#you can dm me about it if you want

[haaawaiianshirt]

hey check in are any of y’all uncomfortable with the state of the ronance tag and is there anything you’d like me to tag vaguely horny posts so you can filter it /gen

[bonefall]

So, I'm writing an essay on the whole STATE of misogyny in WC for one of my university classes, and I was wondering if I could ask you a couple of things! No pressure of course, please feel free to say no!

A) Could I reference your good takes with appropriate harvard referencing and links back to your blog?

B) Are there any specific moments from the books that you think should be covered the most?

C) The end result will be a visual essay, so it's like those fun infographics people on Tumblr make on like ADHD and stuff, so when it's done, would you like to be tagged to read it?

(Sorry for anon, I'm nervous lmao, but if you'd be more comfortable I'll resend this off anon)

AAY good topic! You've got a lot to work with. Absolutely feel free to reference anything I've written, and tag me when you're done.

While you're here and about to write something so legitimate, I'm also going to recommend you check out Sunnyfall's video on gender in Warrior Cats. She breaks down the arcs into numbers, directly comparing the amount of lines mollies have to toms, and examining the archetypes women are usually allowed to be.

I think it's a must-have citation in a paper about WC misogyny.

...and, I think it's insightful to look at the WCRP Forum thread about the video. Note how the respondents immediately come into the thread to complain about how the video is too long so they didn't watch it, dismissing Sunnyfall as not being entertaining enough to hold their attention, even whining that she starts with statistics to prove her point, which I'm convinced she did exactly because they would have cried that she "had no evidence" if she didn't.

I am not a scholar, so I don't know how to document or prove that the books have an impact on the audience outside of anecdotes. But I think if you do write a section about fandom, it would be worth mentioning the in-universe and metatextual apologia for Ashfur and its reflection in the real world discourse, the authorial killing of Ferncloud because of fan complains, and the utter defensiveness against the discussion of misogyny you see outside of Tumblr.

You may also want to check out Cheek by Jowl, a collection of 8 essays about sexism in xenofiction by Ursula K. Le Guin. There's a very unique manifestation of authorial bias in animal fiction, having a lot to do with how the author views "the natural world," and it's worth understanding even though Warrior Cats are so heavily anthropomorphized.

So... Warrior Cats Misogyny

I think discussing individual instances can be helpful, but I'd implore you to keep in mind what's REALLY bad about WC's misogyny is framing and the bigger picture.

Bumble's death is shocking and insulting, but it's not just that she died. It's that the POV Gray Wing sees her as a fat, useless bitch who took his mate so she deserves to be dragged back to a domestic abuser, and he's right because the writers love him so much. It's that Bumble's torture and killing only factors into how it's going to hurt a man's reputation.

It's how Clear Sky hitting, emotionally manipulating, or killing the following women,

Bright Stream (pressured into leaving her home and family)

Storm (controlled her movements and yelled at her in public)

Misty (killed for land, children stolen)

Bumble (beaten unconscious, blamed nonsensically on a fox)

Alder (child abuse, hit when she refused to attack her brother)

Falling Feather (scratched on the face, subjected to public abuse and humiliation)

Tall Shadow (thrown into murderous crowd, attacked on-sight in heaven)

Rainswept Flower ("blacked out" in anger and murdered in cold blood)

Moth Flight (scratched on the face for saying denying medical treatment is mean, taken hostage in retaliation against mother for the death of his own child, which he caused)

Willow Tail (eyes gouged out for "stirring up trouble")

Is seen as totally understandable, forgivable, or not even questioned at all, when killing Gray Wing in an act of rage would have been "one step too far" with the ridiculous Star Line.

"Kill me and live with the memory, and then let the stars know it would only matter if a single one of your murder victims was a man."

It's the way that fathers who physically abuse their kids out of their ego (Clear Sky, Sandgorse, Crowfeather) aren't treated anywhere near the same level of narrative disgust and revulsion the series has for "bad moms", even if they're displaying symptoms of a post-partum mood disorder (depression, anxiety, and rage), an umbrella of mental illnesses 20% of all new mothers experience but are heavily stigmatized with (Sparkpelt, Palebird, Lizardstripe).

It's Crookedstar's Promise giving him two evil maternal figures in a single book, while bending over backwards to make every man in a position of power still look likeable in spite of the fact they're enabling Rainflower's abuse. Leader Hailstar is soso sorry that he has to change Stormkit's name for some reason, in spite of leaders being unaccountable dictators the other 99% of the time, and Deputy Shellheart functionally does nothing to stop his own son from being abused or even do much parenting before or after the fact.

It's the way men's parental struggles are seen sympathetically, and they don't have to "pay for it" like their female counterparts (Crookedstar's PPD vs Sparkpelt's PPD, how Daisy and Cinders are held responsible for Smoky and Whisper being deadbeats, Yellowfang's endless guilt for killing her son vs Onestar's purpose in life to kill his own), even to the point where a father doesn't have to have raised their kids at all to have a magical innate emotional connection to them (Tree's father Root, Tom the Wifebeater, Tigerstar and Hawkfrost).

It's less speaking lines and agency for female characters, being reduced to accessories in the lives of their mates and babies, women getting less diversity in their personalities, with even major ex-POV characters eventually becoming "sweet mom" tropes.

You could zoom in on any one of these examples and have an amoeba try to argue with you that "Oh THIS makes sense because X" or "Ah well my headcanon perfectly explains this thing" or "MY mother/girlfriend was abusive/toxic/neglectful and I've decided that you are personally attacking ME by having issues with how a character was written or utilized," but the beleaguered point,

That I keep trying to hammer in, over and over, across books worth of posts,

Is that these are trends. More than just a couple one-off examples. It's the fabric that has been woven over years, showing a lack of interest in, or even active prejudice of, women on behalf of the writers.

LONG STANDING trends, which have only gotten worse as the series progressed. From Yellowfang being harshly punished with a born evil son who ruins her life in TPB and the mistreatment of Squirrelpaw that begins in TNP, all the way up to the 7 Fridgenings of DOTC and Sparkpelt's PPD being a major character motivator for her son Nightheart.

So, I would stress that in your paper, and structure it less as "the Sparkpelt slide" and "the Yellowfang slide," and more as "The paternal vs maternal abuse" slide, and "the violence against women" slide. They're really big issues, there's tons of examples for each individual thing.

Anyway to leave off on a funny, look at this scene in Darkest Hour that I find unreasonably hilarious,

"Everyone who matters to me; my truest friend, my sensible and loyal warrior, the wisest deputy I've ever known, and 2 women." -Firestar, glorious idiot

He can't even think of a single trait for either of them what the hell does "formidable pair" mean lmaooo, when I finished a reread about a year ago this line killed me on impact.

[mishapen-dear]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[ghostsberry]

do you have a brush tutorial up

pretty please w cherry on top

of course! heres a quick one ive just did, mainly explaining why i use every brush, i dont use a lot of them tbh just the same four

and heres a step by step i did a few months ago where i also talk about brushes"

im not sure if this is what you were refering to, hope these help you :)

[hakucho-art]

Soo, is there potential interest in a TouKen Zine? 🥺💞

I want to see if it's even worth thinking about and if there is enough interest to plan one, so any reblogs and comments are very welcomed and would help me a lot!

Please also vote in the poll below for me to see the rough interest for one <33

(FYI: Nowadays a fanzine is a collaboration between multiple artists, writers or other creatives with a certain focus, may it be a character, ship or any media. After everyone has finished a piece, it can be sold as a physical book with merch or be kept digital or a mix of both.)

Thank you for your time ♥️

[wavesoutbeingtossed]

Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It’s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

[can-of-slorgs]

caw 🦅

[nc-vb]

𝐌𝐚𝐧𝐠𝐚, 𝐌𝐚𝐧𝐡𝐰𝐚, & 𝐌𝐚𝐧𝐡𝐮𝐚 𝐑𝐞𝐜𝐬

a long time coming that I've meant to compile a list, but it just kept growing and growing and growing...

the webtoon list includes my very personal & important in-my-heart recommendations. aaaaand the rest are mostly smutty, kinky, and even a little dark.......... do not perceive, just enjoy. and support the official author's work and translations if you can!!

if there are any in this list you'd like a heads up about before reading, feel free to drop me an ask and I'll give you my honest opinion/review.

if you're having trouble locating anything, shoot me an ask (because i have most, if not all, of the links saved).

and feel free to gush to me if you liked any of them!! i'm always happy to talk about mmm's.

[updated july 3rd, 2023] - newly added titles are in green.

𝐵𝐿 = boy's love genre 𝐆𝐋 = girl's love genre 𝟏+ = includes harems & poly relationships ❤ = absolute masterpieces, highly recommended! ! = proceed with extreme caution/heed all warnings

please heed all warnings and tags found within each of these recommendations, as well as my own warnings from the symbol legend above and found throughout this post.

some of these are sfw and some aren't. some of these aren't for the faint of heart and will be marked to be read at your own risk. additionally, not all are translated into English. 𝐵𝐿/𝐆𝐋 are separate from the general list.

𝐖𝐄𝐁𝐓𝐎𝐎𝐍

A Messy Fairy Tale 𝟏+

A Summer Night's Dream

Age Matters ❤

Back to You

Bailin and Li Yun BL❤

Bitten Contract

Boyfriend of the Dead

Castle Swimmer BL

City of Blank

Dating With a Tail

Daytime Star

Devil Number 4 ❤

Devilish Romance

Down to Earth

Dreaming Freedom

Ghost Wife

Ghostly Buddie

Half-Ghost

Harem of LuuAnh

Hello Baby ❤

I'm the Grim Reaper

I Love Yoo ❤

It's Mine

Jeff's Disorders

Kind of Confidential

Little Rain

Lore Olympus ❤

Love Advice from the Great Duke of Hell ❤

Mage & Demon Queen GL

Marry Me!

Maybe Meant to Be

Meow Man

Midnight Poppy Land

Midnight Rain

Mom, I'm Sorry

Morgana and Oz

Muse on Fame

My Beloved Emperor

My Dear Cold-Blooded King

My Four Husbands 𝟏+

My In-Laws are Obsessed with Me ❤

My Lovely Bodyguard

Nice to Meet You

Not Even Bones

Operation: True Love ❤

Pastel-colored Pages

Phase

Scorching Romance

See You in My 19th Life ❤

Selina ~ Moon Bride ~

Siren's Lament ❤

Soleil

Space Boy

Strange and Wild

SubZero

Swimming Lessons for a Mermaid ❤

Take Off BL

The Devil is a Handsome Man

The First Night With the Duke ❤

The Guy Upstairs

The Newlywed Diary of a Witch and a Dragon ❤

The RUNWAY

There Must Be Happy Endings

To the Stars and Back BL

Trapped ❤

Unlovable Replacement

When Jasy Whistles ❤❤

Winter Woods

Your Smile is a Trap ❤

𝐒𝐅𝐖

Abe-kun's Got Me Now! (Abe-kun ni Nerawaretemasu)

A Master, Who Woke Up As a Concubine ❤

And Yet, You Are So Sweet (Na no ni, Chigira-kun amasugiru)

Beloved in-Laws (poor transl.)

Bon Appétit ❤

Don't Blush, Sekime

Forget My Husband, I'll Go Make Money (Aug 2023)

Golden Forest !

I, My, Me, Mine ❤ (アイマイミーマイン)

I Became the Male Lead's Adopted Daughter

I Can't Keep Up With My Stallion Duke ❤❤

I Will Change the Genre

I Will Rewrite the Dead End Novel

In the Clear Moonlit Dusk ❤ (Uruwashi no Yoi no Tsuki)

It's My Destiny to Be the Hero's Saviour !

Kubo Won't Let Me Be Invisible

Love's in Sight!

Loving Yamada at Lv 999 ❤❤❤

Male Lead, I'll Respect Your Taste !

Ookami no Musume ❤❤

Pink and Habanero ❤ (Pink to Habanero)

Protected by My Dragon Knight (Seijo wa Ryuukishi-sama ni Mamorarete)

Scary Faced High Schooler and Miss Plain Jane

Second Life of a Trash Princess

Sinking too deep in your rabbit hole, now I'm drowning in your love

Stella Next to Me ❤ (Tonari no Stella)

The Cunning Princess and the Shark ❤

The Fragrant Flower Blooms With Dignity ❤ (Kaoru Hana wa Rin to Saku)

The Muscle Girl Next Door

The Obsessive Second Male Lead Has Gone Wild

The Reasons We Fall in Love ❤ (Watashi-tachi ga koisuru riyuu)

The Tyrant's Comfort Doll !

To the Dear F-Phantom of the Opera (Shinai naru F e: Opera-za no Kaijin)

Toilet-Bound Hanako-kun ❤ (Jibaku Shounen Hanako-kun)

Vampire Lord's Greatest Wife ❤

Welcome to the Yandere Cafe (rating subject to change)

Yojouhan no Ibara Hime

𝐍𝐎𝐓 𝐒𝐅𝐖

あざと可愛い✕くんの執着サド交尾は本物です x!!!

無能力巫女は狛犬の淫紋快楽漬け x❤!

2LDK IKEMEN Tsuki Bukken Arimasu !!

A Dream Between the Sheets ❤❤

A Gentle Sea Monster and a Lonely Girl !

A Predator in a Skirt !

A Sip of Poison !

Boy's Abyss (subject to change, new read) !!

Childhood Friend's Secret Massage !

Consort to the Fox Spirit Lord

Dark Fall !

Depths of Malice !

Devoured by a Bookworm Girl !

Fire in His Fingertips ❤

Former Delinquent Farmer's Sex Appeal is Dangerous!

From Him to Who? ~Sex With My Body-Snatched Husband ❤

Gokudou to Omega - Mukidashi no Katsuai

Hana's Demons of Lust !

Hare-kon 𝟏+

Heat 200 Meters Away (200 M Saki no Netsu)

Honey, I'm Going On a Strike!

How to Make a Frigid Girl Cum

I'm in Love With Mr. Hanabusa

Lady K and the Sick Man ❤❤

Last Order wa Ojou-san de Dekiai Jouren Kyaku ni Kyuuai saretemasu

Junai - Pure Wet Love

Kuma to Tora ~Taikakusa Osananajimi no Hajimete kara, Kemono ni Naru 2-kakan made~ x

Madoka Exorcist ❤!

Mede Little Roy !

Mr. Tada is a Top Performer

Muttsuri Akazukin-kun kara wa nige rarenai

My Cold Co-worker Obsessively Loves Me

Pet Baby Doll

Pygmalion's Savior is a Big But Immature Love Monster !❤

Red Hot Proposal: Surrounded by His Tanned Body

Sadistic Beauty !!!!

Sakaki the Lazybones Shows His Talents at Night ❤❤

Sapphire Dew ~ Infatuated Gentlemanly Boyfriend Seizes the Initiative !

Seishun no Hekireki

Seriously can't pass this up. - Kohai's passionate sex won't stop until morning

Sinful Nun Pays Penitence to the Serpent ❤❤

Spring Amidst My Wintertide ❤

Superstitious Nine ❤

Sweet Lies Layered Like a Mille Feuille ❤

Tadano Renai Nanka de Kikkonai ❤❤

The Golden Forest !

The Goldfish’s Corpse Lies at the Bottom of the Swamp !!!!!!!!

The Greengrocer is a Carnivore in Bed!?

The Man Who Saved Me in My Isekai Trip Was a Killer!!!!!!!

The Neighbor in Room 203 Disappeared Leaving a Key Behind !!!!!!!

The Reincarnated Saint Falls for the Demon Lord

The Tainted Half !

The Virgin Witch

The Weird Senior in the Seat Next to Me ❤❤❤! (Tonari Senpai)

Toshishita Osananajimi ga Watashi o Shibatte Hanasa nai! x

Totem's Realm

Touching is Better Than Looking

Under the Oak Tree

Until the Obedient Bodyguard Exposes the Body and the Lie of the Fake Lady ❤

"Wanna Cum?" The Pure Taiga Advances Slow and Sweet ❤❤

Welcome to the Muscle Salon ❤❤❤

When Beauty Meets Beasts

When You Are Reincarnated As The villain NPC's Girl And Be Loved By The Strongest Prince Who Is Not A Capture Target !!

Wild Eyes

Will You Pledge Your Love to an Incubus?

Wish Upon a Husband

Yaba Ai Instructor !

You're Too Cute for Me to Be Gentle

𝐁𝐋 𝐍𝐎𝐓 𝐒𝐅𝐖 𝐑𝐄𝐂𝐒

4 Week Lovers BL

A Handless Day BL!

A Hot Wet Job for Three -Adult Toy Tester- BL, 𝟏+

A Kiss for You, My Shinobi BL

A Tree Without Roots BL❤!

Angel Buddy BL❤❤

Bidou Wakadanna Koi Shitau Wa Koushoku Otoko BL❤

Bitten by Moonlight BL

Black Mirror BL!!!

Blind Play BL!!

Can't Think Straight BL

Cherry Blossoms After Winter BL

Confession Night BL

Dangerous Convenience Store BL

Dawn of the Dragon BL

Dear Door BL

DEATH or LOVE BL

Delinquent Omega Belongs to the Beast King BL

Demon of Lustful Hell BL

Desharow Merman BL❤

Die If You Aren't a Virgin BL

Eat Me Up, My Husband BL!

Ennead

Eunsoo's Good Day BL

Eye Contact BL

Fake Fact Lips BL

Frenemies: Thicker Than Blood BL❤

Friends, Engaged

Fucking in the Dorms BL!

Ghost Gate BL!!!!!

Healing Paradox BL❤

He's a Better Top Than Me?! BL

Home Far Away BL❤!!!

Horeta Otoko wa Shin'yuu de BL!

Housekeeper's Love Affair BL

How to convince your best friend to sleep with you BL

Hyperventilation BL❤❤❤

I Didn't Ask You to Eat Me!

I Love You, Nothing Else Matters BL❤

In an Empty Classroom BL

Indigo BL

I Ship My Rival x Me BL

It's Just a Dream... Right? BL❤❤❤

Jinx BL!

Kabukicho Bad Trip BL

Kiss de Egaku Ittousei BL❤

Kiss Me, Liar BL!

Lala no Kekkon BL!

Liveta BL

Love in Kitsch BL

Love is an Illusion BL!

Love Jinx BL❤

Low Tide in Twilight BL!!

Mad Dog BL❤❤

Miscreants and Mayhem BL

Missing Love BL!!!!!!!!!!!!!!!!!!! (<I cannot express this enough.)

My Delicious Dream Boy BL❤

My Demon Crybaby, Maria BL

My Partner Suddenly Got Younger - An Omega Caretaker Plays Alpha BL!

Natsu no Teppen ni Saku BL

Old-Fashioned Cupcake BL❤❤ (has a j-drama)

Pain, Sweet Pain BL

Passion BL

Payback BL❤❤❤

Pearl Boy BL❤!!!!!!

Pink Heart Jam BL❤❤

Please, Candy! BL!

Roses and Champagne BL!

Sadistic Beauty: Side Story BL!!!!!!

Secret Inside My Head BL❤❤❤

Semantic Error BL (has a j-drama)

Sensei wa Nekketsu ga Areba Juubunda! BL!

Sick BL

Sign BL❤❤❤

Sketch BL❤

Speak of the Devil BL

Steel Under Silk BL❤

Surge Looking for You BL❤

Sweet Trap BL

Tabetemo Oishiku Arimasen BL

Tentacle Recipe BL(?)❤

The Blessed Life of a Retired Nian Monster BL

The Crybaby's at the Mean Devil's Mercy BL❤

The Foxy Mouse's Romance BL

The Origin of Species BL!

The Pizza Delivery Man and the Gold Palace BL

The Pure-Hearted Puppy and the Erotic Tattoo BL❤

The Silent Concubine BL!

The Unquenchable Mr. Kim BL❤

The Words in Your Snare BL❤❤❤

To Take An Enemy's Heart BL!

Tomodachi Engagement BL

Trick Turned Into a Threesome With the Tachibana Brother BL

Under the Greenlight BL

Unexpectedly Naughty Fukami BL❤

Unromantic Romance BL❤

Young Lover BL!!

Your Wish is My Command BL❤

Yours to Claim BL

Zenryaku, Onii-chan wa Seijo ni Narimashita BL!

more recommendations will likely be added as time goes on! feel free to copy these recs for your own checklist of 'to reads'.

hope you enjoy them like i did! :)

[lexiesdoodles]

Precure doodles

[doyouknowthischaracter]

Can I know you more ?

This is where I post from 👆

[bandzboy]

MUSIC BOX IS OPEN! this is a carrd that contains music from kpop groups that are mainly under the big 4 + starship and others that i can find! it also has concerts and mvs included as extra and it will be updated regularly once i find other drives for other groups that might be missing or when they have comebacks! hope you find it helpful ♡

[daily-hanamura]

Hi! Do you have any souyo fics you would like to recommend?

HELLO @littlebalsam OH BOY DO I

as a caveat I consider myself to still be relatively new to souyo, so I haven't read too many fics? but these were some of my favourites and I hope you enjoy them too!

some of these fics may have mature themes (p4 is a mature game after all) so please check the rating/tags!

a doorway back into the life he wants by chash

Rated T; a stardew valley-esque AU that somewhat follows the beats of their original story, but sees the characters as grown-ups dealing with Life (TM), with Yosuke as the manager of Junes and Souji taking over his grandfather's farm in Inaba. There's a kind of mature calmness to the atmosphere here that is both gentle and delicate, and the result is something so very gorgeous.

(and honestly, anything written by Chash has been 11/10)

mr perfect by unsungillumination

Rated G; where Yu has to work on his social stats in order to confess to yosuke - the writing here is SO beautiful and there's something so wonderfully emotional about Yu's pining here (I adore any fic that makes use of game mechanics as a plot point lol)

sharing is caring by hydrocarbon (dontrollthedice)

Rated T; where Souji learns to share (and learns what jealousy feels like when he doesn't want to) - any fic with possessive/jealous Souji is a good fic and this one was so spectacularly well done that I still think about it for days

the boy who leapt through time by MrRee

Rated T; time-travel AU where Yosuke has the ability to jump through time and struggles to create a happy ending for everyone. Yosuke's characterization here is so perfect and beautiful, and the fic is very poignant and emotional during the entire ride, but I promise the payoff is absolutely worth it.

summer lessons by thenotwriter

Rated T; "kissing practice", where Yosuke is perhaps a little oblivious, but he learns something along the way. Yu is so very patient and Yosuke is a very very lucky boy. This fic is sweet, fluffy overload and I am not complaining one bit.

just like the classics by kiwoa (Rinoa)

Rated G; Yosuke finally coming to terms about his feelings. I really love fics where Yosuke struggles a little but also when there's a contradiction between what he says and what he does, and this fic was just so cute about it!

for now (or; how to teach your boyfriend to cut an onion in five easy steps) by tattedmariposa

Rated T; Yu teaches Yosuke how to cook. If you've spent any amount of time on this blog/with me you would know how much of a sucker I am for fics that feature food as a metaphor for love - the playful, knowing banter between them juxtaposes beautifully with the bittersweet tone, and it made me so very very soft.

under cover by chromsama

Rated G; another adorable fic where Yu and Yosuke share umbrellas. I don't recall if I've posted about the umbrella scene before but I've adored it since day 1 and this fic made it something so much more. Yosuke needs a little help arriving at certain realisations, but when he does it's absolutely brilliant. I also really love the way Yosuke plays off with Kanji here, and I love how some thing can be so simple yet so impactful!

gravity's how we got here by ashley-amelie (kitana)

Rated M; same theme of first kisses in the guise of "kissing practice", a theme that I am so weak for and could read a hundred million times. I adore the careful, tentative atmosphere in fics like these, and again, YOSUKE IS A VERY VERY LUCKY BOY.

your loving is all i think about by nedrika

Rated M; yu somehow manages to read minds, and reading yosuke's teaches him something interesting. it's kind of a naughty fic so I won't go into too much detail, but it's great and that's all i'm gonna say on the subject.

and finally, absolutely feel free to reblog with your own additions!!

[iknowwhereyousleepatnight]

hey guys just doodling the guy again (i am booed offstage)

[chaggiehearts]

An offering for the fallenwings tag 🤲🏻 I love them sm

I always draw Lute with the softest expressions ever whenever I draw her looking at Vaggie pre fall :') the sweeter the love, the more painful the betrayal ig

Bonus because I've made a couple more frames for the animatic and I loved how this one looked :D (and it kinda looks like the continuation of the doodle since I basically redrew this old doodle for the animatic lmao)

[philsmeatylegss]

notnsure why I got blocked bro lol but I just want to say please make people a bit more aware of the fact that you're a Dan and Phil blog bc I followed you for several years without knowing and now that I do know and have to unfollow it's a bit sad idk maybe put that in your pinned post or pfp

I feel like I’m in the fucking twighlight zone😭 My url is PHILSmeatylegs. My profile picture is of Dan. My bio mentions dan and phil. My pinned post mentions dan and phil. I constantly post about them, especially when videos released. I hit a post limit a week ago from spamming 300 posts about Dan’s liveshow. Idk how much clearer I could be😭😭 I genuinely am unsure if someone is playing a prank on me😭

And yes! You are blocked. Because you sent me a private message saying you must unfollow me for committing the cardinal sin of not personally delivering a letter with the content of my person tumblr blog with a whopping 1.4k followers called fucking PHILsmeatylegs

Im like 90% sure this is a joke because I know I’m pretty socially inept, but I don’t think I’m this bad😭

[lil-grem-draws]

Some of you were talking about Sebastian wearing glasses [x, x, x]. Enjoy~