#"Woke" Generation | Explore Tumblr Posts and Blogs

sturniluvr · 3 months

Text

Under the sea

Matt Sturniolo x fem!reader

word count: 3k

warnings: little swearing, possible spelling mistakes nothing other than that. LMK if I missed anything

summary: Matt Y/N Nick and Chris go on a beach trip together and Matt and Y/N go in the water together, which leads to a long awaited love confession.

requested?: yes/no

A/N: I know nothing about breathing underwater so don’t quote me on the whole ‘Matt breathing through his nose’ I have no clue okay😭😂lemme know if any of you wanna be added to my Sturniolo triplets taglist or general taglist 🫶🏻enjoy!🤍

❗️semi proof read❗️

Y/N woke up to her phone ringing, she looked at the caller ID ‘Nick🍯’ she quickly picked it up and she saw her best friend’s face illuminated her phone

“Hey babes, fancy a beach trip today?” Nick spoke as he moved around the house grabbing miscellaneous items seemingly packing a bag. She nodded immediately, never turning a trip to the beach.

“Sure, what time? Who’s going?” The Y/H/C girl asked, Nick finished packing the bag before responding.

“We’re leaving around 10, and we’re gonna grab some food from a cafe near the beach, it’s just me you Matt and Chris” she nods and gets out of her bed, opening her blinds and dropping her phone on the bed as she packed a bag, Nick still on FaceTime, all of a sudden, she heard Chris’ loud voice yelling down the phone to her.

“HI Y/N! GOOD MORNING” she chuckled at her other best friend.

“Hi Chris, how’d you sleep kid?” She asked as Chris stole nick’s phone to speak to the younger girl.

“I slept well, what about you?” He panned the camera to Matt who was just coming out of his room completely forgetting about the question he had just asked her.

“Aww look it’s your boyfriend Y/N/N” Chris smirks jokingly, knowing about her crush on his triplet and Matt’s reciprocated crush on her.

Matt blushes at what Chris said and sends Y/N a wave and a smile.

“Shut up Chris! Hi Y/N how are you?” He asked smiling, making his way into the kitchen to grab a bottle of water and Chris following him with the phone. She nods before responding.

“I’m good thanks Matt, how are you? Ooo! Can one of you make a coffee and bring it when you come to pick me up? You know you guys love me” She asks grinning knowing she wouldn’t have time to make a coffee herself. Matt chuckles grabbing out her travel cup she leaves at their house, immediately making a coffee for her after grabbing some water out the fridge for himself.

“Of course, sweetheart. Milk and 2 sugars?” Matt asks, causing Y/N to blush slightly at the use of the nickname that rolls off his tongue with ease after calling her it so often as if it was her second name to him.

“Yep! Thank you, Matthew” Chris suddenly runs away with a grin on his face as Nick chases him for his phone back.

“Chris! Give me my phone” Chris eventually gives in, passing Nick’s phone back to him.

“Sooo, what bikini are you planning to dazzle Matt in today you gorgeous woman?” Nick chuckles as he flops on his bed, waiting for the younger triplets to finish getting ready, also knowing of Matt’s crush on his best friend and her crush on Matt. She chuckles before replying.

“It’s between these two. 1 or 2 which one do you think he’d like?” She asks the first one being a white floral bikini and the second being a pale blue bikini with some little bows on.

“The second one DEFINITELY it’ll bring out your eyes really well, you’ll look stunning!” Nick grins, knowing it’s secretly Matt’s favourite bikini of hers having seen her in it before and Matt had a little problem in his swim shorts after seeing her in it for the first time. Nick chuckles to himself remembering having to help Matt somehow cover the tent in his shorts.

She nods and turns her camera off to quickly put the bikini on. After putting it on, she threw a floral sundress over the top just until they got to the beach. As soon as she turned her phone camera back on, she immediately heard Nick shout.

“Fit check girl! Show meeeee” she chuckles at him before propping her phone up and giving him a 360 of her outfit. Nick whistles hyping her up.

“You look amazing Y/N/N!” he yells.

He walks out of his bedroom and heads downstairs to where Matt and Chris are, Matt in his bathroom and Chris lounging on the couch on his phone.

“We’ll be leaving soon by the looks of it, Matt’s just brushing his teeth, he’s made your coffee for you” he holds her coffee mug up to the phone, she smiles and shouts a quick thanks down the phone hoping Matt would hear.

After Matt’s brushed his teeth and got shoes on, the triplets make their downstairs to the garage and pile into the car, Chris and Nick in the back knowing Y/N will want to sit in the front when they pick her up and Matt in the driver's seat. He starts the engine and they get on their way to pick the younger girl up

“Right, we’ve just left, we’ll see you soon” Nick says, the boys collectively saying a goodbye to her, she smiles and says bye to her boys before ending the call and doing last minute checks around her apartment like closing windows etc and grabbing her watermelon space camp lip balm off her bedside table and applied the lip balm to her lips before putting it in her bag along with everything else she needs for the beach.

——————————

She hears a honk outside her apartment complex and on cue she gets a message from Matt.

Matt🐻: hey we’re outside kid x

Y/N🤍: Okie, on my way down now x

She makes her way down the stairs and out the doors of her apartment complex lobby, immediately spotting Matt’s black Kia parked outside and the boys inside waiting for her. She notices Nick is in his own world so she sneaks up to his window and bangs on it, scaring the shit out of him making the boys laugh.

“You bitch I just shit myself” nick laughs as she gets in the passenger seat of the car, buckling her belt up. She looks behind and gives him a sweet grin.

“Hi to you too Nicolas, hey Chris” she said giving the youngest triplet a quick fist bump.

“Hello Matthew” she smiles at the driver, he smiles back at her chucking at the use of his full name. She takes her coffee from the cup holder and takes a sip.

“Hello Y/N” he replies as he drives away from the apartment complex and towards the cafe they planned to go to before the beach.

Y/N put her phone on the aux cord and played their joint playlist that they all had a few songs each, and they all started singing along to the songs the car full of laughs as they drove.

The drive flies by and before they know it, they arrive at the cafe, Matt quickly pulls into a parking spot and they get out of the car and head inside and find an empty table in the corner to sit at and they all sit down, Y/N and Matt on one side of the table and Chris and Nick on the other side.

They each grab a menu from the little stand on the table and look through to see what to eat and drink. Matt looks at Y/N smiling at her concentration face, thinking it was the cutest thing ever.

“What you gonna order?” He asks the younger girl.

“I’m thinking of getting just a bacon baguette and maybe a peach ice tea. What about you?” She replies with a small smile on her face which the blue eyed boy quickly returns before answering her question.

“Probably just an omelette or something and some water or something” he chuckles.

The waiter comes over and asks for their orders. Once they’ve ordered the waiter heads off into the kitchen and the triplets engage in a conversation about an upcoming YouTube video idea and Y/N scrolls aimlessly through her TikTok for you page. She suddenly hears Chris call her name, she looks up acknowledging her best friends since 4th grade.

“Hmm? What’s up?” She asks as the boy's chuckle, realising she hadn’t heard them.

“We were just wondering if you wanted to be in our next video, we’re planning to do a period simulator and we need someone, preferably a woman whose experienced periods, to tell us how accurate it is. Would you be up for it?” Nick asks, looking across from him at the Y/E/C girl, she nods at him.

“Yeah, when do you plan on filming it?” Y/N asks looking between the 20 year olds.

“Preferably in the next few days, just let us know when your able to help us.” Chris speaks up, she nods at him.

“Okay, cool, just let me know when you’re filming it and I can come round and film with you” she agrees with a smile on her face, secretly excited to see Matt Nick and Chris do a period simulator and experience what she goes through monthly. The waiter brings over their drinks, peach ice teas for Y/N and Chris, a glass of water for Matt and a soda for Nick.

“I’ll be right back with your food guys” the waiter smiles and they all thank him as he walks away to grab their food from the kitchen.

Not too long after the waiter comes back with the food, laying the plates of food out on the table in front of who ordered what. The group thanked him and dug into their food.

“Everything good?” Y/N asked the older boys and they all collectively nod as the four continue to eat their food.

——————————

After finishing their food and paying the bill, the group piled back into Matt’s car and continued the journey to the beach.

Once they arrived at the beach, Y/N and Nick grab their tote bags and put everything in them that they’ll need throughout the day. Matt looks around for a parking meter.

“Do you know how much it is?” Y/N asks him, pulling out her purse to get some change out to pay some money towards the parking, Matt gently swatted her hand.

“No need for that, put your purse away woman. It’s like $5.50 for 3 hours, I got it don’t worry.” He smiles appreciatively at her as he grabs some change and gets out the car heading towards the parking meter.

“Y/N, turn around” she heard Chris say and she turned around and immediately saw the camera pointing towards her, she lets out a chuckle and a wave.

“There’s your favourite person everyone” nick chuckles and I smile.

“Hi everyone, we’re having a nice little beach trip today” I explain to the vlog and Nick and Chris nod in confirmation as Matt comes back to the car and places the parking ticket on the dashboard so it’s visible from the windshield.

They all get out the car and Matt passes the car keys to Y/N to keep in her bag since he hasn't got a belt loop to hook them onto since he’s wearing swim shorts.

Once the group get down to the sand and find a spot to set up in, Nick lays the towels out for everyone and Y/N strips of her sundress, revealing her bikini, immediately catching Matt’s attention.

“Cute bikini Y/N/N!” Nick smirks knowing damn well the reason she had picked out that specific bikini, she smiles at him and thanks him.

Y/N pulls out her book from her bag and laid down on her towel that was laid out next to Matt’s. While she was focused on her reading, she didn’t notice Matt’s lingering gaze on her, admiring her body in the blue bikini that accentuated her curves perfectly and brought out the colour in her eyes.

On the other side of Matt, Chris and Nick were building a sandcastle, Nick collecting the sand and Chris was digging a moat to go around he castle.

Y/N chuckled as she noticed the youngest and oldest triplet playing in the sand and decided to record them for vlog content, Matt smiled and chuckled as he realised what she was doing.

“Nick and Chris are being children in the sand” Y/N laughs as she filmed them building and digging, she then went back to reading her book.

——————————

A little while later, she feels a tap on her shoulder, she looks and sees Matt looking at her.

“Fancy a swim?” He asks with a small smile on his face which she immediately returned with a nod and a smile of her own. Y/N put her book down and placed it back in her bag so it was safe, she put her bag next to Nick’s so he could keep an eye on it for her while she was in the sea with Matt.

“Last one there’s a rotten egg!” Y/N yells with a big grin on her face, Matt laughs.

“Oh, you’re on!” The blue eyed boy replied as he and Y/N started racing down to the sea, he had just beat Y/N to it and fist pumps the air in victory, letting out a laugh.

“Yeah yeah, you won” Y/N chuckles and rolls her eyes playfully as she walks into the water. She takes a moment to admire the clear blue water shining as the sun hit it perfectly.

“It’s so pretty, isn’t it?” She says looking out at the water. Matt hums in agreement.

“Yeah, it’s beautiful.” He was looking at her and not the water with a soft smile on his face, loving how care free and happy she looked.

Y/N starts to walk in further, causing Matt to follow behind her as a natural protective instinct even though she can swim perfectly fine, he wanted to always make sure she was safe. Once the duo was deep enough in the water, Y/N grabs Matt’s hand and pulls him under.

She chuckles as she waves at him from under the water, he chuckles back and waves back at her.

An idea then comes to Matt’s mind, he thinks this would be a perfect way of confessing his feelings to her. He grabs her hand and pulls her closer to him. He takes a breath through his nose. He starts mouthing to her, knowing she’s pretty good at lip reading.

“Y/N there’s something I need to tell you” Matt mouths and waits for a moment for her to respond which she does with a nod, he continues to tell her.

“I love you” he mouths looking into her Y/E/C orbs. She freezes for a moment before swimming back to the surface, Matt following her.

“You love me?” She asked a smiling starting to grow on her face. He smiles shyly and nods.

“I love you too Matt, I have since high school.” Y/N chuckles, he lets out a sigh of relief and smiles widely at her before pulling her into his arms and cups her cheeks and Y/N wraps her arms around his neck.

“Can I kiss you?” He asks softly and she quickly nodded. He smiled as he leaned in and pressed his lips to hers, she immediately reciprocated the kiss and they both start smiling into the kiss. They pull apart with wide smiles on both of their faces.

“I can finally tell you how good you look in that bikini, god damn sweetheart, you look amazing!” Matt worships her, his hands moving to grip her hips as he plants another chaste kiss to her lips, she blushed and smiled into the kiss.

“And I’ll never get tired of that now” Matt grinned as they pulled out of the kiss, causing Y/N to chuckle and nod in agreement. Matt suddenly heads back under water, and softly tugs Y/N’s arm as a signal to follow him which she does. Once they’re both underwater, he looks at her with a smile before mouthing, his arms wrapped back around her waist.

“Y/N L/N, will you be my girlfriend?”

She grins at the question and immediately nods her head, Y/N leans in and kisses Matt. After pulling out of the kiss they both head up to the surface.

Matt wipes the water out of his eyes before opening them. He looks at her and smiles.

“We should probably head back up to the two children god knows what they’re doing” Matt let’s put a laugh as she intertwines their fingers and leads her to the shore and she leads the way back to where their towels and belongings are, Matt shamelessly staring at her ass with a small smirk as she walks ahead of him.

when the couple get to where Nick and Chris are, Nick is now half asleep on his towel and Chris is still digging, she smiles at Matt and intertwines their fingers, immediately catching the gaze of Chris and his lips curve into a smile almost immediately.

“Nick! Nick! Look!” Chris yells shaking Nick awake and points to Y/N and Matt’s intertwined fingers. Nick immediately grins and shoots up to hug his brother and best friend.

“Ugh finally you guys!” He jokes and Y/N playfully slaps his arm and chuckles.

“Yeah yeah, how long do we have left on the ticket?” She asks out loud to any of the boys.

“I think about an hour darling” Matt replies, the pet name rolling easily off his tongue, she smiles and nods and she lays back down on her towel and pulls her book back out, the triplets chuckling at her and Matt lays on his towel next to her, pulling his towel a little closer to hers and she softly rests her head on his shoulder as she reads her book quietly to him. Matt doesn’t think he’s ever felt so content in his life, he’s now dating the love of his life, he’s surrounded by three of his favourite people and Y/N is laying in his arms reading softly to him.

——————————

An hour later Y/N sits up to get ready to leave and she noticed Nick and Chris had buried themselves in the sand, Matt and Y/N let out a laugh and she takes a picture of the two. After they got out of the sand, they all start packing up their stuff and head back to the car and head home and they get showered and then settle down on the couch to watch a movie, they all ended up falling asleep on the couch.

Insta post

y/user

Liked by: matthew.sturniolo, nicolassturniolo, christophersturniolo and others

y/user: beach day with my boys🤍☀️ (Sturniolo triplets vlog coming soon :) )

tagged: matthew.sturniolo, nicolassturniolo, christophersturniolo

comments:

nicolassturniolo: had a great day with all of you🫶🏻

liked by creator❤️

y/user: thanks for the invite bae😘

liked by: nicolassturniolo

nicolassturniolo: damn we all look good❗️

liked by creator❤️

matthew.sturniolo: the best day with the best people❤️

liked by: y/user, nicolassturniolo, christophersturniolo

y/user: my favourite company❤️

liked by: matthew.sturniolo

user: they’re all so fineeee😩🫠

christophersturniolo: best day, now take care of that sun burn you lobster😭😭

liked by: y/user, matthew.sturniolo, nicolassturniolo

y/user: yes father🙄😘

madisonbeer: need to plan a girls day when I’m in LA

Liked by creator❤️

y/user: absolutely babes🤍

user: Matt and Y/N in the towel together🥹🥹they better get together soon

liked by: y/user, matthew.sturniolo

user: THEY LIKED????

user: you two tryna tell us something👀

user: my otp fr

matthew.sturniolo: 👀👀

user: Nick and Chris buried in the sand😭😭

nathandoe8: who knew my boys could play soccer👀

Liked by creator❤️

y/user: *our boys* Nathan, not yours mister😂😭

user: Y/N taking pics of the sunset is so real😌

user: the way I know who’s who in the photo by the sand faces😭

madifilipowicz: prettiest girl🤍(suppose the boys are alright too🙄👀)

Liked by creator❤️

y/user: wish you could’ve joined us babe, had to parent them all on my own today😭😂

🏷️: @imwetforyourmom @mattscoquette

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dyggtheway · 3 months

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Fashion and the Messaging Machine: Balancing Authenticity🎸

Fashion has always been a dynamic and expressive industry, constantly evolving to reflect cultural shifts and societal trends. However, in recent years, the emphasis on influencing has led to concerns about authenticity. Are these brands prioritizing controversey over substance?

Join Us Down the Rabbit Hole

The fashion industry has undergone significant transformation over the decades. From haute couture to ready-to-wear, and now the dominance of fast fashion, the industry's evolution has been marked by its ability to adapt and innovate. Streetwear culture, with its roots in urban environments, has significantly influenced mainstream fashion, bringing a new level of edginess and relevance.

Streetwear has revolutionized fashion by blending fabrics, labels, and attitude for the daily life. Gaining power from empowering the individual, the antidote to a long history of exploitation that continues to push back.

Messaging in Fashion

In the flurry between the Battle of the Brand crossfire, messaging is vital.Communicating values, social stances, and cultural relevancy. This messaging shapes identity and influences perception. However, with this power comes the responsibility to ensure that messaging is genuine and not just a marketing ploy.

Fashion Marketing Hangovers: Greenwashing-Rainbow Washing-Woke Washing

Greenwashing refers to brands falsely promoting themselves as environmentally friendly.

Rainbow washing occurs when brands use LGBTQ+ symbols during Pride Month to generate revenue without actually supporting the community.

Woke washing involves brands adopting social justice rhetoric, imagery or even labels to seem socially aware and progressive.

Who's To Blame? Brands that feature representation in their ads but lack representation within their corporate structures, leading to the erosion of trust and pain at the bottom line.

Encouraging Authenticity- begins and ends with people. In the People First model we can retrace our roots and regain integrity.

To quote Nemo it's time to break ,"The Code".

Fashion's relationship with messaging is complex and multifaceted. Want in on the conversation? Explore our Free Online Fashion Design Courses and start creating your unique designs today. And when you're ready to bring your creations to life, print them with Unique Boutique Streetwear.

Let's make magic, together!🤘🍑

#fashion #streetwear #clothes #style #ethicalfashion #sustainability #green #rainbow washing #woke washing #messaging

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khakirnelm · 6 months

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From an incorrect quote generator

If Melody was a human tho

Phoebe: WHAT’S YOUR TYPE Melody: Anything, honestly, but nerds especially Phoebe, desperately, as Melody bleeds out: YOUR BLOOD TYPE Melody: Oh! B positive. Phoebe: DONT TRY TO CHEER ME UP JUST TELL ME YOUR BLOOD TYPE Melody:

Phoebe: Is letting someone win at chess sapiosexual bottoming Melody: Does anyone in this godforsaken group ever think before they speak

Phoebe: Whaddya call a fish with no eye? Melody, not looking up: Myxine Circifrons Phoebe: Phoebe: fsh

Phoebe: So what's for dinner? Melody, staring at the food she just burnt: Regret.

Callie: I left instructions for everyone while I'm gone. Phoebe: Mine just says "Phoebe no." Callie: I want you to apply it to every possible situation.

Trevor: Not elegant enough to be a vampire, not jock enough to be a werewolf... Phoebe: Goblin it is.

Trevor: My head hurts. Phoebe: That’s your brain trying to comprehend its own stupidity.

Computer: Please enter a password. Phoebe: *types in Melody* Computer: Your password is too weak. Phoebe: How fucking DARE YOU-

Phoebe: So what are your political beliefs? Podcast: Well, I think Pikachu would be a lot more powerful if he had a gun.

Callie: You spent all our money on THIS?? Gary, putting tiny raincoats on ducklings: They live outside. They need this.

Phoebe: Why are you on fire? Melody: This is just how my day is going.

Podcast: Change is inedible.

Phoebe: Don't you mean inevitable?

Podcast, spitting out coins: No, I did not.

Phoebe: .. .----. -- / ... --- .-. .-. -.--

[translation: I’M SORRY]

Callie: What's that?

Phoebe: Remorse code.

Callie: I'm even angrier now.

Phoebe: I don’t do relationships.

Melody: *exists*

Phoebe: Shit.

Trevor: Kissing can burn 26 calories in a minute, wanna work-out with me? ;)

Lucky: Are you saying that I'm fat?

Trevor: No that's not what I meant I-

Phoebe: Podcast... Why did you draw a pentagram on the floor?

Podcast: Your text told me to satanize the house before you returned.

Phoebe:

Phoebe: I wrote sanitize, Podcast.

Callie, tending to Trevor’s wounds: How would you rate your pain?

Trevor: Zero stars. Would NOT recommend.

Peck: I'm going to ask you to be respectful. Phoebe: I will politely decline.

Podcast: I’m having one of those things! A headache with pictures!! Phoebe: you mean an idea..? Podcast: MMMMHHMMM!!

Phoebe: English is a difficult language. It can be understood through tough thorough thought, though. Trevor: You need to stop.

Phoebe: How did none of you hear what I just said? Callie: I’ve been zoned out for the past two and a half hours. Gary: I got distracted about halfway through. Trevor: Ignoring you was a conscious decision.

If Melody was a human, again

Phoebe: HELP! I TOLD MELODY I’D COOK DINNER TONIGHT BUT I CAN’T COOK! Trevor, pouring milk directly into the cereal bag: And you thought I could help?

Podcast: What if I press the brake and gas at the same time? Phoebe: The car takes a screenshot. Trevor: For the last time, get the fuck out.

Gary, holding a python: Guys I impulsively bought a snake, what do I name him Callie: You did WHAT– Phoebe: William Snakepeare

Trevor: You look nice, I want to kiss you. Lucky: What? Trevor: I SAID IF YOU DIED, I WOULDN’T MISS YOU.

Gary: The best revenge, really, is being nice! Podcast: [in the distance] Or murder.

Gary: That’s one of my biggest fears. Like, if I ever woke up as a donut... Callie: You would eat yourself? Gary: I wouldn’t even question it.

Phoebe: WHOEVER CAUSED THIS MESS IS GOING TO- Melody: It was me... Phoebe: ...Is going to be forgiven because everyone deserves a second chance.

#phoebe spengler #melody ghostbusters #phoebe x melody #incorrect quotes #if melody actually had blood #ghostbusters frozen empire #adding them as they appear #like editing if i find another one #callie spengler #trevor spengler #podcast #gary grooberson #lucky ghostbusters #walter peck #checkmatch

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joannechocolat · 5 months

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Content Warning: contains scenes of graphic kindness; wokery; tolerance; profanity.

A few days ago, I posted a little Twitter poll, asking readers (and authors) what they thought of trigger warnings. I followed this up with a short thread, outlining my own thoughts on this, and how they have changed over the years.

The Daily Mail immediately seized the idea, and without contacting me, or asking for further clarification, published an article quoting my words, under a headline that was both inflammatory and untrue: Trigger warnings should be put on EVERY book to make readers feel 'safe', Chocolat author Joanne Harris says.

Predictably, this caused a frenzy of reaction from Daily Mail readers and Twitter trolls, including accusations of censorship and “pandering to moronic snowflakes”. Several people (who I suspect, have never even picked up one of my books) swore never to read them. One charmer wrote: “Fucking pathetic. What a dick the author must be.”

I don’t blame the writer of the article; most clickbait headlines are added by someone else - in this case, by someone who couldn’t even be bothered to read the article, let alone my original thread. It has since been quietly changed, presumably in response to my comments, although once again, without any communication with me. But as a result of these comments (and some more polite ones from people asking about the poll), I think it’s time I made it clear, both where I stand on trigger warnings, and why the public perception of them, fuelled by culture wars debates, is both skewed and inaccurate.

First, the result of my poll: about 35% of the people who answered were in favour of some kind of content warning. About 30% were against, and the rest were undecided, curious about the result. To me this suggests that most people are generally positive or undecided on the subject. From the comments, it seemed to me that many of the people who were against trigger warnings were afraid they might lead to censorship, or spoilers, or editing of the classics, or stopping people from reading the classics, or authors losing the right to free speech.

But here's the thing. Trigger warnings are nothing to do with those things. Here’s why people have been misled, and why it matters to put things straight.

First, this expression; “triggered.” Like “woke” and “snowflake” it has been weaponized to mean something like “upsetting the libs.” Reader, that's not what it means. The concept of triggering only applies to someone with PTSD or some kind of serious psychological trauma. That makes it irrelevant to politics. Anyone can have trauma. Anyone is potentially vulnerable to mental illness. And that’s why trigger warnings exist; to warn people who might suffer a relapse, or some other kind of serious harm, if exposed without warning to certain images, scenes or narrative strands. Some of the obvious ones might be sexual violence; graphic images; mental illness; eating disorders; suicide. I’m sure there are lots more. But we’ve had content warnings (if you prefer) on films for decades without any resistance, and TV shows routinely flag up scenes with flashing images, etc. that might trigger (that word again) an epileptic seizure in anyone susceptible.

And yes, it makes sense. I mean, why would you want someone to have a seizure if you could just warn them against it? Who but a sadist would argue that people with epilepsy should be forced to have seizures, or that having regular seizures will make them more resilient somehow, or that people afraid to have seizures should just stop watching films and TV altogether, or that warnings against flashing lights would somehow spoil other people’s enjoyment of the show? And yet those are all things that people have said to me recently about content warnings.

To me content warnings in books are like content warnings on packaged food. Most people don’t read them, unless they have a special interest or need to know. Why do they need to know? There might be any number of reasons. Maybe they’re vegan, and want to avoid eating animal products. Maybe they have a religious dietary restriction. Maybe they have a mild allergy to peanuts or to shellfish. Or maybe it’s a more a serious allergy that could even result in their death. Either way, details are useful. Content warnings in books are the same, except that instead of triggering a physical attack, certain things trigger a mental one.

I'm not talking here about things that might simply cause offence. I sometimes use profanity in my books; I sometimes write about topics that people may find challenging. That's not going to change. I won't add content warnings for swearing, or nudity, or paganism, or LGBT issues. None of those things cause trauma, though I'm willing to believe they may in some cases cause offence.

But mental trauma is just as real as any physical injury. It’s not just “in your head”. It requires adjustments in the same way that any other condition may require adjustments - whether that's a wheelchair ramp, or subtitles on TV, or studs on the pavement to help the blind.

And yet, the culture wars narrative – led by a right-wing media - is leaning increasingly towards a “survival of the fittest” mentality; repeatedly encouraging able-bodied people to question disability, white people to question racism, rich people to question poverty, and urging those who have never experienced mental trauma to dismiss the needs of those who struggle with it daily. Empathy and kindness are presented as political gestures, earning “woke points” (whatever they are), rather than the elements of basic human decency. And of course, people who talk about “decency” in the context of nudity, LGBT issues and profanity often see no problem in labelling themselves “anti-woke”, or sneering at the “Be Kind brigade”, or making dismissive judgments about the lives of people they will never know. Somewhere along the line, somehow, basic human kindness has been reframed as a tool of the left, and those who hold right-wing opinions are encouraged to reject it.

Well, fuck that. People are better than this. Some people need content warnings, and it’s not up to you or me to decide whether their need is valid or not. That’s why, from now on, I’ll be adding including content warnings to my books, and to my author website. Ignore them or not, as you choose.

But to those who are offended by the concept of inclusion, here’s a trigger warning just for you: Contains tolerance; scenes of moderate kindness; depictions of graphic wokery. Read my books at your peril. Or don’t. Isn’t freedom marvellous?

#writing #trigger warnings

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littlestuffstohide · 5 months

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AA Fic Rec

I've sunk on AA so bad. I have such a long list. Almost 100 on my bookmarks. Here is my attempt to organize my bookmark list. I know I created a list before But this is better. I'll start of with my general AA WrightWorth List fic recommendation I've bookmarked since I sunk into this rabbit hole. Buckle your seats because this post is going to be reaaaally loooong. I tried to clean it as much as possible. So if you guys are looking for some AA WrightWorth treasure trove, this is it. I'm sure there are some I've read and missed. I will update my list as much as possible. My summary is literally bare to none and just my spoilers and hints what I love about it so mmmuuuch!

all there is - by sunsmasher. Narumitsu oneshot - A mix of bad Krisnix and goodness Narumitsu.

Summary: Phoenix and Kristoph during the seven year gap, Phoenix and Miles after it.

love most definitely requited - by The_Eclectic_Bookworm

Summary: cute hananaki au that of course involves confession in an unexpected way.

Pressure - by ApprenticeofDoyle

Summary: A different view/ canondivergent AA with the Feys. My ALL-time favorite AA fic of all times. AA with dash fam on Feys/Wright. It also has some great wrightworth pinning. And you will love the flow of wrightworth. There are still a lot of feels on this. It would be a crime not to read this. There is, like 4 parts on this. This one is complete. Read it! Here's the link for Pressurverse series.

if i woke up (next to you) - by ApprenticeofDoyle

Summary: Post Engarde Trial based on Pressureverse post Engarde Trial if that make sense. An canon divergent on pressure fic.

miles edgeworth's terrible, no-good, very bad week - by ApprenticeofDoyle

Summary: AAI but with Phoenix. Everything with Phoenix on AAI. Like I love it for many reasons. The WrightWorth is there but this is juuuuust so good. I'm low-key hoping for part 2 to have Phoenix altho that's least likely to happen. I juuuuust want Phoenix interacting with uncle Ray yknow!

a lie like a litany, cold and reformed - by fictitiousregrets

Summary: Where Miles bluffs about being engaged, gets engaged, gets married, and realizes they're in love and married. One of my favorite rom coms of all times. Really Wrightworth insanity.

Happier Than I Deserve - by KrisseyCrystal (IceCreAMS)

Summary: Pride and Prejudice representing Miles and Phoenix. Need I say more? This is going to be one marathon of wrightworth. Binge yourself on this monster fic. And really worth it to read.

where the heart is - by chameleonwrites

Summary: How Phoenix's home charmed Miles? Spanning from childhood until they move together, Real cute. I love for any Miles POV.

Trust Issues - by chameleonwrites

Summary: Phoenix sees plane tickets. Cue the angst. Wrightworth trying to make you cry.

The Catch-up Game - by theacegrace

Summary: Post AA6 Phoenix character study. Real good fic that's utterly sweet. It had lovely moments to angst moments, great confession to some wright family antics. A sin not to read. Never fails to tear me from the confessions?

Childswap - by theacegrace

Summary: WrightWorth switching children for a day. Real cutiiie fic! This never fails to put smiles on my face.

reading between the lines - by The_Eclectic_Bookworm

Summary: Another tearjerker. It starts tearing you to pieces then sweetening you with the fluff. And the last chapter is worth all the angst! A roller coaster fic. Basically Miles spanning from the horror of Manfred to Phoenix to great Franzy and Miles sibling love and back to Phoenix! Spanning the first 3 games.

Legal Partners - by Miggy

Summary: Oh boy. Another monster fic that's just so worth it. Fluffy and ansty and fluffy. A betting game between Klavier and Miles on who can show their? defense attorney how much they appreciate them as a legal partner. Quoting Phoenix in this fic a pissing contest between the two of them. Has some Kpollo but really more of Wrightworth goodiness. Anyone who hasn't t read this is a crime.

It Would Feel So Good To Make You Mine - by hi_its_ellis and lowbatteryhealth

Summary: Love is War but WrightWorth style. Literally flirting contest, knowing all the rules without talking and just driving the entire LA crazy while they both wait for the other to confess. My all time favorite WrightWorth rom com insanity. I don't feel bad at all. It will make you laugh so much.

A Fool for You - by bluemoodblue

Summary: Engaged but at the same time did we get married 4 months before the wedding? And it's not Vegas! This is just so romcom and just so good and sweet. I won't say anymore!

The PlayWright - by WingSongHalo

Summary: Miles visits a local theater where he meets a very intriguing actor who seems so much like someone. Really, really good. This is just one of my favorite WrightWorth fics.

Project: Matchmakers - by WingSongHalo

Summary: Literally everyone shipping Wrightworth and a club shipping WrightWorth and trying to get them together. Really adorable. Many cute parts. It has 3 parts found here. You will love the proposal on part 2 and part 3 is cute and lovely due to many reasons.

time goes by so slowly (and time can do so much) - by ohallows

Summary: AU AA magical universe Miles being a caseworker featuring Phoenix! Phoenix director of orphanage of magical pips. Really good!

Out of Order - by canolacrush

Summary: Falling in love backwards Phoenix style. Phoenix is sooo seduced that he runs from his husband who suddenly looks 100x hotter.

Chicago Noël by canolacrush

Summary: Mafia Miles and Baker Phoenix. This is also ooone monster fic. It's adorable and lovely in so Many levels. You will love the switch in roles for Miles and Phoenix. One of my fave fics! Forgot to tag this. I'm sorrry!

Earning it - by thebigeish

Summary: WrightWorth except Miles is his sugardaddy. It just hits me in a cute way.

all the ways to love - by hi_its_ellis

Summary: where Phoenix has his gay awakening and he figured it out late? Some internal homophobia. Really close to my heart.

Written - by Limey

Summary: Where Phoenix finds Edgeworth's fanfic.

The Opposing Counsel's Proposal - by the acegrace

Summary: Where WrightWorth tries to propose to each other with mix results. Really funny and you will love every second of foolishness of these two competitive dorks.

The Defense’s Proposal, Post Facto - by Kantayra

Summary: Where WrightWorth decided to get married during lunch because the paperwork drove them nuts. They pretend to try to be convinced but we all know how eager they both are.

The Perenial Pursuits - byDeiRyuu

Summary: Larry misunderstanding that whenever anything Phoenix related happens, Miles is the speed dial.

justice vs state - by sinkburrito

Summary: Apollo running errands for Phoenix and Miles over an envelope. Apollo at the same time being oblivious. Poor Pollo. Basically WrightWorth involving Apollo for their feud.

Sick of Leaving - by Jodalyn

Summary: WrightWorth sickfic. Miles POV. You would want to read this. It's adorable! Just wants to make you hug their sweetness.

they'll never love you like I can - by Jodalyn

Summary: Chief!Miles College Phoenix. Time Shenanigans. Miles meeting Phoenix. I'm so weark to Chief Miles meeting Baby College Feenie.

despite everything, it's still you - by orphan_account

Summary: AA novelization with analysis on how Phoenix and Miles view each other. There are a few aspects in this fic I could never forget which is just my favorite thing. Read it. You will love it. Spanning from childhood through Post AA6 I think.

Myths We Don’t Believe In - by hi_its_ellis

Summary: Cue Chief Prosecutor invites current BF and his not really exBF in the same room, in the morgue. Miles did this to himself. Sorry for langworth Miles. And Miles lost any braincells he had. Cue Jealous Miles.

Anytime, Anywhere, Again - by hi_its_ellis

Summary: Part two of Mythes We Don't Believe In. This is literally Phoenix roasting Miles on his decision. I love this one.

(confetti) (smile) (heart) - by lvl99arsene

Summary: Just Phoenix FINALLY upgrading his phone. This was just so cute and Phoenix being a menace! Feat Sugar Daddy Miles.

Change in Perspective - by chameleonwrites

Summary: Maya and Franziska having a betting contest on which brother is pinning for the other. Feat. Miles being the biggest victim of this spectacle. All betting fics are sooo fun. This is also one you shouldn't miss. Just feel sorry of Miles as the victim.

Phoenix von Karma - by Otoshigo

Summary: Canon Divergent AU where Phoenix had been declared all dead until He comes back with no memories and as a Prosecutor. One of my all time fave. If you want a german speaking Phoenix, read this! I love this for many reasons. Sadly, expect no Apollo or Trucy on this.

i can bring you to bathe in the river - by oredatte

Summary: on of my fave AUs. My fave trope for WrightWorth. To adopt Trucy, our lovable pair gets (platonically) legally married, moving in together, co-adopting an eight-year-old, and keeping it all a secret.

Of Haircuts, Pocketwatch Chains, Other Uninteresting and Undesireable Things, and Generic Wholecloth Christmas Magic - by ribbontype

Summary: Back to romcom WrightWorth gift-giving competition. One of my favorite fics due to how said men drive each other nuts.

Fixer Upper - by poodlepunk

Summary: Miles getting Phoenix's help to renovate his house. Renovating houses is just my guilty pleasure in fics. Domestic WrightWorth.

Tomorrow - by marttyyriroskis

Summary: From 7 Year gap through Spirit of Justice. There is so much angst here. Also cue the fluff and drama on AA4. You will love the way the writer handled the mess capcom made. I just love this fic due to some special moments. You will not regret reading this monster fic. Prepare all the tissues!

where are you going? (i've been looking everywhere for you) - by whackamacka

Summary: Kimi no Na Wa except WrightWorth style? This is it! Setting is between 3-1 to 3-4. feat BratFeen.

abracadabra! - by ohallows

Summary: Kay and Trucy shenanigans making WrightWorth dads panic. ahahah.

now i don't hate california after all - by ohallows

Summary: Kay and Trucy gossiping and plotting. Kay and Trucy are literally born to be sisters.

parallelogram - by zombiekittiez

Summary: A cute but nicer BratFeen Fic. Canon divergent au featuring Defense Attorney Miles and theater major Phoenix. It's Miles who Dahlia meets instead.

ticking time bomb in their chests - by harmony

Summary: Timetravel fic just so Phoenix finally gets the realization he needs. We all love time travel fics!

The lies we tell ourselves - by Danypooh80

Summary: A retelling of AA except of a surprise OC in this fic. I melt for this fic for all the time. You will love every second of this!

Everything Changes - by Danypooh80

Summary: More of a Edgeworth-Wright family fic? Direct sequel of The lies we tell ourselves. A must read for part 1. Just expounding on the first fic with so much fluff you will melt with the fluff!

Turnabout Ideals - by felicia_angel

Summary: AA but a magical AU? It's full of feels. Way too many Phoenix angst. This is part 1 of 6 Currently. Part 5 is my fave! Read all to understand the universe. Nulls and Voids series - series link!

Set Sail and Cannonballed - by Almod

Summary: WrightWorth navigating the beginnings of their relationship in their very busy life. Something about this fic hits me with how much I love it!

The "B" in Butz stands for "Bondage" - by JajaLala

Summary: Larry wants to learn bondage. Miles runs away, Phoenix appreciates the art. I love this for hilarious reasons.

bear trap - by ghostcatamount

Summary: feat Omega Phoenix. Were it not Phoenix, this would just be creepy about his pre-heat. SInce this is our fave Phoenix, he is just not so subtle and Miles being the oblivious Alpha is such a treat!

by the book - by zombiekittiez

Summary: Drunk Miles barging in at book clubs to confess. Miles being drunk is always a treat.

Rise from the Ashes, again and again - by theinkhiddenwithin

Summary: Romantic fairy tale featuring fated paired Miles and Phoenix. This is it!

Happy Accident - by Jodalyn

Summary: Phoenix had a rough day except Miles bought the wrong paint but Phoenix turns it around by changing his canvas.

we sleep and set fires - by fictitiousregrets

Summary: Dreamsharing WrightWorth. This is one beautiful incption like fic.

a crow's trial - by Charrelous

Summary: role reversal au featuring defense attorney Miles and Prosecutor Phoenix. one of my fave aus. Also my guilty pleasure tropes.

Through Time and Space - by Northernflicker

Summary: time traveler Phoenix and immortal Miles? You will love this, spanning through different eras of history.

Should be Pretty Mundane - by KrisseyCrystal (IceCreAMS)

Summary: Phoenix makes a discovery about himself that he is so embarrassed about. And Miles, of course, figures it out.

One step at a time - by OuterWilde (foreveraugust)

Summary: Post AAJ. Phoenix plans to reinstate himself as a lawyer and confess to Miles. Real cute lovely fic! Phoenix also being oblivious about how good he is as a lawyer.

take it like a man - by tudoo

Summary: Literally Phoenix is dramatic about suit shopping. Spanning 2 decade events. I love how dramatic Phoenix is and how endearing Mia and Miles are here.

co-signed - by tudoo

Summary: WrightWorth goes house hunting until angst ensues. Reaaaally adorable with a splash of angst.

Shear Luck - by TopazEstrella

Summary: Legit Pianist Phoenix and Barber Miles. The post-apocalyptic barbershop AU that no one asked for but we all secretly needed.

it's only love - by Jodalyn

Summary: Miles and Phoenix marriage through the eyes of Gregory Edgeworth. Makes you tear up!

Phoenix is Out of the Loop - by Living_Death

Summary: Miles decides to take up knitting until it drove Phoenix nuts! It's sooo adorable. There's literally a knitting club plus Apollo and Miles.

Change of Heart - by actual_goblin

Summary: Miles had an operation and Franziska and Maya happened.

Eavesdropping - by SapphireWine

Summary: Miles asleep and eavesdropping on Maya and Phoenix post Engarde trial. Quick and short but we just love how comfy Miles is in using Phoenix as a pillow.

Maybe In Time (you'll want to be mine) - by YourAverageBystander

Summary: Time loop shenanigans. aka: Phoenix's terrible, horrible, no good, very bad, 2,400 hour day. What something Phoenix picked up on is my fave part of this!

where there is a flame (someone's bound to get burned) - by Samioli

Summary: Love lessons by Phoenix. It's good but these two constipated lawyers are pinning while having these sessions. Cue the angst.

An Anniversary Like Any Other - by Kantayra

Summary: Married WrightWorth just banter through anniversaries til they reach their old age.

Drunk on Kisses - by Zhuletta

Summary: Miles 5 + 1 drunk on kisses and he admits it on the last one. Real cute and adorable!

Turnabout Dishwasher - by zuzsenpai

Summary: Trucy asking Miles to keep an eye on her dad while on a trip around the world. Very dialogue AA style. You will love it! literally 3 fics in 1 fic if that makes sense. Turnabout Exchange Chapters are other pairings basically. There are a lot of pairings in this fic!

Texts & Turnabouts - by YanagiKana

Summary: explored AA love. really lovely shots. While WrightWorth here being my favorite, there are other tons to love here.

the bookstore at the corner of 14th and fen - by kbots

Summary: feat bookstore owner Miles and Single dad Phoenix. Reaaaallly fluffy and adorable on so many levels. Artist Phoenix creeps up. Extra Cute Trucy is here!

New to the Neighborhood - by paxton1976

Summary: Literally Phoenix and Miles being neighbors except the noise drove Miles nuts. Composer/Pianist Phoenix. AA but without the crazy drama? Very domestic life!

Seeing Is Believing - by paxton1976

Summary: Miles gets new glasses and he finds Phoenix 100x beautiful. Miles realizing how he also loves Phoenix and also somewhat obsesses on Phoenix too.

The Wooing of Phoenix Wright - by crayoncompanion

Summary: We've seen lots of fics Phoenix chasing after Miles. This is where the opposite happens. It's literally the title. Expect some angst tho. And some tear jerker moments but worth every tissue. You will love it!

The Art of Seduction: Is for People Less Attractive than Miles Edgeworth - by crayoncompanion

Summary: feat Sexy/hot Miles dropping all the hints for Phoenix to make a move but he sort of waves it off and acts ignorant about it? This is sooo funny on so many levels. It never failed to crack me up.

Love, Lust, and Libraries - by crayoncompanion

Summary: library au. It's soo good feat Miles and Phoenix clashing so muuuuch before they get each other. How can library AUs not be fun?

Angel of the Screens, Demon of the Courtroom - by JustNerdyThings

Summary: AA1 but Phoenix as a famous actor who became a lawyer. All good stuff. Where there is smol range of death for AA1. Pure gold comedy. Famous celebrity Phoenix is a riot having that Feenieness to him with money to spare to drive the world mad. Mia and Miles are the best worsties at law.

Guilty As Charged - by JustNerdyThings

Summary: Our wrightworth is mooning, everyone is trying to matchmake but it's not really needed? Another gold comedy wrightworth fic. Or Just torture Apollo with matchmake shenanigans that's really not needed.

Of Unravelled Knots - by Ekat

Summary - Very wholesome? Some really angsty in some parts only at the start majority. This fic is stuck to me because Miles narrative is hilarious to me and everyone literally roasting his house and I love how much of a BI Phoenix is on him and the times he decides to be petty.

Miles Bunworth Petitioned Bunshot Extravaganza - Ophelia_Writes

Summary - Everyone petitioning Miles in a bunnysuit. A part of A Brief Rest for the Defense fic. Loosely. Only need to know Miles messed up and Maya and Franziska happened. Somewhat post AA3.

#my aa list #aa fic rec #fic rec #aa #ace attorney #wrightworth #narumitsu #treasuretrove #littlefluff aa bookmarks #I can't believe I cleaned my monstrous list #love for all the wrightworth writers out there #and for all the aa writers #i want to also update my not narumitsu list #if my links direct you to my comment i am sorrry #will now hide into a corner #I also have a list that I call cry a river aa because anytime i read those #im missing some of my list

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wingzie · 3 months

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Speaking to the media as a UK Army

Earlier in the week I mentioned in a local group chat that the UK’s attitude towards BTS and KPOP overall had changed. It felt like everyone was excited during Dynamite and then interest was quickly lost. Things got worse after the Festa Dinner. Because of previous experiences with a certain boy group, it was reported that the members would never return. These stories were soon edited, but it was obvious that there was a certain bias against the members now. The previous hype posts for them and their new releases were less present. Instead, we have gone back to having to do everything ourselves during chapter 2.

As I am sure many of you are aware, it has already been a tough week for UK Army. We found out that MUSE had inclusions, making it harder to chart. We got backlash from solos for something that wasn’t our fault and the emails we sent were ignored or received weird responses. We are a resilient bunch though and we continued to promote and gain more funds. I figured that things for us couldn’t get any worse. I was wrong. On Sunday I was sent an article from the BBC by a friend. They asked my thoughts on it and I quickly understood why. Something else worried me though. I recognized the journalist. He is someone that we have history with. He kindly wrote about Persona and Wembley in 2019, but he also sneaked in a line that he thought that the members were miming through the concert. At the time, a few Army tried talking to him about it on Twitter and he was receptive to the feedback. I decided to try and do the same and to do it privately in the DM’s. Something which he told me himself that he appreciated. I spent a good amount of time drafting my message. I made sure that it was polite, but also included the reasons why a certain part of the article was troublesome. During this, a friend of mine also made a detailed thread correcting the misinformation. Once the message was sent, I went on with my day and waited to see if I would get a reply. Much to my surprise, I did indeed get a reply. I don’t have consent to share our messages, but we replied back and forth a few times and he said that he would look into changing the wording. I quoted my friend's thread, explaining that I messaged him privately and that he was working on it. As someone who posts about Jikook on a regular basis, you could say that I am used to getting unnecessary abuse. However, I was not fully prepared for the response to this. As more hours passed and there weren't any changes made, the more anger and hate I received. This greatly confused me, as I wasn’t the one who wrote the article itself. I just wanted to try and help and we had to be patient.

A day later the edit was made. I messaged the journalist again to thank him and he responded back, explaining that the reason it took so long was because there was a debate internally about the best way to respond. I then shared on TL about the edit being made. It wasn’t the best edit, but that’s all we got. Unfortunately, the hate towards myself increased even more. Some said that the article was my fault, that I failed BTS or that I was an anti. Plus a few words that I daren’t repeat here. Some saw what was happening to me and sent kind support. These included people who I have never interacted with before and I will be forever thankful for that. I also spoke with some about the response of the general public towards the article. The article was heavily advertised so there were discussions in relation to Seventeen going to Glastonbury. This hasn’t been done before so some were curious and some were confused. It was interesting to see the reaction to it, even if it was poorly written. I was personally exhausted though.

This whole ordeal started on Sunday and I woke up on Tuesday still feeling a bit wary of receiving more hate. On top of this, I had gained around 300 more followers from all of this and didn’t know how they would react once I started posting Jikook. If I’m honest, I felt a bit uncomfortable with everything going on. What did shock me though, is that some of these new followers were going through my “pinned” post and liking the threads on Jikook. It made me a bit self-conscious, but I didn’t want it to overcome me and Jimin’s promotions though, so I came up with an idea.

July is my Birthday month and to celebrate I am doing a giveaway for other UK Army. This gives them a chance to get any albums they currently do not own and to try and boost sales for Jimin at the same time. The UK fanbase don’t really want to be associated with me because of my account, so I decided to do everything myself. To help boost morale, positivity and the community spirit that Army has. Overall, I do not regret reaching out to the journalist. He was rather difficult to speak to, but an edit deserved to be made for the way in which it was written. I appreciate the discussion we had and those that supported me. My focus will continue to be on Chapter 2. Look after yourselves and each other.

#wingzie #ukarmybts

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likeadevils · 1 year

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1989 Timeline

This is a very long post that puts all the songs on 1989 in order of Taylor creating them. I’ve also included a few other songs she worked on while writing 1989 and quotes from Taylor and her collaborators talking about her process

Of all the albums in Taylor's discography, I think this is the one that improves the most when you listen to it in order. All of those things Taylor was talking about in the promo for this album-- how this is an album of her coming into her own, figuring out her values, learning to stand on her own two feet-- it all clicks into place. Listening to it in order has made me cry on more than one occasion, and it's also the thing that made me start this whole crazy process of figuring out the dates she wrote each song.

If you don't want to read the whole post, check out this playlist of the album in order or this playlist of her entire discography.

I’ve also added this color coded scale of how sure I am of the date:

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based on guesswork and is highly likely to change, or, all that is known is the general season.

Unknown: All that is known is the year (from the US Copyright Offices)

Without further ado...

Oct 6, 2012: Taylor seems to have been in a studio in London (Note: I have no idea where this photo comes from and I can not find a place that specifies if this is a music studio or radio interview.)

This Love: Oct 17, 2012 (Confirmed)

October 19, 2012: Taylor mentions wanting to work with Imogen Heap, prompting Imogen to get in touch with Taylor

Time Interview: Who’d be your dream collaboration, especially now that you’re taking more musical risks? Let me think. Imogen Heap! She’s amazing. Taylor: Someone asked me in an interview "Who would you like to work with?" and I said Imogen Heap. I get an email to my management, sent like "Imogen just saw that Taylor just said an interview that she would like to work together" She said "Why don't you come out to my studio." Imogen: I got a phone call [in 2014] saying Taylor Swift was in London, she'd love to work with me and the only date she could do (between 4 sold out 02 arenas!) was the day after we got back, Sunday. It was both unexpected and not at the same time as I'd heard Taylor was a fan a while back via this Time magazine piece but somehow didn't think it would actually happen.

Fall 2012: Taylor possibly writes a song with Harry Styles and Jacknife Lee (her producer for The Last Time).

Jacknife Lee: “It was out of my field of expertise and interest, but I was intrigued and my girls were thrilled. Taylor was nice and very professional. She knew what she wanted and there was no fucking about. She was seeing Harry Styles at the time, so he came to Topanga on her recommendation. She wrote a few songs with him, and it was the same thing – quick. But this time it was more directed by the management and label. They were after something specific. I wanted more acoustic and gentle, almost Americana, and they wanted bombast. They got what they wanted, and that was the extent of my foray into teen-pop territory. It was fun.”

All You Had to Do Was Stay: Jan 10, 2013 (Confirmed)

Taylor is photographed outside Conway, and then tweets "Back in the studio. Uh oh..." Later, Taylor confirmed that she was recording All You Had To Do Was Stay. Taylor: I had a dream that my ex showed up at my door, knocked at my door, and I opened it up, and I was about ready to launch into the perfect thing to say [...], Instead, all that would come out of my mouth was that high-pitched chorus of people singing, 'Stay!'...and then you go to say something else, and it's just like 'Stay! Stay! Stay!' And I woke up, I was like 'Oh, that was mortifying. But that's kind of a cool vocal part.'

January 11, 2013: Taylor is photographed outside Conway again

How You Get The Girl: Jan 15, 2013 (Confirmed)

Taylor posts a picture of her playing a guitar in the studio, captioned "Somewhere in LA..". Later, Taylor confirmed that she was recording How You Get The Girl. Given what was going on in her personal life, she likely wrote this sometime in the fall/winter of 2012, but all we know for sure is the date she recorded it.

February 9, 2013: Tweets "Grammy rehearsals last night, studio today, who knows what tonight holds! (I do. Laying around watching TV and eating candy.)"

March 6, 2013: Taylor is photographed outside a studio in LA

March 23, 2013: Posts a picture of her playing guitar captioned "Pre show. Columbia, South Carolina"

I Wish You Would: May 28, 2013 (Inferring)

Taylor is photographed out for lunch in Rhode Island with Lena Dunham and Jack Antonoff on May 27, before leaving for her show in Phoenix, Arizona the next day Taylor: "Max Martin and [Karl Johan] Shellback [Schuster] were the last people I collaborated with on [2012 album] Red, and I wished we could have done more and explored more. So going into this album, I knew that I wanted to start with them again. Then I thought, “Wouldn’t it be amazing to work with Ryan Tedder?” And then I was with Jack Antonoff and Lena Dunham at the beach, and we started talking about our favorite ’80s music. All of this started happening organically, and I found myself gravitating toward pop sensibilities, pop hooks, pop production styles." Jack: "We were hanging out at her house in Rhode Island and we were talking about John Hughes movies, and a lot of the music that inspired [them], and just this general culture of sound in that time period that was really larger-than-life in an anthemic, positive way. These songs could be at the end of films that were really, really beautiful and said a lot. That actually ended up being a song called 'I Wish You Would' which is going to be on her album. We first worked on that song together and realized we kind of have a good thing. Taylor: “This is a song I did with Jack Antonoff, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes "I made this amazing track the other day. It's so cool, I love these guitar sounds." And he played it for me and immediately I could hear this finished song in my head, and I just said "Please, please let me have that. Let me play with it, like send it to me" And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called "I Wish You Would", because Jack wrote back and said "I love that".”

June 7, 2013: At the CMA fest, Taylor is asked if she's started writing for her next album yet

“It's starting, all the anxiety is starting and when the anxiety starts, then the writing happens right afterward, usually. Um, so, yeah, I basically... I like to, I like to write for about two years before I'm finished with an album because I... at this point I kind of know that whenever I write in the first year is going to get thrown away, because, I'm going to like it, but it's going to sound a little bit like the last project I had, and the second year usually ends up sounding like the next project. So I think at this point, at this point I feel like staying the same is the easy way to go but it's not the way that I want to go, creatively. I think you need to challenge yourself, I think you need to change up your influences, I think you need to be inspired by different things that you've been inspired by before, and, uh, y'know, It's harder to call people you don't know, and it's harder to think of topics you haven't covered and think of new ways to say old emotions that everyone feels, but, that's the goal at this point."

June 20-21, 2013: Taylor and Selena Gomez hang out, and Taylor potentially writes Wildest Dreams.

July 15, 2013: Taylor gives a brief interview to Rolling Stone

“The floodgates just opened the last couple weeks,” she says of the songwriting process. “I’m getting to that point where I’m irritating to be around because I’ll be with you for half the conversation and then the second half of the conversation I’m clearly editing the second verse of whatever I’m writing in my head.” “I really loved collaborating [on Red],” she says. “You work with a lot of different people and you find the people you have this dream connection with in the studio. I know those people and I know the ones I want to go back to. But I also have a really long list of the people I admire and I would really love to go and contact. So that’s kind of where that is.” “I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What’s the point? It’s so overwhelming that when you’re starting a project there are such endless possibilities if you’re willing to evolve and experiment. If you’re willing to become a different version of yourself, you can really go anywhere with it. And that’s kind of where I am. The kind of the laboratory experimental stage of really catching onto a new thing that I’m liking.”

July 18, 2013: Taylor unfollows the three backup dancers that left her tour for Katy's, meaning Bad Blood was likely written sometime between July and November 2013.

Sweeter Than Fiction: Summer 2013 (Speculation)

Taylor wrote this one over email, and then it was recorded in New York (partially in Jack's living room, partially in an actual studio)

August 25, 2013: Taylor and Selena Gomez hang out at the VMAs, and Taylor potentially writes Wildest Dreams.

August 25, 2013: Taylor gives a brief interview on the VMAs red carpet

"But I think [songwriting is] about to start to kick into full gear. I'm about to go into the studio. It's about to get really intense."

Out Of The Woods: September 14 2013 (Inferring)

On September 14, Fun cancelled their show. Taylor was likely either flying to or from Charlottesville, where she had a show for the Red Tour. Jack: "When I did the track for Out of the Woods, which is a Taylor song that I'm really proud of, there was some issue at a venue and our show was canceled that night and I didn't have my stuff, I had left it on the bus, so I only had these old samples on what was on my laptop, and caught up that 'oh oh'' thing, and I only had one drum kit on there, and these dumb little things [sometimes turn into a great song]" Jack: "So 'Out Of The Woods' was the third thing we worked on together, and probably the easiest. I sent her the track for it, and she sent back a voice note with the verse and chorus in what felt like five seconds. And it was just perfect. It's eerie how similar it is to what the final product is." Taylor: "This is a track that Jack Antonoff sent me, and I was actually on a plane, I got it and I got on a plane and I'm listening to it, and I'm just like listening to it and mumbling melodies cause the song came to me immediately like, in full [...] I think what I should start by playing you, is when I got the track, what I sent him like an hour later, and it is, me.. um, me singing what came to me, which ended up being the finished version of the song, or at least really close to it."

September 20, 2013: In a brief interview with USA Today, Taylor says she plans to work on her next album between the next few legs of the Red Tour

"I’ll be in the studio, figuring out what comes next. I really like to take two years to make a record, and I’ve been writing and doing stuff for the last year. This is kind of the year that it goes into overdrive, and it’s all I think about and I become obsessive over it and I’m hard to talk to"

September 22, 2013: Taylor gives an interview to New York Magazine where she talks about her plans for TS5

These days, Swift is thinking a lot about her next record. While on the Red tour, she’d been writing songs and stockpiling ideas: reams of lyrics, thousands of voice memos in her iPhone [...] she plans to spend much of 2014 writing and recording the new album, a prospect she finds exhilarating and terrifying. “I worry about everything. Some days I wake up in a mind-set of, like, ‘Okay, it’s been a good run.’ By afternoon, I could have a change of mood and feel like anything is possible and I can’t wait to make this kind of music I’ve never made before. And then by evening, I could be terrified of the whole thing again. And then at night, I’ll write a song before bed.” Swift hopes to collaborate with new songwriters and producers. But she planned to begin, she said, by heading back into the studio with Max Martin and Shellback. “I want to go in with Max and Johan first, just to figure out what the bone structure of this record is going to be. “I have a lot of things to draw from emotionally at the moment. But I have to draw from them with a different perspective than on Red. I can’t say the same things over and over, you know? I mean, I think it’s just all the more important that I don’t ever allow myself to coast. At the same time, there’s a mistake that I see artists make when they’re on their fourth or fifth record, and they think innovation is more important than solid songwriting. The most terrible letdown as a listener for me is when I’m listening to a song and I see what they were trying to do. Like, where there’s a dance break that doesn’t make any sense, there’s a rap that shouldn’t be there, there’s like a beat change that’s, like, the coolest, hippest thing this six months—but it has nothing to do with the feeling, it has nothing to do with the emotion, it has nothing to do with the lyric. I never want to put things in songs just because that might make them popular, like, on the more rhythmic stations or in dance clubs. I really don’t want a compilation of sounds. I just need them to be songs.”

September 28-October 5, 2013: Taylor and Selena Gomez are in the same city, and Taylor potentially writes Wildest Dreams.

October 12, 2013: Taylor gives an interview to the Associated Press

Swift: I think the goal for the next album is to continue to change, and never change in the same way twice [...] How do I write these figurative diary entries in ways that I’ve never written them before and to a sonic backdrop that I’ve never explored before? It’s my fifth album, which is crazy to think about, but I think what I’m noticing about it so far is it’s definitely taking a different turn than anything I’ve done before. AP: You said recently you’ve been working on songs for the new album for about six months. What can you tell us about what you have planned? Swift: It’s too early to tell who are going to be my predominant collaborators, but I do know that my absolute dream collaborators were Shellback and Max Martin on the last project. I’ve never been so challenged as a songwriter. I’ve never learned so much. I’ve never just been so excited to show up to the studio every day, just because you never know what we’re going to put together. I’ll bring in ideas and they’ll take such a different turn than where I thought they were going to go, and that level of unexpected spontaneity is something that really thrills me in the process of making music. ... What if we did this? What if we made it weirder? What if we took it darker? I love people who have endless strange and exciting ideas about where music can go."

October 14, 2013: At the NSAI, Taylor talks about reinventing herself for different albums

"I’m making my 5th record now, so I think you have to change things up, you have to explore different corners of music as much as you can. Cause I really, it’s been a big goal of mine to never make two albums that sounded the same. I really want my fans to be able to be like "Oh that song? Clearly that's from the Fearless album", "No that one, that one was from Red" and so I’m in the process of doing that thing all over again for my 5th album and it’s amazing to be in the studio and to be songwriting again, and be honored for songwriting tonight"

Blank Space: October 26, 2013 (Inferring)

It looks like she’s wearing the same outfit in this behind the scenes footage and these candids Taylor: "I was going into write with Max Martin and Shellback, who are two of the primary collaborators on 1989, and I... was preparing all these things, and I, I think Blank Space was like the third thing I played them, and they just stopped and they were like "NO, this is the first thing we're working on today." [...] I had the idea for the chorus and I had the hook, but a lot of the verse was gibberish." Taylor (On what song took her the least amount of time to write): "Blank space, cause I'd written a lot of the lines down already in the year preceding the session"

October 29, 2013: Tweets "Sitting in the studio writing the next album (!!!!) and wanted to thank you for the American Music Award nominations!"

November 1 : While promoting Keds, Taylor is asked about her next album

"What I go through is going to be the story that I tell. I think lyrically, I always try to tell my fans exactly what’s happened to me in the last two years, and that’s the thing they can expect. Everything else, they won’t be able to expect. Having been in the studio with this one, I’m just like… oh, this is going to be fun"

Bad Blood: Fall 2013 (Speculation)

The backup dancer drama seems to have kicked off in mid-July. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

New Romantics: Fall 2013 (Speculation)

Unfortunately, Taylor doesn't really talk about this song. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Wildest Dreams: Fall 2013 (Speculation)

Selena reportedly told a fan she was there when Taylor wrote this, and I've noted above all the times Selena could have been with Taylor in 2013 (Here's my personal ranking of how likely each date is). Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013.

Wonderland: Fall 2013 (Speculation)

Another one Taylor just doesn't talk about all that often. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Nov 20, 2013: Taylor posted "While in the studio, I came to the realization that my bangs are long enough to use as a sleep mask on long flights. Then I remembered I don't ever use sleep masks on flights. So really, I just need a haircut"

November 25, 2013: Taylor and Scott Borchetta have a meeting to talk about her plans for TS5 and are both asked about the next album at the AMAs

Taylor: “We got a lot already. There are probably seven or eight [songs] that I know I want on the record. It’s really ahead of schedule for me. I’m just stoked because it’s already evolved into a new sound, and that’s all I wanted. And I would have taken two years to make that happen, but it just kind of happened naturally, so that’s all I could really ask for.” Scott Borchetta: "Well earlier today we got together and she played me seven new songs, and she’s just on fire. The level of desire and passion that she has just to keep getting better, she’s an artist that just really never wants to just say ‘Well okay this is good enough’. It’s always gotta be better. She’s in amazing creative place right now." By the end of November, Taylor had likely recorded This Love, All You Had To Do Was Stay, How You Get The Girl, I Wish You Would, Out Of The Woods, Blank Space, Bad Blood, New Romantics, Wildest Dreams, and Wonderland. That’s 10 songs total, 5 of which were likely recorded in the past two months, and 7 that had been made since Taylor and Jack had their conversation about 80s music in May.

Dec 21, 2013: Taylor briefly talks to Billboard about TS5

"I’m really loving collaboration right now [...] I see it as a bit of an apprenticeship. I want to be around people who love writing songs and have done it for years. Every time I’m in a studio I’m learning, like how to build a drum track, and getting a new perspective on things. It’s so thrilling to keep learning on your fifth album. As soon as [an album] comes out I’m figuring out what the next one will be. It’s gotten to the point where each one is a reinvention, which is what I like best. I like it when it sounds new and people don’t know where you’re going to go next."

Say Don't Go: Jan 1, 2014 (Confirmed)

Diane Warren: Warren, who typically writes on her own, says the two of them “sat down and wrote the song […] from scratch” during the last few days of 2013. She remembers being impressed with how specific Swift was with her lyricism and how considerate she was about how her fans might receive it. “She was very particular about how she said certain things. It was a really interesting experience. She gets her audience [...] She’s deeply aware of how her fans want to hear something. I can’t explain it, but that’s probably why she’s the biggest fucking star in the world.” Several days after writing the song together, they got into Warren’s office to record a demo, where Swift played it on her acoustic guitar. “We demoed it on New Year’s Day. And I’m a workaholic, and that’s fine for me,” she says. “But I remember being impressed that she did, too. Everybody’s on vacation, but she showed up.”

You Are In Love: Jan 2014 (Inferring)

This song is copyrighted for 2014. Taylor has said a few times that Clean, Shake It Off, and Style were the last songs written for the album, meaning You Are In Love was likely completed in January or early February. Given Taylor's busy schedule in late January and early February, I'd guess this was written at some point in early January. Furthermore, I'd guess it was sometime after the 9th, when she returned from looking at house in New York.

I Know Places: Jan 22, 2014 (Confirmed)

Taylor: "I sent this voice memo to Ryan Tedder because I'd always wanted to work with him, and finally we scheduled some studio time. So I always wanna be prepared, I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said "I can't stand that, I wanna work on something else, think of something else" So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called "I Know Places" So this was the voice memo that I sent to him the night before we ended up finishing the song"

Welcome To New York: Jan 23, 2014 (Confirmed)

Ryan Tedder: "I thought we were going to walk in and start something from scratch because that's what I was used to. Then she calls me and says, 'Is it cool if I already have an idea?' I said, 'Sure.' She said, 'I have this song, I'm obsessed with New York and I just moved there, I want to write an ode to New York because no one's done it in a long time.' And then she sent me a voice memo. She's like, 'I want it to sound like 1980s.' So the next day I brought in a Juno-106, which is a very 1980s keyboard and I literally programmed that entire song right in front of her. It was very much on the fly, and that song was done in about three hours. And I did the rest of the production I think later that week. I was in Switzerland on a tour bus, and I did four versions of 'Welcome to New York,' one of which I liked personally more, but the thing about artists is they become very obsessed with the demo. She was in love with the demo so no matter how hard I fought, she brought it back to the demo, so really what you hear is what I did on the first day."

January 26 2014: Dianne Warren says that she recently wrote a song with Taylor

"I worked with Taylor Swift on a great song [...] I'm excited about the [song] that we did, it's pretty cool Dianne in 2016: “I know [Swift] likes it, so hopefully it will see the light of day. I know she really likes the song. She didn’t want me to give it away, so hopefully that means she wants it.”

January 26 2014: Taylor loses Album of the Year at the Grammy's to Daft Punk. She tells a few different stories about what the rest of the night looked like for her-- in some she goes home alone, in some she has some friends over-- but in all of them, this is the night where she decides that she's gonna name the album 1989, and she's not going to let her label tell her to put any country songs on it.

Clean: Feb 9, 2014 (Confirmed)

According to Imogen Heap's blog post, Taylor had the first verse and chorus by the time they got into the studio, and then wrote the second verse and bridge during the session. Taylor's part was wrapped up in 9 hours, ending at 8pm, while Imogen stayed up until 4am because she didn't want to stop working on it. Taylor: ""Shake It Off" and "Clean" were the last two things we wrote for the record, so it shows you where I ended up mentally. “Clean” I wrote as I was walking out of Liberty in London. Someone I used to date— it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. [...] The first thought that came to my mind was – I’m finally clean." Imogen Heap: I was really writing the tiniest amount just to help her do what she does. I put some noises to [“Clean”], played various instruments on it, including drums, and anytime she expressed she liked something I was doing, I did it more. It was a really fun day. She recorded all her vocals [for “Clean”] during that one session. She did two takes, and the second take was it. We always thought she would probably re-record it, because we thought it can’t possibly be that easy. But after we lived with it for a few months, we felt it was great.

February 15, 2014: Taylor posts "It was a studio Valentines Day with Max and Johan!"

Shake It Off: Feb 15, 2014 (Confirmed)

Lover Diaries (From Feb 22): "This week I’ve been in the studio with Max and Johan every day and it has been the most creatively successful and fulfilling time. The first day, Johan just made a really up tempo drum beat because we decided we needed something UP and light. We worked at it for a few hours before I just started singing “shake it off, shake it off.” And then the best way I know how to describe it is that the chorus just fell out of the sky. It ended up being this song about doing your own thing even though haters are gonna hate, and you just have to dance to your own beat. We all went home and I wrote the first and second verses and brought them in the next day. We wrote this chanty cheer leader bridge that I absolutely LOVE. We spent all day doing vocals and the next day recording background vocals. I think it’ll end up being the first single and Max said it’s his favorite song he’s ever been a part of." Taylor: "The problem was, I had all these lyrics, and I didnt have, like... writing session was coming up and I'm just like "I'm not getting a melody, I'm dead, I don't know what I'm gonna do." The thought terrified me, so I just sorta sulked into the studio and I was like "Guys, I have like an idea but its like, lyric, but I... and I know the vibe I want-- I want it to start off and the second the song starts, I want it to be the song where like, if it's played at a wedding, and there's this one girl who hasn't danced all night at the reception, all her friends come over to her and there like "You have to dance, come on, you have to dance on this one!". That's what I wanted. So I was like "Shellback, can you just go to the drum kit and try to play that?" Taylor: "There's one thing that I've always said to Max, is like "I don't like horns" I just always had a thing about it, I was always like weirdly scared of it, or intimidated by horns, I don't know what it was? It's a weird, like, nerdy studio fear of mine. I was like "No, no horns!" and I don't.. I don't even know, I don't have a reason for it, I love songs that have horns on them, I was just like "I don't think I can pull off horns." Strange. But, he goes over to the mellotron and he starts playing this horn sound. I'm like "What are you doing. Don't do that." and he's like, "No, I think this is cool" and I'm like "No it's not cool, and where are your chorus chords, because, that, you're just playing three chords over and over again and I can't make a chorus out of them, why don't you go to like a chorus chord that starts off the chorus, where is the one, like why don't you go--" and then there was this moment, where I thought of the whole chorus, and it's over the chords that I had just told him are not "chorus chords", which is a ridiculous thing to say."

February 18, 2014: Taylor is photographed entering Conway Studios

Style: Feb 19, 2014 (Confirmed)

Niklas Ljungfelt (guitarist): I played on “Style,” a song I started with Ali Payami for ourselves. He was playing it for Max Martin at his studio; Taylor overheard it and loved it. She and Max wrote new lyrics. But I recorded the guitar on it before it was a Taylor song. It was an instrumental. I didn’t have a clue that Taylor would sing on it. The inspiration came from Daft Punk and funky electronic music. Taylor: I'm pretty sure after we finished this one I knew the record was done. Shake It Off and Style were the last two songs to be written for 1989.

March 2014: Taylor's interview with Glamour is published (likely conducted two months beforehand)

TS: Working on this album has been unbelievable [...] I'm already in love with it. It's so different. CL: What's the new sound? TS: On Red I did three songs with Max Martin Shellback [...] I think we'll be doing a lot more than three songs together on the next album [Laughs].

March 26, 2014: Taylor is photographed entering a music studio in New York

May 30, 2014: Taylor writes in her diary:

So a crazy story unfolded in the last 24 hours. Last night, I had this vivid dream where the photo I’d chosen for the album cover wasn’t good enough, intriguing enough, artful enough. It woke me up. I couldn’t shake it and it stayed with me all day. Because that nagging feeling I’d been pushing back for weeks was now confirmed in my gut … It wasn’t good enough. I went to the venue, mind racing, wondering if I’d have to do an entirely new photo shoot … I got to my dressing room with newer versions of the “cover.” I looked at it and felt nothing. The team pulled up this new scanned file of the Polaroids we had taken during the shoot. I saw within 10 seconds. The shot. The cover. It’s a Polaroid of me sitting against a beige wall with a blue seagull swear shirt on. You can see my red lips, but the photo cuts off my eyes. From some reason unknown to me, it’s the most intriguing photo I’ve seen. I think it’s the mystery of not seeing my eyes. Maybe it just looks effortlessly cool. The craziest moment came when something caught my eye. The cover photo is photo 13. I kid you not.

August 23, 2014: Taylor is photographed walking out of a studio in LA (Note: I can not find a place that specifies if this is a recording studio, dance, photography, radio, or television studio.)

Now That We Don't Talk: Summer 2014 (Speculation)

Seeing as Taylor said she didn't have time to figure out the production, I imagine this came fairly late in the process. Taylor has a habit of adding songs right up to the deadline-- with Folklore and Evermore, she added multiple songs a week before the album came out. The latest she added songs to albums while signed to Big Machine was September, though (both Forever & Always and So It Goes...), so I assume that's the absolute latest she could've added a song to 1989. Taylor: "Now That We Don’t Talk” is one of my favorite songs that was left behind, it was so hard to leave it behind, but I think we wrote it a little bit towards the end of the process and we couldn’t get the production right at the time. But we had tons of time to perfect the production this time and figure out what we wanted this song to sound like. I think it’s the shortest song I’ve ever had, but I think it packs a punch, I think it really goes in. For the short amount of time we have, I think it makes its point.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

#txt*#timeline*#taylor swift #OH MY GOD ITS OUT ITS OUT ITS OUT I'VE BEEN RESEARCHING THIS FOR THREE YEARS AND IT'S DONE #!!!!!#as always let me know if you want further sourcing on anything/if you spot a typo or something

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blackswaneuroparedux · 2 years

Photo

It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truth-less ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life.

- W. Somerset Maugham

Or rather the truth every generation, past, present, and future, convinces itself of so that they can live out their own lies until reality bites. Gen Z and the western woke generation in general are no different.

#w. somerset maugham #somerset maugham #quote #literature #truth #generations #lies #society #ideas #beliefs #culture #woke #youth #life #reality

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veronicaphoenix · 4 days

Text

zutto — chapter six | wc: 2.7k | series masterpost | prev. chapter

Chapter summary: Lia and Noah go out for brunch and Noah tries to convince her to cancel the tour in Japan.

Tags and trigger warnings: fluff, fluff, fluff, noah and lia go shopping, noah and lia visit a sex shop, implied interest in bondage, mentions of previous sexual activity, mentions of lia being tied up, brief mention of parents' neglect and japanese folklore (noah being ill with a flower-coughing disease).

General trigger warnings: this work addresses and depicts issues related to addiction, abuse, & violence, contains explicit sexual content, and explores themes of childhood trauma. Reader discretion is advised. +18

Author's note: This chapter was supposed to be around 10k words, but it felt too long so I split it. Chapter 7 will be up this weekend with the remaining 7k words 🤭

There is a quote in this chapter that belongs to the poetry book Questions for Ada written by Ijeoma Umebinyuo. It's marked with an *

Sunlight was streaming brightly through the curtains by the time Lia awoke, indicating that it must be late.

Getting used to the golden light that flooded the room, she brushed aside the long strands of hair that had fallen across her face. Noah’s shoulder and bicep were almost pressed against her, his head resting higher on the pillow and tilted toward her, as though he didn’t want to stop breathing on her. She couldn’t remember when she had fallen asleep—whether it had been on Noah’s chest or just clutching the pillow under her head after he’d given her another orgasm positioned behind her. She did remember him cleaning her up and her mind feeling all fuzzy and cotton-like.

She hadn’t slept this well in a long time.

Smiling at the sight of him, she decided to spend the rest of the time while Noah was still asleep just watching him. At least, that’s what she intended—until her fingers couldn’t resist wandering over to him.

Noah lips were half-open, revealing a tiny bit of those bunny teeth she adored so much. His cheeks were flushed, and his hair was disheveled. Beneath the sheets, both of them were naked, their scents lingering in the fabric, though the heavy scent of sex was more prominent.

Lia brushed aside a lock of Noah’s hair that threatened to fall over his eyes, and a memory from her teenage years suddenly flooded back. It was one of those weekends when Cristina had abandoned her, leaving her alone. Hana had obviously let Lia stay over, but against her orders, Lia had sneaked into Noah’s room after midnight instead of sleeping in the guest room. Back then, Noah slept like a log. At seventeen, his passion for music already coursed through his veins relentlessly, and many nights were spent working, only remembering to sleep when he couldn’t keep his eyes open any longer. The nights he spent with Lia were no different—they would stay up watching movies or talking. That particular night, she had fallen asleep first, but woke up earlier, and took a quiet moment to brush his hair while he slept, softly snoring.

Now, eleven years later, the scene felt almost surreal, like a replay of the past. Lia was sure he had the same peaceful expression, the same boyish features. Even in sleep, he looked like a child, lost in his dreams. The urge to protect him was as strong as ever, just as he had done for her all these years. It felt like the least she could do—besides loving him.

Noah’s chest rose as Lia made a futile attempt to tuck the lock of hair behind his ear. He stirred, and two more strands slipped down to join the first, falling across his eyes and making him blink awake.

The moment he saw her wide eyes looking up at him, paired with that smile that always seemed to cure his every ill, he couldn’t help but smile back. He felt fucking happy to wake up next to the girl he loved—especially with her naked under the sheets.

“Good morning,” he murmured.

“Morning,” she replied, trying to ignore the tingling in her toes and the warmth spreading through her body at the sound of Noah’s deep, sleepy voice. His eyes, with their distinct Asian shape, looked even more beautiful in the morning—smaller, almost like thin slits.

“You look wide awake. How long have you been staring at me?” he asked, his playful arrogance showing the familiar self-assuredness that Lia was all too familiar with.

She scoffed, rolling her eyes. “You’ve got some nerve,” she shot back, equally accustomed to his confident, slightly egotistical humor.

With a burst of energy, he grabbed Lia by the waist and tried to tickle her. She squealed, rolling onto her side, giggling, until they lay chest to chest, both facing each other on the bed.

“No more than ten minutes,” Lia said, catching her breath as his warm brown eyes twinkled. “How did you sleep?”

“I had this dream...,” he started, “where I had sex with my favorite girl on the couch, and then in this very bed...”

Oh, he loved seeing her blush and smile like that at his words. He pulled her tighter against him, brushing the hollow between her neck and shoulder with his lips.

“I haven’t slept this well in a long time,” Noah added, “even though I was awake around seven.”

“Seven o’clock?”

“Yeah, I guess it’s routine. I went to the bathroom, grabbed some water, and then… well, I spent some time looking at you until I fell asleep again.”

“How long were you watching me?”

“Oh, you’ve got some nerve,” he echoed her earlier words with a grin, dropping onto his back and pulling Lia with him. She landed on top of him as he continued, his tone calm and tender. “I didn’t plan on going back to sleep, but you looked so peaceful. I didn’t want to leave or wake you, so I just watched for a while. Are you okay?”

Lia, now resting her chin in her hands on his chest, nodded.

“I’m a little sore, but it’ll pass.”

Noah sighed, content, engrossed in holding Lia like this, in his arms.

Lia reached up to his chin and gave him a ghost kiss where his stubble was starting to grow.

“I’m sorry I was in the way of us,” she whispered.

“You were scared, and you had every reason to be. But that’s all behind us now. We have our whole lives ahead of us, Lia. And believe me, I don’t plan on wasting a single second of it. I just need you to be honest with me. You know I’ll never hurt you. But if I have to get angry, I will. I’m not letting you walk away from me again.”

She climbed on top of him, pressing her chest and stomach to his, and touched his cheeks.

“I love you.”

“That sounds wonderful. Say it again.”

“I love you.”

Noah kissed her, long and hard.

After a while, when they bothered to look at their phones to check the time, they realized it was already past eleven.

“I guess we missed breakfast. How about I take you out for brunch?” Noah suggested, his hands resting on her hips, savoring the weight of her body against his.

“Sounds great.”

“And we can talk about Japan.”

Lia’s eyes widened instantly.

“Yes, please.”

“I’m not going to be able to convince you to stay here, am I?”

“Nope. There’s nothing you can do,” she concluded.

“Nothing?” he insisted.

“Nothing. Don’t even try using sex as leverage. I want to go to Japan. I want to go back to work. I’m feeling fine. I’ll be with you and with the crew.”

“Stubborn since you were six...” he sighed. “All right. Let’s go take a shower and get some air. Looks like the storm has passed.”

After showering and getting dressed, Noah and Lia headed out to Santa Monica Place, looking for a restaurant that served a healthy and affordable brunch.

Once seated, they browsed the menu, deciding on an avocado bagel with poached eggs for Lia and a bacon-loaded toast with eggs for Noah. As they waited for their food, Noah’s phone buzzed with a call from Matt. It was well-timed, since if they decided the Japan tour was still on, Matt would need to come by that afternoon to catch Noah and Lia up on the logistics.

Ten minutes later, their food arrived, along with a strawberry smoothie for Lia and a green one for Noah.

“I know I just told Matt to meet us this afternoon to talk about the tour,” Noah began, cutting into his toast. “And I know you said there’s no convincing you, but I’m going to try anyway. I’d rather postpone it, stay home a little longer, and give you more time to recover. It feels rushed to put you on a plane and keep you away from home for a month and a half right now.”

“You’re being overprotective,” Lia replied with a smile, “and I love that, but I need to work. Staying home won’t help me. As lovely as the last few days have been, I’m sure you’re starting to get tired of being cooped up at home with me, too. We haven’t gone out except for groceries and therapy appointments. You haven’t been to the gym, or out for a run, and you’ve ignored most of your work calls.”

“I was focused on what matters to me,” Noah replied, his voice quiet but firm.

Lia reached out, taking his hand. “You’ve always been good at looking out for me while managing everything else.”

“That’s not true,” Noah said, his tone darkening. “If that were the case, Mitch wouldn’t have touched you.”

A heavy silence fell between them.

“I’m sorry,” he quickly added, regret filling his eyes. “You’re still not comfortable talking about it. I shouldn’t have brought it up.”

“Maybe I never will be,” Lia said, her voice steady but raw. “But that doesn’t mean I’m going to let him control my life. I’d rather not hear his name now, but one day, I won’t care.”

“I’m proud of you, Lia. For everything you’ve accomplished on your own. You built a life for yourself from nothing.”

“It wouldn’t have been so easy without a best friend who picked me up every time I fell.”

“I just offered my hand. It was always you who chose to take it.”

The weight of Noah’s words lingered in the air. Lia felt the echoes of her past ripple through her—the weight she had carried for so long, the trauma she had inherited from her mother, the silent strength she’d summoned to survive. She thought of all the daughters like her—those who had to raise themselves, who had learned to build their own light in the darkness.

Bless them; those girls who, despite the odds, managed to build themselves a future from the fragments of their past. Bless those daughters who sat carrying the trauma of mothers. Who sat asking for more love and not getting any, who carried themselves to light. Bless the daughters who raised themselves. *

Lia stroked the back of Noah’s hand with her thumb. With a sigh, she returned to her plate, taking a bite as they both sat in a shared, contemplative silence.

“As I was saying, we can’t keep this routine up much longer,” she said. “You’re going to start climbing the walls and...”

“No. I can go back to work but without having to travel. We cancel the tour and focus on the new album,” Noah countered.

Lia shot him a tired look.

“The only thing you’ll do if you cancel the tour is keep getting distracted—because of me.”

“What about your plants?” Noah shot back. “What if they don’t survive while we’re in Japan?”

“I’ll ask Emery to come water them every now and then,” Lia replied, unfazed.

“And what if you get overwhelmed with work?”

“Work has never overwhelmed me. In fact, if I don’t start sketching something soon, I’m going to go mad. Stop finding excuses, Noah. Canceling an entire overseas tour because of me would be worse. Imagine the guilt I’d be carrying around.”

Noah hesitated. She was right.

“Besides,” Lia added, “we haven’t seen Grandma in over a year.”

“Grandma said the other day that your health was more important. The trip could wait.”

“I’m well enough to travel, Noah. Or didn’t you notice that last night?”

Noah blinked. “Are you comparing sex to a trip to Japan?”

She shrugged casually. “You compared it to your performance on stage.”

For a second, Noah didn’t know whether to raise his eyebrows or burst out laughing. The girl was impossible.

“Is this how it’s going to be?” he asked, half amused. “You getting me to do whatever you want because you know I can’t say no to you?”

Lia smiled and gave a playful shrug. “Maybe you need to set some boundaries, then.”

Noah shook his head, defeated but grinning.

“Well, at least the trip will help Grandma clear up all those mysteries she’s been holding onto for months.”

“What mysteries? About your flower-coughing fits?” Lia asked, raising an eyebrow.

“Exactly. Didn’t she talk cryptically the last few times you spoke to her? She had me in stitches.”

“About her theory that it had something to do with me?” Lia sighed. “No. I changed the subject every time she brought it up. I think she got the hint that I didn’t want to discuss it—and definitely didn’t like her linking me to you in that way.”

“That’s strange.”

“What is, exactly?”

“That out of everyone around us, Grandma was the only one who didn’t hammer us with comments about getting together. Together this way, I mean.”

“Whatever’s been going through her head all these years,” Lia said thoughtfully, “I plan to get it out of her the minute we step into her house at the end of the tour.”

The outing was intended as a distraction and a small boost for Lia’s mental health, with plans to do some light shopping after filling their stomachs.

They wandered through a few stores, starting with one that offered items they might need for their upcoming trip. Next, they visited a flower shop where Lia carefully selected seeds to plant at home, hoping they would blossom in her absence and greet her with vibrant blooms upon her return, and a special set of seeds to spill in Grandma’s little garden in her house in Japan. Their final stop was a stationery store, where Lia restocked her supplies. She grabbed some high-quality paper and a couple of her favorite mechanical pencils, a couple of sketchbooks of different size, a set of fine-tipped markers, and a travel-sized watercolor kit, knowing these would be perfect for capturing inspiration on the go.

As they left the stationery store, Lia glanced at their shopping bags, wondering if they had everything they needed. Her mind buzzed with ideas that she desperately needed to either voice or transfer to paper, but before she could share them with Noah, he casually mentioned, “We’re still missing condoms.”

Lia lifted her eyes to him only to find him motioning towards a sex shop located between a Zara and a Hollister Co. She followed him, feeling a strange comfort in the idea of buying condoms with him.

Inside, Noah’s initial confidence wavered as he looked around the adult store, but Lia seemed more at ease. She browsed through the various options with a calm curiosity, which made Noah’s unease more pronounced.

After a couple of minutes, he picked up a box of size L condoms to examine. With a bemused look, Lia took the box from his hand and replaced it with a medium size, her expression clearly saying, “seriously, Noah?”

Now holding two boxes of medium condoms, Noah continued to explore the options, engrossed in comparing brands and types. He studied the packaging and ingredients, curious for the first time, lost in thought, and didn’t immediately notice when Lia wandered off. When he finally did, he assumed she was simply exploring the store’s offerings. Raising his voice slightly, he called out, “Hey, I’m heading to the checkout!”

He paid for their items, swiping his card before glancing around for Lia to let her know it was time to leave. His eyes froze as he spotted her standing in front of a section dedicated to ropes, where various types hung from a bar, inviting examination. Lia’s hands delicately held a velvety red rope, her fingers gliding over its soft texture as if savoring the sensation.

Noah watched her; the way she studied the rope, her brows slightly furrowed in contemplation… The velvety material slipped smoothly through her fingers. And suddenly he was imagining her naked on his bed, wrapped in that soft rope.

Swallowing hard, he called out her name.

She turned around quickly, the rope slipping from her grasp and landing softly on the display. Noah gestured toward the exit with a slight nod. Lia, with a hint of color blooming on her cheeks, hurried after him.

As they walked out of the store and made their way back to Noah’s car, Lia glanced down at their intertwined fingers. Noah would occasionally tighten his grip around her, relishing in the sensation of how perfect her hand fit in his.

A smile tugged at Lia’s lips.

— prev. chapter | chapter seven ➡️ coming this weekend.

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