#you dont have to read it as romantic if you dont want to but they were undeniably close and it was undeniably mutual. bro

[lilithvibeplace]

i've recently played pathologic, and have found myself completely enamoured with the bachelor :( i never thought of myself as a type to romantically stick to a character, yet i desire him carnally. i want to cup his round face (unlike the sharper features of Haruspex or Clara), and to find cover under his long coat, which was made for warmly enveloping.

...

i have no one to share my shame with, thank you, and sorry you had to read this.

anon my precious darling you are not alone in this struggle, do not feel shame for loving Dankovsky, for their is an aura around him that makes him incredibly fucking hot. you’ve described perfectly valid feelings towards him. i think about him while at work more then my own bf at this point

also i need you to know this is the first notif i checked when i woke up and i’ve been crying laughing the entire morning. like i get it. dont worry. but holy shit i’m crying this is the most beautiful ask i’ve ever gotten i need to frame it

[kaladinkholins]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[mamawasatesttube]

saw someone being wrong about kon on the internet again (i know. shocking) and you are all so lucky i'm sick and feverish and lazy because i DID just seriously entertain the thought of writing up a small essay complete with issue and panel citations about why it's simply incorrect to say that kon never really seemed to reciprocate any sort of crush on tim before geoff/tt03. this is just not true. you dont have to actually ship them but to downplay their importance to each other even in the earliest days is simply incorrect. i'm too tired and achy to bother digging through comics to pull up all the issues that have the bits i want to point at but like... they were both very mutually important to each other from early on. it was in no way shape or form one-sided, whether you want to read that as platonic or romantic. man.

[lucabyte]

I am literally obsessed with everything you do that involves sifloop you are THE sifloop artist to me

thank you!!! it means a lot to hear that haha

I've been like... near exclusively an OC artist for like 8 years at this point so every time i post fanart and ESPECIALLY ship art i feel like i have to fight every screaming cell in my body to post it because i feel like... RUDE? for projecting my own thoughts onto another creator's characters LMAO... so it's reassuring to know people actually like what i'm contributing!!

as for sifloop as a ship. i really should draw more isiloops because . rotates all three of them in my mind. but yeah. I think the thing I like most about the dynamic really is the like... way Siffrin and Loop canonically aggress each other despite an extremely persistent undercurrent of caring about the other not suffering.

Like. the back and forth between Loop constantly talking past/through Siffrin to really painfully insult the pair of them, and things like the [Forgetting Mirabelle's Name] event being so astoundingly gentle. just as a general example. (RNG event that only triggers after certain actions so you may need to look it up)

THEN adding the element of throwing them in postcanon with neither of them wanting to upset the party and thus having to keep a lid on it... I like the potential dynamics of such a painful and conflicted relationship having to be almost hidden and downplayed so as to try and not worry anyone, and thus becoming softer and introspective while still keeping a bunch of the more insidiously toxic behaviour.

Both of them acting with genuine best intentions in mind but still understanding each other to have way *way* more sadness and anger and guilt than they let on, and thus being able to clock it. Both for good and ill. Neither of them enjoy confrontation, but it's almost unavoidable when they KNOW the other knows what they're probably thinking.

. but yeah i just think they're neat! also a bunch of stuff related to asexuality but . shh

[anxiously-sidequesting]

You know what I love more than just heroes and villains going up against each other is when the hero and villain have a certain respect and acknowledgement to the other, have a special relationship or connection with the other, or just a general interest that's between just THOSE TWO GUYS and not anybody else Grandfather Spider Morganthe Schismist Soldier Duncan Grimwater

Like I could easily see the YW teaming up with almost any of those people (see: only GFS and Morganthe the other two are crazy) not out of maliciousness or because they switched sides but because they're just compatible with them in ways where it just makes sense. Like for example the YW fighting back-to-back with Morganthe or having in depth magical discussions with her because we understand her on a level no one else does. Like in a crazy season finale where the Savior of the Spiral would not even Dream of Ever Working With Those Ruffians but when they have to they're like so magical (no pun intended) together because they just click. Like in the original Teen Titans where Deathstroke and Robin were like fighting in Hell together and they were on the SAME WAVELENGTH despite being bitter enemies THAT'S THE SHIT I LIKE. I think maybe that's the reason why I resonate more with these guys than Malistaire because imo it's just so much more interesting and emotional when we get two people on opposite sides of the morale scale able to come together and work so fluently. This is also me saying I want a Schismist Soldier and YW Roommate Sitcom.

[aq2003]

there comes a beautiful time in life where i have to ask myselg th question, "did i accidentally project too hard onto the character that i only relate to a little bit and in doing so hugely missed this one entire aspect/interpretation of the characters . am i stupid"

[sunbloomdew]

slight to the moon & finding paradise spoilers AND impostor factory spoilers lolol

so i read a very old review of "to the moon" sometime ago and the author called eva a romantic at heart and neil the 'too cool, doesn't care about romance' guy, and like... what??

eva who suggested john and river's marriage was a mistake, who said "he can always find another 'river' but he will only have one brother", who declines neil's romantic advances, who is very clearly disinterested at taima's attempts to matchmake her, who in response to neil's attempts to bet on colin's problem says "it's not always about some girl, neil", who focuses on her career and family and hobbies and doesn't mind not having a romantic partner?

neil who on the other hand teared up during the memory of john and river's wedding (and tried to hide it, poorly), who disagreed with the idea of removing river because "we don't know what jhonny wants but we know what he doesn't want", who at eva's confusion with sofia's attitude towards them remarked that "well, if she is the patient's wife then she has a dying spouse", who insisted colin was romantically interested in faye, whose ideal reality has him and eva getting married????

my guy.

[sfsolstice]

not all is meant to last, but i have finally screamed into the ether, for the universe, with its omniscient ears, to hear this conviction:

i choose you! i choose you! even if it is only for now, as not all is meant to last, and even if it is just for now, the world will need to rip

this very moment from my calloused hands, stained with the blood of hearts cut by these desperate talons, but now— finally— i choose my own fate;

not all may be meant to last, but i refuse to spill any more of your blood, done by my hand; i choose now, i choose you— and i will fist fight god for the taste

of this very moment, with you.

[enden-k]

im sorry to hear people are stomping all over your boundaries, big props to you for sticking up for yourself and putting your foot down. I hope you're doing ok (/gen)

on another, hopefully happier note, i noticed your info post mentions that you self ship! I'd love to hear about your favourite self ships if you're comfortable talking about them some time?

i actually never did or had interest in this but then haitham waltzed in so hes the first and only one (this whole thing flusters me so its smth i indulge in for myself in private by reading or daydreaming or sometimes i babble and ramble about him very in depth)

(most hkvthm things i draw is just me going 'wish that was me' and drawing it LMFAO)

ohh also same w kaveh but in a slightly different way than haitham (theyre both the only ones) i want them to hold hands. i want them to hold my hands. there

[needylittlegirl]

hi guys its 5am and im crying my eyes out does anyone want to play checkers or something

[star-mum]

Okay OP nation I have some (maybe controversial) statements about the Straw Hats and I need y’all to listEN FIRST OKAY- HEAR ME OUT

Boyfriend: Zoro and Franky

Husband: Usopp and Sanji

Girlfriend: Nami

Wife: Robin

Luffy: Aroace king

[ettawritesnstudies]

.

[bayonetta-origins]

having aa5 bayo origins thoughts( ´-｀) ill ramble in the tags

[carkali]

now step into my world

[designernishiki]

sue me but i just really don’t wanna see someone try to rectify that terrible cliche out of character love triangle again like. if they chose to cut that out all together (not cutting YUMI out all together, obviously, just the romantic implications) then they’d probably have my attention. but let’s be real that’s probably not gonna happen

[variousqueerthings]

as per the latest video I watched + my aroace!hawkeye headcanon, the guy talking about how “does there need to be a declaration made, or a specification made, or is just the plot acknowledging that there is no romantic future for this character enough.” the interesting thing there was that he was talking as an alloromantic gay ace person, so to him as an ace person “not having a romantic future in text” overlaps with the search for asexual representation and he’s not wrong! 

as much as we (I) talk about not-conflating, there is overlap between aromantic reads and asexual reads (the difference in conflation and overlap is whether we’re being conscious about it, I think)

so to take this perspective and see how it relates to hawkeye not just romantically, but also sexually. yes, in the sense that there is a running-ish joke in later seasons that he has a date set up that doesn’t work out for whatever reason or that someone doesn’t want to sleep with him -- with the notable exception of “who knew” (and that is a whole Thing, especially aromantically, as well) -- but also in the sense that lack-of-romance is a common way for asexual people to imprint on a character in and of itself, because we know that narratives very much use romance as a shorthand for sex (and if a romance doesn’t have sex, then that’s a shorthand for dysfunction in the relationship). romantic arc = sexual person, regardless of whether or not sex is depicted

was also thinking once again about allowing asexuality to be complex -- that is, not simply creating a divide between people who do have sex and those who don’t have sex, when the reality is far more interesting and fluid, especially in a society in which sex = romance and romance = sex -- sidenote on how the queer community tries to challenge the former notion in some ways, but still very much struggles in much the same way as non-queers to think of it beyond easily definable stereotypes about what sort of people aromantics and asexuals are (egotistical, childish, robotic, mentally ill - especially psychopathic and/or with some learning disability/developmental disability (yes this is all ableist), boring, prude-or-hypersexual, shallow, traumatised, etcetc)

but thinking more deeply about why someone has sex and why they don’t creates a very interesting possibility for analysis, and hawkeye is one of the more obvious leading characters I’ve seen who has a complicated relationship to romance, through which one can easily confer a similarly complicated relationship to sex because of the ways these things are depicted on the show, both as a consequence of the time in which it was being written and of the time-and-place in which it’s set

hawkeye as both someone who falls in love at the drop of a hat, but for whom “love” is not really romantic, but who doesn’t have other forms of categorisation, and for whom, naturally, and especially as a man, that love = sex for the time in which that sex lasts (leading to accusations of shallowness), until at some point he consciously stops a young woman from pursuing him based on his reflections of how he is and his trauma, and at another point believes himself to be in love with a woman he never really knew, just because he felt guilty about her death

versus hawkeye at the end of the story who is very much designated as a character for whom there is no romantic future in the canon (avoids the “margaret is also this character” tangent for nooow) and is surrounded by people who love him/whom he loves in turn -- are the relationships around which his story revolves

also was having fun with the discussion about kink and asexuality in the video, the assertion that asexual people are often some of the kinkiest you know (we know) and how that relates to hawkeye and physicality and sex as well

essentially that hawkeye’s relationship to bodies and relationships is (as I said above) complicated, but surprisingly obviously non-romantic in direction, and you can take an easy wrench to that complication if you so desire, and that is very common for asexual people to do... and so I shall.