#(I do know i read them out of order?)

[justaz]

merlin being forced to confront the fact that he’s failing his people bc he’s sitting idly by while uther slaughters them all and coming to the decision that he has to act to save them but that’ll make him camelot enemy no. 1 but technically he already was they just didn’t know it. merlin spending a week all morose but unwilling to talk about it and spending as much time with his friends as possible. on his last night in camelot, he goes to arthur’s chambers and the prince is confused on why he’s there. merlin drops a sealed letter on his desk before pulling arthur into a gentle and emotional kiss. they barely separate, their lips hardly a breath apart, and merlin asks for forgiveness. arthur, thinking he’s apologizing for the kiss, tells him there’s nothing to forgive and goes in for a second kiss but merlin pulls away, knowing that that one brief kiss was all he could handle. if he lets arthur kiss him the way he’s dreamt of being kissed, he won’t be able to do what he needs to do, he won’t be able to leave. merlin tells him good night and leaves before arthur can react. he’s gone by dawn.

[happyk44]

The thing was Percy didn't like being a bad kid. Every time he got kicked out of a school or wound up in the counselor's office over some incident he wasn't completely blameless for, his mom's brows would pinch. The line on her lip dipped. He knew what she was thinking each time: lost wages, job risk, who was going to watch him if he got suspended, where would she send him if he got kicked out, and so on.

He hated that he did that to her. Being a bad kid meant being a bad son. He refused to be a bad son - not on purpose anyway.

Well, he used to. She wasn't here anymore. Her brows weren't going to furrow. Her lips wouldn't thin. Her shoulders wouldn't draw up and tense before the principal even opened their mouth. It was over.

He didn't have anyone anymore. Nobody at cabin eleven would look at him. Other cabins steered around him like he was carrying the plague. Grover was off doing whatever satyrs did - probably getting ready to infiltrate some new school, befriend some new kid, save their lives. He didn't need Percy. It’d only been a few days but they'd barely interacted. Older satyrs would yank him along into the wood before Percy could get close or even open his mouth. Even Annabeth just eyed Percy with scrutinizing eyes - like she was assessing him for something. But every time he tried to approach her outside of their lessons, she brushed him off.

No one wanted Percy around.

What was the point of being a good kid anymore? There wasn't anything or anyone forcing him to keep his head above water. He was tired of the murmurs. He was tired of the avoidance. Tired of the glares from the Ares cabin. Tired of trying to keep the quake in his stomach tamped down.

He was just tired.

He thumbed along the flat edge of his sword. His new best friend was the pervasive feeling of loneliness. With a miserable sigh, he tucked the sword into the holster on his hip. People barely wanted to spar with him now so he was stuck to sweating it out on the dummies by himself. At least only when Luke wasn't pushing him as hard as possible.

But even with Luke there seemed to be pause. The first time Percy felt his gut yank after being claimed had been in training with Luke, and as soon as the feeling caught him, Luke begged off. Like he'd seen something in Percy that unnerved him. Sometimes when Percy looked in the mirror, he saw something in his eyes that unnerved him. A foreign thing - like a contact lens put in the wrong way.

No amount of poking or prodding at his eyes was going to get it out though. It was inside him - in his blood. He was sure of it.

He was starting to worry that it was the very thing he'd been keeping back, the very thing his mom was trying to keep him safe from.

The clang of metal against metal was loud as he walked past other trainees. There were a couple people leaning against the wall near the water fountain. As expected, they shifted away as he neared. Mistrust was bright in their eyes.

He did his best to ignore it. Not the first time people had stared at him like they thought he was dangerous. Or beneath them.

The water sprayed for a moment before he lowered his head. It was clarifying. He'd noticed it before, a burst of energy with every sip whenever he was tired, but ever since being claimed, he'd noticed the alertness more and more.

As he let go of the button, he caught the tail end of the muttering nearby. His stomach dropped.

“... should've ditched him sooner,” one boy grumbled. His friend snorted. “Maybe then she wouldn't have died.”

“What did you say?” The two startled. Percy understood why. He barely recognized his own voice, the eerie coldness to it frosty on his own tongue. Still, he repeated as he twisted on his heels to face them. ���What. Did you just say?”

Panic besot them. For a second, the barest of a second, he could feel it kick in - be a good boy for me, Percy, be a good kid for Mom.

But she wasn't here.

She wasn't here.

So what was the point?

He took a step forward. “What,” he snarled, saliva coating his tongue like froth, “did you say?”

The others shifted away but he just crept forward. “Nothing, man,” one of them finally bit out, but they were lying. He could see it in their eyes, hear in their voice, feel it in their veins.

“You're lying,” he said. A bitten off laugh echoed from his lips. “You were talking about my mom.” Another choked laugh. “You think it's my fault?”

One of them raised his hands - a mock surrender. “Hey, dude-”

“You think I wanted her to die?” A sharp sensation coiled through Percy's chest. It thrummed hot and heavy, piling, piling, piling on his lungs. “You think I asked for ANY OF THIS?”

Someone's hand came to rest on his shoulder and it was like the crashing of the waves against his bare feet. Cold, clarifying, clear.

Freeing.

His fist drove straight into the jaw of whoever was behind him. He could barely tell who he was seeing - it might've been Luke, or any other tall blonde guy. But as soon as whoever it was stumbled back, he whirled around and punched whichever kid was closest in the stomach. They went down and he clambered on top to wail. Fist and fist upon whatever body part he could reach. He wasn't the most elegant hand-to-hand fighter but there was something to be said for the voracious and vicious energy boiling through him.

Distantly he was aware of yelling around him, aware of people pulling at him, aware of the person beneath him crying, arms over their face, arms Percy was tired of hitting. He needed to get their face, get their tongue, rip his mom from their mouth. How dare they speak about her.

How dare anyone talk about her.

A dozen hands finally yanked him back. He screamed. Bodies toppled. He grabbed the closest one by their hair, driving his knee upwards over and over again until hands ripped him away again. Swung blindly and caught someone. The two of them fell. His stomach pulled back. They choked. They weakened. He swung himself over until he was on top.

I want you all to drown, he thought, grabbing at their jaw. Don't ever speak of her again.

Saliva smeared across his fingers. His stomach pulled back even more. What was that - blood, water? On his hands, on his knees, on their skin, on their faces, in their veins.

His free hand drew out. He wanted it. It was his. Didn't they get that? She was his, and she was gone, so he would take and take all else that belonged to him until the hole in his chest was gone. Until the water they had coursing inside them filled him up.

“Percy,” someone whispered.

Their voice was familiar, breath hot against Percy's ear. He twitched. The feeling of nearby water, nearby fluid, was clenched tight in his fist. He just had to pull back. Yank it. Make it his.

The voice turned pleading. “Percy.”

He froze as two hot hands came to clasp his cheeks, dark brown eyes and curly hair blurring into view. Grover's face.

“Grover,” he breathed. For the first time since he'd ended up at camp, he relaxed.

Grover's thumbs stroked his skin. “Yeah, it's me.” He leaned in closer. “Percy, you need to stop.”

“Stop?”

“You're hurting people," he said. “You have to stop.”

Why? Percy thought. He didn't care. He didn't care if they hurt, didn't care if they drowned where they laid choking, didn't care if they suffered. It didn't mean anything to him. They didn't mean anything to him.

But this was Grover.

And with his mom gone, Grover meant the world.

“You want me to stop?”

“Yes,” Grover said. His breath was warm, his skin hot, his body close. Distantly Percy remembered nights at school like this - Grover tucked up next to him, trying his best to help Percy study when most people would've bailed. “I want you to stop.”

His lips were wobbling. His eyes were thick with wetness. His voice was unsteady - trying to be calm and rapidly failing. Even his hands shook.

Percy grabbed at his wrists. “Okay,” he whispered as he clung. His stomach relaxed slowly, the crash turning into a tickle. “I'm good, I'm good.”

Shakily, Grover exhaled, pressed his forehead to Percy's, and murmured, “I know, I know.”

His hands pulled away from Percy's face, but not away from him, arms wrapping around his neck and pulling him in for a tight hug. Percy's breathing wobbled as he tucked his face into the crook of Grover's neck. He clung tight and desperate. Pleading.

No, he couldn't be a good son anymore. He didn't have to bother keeping in check to avoid the thin line of his mom's lips. But he could be a good friend. To keep the tears out of Grover's eyes, the tremble from his skin.

“I can be good,” he promised quietly, for Grover's ears only. “I promise I can be good.”

“I know,” Grover said. His cheek pressed against Percy's. “I believe you.”

-

The fountain nearby trickled quietly. The steady flow soothed the unease between Percy's shoulders. Still, he squeezed the pillow in his grip tighter to his chest as he watched Grover flit around the bunk closest to him. He snapped the final end of the sheet around the mattress. Hooves clopped quietly against the tile as he stepped back. His gaze flickered between Percy's bed and his own.

Then he grunted and began pushing it closer.

Percy hopped up. The discarded pillow slipped from his fingers and onto the floor. He nearly tripped over it trying to get to Grover's side. They pushed the other bunk over until it was pressed into Percy's.

While Grover unfurled his blanket, Percy stepped back. Awkwardness choked him. He didn't know what to do, what to say. So he picked the pillow off from the floor and pressed it into his chest. Grover didn't spare him many glances as he worked to make up the bed. Leaning across his bunk, he yanked Percy's blanket from between the seam where the two bed frames connected and began tying the edges of both blankets together. It was shoddy work, no way it wasn't coming apart just from them lying on the sheets, much less sleeping.

But Grover did it anyway.

As he shifted back, hooves scraping the floor, Percy held out the pillow. Grover dusted off the top then laid it against the headboard. With both hands on his hips, he admired his work. Percy stared at it too. It was nice. Joined bed. Grover within direct reach.

His palms itched.

“Are you scared of me?”

Grover twisted around. His brows furrowed, but the edges of his lips were quirked upwards. It was reminiscent of school - Percy stumbling over something he read and Grover, lost but amused, over why Percy thought it was a man-of-war that Theseus fought.

He was partially grateful Grover cut him off before he could finish what he actually thought the sentence was trying to say. It certainly wasn't fight.

“I mean,” Grover started and Percy's stomach drew back. Behind him the trickle of the fountain silenced. Like the water was holding its breath too. “I'm scared for other people, but I'm not scared of you.” He punched Percy's arm with a quiet smile. “I know you're not going to hurt me, Percy. That's why I stopped you.”

The fountain began to trickle again. “And that-” He faltered. The ghost Grover's touched goosed up his bicep and across his shoulder. “-that doesn't worry you?”

That you might have to stop me again went unspoken but Grover was always good at understanding Percy's unspoken words, at knowing his unspoken feelings - even the ones Percy wasn't even aware he felt.

He sighed. “It worries me. But not because it's you.” He shook his head. “And definitely not because I'm scared of you hurting me.”

His eyes scanted away, brows furrowing deeper. Then he relaxed into the bed. After teetering on his heels for a couple seconds, Percy joined him. He gripped the edge of his shorts so tight his palms burned. Grover reached over to stroke along the back of his hand.

He exhaled slowly and let go.

“You remember Pan?” Grover asked.

Percy paused. “The satyr god, right?”

“Yeah.” Grover pulled away to tug at his fingers. “He's been missing for a while. Ever since the industrial age took off. And no one knows where he is. It's the dream of every satyr to find him, so that nature can return to the way it was.”

“That your dream?”

He nodded solemnly. “You have to be a Protector first, before you can get your Searcher’s license. But I'm not like the others.” His gaze fell down. His hands sat in his lap, cupped around nothing but air. “I don't want him just so we can bring nature back to its peak.” He sighed. “We were a lot different when Pan was still around. More free. More wild. I want satyrs and nymphs - all of us to be us again!”

Percy leaned into him. “What's stopping you?”

Grover snorted. “People forgot. We were more than just Pan's disciples. We fought to protect the wild from mankind. We didn't just sit around waiting for him to tell us what to do. But nobody wants to do anything.” He scowled. “They think when Pan returns he'll fix it all and I-” He bit his lip, then shook his head. “The world has changed. And gods don't get involved like that. Not to the extent they want him to. It's not in their nature. But if he comes back then maybe…”

He faced Percy. His eyes were watery, darkening the already dark brown of his eyes into shots of black. The welled tears glistened ever so slightly. Like the night sky, free of pollution.

His lips wobbled into a gentle smile. “But that's why I'm not afraid. You’re like nature at its purest form - chaotic, wild, unburdened.”

Normally those words wouldn't hit Percy as compliments. Insults, degradation - things that would deflate him and make his mom frown. But Grover sounded so earnest, his heart swelled.

“You can't tell, but I can feel it.” He swung his arm over Percy's shoulders and tugged him in close. “Your demigod essence, this sense of the wild that I've been searching for my whole life.” He gestured loosely. “Even the Demeter kids don't have that. Their mom is all agriculture and farming and that's great and all, but it's not pure nature, it's not the wild.” He squeezed Percy's shoulder as best he could with one hand. “You remind me of home, Percy.”

The frog Percy hadn't noticed in his throat jumped out with a burst sob-laugh. He tried to tile away, but Grover just tugged him close, bringing around his other arm to keep Percy pinned. Nonetheless his hold was fairly loose, like Percy was a stray cat he didn't want scratching him if he felt like running.

Or like he knew that Percy was the ocean through and through, unwilling to be contained, wanting to flow wherever he saw fit.

Percy practically crawled into his lap, sniffling into Grover's shoulder. Warm hands stroked up and down his back. He laughed quietly - a half-distressed noise marrying the sound, but managed a breathy wheeze of, “You remind me of home too.”

Grover kissed the top of his head. For the first time since arriving, he shattered. All his twisted up emotions committed out in a tidal wave of tears and broken gasps. All the while Grover held him. As tight as Percy clung to him, he didn't complain. Just held on even tighter. Wetness from Grover's own tears smeared across Percy's skin.

Ever the empathetic. Like his mom.

Percy squeezed his eyes shut. “Please don't leave without saying goodbye,” he begged in a hollow, hoarse whisper.

“I won't,” Grover promised.

They held onto each other even as tears and cries faded away. Grover kept stroking his back with both hands. Percy continued to cling.

Shoulders shaking, Percy wound the fabric of Grover's shirt over his fingers. After a few minutes of toiling silence, he whispered. “I think I'm changing.” He pressed his forehead to Grover's collarbone. “I'm scared.” He pulled back and stared into Grover's eyes. “What do I do?”

“Be my best friend,” Grover said, like it was the simplest answer in the world. And as soon as the words fell off his tongue, it did. How silly was Percy not to think of it before? “My best friend is a good person, the best kind of wild.”

“I can do that,” Percy promised. “I swear, I can do that.”

“I know,” Grover said, squeezing Percy's cheek. His thumb swiped away at a still wet tear under Percy's eye. The stroke was soft, gentle. Kind. “I believe you.”

[emry-stars-art]

YES, PLEASE AND THANK YOU @snazzy-jas-z-is-a-fan-of !!

(Find the royal au writing masterpost here 💕)

And I’ll do an art-only version of this post for your reblogging pleasure here :) there's always always more to be said about this so I might make another post on the same topic but later

Anyway onto the juicy stuff

Okay so. Evermore and Palmetto both have glove etiquette, but in Evermore Nathaniel never had to worry about it, because he was expected to constantly be wearing gloves from first day he’s able to after getting nasty scars on his hands. Except for when he’s working or helping Nathan work. The nobles and specifically Prince Riko made it clear that they had no desire to see how ugly his hands were. (This is also why he has a habit of wearing a little of his hair down on the left side; it helped cover the scars on his cheek that ruined his pretty complexion.)

Then he comes to Palmetto and Day introduces him to a whole new set of rules. Gloves are a common and important part of dress and fashion, but people are also able to decide whether or not to wear them at any given time. The only real rules on gloves are when not to wear them; you always take off gloves to eat or drink, and to offer your hand in greeting or service.

Nathaniel gets to kind of ease into it; he’s not around anyone important enough to need to offer proper greeting or help, so mostly he takes his gloves off to eat in the servants quarters, where he doesn’t deal with more than curious glances. There’s a lingering fear of letting anyone important see his hands, no matter what Day says to assure him otherwise.

Then Nathaniel becomes the prince’s guard. Nothing changes for a while - the prince has always been more self-sufficient than most - until one day Nathaniel sees the prince eyeing the fall from his horse. (Really Andrew is trying to get up the courage to dismount, because even if the fall isn’t actually an issue for him, his fear of heights sometimes catches up to him when dismounting horses.) Nathaniel understands by now that he’s allowed and expected to help, so he reaches out - and remembers. He’s also acutely aware that the prince hasn’t yet seen his hands, then also also acutely aware of how serious Day was about the proper etiquette, and slips off his glove. The prince gives his hand a curious look, but accepts the help and all but crushes Nathaniel’s hand in his as he finally makes the fall. Even on the ground, though, he doesn’t let go quickly. Instead, the prince’s thumb brushes once across the back of Abram’s hand and he turns his hold, pulling Nathaniel’s hand up to examine it. The only thing keeping Nathaniel in place is the bone-deep instinct that he isn’t to deny anyone, especially a prince. Maybe the prince would decide he didn’t actually want to see Nathaniel’s hands and Nathaniel could go back to wearing his gloves with little more than a strike to the cheek for making the prince look at them.

But the prince does no such thing. He drops Nathaniel’s hand and continues on as normal. Nathaniel does his best to do the same, but that’s probably the first kind skin to skin contact he’s had in years. He isn’t recovering as quickly as he imagines he should.

(Meanwhile Andrew was NOT about to let an opportunity to hold Nathaniel’s hand slip like that, and he finds that he doesn’t mind the roughness. Most other guards were pulled from a much more privileged crowd - usually who had some callouses or scratches at most. Nathaniel’s hands show Andrew that this one isn’t all bark and no bite. Andrew… really likes them.)

Gradually, Nathaniel (likely soon or now Abram) gets used to taking off his gloves. He doesn’t without reason, it takes him a while not to feel naked without them, but it only takes a few more instances for him to realize that the prince truly doesn’t mind his scars. Helping the prince from his horse becomes easy habit (GS isn’t necessarily tall, but neither is Andrew. No step stool = Abram’s help).

Maybe there’s even a few times Abram is completely gloveless when he’s around only Day or the prince. He finds himself hiding his hands subconsciously when he’s not thinking about it, but he’s never once told to cover up.

Then Abram is kidnapped, taken back to Evermore. All the same rules are enforced and more. In this case, gloves aren’t all that different or upsetting. That much is okay.

It’s when he gets back that things change. Since he’s blind for a while, he’s relying much more on touch and hearing. It’s also a good tactile reminder; if he were still in Evermore, he would never be bare handed. This is when he truly gets used to not wearing gloves. (During this time he’s also touched more gently and more often than ever in his life. Others’ bare hands on his naked skin to care for scars and rashes and fever, first Day and medics and then Day and Prince Andrew. Abram finally, finally realizes that this is what he’d been missing. He actually finds himself calmed and cared for in being touched.)

Even when his sight returns, Abram only wears gloves out of doors or to formal events. Slowly and so, so carefully, Andrew finds more small reasons to touch Abram’s hands, and Abram always finds rationalization to accept. Then Abram even leaves his gloves in his saddlebags or pockets when they go out.

Winter hits. Abram has very few burn scars on his hands, but even the simple knife scars can seize and ache in cold weather. By now Andrew is very attentive to Abram’s pain or discomfort, so he notices. Abram’s hands hurt.

So Andrew buys him new gloves, lined with soft, warm fur. Abram is both pleased and disappointed - pleased because any gift from Andrew is a good gift, and disappointed because the prince expects him to wear gloves again. But the first time Andrew sees Abram wearing them indoors, he says easily, “They’re to keep your hands from the cold. Wear them only as much as you need.” (Because, again; he’s not going to admit it, but he loves Abram’s hands.)

It probably takes a long time for Abram to get accustomed to much more touch. He likes holding the prince’s hand, he’s used to that this far into their courting, but anywhere else with anything more than clinical intent - sometimes including with clinical intent - he gets overwhelmed very easily.

Andrew is careful with him. Like we mentioned in the last post, Andrew’s had about six to eight years longer to get readjusted to wanting and touching; Abram is essentially starting fresh. It’s a lot for him to handle.

(Don’t worry, though, I promise they figure it out. Just like they always do, in every universe, for all of our mental health.)

[lonely-night]

Janeway/Seven in 6.08 “One Small Step”

[ded-lime]

my attempt at lily versions

[uncanny-tranny]

Two things that are simultaneously true:

1. Gender and sexuality are complex and can be fluid. An identity isn't always fixed and can change with time for many reasons

2. It is not acceptable to force others to change their gender or sexuality and the mantra that they (queer people) can change if they only "try hard" is both cruel and homophobia and/or transphobia

[puppyeared]

Ouhhhh friendship I love friendship……..

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

[cloud-somersault]

I literally can't stand the way this stupid chapter went down. Chapter 7 has been a pain my ass the entire time, I can't even look at it without being pissed. And now posting it has left everyone confused, and I hate that added on confusion, as if this AU didn't have enough going on

I know it's not a big deal, but I hate disorganized things. I think it reflects badly on me and makes me look like I don't have my shit together, plus I deadass cannot stand what I wrote!! Even now!!

Ugh, can we all collectively forget about this...stupid reordering of chapters. I'm so pessimistic about it, and I'm glad I didn't delete it, but it's hard to see the silver lining right now

[the-busy-ghost]

Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class. 

Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules. 

But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point. 

I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009. 

But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end? 

Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:

And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out

[capricious-bastard13]

I've watched Jack's (Jacksepticeye's) playthrough of MyHouse.Wad, and at first, because I only heard of Doom and never played it, I let it play in the background. Until Jack's voice starts reading the attached letter to the game.

My thought immediately went, "This is something, and I feel like I'll like this something." I rewind it and watched it from the very start to the end. But I felt it wasn't all that it was, I bounced from his to the comments, explaining the game and all being recommended to play it for yourself. I don't have the resources to do so, so when I saw a comment about a video explaining it, I looked it up. The video lays out the house and the different ways you can go from point a to point b. I've seen Power Pak's after watching Jack's playthrough. And just now, I've watched Pyrocynical's video and theory on it.

There's two that stood out to me, near the end; he lays out the theories and practically dismisses the queer interpretations of it. Until now, I've always been in the camp of "Thomas and Steve were a couple, but due to the time period, or their families, they kept it hidden." When watching Pyro's video, I started realising, why were there pills on the bathroom floor, why the crib, the ring? And I felt like Pyro was nearly there, he was so close to putting it together.

But he dismisses Thomas perhaps being trans or that Steve and Thomas are gay--calls a "fat stretch" and "Level difficulty: Medium" respectively.

I've prefaced all this, because as someone who's transmasc, it felt invalidating. For months I've seen this game--although I never played it and only watched it--as a queer story of grief and loss, of processing that loss, of going through stages of denial, of reliving memories, of just wanting to reach an end where you feel at peace, of looking back on that journey and thinking to yourself that you've made it--past the hardships to a place where you can feel at peace again.

MyHouse.wad being as ambiguous as it is but leaving all these little tidbits is as when it comes to art, hard to piece together. But hearing about how there's also a trans interpretation of made me perk up, thinking, "oh, it's going to be talked about in detail," only to be disappointed.

So, despite being that MyHouse.wad has probably had this interpretation ("tHeOrY") put up already, I still felt compelled to write my own view on it using the pieces that I know of--but, there might be details that I describe vaguely because I don't remember them all that much.

We get tiny little small glimpses of Thomas through Steve's entries, of introduction we get along with the link to download it. And even just from the descriptions of the items in the game like the ring, the die, and whatnot. And the first thought is, "oh, they're gay, but they're not out," which is a sad thought, yes. But I held that interpretation close to me. It's a journey of Steve trying to get through his grief, of plunging in to his thoughts, dismantled and breaking apart as they are. The rawness of everything, of how for him, it probably felt so fresh still and this game, of going through their mod map is his way of processing--never mind how it consumed him, as he said.

And what I consider to be the best ending; the real beach, with a heart on the sand, initials--"S and A, forever". Who's 'A'? Isn't it supposed to be 'T' for Thomas?

I've seen how 'A' could be for "Allord", Thomas' last name, and at the time, yeah, maybe it is A for Allord. But what if it isn't? What if 'A' is the deadname--using that initial, despite it being a deadname, was probably used to protect them, protect him-Thomas. To be seen a heteronormative couple to get away from the hate, the stares, the animosity.

What about the excerpt of their death? Thomas' photo clearly being of a man? Well, that's just it. It's an indication of how the family has accepted Thomas for who he is and to honor him properly, used what a photo of what he looks like now, of who he really is. Proudly too, showing him as Thomas Allord, age 35, in the newspapers. This is their son, brother, and husband.

This is certainly something that will be labeled as a "fat stretch". The crib, then? The pills? And the bloodied bathroom? Perhaps, Thomas had gotten pregnant, experienced a miscarriage in the airport bathroom and had to be rushed to the hospital. As Steve puts in the description of the baby bottle; "It wasn't meant to be." And as he writes in his journal entry, he had a dream, a baby crying in the attic, in the crib, a still born baby.

Perhaps, Thomas was ready to carry the baby--their baby and due to complications, what happened, happened. They'd already bought the crib, but put it away, and we see, maybe both of them had hope that they still had a chance, clinging on.

"If Steve and Thomas are together as you say, then why does Steve refer to Thomas as "my friend" or "my childhood friend"?" Living through life closeted brings habits, unfortunately.

I've grown up without realising that I'm trans, and it was only the past few years where I've realised that the gender I was given and raised to be, isn't who I am. Despite my family knowing, they still call me with feminine pronouns, I get referred to as "sister", or "she/her" a lot of the times. And it's become the biggest norm for me that they just fly by my head without even noticing it, without getting the chance to say "that's not my pronouns".

Is this a "weak" point of the "theory"? No, because I see it as valid. People who aren't out or don't have the chance to express who they are live day to day with being misgendered, seen as someone they're not. I don't want to say, "everybody experiences this" or that there are people who don't go through intense dysphoria that it becomes crippling; I'm just saying, that for me, this is how my day to day is today, what it's like--a sort of cynical indifference to it that boils beneath the surface of my skin.

Or, this is Steve's way to be ambiguous; Thomas was Steve's friend first before they reunited, gotten married, lived together, after all.

Maybe, he wanted to detach himself in his grief and longing. A way to protect himself from the immense loss he's going through and this is his way of doing that. By saying that Thomas was just a childhood friend, it probably eased the pain just a bit.

Or, Power Pak states in his video, isn't it strange how explicit names are never--if ever, rarely-- given. Thomas' name doesn't show up until February of 2023. Steve's name is never used. Maybe, Steve wasn't the one who wrote the journal; a third party who saw the effects of loss on Steve, instead?

In the newspaper clipping of Thomas' life, it's stated how he reconnected with his high school crush, got married and moved in with his partner. The ambiguity could mean that the family simply didn't want bigots to be bigots toward their loved one.

In Steve's clipping detailing his life, he also reconnected with his high school crush. "Soulmate", this person is described as. And like with Thomas', "partner" is used, rather something explicit like, "husband" or "wife."

Although, "wife" can't be correct either since Steve doesn't have a partner listed who outlived him, simply his family.

With MyHouse.wad being as up for interpretation as it is, there's ways of reading into things, one can take it however way they want to, where they want to.

And I, personally, like to think that Steve and Thomas are happy together, with their cat, cuddled up together in their home.

You picked up Die. "Roll for intercourse?"

I feel so helpless, like I can't do anything to bring him back. I feel so sad and it feels like my heart is heavy. I can't help but think about all of the fun times we had together growing up. All of our adventures, our secrets, and even our arguments. I miss him so much and I can't believe he's gone.

You picked up Ring. "I do."

I attended the funeral of my childhood friend, and I was overwhelmed with grief. As I looked around at everyone else in the room, I could feel the sadness in the air... I never imagined that I would be saying goodbye to my friend so soon.

You picked up Wine Bottle. "Drunk Buddy." You picked up a Bauble. "Christmas makes me happy."

Happy Valentines day to the only person I ever loved. For a short time, you brought a little happiness to this painful existence called life. I hope we can be together again one day.

You picked up Baby Bottle. "It wasn't meant to be." You picked up Pill Bottle. "Refill needed." You picked up Full Pill Bottle. "Feelin' fine."

You picked up Game Controller. "It's my turn."

Somewhere, in another dream, the version of myself that winked back is sitting on the real beach, happy and content, knowing life is finite, there is no afterlife, and happiness is found in the small things around us that we can control. Happiness has to be fought for.

[boxwinebaddie]

hi uncle nina! sorry if this is kinda overbearing, but you havent posted anything today so i just wanna check in and make sure youre doing okay! <3

oh my god, sweetheart!!! this is not overbearing AT ALL! this is extremely thoughtful and makes me feel extremely validated. <3

i'm sorry for causing concern, but ty for being concerned about me.

because the school year is coming to a close, things around me at work have been pretty intense, so i've been tossed around like a ragdoll the past week and haven't had much time to write as a result. i also haven't been sleeping very well and rush a lot in the mornings, so i've forgotten to take my mood stabilizer the past couple of days which makes me v sluggish, zombie-ish and unpleasant in general. :/

...when i am like that, as a weird way of sparing you, i suppose, i try not to post on here too much because it feels quite shitty indeed for you to get a notification for my blog just to watch me bitch n moan.

however, i have taken my medication today and feel bad for fumbling kyle week...as we know i'm not really good at holding myself accountable or making deadlines. oddly enough, it's not that i don't want to answer my questions, it's just that other than not being able to really find the time recently, i just can't find the right...words?

( this ask is long and irrelevant, but read if you wish. ilysm. )

or, rather, i don't feel knowledgeable enough the subjects to answer? specifically in the areas of my tsot/tfbw styles and ncuniverses, i feel a little insecure because i don't know sp or the games as well as many other people do, so i'm trying to speed watch episodes/watch speed runs of the games online so i can at least keep some canon intact?

i also am finding that creating and understanding how high fantasy universes work is...difficult? lmao? also because i did crazy stuff with mutations and science and politics in my tfbw ncuniverse, that's also complicated and out of my wheelhouse...tldr: i have big ideas, but i'm not very good at backing them in fact or doing analytical stuff.

but...iiiiii need to, lmao. mental illness, but if i make a universe it has to be fully realized, it has to all make as much sense as possible, echo the canon, enhance it, feel real and be fluid...so if i'm not around too much it's because i'm trying to bolster myself with my sp knowledge ( ik, i'm a fake fan ) and watch/read/research high fantasy concepts and superhero/scientific fiction/dystopian stuff...so if anyone has any recommendations for me to watch or learn from in those realms, i'd appreciate it. again, this is intense...but i care a lot about my craft.

and specifically crafting something worthy of all of you, that makes sense, lives and breathes, reflects the show we love & is interesting.

ANYWAYS!!!! with that said, i got a cool ask about whether or not i have a gunslinger kyle? which? not yet? BUT YOU'RE A GENIUS BABY I AM SOOOOO ON IT!!! please let me cook and watch some things because actually, oh my god, i am very down. i'll update you. i might make a board to gather ideas, omg, omg, it'll be SPICY.

i got an ask about princess kylie, which, bless you, i am also still developing her character, i am going to pour over the books, watch some GOT, do some mapping out, watch some intricate dnd play throughs...and have some answers for you very soon: hang on, baby.

( she's little, bitchy, prissy and does need to be babysat, i'm afraid. )

got some on jersey i'm excited about! sorry for writing that ask meme about the sour skittles like that, again, writing has been trying for me lately and i had a concept that i wanted to share but wasn't sure how to express that. if you guys are alright with getting my asks in the form of notes some times i would appreciate it! anyways, keep your eyes out for some of those...if kyle week runs into next week, sorry.

idk...this is so long. all this to say...i'm really sorry? i haven't been a very solid creator lately, but i'm a little unstable rn. but i am working on it and i hope to be back on the horse by tonight and share my notes at least and show you guys how my brain is working.

in the mean time, please direct as many questions as you would like in the direction of riley, teri and ana who not only are epic writers but have been an epic support system/helping me get back into things.

thank you for caring, thank you for reading...keeping up with this blog and the questions and creating constantly is sometimes challenging, but very rewarding. i promise that i am not neglecting my asks or all of you because i don't care, its actually because i care very much and only want to give you stuff that is awesome and cool and well researched. so, again, just give me a second to get my barings and while it kind of eats at my bad bpd brain i might try and share stuff with you guys that's half baked because the feedback might help.

tldr: i love you, this made no sense, i'm a mess, but i am fine.

miss you and love you. happy kyle week.

-uncle nina

[pipskippy]

theres something abt suzaku and lelouch that makes for really nice atmospheric dreams for me i think it’s a big part of why cg has stuck with me lolll. very fitting actually bc i originally watched it because i kept having dreams about it and got curious…

[aroaessidhe]

2024 reads / storygraph

The Ruin of Kings

start of a complex high fantasy series

follows a boy who grew up in the slums, but is claimed as the missing son of a treacherous prince and is dragged into dangerous politics against his will

and simultaneously follows him older, having escaped and following his destiny, among gods & sea monsters & giant dragons

both stories being retold as he’s trapped in prison, by himself and his captor, with footnotes from a third party

shapeshifters & demons

[intofolkloreee13]

I’m thinking about reading the Percy Jackson books for the first time before the show comes out but there are SO many of them!!! Where do I even start??

[fideidefenswhore]

[Henry] had asked Lady Shelton whether Mary [was] persisting in her obstinancy. Hearing that she was, Henry became certain that she was being encouraged by secret communication from Katharine. Lady Shelton thought the only possible messenger was Mary's chamber woman. In this she was correct. The maid had been smuggling letters in and out. She was dismissed, as was Mary's confessor, to be replaced by one whom Chapuys characterised as 'Lutheran'.

The King’s Pearl: Henry VIII & His Daughter Mary, Melita Thomas