#experimented with how I applied colors on this
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dahldahlbills · 2 years ago
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dude what if our tech deck riders held hands 😳
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knifearo · 29 days ago
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i don't hear many people talk about the intersection between gender and sexuality when it comes to aspec identities but personally i feel that my aromanticism is a distinct aspect of my gender identity and presentation and it's one of my favorite things about myself. the truth about the constructs of gender and sexuality is that they are inextricably intertwined at nearly all stages. the expectation of a relationship, the expectation of wanting others and being wanted in return, is baked into how you interact with others, and therefore how you present yourself. gay people present themselves differently than straight people because they are doing the performance of gender for a different audience. we access our own personal constructions of gender primarily through how we interact with others, how we compare and contrast with others' genders, and so much of gendered interactions is built around heteronormativity or going against heteronormativity that our own personal constructs of sexuality and attraction are woven through it all as well. and exempting myself from the expectations of sexuality and attraction—eliminating the audience from my performance of gender—is kind of. crazy. i'm transsexual in the way that i have no connection to either gender in ANY way. the binary means nothing to me because i neither belong to nor desire any aspect of either gender. for me this means that i get to pick and choose whatever aspects i think are sexiest from either expectation and put on the best damn talent show this town has ever seen (i have no desire to engage in any kind of romantic or sexual activities, but i find it entertaining to be desirable and unattainable), which is both extremely freeing (hell yeah. opened up all of the customization options on the character design menu) and fucking FUN. it's a performance and i'm getting the oscar in categories they haven't even invented yet. it's a competition and i'm fucking winning. it doesn't matter what people want or expect from me because i don't want them and i don't want to be like them. there's a huge gorgeous world out there and i am the most beautiful thing in it. truly one of the most fantastic and fascinating things about being aro to me
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uncanny-tranny · 2 years ago
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Something I always wonder with the whole: "The lazy populous doesn't want to work!" is if it's only being said to keep minimum wage at the very, very lowest end of 'survivability.'
The "lazy worker" isn't truly a problem. The employers are.
#politics#this is my old man conspiracy theory#it's insane when you actually start job searching and you apply fucking Everywhere and it's crickets#job announcement: no experience required! we'll train you! you're actually PERFECTLY qualified#you apply and then NOTHING. and then you listen to the news or other people#and they complain about how 'lazy' the modern worker is and how employers are DESPERATE for people to work for them...#...and you'll end up knowing better if you haven't soaked up the individualist corporate shill propaganda i think...#...that propaganda (at least in the US) is the idea that the individual worker is always at fault...#...that if they never get a job - even 'entry-level' - that it is THEIR fault...#...if you don't want to work minimum wage get a maximun-effort job!!!!!...#...if you want to Get Hired then make yourself Hireable!!!!!!!!!...#...you must be Indispensable (but potentially for $7.25/hour)!!! it is Up To You!!!...#...make records! never ask for anything! never complain! never dare bite the corporate hand which feeds you!!!!!!!!#that's the type of shit i grew up with at least. and i cannot buy that it isn't propaganda in a world hostile to any layman#i wonder if the romanticized version of the 60s-70s working class in the US is completely true as well...#...i just wonder if we are idealizing a past which never truly occurred for the worker...#...simply because these tactics Aren't New and Aren't Considered Morally Reprehensible because of the Bottom Line#this last part is tangentially-related but i always question whenever people have rose-colored views of The Past
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danmeichael · 8 months ago
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supporters of queer m/f romance fiction so frequently miss out on the glory of transhets, and especially t4t transhets, which is a shame.
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cbuttonduo · 7 months ago
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KAGSKAGSKSGSISGJSG YOU WERE DRAWING GHOSTBUR?? THAT IS SO NEAT OH MY GOODNESS
Yes, digitally, which I don’t do often! It was very cool!
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rockingbytheseaside · 5 months ago
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✦ You test out a new lipstick
(Pierro, Capitano, Dottore, Scaramouche, Pantalone, Tartaglia)
Tw: smooches! Shield your eyes!
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Oh, would you look at that, you bought a new lipstick. You just need to test whether it wears down quickly or leaves any mark. 
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✧ Pierro is in a haste. You blurt out that you need a new lipstick once, and the next thing you know, he purchases several high-quality ones for you. Offering you swatches of colors, makeup removers, different shades, and lipstick textures, he observes with analytical admiration as you sit in front of a mirror and apply the lipstick carefully. 
One last step is missing – to try its imprint. The Jester is ready to reach for a napkin to let you try. But you only smiled. Before he can comprehend, your hand reaches to turn his head and gently guides him closer to your lips until you sweetly capture his. It’s not often that The Jester experiences a complete blank out, but when you deliberately trace your lips across his skin and start preparing his face with kisses, how else is he supposed to react? Hold in his hitched breaths? Not deepen the kisses to relish the ambrosia of your lips?
Suffice it to say, you are proud of the imprints on his pale skin. He seems even prouder, wearing them like a badge of honor, despite his stoic appearance.
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✧ You asked Il Capitano to evaluate the new shade of lipstick you bought. Like any loving partner, the honorable Captain stated honestly that any hue suits you elegantly. Even if his knowledge of cosmetics is minimal, he felt delighted and proud of your looks.  
But that wasn’t the issue. Now you were standing in front of him, smiling menacingly.  
“What is it, my treasure?”  
You stepped closer.  
“Dear…?”  
You stepped even closer. Oh no, thought the Captain, he’s in danger. His pleas for reason and mercy went unheard. Instead, he faced a bigger battle—a battle that left his helmet not with scratches but with various imprints of your kisses. You stood triumphantly, happy with your lipstick and the numerous marks on his helmet and neck. 
Il Capitano lost the battle that day. 
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✧ At last, Il Dottore mused to himself, the perfect hue of lipstick designed scientifically for you. You voiced your issue in finding a suitable shade of makeup for yourself, hence you asked none other than your beloved to find a logical solution. So he took matters into his own hands to find the best chemical solution and accurately create the best shade to match your skin. 
Naturally, it was a success. With his gloves stained in various colorful substances, he proudly handed you a slender tube with a delicate black cap from the table as if it were a casual concoction he could make on a whimsy. Hence, you thanked him and blithely applied it on the spot.
“Dottore, it turned out magnificently!” – you said as you looked into the reflection of your face. But when you turned to look at him, Dottore’s complexion went vaguely blank. “Hm, what is it? Isn't it good? You made it matte, too.” 
He silently stepped forward; even behind his black mask, you could sense his full attention zooming on the beauty of your lips. 
"Well, true... I formulated it to be stain-proof, so it won't smudge as you go about your day. However," - he hummed, his hand cupping your jawline warmly. "Every product requires assiduous testing. We could conduct a few tests of our own to ensure its performance. If I may," 
Of course, he would test it personally. Of course, he then captures your lips in a kiss, his hand on the back of your head, his touch an ardent mix of passion and desire. He explores your mouth, his tongue caressing yours with a fervor, wanting to test how long the lipstick will last under the pressure of his kisses. You should've expected this, as his other hand encloses around you to press you flush against him. 
"Ah... interesting. It's held up quite well. There's no transfer on your skin or mine, but I do think further testing is necessary."
“Enough, enough! That’s plenty of testing from you!” 
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✧ Scaramouche dislikes shopping. It’s a hassle, truly. You requested him to accompany you on a leisurely stroll, oblivious of your trap to drag him to some quick shopping. Except this quick shopping turned into a full-blown shopping spree. The question is: was he here to accompany you or to pull you away from wasting all your Mora on fleeting indulgences?
“No, you don't need any more clothes. You have plenty of unworn ones.”
“No, we don't need any more plushies, your bed is already littered with them.”
“And no, you already had some snacks on the way here. Stop buying more!”
You couldn't escape his stern reminders, even if they were practical. However, there was still one shop you left as an ace up your sleeves. Before finishing today's trip, you encouraged The Balladeer to join you in cosmetics shopping. Your innocent smile spoke promises of letting him choose your new lipstick color if he so desired, and the allure of it caused him to halt. 
“... Me? Why must I choose? Can't you pick a simple color and call it a day, huh?” - Scaramouche feigned annoyance when, in reality, he quickly grabbed your arm and led you hastily to the boutique. “We'll quickly buy one, but don't get any ideas that we're staying here for any longer.”
Poor Harbinger; he didn't have to lie to himself so cruelly. The two of you stayed in the boutique for a long while, not because you were indecisive, but because Scaramouche suddenly took the matters with utter seriousness. Should he suggest a carnelian shade? It would match with his own red eyeshade. Or perhaps a darker one would suit your complexion? Especially if you decided to leave contrasting lipstick imprints all over his porcelain skin- 
Scaramouche shook his head. Your voice interrupted his train of thought.
“Um… Scara, sweetie? Could we decide already? We spent the whole day in this shop.”
“We'll buy all of them, then,” - he held up your face, his full focus on you as you timidly averted your gaze. “Here. Now let me help you apply it.” 
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✧ Pantalone sat behind his desk, fingers intertwined thoughtfully. Silver glasses cast a shadow upon his already darkened gaze. His expression, unfortunately, was far from pleased. 
“L-lord Harbinger Regrator,” – the Fatui subordinate uttered. “It is with utmost sorrow that I must inform you that- that the cosmetologists you hired have not finished their work. They are still in the process of creating the products you requested.” 
The silence of the office was deafening. The Harbinger granted no mercy with his prolonged pause.
“... I commission the best cosmetologist in all of Teyvat, and they still dare to waste my Mora and time? Is this some frivolous matter for them?” - The Harbinger's hands sternly pressed against the table, his voice raised “My beloved requested a new lipstick! They deserve the best of the best, as soon as possible!” 
“Uh, honey… I am still here in the room.” - your voice interjected awkwardly. Indeed, it's true; you are sitting nearby, blinking in confusion. You waved at the Fatui subordinate to take it easy, signaling sympathetically that your partner was having another one of his ambitious episodes. 
“Honey, my love, this is no fleeting matter! I wanted you to get the highest, custom-made quality for cosmetics. You rarely ask for anything, but when you do, I can't just let you down!” 
“It's just lipstick…! I didn't even say what color or kind I wanted.”
“And that's precisely why you shall get all of them. You there,” - he signaled back to the subordinate swiftly. “Quick, send the letters to those cosmetic chemists to hurry up if they want to make themselves worth the Mora. Delays are not negotiable.”
With the Fatui worker scurrying away in a hurry, Pantalone sighed deeply before plopping down beside you on the sofa of his office. You patted his back, amused by his sudden precedence over something so mundane. 
“There, there, Pantalone. You know it's nothing urgent. It's just lipstick.”
“Not any lipstick. Your lipstick, darling! I need to see you don the most dazzling color on your lips.” He turned to gently trace his thumb across your jawline, his voice softening. “...The lips that should be showering me with kisses and leaving lipstick prints on my skin.”
You laughed heartily – “Oh, so that's what it's all about? You know, makeup or no makeup, I can still kiss y-”
You didn't register how The Harbinger's head bowed lowly in reverence. “I would pay you any amount of Mora for you to do so.” 
Pantalone truly knows how to blow up over the most bizarre things. Either way, as the weeks passed, the newly ordered cosmetics did arrive as instructed. How did people know? Because Pantalone didn’t shy away from flaunting the traces of your delicate lips on his neck and blouse. A testament to stolen kisses and intimate moments behind closed doors. His triumphant grin says it all. 
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✧ Your ever-observant boyfriend, Tartaglia, noticed you mulling something over by the mirror. You seemed in deep focus, a new item in your hands as you inspected your visage. You tried on a new lipstick! 
Childe, being the endearing goofball that he is, complimented your new purchase with delight. You appreciated his knack for noticing even the smallest changes, even if you didn't directly tell him you tried on something new. All was well! 
Or was it? For beneath his easygoing smile, in the deepest recesses of his soul, Tartaglia was begging, crying, screaming. He wanted to hold your face in his palms and kiss you senseless. He wished to taste the sweetness of your lips until this adorable color of your lipstick was smeared on both of your faces. He wished to soak in the warmth of your pecks and kisses, dreaming for your touch to litter his face with imprints.  
Did he say all of that? Of course not. He kept beaming at you in adoration, his smile tender while his thoughts devouring. Yet, after days of wrestling with his unspoken desires, Childe devised a plan – a very, very subtle plan.
“Oh nooo,” - he lamented dramatically, leaning against the doorway with a hand draped theatrically over his forehead. “If only my beloved was here to bestow me some loving kisses, especially when they look so alluring in their new lipstick! If only!” 
You raised an eyebrow at Tartaglia’s shenanigans as if asking him: Really? What is this damsel in distress act? Nonetheless, luckily for the 11th, his oh-so-subtle hints hit the mark, because you happily cupped his cheeks and smooched them with fervor, feeling his warm skin under your lips as he chuckled.  
Needless to say, your lipstick didn’t stand a chance.
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kidicaruslover911 · 1 month ago
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a/n: I put wife/gf on these women depending on how much I personally like them and on some it’s just fitting for the situation but girl feel free to imagine whatever you want 😭
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gf!vi who, whenever you’re outside and need to leave for a second or have to take care of something even if minor, insists on holding your purse for you often trying to figure out how to not look like she just stole it, gf!vi who blows air into your ear to tease you and gf!vi who gets all proud and won't stop smiling whenever a kid swoons over how pretty you are- eyes turning soft yet envious green as soon as it's followed with an innocent marriage proposal, because hey! so that's not how things work; sorry, she has to inform the child that this lady right here, is taken. believe it :p
gf!sevika who is sick and tired of your need to be hyper independent (she understands dw) and who literally has no idea how she’s supposed to be courting you if you won’t even let her hold the door for you. “FREE YOU” (she will) she screams, begs and prays internally every single day, trying to ease you into letting her handle things for you and gf!sevika who’s trying to make you understand that she truly isn’t your enemy and quite literally is on her hands and knees, ready to dote to your every need 24/7 (when she can)
gf!mel who will literally be letting you in on all her products and shares them with you, gf!mel who will also be applying lotion and oils onto your skin to have you radiating just as much as her if not even more. plus she has you smelling like heaven so- gf!mel who will be (if you have any) retwisting your locs whenever it is needed and gf!mel who loves to go jewelry thrifting with you and will apply your lip combo for you
gf!lest who affectionately refers to you as her miss/lady, many times also when conversing with others, gf!lest who you share cigarette kisses with, gf!lest who gently scratches your back with her long onyx colored nails and gf!lest who will trace and kiss all over your moles, pointing out how you must’ve had an indubitably fierce and fiery lover in a past life, joking about how she’ll have to kiss you all the more for you to be covered in thousands of them in a next lifetime…
wife!ambessa whose silver kinky locks you love to comb through lovingly whenever she’s getting ready for the day, wife!ambessa who has you putting on a fashion show for her whenever she’s bought you another few tons worth of clothes, wife!ambessa who keeps a leg between your thighs when the two of you share a bed- not always in a sexual manner, it’s simply a habit of hers, it's comfortable and your legs often end up tangled with one another, and wife!ambessa who has a thing for neck tattoos, especially those that rest at the base of the nape
gf!jinx who'll be in a full blown fight with someone talking about how she really can't be messing around with them for too long this time around because she promised her girl she'd be back at xy o'clock, gf!jinx who’s eyes bulge out after throwing her jacket onto a puddle just for you to walk around it😭, gf!jinx who will be experimenting with crazy makeup looks on you and gf!jinx who seems to sleep like a dead person, yet who's grip tightens as soon as she feels you slipping away from her; either that or she instinctively moves closer to you whenever she senses some sort of unwanted distance between your bodies
wife!caitlyn who places her hand on your knee/thigh, thumb caressing slow circles on it while repeating she will be paying that damn restaurant bill- and everything else actually; put your purse away girl, what do you think this is??? wife!caitlyn who isn't the best at posing for pictures and who every single time opts to find your eyes, using them as a point of focus as she always ends up getting lost in them; like this, she never has a bad photo, especially when you're within the frame, always looking at you, a stare that is ever loving and tender
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joshseoh · 2 years ago
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Universal Hair Overlay (UPDATE MARCH 2025)
It's a hair overlay CC for all maxis match hair, EA's or Custom Content!
For all ages
For all frames
55 swatches
Found in Makeup (eyeshadow, eyeliner, blush, lipstick, and facepaint), skin Details, body scars, and Tattoos categories.
EA makeup sliders compatible
Basegame compatible
Custom thumbnail
Hat compatible
Disallowed for random
Compatible with thepancake1-MizoreYukii's Color Sliders
Compatibility
Compatible with all EA's hair
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Compatible with all custom content maxis match hair or any hair that doesn't require transparency. However, I noticed some CC creators occasionally use the hat region and other regions for their hair CC's UV map. This hair overlay will not affect textures placed in those regions
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Makeup sliders compatible
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Compatible with thepancake1-MizoreYukii's Color Sliders. Use that mod to use the makeup sliders on non-makeup categories
General tips on how to use this overlay
Use the gray/white hair color as the base, then use this hair overlay to get the color you want.
If you want a more saturated color, use a non-white hair color as the base, then use this hair overlay.
I highly recommend using the makeup sliders to properly adjust the colors, brightness, opacity, and hue!
MUST READ
The V1 version doesn't affect textures placed on the neck area. So, I added a second version "V2" that also affects that area.
Use the V2 only if the V1 doesn't affect the whole hair, for example like the picture below. It is not recommended to use the V2 on short/medium hair, since you'll be able to see the affected neck area.
Note: Some hair might still have imperfections even with the V2
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UPDATE 30 MARCH 2025
The overlay will no longer affect EA lashes or CC lashes using the default lashes texture space.
Overlays found in Tattoo category will be able to be removed normally after being applied to sims.
UPDATE 27 NOV 2023
The overlay is now can also be found in Skin Details, Body Scars, and Tattoos category! The ones in those categories, however, are not slider compatible. They will also be applied to all outfits category and probably work as genetics too.
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Happy experimenting with colors!✨
Read my Terms of Use before downloading!
DOWNLOAD HERE
DOWNLOAD HERE
DOWNLOAD HERE
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Update history
30/March/2025: The overlay will no longer affect EA lashes or CC lashes using the default lashes texture space. Overlays found in Tattoo category will be able to be removed normally after being applied to sims.
27/November/2023: Now also available in Skin Details, Body Scars, and Tattoo category
22/September/2023: Added a second version for more compatibility and new thumbnails. For more information read the description
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chow0w · 21 days ago
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oh i just LOVE your style!!!! if you wouldn't mind, could you explain how you go about designing and what your artistic process is with dragons specifically?? I love your lady jewel design the most!!!!!!
Of course, and thank you so much! @aldershadows also asked this question, and I hope I can give you a comprehensive answer, and will be taking this oppurtunity to create a one-and-done design tutorial to answer any similar questions that may come up in the future.
Bear in mind that I'm not a professional, and I'm not looking to dissuade people from following traditional techniques or other advice. This is purely a discussion of MY process, and what I consider to be good/bad design technique.
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Where to Start
There are six important conceptual 'principles' I like to consider when in the initial stages of (Re)designing a character: Story, Personality, Aesthetic, Interpretation, and canon/fanon appearance. Fully understanding these principals can help you understand a character, which will make both your life and design better.
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Story: What is this character's actual story? What's their lore? Where do they start, and where do they end up - and most importantly, where does your design fit into that timeline? When I design characters, I try to be clear on exactly what part of their journey they are on. (Ex: blaze and the coat -> sandwing succession war)
Personality: This one is pretty easy - what is your character like, and how do they present themselves to the outside world? When you make a character and show them to the world, everything in the canvas is interpreted by the audience: even down to simple details like posture or background. Treat it like an opportunity to show off as much of your character's personality as you can.
Aesthetic: Aesthetic plays the most important role of all: it's job is to make sure your design is cohesive. It can be a common theme, pattern, color pallet or shape - as long as it reoccurs throughout a design, it's good. Use aesthetics to amplify the other principals, and figure out how to make it *look* nice as a secondary goal.
Interpretation: This one is specific to redesigns, but could also be applied to OCs - I like to consider my personal interpretation of a character: the media I see, the opinion I have... Multi-animator projects, other fanart pieces and personal quirks make up my interpretation of most WoF characters. You don't always need to incorporate your interpretation, but it's good to have in mind.
Canon/Fanon appearances: If you want to design and OC, ignore this. If you're redesigning an existing character, it's useful to consider how your audience views them - for example, most of us collectively agree on a few key design aspects of most characters. That doesn't mean you have to follow those conventions, but keep in mind that they may make your character more or less recognizable. You can also call on the other principles of design to make up for any leap-of-faith redesign choices you make.
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Narrow It Down
Now that you're thinking, it's time to narrow those ideas down! Be aware that sometimes, less is more: you might have a ton of cool concepts, but your design will look BAD if you can't stay cohesive. The number of different ideas that can co-exist in one design varies a lot by preference and similarity, so be evaluative when doing this. If you follow my blog, you might notice I tend to walk the line between detailed, cohesive design and overwhelming animator repellent. To combat this, I try to step back often and consider if I've gone too far.
At this stage, it's good to make notes or small sketches - anything to get your ideas down.
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Experiment
Test your ideas out with more sketches - alter, add, subtract... whatever your heart desires. Experimentation is the best way to discover your specific design tendencies, as well as breaking new ground and stepping out of your comfort zone. The more you experiment, the quicker you'll improve. This is usually the point where I start testing out different patterns, since those are the main highlight of most of my redesigns. Pertaining to dragons, it's always a good idea to test out different shapes - especially wings, spikes, arms and tails, which are generally the most customizable features of a character. Looking to other artists for advice/inspiration is also a great tactic, but be sure to follow the 80/20 rule of originality within your designs!
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Judge yourself (not literally)
Evaluating your designs as you make them is always a great idea, but sometimes you need multiple tests/sketches in order to know what you REALLY want. Compare your experiments - what do you like about them? What do you dislike? Which are more faithful to the character, and which ones confuse you? understanding the flaws in your design can help you to overcome even the biggest challenges.
I've used Kinkajou to show how important evaluation is: despite being my favorite character, she has proved exceedingly hard to redesign (to my satisfaction,) even with multiple attempts from this year and the last. She might not even be released by the time this post airs - but with the power of critical thinking and good evaluation, her design has gradually improved over my last few attempts.
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Stay on your toes
Did you think you were done? Did you think it was over? NO. Life doesn't get easier just because you made it past the idea stage. When you have your final thoughts and want to get chugging with your reference page/illustration, make sure to stay alert! Keep evaluating, keep experimenting, and make sure to stay mindful of what you do! One of the more common issues I have is that I turn my brain off while I draw, and then slowly my designs drift further and further away from the idea I actually wanted to put down. Asking yourself questions along the way can help to sharpen your design, and train your mind to think more artistically.
It's always good to take a once-over of your final product: check for errors you might have made, and think about whether or not your design still looks good. Does it show personality? Is it consistent?
If you do find that your end product isn't what you really imagined, don't despair - there are plenty of lazy tricks you (And I) can pull to string things back together again. Using gradient maps is a great way to fix your colors, and simple filters like 'overlay' (procreate) can help to neutralize your pallet. My favorite trick is to use the 'curves' tool (procreate) to make certain colors darker, in the case that I feel my design doesn't use a wide enough range of light and dark shades. I also like to turn saturation down if I think there's a color problem, to see if it's actually my pallet or if I'm using too many colors with the same tone.
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Keep Going
My design strategy relies on confidence. You won't be able to improve if you doubt that you can! So, my most important piece of advice is to keep going, no matter how fast or slow you seem to make progress. My second most important piece of advice is not to compare yourself to other artists - focusing on their progress is neglecting your own.
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To everyone who made it this far, thank you so much! Posting here truly is an amazing experience and I adore you guys. Sorry if this got a little out of hand. I hope this was helpful to you and anyone else with the same question, as well as being a useful resource to other artists in the future! As always, my askbox is open to any and all questions + requests for redesigns!
( ´ ω ` )ノ゙
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alfheimr · 1 year ago
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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daretoassume · 7 months ago
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how to not experience the life you desire
i personally believe that you already have your desires but it's just that you haven't experienced them yet because of your current beliefs about your yourself and your current reality. but understand that you are the one who's delaying them with this kind of mindset.
holding onto limiting beliefs and remaining fixed in a mindset that doesn't serve you will only create resistance. this resistance distances you from the countless possibilities already within reach, blocking you from embodying the version of yourself that fully aligns with what you want.
there are so many ways, so many techniques, so many methods to manifest this and that but now let's talk about the opposite. these are the ways to create resistance and not experience everything you desire.
have poor self-concept
do constant research but don't apply them
let your current reality tell you what to feel
stay overly attached to the specifics of how things should unfold
dwell on when will it happen
let it disrupt your day by thinking and worrying about it every time
believe that you don't deserve your desires
believe every negative thought that your mind is telling you
complain every day about everything and everyone
hate everything about yourself and others
don't follow your highest excitement. follow what society wants for you
remain in a negative state your whole life
focus solely on what you lack instead of what you have
believe that your desires can only come in 1 way or ways you can only imagine
compare yourself constantly to others
rely on others to validate your worth
feel resentful of others who are achieving their desires
resist releasing old beliefs that no longer serve you
believe that manifesting is just a “fluke” or a game of luck
choose to look at the world from a scarcity mindset
reject the idea that your thoughts create your reality
believe others can manifest but doubt your own power
think that your desires are too big or impossible or that you don't deserve them
refuse to act as though your desires are inevitable
these are just some deep-seated beliefs you may hold about yourself and the world, which create a barrier, resistance, and delay to actually experiencing your desires. these feelings often stem from your past experiences, colored by lack, negative beliefs, and a distorted perception of what is possible for you.
as you reflect on this list, it is important to recognize that these are not just random habits; they are patterns. now that you are aware of these negative habits, take time to examine their origins. do shadow work. ask yourself why you have developed these beliefs and behaviors so you can then discipline yourself.
you are not healing to manifest. manifesting is automatic. you are also not healing because you are broken. you are never broken. you are healing to let yourself realize the power that you hold, and that every belief, every thought, every state is creating your life. the point of power is here and now.
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mjbarrosart · 5 months ago
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My Dragon Prince Boards season 7, episode 705, part 2: The Moonberry Surprise.
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It's true, the Moonberry Surprise moment, it is my fault
I hope you can forgive me for my sins. Hahahaha.
Ok, let's talk about this little sequence. But first, some... context?
Ok, so, Dragon Prince was my first job as Storyboard Artist, before coming to DPR I was working as a Storyboard Revisionist in Lego NinjaGo Crystalized. So I applied to Dragon Prince with not hopes that they will hire me, and when the offered my the job I was in awe.
So basically, I arrived to work in season 4 as a Junior Storyboard Artist. They gave me little sequences during season 4 (I was mostly helping my unit director with revisions) they gave me more during season 5 and 6, working on my strengths, emotional moments, long talking sequences and some combat. You know what was not there? comedy, because it was not one of the things I knew well how to do. But after a year and a half working in the show, I was seasoned enough to be a proper Storyboard Artist, not a rookie anymore. So they finally assigned me a comedy sequence.
I was terrified. Today after years in the industry, I can say that I am not scared of comedy anymore. But when I read the script and I realized that they were expecting a big comedy moment from me , I knew I was in trouble. But as they say, "you fake it until you make it" I took a deep breath and smile to my unit director like "Of course I can do this!"
But ok, lets talk about the sequence. We start nice, with the moon fam enjoying some time together. Was an opportunity to work with Runaan and Ethari, and that is always cool! I love how Ethari is just happy of everyone being there, and Runaan just wants to kill Callum (in an affectionate way, like he is just a protective dad, you know, a no nonsense dude)
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So yeah, they talk a little and Rayla handles Callum a slice of Moonberry Surprise. Is like this almost mythical dessert that is said tastes like nothing else in all Xadia. And Callum is so excited to try it!
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So, the script did not call for anything you saw in that sequence. The script instructed to reveal the Moonberry Surprise like something out of this world, and then have Callum almost having an epiphany when he tries it. My first idea was to have Calum almost levitating on his seat while eating it, while the rest of the moon fam looked at them in confusion. But during the launch of the episode (this is the stage where directors and in the case of DPR writers, tell SB artist what they want for every sequence we will board, we pitch ideas, and so on) was more clear to me that they were expecting something more of an "out of this world experience". Like the "I love books" moment that Callum had on season 5, episode 2, but on steroids.
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So I was ok, lets make it as trippy as possible. So we have this fast zoom in into Callums face, that lead us into this "dimension of flavor" he is being transported to.
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And he opens his eyes and he is floating in this space of color and flavor, his spirit being lifted by this experience.
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He is experiencing all this flavors, eating this huge blue berries (this was my Unit director idea, Thanks Katherine!!), when something catches his eye. A figure, looking to him from the above, almost like a god.
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And Callums looks up, revealing... this:
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So, I have a really particular sense of humor (not unique, because I feel a lot of people share it, particular because really specific things make me laugh a lot). I was born late 80's grew up on the 90's with all the weird cartoons and anime of that time. For me adding muscular arms to things is the best joke ever.
This is peak humor to me:
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So I was like, what if, Callum does the Titanic spinning thing, with a muscular slice of pie? So I did that... And I was SURE they will reject it.
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So I finished my roughs, and I sent them to my Unit Director. She was "this is so stupid" (in the best way) so, she added some placeholder music, and send it for review from the directors, while both of us were expecting to have it rejected.
A couple of days after, our Storyboards Supervisor was like "WHO DID THE MOONBERRY SURPRISE SEQUENCE??" And I was like "me?", and he was like "Aaron LOVED IT!" and I was like "?????" so, yeah, was approved.
So yeah, that is my legacy, I guess. I am Runaan in this shot:
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So well, those are all my sequences in episode 705.
Sorry again for being responsible for the birth of that thing. But that is my son now, and I kinda love him, even if he looks like that....
Next post will be my last! So yeah, stay tunned for my last post about my boards in The Dragon Prince, episode 708!
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fishsticksloser · 5 months ago
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Hi! You know that comic of the girl who's putting on lipstick, and she's like, "It's been half an hour, and we still can't find a kiss proof lipstick! This experiment must be boring you!" And the guy is whipped. What about the rise boys with an s/o doing that? (Love all your fics they are so well written :)
Lipstick Stains
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RotTMNT, Casey, & Liam x gn!reader
Warnings: oc x reader, kissing, whipped boys
A/N: First of all.... Thank you so much! Second, I... I have you in a chokehold(affectionately) now because of this. Sorry that some of them are shorter than others
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Casey
He is not sure how he got here
He blinks up at you, confused and dazed
No one has ever kissed him so much
Casey doesn't complain
Hell... he doesn't say anything really
He leans into your kisses though, pressing himself closer
His face is littered with kisses
Not to mention his hands
He smiles a soft, dazed smile when you approach with another color on your lips
His lips are definitely a smear of many different colors as he kisses you properly after every lipstick
Casey hums into every proper kiss, a bit kiss drunk by now
Donnie
This was not his idea of an experiment
You had complained that your lipstick wasn't kiss proof so he was going to make you some that was
But first, obviously, you guys had to go through every single one of your lipsticks so he could get an idea of the color you wanted and the texture
He had a paper you were supposed to be kissing, not him
Did he complain?
Did he stop you?
No.
Donnie just sat there, a kind of dazed look in his eyes as you applied another
His face was scattered with kisses
They went onto his neck
His shoulders
His plastron
His shell
Donnie was so out of it, he could barely respond when you asked if he was okay
Leo
It was definitely not his idea
Not at all
This is obviously a lie
Every time you walk towards him, a new lipstick painting your lips, he sits up more
Slightly leaning forward in preparation for your kisses
Leo is practically purring like a cat as your lips press against his skin
He moved when you tried to kiss him with certain colors
His eye stripes covered with darker lipstick verses the rest of him
His tail wags happily, closing his eyes and churring loudly
Leo was so happy
So content
Absolutely covered in lipstick stains
He does retaliate though
Grabbing lipstick to kiss you all over as well
Liam
Also completely confused as to how he got here
What did he do?
Why is he covered in lipstick?
Liam doesn't necessarily mind it
But the feeling of lipstick on his skin is not an overly pleasant feeling
He can't help the giddy feeling he gets when you smile as you approach with a new lipstick on
It may not be a pleasant feeling, but you look so happy
Liam can't say no, letting you press more kisses to his face
He feel particularly excited when he feels your lips on his facial scar
It makes him want to grab you and show you the same affection
Mikey
It was his idea!
He saw all the art people had made by kissing canvases
He really wanted to try it
And who were you to deny this sweetheart?
You were testing out which ones to use for the piece
Having a blank canvas hung up for you to swatch them on it
Still...
The canvas remained empty
Instead you stood in front of Mikey, looking over the colors on him
Mikey blinks up at you, grinning yet slightly dazed
Who was he to deny these lovely kisses?
He definitely won't complain
He loves kisses
Mikey is excited for every single one
Raph
All he remembers is you mentioned that your lipstick wasn't kiss proof
Now he's sitting on his bed, dazed and wide eyed
Covered in lipstick stains
If you didn't know he wasn't a statue, you'd have thought he wasn't breathing
In fact, you could even hear the sharp breaths he took in when your lips pressed against his skin
Raph's face was covered, even his mask had some stains
The stains trailed all over, down his neck, over his shoulders, his shell, plastron
He really couldn't tell where you hadn't kissed
Was he basking?
Was he too scared to move?
A bit of all the above
Raph didn't want to ruin your fun and he was enjoying all the smooches you'd left on him
He definitely won't complain if you leave more
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plaidos · 6 months ago
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Intersex people have been saying not to use terms like TME and TMA because it's intersexist. Also you can't overlook race when using terms like TMA and tme. JKR has constantly attacked black cis women because of how race correlates with gender and European beauty standards. How can you say someone is exempt from transmisogyny because theyre cis when they constantly have to deal with and face transmisogyny because of white standards?
saying that cis people of colour experience transmisogyny because of white eurocentric beauty standards being intertwined with cissexist norms, is like saying that i, a white trans woman, experience racism because of cisgender beauty standards being intertwined with racist norms. that argument naturally has to cut both ways -- but it would be abhorrent for me to describe myself as "affected by racism" as a white woman (even though those same standards to unfairly apply to me as a trans woman). you're overthinking the term "TMA" and taking the acronym too literally: it means the targets of institutional transmisogyny.
like, for example, black cis women do in fact have a societal advantage over black trans women -- this gap in privilege needs to be described & analyzed. that description and analysis is "transmisogyny". please stop stripping our language of what it means. everybody is "affected" by sexism/racism/homophobia etc because that's how bigotry in society works, but you're taking those terms way, way too literally if you utilise that analysis to get in the way of communication. What you're doing with "TMA" is akin to homophobes who say "Um, I'm not homophobic, because I'm not AFRAID of gay people" like sure whatever, maybe TMA isn't a perfect term but the gap in privilege it represents is a MATERIAL, FACTUAL REALITY and no, being a cis woman of color does not expose you to the full extent of transmisogyny! Try asking a trans woman of color how she feels about the way you dismiss her oppression!
all of this applies to intersex people, too. TME intersex people have been asking you not to use TME/TMA -- because they don't want to acknowledge the privilege they have over TMA intersex people. Try asking an intersex transfem how she feels about the terms TME/TMA -- I'll wait!
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1322daysofdoey · 2 months ago
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Spreading my orange Kevin agenda... Read my ramblings... This is going to be stupidly long as I try to explain everything here so I apologize in advance.
To try to break this down, basically the main reason I think Kevin is orange and not red is because of the arrangement of the heads in his monster form, which are arranged in a similar "triangle" fashion to the colors on Doey himself (one on his top-right, one on his top-left, one on the bottom-center). Not only that, but this color arrangement is ALSO present in his logo (two "tall" yellow and orange letters - d and h, and one "low-hanging" red letter between them - g), so I get the impression that this was done on purpose rather than a coincidence. So, looking at his monster form, Kevin is easily identifiable by his angry expression, and with this arrangement in mind he corresponds to the orange color placement.
So, then, between the last two heads, how did I determine which one is Matthew and which one is Jack? The answer is going back to the logo and looking at the hands. Each one is posed differently, and I feel that this is reflective of each boy's personality. The orange hand is a fist, which further supports that color representing Kevin due to his aggression. The red hand is pointing, which I feel is a good representation of Matthew's leadership and charisma. So then Jack is yellow, the open hand, by process of elimination. You could counterargue that a pointing finger could be accusatory, and that a fist in the air could represent leadership. But because of the previous point about the consistent arrangement of the colors/faces, I'm pretty confident about Kevin being orange, so that really just leaves me with the other interpretation.
I also think that these colors make more sense when thinking about the actual body parts that the colors are applied to. Orange is one of Doey's arms, which I think fits much better for Kevin than the legs would. Meanwhile, I think the legs work well for Matthew because he's the "support" and stability of the trio. It also makes the "three boys in a trench coat" jokes work better this way lol, you make Matthew the "legs" of the disguise because he's the oldest and tallest to carry the other two but then don't even make him the color of the legs? smh
Then my last two points are a bit more minor, but I wanted to mention anyway:
Firstly, the emotional association of the colors. I feel like the red Kevin fanon is specifically because red is seen as "the angry color" or "the bad color" (Kevin is NOT bad or evil FYI but you know how some people are about this sort of thing...), but then they're forgetting that red is also the color of love. (I mean hello, we're talking about the same game where Bobby BearHug exists?) Matthew has so much love for friends and family, I think it suits him well. And then orange is still a "fiery" color that can fit for Kevin's intense emotions, yeah?
Then secondly, the official "order" of the boys. Their experiment numbers are given a letter at the end to differentiate the three, with Jack being 1322A, Kevin being 1322B, and Matthew being 1322C. Youngest to oldest. And, if Kevin is orange instead of red, it would also make them ordered by color hue. A, B, C. Yellow, orange, red. It just makes sense, it feels right. It feels like something that would be done on purpose. Especially when combined with everything else I've already pointed out in this post.
Gonna finish this off with addressing another potential counterargument, though:
"But Doey's own character designer drew art where they color-coded the boys as yellow Jack, orange Matthew, and red Kevin! So doesn't that make those colors official?" Bro they literally say in their post that it "isn't canon" and is just fan art. You can already tell that it's not canon just based on Jack being a literal infant baby that looks nothing like the canon kid we see in the video lol. Furthermore, while Max is Doey's character designer, that doesn't mean they were responsible for any of the symbolism, foreshadowing, etc. regarding his backstory. They designed the character, but that doesn't mean they designed the logo for example. And, interestingly, in their concept art for monster Doey, you know what's noticeably different from the final version? The three heads inside Doey's mouth. They all share the same expression, so we can't tell which one is Kevin in this version. We don't know who was responsible for minor adjustments between this concept art and the final in-game design, so it's possible that someone on the team other than Max wanted that detail to be included. So in other words, I think that if each boy is indeed meant to correspond to a specific color on Doey, I don't think it was Max who chose which kid is which color, nor would they necessarily even know the "correct" color-coding since the possible hints about it that I talk about in this post are easy to miss if you're not hopelessly brainrotted like I am, and aren't important to understanding the lore. So they may have just fallen into the same "red = angry" logic that most of the fandom did.
But yeah whatever, man. I just wanted to get this out there.
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spiderb00 · 6 months ago
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- Fam out
Sophia Laforteza X Reader 
Synopsis - Sophia loves when you're caring, serious, she LOOOVES ;)
Genre – Fluff, a little suggestive at the end? 
a/n - Was I so excited to write this, for some reason??? I think I also kind of like domestic things, so...  
I think it has a little bit of Yn!Oc in that, I mean, Yn is a little bit based on me and my personality <3
next chapter | F.O Masterlist
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The theater was full, people quickly finding their seats, all excited by the movie. Yoonchae was happy to have someone she could share this experience with. The younger girl knew that as soon as she talked to Sophia she would agree to watch the movie instantly, but when Yn agreed to watch the movie with them, Yoonchae was more surprised than ever.   
You've been dating Sophia for one year, Yoonchae has always liked you, despite having similar personalities, you two were very different, Yoonchae thinks the age difference does that. The younger girl knew that you had a somewhat peculiar taste for a 21-year-old girl.   
Yoonchae liked to describe her personality as the "personality of a divorced father", she always said that Sophia's girlfriend liked rock, preferably older bands, wore band shirts, played guitar, loved horror and action movies, and had a vintage car (old) that seemed strangely comfortable to Yoonchae. She would say that you were quiet, a born observer. Yoonchae liked that, she found your personality cozy, even though other people found you scary.   
Yoonchae thought Sophia was happy in her relationship, and boy, could she not be more right. Sophia loved every detail of Yn, she loved you was always attentive, as you always did everything to make everyone comfortable. Sophia noticed every single thing, how you always grabbed the highest things from the shelves when the Kats couldn't reach, and how you always pretended not to care about the "thank you" from the girls, responding only with a brief "Hm".   
Sophia always noticed how you always left a bottle of water nearby at rehearsals you went to attend, or how you always applied the sidewalk rule when you went out for a walk, or how you always made sure Sophia had gotten home before starting the car and going home. Sophia has always noticed everything.  
But sure, her favorite interactions were with Yoonchae, Sophia loves it when you do something for the younger girl, something about it warms your heart. So when you said yes when Yoonchae invited you to watch "inside out 2" your girlfriend was automatically jumping up and smiling silly.  
Everything was cozy, the trip to the cinema in her vintage car – cof cof old cof cof – the smell of popcorn and even the feeling that the choice of seats was perfect, everything seemed extremely domestic to Sophia.  
When the movie started you were super entertained, all the colors and captivating animations held your attention. As the movie played, you noticed that Yoonchae's drink had run out. Looking at the Filipino girl's cup and seeing a good amount of liquid, you decided to get a little more just for the younger girl.   
"Hey, I'll be right back." You say, leaning in and giving Sophia a kiss on the head, leaving before she could say anything.  
After buying the drink and some candy that you think the girls would like, you went back to your seat, trying to be discreet and not get in the way of people.  
"Where have you gone?" Sophia asks as soon as you sit in the armchair.   
"Buy some things."   
You put the drink in Yoonchae's cup holder and hand her one of the candies you bought, knowing that it was her favorite.   
"I bought this for you, you like those, right?" You ask, looking at Sophia, who now had heart eyes.   
"Yes baby, thank you." The Filipino girl says before grabbing the back of your neck and giving you a kiss.   
"Of course, I'm here for that." You say, focusing on the film again, not before intertwining your hand with Sophia's. 
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In the car, once again, Sophia felt that feeling, the cozy and domestic environment that she quickly learned to love. Yoonchae and you debated about the movie (More like Yoonchae talking and you agreeing and making comments here and there) while Sophia listened to everything in the passenger seat, scratching your head as you drove to the restaurant.   
When you arrive at the restaurant you unconsciously pull the chair to Yoonchae, doing the same to Sophia and then taking the seat next to your girlfriend. The food came, and you ate it amidst silly conversations and jokes. One of the jokes making Yoonchae laugh and unintentionally hitting the glass of water next to her.   
"Watch your clothes, Yoonchae." Sophia said as she picked up the glass that fell.   
"Oh my god, I'm sorry." The younger girl says as she gets up from her chair so that the water doesn't get on her clothes.   
"It's okay Yoonchae, it was just water. And the glass didn't break, I'm just going to ask the waiter to clean it, you can sit in my seat while I call the waiter, okay?"
Very interested in calling the waiter to clean up the mess on the table, you unfortunately missed the look that Sophia was giving you, but if someone who was around saw it, that person could tell that it was like a jaguar ready to attack her prey. 
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You threw yourself on the bed next to Sophia with a sigh, the day had been fun and you were ready to rest. After leaving Yoonchae at home with the Kats, Sophia insisted that she would sleep at your house, you didn't question it, after all she could stay the night whenever she wanted, no matter how different something seemed.   
"Tired?"  
"A little, but nothing out of the ordinary. Did you have fun?" you asked, crossing your hands under your head and looking at the black-haired girl.  
"Yes, it was the best day," she said. "But it's about to get better." 
Sophia mounted on your waist with a smile on her face, legs on either side of your body, taking you completely by surprise.   
"With you everything always gets better." 
__________________
yes, they are Yoonchae's mothers... that's it :/
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