#'complicated and non-traditional father-daughter dynamic'

[lunchtimebedamned1997]

Hazbin S2 thoughts?

Okay, hear me out:

I love Poly!Vees, but if it ends up being just Vox/Val being fuckbuddies with Vel not in the romantic or sexual mix - particularly if Velvette is more of a daughter to Vox and Val... then that could set up a super interesting dynamic in S2 with the other half of the cast???

So in 1x05 we get Al (presumably just postulating) about how he sees Charlie like a daughter (heh, yeah right. Al? After like, four or five months? No way. With Nifty? Sure, I can almost buy it. Charlie? No.)

So, like, imagine this:

Charlie steps between the two overlords, hair mussed from the warring static, scleras dipping red as they fix on Vox.

"Stop." Her arms are out, Vox almost laughs when he realizes she's shielding Alastor. "I won't let you hurt him."

Alastor's expression is somewhere between smug and affronted. Vox can understand, having someone as powerful as the princess devoted to your safety is quite the bragging point, but to have anyone think that Alastor would need help, against him, no less. No, no. That stroked Vox's ego. He did laugh now.

"Alright, princess, I'll bite. How'd he win you over?"

"What?"

"Alastor. How'd he convince you, you matter to him? I can tell you how he convinced me, if you'd like."

"Charlie - I would strongly advise not engaging with this one. Once you get him started, its quite hard to shut him up again. Not to mention, most of what comes out of his speakers is meaningless drivel."

Vox scoffed.

"What are you, her fucking dad?" He watches the princess puff up her chest, eyes sparking with something that could really only be noted as passion.

"Yes." She looked back over her shoulder at Al, and Vox caught the softness in her growing smile as her head turned away from him. "He's as good as." When Vox processed the genuine tone in her voice, he started uproariously, uncontrollably laughing, she returned her gaze sharply to him. "You don't know him like I do. Like we all do! He's helped us, maybe not out of the goodness of his heart at first, but time means something, and we've built a bond! He's shown up for me in ways people who should have, haven't."

"Oh my god you're serious!" A few more laughs escaped him before the righteousness and earnestness of her expression processed in his system. Oh my god. She's serious. He felt his expression sober, and he dropped his aggressive stance, keeping a few of the cameras trained on Alastor so he could keep his screen directed at the girl, and he watched her tense at the serious drop to his expression. "Look, I don't know what you think he's done for you, but I learned the hard way how little he cares. I'll admit, your little theory has more of a shot than the things I used to think were between us, but I wouldn't count your chickens, Charlie." Her mouth pulled into a flatter line as her name left his speakers. "I know what it means to care for someone like a daughter. And I don't think he has that in him."

"You -" When Charlie's words faultered, Vox cut in.

"Alastor can manage - what did you call it Al?" He spared a glance over Charlie's shoulder. "'Passing affections?'" He choked down the sneer he wanted to give Alastor and returned his gaze to Charlie. "I think he's too selfish to love anything but himself. I think he can enjoy people for what they give him, but don't be sweet-talked into thinking he has enough room in his heart to be anything like a fath-" A black tentacle shot up from the pavement, hitting the base of Vox's screen and throwing him up into the air and back a few feet before he crashed back down onto the ground.

Alastor stepped up beside the princess, putting a hand on her shoulder and bending down slightly, his tone light, like he was sharing a bit of innocent gossip.

"What did I tell you, my dear? This one doesn't quite know how to summarize a thought." He looked over a Vox, who was pulling himself back up into a standing position, his screen still glitching mildly from the force of the impact, he could feel wetness dripping down from the corner of his mouth. "Shall I summarize for you then, old friend?" He moved out and around Charlie, removing some of the newfound space between himself and Vox. "Something, something, I'm a terrible monster who cannot be trusted, i hurt your feelings, nobody should risk being near me, and you... 'hate' me?" He leaned forward slightly, smiling as he tilted his head to the side - that stupid fucking smile widening even further as he send another tentacle barreling into Vox's stomach like a punch, Charlie squeaked somewhere in the background like she wasn't expecting them to come to blows again already. Vox was just pleased he was only winded rather than thrown this time though. "Did I about cover it?"

Vox breathed raggedly, trying to get his lungs to work right. "You're a fucking prick."

"Poetry!"

"Get a new fucking line."

Alastor narrowed his eyes slightly. "I am curious about this 'daughter figure' of yours? That spunky little overlord nobody worth their salt can stand? The one with the fabric name? Velvette, was it?"

Sparks flicked from Vox's claws. "Don't."

"You expose a weakness and expect me not to strike? And here you are trying to convince Charlie how well you know me!"

"Velvette can handle herself."

"Against me? I hardly think so. So few can."

"Adam did alright." Vox watched the small twitch of displeasure Alastor gave at the bruise to his ego with a little bit of pleasure.

"You can't seriously think their levels are comparable. What exactly might she do? Wrap me in silks? Oh the horror. I have felled overlords so old only Zestial rivals them. And her? Has she even reached fourty? Thirty?" Alastor shook his head disappointedly. "No, I'm sure she'd be quite the waste of energy. Then again, I do so love to see you suffer."

Vox surged forward and blasted enough volts to level a city block straight into Alastor's neck, watching him fly back to land behind the Princess' startled form.

"That, is mutual." Vox rolled his shoulders, getting ready for more... for maybe dying. You always had to be with Alastor. Part of him didn't want to believe they'd ever devolve quite that far, but the part of him that scrabbled around in his self preservation like a panicked animal had to face that eventually one of them was going to...

It was statistics, honestly. Even in eternity, nobody seemed to last forever.

...

Like???? Come ON. That doesn't even touch the Valentino side of things. Make the terrible people complicated! Give them weaknesses and things to like about them that makes hating them feel worse for us!

Idk something about the idea of Vox, the fucked up guy from the age of the 'nuclear' family having the most warped but genuine dynamic with Velvette and Val? It tickles me!

Like I can see Charlie trying to convince Al there's something worth redeeming in Vox if she actually stumbles across seeing him being a doting father to Vel, especially if it was before any interactions like the little senario I wrote above. You just know our little baby bleeding-heart with her big doe eyes and daddy issues would just feel for him. Wouldn't want him to lose even though she wants her side to win.

'how can i destroy what might be the only good family relationship I've seen in almost 200 years. If someone took that away from me -'

You just know that Vox would be the most indulgent little guy ever when he loves someone.

Now, do I think Charlie actually bought Al saying all those things to her in 1x05? Not entirely. Not given how she spoke to him in 1x07 before they made their deal. I think Charlie is a lot less naive then people assume her to be, but I also think she'd want to believe it. Maybe with a bit less desperation then before she made up with Luci somewhat. Regardless, it's clear she has a big soft spot for Al, and considers him to be like family much the same as the others from the S1 hotel crew.

Idk, I just think there's a lot of potential there! Do I think it will go that route? Heh - no. Probably not. But It's fun to think about :3

[ectonurites]

Do the Robins really think of each other as siblings? I know they all consider Dick a brother and vice versa, but between all them, is there really a sibling dynamic/consideration? Do they ever call each other as such?

Okay, so, off the bat (heh) from the phrasing of this ask I want to clarify something:

Namely that the hero role of ‘Robin’ does not inherently have a familial tie.

‘Robin’ is a hero role that has (in main continuity) been filled by: Dick Grayson, Jason Todd, Tim Drake, Stephanie Brown, Damian Wayne, and in a slightly less formal way Duke Thomas (he was a member of the We Are Robin movement and the most prominently featured of that group, though he did not really act as ‘Batman’s sidekick Robin’ which is why he’s kinda in his own category here but still worth mentioning).

However, that’s not to say there are no familial ties there. From the list of Robins… Dick Grayson, Jason Todd, and Tim Drake are the adopted sons of Bruce Wayne. Damian Wayne is Bruce’s biological son. Duke Thomas was for a time fostered by Bruce, though that is not presently the case (he lives with his uncle instead nowadays). And, while not a Robin, it’s also worth mentioning that Cassandra Cain (Batgirl) is Bruce’s adopted daughter.

So, to answer the baseline question of ‘Do the Robins really think of each other as siblings?’ I would say 'most of them do, the ones that are adopted siblings'. But like, Steph isn't their sister, and they aren't her brothers. That’s simply not the case there, she's never been adopted by Bruce (not to mention one of them—Tim—is literally her ex-boyfriend).

I think it’s very safe to say that among the ‘Dick, Tim, Jason, Damian’ grouping, yes canon has pretty clearly shown that they do all have a brotherly dynamic. They don't all use the specific phrasing that frequently, but it's not uncommon for them to—whether to directly call one another brothers, or to talk about their shared (adopted or otherwise) dad. This isn't to say they are all close or all have good relationships with one another all the time (lol no, Dick & Tim are close/generally have a good relationship, and Dick & Damian are also close/generally have a good relationship, but aside from that things get rockier/vary a lot more) but at the core there's a brotherly thing with all the ups and downs that entails.

To pull some examples of either using that phrasing or showing that kind of dynamic from books published within the last few years:

(Dick & Jason in Nightwing (2016) Annual #1)

(Dick talking about Tim in Nightwing (2016) #80)

(Dick talking about Damian in Nightwing (2016) #110)

(Jason & Tim [& Cass] in Task Force Z #8)

(Jason & Damian Robin (2021) #5. I do feel the need to mention that on Damian's end this hug was also a distraction to then electrocute Jason. That's just how he is sometimes. but the hug was genuine on Jason's end 🤷)

(Tim & Damian [& Dick] in Batman #138)

That’s just some stuff I could think of off the top of my head, there’s definitely more examples (and also if I went further back, but I'm approaching this anon from a 'the current state of things' POV).

Also worth noting that Dick & Damian’s relationship does kinda toe a line between ‘brothers’ and ‘pseudo father-son’ due to Dick needing to fulfill a parental role while Bruce was dead (pre-N52, like, Batman and Robin (2009) era). They’re still more brothers than anything else, but with such a large age gap and the way responsibilities had to be taken due to the situation at the time, it makes things complex, ya know! In general, I think that’s something to keep in mind—it’s not that these guys all lived together as one happy family with Bruce at any given point in time (they did Not), but despite that they still are family. They each have a complicated relationship with Bruce, and complicated relationships with one another, but they are (and see each other as) family regardless. A messy and non-traditional family, but still a family.

The thing I think some people get confused with is the way that the greater 'Batfamily' is more what we think of as a 'found family' where characters don't necessarily fall into traditional familial roles... because that includes people like Barbara Gordon, Stephanie Brown, Helena Bertinelli, etc—people who are bats but are not part of the Wayne family. Like... The Wayne Family and The Batfamily are not synonymous. The Wayne Family is a separate but partially overlapping thing. The Waynes are Bats but not all Bats are Waynes, ya know? And like, it's only further confusing because of how most of Bruce's adopted kids kept their original last names even after adoption, so it's not always clear at a glance who falls into which group if you're not super familiar with the characters.

NOW, the person I think this gets a bit fuzzy with in terms of placement is Duke… he's obviously part of the Batfamily, but where exactly he sits in relation to the Wayne Family has like, been different at different points in time. Because he was Bruce's foster child for a while, and now he isn’t anymore. So in terms of his relationship with the other Robins, it definitely is more familial than like, Steph's relationships with any of the others—because he was their foster brother—but it's not quite as strictly defined as among the 'Dick, Jason, Tim, Damian' grouping. I’m gonna link this post by a Duke-centric blog which goes into some of this more clearly!

[atruththatyoudeny]

Happy 28th! Here are all the 14 fics I read and enjoyed this month. As always, all the love for all the amazing authors in this fandom! ♥

In The Still Of The Night | jacaranda_bloom | Dirty Dancing AU - a/b/o - prejudice - gender stereotyping - class divide - angst - pining - smut - 69k In a society where omegas are expected to follow a predetermined path, Louis strives for more; for his voice to be heard, for recognition, for true love. In a world where your past defines your future, Harry fights against the system; for equality, for a different life, for acceptance. When their two worlds collide, will they be beaten down by conformity or will they rise up and forge a new path together? OR the Dirty Dancing AU where Louis is a feisty omega who wants to change the world, Harry is an alpha from the wrong side of the tracks, and nobody puts Louis in a corner.

Plant New Seeds in the Melody | 28sunflowers | enemies to friends to lovers - miscommunication - misunderstandings - emotional hurt/comfort - Original Character Death - grief/mourning - slow build - smut - 58k After losing his husband in a tragic car accident, the last thing Louis needs is to keep running into popstar Harry Styles, who David was quite fond of. Obviously, that’s exactly what keeps happening. But as their unlikely friendship blossoms, Louis realizes that, maybe, having Harry in his life was the only good thing that came out of his adverse circumstances. Harry could be just the right person to help Louis find trust and intimacy in someone new.

take my hand, wreck my plans | amomentoflove | Cinderella AU - a/b/o - royalty - Minor Character Death - emotional abuse - magic - 38k Louis meets the man in the center of the room, feeling every eye on him. “Mr. H,” he whispers. The man smiles brightly and laughs as if he can’t believe his eyes. “It’s you,” he says breathlessly. “I didn’t think I would see you again.” “Nor I you, especially under these circumstances.” “Even so,” Mr H says, his eyes bouncing from Louis’ eyes to his lips. “Will you do me a great honor and join me in leading the first … um…” “Dance?” Mr. H laughs and nods. “Yes, that’s the one.” Louis bites his lips and doesn’t hesitate before whispering, “Yes.” Mr. H beams and reaches for Louis’ hand. Sparks fly at the touch and a zing of excitement shoots through Louis’ body. His face heats up as he’s afraid his scent would give away his feelings towards the other man.

One More Taste of Your Lips | Canadianlarrie & MsHydeStylinson | canon compliant - reunion tour - angst - internalized homophobia/biphobia - cheating - smut - Coming Out - 80k It had been eight years since the hiatus began, and Louis had spent that time writing and recording music, touring and making it safely through the pandemic. When the opportunity arose to go back on tour with One Direction, Louis knew he'd be a fool not to take it. Sure, life on the road would be different after all this time apart, but he was looking forward to experiencing that comradery again. What he hadn't realised was that living the better part of nine months in each other's pockets was bound to dredge up issues from his past. And when one of the pockets belonged to Harry, who he'd had a rather unconventional friendship with that drifted apart during their last tour, life on the road again would upend both their lives in irrevocable ways. * Harry wasn’t that sixteen year old boy anymore. Nor was he the young man in his late teens who was on the cusp of conquering the entire world. But some traits seemed to remain the same; his vibrant green eyes, the dimples set deeply in his cheeks whenever he laughed earnestly, or his curls that were the same shade of cocoa that Louis remembered fondly. And yet, Louis had absolutely no idea who this man that stood a mere twenty paces away was today.

Old Photographs & Times I'll Remember | jaerie | time travel - Eroda - period-typical homophobia - anxiety - depression - discussion about suicide - self-discovery - post-break up - 54k Carefully he set that negative down and lifted the paper to see there was another beneath. This one again was a young man, this time posed against an antique car. He lifted a few more negatives out one by one, each a portrait of the same man with various backdrops. The man in a meadow, in an office, leaning against a doorframe — even one in his underwear grinning at the camera. On the edge of each negative printed in slanted, handwritten characters were the initials and date. H.S. 1924. He quickly but carefully packed them back into the box and buzzed with excitement. He couldn’t wait to develop them to see exactly what had been captured in the images. It was a find that felt like a puzzle to piece together. H.S. was likely the man in the photographs as well as the owner of the suitcase. Who was he? Why had his suitcase found its way into Niall’s attic? Was he still alive and well somewhere in the world? A camera, a suitcase, and a relationship forged through time.

Know a Trick or Two | SadaVeniren | Harry Potter setting - mpreg - magic - kid fic - - genderfluid character - smut - intersex - 44k The night before Louis is scheduled for a Portkey to begin training with the Vratsa Vultures in Bulgaria he heads into Muggle London for one last night of fun. A few months later he finds out he’s having a child. Eleven years ago Harry had a one night stand and now there’s a strange man on his doorstep telling him his daughter is something called a wizard and she’s got a place at the British wizarding school Hogwarts. Aka the one where Muggle Harry and Wizard Louis have a one night stand and get more than they bargained out of it.

come away with me | suspendrs | Minor Character Death - friends to lovers - sexuality crisis - emotional hurt/comfort - anxiety - smut - 80k Louis had such big plans. He wanted so much out of life, and so did Amy. Now Bridget is going to grow up without a mother, and she’s always going to wonder what it would be like if this hadn’t happened. He wonders if she’ll blame him for her mother’s death as she gets older, or if she’ll understand that this is just as painful for Louis as it is for her. Louis doesn’t know how he’s going to raise her on his own, because he’s a fantastic father, yes, but he’s always been the fun parent, and Amy was in charge of the rules. He doesn’t know how to make sure Bridget has everything she needs all the time, doesn’t know how to make her favorite meal or how to do that one braid she loves to have in her hair or how to teach her to be the best person she can be. He doesn’t know how to live without Amy, he doesn’t know what he’s going to do. Or, Louis has to pick up the pieces of his and his daughter's life after his wife dies, and Harry is a beautiful stranger that just wants to help.

we made our promises (we said our vows) | millsx | Military AU - established relationship - kid fic - angst - hurt/comfort - mentions of PTSD - mentions of depressions - mentions of anxiety - injury - long-distance relationship - 21k Fairy tales always end with the Happily Ever After; the princess escapes her evil stepmother and gets married to the knight in shining armor. It turns out real life doesn’t care about Happily Ever Afters and sometimes problems appear when you don’t expect them to. Harry sure didn’t, not after years of being married.

Love, Ever After | jacaranda_bloom | a/b/o - farmers markets - soulmates - pining - miscommunication - fluff - banter - smut - 21k One would assume that the charismatic omega in charge of the local matchmaking service would have found a mate and settled down ages ago. His clients, in fact, are always a bit surprised when they come to learn that Louis is still single. But Louis doesn’t mind, not really. His standards are just high; he is happy holding out for his alpha, his soulmate, and chooses to not waste his time with anyone else, despite what his friends might think. That is, until his best mate from uni drags him out of bed far too early on a Saturday morning after a night of drinking to go to a farmers market, of all places. It’s there that he proceeds to make an utter fool of himself in front of the hottest alpha he has ever laid eyes on. There’s truly no coming back from that, is there? OR The one where omega Louis makes love matches, alpha Harry makes cheese, and meddling friends might finally make their dreams of finding their soulmate come true.

Hometown | allwaswell16 | High School - College/university - driving - heartbreak - memories - friendship - happy ending - angst - 2k On the day Harry gets his driver’s licence, he drives through the suburbs, heartbroken that he can’t drive home to Louis.

fever dream high | wildestdreams | friends to lovers - childhood friends - a/b/o - fluff - angst - smut - mutual pining - High School - 30k "Excuse me, what?" Harry licked his lips, carefully looking him in the eyes. "I will spend your heat with you so you're ready by Monday to play your game." "Harry," Louis began, suddenly at a loss for words. "I couldn't ask you to do that." "Why not? You just said you trust me." "You're my best friend. There's no one I trust more than you." "Then what's the problem?" "Well, friends don't usually help you through your heats or ruts, so excuse me for being a little skeptical." or A High School ABO AU where Harry and Louis are best friends and nothing more until things start getting a little complicated and they're faced with feelings they never wanted to confront.

We are the same, you run in my veins | 28sunflowers | a/b/o - non-traditional a/b/o- soulmates - wolves -pack dynamics - 4k When the time for Louis to become the Alpha leader of his pack comes, he can’t rise to the occasion for not being yet bonded. A series of trips to neighbouring packs in search of his soulmate is fruitless until he meets one of the other packs’ Alpha heir. Harry. The world seems to stop turning for a second and then it shifts, clicking into its axis. All the distress and wrongness he felt until that very moment suddenly disappears. Louis is finally whole. But two Alpha leaders from different tribes soulbonding is something unheard of before.

Divinely Blessed | thinlines | a/b/o - non-traditional a/b/o - established relationship - PWP - 17k “I heard you, Ni. But what do you mean?” “What do you mean what I mean?” Harry rolled his eyes as he shoved his alpha friend down onto a seat. “Did you mean you lick someone out or…?” “Nah, mate! It was me! I got licked out!” Harry could only stare at Niall in horror. Alpha Harry prides himself on having the bravest and most caring omega who might or might not just fulfill his sudden curiosity.

This chemistry like candy to me | CuckooTrooke | a/b/o - kink discovery - mpreg - male lactation - smut - 8k "It's just... Are you aware, that, uh... You're- You're kind of leaking." Harry feels his blood run cold. The heart that was thudding so loud and fast drops to his stomach, and his shoulders hunch in embarrassment. "Excuse me?" Harry asks once he manages to gather himself and recover from the shock. He automatically steps back but since he's already squeezed in the corner, it doesn't do much to put any distance between them, "Who the fuck do you think you are?" "Wha- No. Oh my god, I wouldn't- No," The man says as he realizes the misunderstanding, and wildly gestures to his chest, "I mean your- Your chest. Is leaking." OR Harry is 8 months pregnant with a poor balance and traitorous nipples. Unfortunately for him, that is precisely when he meets a beautiful alpha in a packed London Tube. Fortunately for him, the said alpha might just be the best thing he has ever come across.

[armageddon-generation]

Fixing The Legend of Korra - Book 4

AGAIN THIS IS A SOLID SEASON, SO THIS IS MOSTLY JUST CHARACTER STUFF – I ALSO VEER INTO FULL-ON FANFIC AT A FEW POINTS, BUT FUCK IT

I also need to thank @threehoursfromtroy for being a huge inspiration, especially with the korrasami dynamic - you’ll notice I magpied a bunch of ideas from her amazing fics.

Book 1,  Book 2,  Book 3,

KUVIRA

FUCKING CHARACTER DEVELOPMENT – let’s fully explore her reasoning for leaving Zoafu (the White Lotus is pretty much done, the Dai Li have been disbanded but now they’re individual warlords ruling over Ba Sing Se as a city state, the airbenders are still rookies and she sees them getting injured)

Emphasise the familial connections between Kuvira and the Beifongs – playing sports with Wing and Wei, falling for Bataar Jr.

Besides Bataar, have her be closest to Opal. They were both outsiders – the non-bender and the unofficial adoptee, but Opal, as the only non-bender in a family of historically famous benders, was also jealous of Kuvira the metalbending prodigy, who appeared to be everything Su wanted in a daughter. Kuvira was similarly jealous of Opal, the biological daughter who was doted on despite not doing anything to ‘earn’ it. This complicated relationship evolved into their bitter hatred of each other

Have Kuvira’s isolation in Zoafu parallel Korra’s in the South from Book 1

Without Korra there to push them forwards, everyone has started backsliding – In Kuvira Bolin has found a Korra-surrogate to rely upon instead of taking responsibility for himself (this is the same reason, ironically enough, he was attracted to Eska – she controlled him and he could hide behind her – something a more mature Eska is able to see when they meet at the Corniation)

EARTH EMPIRE

Let’s see Bolin leading the charge clearing out Ba Sing Se, and Kuvira liberating the city and defeating the Dia Li (who are trying to establish their own control of Ba Sing Se as an independent city-state) for good

Explore the apparatus of the Empire a touch more – the propaganda recruitment system – how does fascism work?

Have Raiko supply troops to Su so he doesn’t look like a complete fool. That way when she defeats Zaofu and sees Raiko violated her terms, Kuvira has a legitimate reason to go after Republic City

Also, can we make the Battle of Zoafu a proper siege once they break the ceasefire? Avatar does Helm’s Deep? Pretty please? Kuvira knows all the city’s defences as former Head of the Gaurd, so let’s demonstrate her tactical prowess dissecting the domes’ weaknesses. And have some of Zaofu’s defenders start siding with Kuvira (people she used to command etc), fighting amongst themselves to give her an easier victory

When the Beifongs are captured they go through the camp system, so we get to explore it – take inspiration from true stories and films like Life is Beautiful –The other prisoners either hate them for giving up, hate them for creating Kuvira, or look up to them as their only hope. But in the end they’re just a family trying to hold together on the brink.

Bring in the Red Lotus members hiding across the world – they start trying to move against Kuvira from the shadows. They are the strongest chance the world has against Kuvira without Korra, and Raiko’s willingness to accept their help (as the shady politician) shows how desperate the situation is – Korra needs to step in

ASAMI (& KORRASAMI)

The best part about Korrasami is how opposite they are – The non-bender figurehead, The bender figurehead. Traddition vs innovation, spirituality vs technology, idealism vs realism, faith vs strategic calculation – Asami should by all means be a supervillain, but she’s just too good a person. Play into that divide and conflict in Book 4

Asami is keeping herself dangerously busy, between helping the Equalists and managing the spirits living in the city that are against her industrial company  

Without Korra, Asami felt lonely and vulnerable. To compensate for a world without Korra, (much like Kuvira) Asami secretly develops plans for super weapons inspired by a combination of her father’s old Equalist designs – these weapons are designed to artificially replicate bending attacks on the scale of the Avatar state – Seismic waves, artificial flooding, firebombing, weaponised wind machines etc. She has prototypes developed

This gives her attempts to re-connect with Hiroshi more weight – she’s lost, and reviewing his old work makes her feel closer to him than she has in years – she thinks she’s beginning to understand what he went through when her mom died.

When Korra returns the weapons cause major conflict between them – especially when undercover Red Lotus steal Asami’s plans (exploiting their new connection with Raiko) and attempt to use protypes to ambush Kuvira – causing an all-out battle

Because the protypes were so hastily assembled they don’t work particularly well and cause chaos – Team Avatar has to jump in and save as many from the crossfire as they can, and Korra has to ignore a chance to fight Kuvira – they then have to leave the people to be taken by Kuvira, because they can’t save all of them.

These weapons would be key to Korra’s arc, as she doesn’t yet trust or have full control over the Avatar State again – she’s fighting that power as recreated by the person she cares most about, compounding the themes of Korra confronting herself

Kuvira uses the weapons the same way Korra used to use the Avatar state – wantonly and without thought, causing mass destruction.

Kuvira defeats the Red Lotus and takes Asami’s weapons for herself (Asami is horrified – she has indirectly become what her Father was to the Equalists. Varrick is being more morally upstanding than her.)

Korrasami is not smooth sailing in this book – both of them are aware they love each other, but they also have to deal with their own shit first. Korra’s time away let them build up perfect, imaginary versions of each other. Asami needs to stop idolising Korra (the same mistake Hiroshi made with her mom) and Korra needs to stop idolising Asami (as I felt the original show tended to do)

In the finale, Korra is the one to get Hiroshi out of jail, because Asami needs to move past his shadow – the repentant Hiroshi comforts her and assures her she is better than him. So much like her mother. He also expresses gentle approval of Korra before he dies.

Asami is the woman in the chair in the finale, simultaneously helping with the hummingbird suits and coaching the United Republic Forces (Hi, General Iroh) through how to defeat the artificial bending weapons.

I don’t know if it’s feasible, but I think reuniting the OG Team Avatar (Toph, Katara and Zuko) as three of the most powerful benders in the world (plus Zuko has a dragon) against these things the same way the White Lotus took back Ba Sing Se in ATLA would be really cool

The series ends not with the culmination of a relationship a la ATLA, but the tentative beginning of one

MAKO

Mako has let himself become consumed by his work – the only one to visit him is Kai, who’s filling in Bolin’s spot as little brother. (“Stop breaking in to a police officer’s apartment!”). Their relationship has grown a lot stronger, but they both miss Bolin

Mako is caught between both sides of the Earth Empire debate – he works for Wu and knows that deep down he’s actually a decent guy, but he has an established professional relationship with Kuvira, and he really respects her. They joke about his new job together before the Corination.

Kuvira has become a surrogate Korra figure for all Team Avatar – Mako (who admits he’s still in love with Korra) sees the potential for Kuvira to compensate for the loss of Korra, and must learn to let go of this unhealthy dream.

Because he’s no longer a member of the Republic City Police. Mako and Lin finally get to work together as equal partners

AIRBENDERS (KAINORA)

Look, I just want some cute long-distance Kainora stuff, OK? Keeping in contact via astral projection

Kai has been unofficially adopted into the airbender family and acts as a big brother to Rohan and Meelo

(I also think it’d be fun if Rohan was an uncontrollable bending prodigy like Jack-Jack from The Incredibles, bouncing around the house like the Tasmanian Devil – Pema and Kai are the only ones who can control him

Jinora has become the day-to-day leader of the Air Nation, using astral projection t co-ordinate people across the globe, with Kai in support

They express frustration with Air Nomad tradition – they sneak out at night and run around the new Republic City, giving us a chance to explore – Jinora shows Kai the wonders of the Spirit Wilds, while he teaches her how to win at street gambling.

They flirt with breaking the law – practicing pickpocketing the rich to feed the poor, and dabble in vigilantism – until they get caught.

Mako gets them off charges, but this causes a big conflict between Tenzin and Jinora. My problem with Jinora’s characterisation the original Book 4 (she was previously one of my faves) was she seemed too perfect. In this version, that perfection is an act, and she needs a way to blow off steam. Tenzin argues (quite rightly) that by taking the law into her own hands Jinora is no better than Kuvira (or Korra, Jinora points out. “Jinora, you’re not the Avatar.” / “I’m as good as.”)

This is important because original book 4 Jinora felt super stuck-up and full of pride, not good traits for an airbending master. Here we’re emphasising then confronting that big-headedness. Kai helps her realise she’s still just a kid, and that’s OK. Her family (and Korra) help her realise she’s stronger when she embraces the strength of others

I also like the idea of air nomads roaming with herds of bison, like Bryke originally envisioned for Aang

ZUKO, IZUMI AND THE FIRE NATION (This part veers into full-on fanfic territory and doesn’t really contribute to the plot, but I need to get the idea out there so sorry)

Use flashbacks to explore how the unrest in the Earth Kingdom parallels the unrest in the Fire Nation after Ozai was defeated

These could adapt elements of the Smoke and Shadow comic, where Mai’s father leads a rebellion against Zuko. This would take place when Zuko is in his early thirties, just after Kya was born (her waterbending was a trigger for nationalists)

The opposition find Azula after she ran away at the end of The Search, and manipulate her mental state to use her as a figurehead against Zuko – an alternate legitimate heir

Zuko and Katara have to flee with the toddler Kya, and go underground in the Fire Nation as the Blue Spirit and the Painted Lady respectively, fighting the coup from the inside (with Mai and Ty Lee, allowing us to explore everyone’s interesting relationship history) while everyone else tries to fight from the outside

During her wanderings Azula found the Sun Warriors and the dragons Rin and Sha – she uses her new followers to storm the temple and capture the blue dragon (just like her great grandfather before her). Azula is now riding around on a huge blue dragon. You’re welcome.

This is how Zuko gets his dragon – he and the Gaang liberate the Sun Warriors and the red dragon partners with him in order to save its mate

In the final battle between the two factions Azula inevitably snaps and the coup leaders are unable to control her – she goes nuts and tries to lay waste to both forces.

Zuko and the red dragon save both the blue dragon and Azula from herself. He is able to reassert control over the nation and get Azula back to hospital. This explains Kya’s extreme guilt and Izumi’s extreme reluctance to get involved in the Earth Empire situation

TOPH, LIN AND SU

Kyalin are already a thing by the time Book 4 starts – Korra is flabbergasted, and they set an example she wants to follow with Asami – things are very casual and domestic, which is a new and weird experience for both of them

When Lin meets up with Toph to free the Beifongs and then they free Su, have the idea of motherhood come up a few times – Toph suggests Lin has waited this long to re-enter a relationship because she doesn’t want kids, because she’s scared she’ll end up treating them like Toph. Toph encourages Lin to make her own choice uninfluenced by her – Lin can learn from Toph’s mistakes, and Su has made a great mom

The subject of Lin and Su’s dads come up. In this version, Sokka is Su’s father – hence her darker skin – but the brief affair was secret because he was married and Toph was with Lin’s father – one of those regretful one-night stands you always knew was a bad idea

This is a bombshell for Su, who never realised – it completely recontextualises her relationship with both Sokka and the Red Lotus (she almost joined the people who killed her father) . It also forces her to reconsider both her political and personal responsibilities – she accepts responsibility for her part in creating Kuvira, and understands her abandonment issues a little better

Lin, however, the aspiring detective from a young age, figured it out a long time ago (she always assumed Su knew). This is why Lin resented Su so much when they were kids – her arrival caused Toph and Lin’s dad to end things, because she was proof Toph never got over Sokka

Now Su is the one angry at Toph, and Lin is there to apologise and comfort her. Opal recognises what Toph is trying to do; throw herself under the bus to get rid of any lingering resentment between her girls and strengthen their sisterly bond – she’s forcing them to move on

Through Opal’s intervention everyone manages to patch things up

DARK KORRA/KORRA’S TRAUMA

In the original series it was never explained what that creepy vision of Korra in chains actually was. Sometimes it was just in her head, other times it physically attacked her, and then it just disappeared.

My explanation links to the Book 2 finale – Jinora was able to bring Raava back because she still existed within Vaatu. By the same logic, though Vaatu was destroyed, he (and Unalaqq, now forever bonded with him) exist with Raava’s light. In Book 3 we established Raava was directly feeding off of/reliant on the light within Korra. Now that Korra has been through all this trauma, that light has been replaced by negative energy, which allowed Vaatu to grow within her.

The Dark Korra hallucination is a manifestation of Vaatu’s dark power growing within Korra, feeding off her trauma and attacking her from the inside-out. It is both psychological and spiritual. When she goes to the Tree of Time, she sees echoes of Vaatu are there. He has stolen Unalaqq’s voice and face, completely taken him over – the ghost of the family member Korra failed to save.

When she finally reconnects with Raava, Korra defeats the Dark Korra; she can’t destroy the darkness inside her, but she can move on

Korra has to find alternate energy source for the Avatar State now her past lives are gone. She learns to channel the energy of the spirit world through Raava (a spiritual extension of Toph’s root connections, possible thanks to the open portals)

During the finale Korra’s appeal to the spirits to protect the world is heard – as the spirits attack Kuvira’s weapon, simultaneously the swamp halfway across the globe demolishes the Earth Empire’s vine harvesters – all the spirits come out of the woodwork and attack, claiming the area as a new Spirit Wild, like in Wan’s time

[miss-m-calling]

Yuletide 2020 letter

Requests:

The Marianne Trilogy - Sheri S. Tepper (Marianne Zahmani, Makr Avehl Zahmani)

Starred Up (Eric Love, Oliver Baumer)

킹덤 | Kingdom (Prince Lee Chang, Seo-bi)

Dear writer,

Hello and thank you for writing for me. I’m very excited to read whatever you come up with. I hope my prompts spark your creativity, and feel free to reach out through the mods if you have any questions. There are spoilers for all of my requests! Likes and DNWs are on the bottom of the letter.

Without further ado…

Requests:

The Marianne Trilogy - Sheri S. Tepper

Marianne Zahmani, Makr Avehl Zahmani

What is this canon: Low fantasy trilogy of novels from the 1980s about Marianne, a student at an American university who comes from the tiny, fictional country of Alphenlicht, wedged in between Turkey and Iran, with a native religion that vaguely resembles Zoroastrianism, a long tradition of both light and dark magic, and civil conflict with echoes of the Cold War (one part of the country seceded with Soviet help). Marianne is financially dependent on her abusive older brother Harvey but trying to assert her independence. Enter Makr Avehl, Marianne’s cousin and de facto president of Alphenlicht, who’s both a mage and a charmer. And then Marianne gets targeted by dark magic and has to become self-assertive and figure out how to save herself, even as Makr Avehl also tries to save her (and sweep her off her feet), often with more complicated results than he intended. Every book introduces a different set of magical challenges, most of which transport Marianne to a different constructed/magical realm, with disturbing parallels to the cruelties of the real world and some interesting meta commentary on gender relations. The books are long out of print, but should be available in libraries and as used copies for purchase; the books’ individual titles are: Marianne, the Magus, and the Manticore + Marianne, the Madame, and the Momentary Gods + Marianne, the Matchbox, and the Malachite Mouse.

While I have a like/get-annoyed relationship with most of Tepper’s work I’ve read, I adore this trilogy unreservedly. I love the mixture of dark fantasy, sly humor, creepiness, complex magical systems, and surreal constructed/parallel/hidden worlds described in enough detail while remaining, for lack of a better word, magical… I adore Marianne, whose lives (it makes sense in context) have made her many things: the traumatized yet defiant survivor, the semi-skillful player of the game of life and magic, the lover and wife and mover-and-shaker in her own right. Her relationship with romantic, sometimes overbearing, arrogant, yet loving and lovable Makr Avehl is so rich and wonderful -- and funny! Among the other characters, I also enjoy Aghrehond, Therat, Makr Avehl’s sister, and all the creepy and/or hilarious denizens of the magical worlds into which Marianne is thrust -- they are all welcome to appear if you want to include them. I just love all the playing with and inverting and deconstruction of tropes and cliches, the aforementioned magical/constructed/parallel worlds of whimsy and creepiness that riff on ordinary aspects of the real world while also running on their own internal logic… This canon simply begs for more worldbuilding.

Canon-specific DNWs: Harvey or Madame Delubovoska appearing in the fic (you may mention them); the fic focusing on Marianne’s pregnancy or on her and Makr Avehl’s daughter if these themes have more of a presence in the fic than they did in the events of the third novel; anything over an M rating.

On the other hand, while I have a blanket DNW for incest, Marianne and Makr Avehl are cousins in canon, know it, and become a couple anyway -- this is fine by me. Other incest is still DNW (esp. Marianne/Harvey).

Prompts:

Makr Avehl and/or Marianne visit the Cave of Light and then try to solve a problem or complete a quest (however grand, mundane, or cracky) according to its message. Or something more about life in Alphenlicht in general.

Road trips (maybe with Aghrehond as driver) -- exploring Alphenlicht and/or magical realms.

Marianne says at the end of the last book that Therat may be surprised – I’d love to see what might surprise Therat, in addition to Marianne and Makr Avehl’s firstborn sharing her name. Or give me Makr Avehl having to work closely with Therat due to some magical/mystical/political issue, given that he’s always dropping unsubtle hints about her scary eyes.

Marianne and/or Makr Avehl end up visiting fields on the board-game from book 3 which the book didn’t describe – what kind of place do they encounter? What (probably dangerous, troubling, and/or creepy) adventures do they have?

Marianne promises to meet Queen Buttercup for a meal at Frab Junction’s Marveling Galosh before she escapes the board game in the third book. Magical promises are serious things, so what happens when Marianne has to make the date and Makr Avehl comes to save her and possibly gets in his own way more than he helps?

I love how canon gently sends up Makr Avehl’s image of himself as Marianne’s protector/lover/white knight in the first and third books’ magical worlds. Actually, Makr Avehl as the Freudian chimera in book 1 and as the hapless hero in book 3 are my favorite things about this canon, beside the general worldbuilding and Marianne’s character development. So I’d love to see more variations on that theme -- Makr Avehl as Marianne’s hero, both swoony and ridiculous, gentle yet lecherous, intense and funny with it -- either in the real world or in some new (and sinister) magical realm.

As a general note, I ship Marianne/Makr Avehl, but I would prefer any shippiness to remain at the books’ level, so nothing too explicit and nothing that completely overtakes the non-shippy plot or the worldbuilding, please. 

If your fic ends up focusing mostly on Marianne or Makr Avehl, with the other one having more of a supporting role, or having the protag think a lot about the other one but they only appear for a bit, that’s fine! The books are structured in a similar way, so that could totally work.

Starred Up

Oliver Baumer, Eric Love

What is this canon: Gritty British prison drama about Eric (Jack O’Connell), a violent young offender who gets “starred up” (sent to an adult prison before he is legally an adult) and quickly gets into conflict with several other prisoners as well as guards and staff. He also gets roped into participating in a therapy group run by Oliver (Rupert Friend), a well-meaning if sometimes out-of-his-depth “posh boy” who sees Eric as something more than just an incorrigible thug. Not helping matters is the entire prison system, as well as the fact that Eric’s own father is serving a life sentence in the same prison and has very narrow views on how Eric should be behaving – and talking about his feelings is not a part of it. The free-flowing conversations in the group therapy scenes are easily the film’s highlight, for me, as is the complicated dynamic between Eric and Oliver. The movie’s available on DVD and can be streamed on a bunch of different platforms.

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell -- yowza!

For this canon, any rating is very welcome, and my dubcon DNW does not apply! If you decide to go there, my preferred flavors of dubcon for this canon are: power differential makes it a bad idea but they do it anyway; “I know you want this”; “if the answer’s no/you’re only doing this for a dare or to prove a point, then why are you enjoying this so much [as am I]?”; no no yes a.k.a. starts as dubcon (or one of them thinks they’re dubconning the other), becomes enthusiastic consent. 

Also, if this is relevant or makes you nervous about writing for me, Eric would be 18-19, and Oliver is maybe 10-12 years older -- and I like it!!! (The actors were 22 and 31 when the movie was made, FWIW.)

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Or how about this: Eric gets out, relationship happens or is in the process of being negotiated, and while physical intimacy is a whooooole neeeeeew woooorld, you know what else would be cool? Phone sex. Yep. Or even, Eric gets himself one of those secret prison burner phones (preferably hidden somewhere that’s not someone’s arse), and... phone sex after lights-out and lock-down. Maybe nothing (much) has happened physically (yet), so phone sex can be a building block to that or one facet of that deepening intimacy.

킹덤 | Kingdom (TV 2019)

Prince Lee Chang, Seo-bi

What is this canon: In a nutshell: zombie invasion of Joseon-era Korea. Longer version: Lee Chang (Ju Ji-hoon) is the emperor’s only child and heir apparent, but his mother was a concubine, and the emperor has a young, pregnant wife whose father is the emperor’s chancellor and the head of the hugely powerful and ambitious Haewon Cho clan. If the young queen gives birth to a son, Lee Chang may find himself expendable, so he attempts a palace coup to remove his father and the Cho clan from power. This goes belly-up when Lee Chang suspects something terrible is happening to his father (the old man hasn’t been seen in days, and a monster seems to be wandering the emperor’s quarters at night, dun dun dun!), while disturbing reports start arriving from the south of the country about a plague that turns people into flesh-eating monsters. Fleeing the capital, Lee Chang makes his way south and encounters several characters from social milieus with which he usually has little or no contact, including a brave, kind, no-nonsense female physician named Seo-bi (Bae Doona), who’s already experienced an early outbreak of the zombie plague first-hand. Adventures political, emotional, military, and zombie-slaying ensue. This is a Netflix-produced Korean-language show, two seasons of six hour-long episodes each.

I fell so hard for this show. So hard! The beautiful production values, the wonderful cast, how the characters develop, how the show slowly but surely unfolds one reveal after another and packs so much into two short seasons, all the period detail, the genuinely tense action scenes, the moments of humor and intense emotion, the intertwining of political intrigue and zomg! really scary zombies, how the zombie outbreak works on multiple levels both literal and metaphorical…

I love the brave, kind-hearted, but sheltered prince, whose whole life has been so privileged yet shadowed by the possibility of death if he loses his position as heir, learning what it means to actually rule and lead people, to protect them and be protected by them in turn. And I love Seo-bi the fearless, dedicated, selfless physician, who notices things and figures things out regardless of whether this annoys the people in power. I ship them, but I also love their platonic interactions, how instantly and fiercely loyal she is to him (not just because he’s the crown prince, but because she’s seen how brave and altruistic he can be) and how he immediately takes her advice and experience seriously despite her being a woman and a commoner in this super-hierarchical setting. So I’m good with either / or & for this pairing. In a / fic, I’d even be good with a totally sublimated, “they both must kinda know what’s going on between them but for reasons of both their personalities and their respective genders and social positions, nothing overt ever gets said or done” scenario. So don’t stress too much over which flavor of dynamic you write for them.

Also, I love most of the cast (not a huge fan of Chancellor Cho, but he is an effective antagonist), and would be delighted to see any of them in fic too. Especially the loyal and funny and badass Mu-yeong (he was loyal, despite the Haewon Cho clan’s blackmail, and if you want to diverge from canon so he lives, I would not mind that at all), the even more badass and wounded and snarky Yeong-sin (or whatever his real name is), Chang’s sparky, exiled uncle several times removed, and the terrifying and frankly unhinged young queen are my favorites. I even have a soft spot for that gentle but mostly-useless coward Cho Beom-pal, but really, they’re all great and I would love reading about them too, or just about the prince and the lady physician – whatever works!

Finally, before I get to prompts, I know a bit about the Joseon period, but we’re talking the bits and pieces I remember from a college class and what I’ve read on Wikipedia and picked up from this and other Korean movies and shows. I know a bit more about some of the cultural background, like the Confucian values, the social stratification and feudal system, the gender segregation among the aristocracy, the wars with Japan, but again – my knowledge is limited. So if you want to teach me stuff about Joseon, go for it! If you want to invent or handwave stuff, as long as it fits the canon’s mood and broad cultural parameters, go for it! And if you want to treat me to some worldbuilding, period detail of any kind, and/or costume porn, definitely go for it.

Canon-specific DNW: anything above M rating for sex (violence is fine, and you may write about blood and gore as well as zombies eating people, blanket DNWs for lotsa gore and cannibalism notwithstanding).

Prompts:

Zombie fighting anything! Learning to survive in a society that’s rapidly breaking down, having to transcend their habitual social roles and challenging each other. Maybe one of them teaches the other to hunt, or to make herbal medicines, or to fight with a sword, or heck, to cook or to clean dirty clothes. (FYI I wrote most of these prompts before I was quite done with S2, and the time-skip took me totally by surprise. So while my prompts ignore Chang renouncing the throne, I’d also be down for the untold adventures of the former prince and his traveling companions, as Chang learns how to be just regular folks and they pursue clues about the resurrection flower, or for your take on what happens in S3, in which case you may ignore my kidfic DNW and include Lee Chang’s little “brother” if the plot needs him. Use whatever works for you in my prompts in any way you want!)

Figuring out how the zombie infection continues to evolve and/or working together to find a cure beyond dunking the infected in water – whether that means to destroy large numbers of the undead, or to develop an antidote, or to cure and bring back those afflicted. One plot detail that really struck me: more experimenting with zombies, like Chancellor Cho started to do, might also hold the key to a cure?

Political intrigue anything! Having to fight zombies and/or factions at court with both friends and unexpected allies (not gonna lie, I would have loved to have seen the young queen unleashed on some zombies, even if that did not make her the prince and Seo-bi’s ally).

More road trip/survival/battle goodness – maybe Seo-bi offers Lee Chang some advice while they’re navigating their new situation, or she witnesses him developing his leadership muscles, and it brings them closer together than before. Or maybe a moment of humor, relaxation, or quiet affection on the road or in between zombie-slaying, especially if it catches them both a bit by surprise. Or one of them gets a non-zombifying injury (nothing too gruesome or life-threatening, please) and the other one has to care for them – extra points if Seo-bi is injured and the prince doesn’t know what to do so she has to talk him through her own treatment. Or nightmares/being triggered by something, like we saw both Chang and Seo-bi react at the sounds of zombies growling and people screaming in S2E5.

We have seen Seo-bi insist on staying loyal to the prince, and Lee Chang rely on her repeatedly to the exclusion of all his other people – give me a situation in which he has to make clear his own loyalty to her, as a part of both his becoming a better leader and as a step in advancing their relationship. Or, there comes a time when Seo-bi really pushes against the rules of what someone like she can and cannot say or do to/around a crown prince – we’ve seen Lee Chang refuse to stand on his dignity when in the normal course of events so many of his interactions with commoners would end in the commoners’ death, but I imagine even he has his limits, and that kind of clash can only drive this dynamic forward!

Canon divergence in which Seo-bi gets sent to the capital and assigned to be the personal physician to the petulant, frustrated prince we meet at the start of the show (handwave the gender segregation and impropriety). She knows her place, but she also does not suffer fools or male nonsense. Sparks fly, social conventions get tested, zombies may or may not happen, and a new mutual understanding is born.

Canon divergence from the scene in S2E2 when Seo-bi finagles her way to being allowed to see the prince and he instructs her to resurrect Ahn Hyeon – what if instead of that, they came up with another plan of escape? Or maybe Lee Chang sending Seo-bi to spy on the queen goes a different way than in canon? And really, anything that requires those two to pass secret messages while grabbing each other’s hands and staring intently into each other’s eyes is A+ with me!

One theme which emerges gradually, and I really loved, is people having to compromise their principles to survive and ensure the safety of those they feel loyal and/or obliged to: Ahn Hyeon agreeing to turn the sick villagers into zombies, dear Mu-yeong having been a spy but also protecting the prince all along, Seo-bi resurrecting Ahn Hyeon, Lee Chang instructing her to do it as well as his thousand-yard-stare after having to finish off what’s left of his father… I’d love to see more such compromises, how their consequences ripple out, and the emotional fallout.

In addition to zombies, other magical and/or supernatural events and creatures start to appear in Joseon. If you want to bring in something from Buddhist mythology or Korean folklore, please do, and any and all worldbuilding would be awesome. 

Post-canon something in which Lee Chang is king, possibly of only a part of the country (maybe a zombie-free enclave, or a part he won in a civil war against the Cho clan or a cadet branch of his family), and Seo-bi is there as his advisor, physician, and unofficial chancellor. Gimme policymaking to deal with the lingering zombie issue, assassination plots, servants/guards/ladies in waiting gossiping like it’s their real job, all the palace intrigue!

Kind of related to the previous: even as a “spare” prince, Lee Chang can’t marry a commoner. Would he ever think to offer Seo-bi to become his concubine? I don’t think she’d go for it, and he might realize it, but maybe I’m wrong! Or maybe being intensely platonic at each other is as good as it gets for them, and they’re kind of okay with that. Or they get married in secret and have to be very careful not to let slip anything by word on gesture in public, or not to let Seo-bi get pregnant. Or, y’know, one day or night on the road or in a fortified town, in between scavenging for supplies and fighting zombies, they decide to bone down just because their lives are weird enough now to forget about propriety and all that jazz for an hour.

I’d also be down for poly fic for this canon: Lee Chang/Seo-bi/Yeong-sin either during the period we see in the show (or a divergence therefrom) or during the seven-year time skip at the end of S2 (for this threesome, I want a full triangle, not a V-shaped triad, please). Or a sedoretu formed for either political or survival reasons between Lee Chang, Seo-bi, Yeong-sin, and Queen Consort Cho. Oh the drama, the class differences, the conflicting loyalties and (dis)trust, the intrigue, the barely hidden desires, all those strong personalities rubbing up against each other...

I realize that some of these prompts could work as well (better?) as a no-zombies AU, and that’s fine if you want to take it in that direction. :-)

Likes:

I love pre-canon, canon, post-canon, canon-divergent, and missing-scene stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.

I love stories about characters at work and play, group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.

I love irony, snark, humor as well as angst arising from the characters rather than the plot crowbaring it in, linear, non-linear, and 5+1 stories, hopeful endings, happy endings, bittersweet endings, worldbuilding, spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, characters who are their own worst enemies as well as those who can get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.

I especially love workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.

In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), oh-god-why-did-it-have-to-be-you-what-did-I-do-to-deserve-this, bickering yet loving couples, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, one betrayed the other or they betrayed each other), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.

I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it-hammer-and-tongs, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. Quick and intense sex, slow and intense sex are both great; rough yet willing sex (when it fits the characters) is great; masturbation while thinking of the other half of the ship (or not wanting to think about them but oops there they are in the fantasy!) is great. First times are great, and so is established-relationship, we-know-each-other-so-well sex. When it fits the characters and their canon dynamic, you also can’t go wrong with we-both-wanted-this-for-forever-and-now-we-both-know-it-so-here-we-go-diving-in-headfirst. For het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon (e.g., mod AU for Kingdom)