end of season 2 he IS one, because he earned it. he chose it, worked for it, grew into it, and it looks incredible on him.

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[relicsongmel]

Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.

It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.

That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.

It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.

Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.

For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.

[ganondoodle]

"to even give people the mere chance of starting to understand how you feel about this character and this story you made up around them you have to actually draw that comic, you are at chapter 2, even just the rough draft for it took you a year despite your best efforts on being faster"