#and like the original character design does nothing for you.

[the-remote-viewers-division]

I have an alternate pale theory…

Consider this like a ‘Pale-AU’ (i.e. I know it is probably not supported by canon, and certainly not supported by some other works like Joshua Jenkins designs, for example… also I haven’t finished reading PJÕL, so maybe my ideas will change after that) but I started thinking about it as a “what-if” situation: If there were to be a direct sequel to Disco Elysium :insert prayer hands:, how could we reconcile the multitude of different Harrys the player could create? What about the fates of other characters? Some change due to our influence, some die. How could a sequel storyline somehow accept all those possible variances? Introducing my almost-certainly not-correct pale theory!TM using a little bit of in-game info, some real-life stuff, and a sprinkle of imagination!

Caution: Many spoilers ahead.

So what is Pale -- just the past?

After you talk to the Phasmid you’re given the impression that humans/people created the pale accidentally (with thinking and memory and ideas and invention?); and after talking to Joyce you learn that some think the pale is “rarified past.” It’s all pretty nebulous, but I think that the pale being a product (or a by-product) of the human mind/memory is close to what could be accepted as the canon origin of the pale:

INSULINDIAN PHASMID - The pale, too, came with you. No one remembers it before you. The cnidarians do not, the radially symmetricals do not. There is an almost unanimous agreement between the birds and the plants that you are going to destroy us all. YOU - Wait, the pale is human made? INSULINDIAN PHASMID - It is a nervous shadow cast into the world by you, eating away at reality. A great, unnatural territory. Its advent coincides with the arrival of the human mind. YOU - I don't have that kind of power. INSULINDIAN PHASMID - You are a violent and irrepressible miracle. The vacuum of cosmos and the stars burning in it are afraid of you. Given enough time you would wipe us all out and replace us with nothing -- just by accident. YOU - ...how? INSULINDIAN PHASMID - We suspect it will be something like the oxygen holocaust that wiped out anaerobic life 2.6 billion years ago -- when organisms first started breathing. Only much worse. CONCEPTUALIZATION - Instead of air, you exhale thoughts. There are no trees that eat thoughts.

JOYCE MESSIER – "Some say the damage stems from extreme sensory deprivation. Others argue that pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter." JOYCE MESSIER – "They call it *the blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even... The human mind becomes over-radiated by past." YOU – "Who says and who argues?" JOYCE MESSIER – "The logical positivists say -- the dialectical materialists argue."

An effect of the Pale is “entroponetical crosstalk" which you can experience when you use the doorbell intercom outside the whirling and hear the woman speaking from Tricentennial Electrics a long time ago, and additionally the old pale driver also talks to you about how she’s experienced the past in the pale, like the assassination of Dolores Dei. Both are snippets of human past:

KIM KITSURAGI - "It was a recording trapped in the circuitry. From some ancient tenant. This sometimes happens. Shall we conclude here? We have other mysteries to solve." YOU - "I do have one mystery that still needs solving... the radio ghost in the Doomed Commercial Area's electronic doorbell." SOONA, THE PROGRAMMER - "The creepy woman!" She slaps her forehead. "We were wondering about that when we worked there... but I had completely forgotten about it ever since!" SOONA, THE PROGRAMMER - "It must be entroponetic crosstalk. The one you get in radios and long-distance calls... Now it makes sense, with the pale right on the doorstep." KIM KITSURAGI - "Incredible..." the lieutenant murmurs. "This would also explain why we get it on the police radio all the time." YOU - "Entroponetic crosstalk?" SOONA, THE PROGRAMMER - "It's quite common actually. When the signal gets routed through pale, all kinds of irregularities take place. You may hear snippets of someone else's conversation, or the voice of your former lover, or an echo of an event that took place 100 years ago." SOONA, THE PROGRAMMER - "Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything."

PALEDRIVER - "You don't need to turn back time. The pale is already churning with it. As the tide of pale rises, so does the past. Someday both will cover the whole world. That's it. That's the story." PALEDRIVER - "They say there is a point -- one that *I* have not crossed -- in the pale superdeep. If you stray too far off course on the U41-A, or in Lomonossov's Land... where every step you take is one step further from home, no matter the direction." PALEDRIVER - "It's a point you cannot come back from. Your mind becomes so radiant with the past -- there is a flip." She flicks the ash from her cigarette. "Instead of writing, it erases memory. Nearing some kind of..." She shakes her head. "Indescribable *finale*." PALEDRIVER - "Like Gabriel Buenguerro in 'Segure-me, Paraíso'..." She nods and smiles, unkindly. "You're the opposite of me then. I remember everything -- even the things I never knew." YOU - "Things you never knew?" PALEDRIVER - "The smell of liquor on Gabriel's lips after the shoot. In the motor park. The roses on the day of Franconegro's coronation. On the grand stairs of Raehl. The smoke from the fowling piece, when Dolores Dei was shot..." PALEDRIVER - "The look on her face -- like an orgasm. The wound in her chest. My hand in my father's hand..." She closes her eyes, her eyelids trembling. "Except I never had a father. And I never shot Her Innocence Dolores Dei." .. PALEDRIVER - "Thought insertion? *Dithering*? The Graad-Katla Magistral?" She savours the lungful. "It's more than dangerous -- it's *sad*. But... at first I had to make a living. Now..."

So you’d think Joyce’s theory checks out, it’s all history/memory---BUT! I did the moralist political quest my first play thru, and when you are trying to contact the airship you also get radio crosstalk from the pale.

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. Something about the lieutenant's words, directed at you, but not *you*... YOU - "It's really coming down, now that you mention it." KIM KITSURAGI - "Mention what?" YOU - "It's cold, like you just said." KIM KITSURAGI - "I didn't say anything, detective." KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." HORSEBACK ANTENNA - An uncomfortable silence falls over the connection. KIM KITSURAGI - "... It's been a long winter... Long and cold..." YOU - "Are you going to tell me you didn't say *that*, either?" KIM KITSURAGI - "I promise you, I didn't, even though it certainly *sounds* like me..." The lieutenant seems to wince at the sound of his own voice. YOU - "It must be entroponetic crosstalk. It's the only explanation." NOID - "So your partner's haunting himself. Trying to warn him off his current path, most like." KIM KITSURAGI - "It's eerie, for certain, but also harmless. I just wish I could remember what I was talking about..." ESPRIT DE CORPS - Something here is eating at the lieutenant, as much as he would like to move past it.

You can even hear it if Kim is not with you:

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. You can *feel* the lieutenant's presence, even though he's nowhere to be found... YOU - "Kim? How did you get on my connection?" NOID - "Whoa, the cop's *own partner* is a radio-spooker. That's some *other core* business right there..." HORSEBACK ANTENNA - ... KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." YOU - "Kim! Answer me." NOID - "No use, man. Don't think he can hear you." YOU - "I've encountered this before. It's entroponetic crosstalk. This is a piece of the past mixing in with our signal." NOID - "What..." KIM KITSURAGI - "It's been a long winter... Long and cold." NOID - "What have you gotten us into, lawman?" HALF LIGHT - Just *run*. Unplug that headset and get as far away as you can.

YOU - "Kim? How did you get on my connection?" … YOU - "What is he talking about?"’ SOONA, THE PROGRAMMER - "I believe you mean, what *was* he talking about." YOU - "Wait, what are *you* talking about?" KIM KITSURAGI - "It's been a long winter... Long and cold." SOONA, THE PROGRAMMER - "It sounds very much like entroponetic crosstalk. It happens sometimes when sending transmissions across long stretches of pale..."

Except IT'S NOT FROM THE PAST. It is Kim talking from the future, from the fort on the island. Which hasn’t happened yet.

And it can possibly NOT HAPPEN.

You hear Kim say this stuff even if he gets shot and doesn’t come with you to the island.

During gameplay they kind of just go “huh, how strange and spooky...” and don’t really delve into it.

But that completely changes the pale right? It’s not just past, it’s also future, and not just the ONLY future, POSSIBLE future.

So, my theory is that the pale is multiverse colliding: the near pale is the places where these universes begin to overlap, and deep pale is where universes overlap to such a degree they are cancelling themselves out into nothing.

Fungal communication – mycorrhizal network

When Joyce talks to you, she talks about a fungus growing at the edge of the porch collapse. I think this fungus could be acting like a mycorrhizal network, which in our world are an underground networks connecting fungi and plants allowing them to communicate or share information. I think the fungi/spores in Elysium pop up at origin points and thrive along the porch collapse and are allowing the universes to “talk” to each other.

SOONA, THE PROGRAMMER - "I understand..." She closes her eyes. "A theory of the pale where instead of an *outer ocean* it metastasises -- like a cancer or a mould -- erupting in points *inside* the world."

JOYCE MESSIER - "An uproar of matter, darling, *rising* into the pale. Rolling. Evaporating even, a great vision. The area of transition between the world and the pale is called *porch collapse*." JOYCE MESSIER - "Imagine a grey coronal mist, cold vapour, marked by spores of an opportunistic microorganism -- a mould that's adapted to grow at the edge of the unrest. It's..." JOYCE MESSIER - She closes her eyes and breathes out heavily: "... the most *disco* thing you will ever see.

INLAND EMPIRE - The white noise turns into a wall of mist and grey mould, bubbling, sweeping over the city... it tears up buildings and raises sidewalks into the sky. It's Revachol -- at the end of the world. INLAND EMPIRE - ...and it hasn't even really started yet.

Destructive interference – “le gris”

When Lena tells you about the cryptid the Col Do Ma Ma Da Qua, you learn that they are nearly extinct because the scientists played back their own calls and since they are creatures made of sound, the recordings cancelled out the birds. They died because the signals matched and cancelled each other out.

LENA, THE CRYPTOZOOLOGIST'S WIFE - "It's the *Col Do Ma Ma Daqua*," the woman corrects her glasses. "Its name means 'thin whisper of sound'. And that's *precisely* what it is -- self-replicating sound waves, invisible and intangible! The Col Do Ma Ma is very afraid of us, which makes it incredibly difficult to track..." YOU - "Why is the Ma Ma Daqua so afraid of us?" LENA, THE CRYPTOZOOLOGIST'S WIFE - "That is a sad story." She frowns. "A group of university students assisting with the field work, in their enthusiasm for the project and, no doubt, because they were preoccupied with impressing their professors, nearly drove it to *extinction*." YOU - "Extinction?" LENA, THE CRYPTOZOOLOGIST'S WIFE - She nods gravely. "They tried to communicate with it, and had no other means but sound. So they started sending out sound waves at frequencies they thought might match the Ma Ma Daqua's. And what happens when a sound wave meets another sound wave of the same frequency, dear?" YOU - "They cancel each other out."

So... admittedly this doesn’t directly connect to the pale, but it’s illustrating the concept of signals cancelling each other out and, I'm going to say, indicates that this concept is possible in Elysium. The pale is destruction, the overlap between universes causes matter, physics, and even numbers to dissolve. The more complete the overlap, the more complete the destruction.

In conclusion...

According to my theory, the pale is the areas of the world that are affected by these fungal organisms that allow very similar, but different universes to communicate with each other, and since their 'signals' are so alike, they are being cancelled out.

So why did I force myself to jump thru these mental hoops? I think having a multiverse like this would make a sequel more possible since there are so many ways the game can be played. Any possible playthrough would be its own universe. Having a multiverse like this acknowledges and validates any play thru as 'canon,' no player will feel that they somehow played the game “wrong.”  Whatever Harry appearing in the sequel is one of the possible Harrys even if he wasn’t “your” Harry. If a character died, they died only in some of the universes, not all. Whatever world the sequel would take place in is just one of the many possibilities.

Anyway, I thought WAYYYY too much about this and now you can too. Sorry!

[spaciebabie]

oh so you wanna fuck that monster huh. make sexy art of them without giving them muscles and/or making them look human

[naggingatlas]

i think people's takes on jev being this like thousand year old creatura are fascinating and fit even my interpretation of his character and place in the story (as like. a representation of the setting at large. an archaic force being shoved into a simulation/loop/machine. cosmis horror kinda shit) but i also think it's 1. funnier 2. scarier 3. more emotionally scarring to imagine him as like. a 30, 40, 50 year old man. just a quirky little guy. he had a childhood, maybe he got picked up by seam as an urchin and they were a travelling magic act and clownery and judy n punch duo and they stole apples from the market and he climbed trees w his little paws before someone made him wear shoes. he was a brash teenager and he played the accordion and kept all of his trinkets in a little chest he used to sleep in. seam made his suits, from his own crayon drawings. he was a middle aged man disenchanted with his work and he sought shelter from the boredom in bothering others. and he ran away so many times and he slept outside and he helped seam make their own beer and mead and they still played the accordion and the hurdy-gurdy together. isn't it scarier to make him a normal man? who turns into what we see? doesn't that hurt more doesn't that make his character even deeper. he was just like you and this means That can happen to you too, grounding stuff like that is like one of the basic rules of horror. and then he just goes to jail they straight up lock a mentally ill guy with all those horrors in the basement - not an old-as-time-itself demon, not a savage beast, but. a man. jevil russian sleep experiment au.

again im not calling anyone out its just an interpretation ive NEVER seen anyone else come up with and i genuinely wonder why and if my other jev readings continue to be weird as fuck to other people

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[lisafication]

This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game. 

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her! 

But that’s enough about the more normal, straightforward and understandable sibling. 

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?! 

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle! 

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to. 

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him. 

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

[creatingblackcharacters]

"It takes HOW LONG?" Black Hair is an Art (pt.2)

(This is part two of the hair lessons, focusing on writing/narratives. If you want to know how the styles LOOK, refer to part 1 and its addendum)

Now that you know what our hair actually looks like, we’re going to discuss incorporating that into your writing (original fic, fanfic, webcomics, anything with a narrative). You don’t HAVE to give us a dissertation on "how you studied 'The Black People’s Hair'" in your story. That’s not what I’m asking you to do. I’m just asking you to CONSIDER the effort and existence of it. The same way you put effort into discussing nonblack hair textures? Should be the sort of tenderness and care you put into discussing ours. It does not stand to reason that I have read thousands of stories describing "the silky, black/blonde tresses/waves that fell down their pale back as their lover ran their fingers through them", but Black readers have nothing of the sort to compare to without seeking our own authors out. Our hair deserves some loving and adoration too!

This is a very long post describing hairstyles and how they can correspond to your character's design and decisions, so I'll put a read more here. The sections are organized into 'Twist Out', 'Afros', 'Locs', 'Braids', 'Black Men', and 'Straight Hair' if you Ctrl F. PLEASE PLEASE PLEASE take your time to read all of this at some point though, as I put a lot of resources and explanation into this. I'm trusting you!

The History

As I discussed in the last lesson, our hair is incredibly important to us, and part of that includes the vulnerability and trust that comes along with access to it. This is due to a long history of oppression. There’s a racist history of making Black women hide our hair, as if it would ‘tempt white men’ away, regardless of it were due to actual attraction or the (more likely) rape of Black women. There’s a racist history of touching our hair, as though we are animals or zoo exhibits. We aren’t just going to let anyone touch our heads, so DON'T write that, unless you are doing so to show that it is a microaggression towards your character. Even now, cultural appropriation is rampant. If I were to wear cornrows with hoops, it'd be seen as 'ghetto' or 'gang-like'. Meanwhile, it is a fashion statement for white women. When Miles G Morales showed up in Across the Spiderverse, animators specifically chose cornrows for him, but many people mistakenly took it to me that he was 'rougher and tougher' than the original Miles. This was a racist perception! Hearing the Fade get hyped up in the news as the 'Travis Kelce', when Black men and especially NFL players have been wearing it for DECADES to crickets... it hurts lmao. Point is, you can describe and respect Black hair without being racist about it. Okay? Okay.

Vulnerability

YOUR CHARACTERS NEED TO BE CLOSE BEFORE ALLOWING THEM TO TOUCH THEIR HAIR!!!

It needs to be someone they TRUST wholeheartedly. Again, do NOT let a stranger touch their hair unless it’s meant to be an uncomfortable situation!

Consider CONSENT! Consent is ALWAYS beautiful! Have your other characters (Black or not) ASK to touch your Black characters’ hair! And not in the ‘Oh can I touch it?’ way. But if they’re really close friends or dating, have them ask to help do their braids, or wash their hair, or even just to stroke their hair and face! Or if your Black character is injured with a head wound, and they have to tend to them, have them ask! The asking shows a level of care and respect for your Black character and their body! At any point the consent may be revoked, and that needs to be respected! If they let them tend their head wound, but then smack their hand away after, that’s not ‘rude’- they’re allowed to do that, especially to signify that they aren’t at that level of trust yet. That's still angsty!

One great example of love from a Black character is doing their partner’s hair, or allowing their partner to do their hair. The ‘Hair-washing’ fic is a common thing in fanfiction; we all understand how that shows the depth of the trust in the relationship between the characters. How would you write about that trust with a Black character, if you don’t know what goes into taking care of their hair? If you don’t even know what their hair looks or feels like? The lack of awareness will show, and what should be a beautiful, deep moment will fall flat for Black readers. I wrote one once for my character with locs, and it honestly made me tear up because I realized that I’d never seen one, at least not in the majority white spaces that the fandoms I was in were.

Think about it- how often have you read a hair-washing fic with a Black character? Was it accurate? Would you know if it was accurate? Have you spoken to or heard anyone Black in your fandom space talk about it? Do you know anyone Black in your fandom space to ask? It’s things like this that we have to consider!

If you have a character that is nonblack in a relationship with your Black character, that honestly reveals even more trust because there’s a long history (again) behind that NOT happening! In life, we can’t go to the same places. I can’t go to a white hair salon or barbershop. They won’t know what to do! People are allowed to go through hair school without learning how to work with different, thicker textures. It’s not right nor fair, but it’s a part of the casual, systemic racism in our lives.

My feelings on what Lestat symbolizes aside, the scene where he plays with Louis’ curls in AMC's IWTV was an intelligent way to show that closeness, and how a nonblack character would affectionately play with a Black character’s hair! How he works with the curl in his fingers, rather than trying to pet Louis or run his fingers through- it was an intelligent move on Sam and Jacob’s part as actors to understand that THAT’S how that would go down!

If you have a character that wants to show a violation of your Black characters’ space, touching/harming our hair is cruelty on a very personal level that will generate an extreme reaction.

Think About Your Character!

When thinking about your Black character’s hairstyle, you need to think about your character themselves! What do they do every day? What are their hobbies? Are they Type A, Type B personality? Do they have a lot of time? Are they always in a rush? Are they noncommittal? Are they self-conscious? Artsy? Serious? Are they in a time period where the means to care for their hair are limited?

People make jokes and comments about how Black women don’t like getting our hair wet and dismiss our concerns. But it’s not out of ‘silliness’ or vanity. What you consider ‘just hair’ may have taken days of planning in advance and HOURS of our time! We put a lot of thought and effort into our hair, and it will easily shatter the illusion for your Black readers if you describe our hair poorly or create an unlikely scenario with it. It’s not a joke!

Some Terms:

Protective styles- a style that allows our hair to ‘rest’ with minimal manipulation

‘Tender-headed’- some people’s scalps are more sensitive to the tightness of styles, so it’ll hurt a little bit more and require some more gentleness (Regardless it’s still going to hurt for a bit after a fresh style)

Bonnets- a silk/satin cap of varying lengths that we wear at night to protect our hair and keep the moisture in

Loc Sock- same idea, but for locs

Durag- keeps short haircuts protected; can even help create the wave pattern that many Black men enjoy

Scarf- same idea as the bonnets, except scarfs can be used specifically for straight hairstyles to wrap them up to keep it straight and neat

(It'll seem real legit if you include your Black characters wearing their headcoverings at night! I remember laughing while reading Twilight because I knew that if Edward snuck into my room at night, he'd see me in my scarf or bonnet lmao.)

General Hair Care:

While I don’t completely agree with some of the advertising in this first one (it’s the internet. Can’t go nowhere without someone trying to hawk something) it’s cool in general to explain how our hair looks the way it does.

If you have Black children OCs, it’s important to consider that their parents have to do their hair, and how that will be its own experience! (It can be very stressful for Black children to get their hair done, as it takes a long time and can be physically uncomfortable. There are plenty of stories of burnt ears and tugged tangles and not very nice old women. Children are children! Keep in mind how they may behave while getting the style of your choice.

Moisturizing to keep healthy

Twist Outs

Cute twist out styles

Twist outs are a style that takes overnight to hold, or maybe even a few days! The cool thing is that the twists themselves can be the style! So the tighter you want their curls to be, the longer they’ll wear the twists in. If you want to describe your character with tighter curls, there needs to be a section of time where their hair remains in the twists! If your character has an event, and they want twists… this needs to be done in advance. Your character will NOT untwist them the day of, unless they want weak, limp curls (or you want the scene to compose of them having weak curls).

How long they'll last depends on the activity of your character! If all they do is work a desk job, or they don’t sweat very much, the twists can last some time! But if they sweat, or wear hats or caps, it’s not going to last long. Maybe a week.

Pros: Very versatile! If you have a character that loves trying new looks and enjoy being spontaneous, twist outs are for them! Easy! If your Black character is younger, or haven’t done their hair before, this is a great way for them to start working with their hair! Doesn’t take long (to do)! If your character is in a rush, and they do their twists, they can go just about anywhere. If they’re not self-conscious, this will be just fine.

Cons: It cannot get wet again, or the style will puff up back into your natural texture. It does not last long enough to say “oh my character went on a two year long fantasy adventure with this style.” If you want your character to have a twist out the whole time, they’re going to have to take time to do it. It would be cool if you incorporate a scene where they’re working on their hair, maybe in the background while everyone’s discussing plans or something. Just a reminder that their hair isn’t just staying magically twisted (unless they have the magic to do that).

Afros

Afro Style Guide, Style Guide for Men (works for any gender though)

Wash & Gos are just that- wash it (or really, condition it, you don’t have to shampoo it every time) dry with a t-shirt (to prevent breakage), put some oil and a light crème on it, fluff it up and you’re good to go! Maybe an hour at max and can be done while getting dressed in the morning!

Pros: Easy! If they’re doing a full, combed out afro, it’s not as simple, it will take more time. And at night it has to be plaited so that it maintains its length, otherwise it will tangle. But other than that, that’s still not all that hard. They can show off their curls! Black characters can and should have pride in their hair. It’s beautiful. This is the opportunity that you as an author can describe the pure texture of their hair, how it shines in the light, how the coils look, how soft it is! Romanticize Black hair the same way you do anyone else’s!

Cons: None really! Afros are wonderful! Just make sure that your character has a way to keep their hair from getting tangled. Just because it’s easy doesn’t mean there’s no maintenance! A pick, a bonnet, oil and water go a long way!

Locs

Five stages of locs

A person who does locs is a loctician.

Can be palm-rolled or interlocked/crocheted

I cannot emphasize enough that you do not want just anyone doing their locs! They can really mess up someone’s hair if they don’t know what they’re doing. I say that to say, for your character, if they don’t trust the person doing their hair… they should. They should not be walking into anyone’s place to get their hair locked; they’d do research first.

The time it takes locs to ‘bud’ (that is, to actually form the loc) depends on the texture of their hair. But it can take up to 3 months to even a year for them to actually ‘loc up’. So if your character just got locs, they’re not going to look neat. They’re going to be frizzy.

As long as they’re washing their hair, keeping it moisturized, and not using wax products (DO NOT HAVE ANY BLACK CHARACTER USE WAX PRODUCTS IT IS BAD FOR BLACK HAIR) it’ll last forever! Locs are incredibly strong, especially the thicker they get! It is recommended that locs are retwisted every six weeks, but if your character has freeform locs, doesn’t have the money or time right now, or they just aren’t that pressed, they can grow indefinitely.

Something cute to write in your stories: sometimes locs do just… fall out. Not the whole thing! But the same way thin hair gets everywhere… sometimes the ends of thin locs just… fall off! You’ll find little buds on the ground. This happens especially in the budding stage.

Pros: Very low daily maintenance! At most they’ll need a bonnet or loc sock, and oil/water mix to spritz and massage in. Strong style that can hold any look- buns, curls, etc. They can be dyed, though it will take a long time to do so. I say that to say, if you want your character to have bright green locs, go for it!!

Cons: Low daily, but HIGH wash day maintenance! So if your character has a fancy date or something to go on, they should not be getting their hair retwisted the same day, or at least not so close to. It’s going to be shiny, oily, and tight, which can cause discomfort. Give them the day to let the hair settle!

Locs are PERMANENT!! This isn’t a bad thing, as much as it is a ‘KNOW WHAT YOU’RE DOING BEFORE YOU DO IT’ thing. Technically they can be combed out, but that would take a very long time and very precise effort, and most people aren’t going through all that. They’re just going to cut them off and start fresh. If you have a character that would balk at such a choice, locs aren’t for them. If you have a character that’s picky and choosy, that likes versatility, that can’t make up their mind, do NOT give them locs unless they’re making the conscious choice to commit. (Again, this is subjective! Maybe they have locs because their mother died and it reminds them of her! Okay! That works!) If you have a character that’s vain, or at least doesn’t like looking awkward… unless they’re going to style up the awkward stage, they’re not going to want locs. (Awkward stage: the first two stages get considered awkward because the locs look messy. This is because they’re turning from curls to locs!)

Braids

Styles

How long braids can take depend on the style. Box braids can take 10-12 hours to do! Microbraids? You HAVE to have multiple people or you'll be there for damn near a day (and that's assuming you have a masterful braider!)

How long they last depend on your character! If they're like me as a kid, I didn't care how I looked, so my mom got me cheap braids and let me run free for two summer months. So if your Black character is a carefree child! Go for it. But if they're a teen or adult (or are very concerned about how they look) a month to six weeks is about how long braids can stay in before your new growth shows. A character that is usually trimmed and proper having loads of new growth over their braids may symbolize that they don’t have it all together anymore.

Pros: Protective style! Great way to let your character have minimal daily maintenance; oil and water and something to cover it. SOME braided styles allow for high activity and even rain without changing. It depends on the hair that’s been braided in, as well as the style. Incredibly versatile! They can have multi-colored braids, long braids, short braids, beads, trinkets… if your character is creative and bubbly and likes to experiment, the sky is the limit! That can symbolize their artistic expression, just by describing what they look like! So long as they have the time, they can have any look and style they want. No need to commit too long.

If your character is capable of doing their own braids (and locs, btw), they’re amazing. Like… that’s mad respect for them. If you describe your character being able to do their own braids, they’ve got amazing arm strength, patience, and skill. That skilled dexterity can be revealed as a trait of theirs through that alone.

Cons: They take a LONG TIME. Your character is not going anywhere. If they’re getting braids… they’re not going anywhere. If you write your character doing anything fancy the day of, depending on the type of braids, Black readers are not going to believe you. Even if it did get finished, it would be very tight. I currently have a poll going on, and so far, a good majority of the 10+ answers are braids! It cost MONEY. It is NOT CHEAP to get braids done! If your character is poor as a church mouse, they will be doing those braids with their friend in front of youtube. Because it can be in the hundreds of dollars. (Don’t get me started on hair culture right now; BACK IN MY DAY IT COST-)

Hairstyles on Black Men

I want to specifically give space and applause to these hairstyles on Black men, because we REALLY don’t give Black men enough credit for all the creativity they show with their hair! And again, with The Killmonger being the choice style in all these damn vidya games despite almost no Black man I know choosing it as a look… PLEASE LOOK! WE HAVE OPTIONS! Try describing how gorgeous these looks can be on your Black men characters! It would be very nice.

Straight Hair

Well, I was going to explain, but ol ‘Guest Writer’ here pretty much lays it all out! So just go ahead and read this article lol.

Just to re-emphasize, straight hair is NOT something that just grows out of our head that way! It takes effort! So if you have a character that doesn’t feel like maintaining straight hair, they shouldn’t have it! If your character has natural hair and lives in a rainy or humid city, they’re going to be fighting that weather to keep it straight- make sure that’s consistent with their personality!

My best friend used to wash and flatiron her hair every day. Like, laser focused on looking that good, Type A shit (she’s a top money banker now, so I guess it worked out). If you have a character like that, it’s fine! If they’re lazy any other time of the day, they’re not suddenly going to be waking up at 5am to flat iron their hair. It’s not consistent.

Conclusion

That’s pretty much what I have! I’m not the guru on all things Black hair, and I obviously cannot encompass every potential scenario you may have for your characters. Really, my intention here is to get you to think about how our hair reflects our character and personalities, and how when you write and/or draw a Black character, you have that ability! And when you’re able to incorporate that naturally, it makes your Black readers feel seen, like you actually cared about that character enough to give them just as much description as your nonblack characters. You don’t have to be a master at it! Just… occasionally the little things that we can go ‘oh, yeah!’ at would be nice. An equivalent effort would be nice.

Remember, it’s the thought that counts, but the action that delivers!

[klaunee]

Edit 2/12/2024: I wanted to add a disclaimer to my redesigns! I really appreciate all of the likes and comments that these have garnered, but I just want to add that these aren't intended to be "improvements" or "fixes" of the original designs in any way and were done as a character design exercise for my own entertainment. Looking back on them there's a lot I'd like to change about them and I'd never claim to be anything more than an amateur/hobbyist character designer messing around with these character concepts. ------------------------------------------------------------------------------ Redesign of most of the main cast of Hazbin Hotel + Lucifer for fun and all that. I enjoy seeing other people's interpretations of these characters and wanted to try my hand at it. Elaboration below the cut.

(warning for some potential spoilers for Season 1 below)

Charlie

As you can see, the gist of my redesigns is exaggerating the qualities of whatever the character is supposed to be. In this case, I thought Charlie lacked qualities that identified her as a demon, and so I gave her permanent horns and a more goat-like appearance. I also gave her angel wings for a unique look and to identify her as Lucifer's daughter. Realistically these could be bat wings instead, since Lucifer was historically depicted as having said wings, but I thought the angel wings combined with demonic features would give her a unique appearance. Her outfit is inspired by bellhops and magicians. I wanted her to be based on a type of performer in the same vein as her parents, with Lucifer's supposed ringmaster theme and Lilith being a diva. This is also why I gave her red nose paint, because to me, her red cheeks and white face make her look clown-like. I gave her round shapes to represent her sweet personality while her overall body type is lanky in a somewhat awkward way, trying to depict her as a bit dorky. I made her hair a bit more prominent for a princess-y look.

Vaggie

Vaggie's moth qualities have been exaggerated here. I'm aware of the theories that she's actually not a moth demon but rather a fallen angel, but I wanted to disregard that because I really like bugs. She has four arms, black eyes, antennae, and her hair is actually a pair of functional wings. Her hair-wings have four "eye spots" on them that are actually functional eyes similar to Sir Pentious. Shape-wise I wanted to show her as a more combative, assertive character, with blocky arms and a shorter and wider physique compared to Charlie. I gave her a modern outfit with a fluffy jacket reminiscent of a moth's neck fluff.

Alastor

I gave Alastor a complete overhaul. My biggest gripe with his design is that he's not intimidating in the slightest and yet we're meant to interpret him as fearsome. Although I enjoy the idea of a character who is not physically intimidating while still being a powerful force, I wanted to depict Alastor as outwardly frightening while retaining the idea that he's underestimatable because... his entire body is shadow! Rather than having that Dr. Facilier expy (/j) shadow companion he has, I decided to make it so Alastor is actually the shadow himself. This grants him a plethora of abilities like a greater range of movement, intangibility, etc. I imagine he was disoriented when he first spawned in hell as nothing but a shadow, but slowly found that this could be exploited and became extremely powerful. His staff is based on a vintage style of microphone with the center modified to look like an inverted pentagram. No Voodoo iconography here. The skull itself does not move, rather the red light in his eye flickers in time with his voice. Outfit-wise, he's wearing a basic vintage suit with a boater hat to identify him as being from the 1920's. Of course, the most significant part of his design is his antlers, which are greatly underwhelming in his canon design (disregarding his "true form" which is still weak in my opinion). In addition to giving him a dramatic silhouette, these antlers can be manipulated by him as a pair of appendages similar to hands.

Angel Dust

I didn't change much about Angel Dust. I think he has a nice design. I just tried to make him a bit more spider-like, with pedipalps, extra eyes, and an abdomen. I tried to make the abdomen small so it's essentially like a cottontail. I modified his legs a bit like I did Vaggie's so they're bent in a way similar to bug legs. His suit has a bit more dimension to it as well. I initially wanted to make the stripes vertical for a true pinstripe suit, but the horizontal ones ultimately won out. The most notable part of his physique is his legs like it is in his canon version, but I tried to make all of his limbs longer as well.

Lucifer

This one was very self-indulgent. I wanted to make Lucifer more father-like in appearance to try and diversify the shapes of male characters in this show, similar to how I gave Alastor a stocky build. With a stouter appearance he is simultaneously less and more imposing depending on how he's depicted. I think it'd be nice if his wings were a permanent element of his design. I gave him a broken halo, which he obscures with his top hat. I modified his outfit while still retaining the ringmaster appearance, giving him a long, flowing cape for a dramatic look. He has a cane in the shape of a golden snake which can actually move freely if he wills it. I based his hair a bit on famous carnie P.T. Barnum, and I think he'd have a similar characterization as Barnum too, being an outwardly magnanimous and lovable leader while in reality wanting nothing more than to encourage hedonism, chaos and sin in his subjects. His pointy beard and moustache come from depictions of Mephistopheles. Like Charlie, I gave him red nose paint because like I said, they've got clown vibes. Charlie inherits her goat features from Lilith, who I did not draw (yet).

Thank you for reading!

I'm not 100% on these redesigns but I enjoyed the exercise. I may redo them eventually.

I'd also like to do more of these, especially Adam.

[mauesartetc]

Redesigning Helluva Beelzebub

Hoo boy, roll up the sleeves for this one.

The Original

In my review of Helluva Boss 108, I mentioned that Beelzebub's character design put me in mind of how some DeviantArt kid's fursona might look. And... Yeah I stand by that statement. The most likely reason I can figure Viv Medrano wanted her to be dog-like was to make a reference to her Die Young music video, which featured an anthro wolf singing a Kesha song (for context, Kesha herself voiced Beelzebub and co-wrote a song for this episode).

But for those who are unaware, Beelzebub's traditional depiction looks nothing like this.

Really the only visual similarities the Helluva version shares with the Infernal Dictionary version are the insect wings, six limbs, and the crown thingy over the head. (At least I think that's a crown-? Kinda hard to tell on both counts.)

Bee's eyes get somewhat more insectoid later in the episode, but that feels like a cop-out. Wow, her eyes and colors changed. Totally a bug demon, right?

They had the same problem in Hazbin Hotel with Katie Killjoy, who's allegedly supposed to be a praying mantis but barely resembles one, even after her transformation.

I understand the desire for fresh takes on old figures, and taking creative liberties so the new interpretation doesn't feel generic. But the changes should at least make sense. By now it's pretty clear Viv couldn't care less about representing Ars Goetia demons faithfully, as demonstrated with Paimon, Andrealphus, and now Beelzebub. You could slap completely different names on these characters and it wouldn't change a thing. I posted this meme a while back but it's never been more relevant:

On top of that, what reason could there possibly be for the design to be this damn complex? Why did she need so many markings on her face? Why did she need so many layers of hair? Why did she need flowing goo for her hair, tail, and body, each requiring dedicated effects animation?

When it comes to a hand-drawn production, less is more. Any superfluous details on a character just make unnecessary work for the animators.

Anyway, here's what Viv has to say about it.

Alright, I'll admit: The lava lamp bit is a little clever. Basically it works as a regular stomach does, but on demonic steroids. But it wouldn't look so much like Viv's making this up as she goes if we'd seen Bee's stomach performing its intended function in the episode. Let her chow down on a giant piece of food (maybe that cotton candy she's been handing out-?) and swallow it, and let Loona (and the audience) see it dissolving in her transparent belly. As a general rule, if it's not shown or explained in the work itself, it's not canon. Like I've said before, Viv: Elaborate on the nuances in the story you're telling, not on social media.

Also, "Her ears are designed after beehives"? Wh...Wha? Ma'am have you ever seen a beehive.

(Hell, even if you told me the ears were inspired by the generic cartoon beehive we're all familiar with, I wouldn't have guessed. There's a difference between being subtle and being vague.)

I can kinda see it in the overall shape, but that's a very specific design inspiration that wasn't clear at all in the design itself. Same with the "animal trainer" thing: I never would have picked up on that if Viv hadn't pointed it out. If a character design doesn't visually convey all the necessary information, it's not a successful design. Show, don't tell. There's a communication breakdown between what Viv's telling us and what Bee's design shows us.

(It's possible she actually meant "Her ears are designed after honeycombs", but even then, each compartment has a specific pentagonal shape that's not coming across at all here.)

I also find it interesting that Bee and Loona have almost the exact same body type. Of course Viv's pretty infamous for samebody syndrome, but it's actually unnerving how similar these two are.

Might this be a reference to Vortex's "type"? Is this foreshadowing a relationship with Loona? Am I overthinking this? Yeah, probably. Viv's demonstrated a clear preference for tall, skinny body types over the years, so it's safer to assume that's the explanation. It's all aesthetics. It ain't that deep. Occam's Razor and all that.

Finally, Bee how the hell does your shirt work.

The Concept

So at this point it seems most logical to lean into the "bee" thing for the redesign, and scrap all the canine elements. As for the blobby hair and tail... yeeeah let's nix those too. We're going for a streamlined version that's easier to animate. And because I ignored the ringmaster look for my redesign of Asmodeus, it only makes sense to do the same for Bee's animal trainer vibe (what little there is) for the sake of consistency. I know this version of Hell has a circus theme with its highest-ranking demons, but there's never been an in-universe explanation for why that is.

Let's look at actual bees, then. A quick peek at Google has informed me that certain insect species have smaller, "simple" eyes (also known as ocelli), in addition to their compound eyes. In bees, this manifests as a triangular grouping of three beady eyes on top of the head.

In her Helluva Boss episode, Bee's full demon form has three eyes, which could be a reference to this triangular arrangement, plus her regular form has two spots on her forehead in addition to the third eye. So it's possible Viv actually did research for something. Pleasantly surprised on that front.

Next, the body. I've noticed that some folks find Bee's skinny body type refreshing, as the sin of gluttony is too often personified with fatness. And that's fair. That's valid. But consider this:

Imagine any Vivziepop character saying that about a chubby person. Imagine the series sending the message that fat people can be sexy too, and that they have worth outside of their appearance, enough for at least one character to consider them girlfriend material. That they're valued and appreciated regardless of this culture's beauty standards (which we know nothing about since the worldbuilding is as thin and flimsy as tissue paper, but whatever). Imagine if this show finally had a fat female character who wasn't relegated to the background. Don't know about y'all, but that would be refreshing to me. And when you take into account all the fat-shaming of a character who isn't even fat, portraying a fat character as attractive would be a nice change of pace for this show.

Now let's talk about clothing. In the episode, Bee's clothes show off a lot of her body, with a cutout crop top and short shorts. We can take a similar approach for the redesign (something that still shows off her chest, belly, and limbs, in keeping with the extroverted "party girl" persona), but that perhaps includes more queenly elements.

The Redesign

Because this is a redesign, many elements were already in place, but I still had to figure out how this character would look as a bee. Here's where the preliminary sketches came in. Lots of trial and error in this process.

Wrestling with this character's face got a lot easier once I realized I could mold it into a pentagonal shape akin to a honeycomb compartment. It took a few tries, but at last, I had a final sketch.

All that was left to do was test out some color combinations.

I tried a few different approaches, but in the end, this is the version I felt worked best.

I used many of the colors from the original, but pushed the orange much harder since orange is the symbolic color of gluttony as a sin. And overall it gives Bee a nice honey-ish look rather than the generic black and yellow we already see on so many bees in cartoons. I thought the colored outlines on her clothing would add a soft, feminine touch, as well.

And just for kicks, here's a quick sketch of her giant form, inspired by the Infernal Dictionary drawing of Beelzebub.

Conclusion

The canon version of this character exists in the form she does for no reason than to stroke her creator's ego. "Hey guys, remember when I animated that Kesha fan video? Remember how cool that was? Wanna see me foist this unnecessarily-complex character design on other animators while I take a victory lap?" I wouldn't mind so much if Viv animated any of this herself, but she didn't. I could almost excuse this if she had no animation experience and didn't know how much work it requires, but she does. The self-aggrandizing entitlement is just off the charts. But a nonsensical design is leagues better than a stolen one, so... brownie points for that, I guess.

[fantastic-nonsense]

I pondered over this a lot, maybe you could provide an answer?

Do you know where Nightwing keeps his gadgets? Because it looks like he grabs them out of nowhere and only has straps for his escrima sticks and nothing more. Maybe that's strategic of him, as villains would go for the belt when they capture bats, so that his tool source couldn't be removed. Damn, I just made a perfect excuse that is actually perfectly reasonable for his character.

Seriously though, where does he keep those wingdings?!! (Still love that dorky name)

Okay so it might not seem like it but this is actually a really funny question because it basically only applies to his post-90s suits. As Robin he had a traditional utility belt, and his first two Nightwing suits also had one:

In the initial fingerstripes design, Dick generally kept most of his stuff in his gauntlets (mostly his wrist gauntlets, but he also had boot ones):

Once DC slimmed his suit down visually in the mid-2000s those gauntlets became more or less invisible unless an artist wanted to emphasize them, but they were still there:

2011-2020....your guess is as good as mine, honestly. New 52!Dick had a belt, but it seemed to be more for visual effect than anything practical, and Rebirth!Dick had nothing that I could see. I think there was a gag once about him keeping a spare mask in the lining of his suit, but I genuinely don't remember where he kept his stuff.

Currently (as of Tom Taylor's run and Bruno Redondo's suit redesign), he has some gadgets built into his escrimas and a little backpack for his wingdings that also doubles as his escrima holsters:

It's objectively the best redesign of Dick's Nightwing suit since the original black and blue fingerstripes redesign in the 90s, because it's fashionable and looks cool as hell without sacrificing any obvious practical storage limitations. Also whoever thought up making Dick's escrima grapple gun feature function like a trapeze bar....galaxy-brained.

[jinkiezzsstuff]

Rivalry To Romance

velvette x f!reader

Summary: You worked in cosmetics at the Vee tower alongside Velvette, unfortunately you’ve never gotten along. You found her obnoxious and she found you to be a pest. However you struggle with yourself on whether you truly hate her or just can’t accept your true emotions.

Warnings: Fem reader, reader throws things again so does velvette, valentinos presence yuck, suggestive but nothing serious. No mention of readers hairtype, bodytype or skin colour, shorter than i originally wanted womp but I think that’s it but lmk

Word count: 2.5k

we need more velvette i love her so much and there’s like no info on her character or back story at least that i could find woomp womp im trying clear up what i have drafted but sheesh im so picky and a perfectionist about it i wish i was a writing machine that it could come directly out of my brain like i see it y’know?

“I fucking hate her!” You screeched tossing make up across the room at your assistant. “Please, calm down, my head hurts.” Angel whined from your couch as you paced around him, your assistant booking it after the second thing, that being a vase, was thrown.

“I can't, she's intolerable, seriously. A brat.” You grit plopping down onto the cushion beside him. The two of you were in the Vee tower, you being what Velvette would call ‘the shadow of the vees’, you got in on the triangle based on accessibility; for the Vees that is. You were a cosmetic creator and produced varying products for demons of all kinds, not only was it beneficial for Valentino's pornstars but Velvette’s models.

When you were a self employed business it was still very lucrative, and getting around quickly. Gaining the opportunities to work with overlords, sinners you never expected as well as selling and gaining quicker than you could’ve imagined. It wasn’t long until Velvette had caught onto the rage, and that’s how you ended up in the tower working alongside her.

It was terrible from the start; you weren’t some meek little demon, yet Velvette treated you like you were some Imp! You hated her bratty, disrespectful loud mouth and you never failed to let her know.

BIting your nails down too low without realizing, Angel grabbed your hand successfully stopping you, and leaned forward. “Hey listen I know how it is to have a sucky boss. Heh, literally.” Angel snickered to himself while you muttered that she wasn’t your boss. “But if i’m being honest, it sounds like sexual frustration,” He twiddled his fingers at you while a sly smile pulled at his lips.

You gaped at him, head falling forward in disbelief. “You’ve got to be kidding me, hah, no fucking way dude!” You exclaimed, leaning back, you sighed frustrated at the conversation. “Oh shit, gotta go toots, boss is calling. Thanks for letting me up, see ya later.”

You waved by to Angel watching him go. Sitting with your elbows on your knees you stared off into space. Sure you suppose you admired her, sure, she was pretty, occasionally sure you’d check her out admiring how the clothes fit her, but that was purely platonic! Velv was a fashion designer, of course she knows how to accentuate her natural beauty.

And perhaps there were times when you couldn’t quite decide what you felt for her questioning your intentions second guessing your actions. Sometimes as you gazed at her while she worked, you wanted to ease her up a little, relax her from the stress whether that be from praise, a gentle rub or kiss, or something a little more promiscuous; you simply wanted to be her relief.

Other times you wanted to fight her and bitch her out, and then fuck her? You actually didn’t know and it drove you insane, but Angel was the first to spot the way you acted, overly aggressive.

You groaned, frustration emitted from you very clearly as you tugged at your hair. Standing you walk quickly toward Velvette’s and yours’ work sections on the tower's mid floor. Velvette stood at a table when you walked in, she only barely turned her head to you, too busy studying fabrics and colours.

“What’s the pretentious brat got cooking today?” You say walking up beside her looking down at the table. Rolling her eyes she turned to you hand on her hip. “Can you piss off? I’ve got shit to do, real work, not lazing around with a whore.”

Rolling your eyes right back at her, you looked down to the table. “Angels no more of a whore than that filthy moth.” You muttered fingering the fabrics, eyes dancing around the blueprints for an outfit.

“What’re these for?” You ask, meeting her gaze, a bored look plagued her face, but she loosened up slightly at the mention of her work. “These are the new blueprints for our outfits for the upcoming broadcast Vox has planned. He wants to market tech, pornos, clothing and your cosmetics so everything’s gotta be right.”

Velvette looked down harshly at the things laid out in front of her, you could see the gears working in her head as her eyes flicked around the different blueprints, fabrics and rough drafts. You hummed, flicking through a particular set of blueprints that caught your eye. “I’m sure you’ll do great hun, always do.” You muttered absentmindedly, barely focusing on the praise that came from your lips.

Velvette’s head jerked back a bit, eyes watching you. She wasn’t expecting such softly said words to come from you so suddenly, but she definitely didn’t mind it. “Do you want something specific?” Looking toward her you shrugged, trying to ignore the yearning you had to be nearer.

“Just a dress, suppose the only request I have is that I look the part.” You didn’t mean for it to come off sad however, it did, and Velvette felt the rare sting of guilt ping past her heart. She was in fact the one who fought with you the most on who was worthy in the tower, but she always felt you were trying to replace her as “the guru”.

The fight you had earlier was present in your mind as you stood there, it was dumb another thing that sent you spiralling. You stomped off and straight into Angel, thank goodness for that because his presence calmed you surprisingly. The fight was about time slots with models, mainly because one model had been held up by Velvette because she was being a snooty princess again about what the model wore, meanwhile time was ticking on how much time you had to do said model's makeup.

Which ended up spiralling into a screaming cat fight, where you tossed things at her and she tossed them back slinging a slew of colour insults at you as she did so. Normally you and Velvette never apologised but as you stood there beside her looking over stuff you felt as though the moment of peace was close enough to an apology.

“Do you really wanna go to this?” You asked breathing in deeply, catching hints of her perfume that left a warm familiar feeling in your chest. “Hm not really, but we have to.” Picking up navy blue colours, she stacked the square fabrics together.

Swallowing you ask; “What’s your favourite colour?” Stunned Velvettes hands stalled their actions, her eyes meeting yours. You were waiting looking neutrally at her, you simply wanted to know. It was easy to see Voxs was arrays of blues, Val’s pink and red, you fancied emerald and sea greens, and her.. you didn’t know, hot pink?

“I fancy whites, purples, plums…” Trailing off finger to her mouth in thought, she nodded one sternly. “White and plum.” You smile ever so slightly it was a decent conversation for sure. But it definitely didn’t help you inner fight about your feelings for her.

~

Today was the day of the broadcast, the lot of you ventured to Valentinos floor of the tower, doing it up for a big show. There were tons of tables set up, lighting, cameras; the porn stars were done up thanks to you and Velv, they sat on a plush couch their section was going to be an ‘interview with the stars’ no doubt being entirely fake lies. Angel was a part of the cast, much to your dismay, you’d rather him be far from Valentino, but that wasn’t possible. Another area was new improved tech, with tech nerds ready to present and push the new models Voxtech had made.

Off to the back was Velvette’s section where various manikins stood cladded in Velvette’s best work, there were also models present around waiting to pose with the manikins. Your area felt blander than the rest, your cosmetics sat on varying different platforms that lifted them aesthetically, and you had a few head models with you, cameras focused in on only their eyes and lips for the occasional shot. In the middle of the room was where you, Velvette, Vox and Valentino would be.

The lot of you were going to be standing tall with wide smiles, the only one who was set to talk was Vox, the rest of you were just their to claim name to your things. Velvette was running around taking Sinstagram stories and pictures of everything around, building anticipation and hype for everything to come.

You watched her bounce around every now and again yelling at a worker or model about their place here, before getting back to puttering around. She wore a white dress with hearts at the bottom, and her hair was done up in a classic poof instead of her straightened pigtails. “Admiring the goods?” Angel asks, scaring the shit out of you, gasping you grabbed your chest in shock. “Fuck Angel don’t do that to me, and ye- wait what?”

Angel cackled an accusatory finger pointed to you. “Oh cmon! Even Val knows you’re into her, and that’s him.” You stared in disbelief before shaking your head no rapidly. “How would he even know? We barely spend time near each other, I hate him more than Velv.”

Angel scoffed, crossing two sets of his arms he leant against the wall next to him. “Please Velvette’s always ranting about how annoying you are over the phone, telling Val when Vox is probably too sicka her to hear it! Then she goes off saying how you can’t be nice and how you always make it a mission to come and pester er’ and Val said it’s because you wanted to fuck her!” Angel exclaimed slyly leaning forward into you and than backward away.

“That’s not true, we just can’t get along.” Like the devil heard your words, Velvette skipped up to you three, pulling the two of you into her. “Alright! The bitches! That’s more like it!” Velvette shouted, snapping a picture, Angel defaulted to his actor ways posing lustfully at the camera, meanwhile you just smiled unbelievably at Velvette. Once the picture was taken she wasted no time stepping back and sending off the post with a series of different hashtags.

“You look happy today?” You ask more than say watching Velvette smile around the room. “Of course people have stayed quiet, and not been a dickhead all day. Not to mention Vox and Val aren’t in moods.” You nodded in agreement, eyes casting briefly over to the TV who walked around checking the different cameras while Val smoked in the back.

Angel not so subtly snuck off giving your back a shove closer towards Velvette. Even if you could admit to yourself you felt more than platonic emotions for her, it would be extremely hard to accept it or attempt to make a move when you didn’t even know her sexuality.

She’d never seemed interested in Vox or Valentino, but you’ve not seen her eyeing women either. It made you more uncomfortable to ponder the future of accepting your feelings when you could just be cruel and ignore them. “What’s up with you spacey?” Velvette suddenly asked her phone off facing toward the floor.

You anxiously fiddled with your short dress wondering if now would be a good time to start something. “Nothing Velvette, just nerves i guess.” Velvette rolled her eyes, shaking her head disapprovingly. “You’ll be fine, always are anyways. We don’t do shit, it’s all Vox.”

Fair enough. Although that’s true it didn’t really matter considering it wasn’t what was really bothering you. “Are you straight?” You blurt suddenly, hand jerking upward to cover your mouth. Velvette’s eyebrow raised a ‘huh’ falling from her lips.

With a decision in mind, you couldn’t deny it, knowing that even Val saw something you know how you can’t hide it. The daydreams you have of her warm skin next to yours in the morning, the friendship you wish you had, the desire to have her lipstick smeared against your lips, wanting to post cheesy couple pictures together all over Sinstagram.

“Uhh, yeah, are you straight because I haven’t ever seen you around anybody, like, ahem, that.” You stutter out staring at her trying to gauge every little emotion on her face. “Suppose I could be considered, but i fuck who i want no matter the package.” She finally replied, returning to herself after spacing out, looking calmer than you.

“Would ya fuck me?” Scratching the back of your neck as her eyes scanned your face rapidly, trying to read you, trying to tell if you were serious. “Yeah, if you weren’t such a bitch.” You hum watching her once more, this time she looked a little meeker, shifting from foot to foot, her gaze casted downward.

“And what about love? Y’know not just wanting to have a hook up?” You asked a little apprehension evident in your voice, you craned your neck back trying to distance yourself subconsciously.

Softly you felt Velvettes gentle hand on your shoulder, focusing all your attention on her, you watched as her face turned out to the side, only looking at you through her peripheral. Her other hand crawled up to your other shoulder, before drifting softly to your neck, sending shivers down your spine and straight to your toes.

Velvette was still at fully extended arms length, so you stepped forward, cupping her cheeks gently like she was made of the fragilest material. Now eye to eye the two of you simply stared waiting, while invading eachothers space. Cautiously you leaned forward thankfully being her height, you hand your eyes closed already hoping she’d get the message, and either pull away running or indulge.

You were more than shocked to feel her lipstick covered lips meet with yours, soft yet eager. You kissed her back slowly, trying to convey the emotions and feelings you felt without speaking, the apology you wanted to say but didn’t know how.

Pulling you closer by the neck, you fell into her slightly, wrapping your arms around her like she was your world, fully absorbed in the passionate kiss you were sharing. Just as the kiss turned slightly heated, tongues introducing and slipping past the barrier of eachothers mouth Vox screamed. “You’ve got Velvettes makeup on your face, FUCK, why?! Why?! Five minutes before we’re live!” Jumping apart the two of you looked toward Vox who was already glitching out, meanwhile Val just stood smuggly sucking his pipe.

“Don’t worry he’s just mad that he now owes me one hundred dollars, losers weepers,” Val breathed his smoke wafting around the TV’s head. Velvette threw the bird at Vox before turning to you pulling out a handkerchief. “Weren’t you calling someone geriatric, now you’re pulling out handkerchiefs?” You teased, her hand coming up to wipe her black lipstick that stained your face.

“Oh piss off, or we’re both fired,” She scolded but there was no malice in her words like before making your heart flutter. “So how long before this gets out, our little before the air make out sesh?” You inquire as she handed the cloth to you, you wiping her smeared lipstick just as she did for you. “Based on the vibrations from my phone, not long.”

[weirdmarioenemies]

Name: Waddle Dee (Possessed)

Debut: Kirby 64: The Crystal Shards

I'm a big fan of Kirby 64, I must admit, but there are some decisions that elude even yours truly. Why does Rockn only appear in one section of one level? Why did they only keep the Kirby Dance music for the sound test? And what the HECK is going on with Waddle Dee (possessed)?!

Like, let's look at Waddle Dee, our good friend Waddle Dee.

Waddle Dee here is soooo cutes. A cute big face with two small little eyes and little blush marks? Sign me up! We all have grown to know and love this design, the most iconic Waddle Deesign of all. Now let's take another look at the other guy.

As Kirby would say, "KirbyyyYYYYYIKES!" Its face gets ENTIRELY eaten off by Dark Matter, and all that's left is a single, unloving eye! Staring at who? Staring at YOU!

Honestly, I don't know where they even got the idea for Waddle Dee (possessed)'s design. The other possessions in the game don't cause changes nearly this drastic...while Dark Matter does have only a single eye, it doesn't make anyone else like that at all! And even then, the little hairs go even more unexplained! Are they implying Dark Matter can turn things into mammals...? Horrifying!

Waddle Dee (possessed) (who I will call 'Waddle Dum' for the rest of this post out of simplicity) is one of the most eerie designs to come from Kirby 64, but also one of its many testaments to original character design. Not even in my wildest dreams could I imagine a twisted form of Waddle Dee as spooky yet succinct as Waddle Dum's. And it has so many POLYGONS, too! With how soft and wet that eye is, you'd think it was a real living creature!

Unfortunately, like every midboss in Kirby 64, Waddle Dum cannot be inhaled, so we'll never know what this monoeyed Waddle Dee-esque creature would give as an ability. Maybe it would just give nothing, like normal Waddle Dees, but I have an odd suspicion it would be something else…but what? It likes to dash forward, but isn't fiery enough to give the Burn ability...and Cutter, Ice, Spark, Stone, Needle and Bomb CERTAINLY don't work, either!

Sadly, since Kirby 64's Waddle Dee has never conclusively reappeared, Waddle Dum never has, either! Yet another charming design from Kirby 64 thrown to the dirt...here's to hoping they have him reappear in a new one! With the new focus on possessions outside of Dark Matter, the sky is the limit!

Edit: Hey guys! I can't believe I didn't realize this, but thanks for informing me that “Waddle Dum”'s design is NOT original to Kirby 64! It actually appeared way before the game debuted, and we know for certain what name it has and what ability it'd give! So, without further ado, here's a much-needed correction to this post:

Name: Parasol Waddle Doo

Debut: Kirby's Dream Course

[starrclown]

Silly little double post cause I thought of this SECONDS after my original post bitching about the Hotel.

I have a theory on why people don't complain about the black characters designs of Hazbin Hotel. (I'll talk about it at the end)

Let's talk about the 4 black characters of Hazbin Hotel that people defend the designs with their LIFE.

First up:

ALASTOR

Alastor has been confirmed to be a mixed Creole man from Louisiana. Does he look like it? No. No he doesn't. If you told me this man has the whitest parents this side of hell then I would believe you. There I nothing visually that gives away he may have black features. Nose shape, lips, not ashy grey skin (something well see just you wait), thy couldn't even be dammned to give him curly hair or nothing! He doesn't have no black features and it's really off putting.

People argue that he has a white parent, a part that could play in him not having black features. I will remind you all again that I am not mixed. I am white. Mixed people can look any way. There is no specific way for mixed people to look. But cmon. No black features at all? Nothing? Personally I believe that Alastor want designed to be black. I believe that Vivziepop only made him black to justify him using voodoo. This is only speculation but to each their own.

Side note but the way yall attack people, mostly on Tiktok, about redesigns or re imagines is actually depressing. Could make a whole rant on that in general.

Next up:

VELVETTE

Thir is similar issues with Alastor and Velvette. No textured hair, no nose shape, no difference in her lips, ashy grey skin. While I like that Velvette changes hair styles every episode, personally I think that Velvette should have more black hairstyles. Like Velvette with braids or dreadlocks would be so cool. To this shows credit, Velvette did have a afro in episode 8. Honestly that should be her starter hair before she changes it. That would be so cute. Manifesting Velvette with a afro.

3rd:

Sera

Sera I would argue is the best designed black character. She actually has more pigmented brown skin and her hair I think is supposed to resemble dreadlocks. Personally I think their is room for improvement. She could be browner, less ashy looking, since she actually had a nose it could be a different shape then just straight, their could be more detail for her hair. While she's the best designed character, their is room to grow.

Side note: Y'all hating Sera too much. I see fanart and animatics of her being this blood thirsty killer that is jus destroying hell. Yall she is actively shown in the first 2 minutes of Hazbin not agreeing with the exterminations and actively frowning at the idea of murder. Sera is great I don't know what yall are on.

Last and certainly least because oh my god:

Emily

This is not a black woman. No I don't care that Viv said she's or that her Bible page says she is. Where is any black features? Her skin is gray, she has pencil thin lips like me, a white boy, she has stringy straight hair, and no nose at all.

This goes along with Sera as well but people say that they are angel's and don't have to look like black women because their angels and don't have a race. Which 1. Is wrong because Emily's Bible page said she was a youthful 20 something black woman and 2. If their angel's that dont have races then that fine. But.

DON'T SAY THEIR BLACK WOMAN AND THEN NOT DESIGN THEM LIKE IT.

If Viv just left them raceless then the would have been fine. But that not what she did. She made them black and then back peddled when people said that they didn't look like black woman. She tried to have her cake and eat it too. No, I don't care their angel's, if your going to give them a race then commit to it.

Let's get on to my conspiracy theory. I've noticed something in the Hazbin Hotel fandom that I think is the reason for the dismissal of the black characters no having black features.

Fanart.

I'm going somewhere with this is swear.

Go to Tumblr or Tiktok and see the art people create of Hazbin Hotel. You'll notice that people give Alastor and Velvette brown skin, they give Emily curly hair, they give Velvette full lips and different black hairstyles.

People make their art of the black characters looking black so when people see it they associate it with the show.

This is of course just a theory but I've noticed it alot and I think it's a pretty damn good explanation.

Sorry if this isn't as good as my other rants, I tried to get this out quickly because my theory was bothering me.

Asks are always open, art is always here, commissions are open, black lives matter.

- ⭐️StarClown⭐️

[kroovv]

This isn't criticism but does that anon know about the hundreds of identical ocs that exist out there? Off the top of my head right now I can name at least 3-4 dark haired white emo boy ocs who all have band shirts and skinny jeans and a purple hair streak and that's just the ones I remember (and have seen)(not judging its just what I can think of rn lol). It's literally like, fine, if you make a design that looks like someone else's. Nothing is original etc etc, eventually 2 people are going to completely independently make identical ocs it's just how it goes sometimes. Nothing to be anxious about. Most people when they see someone has an oc that looks like theirs aren't going to go "hey! Thief!!" they're going to go "oh neat!" and move along, it's chill it's fine, if making a character that looks like someone else's was bad we'd have run out of art to make by the stone age

👆👆👆

[punkeropercyjackson]

It's finally here!!!

Graphic design is my passion LMFAO but as i said i would do a while back,i've created a masterpost of all the Jason Todd content that's worth your time!This is rather long but he's existed since 1983 so!!

Base edit is my little sister @mayameanderings and tagging @coffeemilkcatz and @nanaonmars since they said yes when i asked if they wanted me to!Let's dive in then!

Batman 408-426,Detective comics 568-582,Superman annual 11,New Teen Titans 18-31,Blue Devil 19,Action comics 556 and 594,Batman Annuals 10-12 and Batman(The cult)for pre-reboot Robin!Jason my beloved

Nightwing Year One 101-106,New Teen Titans 55,Nightwing 10(1997)and Legends of the Dark Knight 100 for Dick and Jason siblinghood,Gotham Knights 34 for the short story of him and Alfred and Detective comics 790 for Bruce telling Cass about him as it takes place on Jason's birthday

Lost Days aka the Red Hood prologue

Under The Red Hood(2010)-The original comic is good in it's own right but the movie is leagues better written(Rare comic book adaption exception lmao)

Robin 177 and 182-183 for tha actual Tim and Jason beef instead of 'replacement' and 'enemy to caretaker' bs

Azreal:Death's Dark Knight 3(Can't give commentary on this one since i don't know Azreal like that,sorry)

Red Hood and The Outlaws(2016).Unlike the Utrh comic vs the Utrh movie,the original Rhato has nothing positive like the reboot

Not TECHNICALLY Jason BUT Duke is his favorite brother and Stephanie's the only Batfam girl he's truly close to so you should also stan them since he'd want you to /lh

Red Hood:Outlaw for the confirmation that Red Hood loves black women from infinity to infinityyyyy(meaning his love interest Dana Harlowe is introduced and featured as an mc in this run)

Urban Legends 1-6 for his return to the Batfam-Messy tbh but i do enjoy parts of it!

Task Force Z for him and Stephanie being a vigilante team and it has a prelude,that being Detective comics 1041-1043

Unkillables and Joker:The Man Who Stopped Laughing for Jayrose goodies and more of the above

Gotham War if you feel like turning off your brain to look at good art and laugh at dogshit writing

Red Hood:The Hill is his current run and when our queen Dana comes home from comics limbo!!!

The following is a misc list that's not required to include in your Jason knowledge but HIGHLY recommended you do just for fun!

Tiny Titans 23,29,33,39,45 and 47,Bombshells 46,60 and 62,Bombshells United 18-24,Lego Batman:Family Matters,A Death In The Family 2020,Batman:The Adventures Continue,Batman/Teenage Mutant Ninja Turtles 5-6,The Doom That Came to Gotham 2023 and The Teen Titans Go episode 'The Best Robin'(Pre-Reboot Robin Jason rights!!!).Also look up 'Nobody cares about Tim Drake' if you don't know what that is,you'll love it

Jason also appears in the Lego DC Super Villains games that i highly recommend as well especially because my girlfriend is a mega fan of it and i don't know much about Lego Batman 3:Beyond Gotham but please avoid the aformentioned original Rhato,Red Hood:Outlaws and the Gotham Knights game as they feature extremely problematic writing not limited to but including racialized misogyny and ableism and do disservice to Jason himself anyway so you wouldn't want to consume them to begin with if you want to like him.I have mixed feelings on the Arkham Knight and Injustice games series' but they are objectively fairly good so i wouldn't say no to giving them a shot to see if you like them

And for the finale we have Wayne Family Adventures-Definitely a good read but to be totally honest it does Duke DIRTY and it sucks so much of DC to have marketed as his series to not only not follow through at all and make it an ensemble cast instead but ALSO deprive him of his actual characterization and story to make him a demure weak black boy stereotype.I won't judge you at all for liking it if you decided to read it or have already but kindly keep this in mind and consider joining me and my mutuals in our rewrite of it to give our Signal of Hope and Chaos the writing he deserves or at least support us through likes and reblogs!Happy Jason readings and have a good day💕

[ahli-stuff]

The Corinthian: more than an object but less than a human and a wretched reflection of his creator

My obsession with the Corinthian is so funny because at first it's like ok. Cool. He's this gay serial killer nightmare with creator issues who's turns out to be a charming antagonist while he's pitted against dream and going about his nefarious plans on screen. What's not to love?

But then there's the next layer of oh...he has preferences and quirks and interests, but he's not a person enough to be a human he's a tool.. that's why he gets unmade in the middle of the street by his lord!! That he had a couple millennia of history with!! Because it's easy.. Dream has the blueprints, therefore remaking the Corinthian and editing out these faulty design aspects is pragmatic. It's efficient. It's less effort and way less emotionally taxing that trying to wrangle in your rogue creation and trying coax them back into doing their job. A human makes a mistake, you correct and reprimand them and offer a better course of action. But if your wrench rusts, you throw it away and buy a new one. It doesn't matter if it's your prized or even your favorite wrench, if it's been rusted to the point of uselessness, you toss it.

And the Corinthian, the agonized wrench, can probably only think: "Did I really mean so little to you?"

I think it totally fucks with his mind. The fact that Dream refers to the Corinthian as his masterpiece and yet he is still lesser in every form of his being—his agency is lesser in every form.

But you can't really blame Dream, can you?

Dream treats the corinthans agency like he treats his own—unnegotiable. For him, it has always been perform your function or die.

Dream: We are, each of us, born with responsibilities. Even I am not free to choose to be other than what I am.

And the Corinthian, in his own eye teeths, has performed his prescribed duty perfectly without hesitation or fail for thousands of years as well and worn as a well used knife—but he knows he can do more, so he does. Because if his function is to chase and slaughter in the dreaming, what's to say can't do it in the waking too?

Besides, in the waking, he's realer. More combobulated. More valued. If you're a mirror for long enough you start to crave a look of your own.

And oh, even with the thrill of newfound freedom, he loves his lord. He's eager for to give to him—to share with him—everything that's ever been dreamed of. In the Corinthians long, long, life he has only ever had his purpose and his lord and for a while that was enough, but his expectations evolve, he changes.

And that's really what dooms him.

Over the course of The Sandman you can see that looking deeper into Dream's ideology "perform your function or die" reveals one of the true themes of the sandman which is "change yourself or die." The Corinthian, whether intentionally or unintentionally serves as a mirror to dreams own character arc and the way dream treats himself.

Like how people put facets of themselves in their original characters, I think that in the corinthian Dream put a version of his own insatiable hunger; to break every rule, to run freely, to enjoy hedonistically. In creating the Corinthian as a mirror Dream unknowingly reflected a distorted face of one of his own buried desires—and i think he couldn’t accept that.

The Corinthian even calls dream out for it at the serial convention (even though he's advocating for murder) he's also jabbing at Dream's unwillingness to show emotional vulnerability and the cage he's built around himself.

Corinthian: Or you might actually feel something.

The dream the Corinthian knows he always cared exceptionally little for humans save for a select few, so what remains is this. Dream might've cared for the Corinthian, but he would unmake him, his prized creation, not for any moral justice, not for a personal slight, but for his rules and nothing else.

For the corinthian, who has spent years upon years upon years with his lord, fighting in his wars, chasing after his approval, pouring every ounce of love and loyalty to him—it stings.

And then there's this scene.

Dream: You're right. This was my fault, not yours. I had so much hope for you. But I created you poorly then.

This is the Corinthian, knowing he is about to die, spilling his frustration and spite to his creator for maybe the first and last time and trying, desperately, to make dream understand that none of this is fair (it's never been, for either of them. It's been the function and nothing else for an eternity but they could be happy.)

This is Dream purposely misinterpreting the Corinthian in the way that is guaranteed to hurt the him the most. Dream, with a writer's indifference, reduces the Corinthian's complicated desperate desire for freedom, rebellion, and his creator's love to his typo. Like a character’s grievance towards their writer, like a man’s outrage towards their god, Dream decides not to deign the corinthian with even the right to call his treason his own. He will not even let him have that bit of agency. No, Dream made the Corinthian wrong.

And then Boyd Holbrook does a phenomenal piece of acting here—he knows how to play evil and charming so well but the Corinthian’s vulnerability is so starkly on display it feels like a knife.

And when you imagine he is about to burst into bloody tears and anguished final words, this is how it ends: they leave each other cruel and jagged, because the corinthian will not end pathetic and he will have the last word.

The Corinthian: I am only sorry I won’t be here to see Rose Walker do the same to you.

The first Corinthian never gets a happy ending.

I don’t think there’s any universe where he doesn’t bite more than he’s allowed to and there is no world where he can really be forgiven. As there is no universe where Morpheus Dream does not stubbornly tie himself to his function and hurt himself and those around him with his pride.

In objectification and the inability to change, they exist as wretched mirrors of each other: The first Corinthian, sick of his function and executed for abandoning it, and Dream, unendurably tired, taking his sister's hand in his when he can no longer bear to perform his duty.

[dailycass-cain]

2023 was another big stepping stone with Cass. The character was featured in A LOT of stuff this year amongst a few negative antics.

But unlike prior years the good really outweighed the bad. BY A LOT.

So let's take a look back one final time #CAINAISSANCE2023...

The year started STRONG with the release of Batgirls #14 aka the BEST solo story that involved the character this year.

I've gone in LENGTH on how AMAZING this tale was. If you haven't read it DO SO. You don't need any context but to just take in the masterpiece given.

Writers Becky Cloonan and Michael Conrad gave artist Jonathan Case just this canvas of an issue to tell AN EPIC mostly silent issue.

If there's a tale Batgirls will be remembered for it'll BE THIS ISSUE.

I've lost count to just taking in the gorgeous art Case delivers here and just letting the actions and emotions tell the tale.

The only regret is well no full payoff to what is fully learned within this issue.

It just hits EVERY mark and is something any Cass fan CRAVED, but never got in Batgirl Vol. 1. Batgirls #14 was a worthy issue that should be talked about amongst fans of Cass for quite some time.

February gave us Cass's grand entrance to Ram V's Detective Comics run (#1069) and what an entrance it was! Literally, I can't let it go of how AMAZING it was.

And the run itself? It just keeps delivering as THE Batman book out currently.

It's a slow burn and when the run lays the payoffs IT HITS THOSE PAYOFFS. The series just ended an exceptional bi-weekly event that featured Cass and well, I'm extremely curious where this run goes with the character.

If anything, I just want MOAR from Ram V or a smaller secondary story involving Cass. But given the various characters he's been rotating and given next year is 2024 (more on that later) I'm keeping my fingers crossed for ALL OF THIS.

This run does work in trade but I digress you'd be missing the GORGEOUS covers this series has been shelling out. If anything BUY the single issues and read the run this way until you get to the present.

Or reread them like I've been doing. 😋

The early half of 2023 marked Cass's surprise return to an actual role in mega crossovers. She took part in the final issue of Batman vs. Robin being one of the random factors to stall the possessed Batman until ALL of DC's magical users came to cast it out of him.

The weakest of the crossovers the character was involved in I have to say was Gotham War. It was a nothing burger that made me swear off the Chip Zdarsky run of Batman completely.

Honestly, I feel more rewarded reading Tec more. Unless Chip pulls off a miracle turnaround in 2024.

But I digress Zdarsky was only half of the problems with the other being Tini Howard and yeah, if you were a Bat Family member who wasn't Jason Todd (how did that mini turn out to be more entertaining then the ENTIRE event?!)?

This story SUUUUUUUUCKED. Quite possibly the worst Batman event story since War Games/Crimes for me.

Sadly, the most disappointing stories I'd have to say are on equal ground in Beast World and Knight Terrors. As there was interesting concepts with Cass involving them, and both stories just go NOWHERE.

I feel more so robbed with Knight Terrors as the design for Cass within it went hard. It's just that you give us THIS design and tease us with this little nugget and give us NOTHING?

COME ON!

Beast World was a whole nothing burger as well, save the pretty art and a full confirmation that Cass's old NML is now canonically her defacto one again.

Even if we had it mentioned earlier last year and again in the best crossover event involving Cass...

WHICH WAS IN LAZARUS PLANET: DARK FATE #1. It gave us Alyssa Wong returning for a THIRD time to write Cass and they were joined by Haining on art which introduced us to the world of Xanthe.

That in itself led to a spinoff mini-series that had Cass in it with SPIRIT WORLD. It did more with the new character Xanthe and laid out their origins and powerset nicely while also laying some seeds for MAYBE future Cass stories.

Again, I feel like a repeating record on how GOOD this series was. Like, I can't wait for the trade next year to take it all in again. But besides the creative team delivering it gave us Dustin Nguyen AND Marcio Takara drawing Cass again OFFICIALLY AS BATGIRL!!

Even when this series ended, I STILL WANT MOAR!! Like what memories did Cass lose? What the heck happened with Spirit World twisting her memories of Batgirl Vol. 1 #72?! How will Xanthe be with the Jade Court?

SO MANY QUESTIONS!!

Something else that left me with MANY questions was DCeased universe as even though the story ended back in April.

I still crave more starring Cass, because let's face it STEPH/TALIA DESERVE CLOSURE!! Cass could be the gateway to that.

Doing so would tie up the final loose ends as well. Let's see how Rose is raising her kid with Jason. Silent Olsen. Harley/Ivy. Ollie/Dinah. Jim Gordon.

But I digress. It gives us more Cazzam. We need more Cazzam.

But an alternate universe Cass just didn't pop up there we had a Cass show up in various other comics. Knights of Steel which also had me hankering for MOAR and Harley Quinn & the Legion of Bats.

I know some didn't like it, but me? I think it was LEAPS and BOUNDS better than what we got in the actual season of HQ.

Let us never talk about that season again…

Now something we SHOULD talk about more is the first actual appearance of Cass in a DC ANIMATED MOVIE!! Yes, Kai Li Cain from Batman: The Doom that Came to Gotham.

I was blown away at the extended role they gave the character in the film (to the, "Oh right Tim is here and alive." role in the books).

Kai Li voiced perfectly by Tati Gabrielle gave a balance of innocence and reason with the batshit craziness this film throws at us.

Like, I really REALLY want a sequel. Just to see what she'd do now given full access to Bruce's fortune? Will she follow his path? I mean yeah we want steampunk Bat!

Speaking of which artists we need designs for this stat still!

It just adds that anchor where you want to see more of this universe and the characters that inhabit it. I mean that's the sign of a REALLY good Elseworlds. Where you want more and sometimes you get just that.

But with all this good came the sad, and that was the canceling of Batgirls. I know many were against the series (especially after #7-8), but the series found its footing with #9 and ran into something I hope more positively can be talked about it.

It's true failing wasn't the creators behind the series, more just elements outside that just slotted it's end (Batgirl movie getting canned making #7-8 more wasteful), Evil Oracle #4 aka the pitch, and just being something it couldn't be).

I'm grateful for each and every creator who worked on this book because it was a GIFT that I'll always be appreciative of.

I'll say it again, THANK YOU TO ALL! 🙏

And its spirit lived on in the Nightwing back up a few months ago. It was something that was TRULY needed after the garbage fire that was Gotham War. It gave us this Cass/Dick sibling stuff and GIVE ME MOAR!!!

Unlike the past where we'd be done, DC brought us back up giving us the current BIRDS OF PREY ongoing which has Cass in it.

Really the series is a revelation of giving us things I always wanted that I'd never thought we get. Cass with Dinah? CHECK.

Cass meeting Big Barda and the two having a bond? HELLS YEAH CHECK! Anytime that bond grows I squee even more.

Just give writer Kelly Thompson ALL the time and ideas she has to churn this out to the proper conclusion she has envisioned. Just give me fifty-plus issues of her, Leonardo Romero, and Jordie Bellaire.

Finally of course there was Batman: Wayne Family Adventures which gave us THREE banger Cass stories. One where she and Steph are a MENANCE (as they should), Cass scaring the crapbaskets out of EVERYONE and of course...

Season 2 gave us A LOT of things I wanted in general (her interacting with Damian) and just showing the world why I really really love this character. Why I talk about her daily.

Really as 2023 closes and 2024 is about to begin... Well, it's the character's TWENTIETH-FIFTH ANNIVERSARY. 25 years of kicking ass and ripping our hearts out.

It's been a journey for sure.

really REALLY hope DC honors this anniversary and continues to mend the bridges burned all those years ago.

Give us that Omnibus. Give us a mini or SOMETHING to celebrate this character. If not, I'll take whatever Ram V and Thompson give us.

#CAINAISSANCE2023 may be over, but #CAINAISSANCE2024 will be the most important year yet.

25 YEARS OF CASS!! LET THE CELEBRATION BEGIN ON JANUARY 1st!