#you can’t catch me now

[mlmoseley]

you can’t catch me now

i love this song

[liviesheaders]

olivia rodrigo + taylor swift

» like or reblog if you save 🕊️

[divinelovers]

when olivia rodrigo said “the bitter taste of my fury, and all of the messes you made” and “i’m in the trees, i’m in the breeze” and when she said “i’m here, i’m there, i’m everywhere, but you can’t catch me now” and “i bet you figure i’d pass with the winter, be something easy to forget” and when she said “i’m higher then the hopes that you brought down” and “yeah, sometimes the fire you founded, don't burn the way you'd expect”

[fatherforgivethem]

“He was glad about the erasure. It was just one more way to eliminate Lucy Gray from the world. The Capitol would forget her, the districts barely knew her, and District 12 had never accepted her as one of their own.

…

…

…

…

In a few years, there would be a vague memory that a girl had once sung in the arena. And then that would be forgotten, too. Good-bye, Lucy Gray, we hardly knew you.”

[fictionaltrvlr]

You Can’t Catch Me Now ~ Songbirds & Snakes

cutout credits

[fancyschmancyopinions]

OLIVIA RODRIGO at the premiere of “The Hunger Games: The Ballad of Songbirds and Snakes” on November 13th 2023 in Los Angeles wearing custom RODARTE

Olivia attended the Los Angeles premiere for the Hunger Games prequel, which features her song on it's soundtrack. Olivia tends to stick to the same silhouettes, but she definitely found what works for her. This Rodarte gown is absolutely enchanting. The black sequins look luxurious, and the flowers add a nice pop of color and intrigue. I'm look forward to her taking more style risks in the future, but she still seems to look amazing at every red carpet event she attends.

[wonderstruck-perfume-tv]

Just Listened to Olivia’s New song for the Ballad of the Songbirds and the Snakes and then immediately switched tabs and bought the book just in case you were wondering how influenced I am by pop culture.

[your-local-jedi-commander]

GUY NEAR ME WAS SCROLLING ON TIKTOK AND WHEN I HEARD “can’t catch me now” I STARTED TO SING IT QUIETLY AND HE TURNED UP THE VOLUME!!!!!

[lucibananas]

A powerful use of music and current media reflecting real life. Shout out to Zach Matari for this cover, follow him on TikTok @ZachMatari

[soupdeewoop]

YOU CANT, YOU CANT CATCH ME NOW-

[clairepatroclus]

[sincerely-lily]

NOW THEY’RE PLAYING CAN’T CATCH ME NOWWW

[levatii]

“I'm here, I'm there, I'm everywhere,

But you can't catch me now”

[abeltownshipslittlebitch]

This song gives me Tom De Luca vibes and no I will not elaborate.

@dorkylittleweirdo @catsoutofthebags

[ellieslaces]

CAN’T CATCH ME NOW. (prologue)

presenting: Umbrella’s Hunger Games

featuring: leon kennedy x fem!reader

synopsis: the Hunger Games, an annual show of brutal control the Capitol has over each of the twelve Districts. the Games’ number one sponsor: Umbrella Corporation, the creator of the Games’ most horrific torture strategies and nightmare inducing deaths. these games have always been cautionary, always a far away but constant threat — until you find yourself Reaped and thrown into an area full of your worst fears with 23 other Tributes, all out for blood.

content warnings (future): harsh language; heavy violence; gore; torture; heavy themes of murder; infanticide; social injustice; class discrimination; brief mention of suicidal thoughts; angst; character death; eventual smut; enemies to lovers

notes: this is inspired by the Hunger Games (no 1) and takes place in the universe; if topics such as violence murder infanticide etc trigger you, skip this series; the reader is said to be a Career Tribute

Chloe talks: posting a my prologue for my new Leon Hunger Games series before the next strike tomorrow! please enjoy, I’m convinced this will be my magnum opus :)

word count: 768 (it’s a prologue, so it’s short)

now playing: can’t catch me now ; olivia rodrigo

how you can help Palestine! 🇵🇸

Images of dark alleys, of scorching hot deserts, of raging icy tundras, of sickly beautiful yet dangerous forests haunted each child’s dreams. Not for any reason in particular other than the fact that the images were fed to them since birth. Spoon fed into their heads — the showings of each years annual Hunger Games.

Decades upon decades ago, the ocean swallowed nearly half the continent in a devastating and unprecedented tsunami. States and even smaller countries were lost to the depths of the sea, leaving the remaining forty percent of the country overflowed with a surplus of population.

Women, men, and children with nowhere to go, now crowded the north part of what once was the United States. Now twenty of the fifty states remained, thousands upon thousands of casualties, leaving too many for the forty percent of the country to support.

The government handled it with the worst of ideas, their support was lost, their lack of understanding and empathy led to an inevitable uprising. People stormed the gates of the White House, threatened to kill — and did kill — senators, and representatives, and judges, and even their families.

This uprising nearly destroyed the country as a whole. Thousands were slaughtered, bloodlines were destroyed, families killed by the rebels. Until a group of unknown power that had been hiding behind the scenes for decades stepped forward, taking control of the people. This led to a bloodbath of violence, political control, and the people finally were forced to accept their defeat.

From then, the country was divided into thirteen Districts, each with its own purpose of serving the new country’s Capitol. This new country — Panem — was run with a ruthless government, a controlling President with no mercy and a clever mind. He was cruel, and heartless, and as dangerous as he was calm.

No one dared to object him, no one dared to take his power for fear of the consequences. So, for decades, President Ozwell E. Spencer ran the country. His company — one he started long before he was elected as President — Umbrella was the sole sponsor and creator of the annual Hunger Games.

Where each spring, twenty four children between the ages of twelve and nineteen were picked at random by pairs to represent their District in a fight to the death.

One boy, one girl from each District, chosen by random to be plucked, and bathed, and painted, and paraded, and eventually murdered for the sake of entertainment. Once, these Games were a reminder of what revolution could do, how it could crumble a nation. But that notion was long gone, all that now remained was the entertainment value of their deaths. Deaths none of them deserved. Deaths you never imagined you’d actually witness, much less cause yourself.

The intricacies of these Games were lost upon you, all you knew was to survive. Despite being a so called ‘Career’ and had as close to luxury as you could for someone from one of the Districts, you hardly had the stomach to commit things such as murder. Much less upon other children, people your age.

District One, luxury items, riches, and favor of the Capitol itself. Careers, the title of the Tributes that were put into the Games each year. These Tributes were raised with advantage, raised with early training available to them. Available to you.

For the majority of your life, since you were able to understand what the Games meant, you’d been trained by Victors, the Redfield siblings. Chris and his sister, Claire, were once Tributes themselves, in consecutive years.

Chris Redfield won at nineteen with pure brutality, physical strength and power, partaking in the bloodbath and taking out a good majority of the other Tributes in the beginning. Chris’s Games lasted a mere week.

While Claire Redfield managed to outsmart each and every other Tribute in her arena, successfully becoming the Victor by simply waiting for them all to die by natural causes, or killing themselves with their own stupidity. Her Games lasted three, the ending of said Games pushed quickly to be brought to a conclusion. Leading the girl to become Victor at a mere thirteen.

So, despite the fact that you weren’t technically supposed to be trained by Mentors unless Reaped, the Redfield siblings trained you behind the curtain. They prepared you for the possibility of you being Reaped, of being subjected to the horrors they’d seen. To the murder they had to commit to stay alive. They wanted you to win, to have a chance of survival.

But, maybe they should have just let you die. Maybe they shouldn’t have taken you under their wing when they found you shivering in the rain after a school bully had taken your pack and shoes and jacket.

Maybe they should have just let you be killed. Then you wouldn’t have to live with the memory of him.

[griancraft]

Hi guys, this is sort of my official "please, for the love of god, listen to Skyjacks with me” post because I’m losing my mind and all the content I can find is from the latest stuff right now, and I don’t want to spoil myself. I want to be able to talk about this with people!!!! I will make a watch (listen) party discord if there is enough interest. Just give it a chance; you won’t regret it. Also, some information may be wrong or outdated. I’m on episode 11 out of over 200.

Skyjacks is a ttrpg podcast about sky pirates in a world where there was a catastrophe about 200 years ago that left the sea unsafe to sail and maybe even damaged the entire world to the point where civilization is scattered and in small groups. There is very casual queer rep, and it’s casual to the point where it really just fits into the world perfectly.

A brief summary of the premise of the first episode will hopefully get you hooked. I’m really bad at summaries, but I promise it’s a billion times better than how I talked about it here:

Captain Orimar Vale is dead, and a mutiny will be on Gable, Jonnit, Travis, and Dref’s hands if they are unable to keep up the ruse of him being alive. To do this, necromancy (deeply forbidden magic) is performed by the Dref, the ship's doctor, to turn him into a semi-functional zombie. Captain Orimar is famous for his abilities as a captain; to replicate this will take great skill.

As they run out of supplies, they make a desperate decision: port on the land of one of Orimar’s scorned lovers or deal with the growing uneasiness of the rest of the crew. They haven’t seen their captain healthy in months, and whispers about his health are starting. However, greater danger will await them when they take to the skies again, lurking just beyond the clouds…

And more propaganda as to why I think you guys will like it:

There are unique and interesting gameplay mechanics they use to tell a really cool story, and if you like Hermitcraft or any other sorta storytelling-based SMP, I promise you’ll like it. Like. If you liked Boatem from Hermitcraft 8, you’ll love the characters in Skyjacks. The players are exceptionally good at playing their characters, their humour is unmatched by anything similar I’ve had the pleasure of seeing, and the story is prioritized, which I think is an amazing choice.

Best part? It’s still ongoing after, like, 5 years. Some people have left, but a good chunk of the OG cast has stayed. Not that leaving is bad, because holy crap, 5 years is a long time, and stories have to end at some point! It’s a good way of getting into something and knowing there is still a shit ton of content to be explored.

The music is good. The story is good. The characters and humour are amazing. The lore of the world is sprinkled throughout, and as you learn more about the world, the more excited you get. It’s incredible so far, and if you decide to listen to it, I will actually love you forever and ever. My boyfriend is on episode 190, and he finds it so funny every time I go. Oh my god, this is so cool.

Link to the podcast, but in a playlist (up to 180). So it’s in order and easy to find, since it’s a part of something else from the oneshot network: