Prayer Chain for the Departed.
Please add their names or initials.
RC, VC, JC, EC, FC, RoC, NC, PD, VW, EW, DW, MW, WW, VW, JW, RW, BH, PH, DA, LY, AM, KS, SM, AmH
50 notes
·
View notes
hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
638 notes
·
View notes
the way the dmlx 3hopes supports end makes me scream and cry etc. like it’s crazy that they ended w The Carrying Scene in the first place but actually for real it is Crazy that it LITERALLY ended w felix carrying dimitri. like that is THE perfect end to their support arc here. felix reaches out to him over & over the entire game trying to help/get through to him………
(^ thank u felix for clearly stating ur thesis statement almost immediately in the B support)
and then of course the king awakens cutscene where felix is the one to actually physically reach out to dimitri in fhirdiad. esp in that scene DIMITRI is the one to turn away—literally every time felix reaches out to him he just does not get what he’s saying & turns him down bc he thinks he’s responsible for fixing everything alone. so for their support chain to end with dimitri ALLOWING felix to literally physically carry him to bed is just so so so so so good and significant and perfect it makes me unwell
58 notes
·
View notes
dad sort of teaching me to text like a Man because i was like "what should i say? like, oh wow thank you? maybe an exclamation point" and him going "no, don't say wow, just thank you i'll make that exact offer right away is fine" so i write thank you, then pause "no wow?" and my dad nods like the kermit and christian bale nodding gif and goes "no wow"
7 notes
·
View notes
i have adrino brainrot right now (do people even say brainrot anymore?? i don’t know but i can’t think of another word for it) and i want share how i view them because i haven’t read fanfic or seen anything else that’s similar enough to this
so adrien and nino are dating and they haven’t told anyone (maybe nino has told alya and adrien has told chloe (i love her and she and adrien are friends shut up) but marinette can’t know for this to work) they have multiple reasons for why they are staying silent the main ones are gabriel, nino thinks adrien doesn’t want to come out, and adrien doesn’t want nino to be bombarded with reporters, paparazzi, fangirls, homophobes/fangirls who want to date adrien (i say fangirls but i mean anyone not necessarily girls),etc if nino becomes popular he wants it to me for who nino is and what he does not because he’s dating a famous model/gabriel’s son and they like their relationship being just between them but that also means having to make sure that they are alone before they can do anything together which is a lot harder than it seems to be so nino goes up to ladybug at one point when he’s carapace(if adrino has revealed their identities to each other) to ask ladybug if it’s ok that if he and chat noir can publicly date because they’re actually dating but they have to keep their relationship secret and ladybug agrees but is a little hurt nino hasn’t told her (marinette) that he’s dating someone and that feeling comes and goes because she wants nino to be able to tell her this stuff but also doesn’t want to know chat noir’s identity and a little less publicly chat noir will flirt or tease nino when carapace is not needed (but only around ladybug/rena or when they think they can without causing a lot of attention so people don’t suspect nino is carapace) and carapace can’t really do the same with adrien (at least around rena and ladybug like chat noir does) but it’s very obvious to people close to adrien that he has the hots for carapace and has made jokes that if carapace wasn’t with chat noir maybe his celebrity status is enough to woo carapace and at times chat noir will ask for the turtle miraculous when he sees ladybug so him and nino can spend time together when they may not be able to as their civilian selves until nino gets the turtle permanently and even after adrino come out publicly they’ll still have dates as chat noir and carapace partially so people don’t think they’ve broken up but mainly because even if they could go do something together without at least one person coming up to them being able to chill with your boyfriend in places most people can’t get to is so much better than going to your typical date locations and the views are so much better (not that they usually look away from each other long enough to notice)
27 notes
·
View notes
hello, ive been learning portuguese for a bit and i was wondering if you had any recommendations for media? like youtubers, blogs, movies or series. if you do, thanks in advance
uff fuck, i will sure try my best but i can’t promise anything
I normally get my dose of Portuguese via going to academic workshops or working alongside Brazilian people, so I don’t exactly engage with media in Portuguese as a conscious learning process, I'm afraid. Like, for example, i normally just get a bunch of Instagram reels and TikToks cause I'm on the Brazilian side of instagram/tiktok, and not exactly because i follow any particular account or something, and i don’t level or recognize how hard the Portuguese is in each one, etc
I have some series that i remember watching and liking tho, which are:
De volta aos 15: a drama/comedy series around a 30yo woman that time travels a few times to when she was 15 and tries to fix everyone's life, as one does
A sogra que te pariu: a very absurd sitcom in the best latinoamerican style (and set during covid)
Samantha!: Another comedy, now about a kid star from the '80s who is trying to launch herself back
Lulli: comedy, drama and romance. A medic student gets electrocuted and starts hearing everyone's thoughts
3%: suspense, fiction, drama. Set on a diasporic word where, while everyone gets a one-time change to better their life, only the 3% makes it
Ciudad invisible: Drama, mystery. This one has lots of references to folk culture and stories! It's about a man who, after a family tragedy, starts seeing different mythological creatures that will help him uncover the past
omnisciente: sci-fi, drama, thriller. The city is controlled and watched all the time everywhere by drones. A woman tries to solve a murder that the drones never picked on + plus discover how fucked up the system and the drones are
Coisa mais linda: Drama, romance, set in 1959, after getting cheated on and left alone, a woman sets herself to open her own bossa nova club
ninguem tá olheando: comedy, drama, fantasy after discovering some secrets of the bureaucratic angelic system, a guardian angel set himself to break every rule that there is for protecting humans
Valentina: drama a young trans girl moves to a more conservative rural town
Alice júnior: Coming of age film about a YouTuber trans girl as she challenges her catholic school's conservative ways
7 notes
·
View notes