#yes it's for myself thank you

[ebperidot]

I kept looking at the remaining time like a fool. Such a naive being I was.

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[minalots]

so about that book…

[ash-and-starlight]

rules: in a new post, show the last line you wrote (or drew) and tag as many people as there are words (or as many as you feel like).

thank youuuu @dickpuncher420 for the tag!! have a peek into two of the wips i’m flipping through rn

first one is for kinktober while the second is for mercy of magpies 🫣

tagging uhh @escyn @erisenyo @marriedzukka @petricorah @mispatchedgreens @blu3berrydraws and whoever feels like it 👀

[boneskullravenriver]

I actually really like that astarion looks... I don't want to say aged, but like... Idk how to describe it.. adult?? So many times in media they always make a point to mention how youthful vampires are and how smooth their skin is. But astarion has laugh lines, his skin wrinkles when he emotes. And it's the most beautiful thing I've ever seen. He's ethereal and gorgeous. And I find it hilarious how he has a line where he goes "and beautiful. Not enough people mention that!" Because if only he knew how much brainrot he's caused in the minds of hundreds of people online simply by existing

[schibi12]

We've heard of Disney Hugs and Ghibli Hugs now get ready for Aardman Hugs

Clip from A Grand Night In: The Story of Aardman

[answermywearyquery]

the theerapanyakul kids: how close are you with each other?

loan’s kinnporsche 2nd anniversary: favourite familial relationship: the theerapanyakul kids (insp: ½+½)

[callisteios]

I have a new uquiz for you, go on a pilgrimage with me. discover who you are.

[stealingpotatoes]

If everything is good in the tl4j AU, then the jedi school must face the only challenge left for them: school v school aca-decathalons. All force senstives/force adjacent (the jedi, the nightsisters, the chiss navigators) have to duke it to prove which “school” is the best. The force olympics one may call it

holy crap your mind! yes!!!!!!!!!

(commission info // kofi support!)

[sleepytownzzz]

the shirt is @ ellie btw

[poorly-drawn-mdzs]

Happy Valentine's Day! (and this blog's first post anniversary!)

[minhosimthings]

Can you just imagine him using those stupidly attractive necklaces of his to gag you so you could stay quiet as he fucks his cum into you backstage after a concert? Can you imagine biting down onto the cold metal of the necklaces as his fingers trace shapes onto your hips, trying not to make you scream as his thick cock pushes into your pussy, making it painfully fit in? Can you imagine him forcing his dick into you so harshly that at this point he's not fucking you, he's absolutely pounding into you, with the strong, lusty sinews of his muscles handling your body with ease, maneuvering and practically molding your pussy to fit the puzzle piece of his dick as your body burns with fire? Can you imagine his cocky grin as you scream loud enough for the entire arena to hear, when your body come crashing down on his, as your plentiful liquids mix together to form his favourite concoction?

Cause yeah I imagine that a lot

[kkoct-ik]

second batch of yttd doodle requesties

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[braveolivine]

If requests are open, might I ask for something involving where the kids are taking care of Friede? Seeing that he looks out for them, I just love picturing that they'd return the favor if he gets sick or something. Please and thank you!

anon your brain is so huge i love this idea

i think he'd be largely resistant to care at first but eventually accepts it once someone wrestles him to get some bedrest ... liko and roy are more than happy to help out with making sure he gets better, i imagine he listens to them a bit easier LOL

[casualavocados]

im gonna break down my last gifset: the second half of the ep12 intimacy scene, because nat and louis are such good actors ive been rendered slightly braindead more than once due to how well they SOLD this scene and SOLD ai di and chen yi's love for each other through their physicality.

WARNING: if you read this and then use the words top or bottom to describe anything going on here, i will deadass block you. ♥️ don't even think about it. ♥️

this is gonna be unhinged but the mix of horny and pure adoring each other is an ever-crisscrossing line that is simply underappreciated from what ive seen in previous posts of this particular part.

so they've been making out for a while with ai di in chen yi's lap and chen yi decides to push them over… i did not cut a single frame of this btw.

starting with the first two gifs:

i love the way ai di's hand comes to rest perfectly at the nape of chen yi's neck during the impact. then there's a brief "are we gonna kiss?" half of a second before chen yi goes for ai di's neck. and ai di responds appreciatively: with his head tilted back, his hand in chen yi's hair… you see in the second gif his fingers curling a little, to gently trail his nails down chen yi's neck, wordlessly telling chen yi to keep going. and he does, moving from ai di's neck to his chest.

and here we get a moment of ai di going oh. his mouth literally opens a little wider—

—and he lifts up his head as if to check that that's really chen yi doing this to him. all the while his hand has moved from chen yi's neck/hair to rubbing chen yi's shoulder. again in a reassuring "yes that's good" way, and also, i imagine, just for the sake of touching chen yi too.

he looks at chen yi and then full body relaxes into feeling it, while still rubbing chen yi's shoulder. i cant get over ai di's face here, i can't. the whole shot is art, with chen yi kissing just below his ribs.

bc chen yi is so focused on adoring him, on pouring all this love he has for ai di into these gentle kisses and the way he's touching him, too: sliding his hand up ai di's chest to grip his shoulder in return. (also notice ai di's sweatshirt from four years ago hanging up in the background. chen yi has been waiting so long for this too and needs to show it.)

and then— WELL. then ai di slides his hand back up into chen yi's hair…

and chen yi responds to the feeling of it immediately. it's almost like ai di is saying yes, that's good, now come here, and you see chen yi's eyes open and his body immediately follow that cue. perfect wordless communication. ai di's hand is literally pulling him closer (with barely any pressure) and chen yi instinctively responds to it by making his way back up with another soft kiss.

and ai di is watching him, waiting for him. chen yi's hand is sliding along ai di's chest again… you even see ai di's legs open a little at the end of the gif to make room for chen yi to take that space again.

and chen yi does. he really does:

and he does that on purpose. (it's like he's responding to ai di's satisfaction by saying, "let me make it feel even better". while also saying "i love you this much".)

and ai di responds by intentionally adjusting himself to feel more of it:

chen yi moves back from the neck kiss and ai di really said with his body: no, don't you dare take that pressure away.

there is so much going on in those two gifs. starting with the former: you can see ai di leaning back for the neck kiss, and then his hand moves down to chen yi's hip the instant he feels the pressure between his legs, in such a perfectly instinctive movement you can literally see his fingers tighten in chen yi's hair and his toes curl at the edge of the gif. he is completely 100% feeling it. he lifts his head to look.

—& i can't get over the way ai di is always trying to see, to watch chen yi doing this to him. it's chen yi. he has to make sure it's real. he has waited for and wanted this for so long and he isnt dreaming anymore.

and then in the latter: ai di tilts his head back again a little before his shift. his very intentional shifting of hips that physically lifts his back from the bed a little to align them more comfortably and to keep the friction. this movement stops chen yi from kissing ai di's neck again, bringing him to his mouth instead— but not until after ai di's hand on the back of chen yi's neck slides down to cup his cheek. (as if this whole gif says, not only "yes, that feels good, don't stop", but also, "i need you to know i love you".)

they kiss like that: pressed together, looking at each other, ai di cradling chen yi's face with one of his hands. you can see his thumb holding the base of chen yi's jaw in the next gif:

while chen yi in turn pulls his arm out from underneath ai di to prop (only) his chest up a bit higher for the express purpose of just looking at ai di. feeling ai di touching him like this, too. both of them gentle and needy, adoring and eager; all of that fully communicated through their body language.

there is not an inch of them that isnt feeling this moment and isnt completely tuned in to both themselves and the other. it's so intimate and vulnerable and so intentional. and the fact that they are taking their time, always looking at each other, is what makes it so loving and sweet and is also exactly what makes it so hot.

it's chen yi's turn now to check that this is real. to soak this all in and breathe. that's ai di beneath him. against him. loving him.

and it takes a full gif but ai di allows maybe 2 seconds more of looking at each other before reaching up and pulling chen yi into a deeper kiss. he's waited for this for so long—

although first you see ai di's eyes flick down and back up. and let me tell you— he's not looking at chen yi's lips.

chen yi's hand perfectly supports the back of ai di's head and neck as ai di surges up to wrap chen yi in his arms—cup the nape of chen yi's neck in his fingers—pulling himself up and chen yi closer in the same movement.

and this is when and why the camera pans away. because those kisses are getting deeper. they are locked in, they're attached, they are feeling all of it, everything is intentional and loving and very clear about where this scene will be going next.

i just— this is a lot, for me. because it is so intensely loving. and also so intensely horny. like, i've seen some good sex scenes, but it takes some really incredible acting to pull off seeming so fully, devotedly, in love, and be able to show that alongside and through attraction. personally? i haven't seen any bl actors do it better than nat and louis in this scene right here. please notice, as well, that all thirteen of these gifs are of one, continuous, shot.

simply put, it's a very. very. well done scene. AND I NEED TO CHEW DRYWALL.

(final note: a reminder of my warning at the start of this post bc i am serious. there are too many infinitesimal things happening in this scene for these characters to be reduced to stereotypes that, frankly, do not matter in real life. ♥️ no need to respond to this warning either… feel free to focus on what the post is saying instead.)

and that's why chen yi and ai di are better and more real than every other bl couple in existence. ok bye.