#(also since doing all the haha funny lines means I don’t spoil major plot moments)

[bubblybloob]

Ooouugh I just thought of an amazing line for Hunted that completely obliterates the compromise option, it lost so now we have to make it look bad. What do you mean that wasn’t the main point of the poll?

[spacepaladinranger]

Engame Spoiler-y Review

READ THIS ONLY IF YOU WANT TO BE SPOILED. I just need to let my feelings out because I’m a nerd who has nothing better to do.

I don’t think the MC can make another movie like this. That is not to say that the MCE will never be able to make a film bigger or more spectacular than this, because they might. But it will never top the emotional impact of this film.

The MCU has been criticized (justly, I may add) to be series of “junk food” films – full of spectacle, but low on character development. This film is anything but that. The film feels more like a love letter to the characters and the fans. The spectacle was there, of course, but this time it was eclipsed by the small, minute scenes that give insight to our beloved superheroes.Before that, here are the films you probably should watch. Although the references are easy to spot, you might want to brush up on your knowledge of these films.

Avengers (2012)

Thor: The Dark World (I know. They really reminded us the worst MCU film exists lol)

Dr. Strange

Age of Ultron

Capt. America: TWS

Capt. America: Civil War

Iron Man 3

(EVERYTHING AFTER THIS IS SPOILER TERRITORY PLEASE STOP READING IF YOU DON’T WANT TO BE SPOILED. I MEAN IT.)

The film begins before the infamous Thanos snappening, with Hawkeye. The first scene itself was telling to what the movie aims to be. It was emotional and reminded us of the stakes – of what the heroes are fighting for. It was a good mood setter and on the get go, separates itself from Infinity War. If Infinity War was Thanos’ journey of gathering the Infinity Stones, then Endgame is the journey of the original six Avengers in their goal to undo Thanos’ handiwork. Now finally, I understand why this is not called Infinity War Part 2 – because it is not. The structure of the film itself is vastly different from IW because the focus is shifted from the plot to the characters themselves.And this was a tall order. We are talking about a decade long franchise of 20 plus films, all with their own tone and structure, and weaving them together into a coherent film with a solid plot and development is difficult. The Russo brothers, luckily, shine in this kind of storytelling. There is something so enticing with the way they handle the arcs of these characters without it feeling overly dramatic or feeling like a caricature. My second favourite emotional arc was Natasha/Black Widow’s story. Arguably, she had the biggest role to play in the Avengers’ success in the film.  Her sacrifice in Vormir to get the Soul Stone was gutting. I literally cried partly because no one expected her to die – she was never in anyone’s death prediction list – and partly because you expect a spy like her to be anything but self-sacrificing. Her fight with Clint/Hawkeye on who between them should be sacrificed to get the stone was hard to watch. They are bestfriends who are willing to die for each other; but they understand the necessity of the sacrifice because they are also heroes who have to do whatever it takes for them to win. Their dialogue was the best of the film, and Natasha’s “I don’t judge people on their worst mistake” is a sober reminder that these two go way back and has been each other’s strength and support all throughout the film franchise. It’s devastating to see Natasha plummet to her death, but it served an indispensable push for the heroes to succeed.

My favourite arc was Steve/Cap (SURPRISE! Lmao). Steve’s role was noticeably reduced in IW and this film made up for it in a major way. Let me just get this out of the way, but the styling team really did god’s work in dressing up Steve this film and the Russo brothers’, bless them, choice to have every outfit of Steve showcased is the very definition of fan service. It was gratuitous but honestly, I am not complaining. There was a running joke about Steve’s butt being “America’s Best Ass”™ (Thank you Scott Lang for that) and having Steve himself recognize it was not only satisfying to watch but also the truest, realest thing that has been uttered in the film. LolKidding aside, Steve’s journey was the most important. People argue that Tony was the foundation of the Avengers but it was Steve that kept them together. And Steve kept them together. It’s more than just him giving rousing, inspiring speeches – Steve has always served as the moral compass of the group. Somehow, Steve always knew the right thing to do, but it never felt deus-ex-machina esque, instead it always felt like it was coming from a place of wisdom and compassion. It’s not that Steve knows what to do, it’s just that Steve sees that there is something that can be done, and actually does it. Steve has always been a hero. That was the journey that was set-up for him since his first outing in the MCU, and Endgame paid that off big time. When Steve wielded the Mjolnir, I tell you, I screamed loudly. It was so satisfying to see this straight-laced hero being recognized as someone worthy. His toe-to-toe with Thanos was amazing to watch and really reminds you that Steve’s physicality and fight scenes are some of the best in all of the MCU. So when Steve returns to Infinity Stones in their proper timeline and decides not to come back to the present to, in his words, “live life”, I shed a tear. It was well deserved. This man who has been fighting wars all his life deserve a life of peace. Steve doesn’t die, but he gives up his mantle and gives his shield to Sam/Falcon. It was a good way to bookend his journey. And I am excited to see how Anthony Mackie handles this huge role in the future.

Tony Stark is the first Stark casualty this April. After his rescue from deep space, we find out that Tony and Pepper got married and have a daughter. When the daughter came to the screen, I knew immediately that Tony Stark is unlikely to survive. Tony dies a hero, sacrificing himself so that Thanos is defeated. It was Tony who wielded the stones to snap Thanos and his alien army out of existence, and his death, although emotional to watch, was really not surprising for me. Tony came to us first being this selfish, brash, genius billionaire and his journey ended with him making the sacrifice that deals the final blow against Thanos. 

Scott Lang shined in this film. His funny one-liners provide a welcome reprieve from the heaviness of the film. And he was actually instrumental in the Avengers winning. Nebula was also a stand out and played an important role in moving the plot forward. Who knew a robot had so many conflicting emotions lol. Kudos to Karen Gillan for bringing complexity to her character and I cannot wait to see her in future MCU films again. All the ‘dusted’ characters come back. All of them. And not just them everyone in the MCU almost made a cameo. Hoping this film rakes in billions because it’s probably expensive having so many of the cast in the same scenes. Haha.

Some stand-out moments:

1. Thor’s beer belly 

2. Wanda/Scarlet Witch and Thanos rematch (Thanos got beat, BTW)

3. The all-female team-up of Capt. Marvel, Scarlet Witch, Okoye, Pepper Potts, Valkyrie, and Mantis

4. Thor double wielding Stormbreaker and Mjolnir

5. Stephen Strange having like one line and being a badass

6. Spider-Man being… Spider-Man

7. Peter Quill being kicked in the balls by Gamora

8. Everytime the camera pans to Steven Grant Rogers

9. The close-up of Steven Grant Rogers’ ass

There are flaws to this film. But honestly, I leave that to the actual critics. It gave me what I wanted to see and showed me things I did not expect to see. It was emotional. As a fan who has watched all the films multiple times, as someone who obsessed over the details and made theories, as someone who holds these comic book characters close to my heart, I truly enjoyed this film. It was worth it.

[foruneyti]

This might be kinda a odd question and idk if you’ll know what i mean but, does writing fics for loki make it hard for you to enjoy other fics by other people? like for example i make video edits on instagram (like the ones under #lokiedit) but since i started editing him myself i have a habit of picking apart other people’s edit and i don’t really like watching them anymore. is it the same thing with writing or not really? Lol ignore this if it’s too confusing ahh

I definitely know what you mean! And yes, that’s what happened to me too. Well, partially? I started writing Loki fics because there weren’t enough stories I liked (I was already very picky), but after I started writing I could barely even get myself to read through other fics until the end. As a young girl who was fairly untrained in English I could read over bad grammar without even noticing it, but I now get thrown off by it and the image the story had created in my mind is often broken or at the very least interrupted. Of course my own grammar isn’t always perfect and as a non-native English speaker I understand the struggle of writing in another language, so I don’t blame the author, but when there are so many mistakes (which are easily fixed with a spelling check or a quick Google search) I just can’t keep reading. Then there is characterisation, writing style, plot, and kinks. I’ll explain what I mean, but be warned: I can be very, very harsh. 

Characterisation.  Recently a friend sent me a Loki x Reader fic that she very much enjoyed when she was younger (she hasn’t reread it since), but I barely got past the first 3 chapters and called it a day at 7. The main character was, to put it bluntly, a whiny and rather unintelligent teenager who chose her fists (and dance moves) over talking it out or simply rationalising the situation. Full caps were used quite often for screamed sentences, the things the characters said were supposed to be funny yet didn’t even come close to making me laugh, and though Loki’s characterisation wasn’t the worst there was simply no reason for him to even want to come close to the main character. At least, if I had been him, I would have kept a fair amount of distance. 

Now, if the characterisation of the main character had been more layered, I might not have minded the ‘fists over mind’ trait since it would have made for good character development. But the childish yelling and her just doing whatever she wants even if no rational person would do it - that was just something I couldn’t enjoy reading. 

Characterisation is just so important; to have characters with depth, with motivations, morals, and values that fit their history and their personality. It could make or break a story. 

Writing style. If the grammar and spelling are fine then usually I can continue reading without trouble; but this is where the writing style comes in. Sometimes I come across a fic that checks all the other boxes: it has good characterisation, a good plot, no kinks I’m not into, and great grammar/spelling; so of course I’m excited and keep reading. But after a while I find myself getting more and more annoyed with certain choices an author has made. Writing all paragraphs as one big chunk of text without blank lines in between? Okay, fair enough; I wouldn’t have done the same but it’s a valid choice. Not using a new line for when a different character is speaking but writing it directly after the other character said something? Writing only short sentences without using commas, colons, semicolons, or dashes? Now that easily becomes annoying. 

I begin to think about scenes and things the characters say and how I would have done it differently; what the story needs or lacks, and how I would try to fix the moments of confusion I occasionally experience as a reader. It then becomes nearly impossible for me to keep reading, because at this point it’s not reading for my own pleasure anymore - it’s analysing a text. This can be very valuable, of course; yet when you just want to enjoy a good fic it is more than a little exhausting. 

Plot. This one isn’t too important for me personally, as long as it doesn’t get out of hand. Again, when a story checks all the other boxes but lacks a plot I can most likely keep reading. The absence of a plot can get a little boring but cute little moments can make up for it, and the presence of an over-the-top plot can be a bit annoying; yet seeing the characters react to the situations might be interesting if done well. When plot holes keep appearing, however; or when the story takes a drastic turn and becomes super-dramatic without good reason, I might stop reading. 

Of course there are tropes and tags I generally avoid in the first place: plots with a lot of drug abuse for example are not my thing. Which is why tagging is so important. I know it can be hard to tag a fic without spoiling major events, but at least put trigger warnings in there or at the top of a chapter; and if getting too specific will spoil the plot then try to use more generalised wording. Luckily I don’t have many triggers, but I’ve read some fics that desperately needed some extra tags to warn future readers. 

Kinks. Because I write my own stories I can add my own kinks to them or leave them out - which is also the case for all the other writers who write their own stories. More often than not, the master/pet kink is used when Loki is involved; and since I am totally not into that it makes me drop a fic almost instantly. Sadly this means I can’t read about 80% of all Loki fanfiction; and when you’re as picky as me with the mindset of a writer, that leftover 40% is next to nothing. 

So yes! Sorry for the long answer to a simple question. I’m sure the things you pay attention to as a video editor are very different from the things I pay attention to as a writer and I thought I’d give you some examples of how that same thing bothers me differently! It’s honestly quite interesting in theory; though in practice it’s vexing haha

[shoushatohaisha]

review: hajimari no kyojin (osaka 6/1)

so. hello. i usually write up my butai thoughts as, um, 100+ tweet threads in the immediate wake of whatever i just saw, but this time around i thought i'd work them out into a proper report, of a sort. if you, too, have seen this show already and want to talk about it... please. any time. always.

about reviewing: this is my very favorite 2.5D franchise, ever. but this is also a review, not a cheerleading exercise, so not every single thing i have to say is unrelentingly positive. having said that, i respect kinoshita, wada, suga-zachou, and the staff at large more than just about any creative team in this corner of japanese theater fandom so like. i'm not here to drag, lol.

about spoilers: i talk about the plot elements covered but try to avoid spoiling any of the fun production surprises. :) happy to do a more spoilery play-by-play later if folks are curious.

about length: i just checked and it's 2400 words im so sorry.

without further ado...

first of all, i admit that based on the preview clips i doubted, and i was swiftly taken to task for doubting. IM SORRY WORRY-SAN i trust u implicitly and i should have known better. after the major changes in shinka no natsu, i was concerned that bringing back the revolving stage and the original opening theme would feel stale/regressive. it did not. while they did bring back the revolving element they also extended the stage backward and added a second level behind a full stage height projection screen – the second level was used to do some neat staging for flashbacks/parallels and the screen was used to, how shall we say this, up their projection game in a major way, which i frankly did not think was possible. i will not spoil the details but it was pretty great, on a purely technical level.

i also realized that a lot of the repetition – opening with the bike scene, bringing back the original opening credits music, the staging, etc – is the "look back" over the last couple years that i'd expected to come this fall. they are very obviously already preparing for the end – you could think of this as part one of their last show, with the fall as part two. the show opens with a restaging of sixth grader hinata seeing the little giant on tv for the first time – then the current karasuno team take the place of the tv and hinata joins them for a team jog. "karasuno, fight!" "oh!" "fight!" "oh!" only then each character calls out their signature line from the show so far. "uchi no renchuu wa chanto tsuyoi" / "mou tobenai karasu nante yobasenai" / "murabito b mo tatakaemasu!"

and haha. let me tell you. BOY, DID I FEEL THINGS. a lot of things. i think yachi got me the worst but they were all real bad. (i have so many feelings about yachi's story and what a beautiful job saitou ami did with her character on stage. god. ;_;)

the theme of this play was the role of captain – what makes a good captain, what a captain does for the team, and how to step into those shoes when the captain is gone. the johzenji match is fun, but here, in a sense, it exists more or less to set up the wakutani match – (re)establishing daichi's importance so that his absence feels like the gut punch it is. and fully settling the weight of that responsibility on ennoshita's shoulders, as both daichi's substitute on the court and the captain-in-waiting.

with that in mind, the rival schools: imo it wasn't strictly necessary to cast full teams for each school – each match got its own dedicated act, and unlike, for example, nekoma/datekou in karasuno fukkatsu (which had a similar story structure), there aren't really any individual characters on these rival schools who have a role as such other than terushima and takeru. (you know, the captains. see above. XD) so in theory one could get this done with, like, one actor for each captain and then an ensemble cast playing the rest of the team across both matches. HOWEVER, having all those bodies allows them to do super cool stuff visually, and why force yourself to create the illusion of a full team if you don't have to? i.e., /i/ sure am not complaining, isn't it nice to have $$$ to achieve the max vision of your choreographer. XD

i also have no doubt that the kids playing these other characters are doing whatever they can to create a character within the ensemble, and i suspect there's plenty for repeat viewers to pick up on, esp during say the johzenji match (see below). however for the first time viewer following the main flow of the story it's more or less a very large ensemble cast.

the johzenji chaos was well expressed, haha, there was so damn much going on all the time that i hardly knew where to look. (i've also seen opinions on j-twitter that that diluted the impact and i can see that too – it worked for me as a "funny" match that didn't cross the line into comic relief, but ymmv.) i thought the final scene with misaki would pack more of a punch, but i fully expect them to cry at daisenshuuraku so that might fill in the last 10% that's missing rn.

wakutani are another Good Dance Team. one did get a sense, stylistically, of fukurodani- and nekoma-lite with johzenji and wakunan, respectively – i assume that was intentional. mirroring the cats vs owls match, as it were. yanagihara rin's takeru was like… scary?? i had to rewatch those episodes this weekend to see if i'd just forgotten something, but no, stage takeru is not so much reliable middle brother as scowly quiet tough guy. he looked like a kyoutani tbh, and looking at the kid actually cast for kyoutani, one wonders if someone in casting mixed up some paperwork or something. having said that, yanagihara was great at being the character he was, i enjoyed what he did on stage. i'm just not sure that character was takeru. XD (edit: ok having just rewatched, i have to revise this somewhat, i think a big part of my impression was due to being too far back to properly see his expressions the first time around -- up close he was much smilier, and bc i was thinking about it i noticed some nice details like him going over for a family hug afterward.) otoh big post-match scene – all of wakutani, actually – was really good. v effective, i heard sniffles around me.

during this match, johzenji reappeared dressed as takeru's family: FUCKING HILARIOUS omg, everyone involved has clearly learned how to do this right wrt blocking, the very fine line between comic relief and intrusion, etc, after the, er, shaky shousha to haisha experiment of kuroken doubling as oikawa's fangirls. seichou shita na, errone.

also, some great wire work for hinata and takeru – you could tell kenta is really comfortable up there these days. the first time the wires came into play one of the women behind me went "UWO!" which, when a japanese theatergoer makes a noise out loud, that's a true sign something's impressive. XD

nekoma vs fukurodani: Yeah, That Happened. it is a testament to how well done karasuno vs wakunan was that i didn't just spend the entire time screeching BRING BACK CATS VS OWLS because fjkdajfkdlsfjd KYAA. another good staging moment – they used mirrors to create the effect of two full teams playing at a crowded gymnasium, it was brill. i won't spoil some of the fun details but vvjakdlfjdf. and tbh i think the best performance of the four was probably shouri's?? not that this is news but istg idk how someone so soft offstage does THAT on stage. is it this "acting" thing you speak of.

new bokuaka: i mean it was clear some of this material was meant for yoshimoto kouki and i did kinda miss him – i appreciate higashi-san's pinch hitting and he did a solid job. but. ah well. HAVING SAID THAT. fucking "michi wo tsukurimasu yo" i mean we should all be grateful it wasn't kouki and yuuki or it would have just been a fucking fanfic on stage. it was still bad and i don't even go here. XD

and last but not least, arita ushiwaka kenji: not exactly the world's most natural line delivery but that's fine because, i mean, he's ushiwaka. and his physical presence was perfect. which was about all he was called on to do in this particular show, ahaha.

now, for karasuno. and specifically, for my son, kawahara kazuma. remember what i said approximately a thousand words ago, about captains and captains in waiting and stepping up to the plate? (or onto the court, as it were.) ennoshita's story was the heart of the wakutani match and kazuma carried the second act. he was. so. good. he had good material to work with, of course, but he made it even better. i was saying to a friend that in retrospect i think this is one of the very very few parts of the series that actually played better and more emotionally affecting on stage than in the source material (as opposed to differently good/differently affecting). in the manga/anime, you can only see what the paneling or the frame shows you, and those initial paneling/framing choices are focused on the drama of CAPTAIN DOWN. but on the stage, daichi goes down… and off to the side you see ennoshita freeze. and from that moment on, for kazuma, it's go time. he doesn't let up until the end of post-match scene in (here) the locker room – which, jesus, that scene. it packs ten times the punch it does in the anime. because of kazuma.

sorry if i sound like a crazy person here ahaha. but like. like, imagine you have been acting since childhood, you've studied dance with famous choreographers and innovators, you had a main role in The Franchise That Changed 2.5D as a teenager, you've done a solo album, you have a serious history in performing arts... and you get cast in what was initially the smallest role of the entire karasuno team. and you take it! and pull your weight! kazuma was a team player for three years and he deserved this chance to let his actual skills shine so much. ;_; because i don't necessarily think he would have been better in any of the other roles than his actual teammates – but i do think he is a much better actor than several of his actual teammates. and he finally got the opportunity to show that.

anyway, when it came time for curtain calls, the applause swelled noticeably for kazuma – a louder ovation than anyone except kagechan and kenta. and one of those people clapping her hands off, say in row 20, just a random row choice, was definitely tearing up at the same time.

IN OTHER KARASANEWS. kt-san. LIVE IN PERSON KT-SAN BACK IN THE ROLE HE WAS MEANT FOR cries into my hands i love him daichi-saaaaaaaaaan. very occasionally his delivery reminded me he's a model not an actor, if you know what i mean, but like, for the vast part it didn't matter because he is naturally such a perfect fit. have i mentioned i love him.

new suga: mmmmm. he looked and moved fine but his line delivery did not convince me. tbf it's not like suga has a huge role to play in these matches so 1) it's not a huge deal 2) he didn't get much chance to get into the character. either he'll get better or he won't, and if he doesn't it's not going to sink the next play or anything. he seems like a nice enough kid, i wish him well!

kageyama tatsuya: still can't yell and enunciate at the same time. loved that they brought back the archer analogy from shinka no natsu though!! it was one of my favorite things about his kageyama, and it's nice that it's something he "owns" instead of imitating/inheriting from tatsunari.

tsukishima & yamaguchi: miura kairi continues to get even better, i'm so pleased. <3 also, i love love love that they still use the musical motif from shousha to haisha for yamaguchi's jump float serve. it was the same in shinka no natsu, it's the same here. THE TSUKKIYAMA WAS REAL CUTE, great detail work before and after the serve as well as after tsukki's block(s). as for tsukishima, much as they brought back kageyama's archer imagery, they brought back tsukki's fancy katana kill block. (they didn't waste kondou shouri, either, i'll leave it at that.)

last but not least, MY ACTUAL SON AND FEELINGS TWIN, SUGA KENTA: ok like. to set the scene here. i have mad respect for this kid and also love him to death as a human. i think he puts more thought into this production than anyone else in the cast – he is practically worry-san's AD. and he clearly has a lot of real deep thoughts and feelings about the source material. so deep in fact that it took a while for me to come around to his hinata because while, for example, tatsunari's kageyama could have walked straight off my television screen, kenta went down to the manga and built hinata up from there. he didn't have a choice – he's nothing like murase ayumu's voice. all too often we, and i include myself here, think of the two dimensions in 2.5D as anime, rather than manga... but just as there's a big gap between the two dimensions of animation and the three dimensions of live theater, there's as big a gap again between static black-and-white drawing, and movement and color and sound. and when i looked at kenta's hinata as something created solely from furudate's art style, it all slotted into place for me. (naturally, ymmv.)

it also took kenta longer than some of the others, i think, to portray all of what he wanted to. shoen hinata was pretty yelly, and pretty single-register yelly. hinata is a yelly character, of course, but the balance between that hinata and Serious Match Hinata was out of whack at first. this got better and better with every show. and then—

his encounter with ushiwaka here. was IT. it was what i was looking for all this time. his delivery of hinata's big line there was like – i think maybe i clapped my hands over my mouth, unclear, bc it was like the final missing piece and i was so happy. kentaaaaa. ;____;

part of me wonders if this is what kenta's always had in his head but maybe couldn't get his face/voice to express the way he wanted it? OR, IT'S KENTA, SO MAYBE IT WAS ON PURPOSE and his previous Serious Hinata was meant to be like, just a feral hunger child whereas this is the kid who experienced the heartbreak of losing to seijou. i would love to ask him tbh. XD

anyway, my son, after five plays continues to grow in his portrayal of this character. kenta is the heart of gekidan haikyuu in so many ways, and i will be at their graduation show if it kills me.

(breathes out) i think that's. everything. a best setter award to anyone who read this far, and feel free to ask if there's anything specific you want to know about? i will be seeing it again this weekend for daisenshuuraku and will be sure to report back on who cried, etc. all hail volleyball stage the end. 🏐