#...and i love him but he bad.

[darth-bagel]

so about Captain. just because I am sure I did not talk about the bastard but--have some brief Sylvas past recounting bit, take in mind they were 17 (yes I am aware, yes this bad), in a bad place without many choices and someone decided to take advantage. well-- look how much fckn trauma this bastard can fit.

But okay, Tivan'n just recently hit 17, they managed to jump a ship with a friendly Captain they knew, they had some negotiations. And he, knowing them enough already, agreed to get them some work until they pay off the trip-- like in Kit's case they do end up passing out on him and the patch-up begins. It ends up managed and they even get a nap in kolto, but once they are out of fever and slowly sleeping the worst of it off post the kolto dip-- Captain breaks it to them that "Yeah kid, that cost a small fortune, I guess you're gonna be stuck with me for a while. I'll let you work it off, I know you're a good mechanic so, food and boarding for your work until you break even for the trip and kolto, wha'cha think?" 

Obviously, it wasn't much of a choice so they ended up taking him up on it, they couldn't really force themselves to stand up and be functional too soon, even with kolto, but despite the Captain being relatively friendly they could feel his calculating gaze on them, every day they spend still laying down just ticking off more time they'll spend paying it off. So they only stayed on bed-rest for a week and some change before forcing themselves to get up and contribute, and they put themselves to work with an enthusiasm that was not unnoticed. They realized fast that at this point they will have to bite their tongue and keep those work hours steady since they already showed they can get up and do it, so no more preferential treatment for their back.

And it takes a while longer and a stop-over on a planet with some shore leave as the Captain is doing some business for anything else to crop up, which they spend tucked safely in their bunk and trying to get as much rest as they can without bending over machinery or having to be upright. It's not that they had any actual credits left to spend, anyway. Okay, they had a bit, because giving all they had towards the trip didn't seem too wise so they tucked away some of it still. More to work off but at least they still have something for emergencies if need be.

Life somehow goes forward like always, their back gets better very slowly and they clock their hours, eat as much food as they can dare still wary of all the costs, and go to their bunk, rarely socializing with anyone else but the Captain coming over to hover over their shoulder as they poke something in the engine room, the first mechanic heard some of their ideas and technical stuff and basically went 'you go off kid, you're doing good' so Captain is mostly the one aiming their efforts towards everything working better. He clocked fast that he has some real talent on his hands, just gotta aim it-- especially since he literally pays them close to nothing. And will continue for a while, until they break even.

And it's Tivan'n so they are friendly and banter, even if there's the slightest concern there and they hesitate to call him by name anymore-- and that changed dynamic kinda goes to their Captain's head just a bit. And he starts more or less subtly flirting with them, and they don't protest, just twist that into their banter despite a slight flush rising on their cheeks every single time.

He thinks it's playing coy because fuck they have a mirror--they must know exactly what they look like and what they are doing-- when they really just don't have a lot of experience on that front-- and well, he is very pretty and older than them so... direct interest like this is very much blush-worthy.

So one afternoon, when they are fully engrossed in the maintenance check-up, one he knows will take them late into the night because they hate leaving it unfinished. He lets himself thread a hand through their hair and lean down to whisper into their ear "come see me in my quarters when you're done, darlin'." it's quiet and apparent propositioning and he delights in the visible shiver, slightly wide-eyed look in their eyes and the rapid flush on their face it causes. And hell if he didn't have plans for them he'd happily pull them up right there and then and fuck them straight into the wall. But it will wait. And he looks at them expectantly until they choke out a small "Captain." and a nod of acknowledgment. Their face is a deep, nearly glowing purple as they go to turn back to work-- oh yeah, he has some plans for them.

[crumb-crumblet-s-crumbington]

SPIDERS AHHHHH

[lazylittledragon]

you know what fuck it we’re doing dadstarion

[idiotsonlyevent]

i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?

he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?

its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.

also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.

like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so

EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.

[kavaleyre]

“After 200 years, you can forget how much color there is in the world.”

[yuwuta]

satoru physically withers and crumbles every time you return his belongings. he doesn’t know how to tell you that he can only accidentally on purpose leave his glasses on your nightstand, or his jacket on your couch, or his shirt in your laundry so many times before he loses his mind. every time you don’t take he bait, he folds into himself and wonders why you don’t love him anymore and it costs him $22.50 to hear ieiri tell him to suck it up and use his words because he literally has to buy her company (and drinks).

but when you do take the bait, when you do wear his things, satoru thinks it’s all worth it. he can’t explain why it does what it does to him. it’s a sinister kind of possession he wants to have over you, knowing you’re your own person, free to do as you please, but also knowing you’re caged in him. it’s a lovesick kind of gooeyness that melts his heart seeing you fumble with the sleeves of a sweater that’s too long for you. it’s the vision of you seeing you drowning in him—in his clothes, in his things, in him, in him, in him. he’s selfish, he wants to consume you in as many ways as possible, wants you to drown in him, would die happily knowing you were one tenth as enraptured by him as he is with you. he doesn’t know how or why or when you gained so much power over him, but he doesn’t care, he doesn’t want you to ever stop, so if he has to keep pretending to leave his clothes and bags and glasses around then so be it.

[willowser]

your little angel of a son inherits katsuki's bad temper, and it manifests in his terrible fours.

there's an awful little shriek that echoes throughout the house and katsuki is on his feet and halfway to the living room before his eyes are even open—but the only danger awaiting him there is a pouty little brat.

his son is sitting amidst a swarm of toys that have been strewn about haphazardly, and his arms are crossed and big fat tears are in his eyes and he looks mad as all hell. you do, too, sitting across from him with a deep frown, holding the ripped page of a book from his little shelf.

"no sir," you warn, "we do not treat our things this way."

you incite a meltdown.

katsuki feels his own temper flaring—half from shock and awe at his little mini-me and also from the exhaustion wearing him thin—when your son kicks his legs out in a burst of rage, letting out another little shriek of anger. your cheeks puff up, wearing the same furious expression, and at the hiss of his name, the little brat jumps to his feet and snatches a toy truck nearby and launches it across the room.

"oi!"

your son's attention snaps to katsuki, startled, losing a hint of anger as he pouts at the floor.

"what'd she just tell you?" and when he gets no response, katsuki prods with a, "hah? answer me."

but the little boy only stamps his little feet and grunts out a furious, wordless sound that has katsuki's lip curling. you let out a heavy sigh, shaking your head at him before frowning down at the torn page in your hands, and then katsuki is planting a hand on the back of his son's head and steering him towards the front door.

"time to take a walk."

the boy goes, even though his arms are crossed and his eyes are downcast. he only resists once, as katsuki tries to shove his little feet into his shoes.

"i don't wanna." he mumbles, face scrunched and wet before promptly looking away.

"i didn't ask."

"hmm!"

katsuki has to resist the urge to pinch his own son.

they get out the door eventually, and the little boy stomps along for the most part, no longer needing a guiding hand on the back of his head once they get around the block a time or two. neither of them say anything.

fatherhood has taught katsuki a lot of things, which was expected, but the one thing that's surprised him is—he's learned all the things he doesn't want his son to be.

the first of them being angry. not the way katsuki was, mean and selfish, throughout his childhood; hateful and careless, in his teens; shut off and simmering, even now.

he waits until the tension has melted off his little shoulders, until his little face has dried and evened out. his arms swing at his sides, occasionally coming up to wipe his snot with the back of his hand, and he eyes the few wildflowers they pass with a little hum and a small smile.

katsuki tugs once on his ear, frowning down at the little brat when he peeks up at him. "that how you're supposed to treat your mama?"

he doesn't answer at first, leaning his head all the way back and clicking his tongue against the roof of his mouth, until katsuki stops walking. "no, sir."

"how you s'posed to treat her?"

"with love."

"how you s'posed to treat your toys?"

"with care."

"uh-huh," katsuki squishes his son's cheeks in his hand, shaking his head lightly from side to side until he starts giggling. "that how you acted today?"

"no, sir."

"that how y'r gonna act again?"

"no, sir."

"okay," katsuki murmurs, nodding once before letting him free. the little boy bounces on his feet and sucks on his lip, grinning when his tummy is pinched. "now pick those for your mama."

and he does, carefully plucking a small handful of flowers from the grass as they make their way back home, and just before he runs up the steps to the house, katsuki's little angel of a son hands him the biggest one.

[percki]

‘why would zuko do that’ he is sixteen years old. ‘i don’t understand zuko’ are you or have you been sixteen years old. ‘zuko just makes bad decisions’ he is sixteen years old. ‘zuko burned down kyoshi island’ he’s literally sixteen years old. ‘zuko kidnapped a twelve year old and dragged him through the snow for hours’ yeah sure but he was sixteen years old. ‘zuko hired an assassin to capture aang, and said assassin went rogue and attempted to kill everyone’ yeah well he’s not good at critical thinking. he’s sixteen years old

[suntails]

toot toot!

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[crumb-crumblet-s-crumbington]

different POV of this comic

x

[lazylittledragon]

Hello I love your bg3 content and your Dorian is so lovely! Can we get like an alternative reality with Dorian and Ascended Astarion? What would your headcannon be for them? 🙇

something like this, probably

[suguru-getos]

I just miss his potty mouth 😔

[jelluf1sh]

taking a nap with suguru. soft blankets and softer words, sweet nothings mumbled into his ear after he’s had a hard day. his silky black hair brushed from his face by your gentle, loving hands, tossed over his shoulder lightly so it doesn’t catch on any of his earrings while he snoozes. “i’m so proud of you” while he rests, his thick lashes closed against his cheeks, and a smile curled into his lips. he covers the expanse of your neck with soft, deliberately-placed kisses, mumbling a “thank you” or a “love you” in between each press of his lips, and you can feel the cold metal of the rings with each warm kiss. his large hands which massage your back whilst his head lays on your chest — he wanted to be held today, be a little selfish with you. the light of the evening sun, setting just outside the window, washing across the two of you, turning suguru’s skin akin to something of melted caramel, and his hair, silken dark chocolate. kissing his forehead and talking about nothing and everything all at once. reassurance. vulnerability. comfort. safety. love. and contentment on his behalf, as he trusted you with everything he was and everything he felt underneath a single fur blanket. watching him fight sleep, yawning over and over again, his nose crinkling and his eyes pricking with tears at the intensity of his tiredness, until the sandman takes hold of him, and with one final kiss to his forehead — so graciously granted by his lover after moving his bangs out of the way— suguru can doze off happy, knowing he will always wake up to you.

[nocek]

Is it a stupid idea? Yes. Did I have to go overboard and animate it? No.

But I had to and I'm not sorry ;P

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"