#yeah no i'm not giving context for this one

[ethereal-blossom]

Deep dive on Victor and his possible past + curse

This man is as attractive as he is mysterious and the curiosity is killing me, so I just need to let out some thoughts.

** I'm going to be referencing some translations and posts so I'll link them and their OP's (I'm too afraid to tag hehe but they deserve all the love and appreciation🩷)

Be aware of JP and EN spoilers

First, what are some things we know and are safe to assume when it comes to Victor? He's the co-founder of Crown and the Queen's Aide. I think it's safe to assume Victor is the oldest in Crown; Harrison calls him an old goat, he acts like a mom, and I believe in the Valentine event the dynamic between Harry and Victor was labeled child-parent. Through this detailed post that @/kurishiri made we can guess that Victor is 30/32+ years, which I have to subjectively note is very hot. William was 14 when he was invited to the castle where he met Victor, meaning that Victor has been associated with the castle for at least 14 years. Was he already the Queen's Aide back then? High-likely, yes.

But how long exactly has Victor been the Queen's Aide? And how did he become one in the first place? One thing that stands out to me is this dialogue in Victor's Wicked Little Secret event:

For context, Victor is sharing why he started doing magic tricks. He explains it's traced back to the queen and how she does them as a reminder of how difficult but precious it is to get someone to smile.

Of course, it can be that Victor simply didn't go with the queen to the slums that day or that she told him about it, but I like to think about the possibility he didn't know the queen at this point but knew about it anyways because he was a kid in the slums. It might explain why he doesn't necessarily pay attention to status and why he treats people such as the villagers and Kate as his equals despite being the most powerful man in the country. Does he stay humble due to perhaps having experienced the lack of power, money, and status to a severe degree? And is the Victorian slums the reason why he suffered enough pain for a lifetime?

@/Reccyls translated an event in which the suitors are meant to win over Kate's heart by having her give the suitor a heart-shaped necklace. Jude, Roger, and Alfons are being very proactive while Elbert, William, and Victor are drinking tea. The nobles team points out there's no rush because it's the end of the day that matters. Victor agrees but then suggests they're also probably laid back because they are rich. It might be nothing but if you ask me, that's pretty self-aware and honest for a rich person. Not every rich person will realize having money does influence you, and not everybody loves to point out the frowned upon behavior that comes along with money, especially when it applies to yourself. So, it's a very small thing to say and I might be reading too much into it, but I think the people who know the affect of money better than anyone are the people who weren't born first class.

Victor continues to point out what makes William and Elbert rich, but right when he wants to talk about himself he cuts himself off (🖕/affectionately) . It confuses me because sir, you are the Queen's Aide. Why is it a mystery that you're rich? Elbert asks if Victor comes from nobility but we never get a yes or no answer to that. So is there still a chance he might have been born in a rich family? Yeah, but I'm not a strong believer of it. Victor is known to cook and sew, and I don't remember where or when but I believe he said somewhere that if he can do it himself he won't let the maids do it. Does that sound like the skills and the mindset of a man born in nobility during the Victorian age? Not to me, so here comes my next thought: what if queen Victoria has taken young Victor under her wing?

I don't know how it would necessarily end up like this, though. But I was thinking: it didn't go unnoticed by us that Victor and Victoria's names are scarily similar to each other (it's like yeah whatever we're a bit like Sherlock ourselves yknow💅). What if his name was quite literally inspired by the Queen's name in the story itself? Maybe Victor chose it or Victoria gave it to him.

Because @/shatcey recently made a post pointing out that William said "the man who calls himself Victor." I heavily agree with her that the phrasing is suspicious, mostly because of Victor as a character.

If he is from the slums then perhaps he's an orphan who doesn't know his actual name, or maybe he took up another name? If Victor is not his actual name, it might explain why we don't have a last name in the first place. Also, @/otomefiend translated the Black Wedding event when it came out in JP. While the official English translation uses "business smile" to describe Victor wearing a smile to bury his dark comment, I like her translation saying "Victor, the Queen's Aide' expression" much better. I genuinely could go into depth about this but I sadly digress. It makes me think back on the summary reccyls did for the first christmas event wherein Victor was wondering if he should give a "Victor-like" response.

Naturally, it can also mean he just has different persona's connected to his masks as this is a reoccurring theme and topic in his content. Victor said in the Between Villains' epilogue (translated by otomefiend) that he wants to be seen as the gentle Queen's Aide by Kate, so after showing a bit of his darker side it's natural he goes back to his gentle side that still implies distance to ease Kate. However, that doesn't make any of his masks a lie or someone he is not. Important disclaimer to put out there because this doesn't have to be proof that Victor isn't who he says he is. The phrasing just reminded me of this.

So, it wouldn't be a deep dive if I didn't talk about the theory that Victor might be the queen. Harrison has pointed out twice that Victor lies a lot. I think it'd be so funny if Harry is going to be like "stay away from Kate you old goat >:(" in Victor's route and then William is going to be the complete opposite like "listen to your desires and get a room already :)"

I think we might have seen the queen once, but it's canon that people have cosplayed her so who says it doesn't happen all the time? Victor only has to say the Queen's safety is in danger and then someone will fill in. I think it's safe to assume Cybird is making us doubt whether the queen is alive on purpose and what does that say about the mystery? You don't create mystery when there's nothing to reveal.

In Wrapped in Wicked Romance, something broke from the Queen's tea set only for Victor to reveal that, surprise, it's his own set! During the first anniversary epilogue (talked about by shatcey here) Kate gets told the queen is waiting for her in Victor's office and surprise, it's Victor! Or how in Between Two Villains it's mentioned how Victoria doesn't seem human because of the dedication she has as queen but then the doubt of humanity is a theme in Victor's events as well. Or how in Harrison's route Jude is reading the morning's newspaper and it mentions a criminal situation and surprise, Victor shows up from behind and says the queen ordered a mission related to it... almost like he overheard the news and decided on the spot it had to be dealt with.

To be honest, I don't know what to think when it comes to the queen. If she's actually dead, I think she might have died from an illness and then the veil + private persona might have been crafted to make it easier to look like she's alive (a bit like this one thing in Ikemen Prince). Why she should give the impression of being alive? I don't know, there's a high chance I am reaching. Maybe the queen is very healthy and happily living her introverted life.

Going back to another translation by reccyls, here Victor ends on the note that even if he has feelings for Kate he can't offer anything as "I belong to her majesty/ Victor belongs to Victoria." Ignore that you can call me the wicked witch of the west with how green of envy I turned, but this stood out to me a lot.

I think it shows an incredible amount of dedication and loyalty, and I read it in two ways. If Victor was saved by Victoria, it might be that he feels like he owes her himself, or perhaps a deal/promise was made? But, in a way, I also read it as Victor belonging to England. His loyalty towards queen Victoria is loyalty towards the safety and well-being of England, a land he's passionate about keeping safe.

The relationship between Victor and Victoria is lowkey fascinating to me because if she's still alive, they have been together for so many years. Victor always talks so positively about her so even though we barely interacted with her, I became to really like and admire ikevil!Victoria. Victor is also the only one who we know speaks with the queen directly. For the tea set mentioned earlier, Victor said he replaced them with his own because he is known to break them when he and the queen are drinking tea. Victor braids the queen's hair and helps her with fashion. William even said in this event translated by @/judesmoonbeauty that the queen knows everything about Victor.

We've almost reached the end but the last thing I want to talk about is Victor's birthday event translated by @/archiveikemen. Victor murders a bunch of criminals with what I assume is his curse or something in that direction. He commands them to succumb to his wickedness and the people essentially kill themselves with a peaceful expression. William makes a comment about it, saying these men look as if almost possessed by a God. Victor thinks to himself it's like saying "Her Majesty The Queen" was no God, and then he says humans can never be God. To be honest, I'm slightly confused because I feel like this can mean different things. When Will makes his comment he's speaking about the peaceful faces, so I don't think he's talking about how the criminals were unhealthily worshipping the queen but I assume he's talking about Victor's ability.

One of the reasons why I think it's a curse is because of this post Shatcey made. One of the screenshots translates to Victor saying he doesn't want Kate to end up lying at his feet with a happy face. It sounds an awful lot like what happened to the criminals in the event. Victor worrying about Kate's fate like that makes me believe it might has something to do with the fate of his possible curse. Think about it: Kate essentially gets dragged in every cursed fate of the suitors and if Victor is another cursed individual, it's high-likely his curse is related to death.

There must be something special going on, though. Is Victor's curse like any other but kept a mystery because something about Victor's identity should stay a mystery? Or is there actually something special about his curse or whatever ability he has? Because his birthday event convinced me he's not an ordinary human. However, something special must be going on for this to be a mystery.

Funny story but for a while I thought that if Victor is cursed it might be Ursula from The Little Mermaid. Sometimes you can see Easter eggs of the suitor's curses back in the outfit designs so when I looked at Victor's outfit, I saw he has scrubs on his jacket (reminding me of fish) and something that looks like knots/ropes (reminding me of sailboats), plus the deep blue and black aesthetic still reminds me of the dark sea. There is also a part in the christmas event where Victor thinks to himself he has sacrificed his human soul to death in order to get what he has now, and who has a song about doing business with poor unfortunate souls?

In this flashback translated by reccyls, I think we are witnessing the moment he's sacrificing his soul. He has a choice that'll impact him as a person greatly and I feel like it's safe to assume he's close to dying, so it'd make sense if this part of his life triggered a curse related to death. Also, his flashback says "the path of becoming the dust of history" which is another reason why I think Victor might have come from the slums, or at least not nobility. It sounds like Victor himself thought he had left no footprint on the world, which actually aligns with his character if you read the translation of Will saying Victoria knows Victor better than anyone till the end.

But I got sidetracked a lot. I think the comment Victor made about the queen in his birthday event is another micro-hint. I sometimes feel like I'm reaching like a clown trying to figure out if Victor isn't keeping up the idea the queen is still alive. It almost feels like having a gaslighting lover; am I picking up clues or am I picking up clowns makeup? Wouldn't it actually be a possibility for Harry to help Kate unreveal the mystery that is Victor? Because while they're not the most interactive dynamic, I feel like Harrison will at least have a little role in Victor's route. As I mentioned before, Harrison pointed out twice that Victor lies a lot: one time in his own route and the second time in the Christmas event. He goes a step further in the latter one, saying that if Kate takes the first step towards Victor's darkness, he'll open her eyes to the truth. Plus, Harrison already had his "when you have eliminated the impossible, whatever remains, however improbable, must be the truth" moment in his route so I think it makes sense for the Sherlock lover who is a walking lie detector to play a role in the most mysterious suitor who is a walking liar's route.

The actual last thing I want to talk about (guess I'm a liar like Victor) I notice that in events wherein Victor and Kate are together, they declare their love in an interesting way. Since death seems to be a huge part of Victor that possibly is connected to a curse, the two put focus on loving each other even after death. I'm curious if this is part of Victor's possible fate or if this is just a romantic way of thinking that fits Victor's theme. Either way, I think it's perfect to end on this note.

So, I think this is mostly what I wanted to get out. Thank you for having read all the way through and please share any theories you have! And spread love for the people mentioned in this post because I'm eternally grateful for everything they translate and post🩷

[dronebiscuitbat]

Oil is Thicker Then Blood (Part 87)

She pulled N into their apartment with a groan, having been tensely silent the entire walk, with a huff, she grabbed a sleepy Tera out of N's arms, and with a breif kiss to her delicate head, went to put her in the crib.

“What's wrong? Why’d we rush out like that?” N was right behind her, looking worried. It didn't take long for Uzi to back out of the bedroom and begin to shrug off her hoodie.

A soft blush took over his face, tail kinking up as her clothes hit the floor.

“O-Oh… Uh, R-right now?” He stammered, surely she didn't have them leave early just so that they could have some alone time? That was unlike her. Though it wasn't like the nest was much privacy lately either…

She looked at him strangly, before blushing, realizing how it looked without any context.

“N-No! Dummy, not that. Come here.” She opened her side panel, huffing again as she pulled out all the paper she was using to stop the flow of thick oil, “Eugh…” She whined as it stuck to the paper, leaving strings of oil to come off her.

“Are you bleeding?! Are you hurt?! Is the baby-” He immediately panicked, closing the distance and grabbing onto her shoulder so he could take a closer look, she grabbed the bottom of his chin to shut him up.

“No. I'm fine. Everything's fine. I think, I just need you to test something.” She hummed, pointing over to the fridge where they kept Tera's oil supply. “Get out one of Tera's filled bottles and take off the top, and bring me a empty one, please.”

He did what he was told, quickly setting out one full tiny bottle and handing her an empty one, she took a deep breath and began to fill the new one, he could already tell that this was different… she looked way less uncomfortable and more relieved.

She sat down the newly filled bottle next to the pre-filled one. And then went to go put back on her undershirt with a sigh.

“You have sensors that tell you what somethings made out of, right?”

“Yeah?”

“Tell me the difference between the two.” She explained, pointing to the two bottles on the counter.

He flushed gold, now for a whole new reason.

“But… I'd have to taste them…”

He didn’t care about drinking his girlfriends oil with her permission, but drinking it from a bottle she'd filled with the express purpose of giving to their daughter felt wrong on so many levels.

“It's just oil. I just wanna make sure it's not unsafe for her to drink.”

“But… the human equivalent!” He whined, maybe it was his time at the manor making him feel that way, the time spent with humans making this simple act feel extremely strange.

“Then don't think about the human equivalent! There's no difference between the oil in the bottle and the oil currently keeping me alive!” She argued, and she wasn't wrong, but it didn't make him feel any different about it.

“We've shared oil before babe. It's not any different.” She said a little softer, now dressed and standing behind him, leaning on his arm.

That was true… one night, during a particularly passionate evening. A heated kiss had turned into a double bite, each other's oil pouring into their mouths. It was one of the most intimate things they'd both experienced. But this situation was entirely different.

Still… he didn't want it to be unsafe for Tera either.

He tipped the first small bottle into his mouth and it went down like a shot glass, she was right, it tasted no different then any other time he'd gotten a taste of her oil, even if he did think her’s was the best tasting.

“Just oil. Like normal.” The sensors in his mouth read out normally. 100% pure machine oil; And he made sure the taste was out of his mouth before he eyed the new one and tipped it between his lips.

It was thick and coated his throat, he made a scrunched up expression as intense sweetness spread in his mouth. His sensors got to work.

50% machine oil, 25% organic protein, 25% electrolyte solution.

He blinked.

“Uh, it's…not the same, but… nothing is being tagged as harmful, if anything it's being accepted into my system better.” He said, a little bit surprised at that fact himself.

“What is it then?”

“You want the basic answer or the complicated answer?” He asked seriously.

“Basic I guess?”

“It's oil mixed with milk.”

Uzi blinked, blushed, then looked grossed out, and then horrified.

“That's fucking gross! Are you serious?!” She whined, N nodding his head solemnly, trying to repress that fact himself considering he just drank it.

“Why am I made like this…?” She despaired, covering her visor with both hands with a sigh.

“Aaaand scoop!” In an instant, N was lifting her bridal style, taking her towards the bedroom. “It's decompress time, let's not think too hard about it!”

“I wanna go back to noooormaaaal.” She moaned, completely distraught at this new information. “I'm gross and huge and feel like garbage!”

“You're beautiful and perfect and absolutely nothing is wrong with you.” He replied, laying her on the bed with a certain kind of gentleness, pressing a kiss onto her rounded stomach.

“I don't know how you can still look at me the same way! And It's just going to keep getting worse! If this is exactly like a human pregnancy, it's not going to be 5 months, it's going to be 9! That's really close to launch day!” She went on a small, stress enduced angry rant that N just let her work through for a moment while he took his hat and coat off, replacing it with a loose fitting black shirt.

“Agh!” She finished up as N crawled into bed beside her. Resting his head on her shoulder and wrapping his arms around her gently, purring.

He didn't even have to say anything anymore, all he had to do was hold her and purr and she already knew what he would say if he did grace her with his words. That she was beautiful no matter what and literally nothing could change how he felt about her, especially something as shallow as her changing appearance.

She sighed.

“I definitely don't feel it…”

He smiled and placed long, trailing kisses down her neck, still purring, now wrapping her up in his tail, his hands making feather light touches up her sides until she was shivering every time they made a pass.

“You want me to be honest?” He hummed, finally, after she started to relax and lean into his chest, basking a bit in his warmth that surrounded her own core like a warm embrace, chasing off the feeling of cold she was often left with.

“This might sound weird, but… I'm really attracted to how you look right now…” He admitted softly.

“You're just saying that…”

“No! It's true! I don't know why but… you, being like this, with our baby. You still being so wonderful with Tera… I-” He stops, embarrassed, before smiling warily “I kinda want to… do this again.”

Uzi turned onto her side to look at him, completely befuddled, though flustered, and possibly a little bit angry.

“You are not getting me pregnant again anytime soon. I will take a copy of your code and develop a special firewall for myself if I have to.” She said, being completely serious, and he smiled again.

“I figured as much.” He chuckled, leaning back into her shoulder and closing his eyes. “But you understand what I mean. I love you either way.”

She looked down at the comforter, sighing and rolling her eyes before looking back up at his soft expression, she returned it.

“Yeah… I do, I love you too, N.”

He leaned down to nuzzle her visor, a spark jumping between them as they laughed and connected their lips, enjoying the moment of privacy…

[ethicaltreatmentofcowplants]

This is a small grumble about Lovestruck and I don't want to rain on anyone's parade, so cut for those who'd rather pass by it.

The more I learn about the gameplay/dating/relationship/whatever mechanics of Lovestruck, the less convinced I am that I'd ever want this pack. I love the cas, liked what comparatively little there was of build. But in terms of the main selling point? You could offer it to me free and I'd probably go "nah, I'm good."

Admittedly this is an issue I have with family dynamics in Growing Together, so not exclusive to Lovestruck. But why do people have to have a steamy or wholesome dynamic? Why not both? I know it's just the Sims and I've always been one that sees the game as existing in its own 'magical realism' style world rather than an exact replica of ours. Real world couples can have both and more of those dynamics though, in much the same way that two people in a family can be close and supportive and jokesters at the same time.

Also the romance styles or whatever they're called, none of them I can see being turn-offs, orrrr at least only being turn-offs in a certain context. Gift giving in moderation wouldn't be a turn-off for me, but if it reaches the point where it feels like someone is trying to buy my affection or using it in place of addressing actual relationship issues, then yeah.

And don't get me started on colours being turn offs. I'm sorry but I can't date you - you're wearing an orange shirt. Clearly you're going to be stuck with that for the rest of your life and it's a complete deal breaker etc...

[account-name]

quick no one's looking post springtrap x sun

@contentopossum

[jesncin]

Hi! Could you go more in depth about your chimera twin Constantine concept? I really really loved your last comic about it and I'd love to know more about what that means for John and Goldie!

Aah thank you so much!! :') and thanks again for giving me the opportunity to talk about chimera twin Constantine!

So in the comics John is haunted by the ghosts of the people he's wronged and caused to die- but Goldie sticks out as a ghost of his deceased womb twin and is shimmering golden in comparison to the other pale ghosts. Because we've instead interpreted it so that Goldie is a vanishing twin and John absorbed him in the womb, John ended up born with a mix of his and Goldie's genetic makeup! I like to think this connection made it so John's sensitivity to spirits is strong since birth, but it also means anything that affects John's body inadvertently affects Goldie's ghost too.

When John ends up with demon blood in his body, Goldie goes from casually haunting to being more of a poltergeist (being able to move things and levitate objects). Goldie grows a bit of a hunger too. John and Goldie's souls are intertwined, so any demon dealing shenanigans means there's technically two souls to bargain for (something most people don't know, and John uses to his advantage a lot).

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[astaraels]

why do people think Yevgeny wasn't Mickey's son? in 3x06 there was clearly no condom used (not that Terry probably would have let Svetlana stop to get one), but there's no reason to think she wasn't using condoms with her regular clients. it's not Svetlana's fault that she was a tool used to rape Mickey—the sole blame for everything that happens in that entire situation belongs to Terry Milkovich and him alone—so why does it feel like it's just another way for people to shit on Svetlana for something that wasn't in her control? it's not as though she'd asked to get pregnant in the first place...

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[orcelito]

i've seen ppl talking about Meryl & how little we know about her family, but the geo-plant arc of trigun chapters 10-12 gives us some really useful pieces of info, i think

first, we see her thinking of herself as Cold Blooded, just like the dude that wanted Badwick to kill his own parents

[ID: Meryl stands with her gun drawn and a troubled expression on her face as she thinks to herself, "Exactly as you described him... the cold-blooded type..." In the next panel, she closes her eyes and wonders, "Am I really... any different?" End ID]

at the start of this arc, Milly wrote one of her massive letters to her family, while Meryl mentioned not knowing what she would write to hers. then we see Milly get PISSED at Badwick after she learns he threatened his parents at gunpoint, which leads to this page:

[ID: Meryl, held back by Milly, tells her, "Milly... I envy you... My father would have wanted me to get justifiably angry at a person who points a gun at his parents. That is an important thing." She flashes back to the moment in the chapter before where Milly is attempting to punch the son, Badwick. Milly calls in concern, "Ma'am?" Meryl continues, "But I... I just stood there and took it all in without even budging. I am such a cold person. I chose this path of blood and tears without thinking about the rest of my life. All I can see is what is right in front of me." The page shows the face of the father, dressed in basic battle gear, who is watching silently. Now in tears, Meryl laments, "Why could I not see... that when I closed myself off to him, something was wrong? I..." In the last panel, Milly stares down at Meryl in surprise as Meryl slaps her own cheeks and exclaims, "No... Nevermind!" End ID]

this entire situation is obviously striking something in Meryl's heart. some kind of insecurity she has about her distant relationship with her own parents. she shakes herself out of it, determined to not fall into a funk, and then jumps into defense of the land.

after the battle's over & the father's fallen to his ass, we see these pages:

[ID: In the first page, the father, off screen, tells Meryl and Milly, "There are no words to express how thankful I am for your help." Meryl replies with a smile, "Ah. There's no need." The father goes on to tell her, "Ms. Meryl... I know it was rude of me, but I overheard your conversation earlier. Having raised that rebellious son, I don't know if I have the right thing to say, but... All people are different, but the bonds between parents and children are inseparable. It is a great burden, but also the most precious thing in the world..." In the second page, the father concludes, "... Choose your own path, and walk it with confidence. All of life... is connected. You must live your own life, and your parents will love through you." As he speaks, we see Meryl listening to him with a surprised expression. End ID]

this entire arc feels like a metaphor for Meryl's own situation. after these pages, we see Badwick turning in the deed, then finding out that his parents were entrusting the property to him after all. he's the problem son, someone who separated himself from his parents due to his disagreements with them (likely stemming from his dead younger brother). yet at the end of the day, his parents still love him and entrusted their life's work to him.

Meryl sees all this go down, hears these words, and it touches something in her heart. so we see her go from talking about writing to her family like this in chapter 10:

[ID: A single panel of Meryl with her eyes closed and a peaceful expression on her face. She tells Milly, "That would be the normal thing to do... especially when I've been away from home for so long. But I don't know what to write beyond 'it's dry'..." End ID]

to this bit at the end of chapter 12:

[ID: Meryl approaches a mailbox with luggage in hand. She slips a letter inside, then sighs with a smile. Milly yells, "Maa'aam! What are you doing?! We're already late!" To which Meryl replies, "Ok! Ok! Ok! I'm coming!" End ID]

the experience was enough for her to accept that she might not be the closest with her parents (or just father? considering she only ever mentions a father in this all), but it's still worth reaching out even if she doesn't have much to say.

this arc is the most we see about Meryl's backstory in the manga, but I think we can draw a few things from it. we have a definite mention of a father, but no others. no mention of siblings or any other family members. she's distant from her father, too busy following her heart & goals, but she doesn't have a bad relationship with him. just Distant. she feels disconnected from him, even Cold, for her focus on her work & the practicalities in front of her. but even with that disconnect, she still cares enough about him to feel guilty when she realizes she's been doing this.

and then considering later, when we see the flashback of a man giving her the gun... i'd assumed that was possibly a senior at her work (probably tristamp giving me that perception, from Roberto), but keeping all the rest of this in mind... it really could have been her father.

i went looking to try to find that part. did not find that one exactly, but i DID find this one from trimax chapter 34:

[ID: A nearly bald man with a kind face and what appear to be shooting ear muffs around his neck tells Meryl, "Consider guns delicate. Women, most of all, should make use of them. One shot will level the playing field between you and a big, strong man." End ID]

if this is indeed her father, it would explain why she knows how to shoot like she does. perhaps her father taught her as she was growing up out of the wish to help her protect herself. maybe they weren't incredibly close, but he still clearly cared about her & wanted what was best for her and her safety. the kind of father that's content to let her do whatever her heart wishes, since her happiness is his happiness.

and then chapter 12 ends with this page:

[ID: A black framed page with a single panel at the center. The panel shows Meryl from behind, running with her luggage in hand. The text boxes to the sides state, "All of life is connected by a river... And the beginning of the river... is now." End ID]

she continues on her own path, not looking back, but she is still connected to the ones in her heart... including her father.

(Manga panels referenced from @trigun-manga-overhaul !)

[poems-of-the-anentomologist]

suffocating 

I’m doing the dishes again

Staring into the water

At that boy

How can I call myself a girl when the face that stares back

Is just another random boy

You’d see playing on a subrban corner

My name isn’t my name

People don’t call me by my name

I’ve been cut off

From everyone

If I died tonight

Nobody would notice

Just another kid

Just another teen suicide

It’s better than the alternative

To suffocate in this form

Would be preferable

To living in a world where nobody sees me

It’s better than the alternative

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[bloomingsalma]

i think one of the most disappointing things is to see that your childhood friends have grown up to represent the kind of people you're disappointed in

[presiding]

What is your favourite thing about Billie Lurk?

(Answers are obvious possibly but i love when people talk about her👍)

thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -

short answer: she’s really cool

& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...

long answer:

i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.

since you ask...

billie is a cool character

when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.

then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!

she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.

but... the meta

mild critique of fandom & arkane incoming.

skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.

i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.

most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).

i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.

ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.

while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.

it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-

- but as a protagonist in Death of the Outsider?

.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.

lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.

you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.

in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.

all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3

billie's character potential

she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.

she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).

her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.

she's got everything going for her :) i couldn't really pick a fav thing!

[quaranmine]

random firewatch au detail that has basically no impact on the story unless you want to psychoanalyze fw!grian even further than i did as the author, but it's very intentional that i always refer to both of mumbo's parents but only grian's mom. did i give him daddy issues? i guess so, but not in a way where i really deeply examined the implications as meaningful to the story. it was just a detail i stuck with from the beginning as a way to keep fleshing out the story's background subtly. the idea behind grian's dual citizenship was always that he was born in america to an american dad and british mom, and that his mom moved back to the UK when he was very young since she wanted to be closer to her family. perhaps his dad didn't go with them? or perhaps his dad did, and then later they split and he went back to america? whatever the cause, grian never even mentions his dad in the story, and it wasn't because i intended him to be dead (because that would have come up in a story about grief) if you get me

[nocentis]

Black Arum ┆ Siegrain

Content warning: main character death, cannibalism, gore, toxic/unreliable narrator, highly canon divergent character portrayal. Read at your own risk. You will probably take psychic damage from this.

╳┆A lure was stuck in the soot between his lungs. Many times he'd felt the tug — enough that the wire fray had worn a rut where his ribs met — and many times he'd found her on the other end, reeling for remnants of him that no longer existed. She would aim to break him open, sift around in the cinders for those specks of him she wanted to confiscate, keep for herself, so that she could finally be rid of him. Once those flecks were washed and panned, the remains would reek like plough mud closure. For that reason he would come to her whole, every whit of ash accounted for.

A cherry little game they'd play. Her with flint and steel, eager to reignite that paltry spark of "good" that flickered freely for a lapse before he remembered himself. Him with tinder and kindling, letting it light only to call on the rain again. Her with just enough hope. Him with just enough time.

That resolve was so very compelling. More than her beauty, her candor, and even that glow he so loved to bask in — that luster he wanted to hold between his teeth and bury under his nails — more than that, her tenacity was a toothsome temptation, and he wasn't keen to deny himself anything.

So when he felt the pull, he caved to the beck and spooled the lisle. That day, the line seemed lighter, thinner, than it ever had. It should've been strong. Tensile. Instead it felt gossamer fine and just as frail, poised to tear at an ill touch, and he wasn’t exactly renowned for his gentle hands. Still, he gathered it with both palms and wrapped it proudly around himself like a ceremonial sash, grin scrawled across his face something devilish.

╳┆He found her lying in the shade beneath a long-lived magnolia, still and silent as she never was, with the color of her namesake spread around her head in halo streaks. Battle-torn, as she so often was, and yet uncannily... passive.

Anything he'd planned to say went out the airlock. Instead, he stood there with an anchor in his stomach, reaping the benefit of doubt.

Not a frown nor a sigh when he darkened her sanctum, only heavenward eyes tearless and unblinking and a resigned breath just short of peaceful. That worn tether waned phantom thin, light as helium, and the tension in his chest went slack.

There was no definite snap. No dramatic severing or ear-popping moment of clarity. Only the vague sense of loss so fresh a wound that denial was a numbing salve.

“Get up,” his voice a command, sandgrit against whetstone, thickened by an unnamed antigen.

The silence felt like mockery. A placid scene void of chittering fauna, clouds' drum, or even the most timid breeze. It wanted him to hear the absence of her breath and the stillness of her chest. It wanted him to hear the hollow. The empty. The nothing. Wanted it to resonate; to find the furthest reaches of his mind and clean them out until all that was left was this icy, clarifying silence.

He knew the end when he saw it. This was something much worse. It was robbery.

Her life wasn’t for the world to take. It was for him to hold in his hands. 

Something wet and pathetic slicked his tongue — some whiny, pleading thing — and it was stubborn as oil. The authority slid to the back of his throat and left him choking, “You are the indomitable Titania. You’ve laced fingers with Death time and again only to rise and slay and conquer, so get up.”

Her warmth was set to a slow drip, spilling from her in tired beads and seeping soundlessly into her chosen ground. Little whispers of her lost to greedy loam, sullied, never to be returned.

A waste of precious love. The sod won’t drink of her as he will. It will take of her and give back what? New “life” so fragile and fleeting? A feeble weed will take root, bloom its days few, and curl itself inside out? Pathetic. An insult to her legacy. An insult to the diamond-split sharp of her bladesoul.

His heart boiled over — popping, sticking, simmering sicksweet saccharine. It colored him cloying, flooded his mouth, and forced him to kneel at her altar.

"Please," he keened, hollow and morose, and his own pleading sickened him, “Say something.”

The sun trickled through the leaves like ichor, lighting up her black-blown eyes and the thin ring of honey surrounding them. Dim, distant, and dead as the moon.

His hand carved a path to her face, fingers featherlight against her fading flush. He brushed her bangs from her eyes and forced an unbroken breath through his quavering mouth. He traced each scar too faint to see and the parts of her skin their star kissed. Memorized the map of her face — each curve and crease, each fine hair, and every eyelash. He would carve out a space in his mind in her shape and fill it with the thousand sweet nothings he kept in his pockets.

He gathered her hand and threaded it with his own. When he opened his mouth, a rickety twine escaped from the deepest point of his chest, so he forced his jaws shut to keep the grief corked. He uncurled her fingers and pressed his cheek into her palm, trapping her there against his own scarred skin. His eyes fell shut as he breathed in this borrowed touch — this moment fated, stolen from him by this world's insatiable avarice.

He kissed her palm directly in the center; held it against his mouth and felt his own ruined breath echo back to him from the deepest grooves of her skin. Again, he begged, “Please, Erza.”

Of the armors innumerable now haunting this hallowed ground, this one least befit her. 

He revered Death. If there was a god, surely it was Death, he thought, for Death asks for nothing but life. The dead don’t know that they’re dead. They know a split second of euphoria and then a sharp, definite end. Isn’t that the work of a gracious god? One last stroke of color whether in peace or peril, and then eternal rest. Back to the dust you sprouted from.

But now he couldn’t see any of that beauty he often waxed poetic about. All he could see was change yet to come. All he could see was her, and he wanted her back.

He wanted her back, yet he knew better than anyone that there was no such thing as resurrection. While Death might be gracious, it was not generous, and it was not to be reasoned with.

The thought of her buried deep, bathed by the dark and abandoned to rot — it washed his mouth acid sour. It ate straight through his tongue and lingered in the roots of his teeth, burning, raging redhot in his jaws’ marrow.  A grave didn't suit her anymore than a pyre.

Soon she would be cold. Stiff. A feast for flies and their insatiable young. In the days to come, she would bubble and bloat and sallow. Her skin would loosen and slough off. The sun would bleach her bones. The meat of her would melt into oil and fat and bogspit. She would mix in with the soil, the groundwater, and this thankless magnolia would thrive.

It was tall, thick, with branches spread in all directions. The lowest of its limbs showed off the varied deep greens of its large waxy leaves, their undersides a chalky brown. A few white flowers bloomed, palm-shaped petals open in praise like they'd come to witness and worship. There was no question why she'd chosen to crawl here. It must've reminded her of home.

Despite its beauty, it was hardly worthy of her. Nothing in this ravenous world was. Her grave should be carved within his chest. There, he could keep her warm. He could host her in his veins. One day, they would wade the waters of woe together. Until then she could live under his skin.

He wouldn’t allow her to spoil. Wouldn’t place her gently into time’s whittlesome hands only to lose her peel by peel by rotting peel.

This world has taken much from you. Do not allow it to take her too.

A carnal ache etched itself into bone, a depth of passion he hadn't felt since he wrought for a false Heaven.

She is a fruit, ripe as a plum and twice the taste. Peel her open. There is a seed at her core. Plant it in your soot-field chest and watch her bloom anew.

What are these hands for if not this?

Flesh like sheets of silk. Muscle like rope. Blood like honey. Bone like an ivory trove. The splitting, the squelching, the straining, ripping, snapping; it burrowed marrow-deep and lingered there. Her chest peeled apart like jagged teeth, jaws croaking their rusted tune, and inside that redslick maw was the center of the universe.

The heart upon its throne, still as she, shielded by her precious lungs. It slid into his palm like it was always meant to be there. Raw, rich, and so very scarlet. Its sinews strained against his pull — those hollow vines that fed even the furthest parts of her — so he wrenched them free and draped himself in them like matchless finery.

Eat. Eat ‘til you’re sick. There’s a hole the size of her in the pit of your stomach. Eat until you fill it. 

What are these teeth for if not this?

Tough as leather; smooth as rubber. His teeth slid right off the rind and clicked together with nothing but metallic sheen between them. He gnashed at that ink-dripping muscle until he found a spot weak enough to tear apart. It tasted of rare meat and iron; a heady gore thick enough to drown in. He swallowed, gasped, and that first new breath felt like a blade.

The child inside him saw her split-open ribs as his cradle. He wanted to crawl inside, curl up, and die. He wanted to paint himself her color.

He lost his vision to the hot, angry wash. His own sobs were a distant sound, muffled by meat and blood and his own desperate fingers. He was numb in the mouth and in the shake of his hands, but he forced himself to eat, eat despite the choking, the gagging, the wet, weeping remorse.

Don’t you dare throw her up. Be grateful. Swallow and say thank you and finish what you’ve started.

He bit into his own palm, indistinguishable from her core, and he cried out in sour relief. His hands spread raw grief over his face, through his hair, and down his neck.

You’re no better than this starving world.

He curled into himself, hands clutching his own aching chest, and despite the cloudless sky, he called upon the rain.

[iiboronii]

Okay this might be a silly question but I trust my loyal tumblrinas more than anything soooo... I have this paper lantern string light that I absolutely adore but idk where to put it?? It's currently on my curtain rod overtop of my curtains (not above but like on top of the curtains) but idk if that's where they should go. I have a few more string lights btw so if anybody has any fun ideas for them pls lmk 🙏