#yes i am a reasonable and responsible adult

[icryyoumercy]

called two different hospitals about a bill that really shouldn't have ended up with me, emailed disability services to ask about the current state of my case, and in the process of sorting out paperwork for taxes also ended up emailing my employer about the level of my retirement fund

many things have been done and i am proud of myself

[seysei]

One of the many tragic aspects of Mikuni's character is that if he were to prevent the affair from happening, misono wouldn't be born.

With that being said, the reason why he would want to be misonos' father becomes simple. It's because that's the only way to prevent the affair from happening, and still make sure his little brother is born.

I mean, someone's gotta do it. (Im sorry lmao)

Im thinking he goes back in time, offers Hokaze to marry him to solve the money digging issue, meaning she wouldn't have to go after his father. Preventing the affair, preventing his mothers death & countless others, while also making sure misono still gets born eventually, except it's as his.. and Hokaze's son.

...yeah

And this might be the first time you'll find me not rooting for him.

[purplexing-writing-and-concepts]

{Am I...a God? Neat!}

-Chapter Seven: From Ashes to Dust-

(Y/n) sat on the stone debris of the ruins of the Guili Plains with their eyes closed. They cracked open one eye to watch as their gray-haired companion stared at a glaze lily that was in bloom. A small pause in the night breeze gave way to conversation as Guizhong spoke, "I always knew of your existence. There was always this comforting feeling when I was surrounded by dust. My domain always seemed to whisper of one long before our creation...a creator of all there is and will be..."

The ghostly woman released a shaky breath as if a weight was released from her shoulders. She turned to face the god before her as she was knelt before them, the glaze lily long forgotten. "When I first learned of your existence I initially kept it to myself...the information seemed not only too sacred to withhold from others but also too dangerous to share..." The woman's figure shook as she tried to hold back her tears but alas a few drops escaped rushing down her face towards the awaiting dry ground.

"I eventually caved and told my dearest friends of what I'd learned...and while they didn't understand they supported me in my endeavor to not only contact you but worship you..." (Y/n) was staring at the dead god in front of them as she spoke her truth. If they were to be completely honest, they found the whole thing to be utterly ridiculous. A god worshiping another god? It was too obsurded a concept for them to yet grasp until a thought past them.

'Well, it isn't entirely absurd...I cannot die yet these gods can...then again they don't stay completely dead.' They thought to themselves as they felt an ominous presence slowly approaching the two. Choosing to put aside their disbelief of current knowledge of gods the older entity stood from their sitting position. Raising a hand, they grasped the blade of a mitachurl's axe that had been suddenly swung downwards above the god.

There wasn't a need to look at the creature that had attempted to sneak up on the two. The tainted aura that surrounded it radiated from its core like a festering disease. If (Y/n) had been anyone else or a less experienced god, they would likely be mildly affected by such a malevolent aura but alas. They shifted their arm forward a bit before swiping their arm out an across their body in a curved c-shape motion, while also being mindful not to hit Guizhong despite the woman being a ghost.

The possessed mitachurl's grip on the axe never wavered even after the weapon it wield was grabbed easily. Due to it not letting go once their intended victim made a counterattack, they were immediately flung towards the shallow river water ahead. Suddenly drenched the creature stood up further enraged by the failed attack and also the power of the dead god possessing it the mitachurl seemed to whip itself up into a frenzy. It began making loud grunting and roaring noises before charging once more.

At this point (Y/n) was no longer amused, they were deathly bored seeing as that since arriving in Liyue the only thing they've had to think about was the fatui agents that have been stalking them and their children. And if they were honest the fatui need a better strategy than sending countless agents to die at the hands of a parent who considers them a threat. The thoughts coursing through their mind stopped as they rose their dominant hand, the waters near the river began to gather around the charging mitachurl.

"To a watery grave with you..."

At their command the waters rushed to imprison the mitachurl before it completely crushed the creature. A sickening series of cracking with a pained grunt could be heard throughout the night as the mitachurl died upon impact of the water's pressure. With a mildly scrunched up face (Y/n) returned to their seated position as they pulled Guizhong to a standing one.

The ghostly god stood their for a moment still in awe at the gracefulness of her god infront of her. But the woman also shivered slightly at the cruelty, though it did remind her of her dearest friend when he would fight. It was strange if she thought about it for too long. Morax was always skeptical of the all-creator’s existence, yet he supported her in her endeavor of worshiping them or searching for them.

Thinking back, she wonders if he blamed their grace for not saving her. But now she understood, her god wasn’t awake to know. This being she believed in was standing in front of her. Their grace's presence summoned her in the place she died, and she could slowly feel herself changing. Like she was breathing again, living again. It was strange, and it felt like something else was changing the longer she was around them.

Her thoughts were cut off by a chuckle, "Guizhong I assume you are beginning to realize that you are teetering between life and death once more as you did half a nova ago. " They walked closer to the confused ghost grabbing both her hands bringing them to her chest in a clasped position. "You have a choice now Guizhong, God of Dust...do you wish to live once more and serve at my side as Liyue's representative, or do you choose to remain dead and observe as you have since your first passing...?"

"是的。。。我希望生活和服务"

[- .. -- . / .--. .- ... ... . -.. / -.... / .... --- ..- .-. ...]

(Y/n) watched their son run ahead of them as Paimon floated quickly after. They smiled quietly following behind as the children reached the main pathway overlooking part of Liyue Harbor. Observing the city as the sun slowly creeped over its skyline was a lovely sight. Even from this distance the old god could hear the hustle and bustle of city folk as they went about their daily lives, and some preparing for the Rite of Descension.

As they entered the city of contracts the trio were in slight awe of it. It was a drastic change from the nation of freedom. The people seemed more restricted but content with life. There were a few onlookers murmuring about the newest travelers entering the city. Some muttering about looking like rich merchants, or nobility. This caused (Y/n) to glance over at the group that was talking with a small laugh.

Aether looked back to say something but stopped as her parent turned back to him ushering him forwards into plaza. They shook their head at the blonde as if saying not to comment on it. "We should focus on attending the Rite of Descension in time...hmm would you like for me to tell you where it is or find out on your own with a few hints from me...?" They asked arms lightly crossed behind their back as they leaned softly forwards the patterns of the pathing gaining their interest.

The blonde thought for a moment and decided on the latter, not wanting his Cosmi to help him too much to seem more independent. "I'd like to try figuring it out." They nodded straightening their position. "Well why don't you ask the locals...and I'll meet you there and should you need me I will be there..." Aether nodded Paimon cutting off the conversation to say she knew where they could start and dragging Aether away.

As the primordial god watched the two get further away in the distance their smile dropped before, they released a deep sigh their eyes darkened the irises turning black. Without turning around they spoke, "How nice of you to show yourself Zhongli...Let's go then this won't take long and you won't miss your little show.."

"Will the peak of Mt. Tianheng suffice..?"

"Yes"

[coquelicoq]

after spending the last week very stressed out and losing sleep over how much i regretted giving my number to a stranger, and after talking to several friends who all gave me the same very wise advice ("decide first what YOU want out of this and make decisions based on that" sounds obvious now but honestly blew my mind), i saw food truck man again today and he asked me if i have a boyfriend, told me he's all alone, hugged me twice, and tried to kiss me. i texted him after to be like just to be clear, i don't want a boyfriend, but i hope you find somebody! and he texted me back: i don't need a girlfriend. i'm married.

[chappellrroan]

i am feeling emotions

[saetoru]

i feel like some ppl need to realize ppl in their 30s are not old it’s just that ppl in their 20s are just young 😐

[thelastspeecher]

agent-jaselin replied to your post: "jnksakdfjn one of these days I'm going to make a..."

The dp thing is more cause it has a lot of potential for horror and things. XD i think about thirty % of the phandom haven’t even watched the show.

asjkndfsd yeah that's a v fair point and I'm also amused by your estimate of how many people haven't watched the show yet participate in the fandom surrounding it

my roommate also suggested a while back when I complained about it (bc this is actually an ongoing thing with me lmao) that maybe more people of Tumblr age watched DP than ADJL when it came out, which I suppose is fair as well.

but idk man the lore in American Dragon: Jake Long is absolutely BUCK WILD. they went HAM with the urban fantasy and they did NOT need to go half as hard as they did with the worldbuilding. I personally feel like it's PERFECT material for fandom engagement

and YET

[6kuna]

Dilf! Sukuna would be one of those guys that defend women in danger+ would also be so bad at rizzing girls up that he just sounds desperate and pathetic[endearing]

“You’re the new teacher? I didn’t know they hired young girls these days. I wouldn’t even be surprised if you’d be the reason my son is getting his abc’s” he says as he looks at you up and down savoring every curve and line of your

You gave the parent a benefit of the doubt and took whatever he said as a compliment all while returning his “compliment” with an awkward chuckle.

“Thank you…”

“Say…if you come by my house and give some private lessons for him I’m more than capable to pay you more than the school does” he says smirking hiding the perversed meaning behind his shit request.

It’s the first time some weird parent tries to pull this type of behaviour on you the whole interaction leaves you in shock as you smile awkwardly trying to find the right words to respond and the patience to not punch him in the face. Your heart beats rapidly with your fists turning clammy and white from anxiety of not knowing what or how to respond to the fool of a parent.

“MISS Y/N I MISSED YOUUUUU” a familiar pink haired kid comes running as he gives you a hug. Shocked was an understatement by you were more than grateful for Yuuji to intervene.

“you know me and your teacher were having a conversation don’t your parents tell you that it’s rude to interrupt adults” The random parent says giving Yuuji a fake smile.

“Yeah? I’m the parent.” Sukuna says curtly with the most unamused expression known to man.

The male turns around to take a look at whoever the parent of the funky insolent child only to be greeted by a 6’5 fully tatted male who looked like he was more than capable to break his bones with just a simple flick. It also didn’t help the fact that Sukuna’s aura(lol) was more than threatening enough on its own without having to say a single word.

“I guess kids these days don’t learn enough manners I’ll take my leave for now” the inferior male says gulping as he puts up a front before scrunching up his face as he walks away.

Sukuna glares daggers at the stupid fool making sure he leaves the vicinity.

A huge breath of relief was let out as you kneeled down onto Yuuji’s height thanking him and his scarily hot dad for saving you from whatever the situation was.

“You guys have no idea how thankful i am, Yuuji you and your dad literally saved me”

“WE KNOWWWW, Hiro’s dad is a bit creepy” Yuuji says happily as he brings out a couple of souvenirs from his summer trip with his family to you before running into the building excitedly leaving you and his dad alone.

“Did he ask you if you for private lessons?” Sukuna asks with a smug smile

“Yes- what how did you know?!”

“He’s a douche and a weirdo he says that to every new teacher even the volunteers. I hope you’re okay after that interaction” Sukuna scoffs annoyed at the male’s behaviour. Knowing that Sukuna at his prime would’ve beaten the hell out of the weirdo for making women uncomfortable.

“I’m fine honestly I wish I could return the favour i don’t even know what i would’ve done if you and Yuuji didn’t come by” you say in a appreciative tone

Sukuna upon hearing this immediately takes the opportunity to ask you on something that has been on the back of his mind from the moment he laid eyes on you.

“You can return the favour by coming by my place for dinner I’ll cook, I can even pick you up just let me know when you’re free” he says in the spur of the moment not noticing he sounds like a desperate, desperate man.

You were so shocked at Sukuna’s abrupt response to the point you could literally feel the heat rising onto your cheeks making you smile sheepishly before bursting out in laughter.

“I didn’t think you would ask me that, but im free anytime on Saturday is it fine with you?”

“Saturday? Perfect” he says grinning as he sees you walking away he came to his senses realising he forgot to ask for your number

“You didn’t give me your number” he says from afar

It was your turn to leave him into the flustering mess. You smirked looking back at the giant of a male waiting for your response.

“I have yours don’t worry i’ll text you later” you say playfully.

It was true you do have his number. You’ve saved it from the moment he sent Yuuji on the first day.

Sukuna was lucky enough he didn’t have whatever his dad had cause frankly Sukuna would’ve probably gone into cardiac arrest with that statement alone. With that it is settled Yuuji will be sent off to Toji’s house for a sleepover while his dad gets straight to business.

Edit:not proofread was done when im literally ten secons awya from asleep i appoliguse for shit writing

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[neil-gaiman]

Hello Mr Neil,

I want to share how I feel about Sherryl the supermodel from Good Omens. You've answered a question previously when someone felt that her representation was lacking empathy (re the visual effects note in the script book, although the scene was cut), and I want to offer my thoughts to help people who felt that way about Sherryl.

The book (Good Omens, not the scripts, which I haven't read) plays with dark topics and makes them absurd and fun, aiming the jabs at the systems that (mis)guide or harm people (there are Beliefs, the People who Believe them, and the odd ways of living that make sense to them). Famine's D-Plan sums up the diet industry and a culture of starvation: of course we don't laugh /at/ Sherryl, we understand (because of everything the novel sets up) that like every other human she does her best with the frameworks she's got. It's empathetic, because that's what Good Omens is. Understanding that let me reframe the knee-jerk reaction I had on my first read of the scene in the book.

[For the TV show, though, as you've explained in the past, certain things had to be adapted to the time. I wonder sometimes - because I know that you do these things well - how you felt about approaching Sherryl nearly 30 years later.]

I think the trouble for me was that the scene in the book felt cruel at first. Now, I think 'A skeleton in a Dior dress' beautifully sums up the sacrifice of her humanity to become New York's top model. It's death dressed up - that's how such extremely-ill supermodels *should* appear to us if only we were unblinkered. One should see plainly the actual violence in an emaciated person's appearance. Maybe growing up with early 2000s aggressive body-shaming British TV shows and an overweight mother of Sherryl's generation as well as personal experience of anorexia made the 'skeleton' image feel cruel, now-overdone and recognisable to the nastiest unhealed bits in my psyche.

I think the frightened human animal in me initially recoiled from the dehumanisation. The pit of me jerked at the descriptions of Sherryl that felt like real insults, pulled straight from mainstream body-shaming media of my formative years. Of course, Good Omens predates this - thin was in, religiously, and the scene was subversive then - but that was my initial bodily feeling, not a thoughtful response. I describe it to illustrate where the challenge was, after we've gone from skinny worship in the 90s, to domestic skinny enforcement, to skinny shame, to wherever we are now in the popular orthorexic fitness culture and clean-eating minefield etc etc. Starvation dehumanises, and Sherryl was sick to the point of being inhuman - the scene under a microscope might feel complicit in dehumanisation to the sensibilities of teens and young adults today (for the same reason that people in Trafalgar Square can't see England), but within the book it humanises Sherryl by showing you plainly what awful thing has happened to her.

What the book did for me was let me delight in a sense of humour that makes difficult things totally absurd and therefore perfectly understandable. It told me, everyone is doing their best (to the best of their understanding), and when the fun-poking poked at my own pressure points, it said, lovingly, yes, you too. Many things about the book are like laughing with a friend or receiving a warm hug - it makes the big things so silly, and shared, and okay.

Thanks :) x <3

I am glad that is how you saw her. That is how we saw her. (I'm reminded of the only time I was ever at a high fashion event, where I found myself profoundly shocked by the incredible thinness of the models, and how sorry for them I felt, and how I wanted to feed them soup and stew and sandwiches. And of a high fashion model I knew a little, when she went out with a friend of mine, who told me that some girls she knew used heroin to stop the hunger pains, injecting themselves between their toes, and later I learned that my friend broke up with her when he learned she was a heroin addict.)

[yesimwriting]

Okay, so, secretly pining best friends with Logan! Very fun! Loved it!

But also, adults do have "sleepovers," (too tired/drunk/late to drive home, so you crash overnight on the couch) and depending on the dynamic of your friendship, can actually be a little taste of what domestic life would be like together. Just. Sitting together quietly, winding down from a good day, then getting ready for bed when one of you decides it's time to be A Responsible Adult and get a decent night's sleep (you're not kids anymore, after all. Sleep is important).

Waking up in the morning, knowing your best friend is here. Quietly making breakfast together, laughing over how sleepy you both are before coffee, lightly teasing each other over bed head and morning breath. Doing your morning routines together, pointing out stupid shit in the news or bitching over work emails, just drawing out the time before you have to get ready to face the real world.

Imagine Logan being one of those sleepy bear types who grumbles until he fully wakes up, who's soft and warm and domestic when he's with someone he trusts. Also, I imagine that if you tease him about needing to shave in the morning, he'd be the type to chase you down and rub his scruffy face on you in revenge, which is basically how a scruffy guy marks you as his. (His best friend? His potential future partner? No, just his in general.)

a/n yes, a hundred percent yes to all of this

----

The soft glow of the bedside lamp has transported you into another world. A universe made up of the faint scent of detergent and the feel of warm bedding beneath your fingertips.

You blink. There's no reason to feel as drowsy as you do, not when Logan's spent the last ten minutes scolding you. Still, though, something about sitting at the foot of his bed makes it easy to give into your lingering haze. It'd be easy to fall asleep like this.

"Don't," the instruction is flat, "Stay awake."

His back is still to you, which means there's no harm in openly frowning. "I am."

Logan's sigh is nearly masked by the gentle groan of a drawer being pushed shut. He turns around, expression still pinched but much less irritated than before. "Barely." You part your lips, some nonsensical protest waiting on the tip of your tongue, but Logan beats you to it, "Here."

He's extending an arm, a piece of fabric clutched loosely between his fingers. You blink again, this time focusing on the weight of your eyelids. The gesture is such a sharp contrast from his earlier attitude, you're nearly overwhelmed by your whiplash.

You stand before accepting the T-shirt. "Thought you were mad at me."

He lets out a breath, the sound sharp enough to constitute a warning. "I'm not--" His gaze shifts towards the ground. "You should have called me."

This again. "I was fine." His eyebrows draw together with the same level of offense that he used when you first presented this argument. "And I wasn't even alone, I was with Jean and Scott." He scoffs. "And you said to call you if anything went wrong, and nothing did."

Logan walks forward slowly, his steps measured until he's close enough to fully deteriorate your already fragile train of thought. In an attempt to regain control, you lift your head to look him in the eye. He frowns as he raises a hand, his fingers coming to rest beneath your chin.

He's careful as he tilts your head back. There's a weight to his silence. "You're drunk." All you can think to do is blink. He's known this, it's the main reason he's been lecturing you since the couple that graciously allowed you to third wheel all night dropped you off. "You're unreliable."

"Not that drunk."

The correction doesn't ease him. He studies you for another long moment before releasing you with a tired sigh. Maybe you should take it easy on him. It's not his fault he has the heart and patience of someone that's lived two centuries. You sigh. "Fine, next time I go out, I'll wake you up to come get me, even if I'm totally okay."

He ignores your sarcasm with expert ease. "Knew you'd get it, Princess."

You squeeze the T-shirt's fabric between your fingers in an attempt to ignore the warmth threatening to crawl up your neck. "I'm full of understanding."

"Yeah," he mumbles flatly, turning away from you as he walks towards his bed. You watch him with an openness that a more sober you would have never gotten away with. Logan had come to the door in a pair of loose sweats and no shirt. It had been easy to ignore his appearance when you were still in the giggly stages of being drunk. "Go change."

An instinctual desire to argue almost has you protesting, but you are tired of your going out clothes. And the thought of getting to pass out in Logan's bed for a few hours isn't exactly unappealing.

You pull the T-shirt over your head. Logan says your name, but you're too focused on adjusting the hemline to react. The shirt's large enough to cover most of your upper thigh, falling only an inch or two above the dress you're wearing. You slip the dress's straps off of your shoulders before reaching beneath the shirt's loose fabric. You tug at the dress's zipper before slipping the material down your legs.

You pick up the discarded fabric, folding the dress before placing it on top of Logan's dresser. He's uncharacteristically quiet as you approach the available side of his bed. "You seem tired."

He leans towards his nightstand, arm stretching outwards to turn of his bedside lamp. His eyes settle on some point a little past your shoulder. "Not all of us are 20-somethings that can stay up all night."

It's a teasing comment, likely an attempt at preemptively limiting your usual 10 to 15 minutes of yapping before actually attempting to fall asleep, but it digs at you. Jean was the one that insisted on letting Logan babysit you, you wanted to let him sleep. "I didn't want to wake you up."

Logan shifts, his bent leg nearly brushing against yours. "I wasn't asleep," the words are low, careful, "But if I had been--you wake me up." He pauses. "I'd rather that than know you're walking around drunk and looking like that."

An uneasy heat spreads through your chest. You focus on the bedding pooled over your lap. Like that--the kind of comment that'd usually have you insulting the person making it for attempted slut shaming. But Logan's voice is too distant for you to find any insult in it, even in a teasing context.

You bend fabric between your fingers, pressing the nail of your thumb into the material. You nod once.

He shifts towards you, his warmth becoming impossible to ignore beneath shared bedding. "I sleep better like this anyway."

The words are uncharacteristically soft, almost cautious. You lean into the feeling of them, allowing your back to relax against a pillow.

You've shared a bed with Logan before, usually after hanging out with him a little too late and once on a mission where you had to pretend to be recently engaged to avoid blowing your cover. It's not exactly common, but you know how he sleeps enough to know that he's not exaggerating. As soon as he's asleep, he loses the ability to be aware of personal space, an arm across your waist and chin pressed into your shoulder.

"Considering the way you take up the entire bed, I'm sure."

He exhales, the sound more pointed than it needs to be. "You steal blankets."

You scoff. "That's so not true." The corner of his mouth pulls itself upwards, the look much too triumphant. What a lame argument--you don't steal blankets, you're not given a chance to. As soon as Logan's on you, it's nearly impossible to move. "Like I can steal blankets out from under your adamantium skeleton."

Logan tilts his head, eyes narrowing in a way that promises nothing good. "You're saying I'm heavy."

Well, when framed like that, anything can sound rude. "No." You press your lips together to keep from laugh. "I"m saying your skeleton is literally made of metal..." You straighten in an attempt to make yourself focus. "...And metal is--" Your mental hold slips, a soft laugh tumbling past your lips as you try to think of a politically correct way to make your point. "...Heavy."

He leans forward, his knee brushing against your leg. There's a tact to his movement, a deliberateness better suited for the violence of the outside world. A warning, you realize, a moment too late.

Logan shifts his weight. You laugh as his hands find a place on each of your shoulders. "That's the same thing."

Helplessly, you press a palm against his chest. Your halfhearted protests do nothing to sway him. You laugh again, elbow pressing into the mattress in an attempt to steady yourself. Logan moves a hand to the back of your head before letting the brunt of his weight fall onto you.

You let out a sound halfway between a laugh and a squeal as you're pushed down. Your head hits the pillow, but the suddenness of the motion doesn't hurt. His forearm is resting near your head, turning him into more of an implication than an actual force capable of crushing you.

You let yourself smile openly. For someone that's always willing to remind you of his age, he has no problem acting like a child. Your lips part, but the laugh attempting to crawl up your throat dies before it can slip out.

Logan's watching you, his eyebrows drawn together in a way you can't interpret. His warmth, the feel of him against you, all of it, loses its humor.

He stays like that for what could be awhile, or no time at all. Then, Logan shifts, his arm moving away from the side of your head. Before you can overthink the change, he's resting his head against your upper stomach.

He's--there's never been this much openness about physical contact. Sure, you guys are comfortable with each other, with you having no issue resting your head against his shoulder during movies or reaching for his hand after a particularly rough mission, but that's--that's usually you.

You force yourself to recover, focusing on your breathing to keep from outing yourself. With the kind of care you'd use to keep from scaring off a skittish stray, you move a hand towards his back. He briefly stiffens as you drag your fingers against his skin, but after a second, he exhales. "You're like a house cat."

You feel Logan's sigh more than you hear it. "I'm not answering that." That's okay. You're happy enough without his validation.

Things stay quiet, and you slip further into the realm between sleep and consciousness. "You--you're um--okay, right?" The question is stiff, maybe even a little awkward. You're so close to sleep, you can't bring yourself to get what he's asking. "Comfortable?"

You're glad to not have to hide your smile. "Yeah," you mumble, voice distant, "It's nice."

You're not sure what you're referencing, but Logan doesn't ask, so you decide it doesn't really matter.

----

The light is a tangible thing, felt against your skin before you can squint your eyes open to see it.

You shift, noting the dull ache of your head as you lift your hand to wipe at your face. Wait.

It comes back to you all at once--the drinking, the after drinking, Logan.

You open your eyes fully. It's instinct to shift, but it's nearly impossible to do much more than lift your head. Logan's asleep, his head resting against your ribs and arm draped over your waist. How did you not notice this?

It would make sense for Logan to be a light sleeper. Even when he's at ease, he never seems fully settled in the feeling. So you're careful as you move, head turning as you try to look at him.

Logan's breathing loses its consistency before you can fully embrace the privacy. His fingers press into your hip so briefly you almost convince yourself the contact is only a product of your early morning haze.

He moves onto his back, palm brushing against your shirt as he leaves you. "Morning, princess."

There's something comforting about hearing his voice first thing in the morning. "Good morning." The words are a little raspier than you thought they'd be, difficult to force out around your hazy discomfort.

The corner of Logan's mouth pulls itself upwards. "I thought 20-somethings didn't get hangovers."

You roll your eyes. There are a lot of aspects of Logan's personality that warrant old man jokes, but his alcohol tolerance isn't one of them. You roll onto your side, propping your head up on one elbow. "I'm not hungover."

The almost-smile grows into something more assured. You let yourself enjoy the easiness of it. "Sure you're not, bub." The response is so warm you have to work at keeping your halfhearted pout.

Logan shifts, the mattress dipping as he sits up. "C'mon." He turns his head, looking at you from over his shoulder. "You'll feel better after you eat something."

The mention of food makes you aware of a hollowness you hadn't yet noticed. The thought of breakfast feels perfectly settling. You sit up with a smile, swinging your legs over the side of the bed. "You're not gonna make me eat weird hangover cures, are you?"

He pushes himself to stand. "You're going to have to take that chance."

There's no humor in his tone, and his back is to you so you can't read his expression, but something tells you it's safe to follow him out of his room, anyway.

[saintsenara]

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?”  He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling.  “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!”  He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.”  Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious.  “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ”  Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?”  riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

[darkficsyouneveraskedfor]

The Man 6

Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: mob!Lloyd Hansen

Summary: a demanding customer complicates more than your work life.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

You stare at your phone. It can’t be. After everything else going wrong, you can’t deal with Floyd. It suddenly makes sense why he was messing around with your phone. Ew, he’s kind of a creep.

You don’t answer and put the phone away. Well. You have no money, you’re about to have no home, and your milk is spoiled. Don’t panic. You can figure this out. You’re an adult, aren’t you?

First, go to the bank. You need milk. Once you have a coffee, you’ll worry about the whole eviction thing. You leave the convenience store and open Maps to look for the nearest bank kiosk. Not too far, one block. At least you’re getting your steps in.

You follow the directions on screen and turn to cross the road. You’re so distracted, you forget to look both ways and nearly get hit by a gleaming bumper. You wave a head but don’t look up. You need to get to the bank.

You come up to the pulsing blue dot and glance around. Huh. You don’t see a bank. You turn around and face the ATM built into the side of the building. Oh goddang! You walked to a bank machine, not a bank. Is it you? Are you the problem?

You drop your shoulders. Alright. You’ll just try again. You scroll to the next location and spin around, nearly colliding with a new wall. Oh, not a wall, a person.

You look up at Mr. Henson as he watches you with a line between his brows. Somehow, you’re not very surrpised. This guy is everywhere. It’s almost like he has no hobbies.

“Oh, hi, sorry, excuse me, I’m just on my way to the bank--”

“Ah, running short? Need me to spot ya?” He raises his hand, showing a black credit card.

“Um... noooo,” you utter in confusion. The other day, you ran off after calling him names. You really don’t believe he’s changed his stripes. He’s still a snarling tiger getting ready to feast. “Thanks, but I--”

“Things are tight. Job market’s trash, housing isn’t any better, and those banks,” he whistles and puts his card away, “they like to fuck around, don’t they?”

You look at him, scrunching your face up.

“Y-yeah. Weirdly, I did just get a notice to...” your voice trails off. “Why are you bugging me?”

“Bugging you?” His brows pop up and he guffaws, “oh, sweet lips, you’re funny, you know that?”

“Yeah, I know few jokes but--”

“Think a little harder, cupcake,” he lowers his timber and stares at you.

You blink and wet your lips, pushing them together. Think about what?

“Look, about yesterday--”

“I’m talking about today,” he insists.

“Sure, uh...”

“Do I really need to spell this out for you?”

“Spell what out?” You cringe, clawing for some hint of what he means.

“Your bank card isn’t working, right?” He asks, you nod. “You’re getting evicted.” Another nod. “You have no job.”

You make a face, “yes, okay. Rub it in. Alright. I get it. You’re some important guy and I’m a loser. Don’t worry. You own this city but I think I’m on my way out.”

He sighs and presses his fingers flat on either side of his nose. He drops them and opens his eyes again, “it was me. I’m the reason you—Don't you understand what I can do to you? I got you fired, kicked out, and poor in one day. What else do you think I could do?”

Your chest hollows out and your stomach lurches. What? Him? He just doesn’t stop.

“Sir, what—why would you—I'm sorry I called you a meanie. I was upset and the coffee, I tried--” You sniffle and shudder out a half-sob, “I didn’t mean to.”

“Yeah, well, you shoulda shut those sweet lips and opened those ears, huh?” He grins, “look, cupcake, you’re not going anywhere. You try to run back to your family, I’ll find you. Your mom’s a good lady, you shouldn’t trouble her. She doesn’t make enough teaching brats to put up with another one.”

“My mom—how--”

He spins his finger in the air, “catch up, honey bun. Alright? This is it. I’ll lay it out real clear for you, right now. You have no money, no home, you have nothing. You are nothing.” He jabs his finger at you, “so, I can solve all your problems and make you something.”

You look around. There’s really no way out. He’s a psychopath. You think. You don’t really know the difference between that and sociopath.

“Are you like CIA or something?” You ask.

He scoffs and flinches, “oh man, you are something else. Really, each time you open that mouth, I’m blown away by the idiocy. Rather just get blown, you get it?”

You shake your head and pout.

“Look, I think we can sort this out, Floyd. Really, I’m really sorry and I understand now. I get it. You’re very important and I messed up. I’m nothing and I did everything wrong. And from the bottom of my heart, I apologise. So, can I please have my life back?” You say, “I think we’d both be happier if we just went on our way and never saw each other again.”

His eyes dart away and he stares into the distance. Exasperation wrinkles above his brow and he looks back to you, hands on his hips, “too late, buttercup. So, let me put it as plain as I can. You don’t get a choice. You belong to me now. Just like everything else in this city. You are mine.”

“You can’t... do that.”

“I am doing that,” he insists. “Another thing,” he raises his hand, showing his palm, “it’s Lloyd.” He emphasizes the consonants of his name, “Lloyd Hansen. You can call me sir or Mr. Hansen. Hell, if we’re getting frisky, you can call me daddy.”

“Ugh,” you groan in disgust and curl your lip.

“Ugh?” He mimick the noise, “I’m about to--” He shakes his hand and sucks in the end of his sentence, “fine. Show, don’t tell. Got it.”

You cry out as suddenly he lunges at you. He grabs you by the back of the neck and hauls you forward down the sidewalk. He marches beside you as you writhe and paw at his large hand. You whimper, helpless as pedestrians move out of your path.

“Your mouth got you into trouble, now let’s see if it can get you out,” he growls.

[xx3bvvx]

My most favourite battle in TCF is, without a doubt, the Battle of the Gorge of Death.

It was the battle when I fell in love with Cale. Honestly, when I discovered TCF, I started with the manhwa I was reading because Cale was handsome. Really, that's the only reason. But then the season finishes, and I'm not the type to wait, so I started in the novel. I disliked Cale personally. He appeared as a greedy, lazy man who only cares about himself, and I was kinda annoyed with him for depending so much on the others even though he is the MC (I want to kill myself because I thought like this).

But during the battle, I saw his true nature at this moment, and I won't forget this for the rest of my life.

– Are you trying to sacrifice yourself? He had no plans on sacrificing everything. Cale Henituse, no Kim Rok Soo knew. He knew that the reason people earned money, gained power, and lived a busy life trying to find a place for themselves in the world was so that they would not need to sacrifice. It was so that they do not need to sacrifice themselves nor their people. However, Cale Henituse also knew something else. “…Young master-nim, we need to run.” Huuuuuuuu, huuuuuuu. ‘I am the adult. I am the guardian of these two children. I need to take full responsibility since I chose to take them in. I need the Super Rock’s power.’ Cale’s voice echoed in the area. – Are you trying to sacrifice yourself? “Yes.”

This was the moment I fell in love with Cale Henituse.

That's why this battle is the closest to my heart <3.

[dunmeshi-darlings]

I know the race bios say ages of maturity but is that actually when they arw adults or is that just when they can do things on there own?

that is a valid question, and one im happy to answer. MAJOR DUNGEON MESHI SPOILERS AHEAD! PLEASE DO NOT LOOK IF YOU DO NOT WANT SPOILERS Lets use half-foots for example

Here we see that the half foot age of maturity is 14 years old, Now like you said this could just be when they can start being responsible like adults. However i am going to point towards this scene in the daydream hour which takes place after the end of the manga

Here we see Chilchucks daughters wanting to preparefor the dinner party marcille invites them too once laios has become king. Here his daughter Flertom says "but won't it embarass you, dad? To have Three adult daughters who are unmarried?"

She specifically uses the word adult when referencing her and her sisters. The sisters ages are as follow from left to right

Puckpatti is the youngest at 14 Flertom is the middle child at 16 And finally meijack who is also 16, however she must be older than flertom as she is refered to as "big sis". Even at there youngest we see puckpatti, who is 14, is called an adult. Because thats what the age of maturity is in the bios, this is when they are considered adults for there race. If a half foot at 14 is an adult who can pursue romantic and sexual relationships (unless your chilchuck in which case its 13), than it stands to reason the same goes for all the races? We also see them planning to try and romance laios, showing that they are able and willing to pursue romantic and sexual relationship with other races (specifically laios who is 26 and possibly older at this time) . Because they are adults, at 14 half foots are fully grown adults. Just like how at 14 Orcs are fully grown adults for their race. its sad seeing people attack each other because they cant understand that because a character is 14 doesnt mean they are a child, because in the story that is fully grown adult for their kind. But people just arnt realizing it, its why i answer asks like these and make posts like these because people dont seem to understand that there ages arnt the same as us because they arnt humans in the real world. Ive also seen People argue that the tallmen are humans so their aging goes the same way as ours in the real world, and while i do understand that mindset it just isnt right. If we look in the average lifespan slot of the races we see (human, and either short-lived race or long-lived race)

Because human is a classification of the races that arnt demihuman, even the ogre's fall under the "human" umbrella. If the tallmen race was meant to represent humans like me and you, they would just be called humans. Its not like kui wouldnt call them humans if they are the same as you and me. Also if tallmen are just humans than the other non demihuman races wouldnt be in the "human" category with how large the differences are.

So yes, Age of maturity in dungeon meshi is when an individual of the race is considered a full grown adult and no, tallmen arnt just "human but fantasy", they are distinct and different than a regular human.

[lolaandthens0me]

Question for you: Do you ever worry about giving this kink too much importance in your life?

I ask as someone contemplating a big move that, ultimately, is about being closer to other ABDLs.

There’s other upsides besides that, but were I born a vanilla fella, I’d probably be sticking closer to home.

It feels both exciting and scary at the same time. Does it sound crazy?

Hello Anon and thank you for this really amazing question!

As someone whose life is very kink-heavy, I periodically check in with myself and ask this question: am I finding a balanced life? There are times when my days and even weeks and very kink-oriented and then it will ebb and I'll be focused on other things like training, family, or career path stuff. As with hobbies or friend groups or lots of other things that hold our attention in life, kink too can ebb and flow. That being said, I think it's important to check in with ourselves to make sure that we're finding a healthy balance in all things we're doing.

For me, that balance includes having a close group of friends outside of kink, as well as a couple of hobbies/activities that I do regularly outside of kink and my kink circles. These close friends are open, empathetic and curious people that are striving to live an authentic life, just as I am. They know that I'm kinky and that I make content, but that's all they know about that side of me. It's important for me to be surrounded by people that I can be myself with; I don't feel that I have to hide myself around. I've also found a hobby that I've really invested some time in where I can just be plain-old-*insert my name here* in. It's a good escape from my everyday life, just as any hobby is from work life or family life or adulting life. My work life and everyday life just happen to be kink-centered at the moment. And I love it. If I find that I'm losing myself or I'm not happy and fulfilled in this life anymore, then it will be time to make a change.

As for the second part of your question, I don't think it sounds crazy at all. My advice is to make sure that this move makes sense for you financially, that you're in a stable, good place where you're not leaving behind some responsibilities or important stuff like family/school, etc that really acquire your attention there at the moment, and that there are other cool opportunities and reasons to move where you're moving to outside of kink.

I am so freaking happy and thriving now that I've moved to a place where I can be surrounded by my kink circle and in the same city as my partner/Daddy. It was absolutely the right decision for me. Living near "home"/where I grew up, it was really difficult for me to feel like I had the space to truly grow and be my more authentic self. I felt held back by the person I was/used to be and making a physical move helped me transition into this more real, truth-living, glorious being I'm becoming. My roommate is in the ABDL community, and this allows me to wear diapers 24/7 without needing to hide or be uncomfortable about it. The people I see most often and hangout/party with are all either ABDL's or in the broader kink BDSM realm. They are so fun, great communicators, responsible adults, and open people who really see and care about one another. Being able to live out our authentic kink selves within this group has helped each of us find self-acceptance and self-love. And that is invaluable.

I wish you the best and all of the good vibes as you move forward into whichever path truly allows you to be and love yourself. And if that path includes moving to an ABDL mecca, then hell yes!!