#you guys don't have to interact with this

[ohtobeleah]

I've had a thought in my mind for a few days. A thought where, in Days of Future Past…When Logan goes to the school looking for Chalres and is met by a younger version of Beast. (Hank)

What if it wasn't Beast that met him at the door, but you? A younger version of yourself. You…who Logan lost in the war against the Sentinels.

You…another mutant who's genetic make up doesn't allowed for aging. Your regeneration matches Logans. Only you aren't made of Adamantium like he is. You heal others. You study every branch of science there is to devour and yet the knowledge you process still isn't enough.

“Y/n?” Its funny how Charles never mentioned it would be you who looked after him during his darkest days. And its crazy how you look exactly the same as you did so many years into the future. “You’re—you’re alright.”

“How do you know my name?” You frown with confusion. “Who are you and what are you doing here?”

“I'm here to see the professor,” Logan tries to stay focused. But the last time he saw you? You had died in his arms. “What happened to the school?”

“Are you a parent? Because the schools been closed for a long time, sir.”

Logans standing face to face with the woman he loves, the woman he lost. Only you don't know who he is. And you're making it incredible hard for him to stay on task.

“Id wanna hope not,” Logan jokes with himself for a second, but the reality was he'd not only lost you—but your daughter too. He never did get to meet her before they took you from him. “I need to see the professor.” Logan pushes his way through, knowing that if he didn't stay committed to his task, that he might take the chance to stay in the past with you forever.

“Theres no professor here!” You shout after the man who's just barreled his way into the rundown school for gifted students. “Listen asshat, ill give you to the count of three to leave or else I'll—” But you don't get to finish your sentence.

“Look lady,” Logan growls, interupting your threat as he turned to fade you. He missed you so fucking much. “You and I are gonna get along really well one day,” He knows you'll be fine. Logan knows a quick cross to the nose will knock you down for a second or two. So with one fluid motion, he does just that. And for what it's worth, Logan tries to keep a pretty stick policy on hitting women. But once you bring mutant DNA into the picture, added with the fact he knows you handle yourself well enough to have him working up a sweat? Whats a guy supposed to do. “You just don't know it yet.”

“Fuck!” You shout as you stumble back incoherently dazed and confused.

“Professor!?” Logan turns nonchalantly, knowing you'll recover quickly. He races up the stairs, taking two, sometimes three at a time.

Only for you to race after him, completely set on beating the absolute crap outta this guy who's let himself into your home.

“Fuckface,” You shout after Logan as you leg it after him down the hall. “Hey! if you don't leave right this second I'm gonna have to ask him to ask you to leave.”

“Ask who?” Logan asks, looking around until he's met with a powerful force of blue rage. Sending him back down the stairs.

“Him.” You smiled, happily watching Hank interact with his new chew toy until Charles ultimately interrupted the fun.

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[cassi-pokeblogging-hub]

Saying No

Okay so a conversation in a discord server inspired me to make this.

You guys can say no to things. You do not always have to "Yes And" everything that comes to you.

Like. Usually when we talk about rping, we talk about saying yes and. continuing on the scene, not shutting interaction down. We're pretty lucky with how this rp stuff works where in character denying and saying no CAN work a lot better than in standard improv without fully stopping the scene and kinda shutting it down, but that's not what I'm talking about.

I've seen a lot of people who kinda. Accidentally start god modding or kinda burst their way into plotlines without asking and like. This is public rp! Anyone can join! But there is a certain degree where you gotta stop first and ask or just not say it.

But sometimes people do not think first and just do. Maybe sending a magic anon that solves all of your oc's problems. Maybe they have dimension hopping powers and are like "Don't worry! I've come to your reality and I can help you get away from your problems instantly!", maybe your character really wants a mega stone and you have plans to have a whole thing about them working to get this mega stone and learning to mega evolving their partner and then someone mystery gifts or pelipper mails the item to you immediatly.

You don't have to "Yes, and" that. You can just say "No, you didn't do that". You are allowed to say no when someone crosses your boundaries and is affecting your plot.

Is someone trying to involve you in their plot without asking? "That is not happening in my character's universe" Is someone trying to say they're just there at a crucial event with your character when they never asked? "Your character is not able to be there. Please delete that post".

Yes And only goes so far. There is a time and a place where you will need to say No, and that is just as important to RP as going with the flow! If someone's fucking with your plot, its your job to tell them to stop. People can get involved, sure, but sometimes people try and get way more involved than what you're comfortable and its okay to tell them to back off.

I've also seen people feel that stuff like Muse Mixup Madness or Pelipper Mail are mandatory things they HAVE to do? You don't! You don't need to do anything even if others are! So I guess this is your reminder that you can ignore pelipper mail and magic anons and just asks in general that you dont like! you can turn pelipper mail and magic anons off completely! you can ignore peoples replies to your posts if they fuck with what you have going on. you can tell people they did not do things that would fuck with your characters and story. you can just not do muse mixup madness when it rolls around. you can just not do follower special events. you don't have to participate in anything you dont want, and you dont have to allow people to do whatever even if it makes you uncomfortable.

Other people can do what they want, but you have a right to say no when they try to involve you.

[aliensubstance-011]

Fiddlestan AU!!

AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford! 

Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).

I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”

At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae. 

Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation,  Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day. 

They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.

Just General HCs:

Stan falls first, but doesn't realise until Fiddleford confesses.

Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil? 

Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan. 

I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.

Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm). 

I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris. 

Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time. 

If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.) 

I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.

I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.

[eloiseyybish]

Touching on recent 9-1-1 fandom discourse, I think it's important to contextualise. You see, the thing is, I've typically in the past shipped non-canon ships, but they've taught me a lot about fandom culture.

Ngl, this kinda started with The Mighty Ducks (Charlie/Adam shippers rise) and keeps going onto fuckin Klance (I'm just mad about how the writers left Lance and Allura as individual characters regardless of their romantic status at the time) and Zosan (OPLA did not help this).

So I 10000% know what it's like to ship something and for it to never to be canon because that's like 95% of most ships (especially gay ones) in fandom.

I promise you...if Buddie doesn't go canon... you'll live. You'll still have the same fanon couple that you've worshipped for so long.

Just, please... stop the 'Tommy Bashing' fics just because he is hot enough to make Buck discover his sexuality (instead of Eddie). I don't have the energy especially when some people don't even un-tag Bucktommy with these fics. They still keep Buck/Tommy as the main couple even though all they're doing is making Tommy OOC and an asshole (idk I haven't actually read the fic because I muted the creator when I saw that's what they were doing)

This is all new to me.

Normally, I don't ship the canon one, but Bucktommy is cute, guys, and idk what to tell you if you disagree. There isn't a single interaction they've had (in canon, not fanon) to show you that they don't desperately want to know each other better.

My point is: YOU DO NOT NEED YOUR SHIP TO BE CANON FOR YOU TO SHIP IT. As a veteran, I'm so shocked at the entitlement of NEEDING your favourite ship to be canon because that's the only way it's valid.

Please, grow up and understand that things don't happen in this world just because you want them to. Canon or not shouldn't stop you from being able to enjoy the dynamic.

[jeonscatalyst]

What difference do you think we would have gotten to see if it wasn't jk with jm but let's say tae? I'm only using tae as an example cause he's the same age as jimin so the 95-97 remains there and the "dynamics change because of age" reason wouldn't be there. Or else i would have used other members as an example

TK bicker too, jungkook was teasing tae (Basically when vmk are together it's fixed that one of them is going to get ganged up by the other two, happens with TK-Jm, Jkk-TH, Vmin-JK so that's a given. He was considerate of tae as well given he was asking him to join when tae was on the phone or when he said to let's eat near tae even before he knew tae was unwell. It's of course basic manners to make ur supposed guest feel involved and they both did. he also said jeju was better because tae was there so i was just wondering what difference would it have made in the show if it was a TK show. like we obviously would have gotten them enjoying their time doing all the activities and I'm sure they know how to hangout without a third party involved so i kinda don't see much difference so it would be nice to see a different pov.

Hi anon,

I think we can only try to imagine how different things would have been if it was just Jk and Tae because we unfortunately have rarely seen just the two of them interacting for that long without other people as buffers and the few times we did get to see them together without any other members like the Taekook Carnation Vlive of 2020 and their joint instagram Live last year, it wasn’t really anything to write home about in my opinion.

Pre 2016 taekook together would have been pure comedy gold in my opinion because those two were hilarious and so much fun together when they were younger. They had amazing chemistry and knew how to go with the flow with each other so well but I don’t think things remained the same after they grew up and matured over the years. I think that biggest thing which made them to be able to relate to each other so much was not there as much anymore so things became a little strained.

Taekook can definitely hang out with each other without other people but I don’t think they can do it for as long as Jimin and Jungkook do it. Take AYS episodes 3-5 for example. Things were so much fun when the three guys had all those fun activities to do on the first day. They had climbing, racing, motorbike riding, it was so entertaining to watch all 3 of them having so much fun and just running around like 5 year olds but look at what happened the moment those fun physical activities were done. Tae was literally almost always on his phone and barely interacted with Jikook. While at the restaurants jikook were the ones always talking with each other while tae was either on his phone or was quiet. Even back at home after their day’s activities, he usually went to bed much earlier than Jimin and Jungkook while these two stayed up and just found fun in whatever silly thing they were doing. This, is the difference between taekook and Jikook.

When there is physical activity which they consider fun, taekook gel so well and could be so interesting to watch but one of them tends to lose some interest after a while or gets tired and retires while one is still in the mood to play around. This doesn’t happen with Jikook. Jikook don’t necessarily need a lot of physical fun activities to have fun together because they know how to create their own fun in any situation they are in. They know how to talk and laugh about the most random things, they have an insane amount of inside jokes, and more often than not, you would see them making decisions on what to do together. They also don’t always feel the need to fill the silence with noise. They are very capable of just being by each other without saying or doing much and would not feel bored but when you look at how tae was in episode 4 and 5 after the physical activities (plus his neck pain) it isn’t hard to see that he probably had, had enough. So imagine the show with just taekook in a situation like this. Tae probably spending alot of time on his phone, taekook barely saying anything to each other while eating at restaurants, Tae wanting to go to bed way earlier than Jk who is still hyper and just wants to play around and when you add to the fact that both of them are not big talkers, then you can imagine what it would be like.

Jimin is very good at starting and holding conversations and keeping things interesting with words. I don’t think Tae is good at this and Jk isn’t either but the thing is, when Jk is with Jimin, he talks more, he is such a yapper around Jimin but he is quieter with Tae probably because Tae doesn’t talk much either.

I can see how him being with Jikook in Jeju might have made things better because at the end of the day, things are always more fun with more people. There’s more laughter, more fun ideas etc so I think that is what Jk meant and Jimin too said he was able to run around like a kid again thanks to Tae. Jimin and Jungkook are the two who like doing more mundane and probably “boring” things together. They have always liked staying up late at nights doing the most unserious things together and it is so much fun for them while taekook are the ones who actually like doing fun recreational activities together. Jimin and Jungkook could be locked up together in an empty room and they would still find something fun to do. That is the difference anon.

Bottom line here is that Jk, Jimin and Taehyung are all friends. They all love and care about each other. Jk loves Tae and he loves Jimin too, he is also very close to both of them but Jk just relates or gels with both of them in very different ways. Just because they are all close doesn’t mean they have the exact same kind of closeness with each other. There are certain things that Jungkook might feel are better with Tae and others that he feels are better with Jimin. I think Jungkook prefers doing the extra fun outdoor activities with Taehyung, while he enjoys the more mundane or subtle things with Jimin. He just likes talking with Jimin, being silly with him, or just doing nothing with him. So with Jimin and Jungkook we would probably still see them doing just fine with little to no activity but with Taehyung and Jungkook, we probably need activities to actually see them gel well with each other. That is what I think the difference would be anon, based on everything I know about them and also what we saw on AYS.

Taekook actually don’t bicker much and based on what I have seen, one person usually gets upset when some jokes/ teasing gets too far. Think of Tae straight up getting upset and telling Jk not to take things too far when Jk joked about him being weak or how tae got mad and Jimin made Jk apologize back in 2019 when Tae was trying to say something during a Live but Jk told him that what he was about to say wasn’t important at that moment. Taekook are not used to bickering with each other like Jikook are so while Jikook would laugh about certain things when they joke with each other, Taekook wouldn’t. So you cannot even compare taekook bickering to Jikook’s. Jikook have been used to roasting each other since their rookie days, it is fun for them.

These are just my opinions though anon. Other people might see things differently.

[jcollinswrites]

How the fudge are you writting so fast??? I sit down to write and end up with nothing or reworking plot instead of writing 😭Have any tips you want to share? Perhaps the ingredients to the dark ritual you perform to get the motivation and remain focused 👀👀👀

So, first of all, you'll need half a newborn, shaken, not stirred…

lol jk (don't shake babies)

Believe it or not I'm the same as you, so here are some stuff that helped me tremendously, especially with my squirrel ADHD brain:

NUMBER ONE that I needed 20 years to learn, is that… forget editing, man. You can't edit if there is nothing to edit, so first you have to sit ya ass down and just fuckin' do it. It doesn't matter if it's shit at first. It's called work in progress for a reason. Who cares if it's shit? You can edit it LATER when the whole thing is already done. What you're reading in my game is literally my first draft. Lots of scenes might change later. In fact, I'm already changing scenes in the background, I'm just not always telling you. It doesn't matter. If anyone gives you shit for it, tell them to kindly fuck right off.

Have a plan for the book (written down. Not just in your head). Don't even start writing until you have a plan for the entire book. It doesn't have to be detailed. Mine is just bulletpoints, but you should know which chapter will contain what, including plot points, character development, relationship progress etc, otherwise you'll get lost, especially in a big IF. And then as you get closer to the next chapter, you can work out more details in the plan to help the actual writing.

If you don't feel like writing a scene, then don't write it. Leave a placeholder word there (I use 'mandarin' because that word likely won't come up anywhere else in the text), and instantly move on to another scene that you have inspiration for. Later, you can just search for 'mandarin' and add the scene when you feel like it. If you accidentally come across any MANDARINs in my game, that's the reason lol.

If you are writing an IF, it helps to start simple. Write the story until a choice comes up, then write the title of the choices, and continue ONLY with the route you feel the most inspired for atm (use mandarin for the rest). Don't let your momentum die by getting bogged down in choices. That's why I have so many greyed out choices when I start a new origin or chapter. I just write write write until the end of the chapter, THEN I go back to whatever choice is the simplest to add, and put the variations in the already-existing text if needed. Repeat until all the choices are written and coded in. This way, the text might feel more organic too, because you already have a pre-written skeleton that you can just add variations in.

Keep notes. It helps to have them on paper, next to you, so f.ex. when you make 9 different deities to choose from, you don't have to go back to the beginning of the chapter every single time to look up which deities those were and what they mean, you can simply turn your head to the side lol.

Take regular breaks. Exercise, stretch. Keep a daily schedule. Eat and drink enough. Try to keep a good health. Your brain won't work if it's starved.

Know yourself and your habits, and be honest with yourself. I know of myself that once I start working on the big plot points, I won't have any motivation to come back to the beginning again. That's why I'm writing all the origin stories first, because I know that if I start going into chapter 2, I definitely won't feel like coming back to start yet another route from the very beginning. So if you don't feel like doing something, then just… don't do it. Or do it simpler. Do it smarter. Trick that asshole brain into cooperating.

Last but not least, guys, 90% of my motivation COMES FROM YOU! Your engagement, your messages, your feedback, every little interaction is what keeps me going! So write me! I will answer! (if you aren't a dick). Literally, about anything. Even if it's just "hey I really liked this small detail here", that will already make my day, seriously. I LOVE talking about my work, and I'm pretty sure every author is like that, so keep engaging with writers, because that's 90% of the reason when a novel gets finished! I'm writing for YOU! Your enjoyment, your fun, because I love telling stories, but those stories don't mean anything if no one is reading them.

[malichev]

I've come to the conclusion that with Twitter being banned in Brazil, certain communities have become more comfortable with "attacking" CCs for everything now. Literally, I have a lot of friends in other communities, and they've been complaining a lot about waves of idiotic attacks, and for silly topics like voting for prizes or the recent meeting on Twitchcoon. Literally, Roier went to Twitchcoon, met fans, and some were promoting Enigma do Medo, the Cellbit´s game that should be released soon (high stakes for next month) and Roier saw it and HE commented on it jokingly: How much are they paying you for the promotion? Normal thing, nothing problematic, and people who claim to be fans of Roier started attacking the people who are promoting Enigma do Medo at the event saying that they are forcing Roier to interact, that they only like him because of the cubito couple (the server doesn't even exist anymore), etc. Guys? Wake up, Cellbit and Roier are friends, Roier received game updates before the public, etc., he is one of the people most anxious for this release. And another point, stop saying that fans of the duo only see them as a couple, you are being sick now. Just because Roier talked about a game project by one of his friends, they are being seen as a couple? Bunch of weirdos. The worst thing is that normally you expect fans of the ship to do these weird things, but the ones talking this nonsense are people who say they are just Roier´s fans. The Guapoduo community is quite healthy compared to these crazy people. I'll say it once: Don't like a CC? Ok, but stop trying to dictate the friendships of your favorites streamers. Roier and Cellbit are friends who support each other, if Roier wants to talk about Enigma do Medo, talk about Cellbit, he will because they are friends. You don't know the streamers and you have no right to give your opinion on their personal lives.

If you do this then you are parasocial.

I am sad and outraged because I am also part of the Roier community and it is shameful to see so much toxicity. The worst thing is that they do this a lot with Cellbit, but the truth is that maybe if there were other CCs, which these weirdos also like, because there must be more than one besides Roier, they wouldn't complain.

So, the lesson for us Tumblr people is this: you don't have to like all the Ccs, but be careful not to cross the line and turn into these parasocial lunatics.

*And I'll go through all the TAGs related to the topic.

[outrunningthedark]

I dont think he needs to come out defending Lou - Lou can handle himself he’s a grown man and has taken ( I think at least) the best course of action (stay silent until the season starts back up again). However I do have a lot of mutuals who are queer men who feel little hurt by the lack of acknowledgement for this queer relationship. Like getting excited that your favourite show has a relationship that you feel represented (just like with Michael and David) only to have silence from the social media team and the actors (well we clearly know why Lou is currently silent -when he was active he did talk Beautifully about them) can be hurtful. I don’t know if this makes any sense at all. But I did find it a bit odd ( and this is not me assuming malicious intent - I like to give the benefit of the doubt) some of the patterns I’ve seen. At the end of the day everyone is free to do whatever they want - while at the same time fans can feel how they want to feel. I understand both perspectives.

I don’t know if any of this makes sense -it got away from me as I was writing 😂

I know what you're saying, and I agree. I think people are (I assume unintentionally) lumping calling out bad behavior and acknowledging the canon relationship together as the same course of action, but...it's not. (I mean, from what I saw of the reaction to my post there was a lot of hand-waving for why Oliver's "doing the right thing" because fandom is out of control.) I don't think Oliver needs to "defend" Lou or even Tommy as a character. (He didn't defend any of the women on the show until they were gone so why start now, honestly.) But there IS a way to take a stand without even saying anything, isn't there? Post a story. Post a pic. Share a fan edit. Captions not needed. The content would speak for itself. He's not staying silent because he hates the story line - sorry Buddies! - because he definitely knew that if the GA reaction went well BuckTommy was going to continue past those four episodes. He's staying silent because he lets these people behind a screen get in his head and make him feel like he has to walk on eggshells while "interacting with fandom". And listen, we all get it! He's gotta do what he's gotta do to protect his mental health! But you can acknowledge his feelings without dismissing the feelings of the queer fans who are only seeing a guy essentially do a 180 because public pressure is too high. How is he "representing" anybody if he doesn't even celebrate the story he's telling? [There's a quick-fix to all of this, btw. Get a fucking social media manager to do the posting so he doesn't have to see any of this shit with his own eyes if it's gonna drag him down that much.]

[nyashykyunnie]

I'll be honest even if I am a big Jinwoo fan I wouldn't defend this man like going to war saying he is the strongest or saying he has the perfect story.

My definition of perfect story is and always will be Heaven Official's Blessing, Grandmaster of Demonic Cultuvation, Scum Villain's Self-saving System, Husky and His White cat Shizun, Little Mushroom and Nan Chan.

Jinwoo is undeniably strong, but emotionally he would've been written better. We should have been given more about his struggle about losing his emotions, his struggle at the fact that he may no longer feel love and maybe it could have been a plot where he struggles to interact with his family knowing he can't feel emotions as much. We should have been given more insight to Jinwoo's depression in his E-rank era. He also went through death multiple times where is the ptsd? He went through war alone he should have more struggle. Sure, chalk it up to him already being disassociated with his emotions but buddy??? Even if he was I'm sure this man must feel a huge emptiness in him as he represents the abyss. What about that plot where Byung-gyu warned about his powers? awe aren't given any sort of sht about that. It was just said and done. We never witnessed Jinwoo struggling with his powers eating him from the inside out.

His powers affected his quality of life in a positive light, but its also a sort of punishment for Jinwoo since he cheated death and defies human biology. We could have been given a plot where Jinwoo is feeling frustrated with himself. Also he watched precious people die around him, wdym this guy has no severe anxiety? I would have personally suffer from constant panic attacks. Even if he places his shadows on everyone this guy must still have some anxiety atleast come on.

Jinwoo would obviously have depression and anxiety with what he's been through.

We can even have a plot where since he is an INTJ and they are known for thinking with their heads most of the time, we could have a Jinwoo who rationalizes things way too much. Or we could have a Jinwoo who rationalizes things to avoid the crippling depression and emptiness he feels after achieving his status as a monarch. There is so much room for us to make Jinwoo more interesting.

Jinwoo has so much potential in suffering with himself yet were just given perfect mr boy powering through everything. Which is good. You can have that plot of Jinwoo powering through everything but atleast show us situation where we can see the broken and battered him so that when he is victorious over them we as the audience feel rewarded for his triumph.

I love this guy don't get me wrong. But I wish we could have been given more emotional attachment rather than just being slapped with "Cute uwu boy turns emo and edgy" randomly. Atleast properly show us his inner turmoils in his transition

[jessieren]

Here In America

I managed to go and see Here In America last night and, as promised, here's my (fairly brief) review. If you're going to see it and don't want to know anything in advance then don't read any further - although I've tried hard not to include any spoilers.

Firstly the theatre is tiny... and I mean really really tiny! When they said in the promo video 'you're going to be up close and personal with the audience' they weren't kidding. The stage area is incredibly tight and all the audience are within a few feet of the actors.

The scale of the theatre really gives the sense that you're 'in the room' with what's happening and adds to the sense of tension as the play builds. It also means that you can see the actors every expression and movement and they don't need to project/act up in the same way as you would in a large normal layout theatre. My personal view is that this suited Shaun's more minimal nuanced acting style really well - it was almost like acting for the camera.

The play is just under 90 minutes and is intense, quite complex, and dialogue heavy but the pacing is incredible and the 90 minutes disappeared in a flash. Shaun is on stage for pretty much all of that time and much of the dialogue and interaction happens between Kazan and Miller. The set, props and lighting are very minimal but work well and support the interactions (the scrabble scene near the beginning is great and sets the play up really well).

All four actors are absolutely brilliant but Shaun and Michael Aloni's performances are truly stunning. Shaun really does hold the entire piece together but without overwhelming or detracting from any of the other performances. Whilst it is intense there are some small moments of comedy and Shaun, in particular, plays those really well.

I enjoy plays with small casts as I think you get far more from the relationships and interactions and this is an absolute case in point. The details and nuance of the way the characters interact build a picture of their relationships that support and help move the play along and I think also build a genuine sense of empathy with the conflicts at the heart of the play. I went into it with a clear view of what/who I thought was right and wrong but the script and performances really made me reconsider my views throughout - and I'm still questioning how I feel about it 24 hours later.

Whilst Shaun doesn't look like Kazan (Aloni truly becomes Miller in an uncanny way, and similarly Jasmine is compelling as Monroe - not an easy ask), he is really convincing and plays him with a charm and charisma that gives a fully rounded view of him as a man and the choices he made, where it could have been easy to play him as a more two dimensional 'bad guy'.

I absolutely loved it and really hope it gets the praise and attention it deserves. Its one of the best pieces of theatre I've seen - and I go to a lot!

I'd highly recommend getting to see it - or paying to stream when its available.

Just as a side note: The play covers a lot of ground and refers to quite a lot of detail of Miller and Kazan's lives in particular. My personal view is that you get more from it if you already know the overall chronology of what happened in that period and also understand the basics of Kazan and Miller. I'm sure its still very watchable without the background but personally I felt I got a lot more from it from knowing something about the key characters, events and timeline.

[hassians-sernuk-boyfriend]

okay so hunting. bc I can't stop thinking about it.

under the cut bc talking about killing animals

okay so. disclaimer that I do not hunt so this is all just from me reading and thinking and interacting with people who do hunt.

so like. deer hunting, in general, is about shooting a deer and then tracking the blood-trail to find where it ended up collapsing from bloodloss. it's not a pretty instant kill and it's not very clean at all.

with a gun, you do a very targeted amount of damage with a fairly high piercing power, but despite that, you still don't really aim for the head, in general, you aim for the lungs, because flooding the lungs with blood will make the deer drop faster.

with a bow, it's generally considered the most humane to use the broadest arrow to do the most damage possible as quickly as possible, but the wider the head, the slower the arrow and the less penetration power it has.

(also, blunt arrows get used for lil guys but I do not think chapaa are small enough for that)

better material makes arrows go faster and bows hold more strength per inch or w/e, and various techniques can be used to make these more efficient, which is why a skilled weaponsmith makes a better bow even with the same materials available

we know that Hassian cares about getting a clean kill and respecting things and etc so applying this shit to The Headcanons

Hassian uses a bow, obviously, and we know he is a Good Shot, he Never Loses an Arrow, and he is Quiet, at very least.

this means we know he uses broadhead arrows and at most, a recurve bow for silence (the more recurved, the stronger the bow, but the the louder the spring)

he'd also want wide arrows + most piercing power, so higher pound of bow strength

if i remember right, bow strength goes from around 20lb for common use, up to around 30lb for hunting, then around 60lb for War, then up to 100lb for long range war, and then up to 125lb? for showing off (this is how much force is needed to pull back the string, and thus how much force is put on the arrow on release)

so probably makeshift bows are around 20lb, while the exquisite bow is, idk. 50? more?? who knows. which is why he talks about needing to master one to get a stronger one

I don't have a punchline for this but I Do imagine he's got a 100lb bow which means he can hold 50lbs of weight per finger if he's drawing the bow with 2 fingers

also imo he's a good enough shot to get the Head Shot, which is theoretically the most painless kill, but he can do it bc of his intense empathy for the animals, which lets him predict their movement enough to aim where their head will be by the time the arrow gets there (arrows are slow)

also a headshot lets him use less broad arrows, which lets him have a smaller bow i think??

also, just a collection of bow details bc im horny for bows

bows are generally left unstrung when not in use to make sure they can relax into their natural shape and retain their power

stringing and unstringing a bow, especially recurves and heavy bows, is incredibly dangerous, especially unskilled. (consider even 20lbs of force suddenly hitting someone in the form of a stick or whip)

bigger bows can hold more power but are obviously much harder to carry around, which is part of why things like recurves and reflex bows exist, so the bow can hold more weight without being as large.

composite bows are bows made of multiple materials, if I remember right. a skilled weaponsmith can make the front, back, riser, and limbs in materials suited to them

things that get used in bow bodies that I did not anticipate: braided cords. antler. leather straps

when you make an arrow, it's ideal to harvest all the feathers from it off 1 wing, because you want the feathers to rifle around in the same direction

feathers and arrowheads are attached with carving, string, and glue in various degrees.

[ihopesocomic]

It's such a shame how many good brother-brother duos or sister-brother duos there are compared to sister-sister duos

I know it stems from writers always feeling the need to add a man in every woman's life

A lot of writers can only make a character who's a sister if she's a sister to a brother and it's a real shame

Honestly I think Nothing from MP is a pretty good example of that

Look at her relationship with her female siblings/cousin vs her male siblings/cousin

Fire ended up being horrible and Feather is a toxic positive "lemme make you feel bad for wanting to change your ableist name even though it literally doesnt effect me" dirtbag

But Nothing had a better relationship with vs her younger sisters/cousins

Farleap and Silentstalk bullied her and Feather's sisters thought she was weirdo though they like literally never interacted

It's just always suspicious when a writer seems to prioritize a female character's relationship with guys over her relationship with girls

Like their gender shouldn't matter but they'll always pick their male characters first

The sexism in writing still to this day is wild. Especially where so-called independent creators are concerned. Because I thought the whole point of being indie was creating stuff you wanted to see in mainstream media but didn't get, but a lot of it is just more of the same crap you get from bigger productions. So either people want more sexism, or its just baked into their brain and they don't even realize it.

A lot of better stories out there are about brothers (well, I could argue that a lot of it is lazy and that there is no point to the characters being brothers, especially when strong emotional friendships between men are practically nonexistent in media.) and anything having to do with sisters is as I said, either petty nonsense or there's no point to being sisters at all.

And then there's as you said, an inherent need by creators for women to have men be relevant in their lives when that same standard is not applied to men. You can throw a rock and hit a movie or show with a female pov where her only motivation has to do with a man. Father, son, brother, husband, boyfriend, abuser. Whatever.

That's not to say any of these are bad stories. But when its the majority of supposed woman-focused media, it loses its edge as woman-focused when the women in question are focused on men. The writers either consciously or subsconsciously don't get that women have motivations beyond men. This even happens with lesbian characters, where men should have even less relevancy? LOL And it doesn't even matter who the writers are, whether they're men/women, cis/trans, straight/gay, everyone does this. You'd expect better from queer creators but even then there's a clear preference. And they're wont to bring up that "gender shouldn't matter" but only when it pertains to asking why they're so opposed to women being the focus. Its quite interesting.

MP is in an interesting position of hating both men and women at the same time while not commenting on how the patriarchy has negative effects on both men and women. Not an easy feat but Tribble sure made it look easy. She made Feather Nothing's prime motivator for leaving the pride, and while I have my own criticisms of Nothing's "subtle" motherlyness towards Feather, that wasn't extended to the female cubs. Fire is Nothing's other motivation for leaving the pride, and then he turned out to be a wannabe dictator. Quickmane was shown to be a sympathetic and caring mate who definitely wasn't homophobic, but had no qualms about killing children. And then there's alllllll the women who are meant to be oppressed to the same extent as Nothing, but they all somehow manage to be even worse because the narrative wants us to side with them.

And even Nothing's abusive relationship with Quickmane as we've stated in our review is arguably less fucked up than the relationship she has with her own mother. Because we know what they think about each other, and Powerstrike still insists that Nothing's existence is a burden on her soul or whatever. Like what the fuck is up with that?? I'm sure they could've made Powerstrike less-bad than Quickmane, was this some sort of weird equalizer of the sexes? And you can count Nothing's relationship with Sharptongue if you're so inclined to, but even if you ignore everything else she did, Sharptongue would still be the only positive female influence in Nothing's life. But not a key motivator in Nothing's story. Like not even a little bit.

[weirdsht]

(Un)Attainable - Alberu/Fem! Reader

notes: the og prompt for this was suppose to be super angsty, but I'm not so mean that I would make you guys cry the second I have the time to write. Also I notice a lot of people are using "Alver" now but I just can't, I'm so sorry huhu

tags: female reader, vague novel spoilers, forbidden love(?), lovesick Alberu if you squint

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

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Alberu’s first priority will always be the Roan Kingdom and its citizens. He will always put the welfare of his people before his own wants. Alberu is the type of crown prince who is willing to play as the villain just to see his citizens prosper. Even when no one will be able to appreciate his sacrifices. All for the sake of his selfish desire to see his people thrive.

That’s the simple fact the people around Alberu know.

They know that he has no time for love. No time to indulge in such things when he has a kingdom to run. Alberu Crossman has said so himself several times in the past.

But oh, what is this feeling blooming in the crown prince’s heart? Could they be feelings of romantic affection?

Could the prideful prince be eating his own words of not taking in a spouse in the future?

Maybe, or perhaps not.

He does know one thing though…

It’s the fact that he's charting into dangerous territory.

Not only was he dumb enough to fall in love. That wasn’t enough.

No no no

The quarter-dark elf was stupid enough to fall for the one person he couldn’t get.

Adin’s fiance, the soon-to-be crown princess of the Mogoru Empire. The empire of the Sun God Church. The one place where his chances of his dark elf bloodline being discovered is higher.

But can anyone blame him and his beating heart? How could he not fall when she’s so sweet, so ethereal?

So undeserving of that bastard Adin.

She was so good. So kind, so strong, so smart, so compassionate.

And Adin was… a scumbag, for a lack of a better word. Someone undeserving love.

Despite that, Adin was still her fiance. Adin and not Alberu.

“I’ve known him since we were kids. Our engagement had been decided from the moment the emperor found out I was a girl. They said I was the perfect wife for him. That I can strengthen the royal bloodline.”

She had confided one night. Her dignified yet soft voice had a tinge of longing in it. As if longing for the life she could’ve had outside of being Adin’s bethroed. 

“Your Highness [Name] has your time with Prince Adin made you grow some affection for him?”

Alberu hopes that the answer is no. That despite the headstart Adin had, [Name] hadn’t fallen for his charms.

That instead she’d fall for Alberu’s charms.

He’s the better choice. He could give her so much more than Adin could ever. Alberu will make sure that she will have the chance to showcase her talent to the world. He will make sure to treat her like the princess she is. This crown prince won’t treat her as if she’s a mere trophy whose sole job is to be bragged around.

[Name] was so much better than that.

She has wits that can help run a kingdom. She has the compassion for her citizens. The heart that screams and begs to aid her people. She has a strong persona that has so much more use than just being shown around to nobles.

Alberu Crossman can see that she’s worth more than Adin displayed her to be— no, in fact in Alberu’s eyes she’s worthless. No system of measurement can gauge her worth.

“No amount of time spent with Adin can make me grow affection for the man. Whether it’s platonic or romantic.”

The quarter-dark elf almost let his shoulders sag. He was so relieved that he nearly conveyed his true feelings. 

He has a chance– Alberu Crossman actually has a chance..!

Alberu was so happy that he nearly didn’t catch [Name]’s next words.

“That man is so awful, hence why no amount of time with him can make me tolerate him. But I’m sure you already know of such things. As a matter of fact, my trusted handmaiden is on her way to make negotiations with your dear commander.”

Roan Kingdom’s rising sun had to double-take, unsure if the words he was hearing were correct.

“I’m not as dumb as the world thinks of me.”

Alberu must have had a stupefied look on his face for the lovely lady in front of him to make such a comment.

“No, no my lady, that’s not what I meant. I am well aware of your wits and capabilities. It’s just that my commander and I had been ready to do everything in our power to turn you over to our side.”

To turn you over so that you’ll be in my arms instead– of course, Alberu said no such thing. Only letting such degenerative thoughts run through his mind.

“My lady is highly intelligent, highly perceptive. You are also close to Adin, you are a core player in taking such a man off his high horse.”

[Name] had an incredulous look on her face. Like Alberu was flattering her too much. However, he wasn’t. The poor prince had only been telling the truth.

“I didn’t think that the future king of the Roan Kingdom was one to… get brownie points.”

“You wound me, my fair lady. I was merely stating the truth. Nonetheless, since we’re on the topic… do you mind people who try to get brownie points?”

Alberu isn’t sure where he got the guts to be so coy. But he was glad he did because [Name]’s expression was better than he’d hoped for.

“Hmm well, I guess I don’t mind. If it’s from a silver-haired prince maybe I wouldn’t entertain it. Luckily, blonde seems to be my type… or was it brown?”

[Name] had a knowing look on her face and oh god can Alberu fall any deeper. He should be scared, should be nervous that another person seems to know his secret. But no, instead, he feels himself falling deeper in love.

“Don’t worry your highness your secret is safe with me. I wouldn’t do my potential lover dirty like that.”

Yeah… safe to say that Alberu’s in too deep now.

[inchidentally]

Inch what is your opinion on this clip? https://www.tumblr.com/eightyonefour/762429464940527616/what-kind-of-guyteammate-is-oscar

It makes me sad that Lando isn’t able to find a lot of words to describe Osco ;-;

ohhh anon I know for most ppl this is all so boring and not interesting but the way excitable!nervous!shy!butextroverted!fidgety!sassy!emotional!squirmy!insecuresometimes!pleaseloveme!whydoyouhateme?!seeIknewyou'dloveme!creative!sexualconfidence!HORNY!travelstheworldintechnicolor!babyfever!workaholic!Lando exists against calm, placid, self-assured, does his job well,what's the point in doing less than his best, work life balance, lowkey, rational, good with kids but talks to them like adults Oscar makes me so emotional for god knows what reason ??? ;_;

but to Get Into It, I know this is the choppiest messiest compilation I've ever done but hopefully it'll be both self-explanatory and also go along well w my usual dissertation on something that has no real life importance for me but that makes me Feel Things

x x x

so the main thing with how Lando's stops for long periods to think and mull it over is for two reasons: one is that he hasn't done the usual PR aspect of his rs with Oscar the way he has with other drivers/teammates - and the other is that if he found Oscar dull or uninteresting then he wouldn't have had to sit and think aslfgsaljfgsajl. Lando's rly good with the media and honestly this answer would've been rly easy and quick if he could just say "yeah he's very fast and a good guy! hard worker and solid teammate!" bc it's not like anyone is expecting any more about a guy like Oscar anyway!

and with everyone else, Lando's got lots of anecdotes and jokes and shared activities as well as lots of experience interacting on camera in ways that give fans something to enjoy. it's not being disingenuous, it's just that they can easily tailor the friendship to be useful for publicity.

but !!! it's also the case of all of Lando's friends on the grid being extroverts as well as being great on camera. and Lando maybe could be seen as an extrovert but he's also naturally (self-confessed as well as confirmed by those closest to him) painfully shy and he relies on extroverts around him to help him out a lot. I got this ask that we don't even need proof of bc it's exactly how Lando is when he's alone among strangers or around huge crowds. same with when he has to do publicity stuff all alone the thinking silences stretch and he gets that upward inflection where he's trying very hard to see if the other person knows what he means??

and Osc is very much not an extrovert and while he likes the odd shared activity, he has said he prefers quiet conversation in small groups away from public places. so literally ! the ways he and Lando are compatible are simply in enjoying spending time together and being extremely low pressure friends who don't like the publicity aspect encroaching on that.

so how do you describe someone to a stranger if they're just quietly a good, reliable person who you like and work well with ?? Oscar himself needs a fair amount of prodding and encouragement to describe himself, let alone Lando being asked to do it !!

which I think is why landoscar has actually had this strong resonance for a lot of us who have those kinds of friendships or love those kinds of people - you can only see it and get to know it by observing it and knowing it in a way yourself. the way Oscar stares at Lando and does his little self-assigned duties to Lando and the way Lando watches Oscar in that wide-eyed trusting way and lets his brattiness out bc Oscar will always find it endearing. none of that makes for snappy PR content but if you get the vibes then it's so so sooooooo sweet ;__;

it's also why their dynamic lends itself so much to fic authors bc you've got a strong foundation of their authentic dynamic since they can't/don't fake it or play it up, from which you can put them in any scenario or any roles and they just… write themselves! not in a sense that the author isn't putting the work in as a writer skfgalsfg but the strongest thread among landoscar fic is that dynamic always coming through so consistently (even in the more challenging dark fic or out there AUs) the classics I can think of first off are playdate by debrief, that one from work can come over on monday night by higgsbosonblues and q&a by corsi

the common development of how Oscar is so blatantly changed by Lando in ways that seem either superficial or purely practical so that Lando ends up initially missing out on the depth of what that means - and misinterpreting Oscar not changing emotionally for him as disinterest. only to find that when someone who is solid and reliable and knows who they are decides they love you, they show it by changing their life for you and not changing themselves for you.

and that irl considering that Oscar always says how important it is for his relationship with Lily that he spend time with her that isn't connected to his career/life's passion, it's clear that he considers that to be proof of how much he cares. so all of the little ways Oscar bends and adapts and fulfills Lando's practical needs are ways for him to say "I value you" "I make you a priority in my life" "I want to fit you into my life" "I am willing to give up something/change something for you"

like idk how much Lando realizes the significance of those things and that's how I interpret him spending a very long time mulling and thinking rather than just getting past the answer in a neat, succinct way. bc Max F is a very emotionally intelligent guy and very capable of expressing his feelings, all of the guys on the grid are varying levels of emotional awareness/intelligence but they all have the same regular expectation of using their words to express how they feel about friends, and ofc the people surrounding Lando for the past ten years are highly attenuated to his needs. Oscar stands out as this very very different person to what he's used to!

and lastly, there's the whole gentleness and communicating through their kitten smiles and their ways of getting lost on a random subject - they're just such a quiet, gentle introverted dynamic. there's this moment after Japan last year waiting for a train, as well as this moment from Vegas where the crowd is singing happy birthday to Lando that I think are like, poetic levels of how their shyness/introversion fully matches up. bc neither of them feels easy or comfortable actually interacting with the crowd, so they keep looking to each other and smiling for comfort and reassurance. if another driver from the grid were around they could probably rely on him to brazen out the situation, but these two kittens just find solidarity in each other to get through!

so a lot of what makes landoscar a flop for bromance-only ppl is what a lot of us love about it <3<3<3 like I love a good bromance and self-aware PR ships too but landoscar made me want to get an f1blr and write insane pointless dissertations about them so shrug emoji !!

[puma-riki]

No One Noticed....

Synopsis: You've never seemed to make friends well. Sure, you had people you knew and were well acquainted with, but no one ever seemed to get closer to you or want to. You think that no one notices you and you'll continue the rest of your college years alone like all the years before. Except Ni-ki notices just about everything you do.

Pairing: Nishimura Riki x Fem! Reader

Genre: Fluff, Humor (or attempts at), slight angst, smau + written parts

Warnings: none

Characters: Enhypen (all), Eunchae (lesserafim), Keeho, Soul, (P1Harmony)

Status: Ongoing (Start: 092124)

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03. Existential dread + written

[name]:

Each day seemed to blend together. Every morning was the same—you'd get up, go to your classes, have no social interactions at all, and then come back to your apartment that your parents were working hard to pay for, just for you.

You felt guilty. Your parents were so proud of you for getting into the college you worked your ass off to attend. They shared their excitement for you to start your own little life with school and all the new people you'd meet, people you could bring over during holidays. They'd imagined the friends you'd make filling their table, sharing stories on how you guys had met and cheerfully sharing the same adoration for you as they did.

You would be sad to share the news that you'd be coming home for break empty-handed, for the second year. You don't know why it'd seemed too hard for you to connect with people. It's not like you've never talked to a person before. you had been in plenty of extracurriculars in high school, one of which was theater. You were good at what you did—organizing, tech work, always making sure the show ran smoothly. People appreciated you, right? You were in the group pictures, but never fully. Cropped out, a half-figure on the edge of the frame, while everyone else beamed in front of the camera. You never got invited to the after-parties. You never even knew they happened until you saw the Instagram posts the next morning. It hurt, but after a while, you got used to it. You showed up, did your part, and slipped out quietly, unnoticed, as if your presence didn't really matter. And now, college wasn't much different.

Enough depressing talk of the past. At least in college, no one expected you to have a social life. Everyone was busy, and being alone was almost normal. But even knowing that didn’t make it feel any less lonely.

You huffed as you pushed your key into your apartment's lock and turned it. Upon Entry, you were embraced by the warmth of your heater and the orange hue of the small lamps scattered about your place. You kicked your door shut and toed off your shoes, then made a beeline for your bedroom.

Your room had the same feel as the rest of your apartment. A small lamp shone down on your desk next to the door, scattered with half-finished homework. A stained-glass lamp glowing softly on your dresser, adjacent to your bed. Your bed was right next to the window that overlooked the city street. You sat your half-drunk boba on your nightstand next to yet, you guessed it, another lamp. You sat on your bed and looked out the window and watched all the people walk by, blissfully unaware of an admirer from above.

The city lights flickered to life outside your window, reflecting against the glass as the sky deepened from pink to blue. It was beautiful, but distant, like everything else. You sat by the window, staring at the people below, moving with purpose, with company.

You watched the streets below. Some people were rushing off by themselves, some were linked in arms with each other and chatting, others stood idly against walls or walked in and out of shops.

Couples linked arms, friends chatted, even strangers seemed more connected to the world than you were. Your eyes caught on a guy wiping down tables outside a nearby restaurant. He looked up as a girl walked out, her uniform and jacket marking the end of her shift. He opened his mouth, like he was about to say something, but hesitated. She walked right past him, not even sparing him a glance. His face fell just slightly before he turned back to his task, scrubbing the table with renewed intensity.

You stared, feeling a tug of recognition. Was he disappointed in her, or in himself? You wondered if you'd ever been the girl, completely unaware of someone’s desire for connection, too wrapped up in your own world to notice.

Probably not.

You tore your gaze from the window and pulled your phone from your pocket. A reminder came up on your phone.

Ni-ki biology tutoring session @ 2 tmrw !!

Right, that was tomorrow.

You've been in the tutoring program for a while now. Strangely, Ni-ki was the only one person who signed up for sessions with you this semester. usually, you have a session every other day.

It felt strange seeing his name on your screen, knowing you’d never actually tutored him before. Sure, you’d seen him plenty of times in class—he sat right behind you in biology, close enough that you could hear him tapping his pen against the desk during long lectures. But beyond the occasional brush of elbows when passing each other or mumbled exchanges, you hadn’t really spoken to him.

There had been a few moments, though. Little things, like the time you almost bumped into him while walking through the classroom door. You had both been moving at the same time, awkwardly shuffling in that way where neither of you knew who should go first. You’d blurted out, “Sorry!” and glanced up at him. He had met your eyes for barely a second before replying, "You're fine," in a tone that felt neutral—neither cold nor warm—and that had been the end of it.

He never made an effort to continue the interaction. He didn't ask how you were, or even give a polite smile. It was just... transactional, like you were two bodies moving through the same space but living in different worlds.

You wondered if he even remembered. Maybe to him, you were just another face in a crowded class, nothing more than the girl who sat in front of him. But now he’d signed up for tutoring, and you’d be sitting face-to-face, forced to acknowledge each other beyond the occasional shared oxygen in the lecture hall.

You were curious, but not hopeful. It would likely be just like every other connection you’d tried to make—brief, functional, and shallow. He’d come for help, you’d give him what he needed, and that would be that. No new conversations, no shared inside jokes or study sessions spilling into friendly coffee chats. Just another person passing through your life, barely noticing you.

But at least with Ni-ki, you had a chance to speak again, to break the silence that lingered between you every time he shifted in his seat behind you.

The reminder blinked off your phone as the screen dimmed. you dropped your phone onto your stomach and laid back on your bed. its softness makes you feel weightless.

The ceiling looked exactly how it had the day before. The lamps glowed softly, casting a warm light that didn’t reach the cold emptiness inside you. You closed your eyes, feeling the loneliness settle in your chest like a weight you’d carried for far too long.

No one noticed.