Quick trans tip for those experiencing breast growth:
If you're interested in wearing a bra, please make sure to size correctly. Absolutely, bras can sometimes feel uncomfortable after wearing them for an extended amount of time, but if it actively hurts, please make sure it's the right size. You shouldn't feel like you can't breathe, or your circulation is restricted, or like the band/wires are digging into your skin. Bra sizing can make such a difference, and there're so many wild misconceptions about how bras work that it can be very confusing at times (even for cis people!). Breasts will develop for years, so please regularly check your size if you plan on wearing bras. There are some pretty accurate online calculators and forums, and when you start understanding how measurements translate into sizes, it makes a lot more sense.
If anybody has anything to add, please do! I'm not directly experienced in this, but I want all trans people to be educated and empowered in what makes them comfortable💛
355 notes
·
View notes
hey so I'm literally starting to hate the word "radical" in its political usage.
it is not radical to think that people deserve food and clean water.
it is not radical to think that people deserve safe housing, full stop.
it is not radical to think that bodily autonomy is a human right.
it is not radical to think that queer and trans folks should be allowed to exist comfortably and happily, be allowed to marry each other, and have access to medical care, gender-affirming or otherwise.
it is not radical to think that children shouldn't be going into debt over school lunches.
it is not radical to think that education should be free.
it is not radical to think that nobody should have to die of preventable/treatable illnesses.
it is not radical to think that poverty shouldn't fucking exist.
belief in basic human rights and dignities for everyone that exists is not a radical stance, we're a cooperative species, we are LITERALLY built to care for and help each other.
attaching the term "radical" to any stance that approaches compassionate and decent is a tool of the oppressor class, and we are literally 200 years behind the curve. we HAVE to re-frame the way we talk about these things and throw the fucking shackles off.
142 notes
·
View notes
HEY WATCH OUT SHES GONNA PUNCH YOU! HEY!!! HEEEYYY!!
Anyhoo this is my silly you saw in that post I made earlier! Yeaup that's her alright! In all her blue gumball sonuvabitch glory. That's her‼️ SPOOF!!!!
Man oh man
This art is old I made it a couple months ago not so proud of how I went about rendering it, but the angle is nice and the colors are scrumptious! This design of Spoof is SLIGHTLY behind in the newer design of her. All that's changed is her antennae thickness and her sharp girlypop lashes !
And as I've promised I will RANT ABOUT HER...
I have a notes app FULL of info on just HER....
Now I don't wanna spoil my crowd of willing participants/cult followers!!! Nonono!! That'd be too much for your human psyche to handle,
Instead I'll give it to you in bite sized doses!
Spoof is a young, feisty, silly, mischievous yet manipulative juvenile. She immaturely mature, she's aloof, witty, cunning, clever yet overly complicated in problem solving.
Dubiously moral'd and individualistic yet not selfish!
Also she listens to JVB ( Joey Valence & Brae )
14 notes
·
View notes
What’s the significance of each color in Ancient Greece? So green is the only neutral color and it represents mostly natural and earthy things, thank you for telling me that part !! Anyway, as for my Hyacinthus design’s hair being brown, it’s due to the combination of it being a fairly common interpretation of his appearance and also because I find I like how it looks with his skin tone and the purple of his eyes.
Okay, firstly; thank you so much for answering my question too!
Admittedly you can't beat out good, old fashioned colour theory so that's completely fair haha! I still think it's very interesting that brown became the common interpretation of his features so I'm always glad to hear other people's view on it <3
With respect to what colours meant or symbolised in Ancient Greece, it's a super fascinating topic because the Ancient Greeks had a very different perception of colour than how a lot of people - and in this case I'll generalise and say english-speaking people - perceive colour. In a lot of languages, especially older ones, colour wasn't just a way to describe the physical perceptional reality of an observable object (that is, the light reflecting off the object that gives it its perceived hue - the way we perceive colour now) but colour was also used to describe the way in which the people experienced the world. A really good way to think about it is now, if you wanted to distinguish between two types of blue, you would instinctively make a distinction between their shades ("This blue is darker/lighter!") whereas these older people would distinguish based on things in their present, shared world that best matched what they were being asked to describe ("This blue is like the sky/the sea!")
That's an important concept to keep in mind because ancient greek was very unique in that, in addition to this concept of colour being completely intertwined with physical objects (and therefore also acquiring the properties of these objects in the minds of the people), the ancient greeks also did not particularly care about distinguishing between different colour hues (that is, differences in specific individual colour) but rather they were entirely focused on a colour's value - that is, whether it was considered light or dark.
Taking all of this into consideration, the question 'what is the significance of the different colours in Ancient Greece' is a bit of a tricky one to answer because unlike say, Ancient Egyptian which has very clear colours (red, white, green), very clear physical objects that give those colours their property (the desert sand, the sun, people's skin) and very clear symbolic meanings that arose from the natures ascribed to those physical objects due to their influence on the people's lives (hostility, power, new life), Ancient Greece's colours and the perception of those colours was much more abstract and poetic, contingent on their understandings and perceptions of things like light and dark, the sense of touch or taste (sweet and bitter/wet and dry) and what quality was ascribed to the object whose colour is being perceived. Colour was a matter of cosmology, of philosophy and there were many different schools of thought on it from Empedocles' physicalist theories to Anaxagoras' realist theories.
All of this is to say, take the meanings I outlined in this handy-dandy table with a tablespoon of salt! These are based on my understanding of the language used to describe things in classical writings that have survived and my own bias towards Empedocles' physicalist theory of colour and the nature of colour which I also think is very useful for people into greek mythology as a whole due to it making clear links between various gods creating things from mixtures of the four basic elements of nature and the colours that are the result of these mixtures.
I hope this helps even a little and I very much encourage you to do some research into different Greek schools of thought when it comes to colour and the perception of colour as well as how colour affects/reflects the innate nature of all things!
(Also, slight extra note, I left out Kokkinos (scarlet/blood-red) from the table because I didn't really think it was relevant for this outline despite it definitely being an ancient colour. It's a bit difficult to find examples of it with the kind of descriptors Empedocles outlines and I don't want to make assumptions based on third hand knowledge on the greek concept of the nature of things. I'd like to believe it was addressed in more detail in Empedocles' original document - only a fragment of the original some two thousand lines have survived after all - it is confirmed that Empedocles spoke on the recipe for blood and flesh, an equal mixture of all four elements as opposed to bones' four parts fire, two parts earth and two parts water (which is why bones shine white, there's more fire than earth or water) - and I don't want to conject or make assumptions.
I also left out Erythros or basic/primary red according to Plato's list of basic colours because that seemed to have specifically been preferred by Egyptian Greeks according to linguistic data. If I opened up that can of worms with respect to the shared Egyptian-Greek colour language including the way the Greeks like many early peoples did not culturally perceive blue until the invention of Egypt's blue dyes then I would be writing forever and you would never get an actual clear answer about Greek colour symbolism separate and apart from Egyptian cultural influence lmfao. )
A few of the documents that helped me consolidate this information include Sassi's 2022 Philosophical Theories of Colour in Ancient Greek Thought and Ierodiakonou's Empedocles on Colour and Colour Vision. There are also a fair few translations and discussions of the fragments of Empedocles' On Nature still floating about - my copy is a somewhat archaic volume of Leonard's 1908 translation but I never went out searching for updated interpretations and translations of the text since its constantly referenced in perceptional philosophy papers LOL
Anyway, yeah, hope this helps! :D
7 notes
·
View notes