#yohji yamamoto fashion show

[theoriginalsupermodels]

Yohji Yamamoto - Spring 1997 RTW

[izzahsmemoir]

yohji yamamoto autumn/winter '19 show —

[notokra]

[53v3nfrn5]

Yohji Yamamoto: Autumn/Winter (2023-24)

[2001hz]

Yohji Yamamoto Autumn/Winter (1999)

[quarterrazzicrisis]

Comme de Garçons, Spring 2000

[alialinchik]

Yohji Yamamoto spring 24

[jayeallisonashtear]

Yohji Yamamoto.

[babypauls]

Yohji Yamamoto Spring 1999

[sigourapote]

Yohji Yamamoto F/W 2024

[theoriginalsupermodels]

Yohji Yamamoto - Fall 1998 RTW

[inthepynck]

Texture and Layering Came in Many Guises

From a Nod to Victorian Style at Rick Owens to an Ode to Nostalgia & Time-Travelling at Yohji Yamamoto, Fall 2023 Packed a Decidedly Tactile Punch.

[dulcevenganzaa]

hiii so i decided to put together my research skill and love for fashion to look up some of the sunglasses gerard's been wearing this leg of tour since i've seen some people wondering about them and personally i just really like some of these. so, this is what I've found so far 

Black SL 421 | Saint Laurent / they've been wearing these all tour basically, seen before in the NA shows (Montreal, St Paul, Oakland, and most recently in Brisbane) - they're sold out rn but they usually retail around $350 - $400 

YY5010 | Yohji Yamamoto / (worn in Aotearoa and never seen again 😔) These are kinda hard to miss, the particular design of the bridge is a staple of the brand, another thing is that they're pretty hard to get a hold of? they're not on the official website as far as i could tell, but they're listed in sites like grailed, the model in the link varies a little but they're the same basically

Lemtosh Sun (Flesh) | Moscot / these were the hardest to ID, pretty much bc there are like a million models that look like this, i am certain these are the ones he's wearing, what gives them away are the rivets (tiny screws) and that curve on the inside of the bridge, he really seems to favour these lately lol but he also wore them a few times in the states iirc

Tristan | Jacques Marie Mage / i wasn't too sure about these ones at first since they look like generic wayfarers at first glance but they do have that curve on the top and the rivets match pretty well, this are the most expensive on the list so far, and they come from a relatively young brand from LA that manufactures some models in Japan < so hence the price im guessing 

GG1119S 001 | Gucci / these are a complete shot in the dark tbh since they're a pretty generic model, you could look up any brand and find their own version of these but Gucci's model is the closest one i could find so far, not a 100% match, if you look at the model G's wearing the bridge has a more pronounced curve and as i looked through other pics the temples don't match either and they seem to be way rounder?

[shifting---patterns]

How Post-Punk Influenced Nowadays Fashion

It's been a long time since Malcolm McLaren opened his boutique "Sex" in the 1970s, and Vivienne Westwood equipped the Sex Pistols with their iconic outfits and sent them out onto King's Road. The approach back then was: "Being anti at all costs, against the establishment." Eventually, it turned into "Do It Yourself." It was fashionable because it tried not to be fashionable.

A few years later, members of Joy Division met at a Sex Pistols show in 1976 and started as a punk band. However, it soon evolved into something entirely different. When you listen to old Joy Division songs like "Warsaw" you can clearly hear the punk rock influences, but the band quickly started to deviate from the common motifs of the genre.

The music slowed down. The noisy guitar sound of punk was subdued to appear more intriguing, and Ian Curtis's existentialist lyrics, influenced by authors like Fyodor Dostoevsky, Jean-Paul Sartre, and Franz Kafka, focused not on chaos, rebellion, and hedonism but reflected his fears, physical sufferings, and the absurdity in the face of the zeitgeist and social influences of the 1970s and 1980s, marked by changes and political uncertainty, forced Joy Division to experiment.

They created not only something musically unique but also something aesthetic. For example, with their monochromatic designs on their album covers for "Unknown Pleasures," which is probably the third best-selling T-shirt in fast fashion stores, alongside Nirvana and the Ramones T-shirts. Joy Division ended in 1980 after Ian Curtis hung himself in his kitchen. They not only helped shape the sub-genre "Post-Punk" but were also the unofficial soundtrack of existentialism. The soundtrack that made Joy Division's music feel so genuine. Because it was genuine.

Of course, in the 1960s, there were artists who processed existential themes in their lyrics. A good example would be Lou Reed of The Velvet Underground, who, heavily influenced by literature, dealt with many serious topics in his lyrics. However, it wasn't just their music; it was also their appearance that defined Joy Division. On stage, in promo pictures, and in interviews.

Ill-fitting shirts from army surplus stores, old man's pants, a few pair of derbies, big raincoats. Everything that was atypical for the punk movement, and many other artists, including The Cure, The Smiths, Siouxsie Sioux and the Banshees, Bauhaus, Alien Sex Friend or Sisters Of Mercy, went in the same direction: Through a dark, introspective, sometimes minimalist, but avant-garde aesthetic, they set themselves apart from punk and society, and looking at bands from the Post-Punk Revival from the 2000s like Interpol, Iceage, Molchat Doma, Boy Harsher, or Cold Cave, it quickly becomes apparent that this aesthetic has proven itself for almost 50 years.

This trend was, of course, not only an inspiration for musicians but also for artists, fashion designers, architects, and many more.

One designer that immediately comes to mind is Antwerp-Six member Ann Demeulemeester from Belgium, whose influences clearly evoke artists like Siouxsie Sioux or Patti Smith but also the playful goth look of the 1980s era by Rei Kawakubo (Comme Des Garcons) or Japan's goth father himself: Yohji Yamamoto.

Her story begins in Antwerp, where she initially studied at the Royal Academy of Fine Arts and quickly got to know the other Antwerp-Six members. She and the Antwerp Six presented their collections at Fashion Week and quickly became highly esteemed designers, now considered among the greatest designers of all time. Many of Ann's collections featured songs by Patti Smith, Nick Cave and the Bad Seeds, or The Velvet Underground.

This alone shows the influence of Post-Punk on Ann Demeulemeester's designs. Her asymmetrical cuts and draperies, her monochromatic, Kawakubo and Yamamoto-inspired, mainly black designs were groundbreaking, bringing avant-garde ideas in a consumable form to the people.

Another noteworthy designer from Antwerp is Raf Simons and his collections. Raf Simons grew up in the 1980s and was deeply rooted in the punk and goth subculture, whose influence can be traced in many of his collections or directly referenced by Raf himself. Notable are his A/W96 collection, which includes all-black looks with jet-black dyed hair and long black overcoats, his A/W99 collection with direct Joy Division references, black cloaks, and Gothic looks on the runway.

Raf's most famous collection A/W02-03 Riot Riot Riot! A coveted collection featuring cutoff and distressed hoodies, repurposed military garments, and loaded with punk references through patches. Among them, a bomber jacket with a patch depicting the self-harming Richey James Edwards of the Manic Street Preachers.

Obviously, his A/W03-04 Closer collection with a direct collaboration with Peter Saville, the graphic designer of Factory Records, featuring iconic graphics from Joy Division, New Order, and more.

These two examples of designers actively influenced by this culture are just a fraction. These designers were punks or goths themselves. People influenced by the postmodern identity of the time and post-Soviet tradition. Post-Punk fashion embodies the music of the time it emerged and aligns with deeper considerations. So, it didn't take long for the entire fashion world to embrace this style, partly because "Gothic" and "Punk" became more mainstream, and partly because its aesthetic components were easy to design due to their often penetrating monochromatic minimalism.

Not only goths or avant-garde designers like Ann Demeulemeester, Martin Margiela or Rick Owens, deeply connected to the style and subculture of that time, but also luxury designers like Prada, Balenciaga or Bottega Veneta are incorporating it.

The look is romantic, dark, longing for death, partly edgy, partly overloaded. All aspects that exude a constant attraction from the clothing, as people are often drawn to "the other," sometimes even "the forbidden." The look can also be easily detached from the actual Post-Punk/Goth culture - something postmodernity excels at. The style of the Gothic culture can be perfectly broken down into its individual parts and used as a kind of aesthetic sandbox. Here a thick heavy chain, there's a choker, here big long earrings, add a pair of black high combat boots, a slim-fitted mesh shirt, and preferably paint the nails, and you're done. All things that houses like Prada, Marni, Bottega Veneta, for example, have done right.

What we see today in the Post-Punk-influenced style and what we interpret as avant-garde should actually be considered a modern tradition. Post-Punk fashion embodies the music and the spirit of the time it emerged and aligns with deeper existential discourses. The design language and atmosphere of that time are now used by traditional fashion houses to incorporate young designers into their ranks and increase their relevance, merely fulfilling their quota to be considered part of the traditional fashion pipeline of LV, Dior, Gucci, and Balenciaga. The avant-garde cannot be seen as so established. The rapid growth these companies have undergone to make billions and the inheritance method of finding a designer to take over the house are enough to profile themselves as industry magnates.

In a world where fashion constantly reinvents itself, the enduring legacy of post-punk culture persists as a modern tradition. From the raw, rebellious sounds of bands like Joy Division to the avant-garde designs of Ann Demeulemeester and Raf Simons, the essence of post-punk continues to captivate hearts and minds. As luxury fashion houses seamlessly incorporate this style, it's vital to recognize the roots and the countercultural spirit that birthed it.

The romantic, dark allure, the edgy overtones – they all beckon, inviting us to explore "the other," even the forbidden. Yet, amidst the mainstream adoption, a call echoes for authenticity. True avant-gardists, whether musicians or designers, carve their paths, declaring, "This is our thing." The new avant-garde emerges not just from runways but from the pulsating hearts of those deeply rooted in their subcultures.

In a world dominated by industry magnates, the journey of post-punk fashion from the underground to luxury houses is a testament to its enduring power. As we witness the evolution, let us celebrate the genuine, the authentic, and the countercultural voices shaping the new avant-garde.

So, whether draped in asymmetrical cuts or sporting a rebellious attitude, the message is clear: The post-punk spirit lives on, and the next wave of avant-garde creators is ready to make their mark, confidently declaring, "This is our thing."

Davis Jahn

[2001hz]

Yohji Yamamoto Fall/Winter (1996)

[prettygirlmjmjmj]

Some of my favourite runway shows

Here are some of my favourite fashion shows, I'd really recommend giving them a watch or reading up on any that interest you. Please feel free to tell me about some of your personal favourite fashion shows!

Versace, autumn/winter 1991. To me, this show is timeless. Not only does it feature some beautiful pieces, but it also has what I'd consider one of the most iconic moments in fashion history. Naomi Campbell, Christy Turlington, Linda Evangelista, and Cindy Crawford walking arm in arm and lip-synching is runway perfection and made the girls real supermodels.

Victoria's Secret Fashion show, 2013. This show is so ridiculously fun and over the top! I love the angel's looks and everything about the show feels so carefully planned and enjoyable. Taylor Swift's performance is also definitely a highlight.

Christian Dior, autumn/winter 2007. Honestly, this show is so beautiful. It was held at Marie-Antionette's former home and the models all look incredible. The outfits are so pretty and over the top and the whole theme of the show comes through perfectly.

Chanel, spring/summer 2019. This show brought Chanel back to its roots of being a fashion house focused on functionality and chic fashion. The runway itself is beyond iconic and I love a summer/beach theme. While some of the clothing feels a little too logo-centric for my taste, there still are some incredible pieces.

Yohji yamamoto, spring 1999. One of the most beautiful bridal collection. The use of colour is so simple and so exquisite, the pieces falling is incredible. This show is incredible.

Michael Kors, spring 2017. This show has an incredible casting and such fun, upbeat clothing! The live orchestra adds such a lovely touch as well, making this an enjoyable watch.

Alexander McQueen, spring 2005. This fashion show is so beautiful. The chess game theme is so interesting and unique, the outfits and colours are gorgeous and the whole show is so engaging and magical.

Givenchy, spring 2016. The staging is iconic and so dramatic, this collection embodies what Riccardo's past vision was. The show was held at sunset and the impact is incredible. The fashion is stunning and impactful and this was such a brilliant show.

All my love, mj.