#you can interpret it that way but it’s not what I was going for

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 38: Shattered

Summary: Things aren't okay. They never will be again.

Pairing: Poly 141 x reader

Word Count: 7,743 words

Warnings: Alpha/Beta/Omega dynamics, Alternate Universe, angst, PTSD, nightmares, POV changes, depression and anxiety, medical stuff, injuries, brief description of a possible death, language, mention of weight loss due to medical stuff, emotionally heavy chapter (again), slightly graphic imagery, illness, so much crying

A/N: I just want to make something very clear here since there's a scene in this chapter that might be interpreted this way, but 'mega is NOT suicidal. That's not something that's going to be in this fic, and neither is self-harm. It would have been well warned in advance if that was going to be something coming up in this fic. She's struggling a lot, but she's not suicidal, she's not going to become suicidal, nor will she self-harm even off screen. So don't worry. That's not what's happening. It won't be happening.

Okay, just wanted to make that clear. Enjoy the suffering!

MASTERLIST | <- Previous | Next ->

The scream slices through the silence seconds before chaos erupts. 

John is on his feet and out the door before Kyle is even fully awake. Simon is on his heels down the stairs, the two of them nearly colliding in their rush. His heart thuds in his chest as he sees your door open, the overhead light on. It’s bad. It must be bad if the overhead light is on. You hate the overhead light. 

He barrels in like a bull, ready to fight. The screaming has stopped, but it still rings in his ears. The fear, the panic. Something has happened. Someone got in. He should have made you take the room upstairs. He should have put a barrier between you and the door. That window. Someone could break that easily and grab you before they even noticed.

“It’s okay, it’s okay.” 

The screaming has stopped, but gut-wrenching sobs have taken its place. He takes a moment to scan the room. Nothing is misplaced. The window isn’t broken, there’s no bodies, no one that shouldn’t be in there. 

“You’re okay.” Christine soothes you as you sob. “It was just a nightmare.” 

The bright fluorescent overhead light burns his eyes as he stands there, staring at the bed. Christine is right there, having beaten them across the living room, or perhaps she had already been in there, having heard you in your distress before they could. You're tucked in her arms, your face against her shoulder as she holds you. 

Nightmare. 

The safety and security the cottage promised has faded, leaving you at the mercy of the horrors your mind can conjure up in your sleep. Something twists deep in John’s stomach as he turns, motioning for the others to back up and give you some space. You won’t want them there, and things will only get worse if you notice them. 

His heart is still thudding in his chest as he stands there, the sharp sound of your scream still ringing in his ears despite his confirmation of your safety. The other three look just as startled as he feels, standing there tensely in the dark living room. He brings himself to move, turning his back on them for a moment to try and gather his thoughts as he flips on the lamp in the corner. It casts a warm light across the living room, far too warm for how he’s feeling. He’s trying not to panic, trying not to be sick on the floor from the worry. His heart is in his throat, trying to choke him. He’s trying so hard to be strong, not just for him, but for his pack, for you. 

He sinks down on one of the couches, rubbing a hand over his face. He had been so sure something had happened, that their safe little bubble had been breached and someone knew about their whereabouts. He had been so sure someone was trying to hurt you with a scream like that. 

Maybe someone was, but not in reality. 

What is it you dream about now? Your nightmares about your father and your traumatic presentation must seem like nothing now compared to what must haunt your mind. Do you dream of Graves and his torture? Do you dream of them leaving you behind? Do you dream of dying because of their failures? 

A hand settles on his shoulder, a body sinking onto the couch next to him. Arms are wrapping around him, easing him against a solid chest. 

He’s crying. 

He didn’t even realize the tears had started flowing. 

He can hear the reverberating voice in his head, yelling at him, telling him not to show such weakness in front of his pack, in front of his team. He’s supposed to be the strong one, he’s supposed to be the stable one keeping the pack afloat and steady. Yet here he is, breaking down in front of them. 

“It’s okay.” 

Kyle. 

His sweet Kyle. 

How he’s been neglecting his sweet beta, and yet, how willing Kyle still is to reach out and comfort him in such a time of visible distress. That’s what betas are supposed to do. Mediate and balance the emotions of the pack. How have they been coping with all of this? How have Kyle and Johnny been managing in such a time of disarray and upheaval? Have they been managing it? He doesn’t even know. He doesn’t even know the state of his pack, of the members of his team. 

What a failure he is. 

He lets himself lean against Kyle, something filling his chest as Kyle’s soft scent seeps into his senses. He’s projecting it, not just for John but also for the whole room. Johnny is crying too, soft sobs tearing from his chest as he sits on the other couch. Simon is on his knees in front of him, trying to get him calmed and breathing. 

They’ve been ignoring and denying each other for days, fraying the bonds further while trying so hard not to. The pain they’ve been causing in their emotional constipation and intentional neglect is almost worse than the pain caused by their infighting. At least fighting they were feeling something. At least fighting they weren’t cutting each other off so willingly. 

“We can’t do this anymore.” He says, his voice thick and shaky from his tears. “Cutting each other off. It’s not helping anything.” He doesn’t move from where he’s tucked against Kyle’s chest, letting the comfort wash over him for the first time in a week and a half. 

How he’s missed this. 

“It’s not doing any good for any of us.” Simon says, shifting onto the couch next to Johnny. 

“Especially not our omega.” Kyle says, voicing the thought flashing through all of their minds. 

“We may not be able to do much to help her right now, but we can focus on each other. That is something we can do.” John swallows thickly, his alpha starting to come back to life, his instincts aware again as he stares at Johnny and Simon. “Doing nothing isn’t good for any of us. We need to have something to focus on, something tangible we can do. Denying each other comfort isn’t going to help anyone.” 

“I full-heartedly agree.” 

John whips around, Christine standing in front of your closed door. He hadn’t even noticed her enter the room, hadn’t sensed her standing behind them. Johnny and Simon are the only two that don’t look startled, but they must have seen her come out from their position facing your door. 

“Sorry.” The corner of her lip twitches up in a smirk. “Thought you would have noticed.” 

John clears his throat. “How is she?” 

“Settled again.” Christine says, moving over to the chair. 

“How long has she been having nightmares?” Kyle asks. 

“Since that first day in the med center in Dallas.” She says, sinking into the chair. How heavy this must all be on her shoulders. “I’d almost call them more sleep hallucinations. Mostly of Graves. Seeing him in the room, being attacked by him.” 

“Is there anything that can be done to help?” John asks. 

“For these kinds of nightmares? Not really.” Christine folds her hands in her lap. “Her brain is trying to process what happened. Until she feels safe enough to truly begin working on processing the trauma, it’s likely the nightmares will continue.” 

“Is there anything we can do to help her feel safe?” Kyle says. 

Christine’s lips purse as she looks between the four of them. “I’m not sure any of you could do anything right now directly, at least. She’s not open to that yet. Working on your bonds with each other, though, could help her omega finally settle and allow her emotions to even out again. That can help her feel safer, remove that instability and the fear of losing control again.” 

All of them share looks, John and Simon staring at one another. They hadn’t even thought about that. Well, at least he hadn’t. Christine had told him months ago that omegas need their alpha when they distress, when their omega takes over. They can come back from it with the help of an alpha...their alpha. Without one, the chances of survival were slim. Yet here you are, trying to do it all on your own. Having to do it all on your own. 

That ache in his chest starts again as he stares at Simon. He sent Simon after you, he made Simon go through that process of seeing you in that state and scruffing you. He made Simon be the one to help you through that. He made Simon be there when you needed an alpha most because he couldn’t face the fact that he abandoned you, he left you behind like you were nothing but another faceless soldier. 

He wipes his face as the tears start falling again. He truly is a failure of an alpha. 

Despite Christine’s reassurances, John can’t help the automatic reaction to your screams. On his feet instantly, his heart pounding in his chest ready to fight bare handed whatever might be causing such a reaction. Whoever might be causing such a reaction. He can’t fight the demons in your head, though, and he’s always greeted by the sight of Christine by your side, comforting you as best she can. 

He wants to hate her, wants to be angry at her for taking his place, doing what he should be doing. His alpha scratches at his mind every time he sees her by your side, giving you comforts he should be giving, but it’s his fault. It’s his fault she’s the one there with you. It’s his fault you’re suffering so much. Those thoughts send his alpha crawling back into its cage with its tail between its legs. 

It doesn’t matter the time of day, whether it was a nap or the middle of the night, your screams have a pain throbbing deep in his chest. His heart is constantly racing, waiting for that rush of adrenaline at the sound of your terrified scream, at that rush of instinct to protect and fight. He’s not sure how much his heart can take. 

He might have a heart attack by the end of their stay at the cottage. 

That’s something he’s been trying not to think about. 

They can’t stay here forever, no matter how much he knows you’ll want to, how much the others will want to. Eventually they’ll begin to go stir-crazy, itching for something to do. They still have jobs, and Kate can only keep them off the radar for so long, and can only give so many excuses. Eventually they’ll have to go back. Eventually they’ll have to make that decision of what comes next. 

He’s going to delay that as much as he possibly can. 

They can’t go back while Shepherd is still out there. They can’t trust that anywhere is safe while he’s still skulking around, while he still has contacts that could put them all in danger. That could put you in danger. 

That’s not a risk he’s willing to take again. 

But what comes next? 

What will they decide to do? Can they go back, knowing what the inevitable will be? Can they take that risk of having to leave you again, put you through that constant fear and worry that they might not come back? What if they all leave again? Could you survive the fear that something might happen while they’re away again? Not to them, but to you? 

Could they leave you alone again? 

Those are thoughts for another day when they’re inevitably faced with the fact they have to return to society and their lives and jobs. 

They have time. 

He has to make sure you’re okay first. 

You’re not okay.

You’re so very far from okay. 

The bedside lamp is on, casting a golden glow around the room. 

There’s nothing there. There’s nothing there. 

It’s one of the rare times you’ve woken before you can react, before you can scream and alert everyone in the house that you’ve had a nightmare. They’ll all come running. All of them. 

You hate it. 

You hate the nightmares, you hate the fear, you hate the constant pain and worry and the constant knowledge that your pack is right there. They want to go back to how things were, they want things to go back to normal, but they can’t. They expect you to forgive them, to go back to loving them, but how can you after everything? 

They left you. 

They let this happen to you and they just want you to pretend like nothing happened. That’s what they would do. Go back to normal life after being tortured and forget it all happened because that’s what they do. 

You’re not them. 

You don’t want to be like them. 

Cold. Heartless. Uncaring. Unwilling to put anyone but themselves first. 

Fuck them. 

The only thing keeping you here is the fact you’re bonded to them. That, and you’re an omega. You’d get picked up off the street and brought right back here to your owner. Or, worse, you’d get picked up by someone looking for a cute little omega to add to their collection. 

Or worse. 

You’d get picked up by someone else. 

Graves. Shepherd. 

If you’re lucky, they’d kill you instantly. Leave your body on the front porch for the others to find. You won’t care anymore. You’ll be dead. 

You hastily wipe the tears from your cheeks, wiggling yourself back until you’re leaning against the headboard. Your shoulder doesn’t hurt quite as much anymore. It still throbs, still aches, still occasionally almost puts you on the floor when you try to reach over your head with it. Your throat is healing too. Soup isn’t quite as horrible as it was a few days ago. Solid food makes you ache, but at least you can get it down without feeling like you’re swallowing glass. 

You still haven’t spoken to them, though. 

You can hardly stand to look at them. 

Fuck them. 

Just the thought of them makes you want to scream. 

Dr. Keller says it's normal, being angry. ‘It’s all part of the process.’ The anger, the fear, the pain, the depression. It’s all normal. It’s all part of the process. It’s all necessary. You won’t get better holding it all in. You won’t get better numbing yourself. You won’t get better if you don’t allow yourself to feel everything. 

You hate it. 

Why should you have to go through all these feelings, all this pain? Why should you be the one suffering because of their decisions? It’s not fair. They should be suffering. They should be in pain. They should be the ones on the brink of insanity because of the fear and the pain and the suffering and their omega constantly screaming at them. 

It makes you want to scream. 

Screaming will only draw them in, force them closer. Screaming will alert them all, make them all come running. You don’t want any of them near. You don’t want to have to see them again. 

Fuck them. 

You let out a huff before wiggling back down the bed until your head hits the pillow. You won’t go back to sleep. You never do. At least you have the pain and exhaustion and tumultuous emotions and your very nature to excuse your constant naps, constant sleeping during the day. They don’t need to know you’re not sleeping at night. They won’t care. They don’t care. None of them do. 

Fuck. Them. 

You want your phone, you want something to keep you occupied. It’s probably lying somewhere on the side of the road shattered beyond repair. That, or it’s back in the barracks. The barracks. Fuck that place. You’ll rip your hair out strand by strand if you have to go back there. It’s not safe, it’s not happy. There’s nothing good about that place anymore. 

It’s just a place of pain. You might as well have been tortured by Phil there. 

You were tortured there. 

It wasn’t a physical torture, but a mental one. The entire experiment was just torture for you. No one thought of you, no one cared about you. 

Dr. Keller cares. 

It’s her job to care. 

Still, you can’t hate her entirely. She’s the only one that understands. She’s the only one that can help. She’s the only one that’s been helping. Not just now, but back then. She cared, she fought for you, she did her best with what she had. Sure, she made mistakes, but so did you. She’s the only one you can forgive. 

She’s the only one you want to forgive. 

Fuck the others. Fuck your pack. Fuck those fucking soldiers who were never going to care about anyone but themselves, who were never going to care about anything but their jobs and their duties and the good of the world. 

You should have been their world. 

They couldn’t put you first. They wouldn’t put you first. They didn’t want to put you first. 

They won’t change. They can’t change. There’s no hope for change. 

You’ll just go back to the way things were before and be forced to pretend everything's okay and that you’re happy and fine and content. Were you ever really content or were you just trying to make the best of the situation? Were you deluding yourself into believing you loved them and cared about them and that they loved you and cared about you to numb the fact you knew deep down that they never would, that they never could. Were you deluding yourself into thinking everything was fine and dandy to hide the constant pain from the knowledge that you would never come first? 

The pain begins to burn in your chest again. It’s hot like acid, rising in your chest to your throat, threatening to choke you. It’s a deep pain, one nestled right in against your soul. Tears leak out of your eyes again as you squeeze them shut, pushing your right hand against your chest in an attempt to get it to pass. 

You thought you were dying the first time. 

You could only be so lucky. 

The bond. 

It’s trying to break, trying to sever itself, trying to free you from the constant pain, but it can’t. 

Maybe because deep down you don’t want it to. Maybe deep down you want to forgive them and move past all of this. Maybe you want things to go back to normal, even if normal means pain and distress and fear. Maybe you want to believe them that they’re finally going to put you first. 

‘Maybe’ is only a doorway to disappointment and pain. 

Fuck yourself. 

Fuck your omega. 

Fuck your pack. 

Hell, fuck Dr. Keller for not fighting harder, for not doing more. 

Fuck Graves and his haunting of your nightmares.

Fuck Kate for choosing you.

Fuck Shepherd for creating the initiative in the first place to try and cover his own ass. 

Fuck them all. 

You tug the blanket higher around yourself, rolling onto your right side. 

Fuck. Them. All. 

You don’t want him here. 

He does it now, usually in the mornings. 

You hate it. 

You like it. It’s nice. He’s the only one making an effort. 

He never says anything, surprisingly enough. It’s silent as he sits there, steaming cup of coffee in hand. Always coffee, never tea. He won’t sink that low. He brings you a cup, but you can never bring yourself to touch it. You feel like a mental patient stuck in a straight jacket. You could free yourself, but that would bring too much awareness, too many questions, too much pain. 

You don’t want to. 

So instead you sit there in silence, staring out at the sea. It’s so far away still, yet it’s right there. You can hear it and smell it and see it. 

The sea. 

They brought you to the sea. 

John remembered. He did it for you. 

The thought has something stirring in your chest, and it’s not pain or anger. 

You hate it. 

Johnny leans back in the chair, his eyes on the horizon like yours. He sits there in that chair every chance he gets, usually in the mornings when Dr. Keller takes time for herself and leaves one of them watching you through the sliding glass door. You do feel guilty for forcing so much on Dr. Keller’s shoulders, yet you need her. 

You’re not ready for the others yet, no matter how loudly your omega screams at you. 

You don’t want them. 

Fuck, you desperately need them. 

Your eyelids flutter frantically as you try to keep the tears at bay. You can’t cry. You can’t let him know how close you are to breaking down. You can’t. 

You can’t reach out. 

You can’t take his hand. 

How desperately you want to. 

You nearly breathe a sigh of relief when the sliding door opens, Dr. Keller’s soft footsteps crossing the wood planks of the porch. 

“Ready to go inside now?” She asks, pressing the back of her hand against your cheek. You don’t say anything, don’t react, frozen in fear of everything coming tumbling out in front of Johnny. “You’re getting cold.” 

Johnny glances your way and you immediately turn to look at Dr. Keller, scared to look him in the face. That desperate hold you have on the gaping wound in your abdomen will open and your guts will come spilling out like some gory scene in a horror movie. 

Disembowelment thanks to your own weakness. 

Dr. Keller holds the crutch out for you as you push yourself to stand. Your legs are strong enough you could probably walk without it, but it’s still nice to have it in case you get tired. 

If you fall, you’ll never get up again. 

It’s the weakness from your liquid diet over the past week and a half. The weakness of being unable to eat solid foods, to properly nourish. You’ve lost weight, your clothes hanging from your body in a way they never did before. You’ve lost the softness that marks you as an omega, but it feels fitting. You don’t feel like an omega anymore. 

You don’t feel like anything anymore. 

You’re fighting your instincts out of pain and suffering and stubbornness. You keep taping your omega’s mouth shut despite how loudly she screams at you. You don’t want your instincts. You don’t want that need. Eventually it has to go away. Eventually it has to recede and your omega has to go back into her cage and sleep. Eventually you can numb yourself to it and force it away forever. 

That will certainly make things easier. 

But will it make things better? 

No. Probably not. 

It’ll make things worse. 

But if it allows you to keep your distance, allows you to avoid them, you’ll risk it. You’d take numbness over anything right now. 

How you miss those long days of depression while they were away. How you took those days for granted. 

Who knew those hours spent worrying about them and their distance and what might happen to them would be for nothing? 

What you wouldn’t give for all of them to disappear right now. 

How badly it would destroy you. 

“She’s at war with herself. That instinctual need is screaming at her, but that emotional pain is keeping her shut away. If anyone is going to get through to her, it will probably be you.” 

“I can’t do that.” 

“Can’t or won’t?” 

Simon clenches his jaw as he stares at Christine. As much as he wants to hate the doctor and her ability to see straight through him, he can’t deny how necessary her presence has been. She’s the only one you tolerate, the only one you’ll let close. Without her you’d probably be rotting in bed, stuck and unable to do anything out of stubbornness. You won’t let them close, yet you need them close. 

You’re going to rip yourself in half, metaphorically and possibly even literally. 

He shakes that mental image from his mind. The horrifying images his mind has conjured up over the last few days have his stomach churning. Even his tea no longer looks appetizing. 

He put milk in it this time. Almost how he likes it. Almost how he wants it. 

“Johnny’s the one actually trying.” Simon says, staring across at her. She doesn’t shy from his gaze, doesn't even flinch. “You should talk to him.” 

“While I agree, reintroducing a beta from the pack is the first step, eventually she’s going to need an alpha.” Christine says. 

“She needs her alpha.” He argues. 

“She doesn’t want her alpha.” Christine counters. “He’s going to be the last she lets close, but she’s going to need some kind of stability.” 

“I can’t give her that.” 

“Can’t or won’t?” 

Simon clenches his hand around his mug, his knuckles going white. She’s infuriating, yet he can’t be mad at her. Not completely. The good she’s doing for you, for the pack, far outweighs his annoyance with the doctor. She’s right. He knows it deep down, but he can’t. He can’t do that, he can’t put you through that. He’s already done enough. He did his part, he faced his fears, he saved your life. That’s enough for him. It’s up to John now. 

John has to do the work to fix it. He broke it, it’s no one else’s job to fix it. 

“Maybe both.” Simon finally says, pushing himself up to stand. “It’s not my job to fix this.” 

He leaves his mug behind as he stalks out of the kitchen, heading for the front door. He can’t stand being in the house any longer, cooped up with the same five people. Four people and a ghost. 

He shakes his head, jogging down the steps into the gravel. He should go for a jog. A long jog. He could jog to town and back. That will clear his head. 

That’s a long jog.

If something happens while he’s away, he won’t get back in time. It’ll be his fault because he took the time to do something selfish. He can picture it, coming back to find five bodies laying in pools of blood, dead because he wasn’t there to help, because he wasn’t there to fight. 

It’s a ridiculous thought. There’s three other highly trained soldiers in the house. If anyone tried anything, they wouldn’t make it past the door. He can see it now, Price’s alpha coming out in a rage because someone dared try to enter and hurt his vulnerable omega. He’d probably win in a fight ten to one if that happened, and he has Kyle and Johnny to back him up. Christine would take you and run the first chance she could. She wouldn’t let anything happen to you. Not again. 

Still, he can’t shake that fear. If he can’t sprint back, then it's too far. If it will leave the pack too vulnerable, he can’t. 

To the beach and back, then. 

She’s like an angel. 

The soft sunlight streaming through the clouds makes her glow. You wouldn’t be surprised if the sun was shining just for her, sending down a beam just to illuminate just how ethereal she is. 

The Garrick beauty is genetic. 

Kyle is beautiful in terms of a man. He shares the same ethereal glow as his sister, but Ashley? You don’t feel worthy of looking upon her. 

“Kyle never mentioned an omega, but then again, he never says much about his job.” She gives another dazzling smile, your heart rate picking up just slightly. “Can’t, I should say. You haven’t been with them long, huh.” 

“About nine months.” You say, your voice still a bit hoarse. It’s not quite healed yet. It might be that way forever. 

“Such a short amount of time to go through so much.” She says, giving you a soft, sympathetic look. You don’t know how much she knows, though it’s still fairly obvious you’ve been through hell. That you’re still going through hell. “Christine told me a bit about what happened. I don’t blame you one bit for being upset at them. I would have left them, but I know. In a perfect world, right?” 

You make a quiet sound. Indeed in a perfect world where omegas have rights and can make their own decisions and could leave and have support in doing so. You’d leave with Dr. Keller or even Ashley, even though you’ve only known her for ten minutes. She has the same magnetic energy as Kyle, so much so you don’t mind the way the scent blockers burn your nose. She probably smells like something warm and soft, something comforting. 

“So, tell me about yourself. What do you like to do?” She says, settling in the chair. It’s cool outside, but she doesn’t seem bothered by it one bit. 

You scramble for something, anything. What is it you like to do? What are your hobbies? You’re drawing a blank, your mind searching through its filing cabinets to find where you shoved all the things you like to do. 

“I like to read.” You finally say, remembering the stack of untouched books on the dresser across from the bed. 

“Oh? What do you like to read?” She asks. 

What do you like to read? What is a genre? What are books? 

“Oh, I read anything, as long as it’s interesting.” Is that the truth? You’re not quite sure. 

“I see, I see. Well, there’s quite the collection on those shelves inside. I’m a reader too. Read through those entire shelves over the years.” She grins at you. “We could do a little book club, if you’d like. Read some books and talk about them over some tea. We could get Christine in on it too. Have a little thing just for us girls.” 

You nod, staring at her in awe. This is the first time someone outside of your little circle has offered to do anything with you, for you. 

You want to do it. 

You want to spend time with someone who isn’t your pack, who isn’t Dr. Keller. 

“Okay.” You say, still staring at her in awe. 

“I could come over on the weekends, or we could do a call if you’re not up to seeing anyone.” She continues, and you’re not sure if she made this plan before she came, or if she’s coming up with it on the spot. Regardless, you're still impressed by her and her dedication to a complete stranger. 

“Would...would that be too much?” You ask, your brain starting to wake up again, the wires connecting once more. 

“Not at all.” She shakes her head. “I live and work in Exeter, so I’m not too terribly far away.” 

You’re not sure where Exeter is off the top of your head. Your mental map isn’t even sure how far away London is...or even where you are on a map of England. Are you even in England right now? 

“What do you do for work?” You ask, realizing you’ve been silent for an awkward amount of time. 

“I’m a finance lawyer.” She says. “Mum used to say ‘you love to argue so much, you should become a lawyer.’” She laughs. “So I did.” 

“You must make a lot of money.” You say. You don’t know how much lawyers make in England relative to the US. 

“I make enough to be comfortable.” She says. Enough to travel back and forth every weekend. “Seriously, though, if you need or want anything, let me know. I’m more than happy to come sit with you and give you a break from those stinky men.” 

You’re not quite sure what happens to your face. It contorts, muscles shaking off the dust and starting to move before you even realize it. Your lips are tilting upwards instead of downwards. Something is happening. Something that feels good, something that you’ve been missing. 

You’re smiling. 

You’re smiling. You haven’t smiled in a long time. Weeks. Not since the cameras. Not since your pack left. You haven’t felt like smiling in so long you’re certain you forgot how to. But yet, here you are, smiling at Ashley. It’s not a genuine smile, one that crinkles your eyes and shows joy, but it’s a smile. It almost hurts your face after so long. 

She’s funny too. 

Stinky men. 

They are that. 

Your smile falls as soon as the sliding glass door opens, your head whipping around to look. Ashley turns to look too, perhaps out of instinct at your sudden movement. 

You’re half expecting it to be one of the guys, maybe Kyle out to ruin the moment, but it’s only Dr. Keller. 

“How are things going?” She asks, stepping up beside you. 

“Good.” Ashley says. “We’re planning a book club.” 

“Oh?” Dr. Keller raises a brow, looking between you. “I think that would be fantastic.” 

“You’re welcome to join in if you’d like,” Ashley says, giving Dr. Keller a smile. 

You stare up at Dr. Keller, watching the way her lips turn up a smile, her eyes shining with...something. Her hands open and close, tugging at her pants almost nervously. Your brows raise as you look back up at her face. She almost looks...flustered. 

Oh. 

Another grin forms on your face as you stare between them, Ashley still smiling and Dr. Keller still looking a bit flustered. 

Oh. 

“You could join us if you want.” You say slowly, still looking up at Dr. Keller. 

She seems to snap out of her daze, her gaze darting down to you. She gives you a soft smile, back to her composed, professional self. “If that’s what you’d like.” 

You nod. Even though you see her constantly every day, you’re not tired of her existence yet. She’s the only one whose existence in the house doesn’t make you want to gouge your eyes out, the only one you want to talk to, to see, to have around. If you had the choice, you’d be here alone with her. 

That’s not possible. You know it’s not. 

“A thing for just us girls.” Ashley says. “On the weekends. No pressure whatsoever.” 

“I think that would be fantastic.” Dr. Keller says. “A nice little distraction.” 

“A nice break from those stinky men.” You say. 

Both Dr. Keller and Ashley erupt in laughter. 

Another smile tugs at your lips. 

You don’t want to be here. You can feel him staring at you from behind. He hasn’t moved since Dr. Keller left, still just standing there like he’s not sure he can approach you or not. You hope he doesn’t. You want him to. 

You don’t say anything, still staring out at the ocean, but you can see him reflected in the glass, obscuring your view of the horizon. Hatred burns inside of you as you have no choice but to stare at him, even when you’re trying not to. He’s like a ghost, always haunting you. He always will be. 

“I didn’t want to try to rush into this.” He finally says, knowing you’re not going to say anything. You won’t greet him, welcome him into your space. It already feels like an intrusion into your safety, him being here. 

Is this becoming a safe space? A nest? No, not that far. It’s becoming sacred to you, though, and having him in it without invitation feels wrong. It makes you uncomfortable. 

You hate it. 

“But I just wanted you to know that we’re all feeling the weight of what we did, I’m feeling the weight of what I decided to do. We all feel guilty for putting you through that, for forcing you to endure things you never should have.” 

He swallows thickly, falling silent for a moment. You almost feel like laughing at his attempt at an apology, another attempt at an apology. Why is he even bothering? He knows you won’t forgive him. He’s probably doing it for himself again, to make himself feel better. 

“I know it’s not an ideal situation, being forced in such a small space together, but we all wanted you to know that you’re the one setting the boundaries. If you don’t want us to be somewhere or do something, then you can tell us, or have Christine tell us. If you don’t want to see us at all, we can make our best attempts at that.” 

“That would be ideal.” You say, breaking the silence you’ve held for days. It’s the first time you’ve spoken to him since the hospital, since his first sad attempt at an apology. 

It shocks him to stillness and silence. 

The words hurt, burning your throat like acid as you stare at his reflection in the glass. You hate it, how pathetic he looks standing there. Where’s the big, tough alpha? Where’s the strong protector? Where’s the person that’s supposed to take care of you and care about you? 

He never existed. 

He left you behind. 

He never cared. 

Anger begins to bubble within you. 

“I’m sorry.” He says, his voice shaking. “I never meant for this to happen-”

“You think your sad attempts at apologies are going to work?” You hiss at him through your teeth. You push yourself to stand, turning to face him. “You left me. You fucking left me there knowing full well what was going to happen!” You’re shouting now. All the quiet movements on the other side of the wall in the main area stop. 

They’re all listening. 

It’s not like you’re giving them much of a choice not to. 

Fuck them.

“I know,” He says, his eyes wide as he stares at you. 

“Do you? Do you know?” Your voice is wavering, your throat starting to ache but you can’t stop. Not now. It’s all coming out and there’s no stopping it. “You. Left. Me. You willingly turned your back on me time and time again even when I was being tortured! You leaving was torture enough and you still chose me second. I’ve always been second. I’ve never mattered enough for you to even question anything!” 

You let out a sob, the sound cracking in your throat. It hurts, but it will always hurt. You’ll always carry this hurt with you, so you want him to hurt too. 

“I asked you once if you would ever leave for me. You said if things got dangerous, if my life were ever at risk because of you, you’d leave in a heartbeat.” The tears are falling, streaming down your face. “Was that a lie?” 

He doesn’t say anything. He just stands there, staring at you. Does he even remember that conversation? 

“Was that a lie?” You shout, making him jump. 

His eyes drop to the floor, his scent souring. Good, you think. Let it hurt. 

“Answer me.” You say, pushing him to give some response to your question. You need to know. You need him to say it. 

“I didn’t intend for it to be.” He says quietly. 

“You didn’t intend for it to be.” You say, bitterness coating your tone. “What the fuck does that mean? You said you wouldn’t let me go even if the initiative failed. Was that a lie too? Was it all a lie to keep me happy and complacent? ‘The job always comes first,’ even when my life is in danger, right? The job always comes first over everything, even me. You lied to me.” You swallow the sob threatening to come up. “I want to hear you say it.” 

He stands there, tears brimming in his eyes. He hasn’t moved hardly a muscle, still frozen like a statue. 

“Say it!” You scream at him, your throat tearing around the words. You’re surprised you’re not tasting blood yet from how raw it feels. 

“I lied.” He says, swallowing thickly. “I lied to you and I couldn’t keep my promise. And I’m sorry-” 

“Don’t apologize.” You cut him off starting to pace as the anger burns hot in you. “Don’t you fucking apologize to me, you don’t deserve to apologize. You don’t deserve the chance at forgiveness. You’re a shitty alpha and you always have been!” 

You let out a sob, wiping at the tears streaming down your face. There’s a tear sliding down his cheek, and it brings you some sort of relief deep down. So he can feel things after all. 

“I don’t know what I expected, though.” You let out a sardonic laugh. “You military men are all the same. It’s always about the job and the image and the ‘greater good’ and making sacrifices, even if that means sacrificing your pack. You’re just like my dad. You never wanted an omega, you never wanted me. You cast me out and let me suffer when I needed you most.” 

The anger burns hot in you again, shooting through your veins until it’s choking you as you stare at him standing there pathetically. He thought he could apologize, he thought his groveling would mean anything to you. Fuck him. Fuck them all. 

“You left me.” You grit out, your hands starting to shake. “You left me! You abandoned me, you let me get hurt! You didn’t care, you never cared about me!” You storm over to him. “Fuck you!” You scream, hitting his chest. “I fucking hate you!” You shove him back, sending him stumbling. “Get out!” You shove him again, pushing him back towards the door. “Get out! I never want to see you again!” 

He stumbles back out of the door and you slam it in his face so hard it shakes on its hinges. You click the lock as you sob in pain, pain both physical and emotional. Your chest aches, a tearing feeling burning through it. 

The bond. 

You don’t care. You don’t give a fuck anymore. You hate him, you hate them all. 

The tears and sobs threaten to choke you but you don’t care. You don’t care anymore. You don’t care about anything anymore except the anger burning hot through you, making your hands shake. Your legs give out and you slide to the floor against the door, sliding until you’re laying down on your back on the hardwood. It’s cold against your skin but you don’t care. You can’t care anymore. 

If you fall, you’ll never get up again. 

Her hand presses against your forehead, wiping some of the sweat beading on your skin. Despite your shivers, you’re burning hot. A fever. You worked yourself up too much earlier in your outburst. She had been proud of you for finally releasing some of it and showing some emotion, but she knew the consequences of getting so worked up would be high. Your omega is still unstable, on top of still trying to physically recover. You hurt yourself doing that, even if it was necessary. 

She shushes you as you whine, fingers grasping at the blanket clumsily. She pulls it higher over you, your body shuddering underneath the pile already stacked on top of you. She’d put every blanket she could find over you, and yet you still shiver. Worry floods her again as she stares down at you, your eyes pinched closed. You must be aching, your show of anger taking its toll. 

It was necessary, but at what cost? 

If your temperature continues to spike, the risk of distress heightens. You can’t handle distress in your current state, which would mean your omega would come out, finally be freed again from the unprotected cage it's been pushed back into. If your omega comes out, that will require John to help, which may only drive you further into distress. 

She needs to try and stop this before the situation continues to deteriorate. 

But how? 

How can she move you past this without the help of your pack? She can’t give you the comfort you need. Medicine or any therapeutic methods can help solve the issue at its core. Sure she can try and lower your fever with medicine, but you need your pack. You need that comfort and stability that only they can offer. 

You need someone, and it can’t be her. 

If your omega comes back out, they might never be able to get it back in. It’ll be the end of you. All of your recovery, the fight you’ve put up against your body and your instincts and your mind will have been for nothing. 

You need someone. 

An idea begins to form in her head, her hand resting against your forehead. It’s hot under her hand, your skin burning. You might hate her later for this. It’s risky, but sometimes risks have to be taken in dire situations. Sometimes those risks pan out in the end. What will happen if it fails? The inevitable that’s going to happen if she doesn’t try. It’s a lose-lose situation, but if it works, it could be a win-win. 

She can’t help you, but maybe she has someone who can. 

She tucks the blankets around you, cocooning you in an attempt to keep you warm and still while she steps away. She won’t be gone long.  

She leaves your door cracked open just in case, even though she doubts you’ll be moving much while she’s away. 

Just in case. 

One can never be too careful. 

She heads up the stairs quietly, going slow to avoid startling any of them. She’s intruding on the safe space they’ve made in their solitude. It feels like invading sacred grounds, but it's a necessary invasion. Their omega is in danger. They’ll forgive her. 

The bathroom door is closed at the end of the short hallway, a light on inside. The lights are on in both rooms too, glowing beneath both doors, and she takes a gamble. Based on the heaviness of the footsteps above the kitchen she can guess the room on the right is the one Simon and Johnny are staying in. If she’s wrong, she’ll have some explaining to do before she’s ready, and she knows John will have his thoughts about this. Though, with what happened earlier, perhaps he’ll agree. You won’t see him, but maybe...just maybe... 

She lets out a deep breath before knocking firmly, waiting a breath before she calls out.  

“Johnny, I need your help.”

She just hopes you don’t hate her too much later. 

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[bi-writes]

MOB who has to stay with Johnny at his house while Simon is away on a solo mission? Like as a preventive measure, Simon has them both together in case soemthing happens to him while he’s away?

mail-order bride

"i...simon, i just don't--"

"just do it," simon murmurs. you quiet immediately, a little caught off-guard. simon has never interrupted you; even when you're a babbling mess, simon lets you finish your garbled sentences. he waits until your voice quiets, until your mouth closes, before he ever speaks to you, but this time, his tone is firm, and there is no room for interpretation. when you meet his eyes, simon is more than serious. "i don't ask ya for anythin', swee'eart. but this..." he reaches out for you, and you step closer instinctively, and when he cups your face in both hands, you can't help but melt. he leans his forehead against yours, and you close your eyes when you see the very subtle tremble of his lips. "do this fer me. only thing i'll ever ask of ya. i swear it."

you take a deep breath to center yourself. one of his hands wraps around the back of your neck, pulling you just that much closer, and you wait until your lips brush against his before you answer him.

"i...i have to go?"

"few days. tha's it."

"well, i...well, okay."

it's quiet up north. the weather dampens the entire coastline, what you can see of it, and the air tastes like salt. it was in your mouth as soon as you stepped off the train, and it only got stronger the closer you got to the cottage.

as soon as you step out of the car, you're greeted by the most quaint little house on a hill. there's vines climbing up the sides of it, wrapping around wooden structures and carving out a perfectly quaint home tucked amongst scottish greenery. it's breathtaking here; it's so quiet, and the way that you're allowed to breathe up here is unlike anywhere else you've ever been.

the meows coming from your backpack are the only thing that bring you back to earth.

"just inside, lass," a low voice calls behind you. "supper's 'bout ready now."

when johnny closes the door behind you, you're mesmerized by the coziness inside. his house is filled with warmth. there's plaid curtains pulled back from a stained-glass window, allowing in soft colors of light. the couches in his living room have throw pillows and blankets of mismatched linen and velvet, and his walls are filled with pictures and hanging green plants. there's candles burning, and the television is still playing some reruns of old rugby games.

the wood detail is exquisite. the staircase has little carvings of scottish motifs and flowers, winding up another wall of photos. the pictures are old and new, all of laughing people with johnny's big smile or his bright blue eyes or wearing the same plaid pattern as the fabric that you saw hanging in the closet.

a green kettle. a cross above the mantle with a psalm printed on it. a sketch on the coffee table (a skull, with a stub of a charcoal pencil still laying over it). rosaries hanging over a wedding photo with johnny in the background, holding up bunny ears. a wooden bowl of oranges (and oranges only).

"said ye'd be 'ere fer some time, tha' ye like ta bake. got some things fer ye at the shops."

you set your backpack down, opening the clear window of it, and two little cats hop out immediately. johnny raises a brow as he makes eye contact immediately with the orange tabby, a wicked grin coming over his face.

"i remember ye, ye little shite."

"what?" you laugh, and johnny shakes his head.

"nothin'."

it's late when he notices you looking out the window. the cats are curled up on opposite ends of the couch, in deep sleep after johnny gave them each a salmon dinner (and you pretended not to notice seeing the extensive recipe sheet that only your husband could have made on his phone). your eyes are on the sky; you can see so much of it here, twinkly stars and all.

"'m sorry ye have ta be here," johnny says lowly, soft enough that you aren't startled. you don't look away from the window, leaning your chin on the edge of the couch as you wonder if simon is looking at the same star you can't seem to lose. it's brighter than the rest, and it flickers to a rhythm that feels oddly comforting.

"it's not your fault, johnny," you assure him softly, and you turn away from the window finally to find him seated on the carpet, scratching the orange cat behind the ears. "he wouldn't...he wouldn't take no for an answer. not...not this time."

you frown a little, smoothing your right hand over your left, and your heart drops a little in your chest when the sparkle of your wedding ring matches the sparkle of your star.

"i've been staying home alone all this time," you continue, shaking your head. "and all of the sudden...a-all of the sudden he doesn't trust me?"

"oh, love..." johnny sighs, clicking his tongue. "tha' is...'s nae wot it is, i swear it."

"i...it's not...it's not me, right?" you ask in a whisper, meeting his eyes finally. "simon and i...w-we're doing so well..."

the expression that passes over his face is a sad one. it unnerves you to see it; johnny is someone that just isn't meant to be sad. his house is filled with so much love and so much life, and you swear you don't even recognize him anymore because he's void of a smile altogether.

"ye seen the pictures?"

you know immediately what johnny is talking about. you saw them the very first night you stayed in your shared home. across your house, there are a few picture frames covered with fabric or face-down on whichever surface they rest on. when you glimpsed at them, you peeked behind the curtain of a life that simon has that you don't know. even now, you have never felt strong enough to ask him about them.

it isn't because you think simon won't tell you; you're afraid to ask. you're afraid of who they are, what they are to him, and why he's never told you their names or introduced them to you. they exist in a separate place, and you don't know why, and when you saw him holding that baby--

you shake your head finally.

"i...i can't."

johnny hums low, looking down. he smooths his hands down his jeans.

"neither can he."

you close your eyes, but not fast enough. there's a few tears that fall down the curve of your cheek.

"when...when did--?"

"will be another year in a few days."

your lip shakes, and you take in a stuttered breath. you did not believe it possible to love simon any more than you already do, but it aches, that place in your chest that is reserved just for him. it hurts, in the worst and most incredible way, and you never want him to know another day without hearing you tell him how much you love him.

when simon comes to get you, just a week later, you're sitting under a sycamore tree at sunset. it's never been more quiet inside of your head, and when he takes a seat beside you, you say nothing for a few minutes.

simon thinks maybe you're angry for a moment, but then your hand reaches over to take his, and then you're scooting closer, until you drape yourself over his arm and bury your face into the side of his neck.

"i'm not going anywhere," you whisper, and simon turns his head slightly.

"wot's tha', love?"

"i'm not going anywhere, simon," you say again, and when he looks at you finally, you squeeze his hand. "wherever...wherever you want me to go...i'll go. wherever you want me to stay, i-i'll stay there."

when he kisses you, it's soft, and it's slow, and he feels faraway and so close all at once. you put your hands around his neck, along the back of his head, anything to get him closer, to feel more of him, but it isn't enough.

it won't be enough. not until simon devours you whole. not until you bite into him and never let go. not until beginning of you and the end of him are indistinguishable.

not until i make the time before us obsolete and the time after us endless.

when you are home, simon watches from the hallway as you pick up a picture frame on the dresser. it's been facedown there since he moved in, and touching it has always felt like it burns him. he's frozen as you flip it face-up, standing it back up. when he sees himself, many years younger, smiling, happy, holding a chubby baby with bright eyes and blonde hair, he's surprised his insides don't burst immediately.

he never thought he would be able to look at them again. he never thought he'd be able to see their faces without seeing the warped versions of them, the mirrors of them that he never believed could be real. he always thought if he looked at them again, he'd go blind--that he'd carve out his own eyes just to forget what was left of them.

but nothing remains. they're memories, beautiful ones, and he'd forgotten that his nephew even had dimples.

the photos get lost amongst the rest. they blend in, like they were meant to be, tucked between the warm ones of your smile and the orange cat standing on simon's shoulders.

there is nothing more intoxicating than the woman that simon has chosen to love. you make the worst of his mind feel afraid; the thoughts that threaten to upend him, they are retreating, withering away from the things that he thinks about now that you remain. the tendrils of you are everywhere; you have latched onto him like nothing ever has, and he will never be rid of this feeling. of you.

simon will not fight reality any longer. he won't tell himself fate is nothing but proof that god is unforgiving. god isn't real, you are, and whatever came before you was the road he had to follow to get to you.

and simon didn't just follow; he fucking crawled. he dug his hands into the stone, bleeding fingernails and all, and he kept going even when his legs didn't work and his mind told him there was nothing there ahead of him. it was not resilience. it was not a man made of metal or steel or something heroic or a miracle.

simon is just a man, and he is weak, but as he comes up behind you and breathes you in, he realizes now that he has known you his entire life. you are tethered by something that he can't see. you are connected by something invisible.

when you tuck yourself into bed that night, the pictures are still upright, the ones on the wall still uncovered. you fall asleep before him, like always, and simon cradles your head to his chest as his eyes find the window.

a star sparkles. it's the last thing he sees before he falls asleep beside you.

[a-fangirltrash]

"Ford treated Fiddleford so bad!!" As if him treating Fidds like shit wasn't directly a product of being constantly gaslighted and abused by Bill.

I'm genuinely getting tired of people flaming Ford, but in a serious tone. Like people are acting like he's a toxic selfish man that used to put Fidd down... and... no he never did???

Ford ADMIRED Fiddleford, he TRUSTED his friend for what he described as "the project of his life" and Ford, being the most prideful man in the world, decided to ask for help because he knew how CAPABLE Fiddleford was.

When Fiddleford arrived Ford let him know how thankful he was that he was there with him, the man even took a bath and made sure to make him feel like he was at home. Ford even remembered his favorite bean brand?

When Fidd got traumatized by the gremoblin, Ford TRIED to help with what he knew. He tried to help him meditate, took days off for him, decided that they could go out and have some good time. Be mindful that this might've been the total OPPOSITE of what Bill wanted, and he still did for his friend sanity. Bill would make Ford work like CRAZY.

Also, for him it wasn't "putting him in danger!!" For him it was sharing adventures with his friend! Just like hi did with *cofcofSTANLEYcofcof*. That's love language all around.

Fiddleford could abandon the project anytime, but he didn't because he liked being there. And Ford is NOT the guilty one for Fidds creatinf the gun :/ it's nor his fault that fidd interpreted "using his creativity" in that way. Ford NEVER approved that gun.

Also, Ford noticed that RUBIK THING, HE APPREACITE HIM SO MUCH HE KNEW HIS HABITS. AND GOT CONCERNED RIGHT AHEAD.

"B-but he free Frilliam!" The portal was close, did you all READ how much gaslighted Ford was at that point? He didn't free it because "ugh i don't care about this shitty axolotl" but because Bill started to freak out and yell at him to get rid of it. Ford wrote "A friend" with a heart in the title??? Wdym he didn't appreciate it aaaagh

If Stanley took the diaries (i don't like this universe because...stanley:() he WOULD have looked for Fiddleford, they'd have made the Institute of Oddology, he'd have shared his success... with the man that helped him the most.

TBOB SPOILERS AHEAD

He got sad when Fiddleford told him he was gonna get back home to spent time with his family, he PLANNED holidays with him. Even if he DIDN'T like holidays.

He took a day off just to make him happy after his atrocious christmas party, he USED RESOURCES that as you know ford is the most practical mam in the world JUST to decorate the portal as a tree and make Fiddleford happy.

And that atuff of "h-he doesn't appreaciated Fiddleford gifts!" IS SO DUMB OMG, he wore the gloves in the snow and was incredibly thankful about them. When BILL that dumbass triangle pretty much LACERATED his hands, he used Fiddleford gloves as a way to hide those scars, and in a sense, probably to comfort himself because he was ALONE.

I think that was the reason of Fiddleford fast forgiveness, not only because he's a sweet heart, but because after fighting with Bill i think he noticed how BIG was the monster torturing his "partner".

And after all of this i'm not trying to excuse Ford treating him poorly and not listening to him in time

BUT FORD IS NOT A PERFECT VICTIM

Even if i believe he wasn't "the" (at least only) reason of Fiddleford becoming crazy, i know it could have been better for him and he could have avoided so much trauma. But can we please stop seeing Ford as a selfish, evil mad scientist and start seing him as a victim... of a terribly abusive relationship that checks in for all types of domestic abuse... please!!! Ford is not a perfect VICTIM Can we blame Bill!!!

All this rant is because there's certain ship... which i kinda like, but i just HATE HATE HATE the interpretation and how much they put Ford as a villian on it omg

Edit: fixed the use of word narcissism, since it might've been ableist! Replaced with words that actually relate to what i intended to say, instead of referencing a personality disorder

[22ndnervousbreakdown]

So, the Sherlock Holmes fandom (well, the johnlock side of it mostly, but, like, we're on tumblr) has multiple ways of coping with Watson having a wife (or wives) in the stories, and I got curious which ones are more popular.

If you go with the version of there having been multiple wives, and you have different headcanons for different ones, vote for the option you have for Mary (you're obviously welcome to elaborate on others in the notes though!)

Also I tried to make the options vague enough to fit different interpretations of H/W (romantic relationship, qpr, one-sided feelings from any side, etc), but obviously it's hard to include everything, especially in the character limit for poll options, so keep in mind that the main focus of the poll is Watson's relationship with his wife, not with Holmes, and vote how you see fit. You can interpret love/feelings as broadly as you want. And again, you're welcome to elaborate!

Reblog for sample size yadda yadda

[a-d-nox]

nox tests hypotheses: "saturn tells you what annoys you"

this is one of shawtyherbs hypotheses. this is how i feel this manifests for me in my chart and why i believe this hypothesis works. my saturn is located in my 3h, in taurus at 29°... let's take deep dive!

taurus saturn

a lack of discipline: i feel like i have a strong work ethic - i value hard work. i despised when i did group work in school and i was paired up with procrastinators or people who were unwilling to put in the necessary effort to achieve a good grade. it felt like every time i had my part done i would start getting anxious that the other person/people didn't. it felt like a manipulation - like we were playing chicken. if they didn't do it, would i do it for them? how long did they have to wait until i stepped in?

instability and unpredictability: sudden changes, chaotic environments, and erratic behavior can make me uncomfortable, anxious, and annoyed. i guess it's sort of like a trauma response from childhood except now i get irritable... everyone know my dislike for surprises.

wastefulness: i get easily irritated by wastefulness, whether it's wasting time, money, or resources. again maybe its from my childhood and having those experiences. but i am the type of person who arrives on time. if i buy something and don't like it i use it until it's gone, i eat it til its gone (even if its stale), or i use it til its paid itself off (if i buy a shirt and can't return it and it was $30, i am wearing it 30 times). it sounds strange - i know - but it is how i am...

superficiality: i really value authenticity. i feel like i am easily annoyed by superficial behavior, materialism without substance, and people who put on mask to fit in... like so what if you don't laugh at someone's shit joke, so what if i am happy with my hydroflask and want nothing to do with a stanley (it's all the same to me), and who cares if your true self is not everyone's favorite (you'll find your people a whole lot faster if you're your self).

resisting practicality: you know how much advice i have given throughout the years THAT WAS ASKED FOR and people did what they wanted anyway??? why even waste my time if you don't want outside perspective. or something its just kind advice to help with ease like hi you are using a stain on the deck, i recommend you wipe as you go so it dries quicker and you don't accidentally smear/smudge later. but nooooo.....

saturn at 29°

arrogance: you know it's okay to be wrong... it's not okay to pontificate about how you were right in some alternate scenario. just admit you were wrong in this situation and move on or better yet say nothing...

irresponsibility: when you say you are going to do something do it. if you are a leader then lead and know that you are responsible for anything you designate to someone you view as your subordinate (especially when you don't train them on what you want them to do for you). if you can't commit to having a task or being in charge than don't do it. someone is relying on you - it's 10 times worse when its yourself and you push goals to the side.

unfounded claims/criticisms: perhaps i am overly sensitive to criticism because i tend to take my work and my self a bit too seriously. but if you can't take yourself and what you do seriously, then who will? i take everything personally too. so when i get criticism and its said in a nasty way (at least how i interpret it) or there is a lack of explanation or no backing i will get annoyed. you bet my humor will be ill-tempered... you can't expect me to react well to a comment like "you're wrong". like wow okay so detailed, i'm glad you decided to write one word and a contraction to dismiss my 2k essay. like if you are going to criticize me or disprove me make it detailed and make it sound. and if i do something wrong its probably because no one told me how to do it in the first place (cough cough work) so don't snap at me, walk me through it.

lack of respect: now listen - i'm no angel, i was a teenager once - eyerolls and all. but now that i am a bit older (she said at 23) i am getting to the point where respect isn't freely given (unless its to build a good first impression) but instead its earned in a pre-existing relationship. i don't tolerate disrespect, no one is going to snap at me and tell me what to do. you do that and you will get the opposite reaction that you expect from me (speaking from real life situations). asserting dominance doesn't make you worthy of respect, it makes you a bully.

3h

superficial conversations: i said it why back when in one of my get to know me posts. i prefer deep, meaningful conversations and i find small talk / superficial chatter frustrating or pointless. like skip to the meat bruv - we don't have all this time for "hi how are you?" "good how are you?"

disorganization: a lack of structure, whether in communication, in a learning environments, or my daily routines, irritates me. i feel like it effects me most in the routine bit. weekends are my prime culprit because my schedule falls apart. during the week my meals and tasks are standardized, but on the weekend, i somehow manage to always get annoyed because i eat lunch late or what i had in my mind to do gets tossed aside...

gossip/rumors: i feel uncomfortable with gossip, i prefer facts and reliable knowledge. which i know facts seems shaky when i am posting the content i do... but generally facts over fiction in conversations. gossip and the like almost always gets me in trouble - i struggle with holding my tongue especially when i see someone regularly who has been gossiped about frequently. withholding information is a form of lying in my opinion - and lying makes me extremely uncomfortable.

impulsive decisions: i am trying to get better about this because i tend to carefully deliberate everything. but i don't like when others around me make impulsive decisions that effect me because it ruins the plan i already had in my mind. for example, last weekend i wanted to go to an all day fall festival with my mother (and yes i told her tuesday my plan) but last minute my mother's boyfriend-not-boyfriend said he needed her help with a project and it was going to be an all weekend thing. so friday night my plan went out the window. so quickly had to make a new plan consisting of paid readings, trader joe's, and shampooing my couch (fun stuff i know...).

a lack of respect for rules/boundaries: a disregard for social norms, etiquette, and established rules of communication annoys me so badly. like it is common courtesy (at least for how i was raised) to call or write in advance of stopping over at someone's house. my mother's boyfriend-not-boyfriend is the biggest perpetrator of this behavior. they aren't technically dating anymore so hello hi in my opinion he should be giving us a heads up if he will be stopping over. also switching gears when i say "no" or "i don't want to" i feel like a lot of people around me push me and test me to see if i will change my tune. i don't appreciate that in the slightest. i make clear boundaries in all the relationships i have (even here i have guidelines) - so yes, you bet i get frustrated when i vocalized or wrote my boundaries and yet they get ignored.

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[buttercupjosh]

The Perfect Proposal (the 4 times you expected that Mat was going to propose + the 1 time he actually did)

(Gif credit to @mattymartin)

word count: 1,968

genres: established relationship, fluff, self-insert

warnings: none

A/N: This story is based off of the song “Joy of My Life” by Chris Stapleton and I make references to this song throughout the story. I highly recommend listening to this song before reading my story. This story is short, sweet and fluffy. It’s not set at a specific moment in time (It’s taking place in a fictional future but you could also say that it’s set this upcoming season or even a past season). It’s written with a female reader in mind because I’m a female of color but the reader doesn’t specifically have to be a POC or a woman and there’s little dialogue. This is not a sequel to Your Favorite Secret (which you can still read and check out and if you want this to be a sequel to that, you can interpret it that way). As always, I’m open to any and all feedback, comments or questions; just put them in my inbox or dm me. Thank you so much in advance for reading, I appreciate it😌

(P.S. I have other stories (linked here) that I have written for other players as well if you want to check it out)

“Someday it will come right on cue.” -Somewhere Love Is Waiting for You from the Schmigadoon TV series soundtrack

Prologue

Meeting Mat changed your life in the best way possible. You took Mat’s breath away when you met up for your very first date and since then, you continued to take his breath away in small doses every time you saw him. He added so much goodness and love into your life and you did the same for him. Mat felt so grateful to have you in his life and even though he made millions, being with you was his greatest treasure. You and Mat deeply appreciated each and every moment you had together, no matter how big or small it was; the two years that you had been together so far were some of your greatest times. You were both so smitten that you always looked at each other with such deep love and devotion and couldn’t get enough of your significant other’s presence. For a while, Mat knew that he wanted to propose to you but he just needed to figure out the best way how to and time when to ask that all-important question.

————————————————————

It finally happened. After 3 challenging years, you finally completed law school and earned your Juris Doctor degree from NYU. All of your friends and family came into town to celebrate your accomplishment. In order to accommodate everyone, Mat graciously rented a large AirBnb house in the Hamptons to host your graduation party. You handled some aspects of the party planning while Mat handled the rest and the party went very well. During the congratulations portion of the evening, Mat wanted to give a quick remark to acknowledge your achievement.

“For the past 2 years, I watched this wonderful person ambitiously work their way through law school. There were a lot of late nights, early mornings and so many case reviews and vocabulary study sessions that I think I could go get a law degree. Y/N, to say that I am proud of you is a massive understatement. My love, you are so amazing and you did it. I love you so much. Because I love you so much, I have a surprise for you.” Mat spoke.

This moment seemed like it was the right time for Mat to ask for your hand in marriage; you had been dating for a while, you lived together and blended your families together, and he had just finished a great speech that made all of the party’s attendees realize how much he was in love with you. Instead, Mat handed you an envelope. Inside the envelope was a copy of a check for the exact amount that you owed in student loans and a letter informing you that your loans were fully paid off. You couldn’t believe what was happening and began to cry.

“How did you do this?”, you mustered out through your tears of joy.

“So you know how you gave me access to your book of important information in case anything happened to you? Well, I asked Liana to call the loan office to pretend to be you and ask for your account balance”, Mat cheesily revealed.

Mat saw firsthand how much distress and frustration law school caused you so he wanted to help out someone he deeply loved by eliminating the stress of having to pay for a student loan; this surprise was better than an engagement ring.

————————————————————

After your graduation party and after the Islanders were eliminated from playoffs, it was the official start of the off-season. This year, it was a milestone birthday for Mat’s dad so the Barzal family decided to do a European summer vacation to celebrate. You were important enough to their family that you had been invited and Liana, Mat’s sister, also invited her best friend to accompany her on the trip.

Hand-in-hand with the man you considered to be the love of your life and his family, for 3 weeks, you explored England, France, Monaco, and Mat’s ancestral homeland of Italy. In England, you indulged in English culture while Mat hilariously attempted a British accent. In France, you shared plenty of kisses with your lover in the City of Love, swooning every time Mat spoke French. In Monaco, you and Mat felt like the protagonists of a spy thriller while hanging out in the city.

Once you arrived in Italy, you got to see a different side of Mat that rarely came out. He had been to Italy several times before but he was thrilled to share all that he knew about that special place with you. Mat glowed differently whenever you got authentic gelato together or when he swam in the waters along the Amalfi Coast. Of course, throughout the trip, you still spent plenty of time with Mat’s parents, sister, and her friend and attended a lovely birthday dinner on a boat for Mat’s dad while visiting Sicily.

On the plane ride traveling back to Canada after your whirlwind European tour, you thought to yourself that you were going to come back to North America with a new jewelry addition to your left hand; you did have a lot of date nights and one-on-one time with Mat on the trip. However, your wonderful boyfriend did get you a gorgeous Cartier love bracelet from the official store in Paris and you were returning back with the gift of good memories that were created with your future in-laws.

————————————————————

The remainder of the off-season went by so quickly; between weddings, summer holidays, and other events all happening, you and Mat were swept in so many different directions. Time flies when you’re having fun and soon, it was already time to return to Long Island for the hockey season.

The usual ups, downs, and chaos of the hockey season lingered in your household but you navigated through it together. As the season went on, you spent a lot of time studying for the Multistate Professional Responsibility Exam and Universal Bar Exam, which allowed you to become eligible to be admitted to the New York State Bar next year. Even though you had those responsibilities, you still supported Mat at most of his home games. One of the things about Mat that you loved was how he would always quietly tiptoe into your shared home after a late game but he loved how you always waited up for him to come home after every game, regardless of what time he returned. Before you both knew it, the year was winding down and it was almost Christmas time. You and Mat had decided to host Christmas this year and both of your families were coming. This wasn’t the first time that both of your families had been together to celebrate an occasion; they were there all together for your law school graduation earlier in the year and both sides enjoyed being together as one cohesive unit but for some reason, things felt different to you this holiday season.

You spent hours preparing and making sure that everything was right for the arrival of your guests. Christmas came and went wonderfully. It was so nice to have your families together during the holidays. You gifted Mat a new game day tie and a gift card to one of his favorite road restaurants; Mat got you a nice bag to carry all of your work things and a personalized padfolio for you to take all of your legal notes in.

Yes, you were secretly expecting a diamond underneath the tree this year but it was okay because you still got other great gifts as well. Despite wanting something else, you still deeply cherished the time you got to spend with your loved ones.

————————————————————

After the holidays were over, you and Mat settled back into your respective routines until it was All-Star Break. Mat was not chosen for the All-Star Game that year and some of the Islanders players and families decided to go to the Bahamas for their team All-Star Break trip. The time away gave you and Mat both some essential rest and relaxation. At the end of February, you were scheduled to take the Universal Bar Exam but you took a break from studying to enjoy your mini-vacation. You stayed with your lover and company at a phenomenal resort; you swam with dolphins, relaxed at the spa, and ate so much tasty food. You also enjoyed lots of group activities with Mat and his teammates and their respective significant others. During the trip, one of Mat’s best friends’, Anthony, and his long-term girlfriend, Emma got engaged. It stung a little to see someone else reach the relationship milestone you deeply desired to share with Mat and you had expected that it was going to be you and your lover’s turn to share that special romantic moment on this trip, however, you were happy for your friends.

————————————————————

One evening, you came home from a long, exhausting day of work. After passing both the Universal Bar Exam and Multistate Professional Responsibility Exam and completing some other requirements, you were admitted to the New York State Bar last month and got a job as a junior attorney. It was a pleasant surprise to see Mat cooking; he was subtly singing in the kitchen and tenderly caring for some handmade pasta. You couldn’t quite make out what song Mat was singing but it didn’t matter what it was because you had caught him singing songs that you’ve played around the house and pop songs from the radio plenty of times before. You smiled to yourself as watched him in his element before slipping away for a much-needed shower.

After you came out of the shower and changed, there was a beautiful plate of pasta waiting for you on the table. Mat tapped deep into his Italian heritage and made a delectable dinner for the two of you. You shared with Mat the details of work and although, he may not quite fully understand everything you were expressing your feelings about, he still listened to you as you rambled on. After dinner concluded, you and Mat were going to share a box of bakery cannolis and watch a movie on the couch but Mat told you to wait at the table and suddenly got up. He returned to the room with a look of nervousness on his face. You asked Mat if he was okay but you could tell that he had something important to say.

“I’ve been holding onto this ring for a while. There were so many other times that I wanted to ask but there’s just something that feels so right about this moment. Sitting here, I realized something very important. I want to spend the rest of my life, making you dinner when I can and listening to you speak. I want to continue to come home from my games to you and wake up next to you. I have the greatest honor of knowing and loving you. You have the sweetest heart that’s made of gold and you are like an angel brought down to Earth from Heaven. I want to be by your side forever. Y/N, you are the joy of my life. Will you marry me?” Mat declared while holding out the engagement ring of your dreams in a Tiffany blue box.

You were speechless because Mat was right; this was the perfect moment. You looked straight into Mat’s green eyes that you admired so dearly and accepted his marriage proposal; you were both super excited to embark on this new journey in your relationship. You and Mat swayed with each other to the sound of your fiance’s voice, serenading you to “Joy Of My Life” by Chris Stapleton, the same song Mat was singing to himself earlier. Patience was an important virtue and all of that waiting paid off at the right time.

[merakiui]

JADE MUSHROOM DILDOS????? THE SENTIENT DOLL PROMPT?? WOULD SOME MORE DETAILS! WHENEVER I TRY TO RUN, THE TWEELS ENSNARE MY ATTENTION AND HEART BY WRAPPING THEIR LONG AND SLIMY TAILS AROUND IT <333

(Fem darling)

Although they're nerds... Maidenless, pathetic (absolutely adorable) I still adore the trope of suave and sleek on the outside, handsome and reliable (yet dubious) Jade, wild and free Floyd who wants to get freaky.. They're what the freshmen of NRC aspire to be. Charismatic and enigmatic.

Yet when behind closed doors, both of them are absolute loser virgins. Nerds who haven't lost their first kiss. Nerds that simply can't admit to liking the prefect~ They're always bullying darling cause it's "fun".

It's not like they could ever harbour feelings for a lil shrimpie! That's ridiculous! Their sex doll? Pfft! Doesn't resemble that shrimpie at all! (This reminds me a little bit of that onna hole series but the difference being that, darling doesn't feel it.)

They're just in complete denial aren't they? They both hide the sexdoll they have, Floyd doesn't know that Jade has one that's nearly the same, Jade doesn't either. Despite them having their own respective ones, their interpretation of darling is totally different! The dolls aren't literally alive, but when they're shoving their cocks, darling's moaning along with them.

When they're in a horny daze, the doll comes to life. (Like in Tatami Galaxy if you happen to know! Difficult to explain but I hope this made sense anyways (⁠ ⁠≧⁠Д⁠≦⁠) )

Floyd interprets darling as completely inexperienced, and really docile and responsive. Whimpers a lot and has this shimmery look in her eyes. (Another example of sex dolls in this instance would be Interspecies reviewer, it's an ecchi anime but I needed inspo ಥ⁠‿⁠ಥ)

"N-no Floyd don't lick me there! Hyaaah! No! Floyd! Floyd-senpai! Nghh!" The pseudo darling whimpers and moans even if his performance is utterly sloppy! A darling that can unravel faster than him (who cums prematurely, wayyy too quickly! Too quick for an athlete!)

"Senpai's too big! You can't!" The cliché subby H-manga character that's catered to loser incels like him. Babbling way too quickly. (Realistically, it takes wayyyy more work to dumbify a person, a quick cummer would never get a real lady to reach that point of babbling in five minutes. Better luck next time, virgin eel!)

Jade interprets darling as someone that's bratty and just as passive aggressive as him. Darling usually wouldn't bother in engaging with Floyd since it doesn't change what Floyd's going to feel about doing his chores. Floyd is just such an unreckoned force, darling always does his bidding to shut his whining. Jade on the other hand is occasionally negotiable.

When the prefect is doing part time in the lounge, Jade's always attempting to break that patient exterior of hers just for his own amusement. (Cuz this loser does not know how to flirt.) Unlike the other staff who immediately lose their tempers and quit within the end of their contract, the prefect always smiles back at him. Giving Jade backhanded compliments, retorts that aren't explicitly rude. The prefect is resilient after all, she successfully negotiated with that stubborn tako for a fat check at every end of the month. This slimy eel can't just push her down so easily!

Darling will never back down, this check has given her and Grim more than just stale bread and leftovers for meals! Jade is sleek and cunning, but Prefect is not an idiot! Jade has met his match for backhanded comments and sly forms of insulting. Saccharine "service" smiles, never a frown on darling.

Jade wants to break that resilience. Something he can't have in reality.. A bratty darling that's easy to manipulate. A bratty darling who messes up her responses. He wants the prefect to feel shame. He wants her to fall for his figurative traps. He wants to utterly humiliate her just like how he did to all the employees that were subject to his bullying.

"Fuck you Jade! Fuuugh!" Insults just turn into moans as he erratically fucks his 'darling', it's not the prefect! It just coincidentally looks like her! The real prefect would never utter a single cuss, she has an image to uphold, but this doll right here? So utterly lewd! So bratty and potty mouthed. So vulgar! What a harlot! A horny harlot that's starved of cock! Jade's cock, a brat that gets trained into being an absolute shameless harlot, stripped off any form of dignity. Stripped off that elegant facade. So utterly dirty and below him.

For as long as those two don't work on their actual plans to get their hands on the real darling, they're left with the sad reality of cumming into lifeless caricatures of the real prefect. (They have zero rizz, they just keep fucking up their flirting attempts and opportunities.)

It would be even funnier if they read the doujins Idia makes. The MC is oddly familiar, can't think of who it resembles... Oh well, it gets the junk junkin!!!

I wanted a bit of a different trope for darling and the tweels! I hope it was good to read, Mera! I don't see a lot of Floyd pacifying darlings. (Maybe I haven't been looking in the right areas.) I just love a dynamic with Jade where he isn't as sleek with rude innuendos as he thought. Someone finally matched his passive aggressive freak!!

Always remember to prioritise yourself over content creation! It's quite easy to neglect the little things like hydration! It's been way too long since I last sent you an ask <3

Xoxo, Izuna.

꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡

IZUNA...... IZUNA!!!!! GRABBING YOU BY THE SHOULDERS!!! AAAAAAA THIS IS SO MUCH MORE THAN JUST A GOOD READ. THIS WAS BRILLIANT AND SO DELICIOUS AND AN ENTIRE FIVE-STAR MEAL!!!!!

(๑﹏๑//) I'm eating so incredibly good with this omg,,,, the different interpretations of darling for each eel is so yummy. Aaaaa Floyd would absolutely have a thing for being called senpai,,, it just sounds so lovely coming from your mouth... Floyb with his cock-drunk and no-thoughts-in-head-other-than-cum doll and Jade with his brat of a doll who fights him until the very end when she's unraveling beneath him....... so good. orz orz orz

They're both such losers!!! T_T getting off with a doll while imagining it to be the real you even though the spell breaks when they're no longer horny,, >_< aaaaa so maidenless!

That line in the beginning of your ask regarding mushroom dildos... 👀 there are so many thoughts in my mind... Jade is a freak when it comes to his mushrooms!!! You just happen to be his favorite darling to test these things on. <3

[raven-at-the-writing-desk]

Now, with the 'Nightmare before Christmas' event fast approaching, how does it feel to know that there's a high chance of your old Oc coming to life? What was his name again? Ah yes, Jinx Skelton I think. Old follower here 👋

Even though I have to be honest I doubt we'll get any new characters this Halloween. I mean wouldn't it be strange for them to release new characters every Halloween? First it was Rollo then Fellow and now again? I doubt it honestly. Besides the thought of seeing a bishounen Jack Skeleton scares me. I love seeing new characters but at times point I'd rather have more information about the mysterious 4-year students.

[Referencing this post!]

THE WAY I FELT LIKE I GOT SHOT BY SEBEK'S UM WHEN I READ MY OLD OC'S NAME 🤡 A ZILLION WATTS OF LIGHTNING ARE COURSING THROUGH MY VEINS... . ..... .... ......... . .. . ........ . . . .... .. . . .

I think I first came up with Jinx like 4 years ago??? And the last time I drew him was like... 2 years ago?? BUT WOW, IT'S BEEN SO LONG SINCE I'VE THOUGHT ABOUT MY FAVORITE SPOOKY CHILD 😭 I'm so flattered that you remembered him, Anon!! (For those of you without any context, here's a fan art of him as well as my own design!)

adhbadoyqerqwvypnad I'm excited to see what TWST's interpretation of Jack Skellington might be! (I'm sure Yana and team's design would blow mine out of the water, lol) If they end up introducing a twisted!Oogie though, I might just bring Jinx back just to interact with him 👀

I'm not sure if I'm following what you're saying about the possibility of new characters though...? We may have had only Rollo and Fellow so far, but it seems to me that TWST has found a winning formula and an excuse to pump out a new limited SSR card every Halloween meaning more money for them. I don't get why they would backtrack now and do a whole event themed around a Disney property but NOT introduce a new character they can make bank on come next year. The first two Halloween events weren't themed, so it makes sense that no new character was introduced. Because this upcoming one is so blatantly going to be Nightmare Before Christmas-themed, I think it's all but guaranteed that we'll see a new face. adugkvqwodivqdi I JUST WONDER... WILL THE THIRST FOR THE NEW CHARACTER EXCEED THE THIRST OF FELLOWIVES??? Especially considering that the regular Jack Skellington is already a Tumblr sexyman????? Only time will tell...

I understand the anticipation for fourth year student lore, but I don't know that a Halloween event of all things would be good timing to make them relevant? So far, we only know that they temporarily return to campus for cultural fairs, in which NRC demonstrates the fruits of its labor to the general public. The fourth years would probably be better reserved for another kind of event or even later in the main story.

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[chefwhatnot]

A Too-Close Analysis of the Double Exposure Treatments from Duskmourn (2/2)

We return to the Double Exposure cards from Duskmourn! This post will be going over all the cards I didn't talk about in the first part, which is all the legends that don't appear in the main story (not including Altanak, Norin, and Arabella since they're all at uncommon so none of them got Double Exposure printings). Now, because we don't know much about most of these characters, this part will include a lot more educated guesses. Quick shoutout to wotc for posting the "Legends of Duskmourn" article a little bit earlier than they usually do so I have a little bit more to go off of. Away we go!

(Oh, and if you missed Part 1, you can find it here)

Toby, Beastie Befriender-

A creepy Jack-in-the-Box looms behind Toby's profile. Could simply be that kids are afraid of clowns, or perhaps something more? A Jack-in-the-Box is startling, and even though Toby says he has his Beastie friends to protect him, that would not make him immune to a brief startle, would it?

The Mindskinner-

A hand. Who is its owner? Unclear, but the clawed motif on the gloves make it almost look like it belongs to a Razorkin. From the Legends article, the Mindskinner is the fear of Razorkin, and employs a much more gradual and insidious methodology compared to the rest of the nightmares in the House. Based on this double exposure, it seems that not even Razorkin are immune to being targeted by its cruel whims. Plus, the only way to drive off the Mindskinner is to have your glimmer nearby, meaning Razorkin, who've already given themselves in to maddening pain make for easy prey. It might have enough intelligence to find this delightfully ironic, to torture that which first gave it form.

Kona, Rescue Beastie-

Overlaid on Kona’s profile is a set of canine jaws, facing the same direction as her. Two interpretations: one, that the prey instincts that were within whatever animal later mutated into Kona are still active and alive, that she still fears being snatched up by the jaws of some greater creature and devoured. Or, alternatively: those are Kona’s teeth. Beasties are, at the end of the day, as monstrous as anything else in the House, their masks being their attempt to conceal that fact. A beastie knows that if a survivor sees its true face, they will immediately flee in terror. The biggest fear of a Beastie is that its monstrous nature will be revealed, that for all its efforts it will terrify and lose those it seeks to protect. Or worse, that it will be the one to take them away, slipping back into bestial instincts.

The Jolly Balloon Man-

I've spent so fucking long staring at this one trying to figure out what the fuck that even is and I honestly have nothing. A kinda fucked up looking balloon animal? Some kinda I got nothin’. I will say, though, that I think the JBM's rictus grin is a very good demonstration of the way Razorkin have fully fucked up senses of pain/pleasure and such. But yeah I don’t like this one. Pass.

Rip, Spawn Hunter-

A skeletal hand, reaching upwards towards Rip, who has her back turned towards the viewer. Rip used to be a member of the Doorblades, the group of survivors who dedicate themselves to fighting back and eliminating as many of the House’s monsters as possible. Which, we know from the planeswalkers guide, is a group with a very high fatality rate. Turn your attention now to the flavor text on Came Back Wrong and the Duskmourn printing of Pyroclasm. Rip has a practice of burning bodies of those who fell in the line of duty. The skeletal hand is that of one of her former comrades, whose body she had to burn and leave behind. It represents doubt, doubt that she’s doing the right thing by cutting off any chance of grim revival for those who’ve passed, doubt that the human toll of spawn hunting is worth it. No wonder she prefers to work alone.

The Swarmweaver-

Ahh! The Bees! Not the Bees!! A living scarecrow beehive, with a giant bee layered on top. Insects, crawling within its being, beneath its wooden skin and throughout its spindly form. The Swarmweaver is a wickerfolk: maybe in life they feared what they now wholly consist of? Not a huge amount to go off of here- is what I would say if the Legends article didn’t confirm that the Swarmweaver can indeed still feel the corpse bees crawling around beneath its wooden skin, that they are constantly in pain and the only way they have to relieve that is to send the bees to attack others. Do you think they’re still aware enough to feel regret, for sending the source if their pain towards others?

Victor, Valgavoth’s Seneschal-

In front of his face is a moth, symbolizing his total devotion to Valgavoth. In the flavor text for the Special Guests printing of Sacrifice, they describe a ritual where cultists allow their fears to be fully consumed by the house, allowing themselves to be reborn. Victor has apparently undergone this process dozens of times, no trace of his original self remaining. The chain of eye-marks on the moth’s wings connect to Victor’s glasses. His fears are now inseparable from Valgavoth’s being: in a way he has made himself part of the house.

Marvin, Murderous Mimic- Another hand! Now, originally I assumed that this was the hand of the Razorkin who used Marvin as an intimidation tactic and possessed him, but according to the Legends article, Marvin isn’t possessed at all, and merely “quickened” when the Razorkin grabbed him by coincidence. Which is… not what I expected from the Chucky analogue and makes it a lot harder for me to explain what the skeleton hand means. Cool. I do still think the hand might represent a lack of agency, a vague memory of being used as a puppet by whatever ventriloquist originally owned him. Beneath all of Marvin’s psychotic behaviors is the fear that he might still be no better than a puppet after all.

And that’s all folks! I hope you enjoyed this writing exercise and all my philosophical wankery about this silly card game. I’m literally in the middle of my prerelease event so I gotta go now. Also plz read my magic the gathering fanfiction i have a lot of it and crave comments

[clangenrising]

I’m gonna be honest; maybe it’s just me but it’s always been pretty easy 4 me 2 sympathize w/ Razor and Sardine- XP Part of it is cuz yknow… They’re just fictional characters and it takes a lot 4 me 2 h8 some1 dat dosent exist, but also idk how 2 explain it but I can so see why both of them turned out the way they did, idk how 2 describe it but when I look @ their environments and thought processes it just makes sense; I always saw them less so as irredeemable demons and more so as cats that probably have a cluster b personality they refuse 2 get treated resulting in them becoming horrible ppl :P

I'm actually going to push back on that pretty hard. Razor and Sardine do NOT have Cluster B Personality Disorders (antisocial personality disorder/sociopathy, borderline personality disorder, histrionic personality disorder, and narcissistic personality disorder).

As far as I'm aware, people with Cluster B Personality Disorders are actually more likely to be the victims of violence than perpetrators of it. While it is true that they are also more likely to be violent than people with other disorders, these disorders are highly stigmatized and it would be irresponsible of me to say that my two worst villains have them and that's why they are murderers and abusers and sadists. That does actual harm to people who have these disorders.

As well, these disorders are often linked to childhood trauma which neither Razor or Sardine have, but you guys wouldn't know about that because I haven't told you guys anything about their backstories which means that there are a lot of assumptions being made here. Razor and Sardine are hugely privileged and their malice comes from that privilege, and more importantly their entitlement.

They believe the world belongs to them because they're men and they're house cats. They face no consequences for their violence and so they get more violent. These are very mundane and banal reasons for evil and I explicitly wanted to create villains who were cruel for those kinds of banal reasons. They are irredeemable specifically because they refuse to be redeemed.

I feel like you want to have a woobified version of my characters in your head so you interpret them as being victims of their disorder when in the text they are first and foremost fascists. I don't mean to be harsh but this is such a harmful misreading of my text that I can't help but be a little upset by it. But also, please don't feel the need to apologize or grovel for upsetting me. I'd ask that instead you stop and think and do research on these disorders and consider what harmful assumptions you may be unknowingly holding onto.

[notur-dreamboy]

Assinging the endless to dead boy detectives characters because I can. (With explanations using a mix of comic and tv show lore)

Edwin - dream This was a hard choice, and while Despair was the more Canon choice as she claimed him as her friend in the 7th episode. Alternatively, I like exploring the similarities in dream and Edwin's character arch. In the comics edwin died in 1916 and escaped hell in 1989 much like the show, in the comics dream was kidnapped from 1916-1989 as opossed to the show where he escapes in 2020 or 2021 (I am unsure as to which one) they also both go through archs of finding companionship/acecpting people into their life and finding a greater purpose/finding peace with the one they're given. They're also both the bitchy intellectual type and hate most people.

Charles - destruction. I see so much fan content with him and desire, and while I see the vision, I have to disagree. (I also wanted to save them for the much more obvious choice) Destruction abandoned his position after he saw science being used as a tool for destruction because he didn't want to be the cause of massive devastation or obliteration (paraphrased from destructions page on the sandman wiki) and if that's not so incredibly Charles I don't know what is. Charles arch, we see him deal with this destructive type of anger he wants nothing to do with, so much so he represses all of it with a smile until it becomes too much.

Crystal - destiny. I gave her destiny because her arch and plotting in so intertwined with Edwin and Charles's it feels like it was nothing but destiny. Without her they wouldn't of even noticed the Becky Jackson case, the start of everything. Nothing would've happened without her. Because of her charles faced things he was hiding from himself for years, edwin let other people into his life, they wouldn't of saved niko if Crystal never had that quick interaction with her in episode one. She is so intertwined into everything I wouldn't be surprised if she was crafted by destiny himself.

Niko - death. There are multiple reasons why I gave niko death (including and in spite of the obvious). The biggest one is her future role as the principal, an employee of the afterlife and death. This is also another case of the personalities lining up. Death is seen as welcoming and kind despite being hated and feared as a concept. Death is also seen as wise and understands her role in life she is also the endless dream is closest with. On the sound of her wings when dream is feeling down about his quest for his tools being she allows him to shadow doing her job and offers him advice about his own state. I also just think death and dream's relationship is so similar to niko and Edwin's.

The cat king - desire. Really, this one is obvious. I don't know what you want me to say. His kingdom is all about want and pleasure, wuth is literally desire. His entire role is just to wake edwin up to his own desires. This is such a common concept that the most popular head Canon for him is that he is desires child.

Jenny - despair. I almost gave despair to edwin along with dream given their Canon interaction, but I decided otherwise. We don't know much about Jenny's backstory, but things can be assumed and interpreted certain ways. She owns her family's butcher shop but no family is ever mentioned (outside of a quick anecdote about her father in episode 5 but more on that later), she doesn't seem to have any friends or a social life for that matter. The letters, she reads them and follows up on the but is immediately off put on the idea of a date, which ended horribly. Her father, described as an acholohic and raging narcissist, couldn't have been a man who provided a great childhood either, yet she still took up his butcher shop. We can assume he's out of the picture for one reason or another as Jenny runs the shop herself. The first piece of advice she offers essentially boils down to people who are selfish, it can be assumed this is pulled from personal experience. Jenny is a character surrounded by despair and has grown so comfortable in it she doesn't even notice it anymore.

Tragic mick - delirium. The only endless to have 2 forms, delirium used to be delight before she evolved to delirium for reasons unknown to even destiny. Mick initially seen as comfortable in his human for until we learn about the washer woman. Niko gives him a piece of sea glass in hope it will help but instead we see him descend further into the quite madness he's proven himself into. Then we hear his story, a tragedy about a walrus forec to live the rest of his life as a human because of a bad decision. He's winds up mad (or delirious if you will) by thus decision, now wanting nothing more than to go back to being a walrus.

Bonus (Esther, monty, and the night nurse as various sandman characters) (little explanation, sorry)

Esther- the Corinthian. Created (or blessed) by a god-like deity for a certain purpose but took it too far out of pure selfishness

Monty- Mathew. Simply because they're both anthropomorphic birds.

The night nurse- lucienne/ lucien. A loyal assiant to their respective endless. Certain events cause them to drift from what they've always done or thought.

[rosinkreutz]

How do you think Asuka's and Aria's friendship was like when she was alive?

This is a really hard question. I keep sitting down to write this and deleting everything because I'm not satisfied with the answer I can provide. The problem is me because I've realized I'm not sure how to describe any friendship, let alone one so vaguely developed in the source material... However. I will try. This is all kind of speculation based on what I've interpreted from the characters. - First, I think when you analyze Asuka's actions it seems that he feels a certain sense of ownership toward the world. Not in an entitled sense, but moreso a guardian. Which makes sense, really, as a disciple of the Original, savior of humanity. Especially considering the other disciples were explicitly uninterested in humanity's advancement, so he's the only one interesting in following in their teacher's footsteps. The problem is that he completely defines himself by it (which is kinda why I think Asuka was very young when he was taken in to be a disciple, because it's like it's all he knows). - So with that in mind, and knowing that before Aria met the other two, she was extremely isolated from her family and other people in general, I think the power dynamic in the relationship would end up being rather skewed. Literally, yes, since he's a sorcerer, but also psychologically. Aria's someone whose not used to having any support, and that's all Asuka wants to do. He never thinks of himself first, and the only sense of self he has is this self-appointed guardian role. He would go so far out of the way to make her happy, because he loves her very much. But he also thinks that he knows what's right for her and may have been controlling at times- which I think is why Frederick works so well in this dynamic because he's so anti-authority and free-thinking. His influence and just overall presence would keep the two of them from being too overly dependent on each other. After all, they love him as much as they love each other, as best friend, boyfriend, whatever. Obviously there's more to him in the dynamic but this is about the other two. - (As kind of a side-note, keeping Aria happy is one of the few ways he himself can feel fulfilled in his role as a guardian. The Original kind of had it easy, as world-saving goes, because he knew exactly what was going to burst (black tech) and had the exact solution to the problem (magic). The world Asuka's "inherited" has a million different facets and problems all piled together in one big powderkeg with an invisible fuse. He really can't just go out and fix everything alone as a socially inept 20-something, good at magic as he is. Which he understands, as an objective thinker, but given that guardianship is the only thing he defines himself with as a person, he's inevitably going to feel worthless and hate himself for not being able to do anything. Hence, why when the Gear Project gets picked up by the military, he goes crazy trying to fix it because just imagine what it would feel like that the whole world could be destroyed by something you made while trying to fix it.... But... If he could get what people need for advancement (gear cells) safe and unweaponized and if he could have someone else powerful to help and support him (Justice, maybe Sol?), he could use that to REALLY save the world AND Aria in the process. Win-win, right?)

[aihoshiino]

Chp 160 was so??????? that I am straight up unable to form an opinion on it.

Like I can see the story going one of two ways. 'Kamiki is the evil mastermind actually he faked his reaction to the dvd' or 'Kamiki is playing the villian but is actually not the culprit'

And like both directions have massive problems.

The former would mean that the movie (which we spent nearly 40 chapters on) amounted to fucking nothing. Other characters ominous talking about Aqua trying to kill his father with it? Ruby's so called revenge arc? Nah, that meant nothing, the movie didn't do a damn thing.

And while I prefer the latter interpretation as it's the tonally and thematically consistent way, it would also mean that Akasaka has been circle-jerking us with the 'Kamiki is an evil serial killer.' -> 'No wait actually he isn't.' -> 'SIKE, HE IS EVIL.' -> 'Nvm he isn't.' for some inconceivable reason.

It's a mess no matter how you slice it, honestly I am so tired of oshi no ko and I just want it to be over already.

YEAH. THAT'S BASICALLY WHERE I'M AT.

In general, I just don't know why we're having a second confrontation with Kamiki. Narratively and emotionally, it's redundant - having him come back into the story and get his final resolution would be fine but playing out Yet Another Big Dramatic Showdown between him and Aqua just falls so flat for a number of reasons. We've already had the huge release of tension that was Aqua and Kamiki facing off like nearly an entire volume ago and everything that was emotionally riding on that confrontation was emotionally resolved. I know some people are still mad that Aqua didn't hit Kamiki with an orbital laser or something, but the absolute fucking gutpunch that was 153-154 was so incredibly effective and also just more interesting than this much more generic standoff. Not only is it kind of mid on its own merits but I feel like it retroactively makes that first confrontation weaker because like... it ends up not really mattering and we get a take 2 where Kamiki is acting like an entirely different character.

@yuseirra made an excellent point in their discussion of ch159 which is that (thematically speaking) the movie has to be the method by which Aqua achieves his revenge because Ai's tragedy was the result of the public's perception of her. If it isn't able to do that then not only was that arc just kind of a waste of everyone's time, reader and character alike, but it means the movie itself as an object in the narrative loses what little shaky thematic ground it has.

An issue the Movie Arc always had that it never really engaged with to my satisfaction is the underlying discomfort of watching Ai's life being turned into a movie. I said this over and over as the arc was ongoing, but there's something almost repulsive about taking this character whose life was warped and eventually ended up the exploitation of the entertainment industry and the voyeristic gaze of the public and indulging in that voyerism by creating fiction out of her life, chopping it up and outright making shit up to invent a version of her that the public can devour. It claims to be a movie about 'Ai Hoshino' but literally and explicitly fictionalizes the most pivotal events and relationships in her life - the 'Ai' of 15 Year Lie is just as fake as 'Ai of B-Komachi', just sold with an even more insidious lie to make her go down a little sweeter.

If the manga actually engaged with this idea or was even the slightest bit aware of this underlying discomfort, the Movie Arc as a whole would've been much better off for it and so would all the resolutions in the arcs following that rely on it as foundation. But as it stands, the movie is thematically dead on arrival and the fantastic emotional resolutions we got out of it, in spite of everything, have been seemingly retconned into irrelevance.

[croquis-el]

The flower that represents Ryuichi Naruhodo (Phoenix Wright)

Hello

I came to you with a tiny post

(I'm not lost and I'm not going anywhere.)

Because we missed an important detail again!

My favorite case is 3-1. In which there is just a huge pile of information.

When Chihiro interrogates a witness about the reason for her interest in Naruhodo, she gives an answer in the form of a haiku (although it is difficult to assess its correctness).

････はかなげな、日かげに咲いた タンポポのような、たたずまい････

hakana ge-na, bikageni saita tanpopo no yōna, tatazumai

... An ephemeral dandelion blooming in the shade...

リュウちゃんの、そんなところに ヨロめいてしまったのですわ。

ryuu-chan no, son'na tokoro ni yoro meite shimatta nodesu wa.

That's what Ryu-chan is like, and that's what made me fall for him.

儚い (はかない)

hakanai

• fleeting; transient; short-lived; momentary; ephemeral; fickle; vain

儚い or 儚げな can be used positively to describe some type of beauty found within weak/unstable/delicate things or people. It may be similar to so-called wabi-sabi. 

げな (ge-na) - express the guess (it seems)

Madame literally calls Naruhodo "an ephemeral dandelion"

And gives a lot of food for thought, as it can be interpreted in many ways. After all, it is not just a randomly chosen flower.

The first thing that comes to mind is hanakotoba

In Hanakotoba (花言葉) Dandelions mean:

神託 (Oracle)

別離 (Separation)

幸福 (Happiness)

真心の愛 (Sincere Love)

愛の神託 (Oracle of Love)

Dandelions are known to be a fortune-telling flower which is why words like “神託 (Oracle)” are associated with it.

No less important meaning: dandelion is a symbol of courage, strength. Because this plant is able to grow in any conditions, and breaking through the asphalt, reaching for the sun.

Dandelion flowers also carry a meaning of wishing an ill person well, or happiness in times of darkness.

Suits our boy, doesn't it?

He represents each meaning: he was separated from his friend, he loved sincerely, he had a cold during the court hearing, and he found the strength to move on, making his own way when he was in unbearable pain.

We've dealt with the dandelion, now let's return to the "ephemeral".

On the one hand, everything is simple - dandelions look unreliable, weak, especially during the period of seed ripening. They are easily blown away by a weak breeze. Beauty and attractiveness that not everyone will appreciate. Why not ephemeral.

However, there may be much more meaning here. After all, another meaning is: short-lived

And then the phrase as a whole takes on a frightening meaning. She's literally says: he (the dandelion) will not be in this courtroom (in the darkness) for long. She literally predicts a "guilty" verdict for him, especially given her subsequent words. This is what she feels, what she wishes for him - to disappear into the darkness.

But her plans are not destined to come true, because the dandelion grows even through the asphalt.

___________________________________________

Well, and for comparison.

Mushrooms are often associated with spiritual growth, enlightenment, and rebirth. The mushroom's life cycle, with its ability to emerge from darkness and decay, represents the cyclical nature of life, death, and transformation.

This is probably a reference to Phoenix's name. Probably. That's all.

What do you think?

[capseycartwright]

ok i am going to get uncomfortably personal on main for a second please don’t make eye contact with me. this new trend of people vehemently saying that any storyline eddie may have about religion this season doesn’t ~ have to be ~ about his sexuality is genuinely a little upsetting to see because it’s not just oh it can be about something else anymore. so often recently i have just seen over and over the implication that it’s somehow wrong to so desperately want it to be about his sexuality - and maybe the intention is not for it to come across that way, but it often does.

as someone who grew up in a deeply religious, frankly strict, catholic environment (my school had an on campus priest. like that’s the level of catholicism we’re talking about here. i was in the big leagues) i freely admit i am clinging to the idea of eddie having a sexuality related storyline that revolves around his faith because i want that and i needed that when i was fourteen and struggling to come to terms with my sexuality because i was such a devout fucking catholic. i have done all the sacraments. i spent my entire life in catholic education. i didn’t miss mass any sunday for eighteen full years of my life. i was fucking religious. and i am bisexual. and i could not accept it. i didn’t even begin to accept it until i was 21. i didn’t even want to accept it then. i will have that religious trauma for the rest of my life. and i don’t even know how to articulate myself properly when i talk about it now, years later, but it’s not just the unlearning of your own faith that’s traumatic - it’s the loss of a community you spent your entire life in. that’s gone forever for me and it leaves behind an ache that’s hard to describe.

eddies faith journey could be about anything, sure, it absolutely could. but i need it to be about this. and i will make it about sexuality in every fic i write even if i don’t get it on screen - and i really hope i get it on screen. i am not the only person who feels that way. and this new wave of ~ discourse ~ where you’re somehow wrong to want eddies faith storyline to be about his sexuality because it couldn’t possibly be about anything other than heterosexuality and him feeling like a failure because he was going to get divorce and no longer have a nuclear family makes me feel about as small as i did when i realised the church i had loved (and still frankly love - despite it all, despite how much i wish i didn’t) my whole life would never love me back. we all have our interpretations of what these things mean, and are more than entitled to those differing interpretations - but what you’re not entitled to do is imply those of us who see our queer, catholic journeys in eddie are somehow stupid or wrong for seeing that.

i don’t like talking about this stuff. i write fic where i make eddie talk about it instead. that’s my way of processing. i just think a wee bit of empathy when it comes to things like faith and queerness - knowing so many of us share the same story about religion and sexuality, and intimately know how hard that story is to live, regardless of what faith you followed - is important. you might not see queerness in a storyline about faith or believe it’s there but lots of us do, and being so dismissive of that is just kinda mean, actually. ok bye.