#*looks at a certain fandom*

[firethekitty]

i'm glad studio orange showed off the models not just bc it's really cool but also because we can see the skin tone they chose for wolfwood without any environmental lighting and see that it’s almost the exact same as tri98 wolfwood’s. which proves my theory that it’s not intentional colorism on their part but just that their lighting system desperately needs to be improved to make it so he doesn’t look like a sickly victorian boy when he’s in the sunlight

[ironicallypissedoff]

The riordanverse fandom is so annoying sometimes, bc the post will be about ONE character from ONE series, and the tags will have literally every single character Rick has ever created in them

[pcktknife]

blocking people is so freeing and fun it's a shame I don't do it on main

[tathrin]

The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:

What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)

Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.

No I'm not procrastinating from writing stuff, go away.

[kaltacore]

don't you find it just a little hypocritical that everyone has agreed that headcanoning gay/lesbian characters as straight is fucking gross because it erases representation but every time bisexual character gets headcanoned as gay/lesbian the "it's just a harmless headcanon" crowd comes to its defense

[witch128chick]

Pilot Lumity!!!!

I haven't watched the whole thing yet but i am sooo excited!! I love how the internet blew up and the toh fandom collectively rose from its ashes as if the show was still running

I love to see that omg-

But i try to keep myself away from spoilers, tho twitter isn't helping 😆 but i just feel so hyped rn!!! Ah i can't tell you how good this feels

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

[enchantless1-artblog]

Tried doing some DCA redesigns in a more carnival inspired take. Help wanted 2 may or may not have inspired me with the carousel level...

[adelinamoteru]

purely fanon jason vent below so feel free to ignore

every other fic in the jason todd tag whether its romantic or platonic or whatever just has to include something about the no kill rule or him giving up killing like is it not enough ! have we not hashed out this argument enough already ! can I not read some jason content without having to be randomly bombarded by the morality police and how “oh jasons not killed anyone for x amount of months thats great! we knew u could do it jay”

and I wish I was just joking like I really do but I have scoured the tag almost from top to bottom and it always, without a doubt, has to come up at some point. its his fucking defining character trait apparently. mind u he’s not even the only dc character that kills but yall just won’t let it go! I do not need jason giving up his stance on killing to be written out for me to be able enjoy content about him

and whether its included so that his relationships with other characters can be viewed as ‘realistic’ is just so. what does it matter. its already fan-fiction who the hell cares about justifying the universe that you’re choosing to write him in

[dreemurr-skelememer]

Do you remember when a lot of people in the 2021 fandom used to be certain that Nightmare was homophobic/racist/ableist etc.. bc he's the embodiment of negativity? Crazy times

anon...anon.

(puts a hand on your shoulder) anon.

that's literally canon. joku literally said that at some point.

it wasn't like. a collective fandom headcanon.

me and a lot of people witnessed joku say that he was canonly a bigot, anon.

[fromtheseventhhell]

Catelyn saying that Sansa is pretty: Absolutely infallible, a declaration from god himself, it absolutely has to be the truth, there can be no room for argument, etc.

Ned saying that Arya is pretty: He was just doing it to make her feel better, he was just being nostalgic about Lyanna, he can't be trusted, he's biased because he's her father, etc.

[crescentfool]

does anyone else want to stick these two in the same room together or is that just me... i simply think they are adjacent in vibes... (+a bonus thing???)

get u a fictional guy that makes you feel like this... seeing these guys just evoke a Similar Kind of Brain Chemical and Response. Help Me.

also have bonus yosuke doodle featuring the same brushes used here...! from january 23rd, lol.

[monotone-artist]

fires vi with agender beam!!! + some extra stuff from when i was using her as people drawing practice. click the images to see them better oop

[id: a series of colorless digital sketches of vi and caitlyn from arcane. in the first picture, vi and caitlyn are sitting on a kind of short wall. vi is looking upward in thought, one hand palm-up in front of her, as she says, "you ever not feel like a girl or a boy but none gender left beef." caitlyn is next to her, watching vi attentively but looking the slightest bit confused. text next to caitlyn reads, "does Not get the reference."

the second picture is all kinds of sketches of vi. other than some basic head shapes, there are: a tiny chibi sketch of vi holding a tooth and looking cartoonishly sad with the text "bro my toothy;" a bust shot of her looking determined, with the text "flipped by accident whoops" (since her hair is on the wrong side); an upper body shot of her appearing to be sitting at a table, one arm crossed in front of her and her head propped up by the other, looking bored; and her in a family man death pose with the text "when you lose ur sis like 3 times."

the third picture is a few upper body shots of vi, all at a three-fourths angle toward the left with various neutral faces. the third picture is a half-built sketch of her speed-walking to the left, her stride purposeful and her expression fierce. her arms and clothing are omitted. end id]

[beanghostprincess]

I totally agree with your opinion on Z0$an.

For me, I really enjoy their canon dynamic and can see why people ship them but then when I see most fan content of them it bothers me because most of the time they’re being mischaracterized and I only like their very specific canon dynamic (I can’t really describe it). Additionally it bothers me when certain moments for other ships that involve one of the two get interpreted as platonic when these same moments would be seen as romantic if they were between Zoro and Sanji. For example basically every Sanuso moment but especially in Water 7 and Enies Lobby or the most egregious example, the „Nothing happened“ moment.

Yeah,,, It bothers me that most people are so intense and adamant about Sanuso/Zolu's scenes being platonic when those same scenes would've been perceived as romantic with Zo$an. And I am honestly somebody who keeps reaching a lot and looking for content in every little scene, but that's because idk, Sanuso (for example) doesn't have as much content as Zo$an. These shippers don't need to make everything about their ship for content and they don't even need any proof of it being canon, and yet they keep making other ship's scenes about them (the "nothing happened" scene could be seen as Zo$an too but c'mon we all know that's a Zolu thing. And the new art of Reiju and Tashigi??? I'm sorry but can we please let the sapphics have this one color spread instead of making it about the most popular ship of the fandom?).

That being said, I don't care about people doing this because they like the ship and like to look for content in every little thing (I do it too!!). What bothers me aren't Zo$an shippers (I even ship this myself lmao I know it looks like I hate it but I don't) but Zo$an shippers who genuinely believe this is actual proof for the ship being canon or saying other ships are "wrong" or "don't make sense". De nile is a river in Egypt and these people need to understand that probably 80% of their content is mischaraterized because they keep ignoring the beautiful, precious potential they have in their already canon dynamic. And also, your ship doesn't need to be canon to be enjoyed like... Some people need to understand that.

Long story short, I like Zo$an when it's in character and people don't force it down my throat. It's really sad because I think that Zo$an, despite being so popular, has a lot of wasted potential.

Also, don't mention Sanuso being underrated in comparison to Zo$an because I will end up writing a whole paragraph and nobody wants drama-- I prefer to blame Usopp haters rather than other ships for its unpopularity. But uh, yeah, a lot of scenes between Usopp and Sanji are extremely romantic and the fact that it's underrated (when other ships have more attention having less romantic scenes) bothers me quite a lot. But then again, I think one of the main reasons is because Usopp is criminally underrated.

[morgana-ren]

Man, people are once again getting really upset about the lack of content for some characters and fandoms as opposed to others. Like 'howling to the moon' angry about how there's no content on the characters they like or the things they like or ideas they like. We're talking 'conspiratorial' angry.

Baby, be the change you want to see in the world. If you want content, make it. Row the boat all the fuck by your lonesome if you have to. A lot of people have, and they're literally the reason that there is even content for less popular ships/ideas/characters! That's how things get popular! People taking the initiative and just doing it. Don't wait around for someone else to do it for you.

Most of us work for free and are just posting on a whim from our heads. If you love something, write it. Draw it. Post about it. Make the content you want to see. Be the reason someone else has content to turn to if it's important to you. Don't stamp your feet and get upset that something doesn't exist.

Make it. Produce it. Draw it. Imagine it. Do it. Lead the tag. Make the content. Fuel the fire. Do it badly. Just do it. You won't regret it.

[crown-ov-horns]

Fine, I'll admit it. With long hair...

He's very attractive. He really is.

But, he's a harebrained trend chaser, who will butcher his good looks for fickle fashion.

He also looks like he should be wearing a kilt, not a cloak. Because of the long red hair, not David's nationality.