#you get the link in the original post AND NO TAGS

[rivkae-winters]

"You will rot."

I'm currently writing a post about this quote right now and I was wondering how other people see the emotions behind it and the reason for it's wording. Without giving to much away it's specifically trying to unpack the connotations of 'rotting' and what that means in universe. This poll is specifically about the last thing he says to Genesis ("You will rot.") and not the rest of the conversation that precedes it.

Here is the direct time stamp for the line in both Original CC and Reunion (both in the standard english release) I'm linking both because of the va delivery differences.

So to the like 5 people that will probably see this and care:

I tried to keep the options as tone neutral as possible so feel free to elaborate even if you didn't choose the nuance option.

Also because every time I see it get brought up this issue arises: Yes, Genesis has just said some absolutely awful stuff to Sephiroth in a very disordered attempt to gain help from him. This is not about that- that's a different conversation.

[skyward-floored]

Hey so any thoughts on people who tag non-LU stuff as LU (despite the creators of said AU aren't connected to LU in any way)?

...They need to stop doing it.

This has been a problem for years, and it drives me nuts because people I follow, and friends, and myself, have all had to deal with this and it’s incredibly discouraging.

I say this as someone who truly loves linkeduniverse— people seriously need to get it through their heads that other AUs exist out there. Often with similar or identical nicknames and/or designs for Links. And it takes all of ten seconds to click on a post and check the original tags to see if the artist meant it as lu or not. it’s not hard!

There are several posts out there that have put it more more elegantly than me, but it’s so disheartening to work hard on an au and put so much work into it and then having people take one look and go “oh it’s more lu!”. But it’s not, it’s something different and I can’t articulate exactly why it hurts so much when something you worked hard on gets tagged as someone else’s work, but it really, really does.

So just... be mindful. Be respectful of other AUs. Take ten seconds and make sure what you’re about to tag as linkeduniverse actually is that.

Don’t just mindlessly consume, okay?

[hansooyung]

hansooyung's coloring tutorial & ctiys: alma time! 🍒

hello everyone! though i've been meaning to for a while, i've finally gotten around to making my first manga coloring tutorial! i'll be going over cleaning panels and screentones, choosing base colors, and finally shading and lighting.

this will also be a color this in your style challenge, so if you're willing, feel free to post your colored panel and tag me in it!! i'd love to see all the results :)

find details under the cut! 🦋

DISCLAIMERS:

this is just how i personally color! i know for a fact that some of my other friends follow other methods and have such beautiful colorings <33

for colors specifically, i play around a LOT. if you don't like your color scheme for the time being, mess around with it! i don't use psds since i like to mess around by hand with color palettes, but maybe i'll look into it for the future.

i explain a lot just bear with me gang 🙏

TECHNICAL STUFF:

software: ibis paint x (on iphone). i use ibis since it is FREE for all phones and it worked on my chromebook as well.

while this tutorial is made for ibis paint x, everything works on other softwares except the brushes, which i've provided alternatives for below.

brushes: i will be using dip pen (hard) which is automatically included with ibis, and two other brushes i made myself which you can find here and here. for more brushes, @/bkdkdh was incredibly helpful and posted her awesome set here!

for other softwares, you can use similar brushes. dip pen (hard) can just be the default brush, while wet edges is just the default brush on lowered opacity (and more of a rectangle/marker shape?). watercolor pencil is a watercolor brush in the rectangle/marker shape as well. if you can't get the shape, you can always smudge your lines into shape as well, so don't fret too much! a bunch of people only use one brush for coloring everything (which is insane to me, personally, they are so talented!)

fun fact: the first brush listed that i made was originally called "aki tao watercolor smooth" 👍

ok here we go guys!!

STEP ONE: CLEANING THE PANEL

i think of this part as setting up the panel for coloring! usually it's pretty exhausting cuz it's all b&w but it's all worth it i swear. the panel i'll be coloring is this beautiful one of alma from chapter 2:

imgur link here (x)

a lot of people redraw their lines to avoid screentones, which is extremely helpful. however, i work on a phone and my fingers are not steady even with the stabilizer turned all the way up T~T. i do it this way, but a different (possibly easier) way may work for you!!!

your first step will be to remove all the white, giving us a transparent background to work with. THIS IS THE NUMBER ONE REASON WHY I USE IBIS PAINT X.

when you upload the image to ibis, a popup comes asking if you would like to "extract line drawing". this creates a lineart of your image. click yes, and your work is like 90% done.

if you're not on ibis, you can redraw your panel, put lineart layer on screen, etc. or you can just extract line drawing from ibis and upload to software of your choice

for those of you not on ibis, i've included the line drawing here (x) if it looks black, don't worry and set your background to white.

omg i was not kidding when i said i explained a lot. ok now onto the three main steps of cleaning the panel:

cleaning background

removing screentones

repainting black lines

for cleaning the background, we're going to clear off all the extraneous stuff. this includes the text in the speech bubble, the gradient screentones behind alma, and the panel line on the left side. just use your eraser tool and go crazy! (i forgot to save the panel at this point of the coloring OTL)

for removing screentones, we're going to remove all those "dots" that mangakas use for shading. these are used to show value for b&w art, but since we're coloring we don't need them—a lot of people have really cool ways of incorporating screentones in their colorings though, and it looks amazing! i used it on nana's hand in my bnha coloring.

remove the screentones from alma's hair and jacket with your eraser tool. this will take time, but it's worth it in the end!

for portions with a bunch of lines, you can create A NEW LAYER and redraw some of the lines. that way, you can erase indiscriminately from the original layer but the lines you drew are still there. again, like i said, my hand is really shaky so i don't do it a lot, but it's extremely helpful for smaller parts where i have control! i used this on alma's jacket, and here's a screenshot of the process:

(i made his jacket purple so i could distinguish between layers easily).

it should look like this when you're done:

for the final step of cleaning, i like to erase all the things colored black (the collar and strings of the jacket, along with the back part of his hair). that way, i can color them in with dark colors and it adds to the whole look of the coloring.

i've circled the parts i'm going to erase below:

and it should look like this when you're done!

ok everyone cheer we're ready to color now!!!!

STEP TWO: BASE COLORS

CROWD CHEERS ok lets go!

this part is the most important to me, because it sets the tone for the whole coloring. i like to use three-four main colors in my colorings, and it's usually background, skintone, hair, and the secret fourth color. the secret fourth color is usually whatever color fits the character's vibe, or if the character's color is the bg, it'll be an accent color.

for example, with my nagi coloring, i used white for the hair, i had my skintone, i had blue as the main coloring vibe (as nagi's color), and black as the accent color.

for alma, i chose his main color to be red! it's the color of his hair and his jacket, so i wanted it to be vibrant and stand out. since blue contrasts red, i went for a greyish-blue shade for the background. (i went for grey rather than solely blue because then it would clash rather than complement).

disclaimer please please please take your device off night mode warm mode f.lux whatever you have. this has screwed me over more times than you may think :(

i like to make my vibrant colors closer to the right end of the color square. for alma's hair, i chose this color:

i dragged it down from the corner a bit but kept the saturation since his hair is kind of dark. we can use vibrant colors to shade it though, so don't worry!

here's his hair and the background together:

now from here, play around with skintones until you find one that matches the hair!

i usually drag around the wheel to the orange-red intersection, and have it on the lighter, more saturated side. here's the color i chose for alma's skintone.

i thought his original skintone looked a bit too orange, so i pulled the saturation back a little bit (moved closer to the left side of the square).

after that, color in his jacket with a bit darker red than hair, choose a gold color for the accents on his jacket, and color in the black parts with a grey-ish color (we will change that later).

here's the base colors!

if it looks a bit bright, don't worry! we can change that with shading. or you might just have to. accept the light.

STEP THREE: SHADING AND LIGHTING

wooo we made it!!!!!!! ok now i lied, we have a bit more of base colors to go. on a layer above the skin, color in your teeth and tongue. for pieces that have a more red feel (like this one), i like to make the teeth and the shading a more vibrant blue color. (for blue pieces, i make it a purple!).

IMPORTANT NOTE: ALL SHADING AND ALL COLORS SHOULD BE DONE ON NEW, CLIPPED LAYER.

i'll then go in and do some light shading with my wet edges brush. i'll use a darker color for hard shadows and then a lighter, more vibrant color to accentuate it.

next up we have blush! a lot of people do this in very different ways but i like to do it directly under the eyes, in a vibrant red shade. make a new layer above the skin and clip it on. color pick alma's hair and drag it to the most saturated shade (red corner). then using the watercolor pencil brush, lower the opacity of the brush and drag a line under the eyes on both sides.

make sure to erase the portion of blush that goes above the eyeline. i also added some lips for alma as you can see, and then added a red line under the eyes! this was back to the regular dip pen (hard) brush on 100% opacity. it may take a few tries to get your blush to the way you want it, so don't worry too much.

now we can start our actual shading!

i break this part up into three steps: skin shading, blue shading, and light shading (highlights?)

for all of them, think about where the light is falling and how it will look on alma.

quick interlude about brushes: i use the watercolor pencil brush for softer, bouncy looks (like blush and noses) and i use the wet edges brush for more hard lines in shading.

again, make a new layer above the skin and clip it on. (i like to have it below the blush, so it doesn't cover it). for skin shading, i take the vibrant red and lower the opacity of the wet edges brush by a significant amount (specifics don't really matter, as long as you're happy with it). i'll trace his neck, from the shadow of his face, shadows of his hair falling on his face, ears, and nose. (for the nose i used the watercolor pencil brush for a softer look).

this is what i have once i'm done!

next we have skin shading part two, where we basically make a new layer on top of our first shading, lower the opacity further, and trace outside whatever we just did to blend it in more.

i used the watercolor pencil brush since it's more softer shading meant for blending! i also added it around the eyebrows for depth.

next up we have our blue shading! this is a technique that i learned from @/bkdkdh's colorings, but adding blue as a shadow really adds to the whole coloring. using the watercolor pencil brush, select a light-ish blue shade (a bit more saturated than background color) and use it to shadow a few more areas than your skin shading. i always make sure to hit the underside of the nose, cuz i think it adds depth!

finally, to wrap up our skin shading we have our lights. i use an orange-ish yellow color, which i set pretty light to not blend into the skin. using the watercolor pencil brush, i'll basically highlight any areas opposite to where the blue was, and highlight different parts. i always highlight one side of the nose as well.

i erased the line around the nose since we now have shading there, and added a darker shade to the teeth since i felt it wasn't shaded enough.

now onto the hair!!! (guys we're almost done bear with me, skin and hair are the two main things and then you can half-ass the clothes)

color pick alma's hair color, then drag the red a bit further down to get a darker yet still saturated color. here's mine:

then, using the wet edges brush, draw lines of shadow wherever clumps of his hair fall or overlap with each other. you can have the opacity set to whatever level you want, i just went with around 90. just try to follow the natural lines and patterns of the original line drawing, and everything should work out fine.

here's how mine looks! then, just like we did for skin shading, place a layer on top and lower the opacity to around 50%. place some more shading to blend it in. you can also shade more parts with this shade for some softer shading. i actually forgot to take a screenshot of this step but you'll see it in the next one!

for our (almost) last part of hair shading, take a layer and place it below both of your shading layers. this is going to be our highlight layer! you can see it below, labeled 49%.

remember how we set alma's hair a bit darker from the corner color? now select that corner color and draw highlights in the center of each hair clump.

lightly visible but it's there!

now here i skipped around a bit bc i was having fun and forgot i was doing a tutorial, but repeat the shading (not highlighting) steps with darker colors for alma's jacket. you should have your base layer, a dark shading, and a softer shading for blending.

we're almost there guys!!!

for the pretty much final step of shading, select a light blue color and do some blue shading with the watercolor pencil brush opposite to wherever your darker shading falls (just like we did on the face). make sure to do it to both your hair and your jacket! here's mine:

now for the black portions, we're going to color the whole thing in a dark blue color. just alpha lock your layer and make a big stroke of dark blue, almost black. for our black shading, we're actually going to go lighter.

select a lighter (but still dark) color and place highlights on the base layer, then take an even more vibrant, lighter blue and place it on the very outside for highlights. a better example of this would be nagi's legs in his blue lock uniform here. then, choose a shade to apply shading to the gold accents on alma's jacket and we're done!

CROWD CHEERS!!!!!

STEP FOUR: FINISHING TOUCHES

we made it guys!!!! for finishing touches, i'll usually do background effects or text or that kind of stuff.

step one is coloring your lines. you can add a new layer and clip it to your lineart, or simply alpha lock your lineart and color directly on top. for hair i like to add vibrant blue/purple lines, along with a few red ones. for skin lines i try to do dark brownish purples, but leaving some black is good too bc it adds flavor!

i colored in the text boxes and added shadows using the wet edge feature, then added some text. for the glitch effect, i duplicated the lineart, dragged the layer below all of my colors (including speech bubbles) and then used the glitch effect with height full from ibis. if you don't have ibis, you can look into features on your software, or you can also just drag your lineart layer a bit to either side and color it in. i also applied just the tiniest bit of noise on top of everything

and there we go!!!!! we made it to the end :)

if you've read all the way til here, thank you so much! if you decide to color this panel of alma (or any other panels!) don't be afraid to post them and tag me for a color this in your style type of thing! (you can also put it in my tracked tag, #user.roy) i'd love to see everyone's works :)

here's the full timelapse: (it stalls for a bit at some times but hey we can't have everything)

[gramophoneturtle]

"It will be alright, Mini-moto..."

No context here. I needed some background texture, so I went to back these shapes. Maybe pretend they're glitches or something?

And where is his cap? Good question!

[averlym]

" just...come here. just sit here with me" (...that one scene from princess momonoke, click for better resolution)

[charlesemersonwinchesteriii]

Rosaria Champagne, “Law of the (Nameless) Father: Mary Shelley’s Mathilda and the Incest Taboo” // Star Trek: Deep Space 9, 2x22 “The Wire”

[hoshizoralone]

How did you first get into Nier? And who is your favorite character(s) in each game?

was over at a friend’s house early summer in 2016 and they asked “do you want to play a game about a hot single dad” and that’s how it all started.

my favs are dad nier, yonah, weiss, a2, and 6o :) here is a bad picture of my dad nier shrine on my bookshelf

[andthebeanstalk]

Ya know. I spent most of my life with horrible painful soul-crushing social anxiety.

And after about 25 years of continuous hard work, suddenly, people started pointing out - to my utter bafflement - that I had, in fact, achieved my lifelong dream of being charismatic. I'm 29 now; I feel comfortable in most social situations, and it is a very rare person whom I cannot make laugh.

I am, undoubtedly, finally, charismatic.

But do you know what I found?

I found that now that I have an understanding of which social rules serve which functions -- Now that I have an understanding of just how much damage my awkwardness was doing to people, well,

I found that, actually, my awkwardness never really hurt anyone at all. People were just judgmental dicks to me about it.

Now that I have the skill-level to (most of the time) creatively vocalize what is in my head as soon as I think it and without fear, I can confirm once and for all what I had always suspected:

I was worth talking to when I was quiet.

I was worth talking to when I was awkward, and when the words in my head took time and patience to hear, and when most of my jokes didn't land. I was worth talking to the whole time.

So I just... I hope that if you've ever wondered whether you are worth communicating with, the answer is yes. Absolutely yes. Each of us has a soul worth sharing - and if you and I were talking, I would happily wait for you to speak (or communicate in other ways) without condescending, and I would never shame you for that harmless awkwardness that so many people feel the need to violently stomp out.

You are worth talking to. You just are. And you deserve people who will speak to you with kindness, with patience, and with the basic immutable respect owed to all people.

(I talk about this with some frequency, both on tumblr and in real life. At some point, maybe I'll gather all my thoughts on the matter into one post. At some point, I wrote about my personal experience trying to build my social skill. But I felt the need to say at least a little bit tonight after seeing this other lovely post, and I'm glad I did. It will happen again.)

[james-p-sullivan]

Summary: follow along on Vio and Shadow’s journey through Hyrule by scrolling through the camera roll on their Purah Pad.

Pairings: Vio/Shadow

There are two versions of this story posted, the first chapter is spicy and the second chapter is the SFW version. They both tell the exact same story, though the ending has been slightly changed for each. I wasn’t sure whether to split them into two postings or not so I just put them both together.

I also sketched out a little scene from halfway in the fic. Granted, I kind of gave up on the drawing like ten minutes in hence why it looks like that but I’d still like to post it lol not my best work hahaha

[mapswithoutwyoming]

from this point on, if I see someone share a screenshot of an article with no link and no alt text, it's an instant block for everyone involved. there have to be some fucking standards

[theinfinitedivides]

whenever you tag a post with your 'secret project' tag it makes me smile! it's going to be a banger

ahhhhh, tysm!!!!! it's actually an anthology of things i've been working on seriously for close to four years (had the nebulous idea for an additional four years before that) that is (somehow) still in the plotting stage. the aesthetics are there the vibes are there the general direction is there but word count? nada i'm starting to think it should be a film/game project, asfjdgjnlifhfnlwwmpjfmq

[xcziel]

i am SO IRRITATED with @support @staff right now

like this detaching a post from its link to each individual reblog in a chain is a NIGHTMARE

-> new hyperfixation, and i'm trying to backread some of the associated blogs that have been around a while, yeah?

and i'm on mobile, which is relevant because hey fuck app users is i guess the motto?

so used to, if you wanted to read a few months/years back on a blog you could: find a tag of theirs, click on a post that was around the time you were interested in, be ported to the blog's dash AS OF THAT TIME IN THE PAST, and just scroll along

but now, because tumblr, for whatever moronic reason, has isolated posts so that

clicking takes you to an individual pane for *only* that post, not where it is on the blog timeline

AND NOW you CANNOT reach a previous reblog from clicking on the username in the reblog (only the og post)

the ONLY way to get back to older posts is to SCROLL MANUALLY FOR LITERAL HOURS

if i want to see posts from 2017, finding an old post and clicking on it does NOTHING to help me - it has been snipped out of its native environment and shown to me, but the other posts available as links at the bottom pane are just whatever tumblr algorithm thinks are 'relevant', not access to the rest of the blog timeline

this is true EVEN ON MY OWN BLOG and

I HATE IT

either make the Archive function work on mobile or GIVE BACK THE FUNCTIONALITY THAT WE HAVE ALWAYS HAD

[nobody-knose--archive]

everybody read sundials in the shade now. send in your reviews. enjoy the symbolism & lore-building. enjoy the standalone character-driven mild plot. enjoy the dialogue. just do it

[apotelesmaa]

Also… the landlady who runs straycatj obviously loves when people make art of her cats? She reblogs drawings that people make of them & is excited to see them all the time? The issue is painting something that looks exactly like the original photo and making money off of it without permission or credit. It’s also not a cultural difference because I’ve literally seen this exact same thing happen on western Twitter, where the original photographer was equally (& rightfully) upset.

Photography is art, and even if the original photo wasn’t meant to be hung in a museum that doesn’t mean you can create something that looks exactly like it and claim it as your own. There’s also a huge difference between like… painting a well known meme image that anyone could recognize and painting a photo from a niche cat blog on tumblr. With the former, most people who see it will recognize that it’s based on the original, and with the latter anyone who looks at the painting will assume it’s a completely original piece. Just because its not illegal to do doesn’t make it ethical especially when there’s money involved.

[m0e-ru]

annual realization where this gas station’s operations and my life owe it all to visualive i’m serious