#...yeah that applies here

[siixkiing]

Aw, did I hit a nerve? Surely one as powerful as yourself wouldn't have to worry over such a thing happening. I mean, all you have to do is not piss someone off again—

Oh, wait, I seem to have forgotten that you have quite a few enemies.

Hm, I suppose you just can't risk leaving then. Otherwise, who knows what could happen to those sweet souls up there~

"Well, isn't this a shame?"

A small exhale of breath from the Monkey King's lips, golden flames being seem dancing in the air for mere moments. He supposed some fools never learned to heed warnings. Even knowing what he was capable of — the countless legends that surrounded him and his many exploits. That it had taken the intervention of the Great Buddha to put an end to his rampage or a fillet to keep him mostly tame?

It wasn't like he hadn't suffered ridicule before, heard the harsh words spewed at him — every insult been flung at him without care. That he could handle and endure. Having done it before. Torture too, remembering all the cruelty he had suffered at the hands of those who had wished to tame and break him of that spirit.

No, what was getting a rise out of the Great Sage was the mere audacity to aim threats at his subjects. To put his beloved family, the ones that meant more to him than his own life at risk. Or least imply such harm to them. It was one thing to go after him BUT it was another to go after his troop in such a callous way.

"Foolishness knows no bounds — "

" — no matter, I will deal with it."

Visage twisted and melting as a voice too utterly calm for such a mood shift seemed out of place. Dark stripes dancing across golden fur, blood red marking bleeding out from his eyes — the appearance he often took great pains to hide. To better suite the role of a Hero of Legend vanishing without a second thought. A soft hum building in his throat in stark contrast to the powerful aura that was now bleeding out from Wukong's very being.

This was one who could easily undo the world without much effort, make the world tremble and quake. Unleashed and untamable.

[luna-loveboop]

... smoll art?

I have a lot of feelings on the boys who wield the master sword. They seem to have a lot of issues with blame. Legend has his head on straight. Personally I blame Ghirahim for everything ever.

Words:

Blame the blade for the killing?

Or blame the one who died

Blame the one who caused it!

Or blame your own pride?

Or is it the fault

Of those who started it all

Who tore peace from the sky

[royalarchivist]

Ironmouse: Part of the reason why I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. [...] I've literally talked to almost everybody at least once like outside of the QSMP. We've talked on Discord, people regularly check in on me, we get in group chats and we play games like outside of the server... You don't really find that sort of connection all the time with people.

Ironmouse recently talked about her experience on QSMP, and how kind all the members are. I'm posting the entire conversation instead of cutting it up like I usually would because I really enjoyed hearing her thoughts on the server.

[ Subtitle Transcript ]

-

Ironmouse: Honestly, I'm sure he wouldn't mind if I did. He's so nice, he's so- he's always been super nice to me. He's been so nice, I– part of the reason why I- I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. You know how sometimes like– you always hear like, "Oh yeah, you know–" when–

Ironmouse: Whenever you like, join like a new thing, right? Whenever you like join like a new thing, you always worry, 'cuz you always think: "Oh, are the people gonna like me? Are they gonna be nice to me? What if- What if- you know, what if this, what if that?" But everybody like genuinely was nice when I first came by, and everybody has been so nice to me– not just in the game, but outside of the game, and–

Ironmouse: Something special about the QSMP is like... People wanna be your friend like outside of the game? Like, I've literally talked to ev– almost– almost everybody at least once like outside of the QSMP, like... We've talked on Discord, people like regularly check in on me, and like we get in group chats and like we- we play games like outside of the server, and it's just like... You don't really find that sort of connection all the time with people? You know what I mean? It's very– it's very not common when you go on like, a content creator-like server or stuff like that, you know? You'll get like one or two people that you get close to and stuff, but like... Everybody is SO nice, and everybody's been so nice to me, and I can't tell you how many people like, wished me– not just like wished me happy birthday, or like wished- said, "Oh, you know, hap- Merry Christmas!" dadadada, it's like genuinely like... Asked how I'm doing, and like talk to me, and like... Just like– I dunno, it's just like so- so- it's so wonderful. Ironmouse: Like, I get that with VShojo a lot, like– we're all like besties, and we all like talk all the time, but I feel like it's different, 'cuz like VShojo– we're VShojo, we're like– we're our own group, but this is like... You know... You don't expect this sorta thing when you get invited to like be on some- be a part of something, you know? And it's- and it's been so– it's been so wonderful and everybody's been so GENUINELY nice to me, and I- I appreciate everybody on the server so much, and they're just some of the nicest people that I've ever met ever, and it's just–

Ironmouse: It just warms my heart, and I'm just really– really like, thankful to be a part of something so great, and something so positive! Because like, everybody's so supportive! Like– the time when like, I didn't like– I- I- I had a moment where it's like I– do you guys remember in December when I- I was not around a lot? And like, I had to take breaks and all this stuff and it turns out it was like the concert stuff? They all like would message me regularly, like, we would all keep up with each other, and we would all talk. And I remember telling them about like, how much stress I was under, and like all the- all the pressures of the concert and stuff, and– and they were cheering, and- and- and they were just so... so kind to me, it was just so– so sweet, and- and you know, I was in a group chat with a- with a few people, and they were all just so excited and- and- just super nice, and- and very- very sweet, and it's just– and it's just very– I'm sorry if I'm rambling! It's just...

Ironmouse: I dunno! I- I- I just enjoy being here, and I enjoy hanging out with everybody, and... it's just nice to meet really good people. You don't really find that. You don't find that sort of thing all the time. Don't get me wrong– it's not like I haven't met a lot of good people, like– I just feel like this whole like, my whole like– Ever, like– My streaming journey, I've just been nothing but surprised at the goodness of people? Don't get me wrong– I've met assholes and sht like that, and I've met- I've encountered some people that are NOT so nice. I'll never like, talk about it or whatever because that's their thing, and I'm just gonna do my thing and I don't wanna like, you know, spread any type of stupid drama or whatever the fck, but like... I'm just always surprised about how– how incredibly nice people are, and how genuine a lot of people are, and it's... It- it's just nice, especially since like– You're used to coming from like, a certain background and a certain like, environment where it's like, you've met a lot of like fcked up mean people in your life, and you've just been around a lot of like fckery, you know? So when- when you're around stuff that's NOT fcked, it's just like, "Woah, this is crazy! Is this- is this how life is supposed to be?!" And it's just- it's just really... it's really- it's really nice. It's very nice.

Ironmouse: Yeah, it's very refreshing, that's why I- I enjoy hanging out on here, everybody's just so nice to me. And it's not just like being nice just to be on-stream, it's nice off-stream, on-stream, friendship on-stream, off-stream, it's- it's just- it's just so- it's- it's- it's wonderful. It's wonderful. And I just have to say like... man, I'm just really thankful that like... it's crazy that like I got invited to be on here and I'm just really thankful that, you know... Quackity like, reached out to me and he's- he's just been nothing but nice, everybody- everybody's just so kind. Everybody's so nice. This is something truly special.

[liauditore]

Equally Invalid

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[normal-person-i-promise]

public transport

arataka reigen x fem!reader

half of it is edited, at least. this has been sitting in my drafts, half done, since march. im sick of working on it, so you get this. sorgy

The sudden jerk of the train starting takes you by surprise, and you nearly fall down — had it not been for the fact that someone gripped your upper arms tightly before your face could connect with the cold, hard floor.

You look up quickly, your face heating when you realize who it is.

★ ★ ★

The familiar "whoosh" of the bus's old doors opening greets you warmly as you step inside, unsurprised to find almost all seats — save for one — vacant. Late nights are always lonely — it's always dark, empty, quiet — but today, there's another person on the bus with you.

He... Looks like the guy you saw on TV some time ago, though in a more... Tired state. Messy blonde hair, unbuttoned grey suit, loose pink tie — he's sitting in the back-most seat, his eyes, heavy with fatigue, transfixed on the window.

He didn't noice you come in.

You stand at the door for a little while, adjusting the bag on your shoulders before coming to a realization that sours your expression. That's your usual seat. He took it.

You scowl, making your way to the window seat a few meters away from him and sitting down with as much annoyance that you can muster.

You can hear the sound of the bus's wheels squeak every time they'd go over a bump, shaking the whole vehicle; smell the sour scent of sweat stained clothes from a long day of work; practically taste the citrus cleaning spray the cleaners use too much on the cloth seat covers.

The bus's doors creak closed. The vehicle abruptly jerks forward, a start, before its motion becomes steady. You settle into your seat, adjusting yourself until you're comfortable, feeling the worn fabric beneath your fingertips as you steady yourself.

As the bus picks up speed, you find your gaze drawn to the man.

His features are... Sharp, though not so much as to look intimidating; his eyes are half-moons as they stare longingly out the window, not taking in the view, more like just... Staring blankly; his breathing — visible from the rise and fall of his chest — is slow and steady, calm; and his nose is pointed, low, coming to a point just above those soft, kissable lips...

...

...Drat.

You clear your throat as if it'll clear your mind. Curse your tiredness, making your thoughts... Inappropriate.

You shift your bag in your lap, trying to distract yourself with the way the strap falls, the feeling of the stitching on the edges.

Out of the corner of your eye, you see the man turn his head to face you. His eyes roam down your body before dragging themselves back up to your face, and, noticing your irate expression (due to the fact that he took YOUR seat), he raises an eyebrow and cocks his head to the side.

He looks at you curiously, scanning your features as the bus bounces up and down when the wheels go over the bumpy road.

He seems to pause, almost hesitate.

"Good to know I'm not the only one with late nights," he says, a grin playing on his lips.

God, his voice...!

"Same here," you mumble, keeping your eyes set on the window to avoid looking into his.

You both slip onto a comfortable silence again, all quiet except for the sound of the bus moving along the tar road, making those distinct noises you've almost memorized.

You can sort of ignore him now, focusing only on the view outside.

It's... Peaceful. At this time of night, there are little people on the streets — those who are still awake are the drunkards, stumbling back to their homes; and the office workers, their gaits slow and steady, tired from the long day of work.

The shops are all closed, and though shutters are pulled down, the colourful lights of their signs remain on; blues, reds, and whites paint the sidewalk a kaleidoscope of colours, one you've never noticed until now. Your eyes roam from the colourful concrete to the signs whizzing past the bus in a blur, your eyes struggling to read the letters.

"What's your name, by the way?"

You're brought out of your thoughts at his question. His voice is strangely soft, his tone understandably wary as you turn your head to face him.

You introduce yourself, and he nods. He tests your name out on his tongue, humming in delight — as though he just tasted something sweet.

"Arataka Reigen, greatest psychic of the 21st century!"

His introduction is over the top, his voice like a salesman's as he spins his hand — so fast that's it's all a blur — before he abruptly stops, bringing it up for you to shake. He flashes you a charming grin, one that makes your cheeks flush.

You take his hand, savouring the feeling of his worn fingers wrapping around yours as he shakes it.

And, leaning in close enough to smell the sharp cologne his wears and said in a low whisper, "But you can call me Arataka."

Arataka leans back in his seat, crossing his arms over his chest in pride as he grins at your flushed cheeks.

"It's the first time I'm seeing another soul at this time of night," he remarks, tightening his tie absentmindedly, almost like an unconscious fidget of sorts. You nod in response. You watch as his fingers wrap around the pink fabric of his tie slowly, getting a better grip before pulling it close to his neck, adjusting it to make sure it's not too tight.

You clear your throat again, averting your gaze.

"I'm... Honestly surprised to find another person coming home from work this late," you parrot, gritting your teeth as you focus on the window. Stop staring, stop staring...

He hums in amusement before it's quiet once more, broken only by the sounds of the bus's engine working to keep the vehicle moving.

It stays like this for a while. Both your gazes are fixed on the window, staring at the buildings passing by in a watercolour blur.

The city is... Nicer? You can't tell whether it's because you have a handsome man sitting across from you, or because it really does look prettier, but all the lights seem... Dreamier than usual, all the tree's leaves a few shades greener.

You can't help but notice his eyes flicker to yours every few minutes, though you never manage to see it directly.

"The city's quite pretty tonight," You mumble to yourself, staring out the window as you adjust yourself in your seat.

Arataka's next words are barely audible, just above a whisper — and his voice is quiet enough for you to be sure that you weren't supposed to hear it, like he was just saying something to himself.

"Sort of like you."

Your heart skips a beat.

"What did you say?"

Your tone is curious as your gaze settles on him again, tucking a strand of hair behind your ear, your eyes sparkling with the lights outside the window.

You can visibly see him get nervous: he breaks out into a sweat, his shoulders stiffening as he brings up the sleeve of his jacket to dry the beads of perspiration trickling down his forehead, his tone rushed and panicked.

"A-ah, hahaa—! What? I didn't say anything!"

You can hear the nervous grin on his face as he avoids your gaze, clearing his throat loudly, his eyes narrowing slightly.

"You must've been hearing things! Those pesky spirits..."

Arataka clicks his tongue, scowling at the empty space above your shoulder for a moment before changing his expression to a neutral one again, bringing his eyes back to yours. The speed at which he gains and loses confidence is enough to give you whiplash — not that you mind, though.

"I can get rid of them for you," he says, with total confidence. He's grinning proudly, almost puffing his chest out a little.

It's... Endearing, if you can say that.

You pause, arching a brow at him in confusion.

"Get... Rid of...?"

Have you never heard of psychics before...?

He nods briskly, pointing a thumb at himself in pride. His mannerisms and movements are precise and swift, enough to get you to think he's done this kind of thing hundreds of times in the past.

"You're talking to a world renowned psychic, here."

...There's a beat of silence, save for the sound of the bus going over a bump.

"World... Renowned?" You parrot, your tone confused. You've... Never heard of this man in your life, this... Arataka Reigen.

He pauses for a moment, his jaw going slack and his hand falling a little before he quickly closes his mouth, his expression almost like he's laughing in disbelief.

"A-ah, yes, yes, world renowned! I'm known all across the globe! Surely you know my name?"

He sounds a little bit like he's in disbelief, though his voice remains prideful.

You raise your brow higher. He's egotistical, to put it lightly. Egotistical, but so, so handsome...

"I've... Never heard of you before," you say to him, watching in amusement as you wait for his reaction.

"Oh, come on!"

Arataka's voice is now definitely one of disbelief as he groans in exasperation, his voice and expression growing irate.

Surely you've seen his posters...? He told Mob to paste them on any empty surface.

"Never? Not even once?" He almost begs, nearly pleading, a note of desperation creeping into his words as he tries in vain to convince you of something you've already set your mind on.

...Which is to poke fun at him, of course.

You hum in thought, your gaze flickering to the window before bringing it back to meet his. There was one time — a rather embarrassing moment for him, in your opinion.

"...Well, there was this one time I saw him on TV..."

He's quick to cut you off.

"Oh, why— y-yes! Yes, no, no, you haven't heard of me, especially not on TV! No, nope! Never!"

His grin is too wide to be genuine; panicked, and his hands are all over the place — almost as though he's talking with them, too, as he gestures wildly. You can see the sweat droplets fly off his hands, in addition to seeing the light reflected off of them on his forehead.

You look on in amusement.

"I-I'm just your friendly neighbourhood psychic, providing exorcisms at competitive prices! Never been on TV, no sir-ee!"

He's sweating buckets now, his grin thin as he goes on and on and on. He just... Talks, and the only time he pauses in his speech is to take in a greedy mouthful of air before getting right back to his words, coming out of his mouth faster than you can understand them.

And though it is rather cute funny to see him act like this, you decide that it's about time you changed the topic and spare him the embarrassment.

...And it's at this moment exactly that the bus reaches your destination, and you need to get off.

You pause for a moment, double-checking the sign to be sure that it's your street. You're more than a little disappointed to be parting ways with this strange, handsome psychic, this Arataka Reigen.

"Uh... Bye, I guess," you say in mild disappointment. You give him a small smile as you sling your bag over your shoulders, sitting up from your seat.

You're leaving already...? He only just met you, though...

As you make your way to the door, you run your hands along the bus's seats, feeling the fabric beneath your fingertips. It's a sort of a... Habit, now, to touch the seats before you exit, like how you'd run your fingers over a bridge's railing. It delays you a few seconds.

...Wait. It's probably best to give you his card, y'know, for his number and the address of his office...

You're halfway to the bus's doors before Arataka stops you, calling your name, rifling through his suit's pockets and producing a sharp, white business card.

"My business card, for the exorcism I promised you."

He grins, jabbing the card in your face. Taking a moment to compute what he's doing, you quickly take it from him, thanking him. He nods in reply, bidding you 'bye-bye' in a quick, hasty voice once more as he waves you off the bus.

You stare at the card as you step out of the bus, making your way to the little flat you call home.

Arataka Reigen.

Your eyes trail down to the bottom, where you see a phone number.

His phone number.

Arataka's phone number.

★ ★ ★

All week, you stress. Should you call him? This... Mysterious, handsome psychic? What if he doesn't want to talk to you? What if he really did just give you his business card for business?

...The way his cheeks flushed when your hands brushed against each other tells a different story, though...

You're fidgeting with his card in your hands when you enter the train, finding that it's full with people coming home from work, as usual. It's just after sunset — the sun has only just dipped below the horizon, the last traces of its golden light fading as the pinks turn to blues, the blues turning to black.

You look back down to the card in your hands, still not having moved from far the train's doors, open wide.

Arataka Reigen.

Your fingers wrap around the frigid metal off the handle bar by the train's doors, though your grip isn't strong, still lost in your thoughts. You really, really wanna call him, but what if he really did give you his business card only for business? He didn't seem to really... Do anything special, nor did he say anything special. He just treated you like a normal client, it seems.

You're still thinking about how adorable his pink cheeks were, though...

The sudden jerk of the train starting takes you by surprise, and you nearly fall down — had it not been for the fact that someone gripped your upper arms tightly before your face could connect with the cold, hard floor.

You look up quickly, your face heating when you realize who it is.

Arataka.

He says your name in a disbelieving, breathless manner, his eyes wide and his expression awestruck for a moment before coming back to his senses. He startles, letting go of you in the blink of an eye as he lets out a yelp, his cheeks flushed a sweet pink as you feel yours heat in tandem.

He remembers your name.

Arataka remembers your name.

"We meet again," Arataka says awkwardly, the both of you standing in the middle of the train. It's a little hard to keep his voice steady and quiet, but he manages.

That well tailored grey suit of his is neat and ironed, his pink tie tightened and tied properly close to his neck. He looks... Good. Better than on the bus, at least.

You nod, trying to calm down your racing heart.

"...Arataka. This is a... Pleasant surprise."

...And just like that, it's awkward silence again.

At least it's not totally quiet though: there's the rumbling of the train car moving along on its metal rails, the rapid beating of your heart in your ears, your shallow breathing as you try to calm yourself down in vain...

Your eyes trail to the window, watching as the train emerges from the dark tunnel, getting bathed in the lights of the city's night life. There's the faint smell of disinfectant and sweaty clothes in the air.

It's when you almost fall over again that you finally decide to take a seat. Arataka follows suit, taking the seat beside you, seeing as all the other seats are taken.

He's awkward as he settles down in his seat, his side pressed up against yours. He looks either... Embarrassed, or ecstatic, since you're that girl he saw on the bus the other day, the one who made his cheeks flush and his heart beat wildly in his chest. You're that girl he'd given his business card to, the one that he's been waiting so, so patiently for to call, even so little as text him.

After a while, the two of you get comfortable against each other; the warmth of his body brings some sense of comfort to you, and the same to him. You... Fit, there, right by his side. He likes that.

Your eyes are trained on the window; the buildings are whizzing past the train, the yellows and oranges of the city lights blending together to form a pretty little painting. It seems so... Fantastical, and so... Unreal. You've never really paid any attention to the scenery...

The little cars on the roads are but small strokes of a brush on a canvas, their blacks and greys mixing in with the dull colours of the asphalt. There's people on the streets, since it's not too late in the night yet; they're all smoking, partying, drinking, having a good time... Because, after all, it is a Friday night.

...And you're alone.

God, you're pathetic.

You scowl slightly, settling into your seat, your side shifting against Arataka.

Though you don't notice it, Arataka's eyes aren't on the view outside the glass. He's looking at you, studying you, watching as your eyes dart from person to person walking along on the pavement, watching as you shift your bag on your lap to get more comfortable. His eyes are fixed on you as he roams his gaze up and down your body, using his eyes to trace the outline of your comfortable clothing and sighing, almost dreamily so.

You're really pretty.

...It stays like this for a while. Neither of you say anything to eachother, though both your minds are plagued by the other.

You find yourself fidgeting with anything you can — the cloth straps of your bag, the thin strands of your hair, the knuckles of your fingers. It's hard to keep your thoughts from going haywire when Arataka's body is pressed against yours, especially when it's almost quiet enough for him to hear your racing heart.

He, too, is freaking out — his heart is threatening to burst from his chest, his mind reeling so much to the point where it's starting to hurt. The only difference is that he hides it well, and you're... Well, you're not as experienced. And he's definitely noticed.

As he stares at you, Arataka calls your name softly, absentmindedly, and his heart almost stops when your eyes connect with his.

They seem so... So sparkly, so big and wide, taking in everything. They reflect the environment; Arataka can see himself in them as he gathers his thoughts quickly, clearing his throat loudly.

It's hard to form words around you, especially words that aren't 'kiss me', you know that?

"So how've you been?" He asks smoothly, ending his question with your name.

You hum.

"...Good. You?"

Arataka nods, his posture relaxed in relation to yours. He shifts against you, almost leaning against you, and your heart skips a beat.

"Great, yeah."

He begins to gesture with his hands again, something that you've missed seeing a lot more than you'd think you would — especially considering the fact that the only time you've met him is on a bus, late at night, the both of you definitely not thinking straight under the influence of sleep deprivation.

"So how's that spirit of yours holding up? Gotten it rid of already?"

He gestures to your shoulder, his expression neutral as he analyses the empty air. He definitely notices that you haven't done anything about this supposed spirit haunting you.

So you stay quiet for a while, unsure of whether to lie and keep him in this emotional state or tell him the truth and make it worse.

"I, uh... Haven't done anything yet."

...

"You WHAT?!"

The passengers in the train all shush him in unison, and Arataka mumbles a quick 'sorry' before leaning in close to you, shielding his voice from the outside with a hand, almost like children telling each other secrets. It's just an excuse to get closer to you, to be completely honest.

You can barely focus on what he's saying, your cheeks a bright red as you feel his breath ghost over your skin.

"You HAVE to do something about it, I mean—"

He makes small gestures to the space above your shoulder, trying his best not to upset the people beside him. He fails, evident in the way they scowl at him and take a few steps away.

"This thing is dangerous!"

You sigh, leaning a little away from him as you feel the red in your cheeks fade.

"It hasn't done anything, though."

"Hasn't done anything YET," he cuts you off, hissing in a whisper. "You could've DIED!"

He gets shushed again. He sighs in annoyance, leaning away from you and talking in a calmer, quieter voice. He's smooth with it; his words come out naturally, almost instinctually — it doesn't sound like he's been desperate to say those words ever since he met you, and it doesn't sound like he's begging you to say yes.

"How 'bout this, hm? I'm heading to my office right now for a late night job. Why don't you come and I'll get rid of this—" he scowls, swatting the space above your shoulder again —"horrid spirit of yours?"

You pause. It's a... Very, very tempting offer. On one hand, you want to go back home and rest; while on the other, you want to follow this handsome, blonde psychic and see how he'll 'exorcise' this supposed spirit of yours.

You decide quickly, just as a light rain begins to patter on the glass windows.

"Sure, alright," you say, giving him a slight smile. Arataka nods in response, smiling at you, before his gaze trails to the windows where the rain gets heavier and heavier the closer you get to Arataka's office.

"SEE?!" Again, he's shushed.

"This is the work of the spirit!" He says, gesturing to the heavy rain that's now beating aggressively on the window in an unpredictable drumbeat. The people on the streets panic and try to get to shelter, whilst others bring out umbrellas.

You're quiet for a while.

"The... Rain?"

He nods briskly, seriously.

"Spirits can influence things, you see. They range from small events like how hot you heat up your bento, to this," he says grimly, gesturing to the thunder and lightning that has started to strike the ground in bright white flashes across cutting across the grey sky.

"The bigger the event, the more powerful the spirit. And," he says, leaning back more in his seat and crossing his arms, "this is a crazy powerful spirit. It's unwise to leave it alone for so long. It's reacting in this way because we mentioned its existence."

"Oh, okay, that... Right, that makes a lot of sense," you agree slowly, nodding in response to his words. Arataka knows a lot about spirits, it seems.

He grins in triumph, just as the train announces its location and its doors slide open. He gets up, gesturing for you to follow.

"It's just a 15 minute walk," he assures you.

When you get out of the train station, you find that it's still raining heavily. There's that smell of rain, which is nice, and you get lightly showered with the cold droplets as they bounce up and off the pavement and road.

Arataka scowls, groaning under his breath as he takes out a pocket umbrella, clicking it open.

"We'll have to share. It's small because it's meant for one person."

He gestures for you to get under the umbrella. It's... Close. You're very close to him, just like in the train, though, this time, your bodies are only almost touching. The two of you have to shuffle on the ground a little to walk.

As you begin walking, you find yourself walking closer and closer until you're touching sides. Arataka doesn't seem to argue; in fact, he wordlessly slides a tentative hand around your waist, holding you tight to him as the crystal droplets of rain pitter-patter loudly against the tiny clear plastic umbrella he holds. His grip grows more confident and firm the longer his hand is there.

It's quiet when the both of you stop at a crossing, waiting for the cars to clear and the light to turn to the little man, indicating you can walk.

Then a particularly fast car comes along. It's definitely speeding, and when it nears the large puddle of water near the sidewalk, Arataka smoothly pushes you back, bringing the umbrella up to shield you, and only you, from the dirty water.

The dirty rain water splashes at his pants and the droplets from the sky pelt him, causing him to wince slightly. It makes his golden hair to stick to his forehead, makes his expensive grey suit soaked at the shoulders, makes his sleeves dripping wet.

Before you know it, he brings the umbrella up again, and begins walking again without a word. His hand finds itself back to it's position, holding you securely around your waist.

"Thanks," you say. He pauses, turning to look at you.

"WHAT DID YOU SAY?! THE RAIN'S TOO LOUD!"

You mutter a quick apology before repeating your thanks, this time shouting. His bewildered expression disappears, smiling cutely as he nods, before he continues walking.

The both of you continue in a comfortable silence for another minute or so before you reach the office. He leads you inside, shaking off the umbrella. The office smells... Really salty, coupled with the expensive scents of some kinds of incense you can't make out.

"Here we are!" He exclaims proudly. "Ah, oh, right. This is my apprentice, Mob."

Arataka places a firm hand on the shoulder of what looks to be a middle schooler with a bowl cut. He waves at you politely, smiling slightly, and you nod in response, waving back.

Arataka unbuttons his jacket and hangs it on the wall, and you have to clench your fists tightly to stop yourself from staring.

"Now," Arataka says smoothly, taking a seat in his chair and looking so, so attractive, "what package shall you take?"

He pulls out a piece of paper, with three courses labelled.

"Option A, the trial course, gets you 20% spirit reduction; option B, the serious course, which gets you 50% spi—"

Mob leans in to whisper something into his ear, and Arataka seems to be taken aback for a moment. He scoffs, hissing in a whisper, "Of COURSE there's a spirit, you just can't see it," which Mob seems to be placated by, going back to his spot reading manga.

Arataka clears his throat, opening his mouth to speak again.

"As I was saying," he glares at Mob, "Option A, the trial course, gets you 20% spirit reduction; option B, the serious course, which gets you 50% spirit reduction; and option C, the all-out course, gets you 99% spirit reduction." He gestures for you to take the seat in front of the desk.

"Of course," he says, grinning just like the hideous poster on the wall, "if it comes back, I'll get rid of it — for 20% off."

Sitting down, you bring the paper close to you...

...And find that every course is above your budget.

You smile nervously, pushing the paper back to him and getting up from your chair. This has clearly been a complete waste of time, especially since it all seems so sketchy, and you've only fallen for it because he's handsome...

"S... Sorry, Arataka," you apologise, bowing slightly once you've gotten up from your chair. "I can't really afford anything."

You move to the door, and it's only a moment later that you hear Arataka scrambling to get out of that fancy office chair, his brow slick with sweat and his words rushing out of his mouth.

"Woah, woah, woah, hey, my success rates are 99.9%! All my clients leave happy!" He cries, a note of desperation in his voice.

You shake your head, smiling politely. "No thanks."

He panics again as you reach for the doorknob. Your movements are slow — so, so slow, and it's definitely apparent that you're just stalling, as if waiting to see if he'll do anything.

He takes advantage of that.

Half stumbling and half sliding in front of you and using his body to block the door, he stands, gathering himself for a moment before—

"H-hey, hey, wait—!"

Arataka grips your shoulders tightly, beginning to massage. You pause, silent, a little taken aback.

"Feels good, right?" He says quietly as you almost melt at his touch. He's standing directly in front of you, staring at— no, studying your face as he moves his fingers in firm, soothing circles. "Like it?"

Your shoulders are absolutely screwed up.

You hum, rolling your joints a little bit. Arataka feels a surge of pride when a chorus of the cracking of your messed up bones fill the air, though he still presses gentle, relieving circles and dots into your skin, pressing enough for you to feel it firmly below the clothing you wear.

His touch, though soft and caring, is... Firm. Very, very firm, very unyielding. It's clear that he knows what he's doing, and it's clear that he's confident that this will work. His fingers are round dots of alleviation as they press softly into your skin, and their movements and placements are careful and calculative.

He grips your shoulders, dragging you slowly, slowly, slowly to the chair in the middle of the room and sitting you down on it.

Now that you're seated, Arataka feels your neck and shoulders a little. He goes round and round your little chair, pressing at this spot and that spot — he's looking for something, it's clear; he's looking for tightness or rigidity beneath your skin, places to apply pressure, places to soothe and fix.

You barely notice how his hands seem to almost lovingly caress you.

"Here?"

He bends down and shifts his hand a little closer to your neck, near that place that always aches when you look down — the base of the movement and the base of the neck itself. You sigh in delight, leaning into his touch — sending waves of butterflies and pride swelling in Arataka. His heart nearly bursts out of his chest as he sees you get more and more relaxed, enjoying his touch. His cheeks flush and a dopey grin adorns his face.

He hums, pressing more firmly and confidently.

It's about a minute later when Arataka retracts his hands almost reluctantly, his fingers lingering on you. You roll your neck and shoulders, sitting up and off the chair.

"I must say, Arataka," you say, shoving him slightly as a sort of playful gesture. His cheeks flush at the contact, a cute little grin on his face.

"That was a great massage."

His grin grows prideful, jabbing a thumb at himself proudly.

"You're talking to the greatest psychic of the 21st century, here!"

You sigh, almost dreamily so, as Arataka begins to go on and on and on about all his achievements, his accomplishments, his goals...

...

You pause. You have to pay — you can't just get caught up in his silly little endearing antics again.

"Um, Arataka?"

You interrupt him as he's talking proudly about himself, and he stares at you, a little confused and a little annoyed. He doesn't really care if it's you, though.

You gesture to the paper on the desk, the one with all the courses and prices. Your tone is regretful; you shouldn't have fallen so easily for such a blatant scam, c'mon, you're smarter than this...

"I can't pay. I didn't bring enough money."

Arataka pauses. Gears seem to turn in his head for a moment before his eyes light up, another one of those adorable horrible grins settling on his face again.

"Tell you what."

He tries to lean on the wall, finds that it's too far, and stumbles instead. He clears his throat, his cheeks red with embarrassment.

"Instead of paying, how about you..."

His grin widens as he pauses for dramatic effect. You wait patiently.

He's not actually pausing for dramatic effect, though; he's trying to get time to prepare what his tone will be, how his body language will look, how loud and confident his voice is...

It's a really, really long pause.

"...Go on a date with me?"

A date? With him? Mob's just sitting on the little couch in the corner of the room when he looks up from his manga, intrigued by the word 'date'.

Great. Now you've got a 14-year-old's pressure on your back.

You hum for a moment, thinking, as though your answer will be anything but a resounding yes. Your cheeks are flushed, but so are his once he hears what you say in response.

"Yes, please."

His grin widens in absolute joy, and he puts his hands harshly, securely in his pockets to prevent himself from grabbing you by the collar and sloppily kissing you right now.

He opens and closes his mouth to speak multiple times before he decides on what to say. He looks so, so happy — his eyes are wide and full of wonder, his grin is big and silly, and his cheeks are that same sweet pink as on the bus.

"Saturday? Saturday, 8:00 PM?"

You nod.

And waving goodbye as you open the door to leave, "I'll see you on Saturday."

[spaciebabie]

oh so you wanna fuck that monster huh. make sexy art of them without giving them muscles and/or making them look human

[dahldahlbills]

dude what if our tech deck riders held hands 😳

[levemetal]

Local minor heavenly official ignoring instructions to not approach calamity ghost.

Day 5: Caught / Found

Ascended Yue Qingyuan and Calamity SJ! Consider this a continuation of Day 2 :) There's their happy ending, they finally meet again. Fits for both prompts tho I drew this with Found in mind.

memey extra under cut

[fishareglorious]

i do a light chuckle once i remember hofmann and semmelweis are friends but then i remember semmelweis and marcus' suitcase interaction where they talk about her and i am once again inconsolable about this old woman's death

[lomlompurim]

Bingqiu is the "Me and the Bad Bitch I pulled by being autistic" meme for both sides.

[quirkle2]

[zombie au] the image is too big for tumblr i had to cut it in half GVEAUYGV (please for the love of god zoom in)

[theemeraldforesthideout]

I went on a trip last week, to Wales, and promised myself that if I took my camera, I'd only take a few photos due to it being broken. I took 506 photos. The problem with my camera is that the small metal lens "doors" that automatically clack open when you turn it on, have, over time, grazed the lens and taken a layer of lens-coating off it. The images are now often blotchy or have unwanted shadows and blurring in random places. Sometimes if you zoom in, it looks okay-ish, but it's properly disappointing. I went to this amazing fairy-looking forest - that in Welsh was called something like Ugly Forest (?!) - but my photos aren't good. For example:

Often the top right is blurry no matter how zoomed or non zoomed. And then you've got that great big central splat.

[cometblaster2070]

evil queen redemption arc in ever after high except it's not a redemption arc; she just kills milton grimm and everyone goes 'yeah this makes up for everything you've ever done cheers' and that's it that's the plot happily ever after and all achieved bye.

[turtleblogatlast]

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)