#yet i would kill to go there

[danandphilese]

elden ring SYMPHONIC ADVENTURE is PEAK nerd shit wow they really are who they say they are

[starliteonearth]

A lot of people seem to think Sieun's and Suho's relationship is just sweet and lovey dovey and nice, and completely miss the darker, violent side of their connection. For hurting Sieun, Suho breaks Yeongbin's hand like nothing and sits there completely unbothered while that boy cries in pain at his feet. For hurting Suho, Sieun smashes Wooyoung's ankle with a dumbbell and leaves him screaming on the floor, utterly uncaring. Both are capable of great violence and are deeply obsessed with each other to the point of unleashing it on others with no fucks given.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[numbuh424]

met up with my biggest hater at the yellow box warehouse

[jaggybot3000]

getting along?

[hatsbuckets]

[i do not need a fwb situation, i tell myself repeatedly. (i'm in college it'd be way too easy lmao)]

Head Canons (some suggestive stuff in this but not much)

Thinking about John Mactavish volunteering at animal shelters whenever he can. It ends up being like a few spattering of days every month, but he'll spend all day there. He loves being around the animals. And he loves getting to be useful and help wherever he can.

You, a longtime volunteer, there nearly every day, love having the enthusiastic, charming... strong... muscular... funny... extra help too. You were the one who showed John around on his first day, a volunteer event day that he happened upon. A few dozen people showed up, and this mohawked, military man was among them.

He was one of the few who came back to the shelter after the event, and on some random day every week, he's there to lend a hand, listening intently to whatever instructions you give him (he's very motivated to listen to you and help the animals out) and even after a couple weeks of absence, he comes back again, apologizing that work took him away so suddenly.

And after a few months... this silly, mohawked, (might I add effortlessly charming, handsome, pretty?) military man's scattering of volunteer days has become a welcome surprise every time. He's always so sweet when he talks to you, throwing a friendly, "good mornin', love. Survive without me?" Carrying on easy conversation throughout the day, and occasionally something that feels like flirting, but you don't read too much into it.

He's a blessing to have. Dogs need a run? He's the first to grab their leashes. Cats' litter boxes need cleaning? He's there with a scoop in hand. The small collection of rodents' pens need a new layer of bedding? He's already headed to storage.

He comes back drenched in sweat from runs, his tank plastered to his chest. Sweaty thighs peeking out from below his shorts as he squats down to pet the happy, panting dogs. And you pass him a towel, and his smile just beams up at you. God he's adorable and hot all at once.

His arms flex against his shirt sleeves when he hefts the heavy bags of food up onto his shoulder and god if only he'd do that that you.

His hands are so gentle with the tiny new litter of cats that just came in, helping you clean them off and place them safely into the crate with their mum. need I say more

You learn more about each other. Where he's from, what he does for work, and of course you'd pinned military, but he doesn't quite go into the work that he does. He talks about the men he works with, and you start to recognize names like Price, Gaz, and Ghost. He even shows you pictures of the first two. Not the latter though.

And then another few weeks he's not there... You're starting to miss the loud Scottish voice that normally fills the space as you hose down the concrete patio in the back the shelter. Your thoughts drift to how last time you did this with him he had sprayed you very intentionally with the hose. And you nearly tackled him to wrap your soaking body around him. His hand discarding the hose and wrapping under your legs as he hoists you happily up into his arms and oh you were so close, laughing, smiling, teasing about getting soaked. You were definitely blushing as much as he was.

a couple of days later, just like he'd never left, he's back, helping you organize the larger storage closet. Sharing jokes and teasing. Until you have to reach across him and his face is so close to yours and he completes the distance, catching you oh so off guard but you melt into that kiss. and he presses and prods until your job to reorganize is interrupted by the sudden to fuck each other into the next dimension.

and then a few days later it's the same... You had simply gone to grab a new leash from the closet... he had come for a bag of dog food... or that's what he'd told you at least...

And then your bodies are close, his hand at the back of your neck, your hand travelling down and down, his mouth on yours, hot, needy, quick, and amazing. You're both happy to do it. And it seems you both don't think much of it.

This becomes a routine, in his oh too few volunteer days each month, you make a habit of occupying small, mostly private spaces of the shelter, the small break room, the storage closet, his car, your car. It's only been two or three months, and it's not like it's a big shelter, not that many employees, but damn if it doesn't excite you all the same.

And then after one of these sessions, as you're slipping you shirt on in the back of your car, he pecks a tender kiss to the corner of your mouth. "I'll be gone a few weeks this time, bonnie. Jus' though' I might warn ya." (his accent gets thicker when it's laced with lust, you've come to notice.)

And he is, gone a while, that is. And during this time one of your old flings comes to town... some business trip... and God is this one always a good time, so charming and kind, buys you chocolates and all, a good person truly, just not one to settle down. That's fine by you. So, you let them take you home, let them in your bed, and have a good time. And then they head back to whatever the hell fancy job they have in whatever town they live in now.

It's longer than you expect before John comes back. And when he does, he greets you with that charming smile and you put him to work almost immediately, and he's happy to get to cleaning the dog kennels with you. You get to talking, he asks how your past few weeks have been. And John is so easy to talk to. And you mention your old friend you visited, how they visited your home, even bought you chocolates, the goof. But John gets quiet at this... you don't mention it, not yet...

And then of course, he walks you out to your car that afternoon and of course you end up in the back of it (I should mention here that you do not own a small car, after being the animal lover you are, you need the space to load crates in the back seat) and something about how John takes you this time is needy, needier, possesive in the way he nips at your skin and presses against you.

And at the end of it, he leaves with the same gentle peck at the corner of your mouth, but this time there's no quip, no tease, just a "drive safe" and a gentle smile...

A few days later this man returns to the shelter and before he even asks what needs to get done, he's offering up a small box of chocolates with a bashful little smile.

You thank him and accept the chocolates. and then it's back to work. That evening though, after a particularly long day after getting three new dogs and a new cat, when John walks you to your car, you ask if he wants to go home with you. You'd thought about it all day... somewhere between cleaning and intaking the new animals, mustering up the courage to ask. He accepts with that same enthusiasm that the dogs have when someone walks in with their leashes.

You wake up tangled in him, his arm slung heavy over your waist, his chest warm against your back, one leg thrown over yours like he’s actively trying to wrestle you into the mattress in his sleep. And this man sleeps light, military training and all, but the second you start shifting to sneak out of bed, his grip tightens. "Where ya goin’, love?" all rough morning voice and sleep-heavy slur, nose nudging against your shoulder like he could just sink right back into you and stay there. (You do not go anywhere.)

And things stay the same, mostly. He still only comes around every few weeks, still volunteers, still fills the shelter with that chaotic, obnoxious, charming energy. Still gets drenched in sweat from running the dogs, still lifts those massive bags of food onto his shoulders like he’s personally showing off for you (and he is), still sneaks off into the storage closet with you when no one’s looking, grinning against your mouth before pressing you up against the nearest shelf.

But then, one evening, right as you're closing up the shelter, he lingers by the front desk. Hands shoved deep in his pockets. That telltale shift of weight from foot to foot like he's got something rattling around in his skull, something he's been turning over for a while now.

"Was thinkin'..." He exhales sharply, rubs a hand over the back of his neck, looking down at his boots like they’ve got the answers. "I've gotta go again, but maybe next time I’m back, we go out somewhere. A proper date, aye?"

And fuck. That shouldn’t make your stomach flip. But it does. You should say yes. You want to say yes. But you don't.

Because life is a cruel and petty little bastard, your old fling had waltzed back into town. Just for you. A familiar, easy thing. The kind of person you don’t have to think about too much. And for some reason, you say yes when they ask you to dinner. Maybe because you don’t want to wait for something uncertain. Maybe because John is John—flirty, gorgeous, disgustingly good at making you weak in the knees, but never around long enough for you to be sure. (And John doesn't show it, not outwardly, but it breaks his heart.)

And then John comes back. Finally. And he’s not alone. There is a mountain standing next to him. Big. Broad. Dressed head to toe in dark clothes and hoodie like he’s ready for spying, the lower half of his face covered by a black medical mask. He looks like he could crush a man with one hand and still have fingers left to spare. And his eyes, dark, cold, sharp as a fucking blade, land on you like he’s personally offended by your existence. Oh. Oh, this must be Ghost.

John, completely unfazed, grins. “Ghost wanted to see what all the fuss was about.” Ghost says nothing. Just stares. (You have never felt more judged in your life. The fuck did you do to make this walking fortress glare at you like that? You know he doesn’t know. There’s no way he knows. Right?)

And things go back to normal, kind of. John keeps showing up, keeps doing his usual thing. But there’s something off this time. A shift in the way he looks at you, something quietly considering behind his eyes. It all comes to a head one evening when you’re closing up together, standing in the back room trying to fix a shelving issue. He’s quiet. You’re quiet.

And then, you break first. Spill it out like you didn’t mean to—how your old fling wasn’t what you thought, how you shouldn’t have agreed in the first place, how you let yourself get caught up in something easy instead of something real. And John? He leans back against the counter, arms crossed, listening, nodding along like he’s already pieced this all together. Until you mutter, "And I don’t even fucking like chocolate."

And that is what makes him pause. And his brows pull together. Just a little. And then, in the softest, most John way possible—"...Oh."

And the next time he walks into the shelter, it’s not with chocolates.

It’s with a small paper bag. He hands it to you with a little smirk, and inside.

Fresh strawberries. From the farmer’s stand down the road. You’d only mentioned them once. Some passing comment made one day while you were both cleaning up in the yard outside. And John had remembered. And with a charming little smile, he takes your hand. "Let me take ya out properly." And you blink up at him, caught off guard by how easy, how simple he makes it sound. "I—yeah."

And yes, you go on that date. And yes, you end up back at your place. And yes, you have a very, very good night.

And yes, eventually, John introduces you to Ghost properly. (and Price and Gaz too, ah John and Kyle.)

And yes, somehow, someway, you end up with not just one, but two terrifyingly strong military men helping out at the shelter—John still enthusiastically doing everything he can, and Ghost looming in the doing every little thing you ask without question, surprisingly good with the most feral old cats, somehow terrifying and begrudgingly helpful all at once. (He makes it a point to lift two bags of dog food for every one John carries. Jesus Christ)

And yes, eventually, Ghost ends up in your bed too.

But that’s another story.

Thanks for reading.

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[ofswordsandpens]

I rewatched Zuko and Azula's Agni Kai recently and it's left me wondering – when Zuko begins to goad Azula into striking him with lightning, was he making the decision to kill her?

Because had Azula shot lightning directly at him like he planned and not at Katara, the most forthright implication to me is that he was intending to strike Azula with her own lightning. And Azula, for all her mastery, would not have been able to counter that.

On the other hand, maybe he wasn't planning to kill her at all and was simply planning to redirect it elsewhere (similar to what he did with Ozai). But given the tone of tragedy throughout the Agni Kai, the fact that they both acknowledge that this fight will be "the end" to them, I don't think it's inaccurate to read Zuko's actions as him preparing to kill Azula, even though an Agni Kai doesn't have to end with death (and in canon it didn't). Also, why goad her into striking him with lightning if he wasn't planning on doing something intentional with it? If anything, it adds another layer to the tragedy to me, because I don't believe Zuko wants to kill her. And it stands in such contrast to the way that Azula desperately wants to kill him.

I also think that there would have even been something sadly poetic in that sort of demise for Azula should the Agni Kai had gone this direction: Azula, struck down by her preferred sub-skill. Azula, struck down by the very bolt of lightning that she intended to kill her brother with. Azula, struck down by her own power.

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[acevity]

alright im giving yall some crumbs of something i started today, heres to hoping i can get the whole thing done or at least make this part look good !!!

[caramelldansenu]

[what-bot]

Big yawn

[ciphillan]

Imagine if you met a yassified version of your dad. What then.

... I think they would be friends :)

When lies of p came out last year, I watched parts of the gameplay with my cedar doll. Like (points at screen) thats your dad hit with the femboy ray girlie

⚠️PLEASE DO NOT REPOST⚠️ [reblogs >>>> likes]

[arolesbianism]

Been working on some first run Chou sprites for funsies, here’s a handful of the ones I’ve done so far

[whattheskyknows]

Sometimes I think about how Kaito and Kokichi had the shared unique experience of being two people who knew they only had a limited time to live (Kokichi and the poison/Kaito with his illness.)

I think as he lived through his last hours, Kokichi probably would've felt some sort of respect towards Kaito for being able to live passionately despite knowing he wasn't going to live life as long as everyone else. Vice versa, really. I think Kaito also would've felt some respect towards Kokichi for wanting to make the most of what little time he had left, even if that was designing and carrying out his own demise.

Only they both knew what it was like to live life knowing the end was close, and they both embraced that instead of fearing it. I think that might be why Kaito was so willing to work with Kokichi even though he hated him. Kokichi, although briefly, knew he was racing against time, and still fought for something he cared about (ending the killing game.)

I also love that they both got to go out their own ways after being doomed to die. (Kokichi and the hydraulic press and Kaito passing because of his illness and not Monokuma's punishment. Their deaths felt like a middle finger to Monokuma personally, and I love that for them.) They were denied the right to live long lives, but they made damn sure they went out with a bang.

(I also think about how easily Kokichi could've saved himself but instead gave Kaito the antidote. Maybe that was another reason why Kaito decided to help him carry out his plan. Kokichi knew Kaito was dying, but still decided he should be the one who got to live. I don't think Kokichi saw Kaito's illness as a weakness. After all, his reasoning to give Kaito the antidote was so he could blackmail Kaito using Maki. Kaito's illness wasn't something Kokichi ever saw as a hindrance or factor (from what I can remember.) Kokichi just saw Kaito as someone capable of carrying out his plan.)