#...i might post this as its whole thing actually

[helluvapurf]

*deep breathes* Sooo, those last couple mins from the latest "Full Moon" ep... lets talk about that🍵🍵

Welp, here it is folks... the ep that finally gave us that hyped up "Asmodeon crystal" exchange teased at in the S2 Pt. 2 trailer. And... hooooo boi, I have formed so. many. thoughts. upon rewatching that scene a few times. Some that are... kiiiinda on the rant-y spectrum the more I lingered on 'em, so how bout I share them here lmao

Fair warning in advance, this maaaaay not be particularly "nice" to Stolas in these rambling thoughts, so if anyone out there's a big Stolas(+itz) fan... yall might wanna skip reading ahead- lol .w.;;

*claps*

Okay, so to start things off on a (semi?) positive note, the animation & lighting here is quite beautiful to look at. The glittery curtains, the shine in Blitz's eyes throughout his shifting emotions, even the shots of that one broken chandelier (which I thiiink might've been the same one him & Stolas played under as kids?) was a neat bit of symbolism ngl.

Props to Brandon Rogers as well for his voice-performance on Blitz here cause... gawd did it hit me in the heart how much hurt you feel from his yelling ;-;💔

Curious to see more of the use of Blitz's new Asmodeon crystal in future adventures (esp from that one shot in the trailer w/ him using the portal effects against the DHORK crew), it looks cool~ ✨👍

....ummmm, ok I think that about covers my positives atm. Onto the problems I have with this exchange:

Stolas... okay, you were this close to actually doing a good job ending the Full Moon deal. Admitting to how "wrong" the transaction part of their dynamic was, allowing Blitz more "freedom" via-the crystal (that could also help avoid any legal issues that the Grimoire gave), even wishing him good luck with his I.M.P. business as the night drew to a close... ...buuuuut then Stolas just had to muddle everything up by his whole "even tho you don't have to be with me, I want you with me if you want it~🥺" ...which honestly came off selfish to me than anything else?? Like, dude... if you really ARE regretful of how long you let this deal go for, and truly DO want to let Blitz go... you CAN'T throw in such sappy, lovey-dovey words on top of that?? Otherwise, how can one blame Blitz for getting as confused & flustered as he was throughout that convo... you've basically just sent even more mixed-messages in the grand scheme of things, my dude-🤦‍♀️

"I have wanted you for SO long, the fact that you couldn't believe that I might have these feelings about you, that your first instinct is that its always about sex..." ...Ummmmm Stolas... did you seriously forget HOW this whole deal of yall's started?? 🤨 Waaaay back in the initial-series pilot, to the first official ep, and pretty much the majority of Season 1:

As far as I checked, Blitz wasn't the one who kept making everything about sex... that. was all. YOU. 😒Heck, literally one of the first things you told Blitz upon reuniting as adults in "The Circus", was that you expected he wanted to "ravish" you-

-so like, get outta here with the whole pushing-the-perv-responsibility-bs onto Blitz... you ain't helping your case >>

Finally... like, it was already getting bad enough by the point of Blitz begging & pleading out of fear he'd lose his livelihood without the book, AND not being allowed space to breathe after getting further pushed away (and thus, more pissed off-)... but THEN on top of all this, Stolas just haaaaad to throw in this lil gem: "Blitz... I think so very highly of you. I didn't realize you think so low of me..." ...Stolas, with all due respect... stfu with that lousy, last-minute uwu-ing self-pity party crap😑Just because you TRIED to show more attentive care & concern post-"Ozzie's", outside of the typical bedroom stuff... that ain't gonna prove shit if you're not gonna be consistent with it. Where was that "high opinion" of Blitz during the two of you getting stuck in the sitcom set during "Seeing Stars", when Blitz was having that panic attack performing live, where all you ended up doing was... just hitting on him/praising his bedroom skills again?? 🤦‍♀️🤦‍♀️

Like... couldn't you have just, I dunno... TRY to actually cheer him up/comfort him like an actual friend, would? Encourage him on his jokes, "just be yourself", promising another way out of there on his own merit... literally, anything could've worked fine and it wouldn't have come off so skeezy imho >>;;

...*sighs* so, yeah... thats basically what I had to get off my chest regarding the ending of "Full Moon". Honestly, had the writers actually committed to Stolas cutting off Blitz (even if harsh), giving the crystal with no strings, then going about their separate ways afterwards, I would've been totally fine with the scene tbh. But all this... odd lowkey-blaming of Blitz thrown in, the sappy words, and Stolas not once actually-apologizing during all this (Like, literally I checked and the only utterance of "sorry" seemed to come from Blitz's end before he got kicked out... for what, I dunno- 🤷‍♀️). Sorry for the length btw, but hopefully that about covers my thoughts on the matter-

[losyash]

SHIMON ARC: Hibari to Tsuna

Recently I've been liveblogging my Shimon arc reread to my friends.

On chapter 323 one of them said they always wondered if the headband being there meant something. And yes, curtains might be blue because it's a nice color. But no. No, curtains being blue is incredibly goddamn important.

HEAR ME OUT

First, to recap what is happening: Shimon arc, pre Adelheid vs Hibari battle they briefly argue about Tsuna and Enma and decide on their pride and the rules of the battle: to seize each other's handband. Adelheid creates an ice prison that is impossible to penetrate from outside and 500 ice clones to fight Hibari. He fights them all, tells Adelheid she is wrong about Enma and small animals (which i will talk about later) and uses minirolls to crush the ice fort from the inside. After this he gets her handband, they talk about Tsuna again and Hibari drops his "it is because of the sky the cloud can float freely" thing.

Before I delve into it, however, I feel like I should take a quick dive in Tsuna-Hibari relationship from Hibari's perspective.

To put it simply, at first Hibari does not give a single fuck about Tsuna personally. Even after this glorious scene happens

All Hibari thinks about that day is that he wants to meet Reborn again. During the course of Daily life arc however Hibari messes with him plenty. Ny the time 43rd chapter (sakura viewing) rolls around, Hibari's opinion on Tsuna is summarized by this:

And this is actually the key. Hibari does not understand Tsuna. To him Tsuna is some weird ass alien creature who does not fit his rigid worldview. At first Hibari tries to make him make sense again by asserting himself over Tsuna and putting him back to the role of herbivore which he does follow every time except when he doesn't?? For some reason?????

Kokuyo arc is the arc that changed the manga tone in general but it's also the arc that changed Hibari himself. He is brutally shown that he as he is does not have the power to do whatever he wants. Something has to change. And Hibari seeks that change in Tsuna, who somehow managed to defeat Mukuro when Hibari himself failed.

chapter 123, cloud battle aftermath

He stops trying to still Tsuna. Instead he wants now to understand what the fuck is up about him and what can he do. The answer is Tsuna can burn a man alive in a fit of rage btw.

BUT THE THING IS. THE THING IS EVENTUALLY HE DOES UNDERSTAND TSUNA. AND THIS LEADS US TO TAKE A LIL BREAK FOR THE PRIDE TALK

Now, the obvious thing: headband symbolizes Hibari's pride.

Here is what he says, when first asked about it:

But also Hibari vs Adelheid battle is the one that finally clears up what the hell does "pride" mean.

The thing is. What Hibari is saying (and what he tried to make Tsuna understand, because the whole battle here his two goals are to win (duh) and to help Tsuna find his conviction again) is that the actual meaning of "What is your pride?" is "What makes you yourself?". You, as a person, should be proud of who you are. And he tells Tsuna, that it is whatever he cannot give up, whatever makes the very core of Tsuna's self is what he should fight for (And then Tsuna tells Enma "You are my pride" which is very juicy but deserves its own post).

Okay, now with this out of the way, let's get to the next thing:

Hibari vs Adelheid (but not the violent edition)

Hibari and Adelheid are not only fighting, they are also talking to each other. And by talking I mean arguing. About Tsuna and Enma and little animals.

Here is important thing to note first: asking around some people who know some people who know japanese gave me information that actually "small animal" is. Not different from herbivore at all. They are apparently used intechangingly based on how much space speechbubble has.

This does affect things: when it is usually thought that Tsuna in Hibari's eyes carves a new category for himself, not worth calling by name nor insulting nickname, nor he can be classified as a simple herbivore, he is just his own thing. Instead it seems like Tsuna changed Hibari's opinion on entire population of herbivores-small animals. (and if those people just got me confused ill die of shame (;-;)b)

ANYWAY, THEIR DEBATE

yes i had to put it all here. it's good. read it.

Do you see it guys? Do you see how far he came from daily life? He now really does understand Tsuna. He cracked the code. And he does now acknowledge that yeah Tsuna (and by extention other ppl like him. Like Enma) has his own way to live life and it does work for him. Tsuna is not weak. Being a herbivore does not automatically mean being weak.

Another interesting thing here is this:

"Why is a man like you with the likes of Sawada Tsunayoshi?"

"I'm not with him"

And I think it's important to remember here that Adelheid does see Tsuna=Vongola boss thing. To Tsuna it's Him and His Friends against Enma and His Friends. To her? It's Vongola vs Shimon

And when she talks to Hibari about Tsuna, she is saying "Why are you with Sawada Tsunayoshi?" but what she means is "Why are you with Vongola?" and this difference does impact Hibari's answer. Case in point:

I DON'T LIKE THE WAY YOU SAID THAT... WELL... TRUE ENOUGH.

BUT WHAT DOES IT MEAN TO BE CLOUD GUARDIAN OF THE VONGOLA'S SKY? ACCORDING TO WIKI, THIS:

A drifting Cloud, whom cannot be bound. Protecting the famiglia from an independent standpoint.

AND SO

I am sorry, I am very normal about this, promise.

And so Hibari basically admits that he will not be bound to Tsuna, but he will be around, involving himself when he feels like it. They're friends your honor.

BUT THERE IS MORE.

The attribute of the cloud flames is propagation. Why is it relevant?

this is the hype up text at the end of chapter 322.

and this is the last page of chapter 323.

Remember i briefly mentioned Hibari stagnating in daily life arc and realizing that there must be something more during Kokuyo arc? He found it. Tsuna is the one who gave him this opportunity. Just being around Tsuna allowed Hibari to grow. To propaga- Okay, that does sound silly. But I think the point still stands. Tsuna gave Hibari space to grow, and frankly, Hibari is grateful for that.

now we are entering the deranged territory

Hibari watched Tsuna grow all during the course of the manga and at some point Tsuna DID outgrow him. Not psychologically, but powerwise? Def. And Hibari cannot be not aware of that.

You might ask, how is he okay with that, but the thing is, Hibari is actually very chill with not being the strongest person in the room. What he actually needs is people to respect him and his authority as Disciplinary Committee chairman and Namimori protector. Reborn respects it and is stronger than him. Does Hibari want to fight him? Yes. But he is not actually going out of his way to attack him.

Tsuna has a great deal of respect for Hibari, and in turn Hibari does not feel the same hostility to him he does towards Mukuro despite Tsuna being totally able to win against him in a fight. Once again, rip Byakuran.

BUT. HIBARI IS NOT GOING TO STOP GROWING ANYMORE. HE LEARNED HIS LESSON, HE IS NOW ENDLESSLY EVOLVING OR SOME SHIT.

AND

WHAT I AM SAYING IS

HE IS NOT ONLY NOT GOING TO STOP HELPING TSUNA TO BE BETTER BUT HE ALSO IS GOING TO USE TSUNA AS BENCHMARK

NOT AS SOMEONE TO BE LIKE. BUT SOMEONE TO BE BETTER THAN

THE PRIDE AS SYMBOL OF SELF AND AND THE BAND AS SYMBOL OF PRIDE

AND DISCIPLINE BEING THE KEY TO BETTERMENT OF SELF

HE DECLARES TSUNA BOTH HIS FRIEND AND HIS RIVAL THATS WHAT THE BLUE CURTAINS MEAN I REST MY CASE

[mahoutoons]

no, the sailor moon 90s anime is not more feminst than the manga

i've seen people herald the 90s anime as this beacon of feminism just because it focuses on the relationship between the inner senshi instead of usagi and mamoru's relationship. there's this idea that the manga being more about romance makes it inherently less feminist than the anime. but i want to shut that idea down.

people keep circulating these three screenshots to prove the 90s anime is this feminist masterpiece

but just a scene prior in the SAME EPISODE, rei calls usagi ugly COMPLETELY UNPROVOKED

yes there's teasing between friends but come on. usagi didn't even do anything to warrant being compared to a monkey.

and speaking of rei... she's so heavily lesbian coded in the manga. literally her nightmare in the dream arc is getting married and settling down in the trad family sense. which she destroys with her akuryo taisan like the lesbian queen she is. also her distrust of men is a big part of her character in every adaptation... except the 90s anime which made her boy crazy and have that plotline where she gets with mamoru for a while for the sake of a rivalry with usagi!

there's the whole jealousy thing with chibiusa which is honestly weird no matter the adaptation and idk why ANYONE thought that was a good idea. but its somehow WORSE in the 90s anime. at least, at the very LEAST in the manga she actually communicates with mamoru about her insecurities and the whole jealousy thing only lasts in the black moon arc (which continues staying the worst arc regardless of the adaptation). in the anime... it lasts well into the end of supers... TWO SEASONS after usagi found out chibiusa was her and mamoru's daughter!

and lets talk about how they made usagi jealous over small things in supers! look i get it, she's a teenage girl and she gets jealous easily. but when you get jealous of a child who is also your future daughter and an old woman your boyfriend tried to help, that's when you have issues. there's an entire fucking episode where she stalks rei just because mamoru is staying at her house for a day!

and the most egregious thing which makes me laugh at any claim of the 90s anime being much more feminist than the manga.. is how they handled prince demande. you know, the guy who kidnapped and sexually assaulted usagi? in the manga and crystal, he's killed off unceremoniously.

but guess what ikuhara, the feminist king who knows to write SO MUCH BETTER than naoko, did. he tried to make demande sympathetic. he made usagi sympathise with him.

yasssss ikuhara you go make the pedophile sexual assaulter sympathetic, you feminist king! you definitely know SO MUCH BETTER than naoko!

and people thought crystal was antifeminist? get outta my face with that at least crystal didn't try to make the fucking borderline rapist sympathetic, he disintegrated in a pile of dust like he deserves.

you might be thinking "get outta here no one says the 90s anime is more feminist than the manga". well yes people do. you'd be surprised. i went to an old anime confession blog and found these posts back when crystal was still new and still had a MASSIVE hatedom

and these are just some of the posts. there's so much more. people who dared to enjoy crystal were called misogynistic for... liking a show. even today i see people bash naoko for the smallest things while praising ikuhara as a feminist king and lgbt ally who did more for the community than naoko (which is funny because the 90s anime has an episode where makoto has a crush on haruka and the girls are like "nuuuuuu mako you can't date haruka you're a girl" which wasn't in the manga). when he wouldn't even have been able to make the anime without naoko's manga.

there's an interview with naoko takeuchi where she says that the difference between the manga and 90s anime was that the 90s anime had a male perspective as it was directed by men while the manga mostly had a female perspective as it was written by a woman.

and it honestly really shows when you watch the anime again.

was the 90s anime progressive for its time? yes. is the manga peak feminist literature? no. you can prefer the 90s anime over the manga but don't go acting like its inherently more feminist than the manga just because it doesn't focus as much on the romance aspect. the manga focusing more on usagi and mamoru's romance doesn't make it inherently less feminist.

[kosmicdream]

im confident enough to post FFAK, which has anal prolapse, but i dont post the true drama....... my opinions about manga. *dramatic music* sometimes i kinda want to do some reviews.. its mostly me complaining.. it makes me sound so bitter like "do you like anything kosmic!" and..yes ! i do!!! okay!! i like a lot of things. once in a while, i dip my toes into a popular series to try to see if we are a good fit. Series like: Beastars, Dorohedoro, Dungeon meshi,ect.. and i kind. well. I dont like any of them LMAO. I mean, Ok, i actually really was into Beastars for a time, but after the fight with the bear guy (its been a few years sorry) and that story arc concluded.. it just spiraled to laughable levels and did not recover. I was genuinely laughing at it at times bc it kind of felt like a desperate scramble with the like. loopholes and power upgrades.. But I was invested for a time, it had a charm to me! I also loved the art and im curious about the authors next series about santa (partly because i too, am writing a story about santa). Dorohedoro has a great visual style, fun characters, i enjoyed reading but it also kinda didnt ...land for me beyond that, which is a shame. I feel like it is a series that "should" have clicked with me. And its like, not offensive to me but.. I'll forget that ive read the whole thing. I like STUFF in it. but thats not enough for me anymore. If i had read it when i was younger tho, it might have been a diff story. idk. My most unpopular opinion of all is that... I hated Dungeon Meshi.. Sure its ..pretty! cute designs. but i found it SO painfully boring and it actually was a struggle to finish. in the end, it felt like a waste of time.. SHOCKING take i know. That is the darling of everyones heart and i like, understand WHY its popular. .. but for me, i was not fed by anything. i am unfed and starved and going to eat elsewhere oh, and i.. as a person who has read a lot of fighting mangas.. I have tried to read chainsaw man, but i dont know if I can. I did finish Fire Punch. I'm surprised to say: i kinda liked it but it took a long time to force myself to read thru it. I honestly hated many aspects of Fujimoto's storytelling/character acting that i didn't think my opinion on it would change, but I'm a little more open to it now. I dont think i could ever super be into it or whatever, but i did find genuine enjoyment in aspects of fire punch. I did not really like look back. I haven't read his other one shot(s)? Where am i going with all this..I guess im giving some unrequested reviews after all...oops... a lot of this is spurred by how houseki no kuni is one of my most fav series, not only visually/characters/story/ect.. but i cant lie.... the ending... was kind of a flop for me... gorgeous and poetic ig sure but.. AUGH! it isnt what i wanted. maybe it'll be one of those "it'll grow on me" endings but thats mostly me having to go thru the 5 stages of personal grief and gaslight myself into it, but as the like actual honest first-reaction feeling it kinda lost me. I think it did not work when i felt the confrontation btwn phos/cinnabar wasn't the one i wanted to see. i will say tho, while im dissapointed, its not like a DEEP one or anything. I know its a miracle to even get to an ending.. i guess my take away feeling from it was like "everything fit together too well, too planned" but didnt feel planned, emotionally. I wasn't sold on it. Anyway, im here to speak my truth and my hot takes which, i honestly dont even want to have that one about HnK but its the real feeling i have for it.. Once again Utena's ending just has made all these other issues i have with various stories more obvious LOL

[yuri-is-online]

Notes on the Prophecy: Tokyo Debunker

Right so the concept of the Prophecy Darkwick is in charge of keeping comes up in the Hotarubi Episode and a few other places. I want to sort of go over a few things about it that I've dug up after re-reading the story so much for my Clash post since it isn't really related to it at all, but still is something I want people's opinions about. Let's start with the text of the prophecy:

"The whisper of the new moon shall lead the champion to the Academy on the solitary isle. So long as the champion resides there, the world shall be sheltered from profound tragedy..."

So, is the Prophecy true?

Yes. It has to be assuming we are following Japanese folklore; Cornelius refers to this actually really pretty looking creature as a kudan, which is a yokai whose entire myth is that it gives prophecies that always come true. I am taking my information about kudan from the yokai guy's public patreon post about it, which is an easy read and I encourage you to check it out but there were two things that stuck out to me. Firstly, the kudan dies immediately after delivering its prophecy. This is likely why it is in a "memory pot" that Hyde has to bring out for the Entrance Ceremony, I don't think what we see is the actual kudan that delivered the prophecy but rather some sort of magical recording of it. Secondly, kudan occasionally give more than one prophecy, meaning that there is a chance that this particular kudan gave more than one prophecy about the Darkwick ghouls, but this one is either the only one preserved in the memory pot or the only one Darkwick makes public. The prophecy does not end with a period, but a set of ellipses which typically is used to indicate a voice trailing off or that there is more to be said but it is being cut off. I think this could simply be a stylistic choice so I don't want people to place too much emphasis on it, but I do wonder if there is more than one prophecy that Darkwick is in possession of.

Do we know what it means?

Kind of. I missed this the first few times I read the Prologue, but Cornelius specifically says that "The whispers of the new moon refers to the tidings that alert us to the birth of a new ghoul." Which is why they know the text of the prophecy is about ghouls and presumably why they assume that it is about the ghouls as a whole but what I can't wrap my brain around is why they made that leap? The text of the prophecy to me suggests champion (singular) as in only one champion. A chosen one if you will, not a chosen group. The way I read it, a ghoul will lead the champion to Darkwick, and so long as that Champion stays there the world shall be sheltered from profound tragedy. If anyone knows the Japanese text for the prophecy I would be interested to know if that helps clear up why Cornelius might think it's about all of the ghouls and not just one person.

Conclusion

I think the prophecy is missing some context on purpose and that's why Cornelius references doing research on it in the Prologue. Maybe Darkwick knows they're missing a part of it, or maybe they are actively searching for this "champion" and holding off on revealing all of it until they find them since they think it is sensitive information. In my cracked head I think there's a chance it could be about the MC, even if she doesn't seem very champion like right now since I don't think her abilities with the Sage's ring come from the curse. I think that's just cope from Cornelius and Hyde... or maybe me who knows. She was lead to the school by Haku after all, and she is currently unable to leave the island.

Anyway I am interested in what you all think about this, please do let me know!

[evilminji]

OKAY. *slams open door in manic about to have opinions*

MAYBE i am binging so, SO much unhinged bnha fics? Have already sent this to all my mutual and is not ENOUGH? But everyone is focused on these BABIES and not the MOST unhinged of them all? You COWARDS!!!

That's RIGHT! Ya girl has been hitting the "yandere/obsessive/possessive" behavior tag on Ao3 and is REFUSING TO BE NORMAL ABOUT IT! I have THOUGHTS DAMN IT! AaaaaaaaaaAAAAAA-!!! *Flips table*

Why the FUCK everyone focusing on BABIES?

I get it, don't yuck someone else's yum. To each their own. I respect that. But ALSO? What lvl of unhinged could they POSSIBLY HAVE? They are FIVE. SMOOTH FACED TODDLER BABY BOYS! A CHILD!

Like? Listen...

You know how Quirks are basicly evolutionary advantages? Random protections that are hit or miss? I have touched on this before in my naruto WIP (that i never posted but shush), but there must exsist a theoretical opposite of killing intent.

A sort of loving/peaceful intent if you will. A SAFETY intent. Or, for the purposes of THIS scenario and slightly to the left of that, a "love me" field. Which? Unlike what the perverse might believe or suggest? Just makes the target... love you.

Not sexually desire.

Love. Care about. Emotional connection.

And, yeah, maybe i've just been reading too many fics where shigiraki do what shigiraki does, and he is his unhinged obsessed lil self. Too many unhinged yandere fics where i darkly mutter "you are forgetting their Core Character Motivatioooooons! Just write an OC!"

Because you can twist a characters personality WITHOUT forgetting who they ARE. Thats what makes it INTERESTING, after all. Seeing how it could go so very, very wrong. How a good emotion, taken too extreme, can corrupt! N it's not just "oh that means violence n cursing right? Immediately jumping to cruelty?"

Its the obsession. The need to consume. The manipulation and care in which they try and maintain the illusion. It isn't one crack and "whelp, fuck it I guess!". Every character is different! Breaks under the strain of 1000% loving someone, DIFFERENT. And it brings up FASCINATING dynamics n potential quirk reactions?

Cause a emotional quirk WILL work. Even on people who supposed "dont have any" emotions? Because thats not how the human body FUNCTIONS. They HAVE all the necessary components. They just have a disorder. The Quirk would be forcing their body to MIMIC "feel-Y.exe" and their body would go with that. How THEY would process that data? What would it FEEL like to THEM? Whole different story.

But they WOULD feel "love" in what ever capacity THEY understand it.

You don't want to hurt your BEST FRIEND do you? You love them. Your BELOVED SISTER? This CUTE CHILD? She seems so NICE. Or maybe it's a precious and to be protected PET? She doesn't know what she'll get, "love" is nebulous and multifaceted. Could be platonic, familial, romantic. The love of a comrade. But it's never failed BEFORE. (Not, that I imagine, she being a well adjusted young lady, would feel morally comfortable USING said quirk in such times of peace. On anybody.)

We're all friend here, right? No need to be aggressive! Hurt anybody! Let's all put our weapons down, yeah?

But! This runs into a PROBLEM. The fuckin Yandere. Your bog standard sociopath. Those to whom this love field/targeting/ray/what-have-you is either so completely foreign too or NOTICEABLE as to be ineffective. Or to whom "love" is AGGRESSIVE.

Who's concept of "love" would actually make the problem WORSE.

I bring this up? Because I am FACINATED by the concept of AfO falling in love.

He... he would be COMPLETELY unhinged about it. The very act would unlock LAYERS to his deeply fucked up, highly obsessive, mind games and bank vaults, squirrel brain.

But I don't think he'd ever WILLINGLY fall in love. Or even be capable. Might be a brain chemistry thing, honesty. But the very reason his CLINGS to his his brothers quirk? Is because his brother was HIS. They were connected. It was... the closest thing he understood to love. And he is unhinged even to this day about it.

EIGHT GENERATIONS OF USERS LATER.

So like? If he spooked some poor soul? With a "love me" quirk? And she, in terror, tried to blast this Scary Supervillian into Not Hurting Her? She would have NO WAY of knowing that she just made a HUGE fucking mistake. Like... conceivably, the WORST mistake.

Because all it would take? Is her NOT instantly dying. No reflexive "how dare you use your Quirk on me". And? The altered brain chemistry starts to kick in. He's suddenly getting?? All these NICE happy brain chemicals that his body has been fuckin STARVED off? Fascinating new sensations? Elevated mood?

It's fake. He KNOWS it's fake. :) But that doesn't mean he won't murder her if she STOPS :)

Looooove yoooou~♡

Does it shift in to real, deeply deranged, love? Impossible to tell. Someone for the LOVE OF GOD call All Might. But?? He's just such an unhinged MESS it's fascinating to explore how emotional quirks would even react to him? Fascinating to think about how he would REACT if he had a SECOND "little brother" scenario. A person he CARED about. But this time... WORSE because it was in a way he could somewhat comprehend AND he had FAR more power then before.

Would it derail everything? Would he be able to focus on his Machiavellian plans while being able to fold them into them? Would he fuckin CONSUME THEM like he did Tomura? Ultimate form of love, after all, to become HIM.

How long could she, the hypothetical Quirk holder, keep that Quirk ACTIVE? Fear is a powerful motivator.

Just?? Why are there not more fics about the Ultimate Creep, BEING CREEPY AND UNHINGED??? He's VERY GOOD AT IT. Has had a LOT OF PRACTICE. LET AfO be deeply insane, 2XXX!

[withthewindinherfootsteps]

Jiang Yanli for the character bingo game? 🤔

I feel bad for Jiang Yanli, because she’s done so dirty in fanon. She’s a bit like Lan Xichen* – naive and maybe wilfully so, but ultimately wanting the best for the people she considers family. She’s definitely not malicious or secretly evil like the fandom make her (and Lan Xichen) out to be, and she isn’t just the “soup girl”. She does try to distract people from conflict rather than resolving it, which can do more harm than help, but it makes sense with her character – she grew up in the incredibly volatile Lotus Pier, with her parents arguing all the time, and of course that affects her! Of course she wants to avoid that! And she takes after the only example she has of someone trying to de-escalate conflict, Jiang Fengmian, who does the same thing. 

And I think her wilful ignorance makes sense with her past, too. She was sheltered pretty much all the time in her early life – she doesn’t go to Gusu to study, she doesn’t go to the Wen indoctrination camp, she doesn’t really experience anything that broadens her horizons and perspective and forces her to face and confront the harshness of the world. Even when Lotus Pier falls, she doesn’t experience it first-hand, which I’m not sure is better or worse, but yet again she doesn’t confront that directly. And by that time that happens, and everything else after that, she’s grown up and her mind isn’t as susceptible to being shaped by new experiences – her view of what the world is and how she thinks it is is already instilled into her, and much, much harder to change. 

She’s very, very human, in the way that she means well but doesn’t want to venture out of her comfort zone or confront truths that may be painful. We see that all the time in her actions – she always tries to hold onto what she’s experienced and what she knows. During the Sunshot Campaign, during a war, she clings to her childhood crush on Jin Zixuan, clings to her ability to make soup because it’s something she’s comfortable with. During the time Wei Wuxian was protecting the Wen remnants, she clings to the idea that nothing’s wrong, that he and her and Jiang Cheng can still be a happy family because that’s how it’s always been to her, even if that was never really the case and even if it’s impossible. During the gathering at Nightless City, she goes because she just wants to see her brother one last time, even after what happened with Jin Zixuan.

I think that that aspect of her also stems from the volatility of Lotus Pier – she wants things to be predictable, to be safe, she wants to be in control of her grasp over the situation. That’s why she de-escalates conflict the way she does, that’s why she stays ignorant to the more sinister parts of the world. She wants things to stay how she knows them to be.

And it’s important to know that after she experiences more things, as she grows, she does develop, even if that development is off-screen, and even if she ultimately still decides to cling to what she thinks she knows. When Wei Wuxian confronts Jin Zixun at Phoenix Mountain, she doesn’t just try to pretend nothing’s wrong and distract everyone from the situation, she confronts the problem and stands up for him! We see her standing up to Jin Zixuan when he invites her to go with him sometime because she thinks it’s not his choice! She does grow, but all that’s off-screen, and she has so much more potential.

But some people just can’t cope with change and trauma like others can, and that’s Jiang Yanli’s coping mechanism – to pretend everything’s ok, to pretend it’s still like how it used to be.

And it’s really sad how her very final act, sacrificing herself to save the brother she grew up with, to perhaps preserve that aspect of her old life too, was ultimately the thing that tore that fantasy she hoped for apart more than anything else.

Thank you for the ask! I’d have never thought about her character so deeply otherwise.

––

*I do wonder if there’s a deliberate parallel between her and Lan Xichen actually, since they’re both older siblings to Wangxian (and Jiang Yanli does actually consider Wei WuXian her brother), and at first sight both seem more responsible and level-headed. But as we go through the story, we see that they’re just as fallible as everyone else, and in the same – both clinging to something they think they know, both ultimately uselessly diffusing conflict instead of confronting it, and both ignoring the little signs that their reality isn’t what they cling to.

[cloudysarts]

this show would be good if literally everything about it was different

[triptychofvoids]

I love the way you draw Medic, he’s just so perfect in your style 💕 and thanks of course for not making him a twink, I’ve seen too much fanart like that 🥹

danke sehr~ im glad you all like it!!

[skitskatdacat63]

Roleswap anyone??

Tell me Fernando wouldn't make a fantastic general/emperor, and that Napoleon wouldn't make a fanastic driver/tp!!

[sadisthetic]

harumi doodle. i love her. she is so funny. luv her work 

[druidshollow]

EDIT THESE ARE OUTDATED IF YOU NEED REFS FOR THESE GUYS PLEASE DONT USE THESE. no i DONT have finished refs LOL. UM. OkAy root is still technically up to date bUT ANYHOW

finalized little refs for the walkerators!!! rivers and phrases have had a bit of a rough time evidently, lmao

decided to throw root into the au!!! love that guy. think he deserves it. phrases, rivers and root are travelling to hopefully meet a fleck of flame. glass splits from the group to stay at her brother nights' structure

[atomicpirateperson]

so I realized that around this time of the year is already past my 1 year anniversary of being hyperfixated on Rob?? time flies

this is the timeline of how it happened according to some vague memories:

1. i happen to see some random video of The Rerun on like, YouTube I think

2. me: hmm i think that one eyed guy is giving some real gender envy– wait. oh no. its happening. he's the new Chosen One, isn't he

3. im not hyperfixated im not hyperfixated im not–

4. I AM SO FUCKING HYPERFIXATED I LOVE ROB FROM TAWOG HE MEANS EVERYTHING TO ME!!!!!!

5. rob is a major part of my life and my headspace now. i couldn't stop if I tried, because some part of my brain views him as an actual close friend, and therefore abandoning this hyperfixation would feel extremely cruel. i would never do that to him and therefore he will be my imaginary bestie/adoptive son forever. i will never grow out of it. i am perfectly okay with that

[clownsalot]

im very normal about fuuta in general but i dont think im ever going to emotionally recover from his fire motif and what it represents for his character and how he reflects the greater theme of justice so that means i must rant about it

(more under the cut because this got longer than i expected whoopsies)

so anyway fire is pretty obviously supposed to be symbolic of his passion for justice right? that fire is all over the place in bring it on. he's wielding it to take down enemies, his signature weapon is a flaming sword. it's what he uses to lead the campaign against the people he's after, the people he's deemed in the wrong.

it's a fucking flaming sword, it's badass as hell!!!! it's what a hero of justice, a knight, would use!!!! it's cool as shit, it's his symbol of justice.

that's how he sees his justice in trial 1.

he's righteous, he wants so badly to believe he was a hero, he was doing it all for a good cause, for justice. his passion for justice was a tool he used to meet those ends, to be a hero, to wave it valiantly in the face of enemies.

the fire, however, is conspicuously absent once he's noticed the blood on his hands

interestingly, despite backdraft as a song title being much more related to his fire motif than bring it on, fire is actually surprisingly absent from the mv's visuals. fire, as in actual orange burning fire, doesn't show up much at all in backdraft except for when both fuuta and his victim begin turning to ashes, and a short bit near the end right after the last chorus when the spraycan explodes in fuuta's face. you know what the mv does show a lot of though?

smoke. and ash. the byproducts of a fire, the byproducts of fuuta's passion for justice.

bringing it back to firefighting for a moment: as many people have already pointed out, backdraft as a firefighting term refers to when a fire that has consumed all available oxygen suddenly explodes when more oxygen is made available, such as when a window or door breaks. the thing about fire hazards, though, is if the fire and the heat don't do someone in, usually it's the smoke. the smoke inhalation causes breathing difficulties and suffocation, making it even more difficult for a person to escape the fire.

in backdraft, instead of fire itself, what we're shown is these byproducts of a fire. the smoke is damaging to human health, and the ash shows that the fire has burned things up and caused destruction, in this case killing someone. all we're shown is the negative results of a fire, in sharp contrast to its badass, positive portrayal in bring it on.

hell, even fuuta himself starts turning to ashes and the spraycan explodes in his face, showing how even he is experiencing the negative results of a fire that has gotten out of his control, how even he has gotten burned by his passion for justice. or, is it es' desire for justice?

translation of fuuta's t2 vd by onigiriico

Me, too! I was like that, too! I also didn't think it'd turn out that way!

You and I are exactly the same breed! The only difference between us is the clothes we're wearing.

fuuta's justice and es' justice, it's all the same in his head now, he directly tells es that they're the same, that we're the same. it's all the same hunger for justice that ends up causing harm even if that wasn't the intention.

you know that saying that fire is a good servant but a bad master? i think that's pretty applicable to fuuta's situation. his passion for the pursuit of justice was great when it was still a tool, a sword he could wield, after all he did manage to shed light on some people's wrongs and bring them to justice. but once it exploded, when it became a backdraft that even he could no longer control, it did more damage than he intended.

it burned even him, it killed a middle schooler. and he recognizes that in backdraft. he only shows us the ways fire that becomes a hazard can go wrong.

translation of fuuta's t2 vd by onigiriico

What did I do? All I did was say that what's wrong is wrong! I was just going off at a bad person online!

I didn't think they would die! I just thought that wrong things are wrong, and that a crime is a crime! You get that, don't you? See? Aren't we the same?

it's just. fire is such a good metaphor for the message of fuuta's character and his arc. it's an amazing illustration of how dangerous it is when you feed a desire for justice too much, when you forget to put a boundary on how you handle that fire. eventually the fire spreads just like how passion for justice becomes zealotry, until more and more things fall under what you consider to be 'punishable' by your standards and goes out of control to hurt people that probably didn't deserve it. it's a warning to set proper boundaries on our own definition and desire for justice and what's 'right' so the good intentions doesn't spiral into harm. it's a reflection of our attitudes towards milgram as the audience responsible for their justice and forgiveness. it's amazing i love it i love fuuta's fire symbolism i love fuuta's character arc and i love milgram's writing so so so much

[sorrelpaws]

they need to address season six episode two Rick: A Mort Well Lived otherwise i will start biting shit

[fairywinds]

i will be a hero!