#( heartbreak is the national anthem we sing it proudly; playlist. ) | Explore Tumblr Posts and Blogs

eldritchw1tch · 4 years

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i don’t want you like a best friend: a tswift-pimms playlist

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this is the pimms playlist i spent more than a year working on from like, 2018 to the end of 2019! as such, it only contains music up through lover, not anything from folklore or evermore. @permets-2 finally poked me into posting the liner notes, which I gave up on because tumblr formatting was fighting me, so please know i haven’t actually looked at them since 2019 and there might still be missing things? idk.

this playlist is absolutely dedicated to my beloved @faiasakura, who did her own version of an all-tswift pimms playlist completely independently (we actively avoided comparing notes, lol), which can be found here!

i don’t really go here lately but i hope this is of interest to someone!

Prologue

1. Don’t Blame Me (reputation)

for you, I would fall from grace

Just to touch your face

If you walk away, I'd beg you on my knees to stay

…

Lord save me, my drug is my baby

I'll be usin' for the rest of my life

Act 1: The Q

2. Gorgeous (reputation)

a crush

Ocean blue eyes looking in mine

I feel like I might sink and drown and die

…

You're so gorgeous

I can't say anything to your face

'Cause look at your face

And I'm so furious

At you for making me feel this way

But what can I say?

You're gorgeous

3. Treacherous (Red)

something magnetic, pulling them both in

And I'll do anything you say

If you say it with your hands

And I'd be smart to walk away

But you're quicksand

…

Your name has echoed through my mind

And I just think you should, think you should know

That nothing safe is worth the drive

And I will follow you, follow you home

4. Dress (reputation)

a shared and precious secret: love, desperate and messy and everything. But also: the scrutiny, the frenetic anxiety, the fear.

I’m spilling wine in the bathtub

You kiss my face and we're both drunk

Everyone thinks that they know us

But they know nothing about—

All of this silence and patience, pining and anticipation

My hands are shaking from holding back from you

5. Tied Together With a Smile (Taylor Swift)

the pressure builds; jack’s anxiety gets worse

Hold on, baby you're losing it

The water's high, you're jumping into it

And letting go, and no one knows

That you cry, but you don't tell anyone

That you might not be the golden one

And you're tied together with a smile

But you're coming undone

6. Long Live (Speak Now)

the glory, the playoffs, the memorial cup: the golden boys of hockey, on top of the world

Long live the walls we crashed through

All the kingdom lights shined just for me and you

I was screaming, long live all the magic we made

And bring on all the pretenders

One day, we will be remembered

…

Hold on, to spinning around

Confetti falls to the ground

May these memories break our fall

7. State of Grace (Red)

the 34 days, inside kent’s euphoria

This is a state of grace

This is the worthwhile fight

Love is a ruthless game

Unless you play it good and right

These are the hands of fate

You’re my Achilles heel

this is the golden age of something good and right and real

8. Cruel Summer (Lover)

(that golden season and its dark underbelly)

So cut the headlights, summer's a knife

I'm always waiting for you just to cut to the bone

Devils roll the dice, angels roll their eyes

And if I bleed, you'll be the last to know

Said, "I'm fine," but it wasn't true

I don't wanna keep secrets just to keep you

And I snuck in through the garden gate

Every night that summer just to seal my fate (Oh)

And I scream, "For whatever it's worth

I love you, ain't that the worst thing you ever heard?"

9. Haunted (Speak Now)

the overdose: kent finds jack on the bathroom floor

Whoa, holding my breath

Won't lose you again

Something's made your eyes go cold

Come on, come on, don't leave me like this

I thought I had you figured out

Something's gone terribly wrong

You're all I wanted

10. I Know Places (1989)

kent in the waiting room, holding on hope

Something happens when everybody finds out

See the vultures circling, dark clouds

Love's a fragile little flame, it could burn out

It could burn out

…

Lights flash and we'll run for the fences

Let them say what they want, we won't hear it

Loose lips sink ships all the damn time

Not this time

Act 2: The Fallout

11. The Story of Us (Speak Now)

kent goes to the draft; jack won’t answer his calls

Now I'm standing alone in a crowded room

And we're not speaking

And I'm dying to know

Is it killing you like it's killing me?

Yeah, and I don't know what to say

Since the twist of fate, when it all broke down

And the story of us looks a lot like a tragedy now

…

The battle's in your hands now

But I would lay my armor down

If you say you'd rather love than fight

12. Last Kiss (Speak Now)

jack and kent, the same realization from opposite sides

So I'll go sit on the floor

Wearing your clothes

All that I know is

I don't know how to be something you miss

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

13. Death By A Thousand Cuts (Lover)

Starting to live with the devastation and the broken heart

Saying goodbye is death by a thousand cuts

Flashbacks waking me up

I get drunk, but it's not enough

’Cause the morning comes and you're not my baby

I look through the windows of this love

Even though we boarded them up

Chandelier's still flickering here

’Cause I can't pretend it's okay when it's not

It's death by a thousand cuts

14. If This Was A Movie (Speak Now)

regrets and memories

Last night, I heard my own heart beating

Sounded like footsteps on my stairs

Six months gone and I'm still reaching

Even though I know you're not there

I was playing back a thousand memories, baby

Thinkin' 'bout everything we've been through

Maybe I've been going back too much lately

When time stood still and I had you

15. Cold as You (Taylor Swift)

the grief and pain become anger and bitterness

And when you take, you take the very best of me

So I start a fight cause I need to feel something

And you do what you want cause I'm not what you wanted

…

You put up walls and paint them all a shade of gray

And I stood there loving you and wished them all away

And you come away with a great little story

Of a mess of a dreamer with the nerve to adore you

Interlude 1: Jack

16. I Almost Do (Red)

kent doesn’t know as much as he thinks he does (but jack doesn’t either)

I bet you think I either moved on or hate you

‘Cause each time you reach out, there’s no reply

I bet it never, ever occurred to you

That I can’t say hello to you

And risk another goodbye

…

Oh, we made quite a mess, babe

It’s probably better off this way

And I confess, babe

In my dreams, you’re touching my face

And asking me if I want to try again with you

And I almost do

Act 3: Coming of Age in Vegas

17. New Romantics (1989)

vegas; teammates; living in the moment; drinking, dancing, and self-destructing

We're all here, the lights and boys are blinding

We hang back, it's all in the timing

It's poker

He can't see it in my face

But I'm about to play my Ace (ahh)

We need love, but all we want is danger

We team up, then switch sides like a record changer

The rumors are terrible and cruel

But honey, most of them are true

…

Heartbreak is the national anthem

We sing it proudly

We’re too busy dancing (yeah) to get knocked off our feet

Baby, we're the new romantics

The best people in life are free

18. Begin Again (Red)

kent starts to move on

And you throw your head back laughing like a little kid

I think it's strange that you think I'm funny 'cause he never did

I've been spending the last eight months

Thinking all love ever does is break and burn and end

But on a Wednesday in a cafe, I watched it begin again

19. The Way I Loved You (Fearless)

all the drinking and dancing and dating still feel empty and hollow; he just wants to feel again; he just wants that love back

I miss screaming and fighting and kissing in the rain

It's 2 AM and I'm cursing your name

I'm so in love that I acted insane

And that's the way I loved you

Breaking down and coming undone

It's a roller coaster kind of rush

And I never knew I could feel that much

And that's the way I loved you

…

He can't see the smile I'm faking

And my heart's not breaking

'Cause I'm not feeling anything at all

And you were wild and crazy

Just so frustrating

Intoxicating, complicated

20. The Lucky One (Red)

kent parson: the loneliest boy, so alone at the top of the world

You had it figured out since you were in school

Everybody loves pretty, everybody loves cool

So overnight, you look like a sixties queen

…

And they tell you that you’re lucky, but you’re so confused

'Cause you don’t feel pretty, you just feel used

And all the young things line up to take your place

—

Another name goes up in lights

You wonder if you’ll make it out alive

21. Come In With The Rain (Fearless)

(starting to move on is not the same as letting go)

I’ve watched you so long, screamed your name

I don’t know what else I can say

…

But I’ll leave my window open

'Cause I’m too tired at night to call your name

Just know I’m right here hoping

That you’ll come in with the rain

Act 4: Implosion

22. Out of the Woods (1989)

memories he can’t escape of a love like a car crash

The night we couldn't quite forget

When we decided, we decided

To move the furniture so we could dance

Baby, like we stood a chance

Two paper airplanes flying, flying, flying

And I remember thinking

Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet?

…

You took a Polaroid of us

Then discovered (then discovered)

The rest of the world was black and white

But we were in screaming color

23. Red (Red)

Kent decides to go to epikegster

Loving him is like driving a new Maserati

Down a dead-end street

Faster than the wind, passionate as sin

Ending so suddenly

…

Remembering him comes in flashbacks and echoes

Tell myself it's time now, gotta let go

But moving on from him is impossible

When I still see it all in my head

In burning red

Loving him was red

24. The Last Time (Red)

didja miss me? (something tentative; something a little bit hopeful on both sides)

Find myself at your door

Just like all those times before

I’m not sure how I got there

All roads they lead me here

I imagine you are home

In your room, all alone

And you open your eyes into mine

And everything feels better

25. The Archer (Lover)

kent tries to extend an olive branch but it’s still covered in thorns

Combat, I'm ready for combat

I say I don't want that, but what if I do?

'Cause cruelty wins in the movies

I've got a hundred thrown-out speeches I almost said to you

…

I've been the archer, I've been the prey

Who could ever leave me, darling

But who could stay?

…

And I cut off my nose just to spite my face

Then I hate my reflection for years and years

26. Bad Blood (1989)

jack’s answer to kent’s wounded lashing out

Oh, it's so sad to

Think about the good times

You and I

…

’Cause baby, now we've got bad blood

You know it used to be mad love

So take a look what you've done

’Cause baby, now we've got bad blood, hey!

27. Breathe (Fearless)

kent, driving away from epikegster

I see your face in my mind as I drive away

'Cause none of us thought it was gonna end that way

People are people and sometimes we change our minds

But it's killing me to see you go after all this time

…

And we know it's never simple, never easy

Never a clean break, no one here to save me

You're the only thing I know like the back of my hand

…

And I can't breathe without you, but I have to

Breathe without you but I have to

28. All Too Well (Red)

despite all the pain, there’s an irresistible nostalgia for what they had all those years ago—for when things were so much simpler

Maybe we got lost in translation

Maybe I asked for too much

But maybe this thing was a masterpiece

'Til you tore it all up

Running scared, I was there, I remember it all too well

And you call me up again just to break me like a promise

So casually cruel in the name of being honest

I'm a crumpled up piece of paper lying here

'Cause I remember it all, all, all

Too well

…

Time won't fly, it's like I'm paralyzed by it

I'd like to be my old self again

But I'm still trying to find it

Interlude 2: Kent

29. Fifteen (Fearless)

a memory, a reflection

'Cause when you're fifteen and somebody tells you they love you

You're gonna believe them

And when you're fifteen and your first kiss

Makes your head spin 'round

But in your life you'll do things greater than

Dating the boy on the football team

But I didn't know it at fifteen

…

When all you wanted was to be wanted

Wish you could go back and tell yourself what you know now

Back then I swore I was gonna marry him someday

But I realized some bigger dreams of mine

Act 5: Moving On, Growing Up

30. Clean (1989)

finally learning to be his own person, separate from that shared past

There was nothing left to do (Oh-oh, oh-oh)

When the butterflies turned to

Dust that covered my whole room

So I punched a hole in the roof (Oh-oh, oh-oh)

Let the flood carry away all my pictures of you

…

The water filled my lungs, I screamed so loud

But no one heard a thing

…

Rain came pouring down

When I was drowning, that's when I could finally breathe

And by morning

Gone was any trace of you, I think I am finally clean

31. 22 (Red)

friends and freedom, and real joy in that this time around

It feels like a perfect night

To dress up like hipsters

And make fun of our exes, uh-uh, uh-uh

It feels like a perfect night

For breakfast at midnight

To fall in love with strangers, uh-uh, uh-uh

…

Yeah

We're happy, free, confused, and lonely at the same time

It's miserable and magical, oh, yeah

Tonight's the night when we forget about the deadlines

It's time, oh-oh

32. So It Goes… (reputation)

[a doomed love can still be a good one]

'Cause we break down a little

But when you get me alone, it's so simple

'Cause baby, I know what you know

We can feel it

…

And all the pieces fall right into place

Getting caught up in a moment

Lipstick on your face

So it goes…

…

I'm yours to keep

And I'm yours to lose

You know I'm not a bad girl, but I

Do bad things with you

So it goes…

33. Dancing With Our Hands Tied (reputation)

[a doomed love can still be a good one]

I, I loved you in secret

First sight, yeah, we love without reason

Oh, twenty-five years old

Oh, how were you to know?

…

Could've spent forever with your hands in my pockets

Picture of your face in an invisible locket

You said there was nothing in the world that could stop it

I had a bad feeling

…

I'd kiss you as the lights went out

Swaying as the room burned down

I'd hold you as the water rushes in

If I could dance with you again

34. Wildest Dreams (1989)

[a doomed love can still be a good one]

He's so tall and handsome as hell

He's so bad, but he does it so well

I can see the end as it begins

My one condition is

…

Say you'll remember me

Standing in a nice dress

Staring at the sunset, babe

Red lips and rosy cheeks

Say you'll see me again

Even if it's just in your

Wildest dreams, ah-aah, haa

34. Shake It Off (1989)

At the top of his game, at the top of his sport, and actually happy at long last

I never miss a beat

I'm lightning on my feet

And that's what they don’t see, mm, mm

…

But I keep cruisin'

Can't stop, won't stop groovin'

It's like I got this music in my mind

Saying it's gonna be alright

…

'Cause the players gonna play, play, play, play, play

And the haters gonna hate, hate, hate, hate, hate

Baby, I'm just gonna shake, shake, shake, shake, shake

I shake it off, I shake it off

Heartbreakers gonna break, break, break, break, break

And the fakers gonna fake, fake, fake, fake, fake

Baby, I'm just gonna shake, shake, shake, shake, shake

I shake it off, I shake it off

35. Holy Ground (Red)

Remembering with enough distance and experience to appreciate what was, not ache from it

Spinning like a girl in a brand new dress

We had this big wide city all to ourselves

We blocked the noise with the sound of, "I need you"

And for the first time, I had something to lose

And I guess we fell apart in the usual way

And the story's got dust on every page

But sometimes, I wonder how you think about it now

And I see your face in every crowd

…

'Cause darling, it was good

Never looking down

And right there where we stood

Was holy ground

Act 6: Reunion

36. ME! (Lover)

reconnection, reconciliation, re-appreciation

I know I tend to make it about me

I know you never get just what you see

But I will never bore you, baby

(And there's a lot of lame guys out there)

…

'Cause one of these things is not like the others

Livin' in winter, I am your summer

Baby doll, when it comes to a lover

I promise that you'll never find another like me-e-e

37. This Love (1989)

an unexpected reawakening

Tossing, turning

Struggled through the night with someone new

And I could go on and on, on and on

Lantern, burning

Flickered in my mind, only you

But you were still gone, gone, gone

…

Been losing grip, on sinking ships

You showed up just in time

…

This love is good, this love is bad

This love is alive back from the dead, oh-oh, oh

These hands had to let it go free, and

This love came back to me, oh-oh, oh

38. End Game (reputation) (ft. ed sheeran as jack)

After all this time, there are things they aren’t ever going to let go of again, no matter the trouble they bring

I got a bad boy persona, that's what they like (what they like)

You love it, I love it too 'cause you my type (You my type)

You hold me down, and I protect you with my life

…

I don't wanna touch you, I don't wanna be

Just another ex-love you don’t wanna see

I don’t wanna miss you (I don't wanna miss you)

Like the other girls do

I don’t wanna hurt you, I just wanna be

Drinking on a beach with you all over me

I know what they all say (I know what they all say)

But I ain't tryna play

…

I wanna be your end game (End game)

I wanna be your first string (First string)

I wanna be your A-Team (A-Team)

I wanna be your end game, end game

39. You Are In Love (1989)

something real; something sacred; something to build a life on

You can hear it in the silence (silence), silence (silence), you

You can feel it on the way home (way home), way home (way home), you

You can see it with the lights out (lights out), lights out (lights out)

You are in love, true love

You are in love

…

You kiss on sidewalks

You fight and you talk

One night, he wakes

Strange look on his face

Pauses, then says "You're my best friend"

And you knew what it was, he is in love

40. Change (Fearless)

when the two biggest hockey players of their generation come out of the closet—together—are in love with each other—it changes more lives than just theirs

So we've been outnumbered, raided, and now cornered

It's hard to fight when the fight ain’t fair

We're getting stronger now, finding things they never found

They might be bigger but we're faster and never scared

You can walk away, say we don't need this

But there's something in your eyes says we can beat this

…

'Cause these things will change

Can you feel it now?

These walls that they put up to hold us back will fall down

This revolution, the time will come

For us to finally win

And we'll sing hallelujah, we'll sing hallelujah

Oh, oh

41. Call It What You Want (reputation)

When it stops mattering what anyone else thinks

All my flowers grew back as thorns

Windows boarded up after the storm

He built a fire just to keep me warm

All the drama queens taking swings

All the jokers dressing up as kings

They fade to nothing when I look at him

And I know I make the same mistakes every time

Bridges burn, I never learn

At least I did one thing right

I did one thing right

I'm laughing with my lover, makin' forts under covers

Trust him like a brother

Yeah, you know I did one thing right

Starry eyes sparkin' up my darkest night

…

My baby's fit like a daydream

Walking with his head down

I'm the one he's walking to

So call it what you want, yeah

Call it what you want to

42. Lover (Lover)

love

We could leave the Christmas lights up 'til January

And this is our place, we make the rules

And there's a dazzling haze, a mysterious way about you, dear

Have I known you 20 seconds or 20 years?

…

Can I go where you go?

Can we always be this close?

Forever and ever, ah

Take me out, and take me home

You're my, my, my, my lover

43. New Year’s Day (reputation)

love

You squeeze my hand three times in the back of the taxi

I can tell that it's gonna be a long road

I'll be there if you're the toast of the town, babe

Or if you strike out and you're crawling home

…

Don't read the last page

But I stay when it’s hard or it’s wrong or we're making mistakes

I want your midnights

But I’ll be cleaning up bottles with you on New Year's Day

44. Daylight (Lover)

Building a new life in the daylight

My love was as cruel as the cities I lived in

Everyone looked worse in the light

There are so many lines that I've crossed unforgiven

I'll tell you truth, but never goodbye

…

I once believed love would be (burning red)

But it's golden

Like daylight, like daylight

Like daylight, daylight

…

I don't wanna look at anything else now that I saw you

I don't wanna think of anything else now that I thought of you

I've been sleeping so long in a 20-year dark night

And now I see daylight, I only see daylight

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ts1989fanatic · 7 years

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Taylor Swift's 15 Best Songs: Critic's Picks

From her beginnings as a country artist to her reign as a global pop star, Taylor Swift has become one of the defining artists of this century -- and that’s in large part thanks to her masterful song craft. Each era of the singer-songwriter’s career has included intricate, instantly memorable musical moments that it’s difficult to narrow down the best of the best to just 15. Yet these songs represent Taylor at the top of her game, whether it be through an extended heartbreak anthem or hilarious declaration of independence.

Here are Billboard’s picks for the 15 best Taylor Swift songs, from her self-titled debut through 1989.

15. Taylor Swift, "New Romantics"

A bonus track off 1989 that out-popped the bubblegum pizzazz of most of the standard track list, “New Romantics” finds Swift gliding alongside gooey '80s synths before pogoing on the chorus with a slew of declarative statements. “Heartbreak is the national anthem -- we sing it proudly,” she states, making “New Romantics” a spiritual cousin to the “miserable and magical” time she had on “22.”

14. Taylor Swift, "Fearless"

A song like the Fearless title track demonstrated why, even as a teenager, Swift’s songwriting was miles ahead of her country contemporaries. The lyrics include several Swiftian hallmarks -- dancing with a romantic partner in the parking lot becomes dancing with a romantic partner “in a storm in my best dress”! -- but that opening line, “There’s something ‘bout the way/ The street looks when it’s just rained/ There’s a glow off the pavement,” effortlessly creates a sense of whimsy and romance that not many artists can pull off.

13. Taylor Swift, "Mine"

The lead single from Speak Now, Swift’s follow-up to the Grammy-winning Fearless, is more muted than its predecessor’s “You Belong With Me”and “Love Story,” and understandably so: It’s a song about not just finding love but maintaining it when the meet-cute has drifted into the past. When that final chorus hits and reaffirms the caring at the heart of this Taylor Swift song, though, it’s one of her most moving moments to date.

12. Taylor Swift, "Tim McGraw"

Taylor Swift sure has come a long way from the first track on her first album, huh? Although “Tim McGraw” sounds nothing like her pop stylings, the charming debut features the same type of vocal resonance and clever wordplay that have become calling cards for Swift. Plus, the fact that she pulled off the line “When you think Tim McGraw/ I hope you think of me,” and then proceeded to become even bigger than Tim McGraw, is something to marvel at.

11. Taylor Swift feat. The Civil Wars, "Safe and Sound"

The bad news is that one of the very best Taylor Swift songs, the dark, devastated “Safe and Sound,” is not featured on any Taylor Swift album. The good news is that we live in a playlist-friendly culture, and that this collaboration with The Civil Wars for the first Hunger Games soundtrack can be included in any mournful collection of your choosing. A song about protection amidst terror, “Safe and Sound” features Swift’s voice at its most shattered, her best efforts pummeled by the marching drums outside her door.

10. Taylor Swift, "Our Song"

What if Swift had resisted the allure of pop music and committed to a lifetime of fiddle-filled country jams? We’ll never know the answer, but “Our Song” is a gloriously twangy testament to what Taylor once was, before her lyrical ability to find music in everyday life was translated to a different genre. Here, the bubbly words give way to the lush arrangement, which encapsulates the exuberance of first experiencing the world with a romantic partner.

9. Taylor Swift, "We Are Never Ever Getting Back Together"

Years after its release, “We Are Never Ever Getting Back Together” remains bitingly funny, an eye-roll of a pop song about a boy who just doesn’t get it through his thick skull that it’s time to move on. Swift deftly balanced sarcasm with the sincerity of the hook and nails one of her first pronounced attempts at mainstream pop (which became her first single to hit No. 1 on the Billboard Hot 100 chart).

8. Taylor Swift, "Teardrops on My Guitar"

Poor Drew: The object of Taylor’s affection in “Teardrops on My Guitar” has a soon-to-be superstar longing for him and he’s totally unaware. The standout from Swift’s debut LP boasts the type of nuanced songwriting that would eventually make Swift a sensation, and while the “I secretly like him but he likes her and he’ll never know how much I like him” dynamic is repeated throughout her catalog, “Teardrops” captures that resignation within a handful of striking images, most notably the title phrase.

7. Taylor Swift, "Blank Space"

There aren’t too many pop songs that turn on a dime in the middle of the second verse, but just as her unhinged character in the “Blank Space” video unravels midway through, so does Swift at the song’s center, diving into self-deprecation and mocking her well-documented romantic history outside of music. “Blank Space” works as far more than satire, though: snappy and uncluttered, it’s a fantastic sing-along dotted with quotable moments (“I can make the bad guys good for a weekend,” “Boys only want love if it’s torture”).

6. Taylor Swift, "Love Story"

It takes guts to name a song something as bold and straightforward as “Love Story,” but Swift’s breakthrough single makes good on the “story” part of the equation by unfolding a modern-day parable that somehow never slips over the edge into full-on cheese. Perhaps it’s the earnestness of Swift’s performance as a heroine searching for an escape route with her Prince Charming and finally realizing that reality can make room for their tale. Out of the millions of love stories in the history of pop music, “Love Story” stands out.

5. Taylor Swift, "Mean"

Simply put, a pitch-perfect rebuke of bullying. The Speak Now single posits that living well is indeed the best revenge, as Swift bashes her early detractor by predicting that her future is bright, while their future only contains minor victories (and a huge helping of meanness). Swift sings “Mean” in first person, but it’s not really for her -- this is a song for people who feel belittled and beaten down by others, who look to someone like Swift for uplift and assurance. “Mean” is designed to shout along with cathartically, and it succeeds.

4. Taylor Swift, "State of Grace"

A bulldozer of an opening to Red, “State of Grace” is Swift’s most sonically towering track ever recorded; it’s a good thing that its author headlines arenas, because no small room could contain this song’s might. Instead of relying on lyrical detail, Swift stacks guitar lines upon propulsive drums and lets the whole thing rip; instead of opting for a wordy chorus, the hook here echoes with conciseness: “I never saw you coming/ And I’ll never be the same.” At nearly five minutes in length, “State of Grace” stays exhilarating start-to-finish and will be one of Swift’s most enduring non-singles ever.

3. Taylor Swift, "Dear John"

One of the (many) reasons any man should think twice about screwing over Taylor Swift: She is capable of penning a visceral, eviscerating takedown as potent as any hip-hop diss track. “Dear John,” a mangling of ex-beau John Mayer, is nearly seven minutes of simmering anger -- but it never feels exploitative or unyielding, instead exploring the feeling of being taken advantage of and punctuating each chorus with a sorrowful “I should’ve known.” Swift uses “Dear John” to turn the gut-punch of being led astray into a clenched fist and declaration of survival. “I took your matches before fire could catch me,” Swift spits at her beloved-turned-enemy. And we, the listeners, simply get to sit back and watch the fireworks.

2. Taylor Swift, "Style"

“Style” is all about the details: the hints of the guitar lick in the verses, the echoing vocals of “out! of! style!” on the chorus, the tension in Swift’s voice when she debates telling her guy that it’s time to leave, the way “James Dean/daydream” and “red lip/classic” are perfect rhymes positioned on top of each other, the release of the “take me hooooome” on the bridge. On an album filled with very good-to-terrific pop songs, “Style” is the most finely manicured, the most well-produced, the most fully realized -- and still, the most affecting. Decades from now, musical anthropologists will study how pop could be this perfect.

1. Taylor Swift, "You Belong With Me"

Throughout the twists and turns of her career, Swift has changed sounds, collaborators, personas and approaches, but has not -- and perhaps will never -- eclipse the magnificence of “You Belong With Me.” Credit the song’s simplicity, echoing the thematic concept of “Teardrops on My Guitar” but amplifying the high school heartache and polishing the hook so that it never floats back down after leaving the ground. There are so many things to love within “You Belong With Me,” from the high heels/sneakers dichotomy to that double handclap during the bridge, but more than anything, it’s quintessential Taylor, the ultra-relatable protagonist who can sum up complex feelings in a vocal run or quick turn-of-phrase. “You Belong With Me” has been her defining song for years, and that’s because it’s her best.

ts1989fanatic I guess it’s all in the eye of the beholder or ear of the listener to decide what your own top 15 Taylor songs are. I have to say that most of these would make mine, maybe not in the same order as this list but close.

As for the article itself it’s nice to have someone acknowledge Taylor for her writing ability without slamming her for something or other in the same piece.

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