#01-A1 | Explore Tumblr posts and blogs

aestherin · 6 months ago

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— I CAN SEE YOU ⊹₊⟡⋆

scaramouche x f!reader social media au

SUMMARY — you’ve been stanning scaramouche, a soloist, since before you can even remember. with the thinking that “he is out of your reach” and “we live in different worlds” already ingrained on your mind, just what are the odds that he already happens to be one of your stan account mutuals?

status: on-going | taglist: closed

genres: social media au, celebrity au, modern au, crack, fluff, a sprinkle of angst (?), hidden identities

extras: playlist — [click here] 🤍 (still a wip tho hehe)

author's notes:

3rd smau hello???

privacy (my ayato smau) spinoff !! scara will finally have his own story after 2? 3? years ToT

updates may be inconsistent, i don't have a posting schedule :>

again, idk what i'm doing haha

english is not my first language so expect grammatical and typographical errors (bear with me please :"D)

will contain swearing

ılıılıılıılıılı FEATURED ARTISTS. ---- sky.

----- scara.

TRACKLIST. ılıılıılıılıılı

intro (prologue): being a scara stan

track 01: him again ▸ track 02: make me track 03: not in public ▸ track 04: three months track 05: late ▸ track 06: our little secret track 07: nda ▸ track 08: we need progress track 09: have you listened to my songs? ▸ track 10: galaxies track 11: lost and life ▸ track 12: new neighbor track 13: skyshi ▸ track 14: lunch track 15: tba ▸ track 16: tba track 17: tba ▸ track 18: tba track 19: tba ▸ track 20: tba track 21: tba ▸ track 22 tba track 23: tba ▸ track 24: tba

outro (epilogue): tba

TAGLIST I (closed; 50/50) @kararisa @aries-afk @aetherialcrafter @jamieexistss @lordbugs @aerisellesuchi @adres-tia @luvlockettt @kinichval @miiltrix @suzueuieeeee @automaticpatroltragedy @ahirusstuff @kyuki07 @kunikuni1819 @hungryreadingaddict @deariroha @rosieyama @slayzzz @tired-jaz @mellowberrie @kyouzki @riabriyn @ravenbc @lalalaloveallmydays @moonlitreveri3 @skyoverkill1 @xiaomainlmao @phoenix-eclipses @yomishen @anemosmybeloved @iaraluvs @kunikuzushiit @lockandkeys @yoursockstinks @idkwhattoputasmyusernme @d1gital-data @shyentsmissingink @liuaneee @najaemism @mywillt0live @aswiftiechildofapollo @toekissers @meigalaxy @nishiriks @executeher @verafunny @gl00muraaii @lily-isalittlegirl @just-a-hopeless-romantic

TAGLIST II (closed; 50/50) (can't mention bc tumblr limits 50 mentions per post :'( but rest assured you guys are added ^^)

@franaby @shrimplyasleep @scaraenthusiast1 @kyon-cherri @kunikissr @withnners @audristarzz @heusalettle @mayarisan @eternallykira-143 @cindywasneverhere @meowrenapurrdo @itsjustmillie @flowzel @ohmyfinggod @zuhahearts @scarasbaby @euphoraia @yotraumainthebuilding @pinkismyfavcolor @dazqa @jym-jazzily @usagiarchive @ddivilove @jinjjjia @axquella @qt-yhuji @jayzioxx @nishislcve @neuviloved @sayayy @ttalgi @crucnhice @vi0let-writes @ilovwfurina @meiudoll @theblueblub @featuredtofu @samyayaya @xianamin @aubriellamarie @b-bbytears @cl0udii-m00n @potteraep @dreamyy @cutiecupiid @liyahbug @atlatcaheart @akarisuzuk1 @saechiro

TAGLIST III (closed; 50/50)

@pglt19 @mochipls @3cst4syy @yuukigyatgyat @anqelkoz @fuyuscafe @knuiui @lun4rchive @reivelmin @amurotoorudesu @chiesnupi @karma-gisa @nomnom21 @sammybeefangirls @ddurandals @hotgirlshit5 @jenlickedem @lunavixia @dksfl920 @angelkazusstuff @eonsadr1ft @scaraswifeey @unhinged-atrocities @xxrexx @tiedsuccubus @enrions @pinxeajin @thegalaxyisunfolding @rvoulte @magica-ren @siasseltzers @deffenferofjustice @crimxeorcremeexistspeacefully @idexmids @viannasthings @dreamayy @mellowmochi030 @meowmewow7 @eternal-dokja @wrzloyd @iloveescara @axkushvii @ayayaaayyiire @lxkeeeee @shutingstar @jiminscarmex @help-whatdoimakemyusername @kangyeonie @liyan2u @a1-ic3

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parisoonic · 2 years ago

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I just want to say I love how you do your lineart, it looks so good! ahhhhhhhh!!

I'm gathering a lot of advice about the topic of lineart and I just wanna know how you get it to look like that? My line weight is getting better but the drawing itself just comes out a bit.. weird.

Thank you so much! Lineart is probably the thing I've been working hardest on as I am not a lineartist (and still struggle a lot) but it's something I really need to get better at for my job. UM there's honestly so much that could be said on the topic of lineart. Big things for me are:

Weight -> Use line weight (aka thickness) to describe form, lighting, contact and scale. Thick lines imply shadow, contact and nearness-to-camera. Thin lines imply tension, recession and light.

Straights vs Curves -> Use straight lines against curved ones for maximum interest. This is partly a character design thing but as we're using lines to describe our characters it's worth mentioning :)

Complex vx Simple -> Use complex lines against simple. Faces are always complex so therefore the backs of heads should always be simple. Chests are quite complex so backs should be simple. Dorsal sides of the arms are complex (Delt, tricep, bicep) whilst the ventral side is more simple (tricep...mainly) etc.

'Think in Ink' -> Lower your sketch layer almost to 0% opacity so you're not getting hung up on how nice/energetic your sketch look and instead are approaching the piece from an ink mindset. BUT it's digital! So if there's something in your sketch that you like just bring it forward (copy and paste) into your ink layer. I sketch and ink with the same brush so I can use this workflow

'Confidence' -> small hesitant feathery lines will look nervous compared to big swooping lines. Less is always more. I'll redraw arms/limbs until I can get the appearance that it was done in one brush stroke. Again it's digital so you can erase to cheat this look : )

MISC 01: I always hear 'draw from the shoulder'........meh............it's digital so draw from your wrist...it's fine honestly. If we were working at A1 in a life drawing class then we could get some shoulder action going but most of us are hunched over 16inch tablets. I think this advice aims to pull people away from feathery-nervous lineart honestly which you can improve on without relearning how to draw from your shoulder.

MISC 02: For a 'smoother' look do your lineart at a larger canvas size than you need. Once I'm happy with a sketch I usually double the canvas size and do my lineart then.

MISC 03: In PS (at least) anti-aliasing goes funny at any zoom level that isn't in the 5 times table. So try not to look at your canvas when you're zoomed in to 87% or 71.39% or something crazy. Just stick to 25%, 50%, 75% and 100% if possible.

UNFORTUNATE TRUTH: Lineart is incredibly based on raw draughtmanship I've discovered. When you're working with colour you can hide a lot in rendering (shadows, highlights) or post-processing (depth of field) but in lineart all your mistakes are just...there for people to see. There's ways round this...which I use A LOT. 'Flourishes' (I use 'flourishes' to mean over-confident lineart where it veers particuarly thick or particuarly thin in contrast to your approach in the rest of the image) can sort of trick people into thinking you're more confident about an area than you actually are.

As well as leaving 'breathing room' within your lineart instead of actually...resolving the area. I do this the most around the face and hands.

Hopefully some of this helps? Honestly there's a lot of deep dives that could be done into indivudal things and there's also the massive caveat that all of these are 'guidelines' and not strict rules. I also favour a more...concept-arty? animation-y? storyboard-y? look to my lineart which favours flourishes and breathing room for a incomplete/work-in-progress feel which would make methodical colouring (ie: for a comic or something) a pain.

Keep up pratice is the main thing and doing studies of artists who you like that have great lineart - you'll pick up draughtmanship skills along with the lineart studies. Here's some of my lineart from a year or two ago...it varies between very 'standardised' (which makes it difficult to read volumes and to be honest, it's boring) and 'TOO EXCITING' (which...also makes it difficult to read volumes and for the eye to rest).

I'd like to share my brushes at some point as I've found 3 that I really like and use for everything more or less. I discovered that a shocking low amount of people use PS on tumblr (shocking to me I guess as i'm so used to PS being the standard) and everyone seems to use Procreate or Clip Studio Pro...so I want to check that the brushes are Procreate compatible at least before I share!

#sorry if none of this makes sense. im on day TWO of a hangover...kill me now #asks #art tutorial #tutorial

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mostlysignssomeportents · 1 year ago

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Real innovation vs Silicon Valley nonsense

This is the LAST DAY to get my bestselling solarpunk utopian novel THE LOST CAUSE (2023) as a $2.99, DRM-free ebook!

If there was any area where we needed a lot of "innovation," it's in climate tech. We've already blown through numerous points-of-no-return for a habitable Earth, and the pace is accelerating.

Silicon Valley claims to be the epicenter of American innovation, but what passes for innovation in Silicon Valley is some combination of nonsense, climate-wrecking tech, and climate-wrecking nonsense tech. Forget Jeff Hammerbacher's lament about "the best minds of my generation thinking about how to make people click ads." Today's best-paid, best-trained technologists are enlisted to making boobytrapped IoT gadgets:

https://pluralistic.net/2024/05/24/record-scratch/#autoenshittification

Planet-destroying cryptocurrency scams:

https://pluralistic.net/2024/02/15/your-new-first-name/#that-dagger-tho

NFT frauds:

https://pluralistic.net/2022/02/06/crypto-copyright-%f0%9f%a4%a1%f0%9f%92%a9/

Or planet-destroying AI frauds:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

If that was the best "innovation" the human race had to offer, we'd be fucking doomed.

But – as Ryan Cooper writes for The American Prospect – there's a far more dynamic, consequential, useful and exciting innovation revolution underway, thanks to muscular public spending on climate tech:

https://prospect.org/environment/2024-05-30-green-energy-revolution-real-innovation/

The green energy revolution – funded by the Bipartisan Infrastructure Act, the Inflation Reduction Act, the CHIPS Act and the Science Act – is accomplishing amazing feats, which are barely registering amid the clamor of AI nonsense and other hype. I did an interview a while ago about my climate novel The Lost Cause and the interviewer wanted to know what role AI would play in resolving the climate emergency. I was momentarily speechless, then I said, "Well, I guess maybe all the energy used to train and operate models could make it much worse? What role do you think it could play?" The interviewer had no answer.

Here's brief tour of the revolution:

2023 saw 32GW of new solar energy come online in the USA (up 50% from 2022);

Wind increased from 118GW to 141GW;

Grid-scale batteries doubled in 2023 and will double again in 2024;

EV sales increased from 20,000 to 90,000/month.

https://www.whitehouse.gov/briefing-room/blog/2023/12/19/building-a-thriving-clean-energy-economy-in-2023-and-beyond/

The cost of clean energy is plummeting, and that's triggering other areas of innovation, like using "hot rocks" to replace fossil fuel heat (25% of overall US energy consumption):

https://rondo.com/products

Increasing our access to cheap, clean energy will require a lot of materials, and material production is very carbon intensive. Luckily, the existing supply of cheap, clean energy is fueling "green steel" production experiments:

https://www.wdam.com/2024/03/25/americas-1st-green-steel-plant-coming-perry-county-1b-federal-investment/

Cheap, clean energy also makes it possible to recover valuable minerals from aluminum production tailings, a process that doubles as site-remediation:

https://interestingengineering.com/innovation/toxic-red-mud-co2-free-iron

And while all this electrification is going to require grid upgrades, there's lots we can do with our existing grid, like power-line automation that increases capacity by 40%:

https://www.npr.org/2023/08/13/1187620367/power-grid-enhancing-technologies-climate-change

It's also going to require a lot of storage, which is why it's so exciting that we're figuring out how to turn decommissioned mines into giant batteries. During the day, excess renewable energy is channeled into raising rock-laden platforms to the top of the mine-shafts, and at night, these unspool, releasing energy that's fed into the high-availability power-lines that are already present at every mine-site:

https://www.euronews.com/green/2024/02/06/this-disused-mine-in-finland-is-being-turned-into-a-gravity-battery-to-store-renewable-ene

Why are we paying so much attention to Silicon Valley pump-and-dumps and ignoring all this incredible, potentially planet-saving, real innovation? Cooper cites a plausible explanation from the Apperceptive newsletter:

https://buttondown.email/apperceptive/archive/destructive-investing-and-the-siren-song-of/

Silicon Valley is the land of low-capital, low-labor growth. Software development requires fewer people than infrastructure and hard goods manufacturing, both to get started and to run as an ongoing operation. Silicon Valley is the place where you get rich without creating jobs. It's run by investors who hate the idea of paying people. That's why AI is so exciting for Silicon Valley types: it lets them fantasize about making humans obsolete. A company without employees is a company without labor issues, without messy co-determination fights, without any moral consideration for others. It's the natural progression for an industry that started by misclassifying the workers in its buildings as "contractors," and then graduated to pretending that millions of workers were actually "independent small businesses."

It's also the natural next step for an industry that hates workers so much that it will pretend that their work is being done by robots, and then outsource the labor itself to distant Indian call-centers (no wonder Indian techies joke that "AI" stands for "absent Indians"):

https://pluralistic.net/2024/05/17/fake-it-until-you-dont-make-it/#twenty-one-seconds

Contrast this with climate tech: this is a profoundly physical kind of technology. It is labor intensive. It is skilled. The workers who perform it have power, both because they are so far from their employers' direct oversight and because these fed-funded sectors are more likely to be unionized than Silicon Valley shops. Moreover, climate tech is capital intensive. All of those workers are out there moving stuff around: solar panels, wires, batteries.

Climate tech is infrastructural. As Deb Chachra writes in her must-read 2023 book How Infrastructure Works, infrastructure is a gift we give to our descendants. Infrastructure projects rarely pay for themselves during the lives of the people who decide to build them:

https://pluralistic.net/2023/10/17/care-work/#charismatic-megaprojects

Climate tech also produces gigantic, diffused, uncapturable benefits. The "social cost of carbon" is a measure that seeks to capture how much we all pay as polluters despoil our shared world. It includes the direct health impacts of burning fossil fuels, and the indirect costs of wildfires and extreme weather events. The "social savings" of climate tech are massive:

https://arstechnica.com/science/2024/05/climate-and-health-benefits-of-wind-and-solar-dwarf-all-subsidies/

For every MWh of renewable power produced, we save $100 in social carbon costs. That's $100 worth of people not sickening and dying from pollution, $100 worth of homes and habitats not burning down or disappearing under floodwaters. All told, US renewables have delivered $250,000,000,000 (one quarter of one trillion dollars) in social carbon savings over the past four years:

https://arstechnica.com/science/2024/05/climate-and-health-benefits-of-wind-and-solar-dwarf-all-subsidies/

In other words, climate tech is unselfish tech. It's a gift to the future and to the broad public. It shares its spoils with workers. It requires public action. By contrast, Silicon Valley is greedy tech that is relentlessly focused on the shortest-term returns that can be extracted with the least share going to labor. It also requires massive public investment, but it also totally committed to giving as little back to the public as is possible.

No wonder America's richest and most powerful people are lining up to endorse and fund Trump:

https://prospect.org/blogs-and-newsletters/tap/2024-05-30-democracy-deshmocracy-mega-financiers-flocking-to-trump/

Silicon Valley epitomizes Stafford Beer's motto that "the purpose of a system is what it does." If Silicon Valley produces nothing but planet-wrecking nonsense, grifty scams, and planet-wrecking, nonsensical scams, then these are all features of the tech sector, not bugs.

As Anil Dash writes:

Driving change requires us to make the machine want something else. If the purpose of a system is what it does, and we don’t like what it does, then we have to change the system.

https://www.anildash.com/2024/05/29/systems-the-purpose-of-a-system/

To give climate tech the attention, excitement, and political will it deserves, we need to recalibrate our understanding of the world. We need to have object permanence. We need to remember just how few people were actually using cryptocurrency during the bubble and apply that understanding to AI hype. Only 2% of Britons surveyed in a recent study use AI tools:

https://www.bbc.com/news/articles/c511x4g7x7jo

If we want our tech companies to do good, we have to understand that their ground state is to create planet-wrecking nonsense, grifty scams, and planet-wrecking, nonsensical scams. We need to make these companies small enough to fail, small enough to jail, and small enough to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

We need to hold companies responsible, and we need to change the microeconomics of the board room, to make it easier for tech workers who want to do good to shout down the scammers, nonsense-peddlers and grifters:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

Yesterday, a federal judge ruled that the FTC could hold Amazon executives personally liable for the decision to trick people into signing up for Prime, and for making the unsubscribe-from-Prime process into a Kafka-as-a-service nightmare:

https://arstechnica.com/tech-policy/2024/05/amazon-execs-may-be-personally-liable-for-tricking-users-into-prime-sign-ups/

Imagine how powerful a precedent this could set. The Amazon employees who vociferously objected to their bosses' decision to make Prime as confusing as possible could have raised the objection that doing this could end up personally costing those bosses millions of dollars in fines:

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

We need to make climate tech, not Big Tech, the center of our scrutiny and will. The climate emergency is so terrifying as to be nearly unponderable. Science fiction writers are increasingly being called upon to try to frame this incomprehensible risk in human terms. SF writer (and biologist) Peter Watts's conversation with evolutionary biologist Dan Brooks is an eye-opener:

https://thereader.mitpress.mit.edu/the-collapse-is-coming-will-humanity-adapt/

They draw a distinction between "sustainability" meaning "what kind of technological fixes can we come up with that will allow us to continue to do business as usual without paying a penalty for it?" and sustainability meaning, "what changes in behavior will allow us to save ourselves with the technology that is possible?"

Writing about the Watts/Brooks dialog for Naked Capitalism, Yves Smith invokes William Gibson's The Peripheral:

With everything stumbling deeper into a ditch of shit, history itself become a slaughterhouse, science had started popping. Not all at once, no one big heroic thing, but there were cleaner, cheaper energy sources, more effective ways to get carbon out of the air, new drugs that did what antibiotics had done before…. Ways to print food that required much less in the way of actual food to begin with. So everything, however deeply fucked in general, was lit increasingly by the new, by things that made people blink and sit up, but then the rest of it would just go on, deeper into the ditch. A progress accompanied by constant violence, he said, by sufferings unimaginable.

https://www.nakedcapitalism.com/2024/05/preparing-for-collapse-why-the-focus-on-climate-energy-sustainability-is-destructive.html

Gibson doesn't think this is likely, mind, and even if it's attainable, it will come amidst "unimaginable suffering."

But the universe of possible technologies is quite large. As Chachra points out in How Infrastructure Works, we could give every person on Earth a Canadian's energy budget (like an American's, but colder), by capturing a mere 0.4% of the solar radiation that reaches the Earth's surface every day. Doing this will require heroic amounts of material and labor, especially if we're going to do it without destroying the planet through material extraction and manufacturing.

These are the questions that we should be concerning ourselves with: what behavioral changes will allow us to realize cheap, abundant, green energy? What "innovations" will our society need to focus on the things we need, rather than the scams and nonsense that creates Silicon Valley fortunes?

How can we use planning, and solidarity, and codetermination to usher in the kind of tech that makes it possible for us to get through the climate bottleneck with as little death and destruction as possible? How can we use enforcement, discernment, and labor rights to thwart the enshittificatory impulses of Silicon Valley's biggest assholes?

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/30/posiwid/#social-cost-of-carbon

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benkaden · 1 year ago

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Ansichtskarte

1289-1989 700 Jahre Stadt Apolda Neubaugebiet

Reichenbach (Vogtl): BILD UND HEIMAT REICHENBACH (VOGTL) (A1/III/26/13 01 09 0745/02 321026/89)

Foto: Röttig, Sondershausen

1989

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hcnnibal · 5 months ago

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When did A1's feelings start? When did he actually notice them?

i think probably in ‘01/‘02ish but he doesn’t acknowledge them until ‘06

#🙂#a1/a2 #asks

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yuripoll · 6 months ago

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CHAMPIONS BRACKET‼️‼️‼️

It's here!

No losers bracket, if we die we die ✌

Polls will be up for a WEEK. Starting this Friday.

To browse polls without additions or see propaganda, you can find navigation tags in the pinned post.

Like with the underdogs bracket, these polls aren't going to have content warnings (though, I do plan on giving titles a little tagline).

Dates below are DD/MM and all times are in GMT.

A LOT... OF MATCHES UNDER THE CUT

SIDE A1 PART 1 || 17/01, 6PM

the guy she was interested in wasnt a guy at all VS himitsu no hanazono

blooming sequence VS sasameki koto

always human VS can i kiss you?

my girlfriend's not here today VS will we live happily ever after?

SIDE A1 PART 2 || 17/01, 6.30PM

yokohama kaidashi kikou VS pink ribbon

sukeban to tenkousei VS yuri espoir

serendipity VS sea of june

not so shoujo love story VS hana to hoshi

SIDE A2 PART 1 || 17/01, 7PM

handsome girl and sheltered girl VS "the villainess" and the woman who would do anything for the sake of love

mahou josei chimaka VS aoi hana

muted VS mai no mushigurashi

that time i was blackmailed by the class's green tea bitch VS murdist

SIDE A2 PART 2 || 17/01, 7.30PM

how do we relationship VS dark forest, white road

the two of them are pretty much like this VS i love you so much, i hate you

she loves to cook, and she loves to eat VS vengeance

otherside picnic VS only need to love once

SIDE B1 PART 1 || 19/01, 6PM

whisper me a love song VS marriage as friends

after hours VS the princess of sylph

i decided to fake a marriage with my junior to shut my parents up VS pieta

our yuri started with me getting rejected in a dream VS i'm not cut out to be a princess, so i'll elope with the villainess

SIDE B1 PART 2 || 19/01, 6.30PM

run away with me, girl VS indigo blue

yoru to umi VS a kiss for the girls' scars

this monster wants to eat me VS joshi-man

hello melancholic VS love/death

SIDE B2 PART 1 || 19/01, 7PM

tamen de gushi VS maria-sama ga miteru

to die in june VS composing spring in this room where cherry blossoms bloom

hana ni arashi VS yuki and the authoress

how do i get together with my childhood friend? VS iberis no hanayome

SIDE B2 PART 2 || 19/01, 7.30PM

hard lacquer VS moonlight flowers

even though we're adults VS black & white

asumi-chan is interested in lesbian brothels VS yuri kuma arashi

hikizan tautology VS ohana holoholo

SIDE C1 PART 1 || 21/01, 6PM

bloom into you VS sakura namiki

you are my angela VS qualia the purple

sora & haena VS sougou tovarisch

still sick VS rock it, girl!!

SIDE C1 PART 2 || 21/01, 6.30PM

soulmate VS oniisama e...

teppuu VS 2dk, g-pen, alarm clock

the moon on a rainy night VS saihate no serenade

love allergy syndrome VS the girl that cant get a girlfriend

SIDE C2 PART 1 || 21/01, 7PM

can't defy the lonely girl VS shiroi heya no futari

my dearest nemesis VS there's weird voices coming from the room next door

goodbye, my rose garden VS love my life

i see you, aizawa-san! VS lonely wolf, lonely sheep

SIDE C2 PART 2 || 21/01, 7.30PM

i love amy VS 2dk, g-pen, aftertime

hana monogatari VS ano koro no aoi hoshi

liar satsuki can see death VS a lady's table

young ladies don't play fighting games VS savior

SIDE D1 PART 1 || 23/01, 6PM

love bullet VS chemical romance

the ends of a dream VS makoto no momoka

my wish is to fall in love until you die VS cirque arachne

even the introverted gals wanna get out there VS the girl through the viewfinder

SIDE D1 PART 2 || 23/01, 6.30PM

doughnuts under a crescent moon VS netsu wo obiru veil

kanojo ni naritai kimi to boku VS wish you were gone

her tale of shim chong VS an absurd relationship

catch these hands VS sex education 120%

SIDE D2 PART 1 || 23/01, 7PM

i'm in love with the villainess VS love vibes

ayaka is in love with hiroko VS killing me!

kase-san and... VS i won 300 million yen in a lottery so i started raising a freeloader pretty girl

i don't know which is love VS shwd

SIDE D2 PART 2 || 23/01, 7.30PM

kakegurui VS because you are a red rose

kiss & white lily for my dearest girl VS octave

destroy it all and love me in hell VS nomura nao to kyougoku hina wa

futari escape VS gunjou

@tournament-announcer <- expanding my himejoshi search radar

#champions bracket #yuri #gl #girls love #wlw

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ravennaera · 2 months ago

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The Beginning of the Brothers' Conflict in Oasis and the end of Oasis. Part 2

Part 1: https://www.tumblr.com/ravennaera/780417547014176768/%EC%97%90%EC%84%9C-%EC%97%85%EB%A1%9C%EB%93%9C%ED%95%9C-%EB%8F%99%EC%98%81%EC%83%81

―August 22, 2009: V Festival Staffordshire

The 2009 V Festival was held in Staffordshire and Chelmsford, England on August 22nd and 23rd, and Oasis successfully completed the Staffordshire show on the 22nd. According to Noel Gallagher's tour diary, this show was " not enjoyable for one moment." ⁰¹ . As the conflict between the brothers was at its peak, they did not interact except when they were on stage together, and this day was no exception. And as everyone knows, this show was Oasis' last .

⁰¹ Oasis Official Website Tales From The Middle Of Nowhere / 2nd source SCYHO.com Full text:http://www.stopcryingyourheartout.co.uk/2009/08/tales-from-middle-of-nowhere_23.html

―August 23, 2009: Liam Gallagher cancels V Festival Chelmsford gig after being diagnosed with Viral Laryngitis and following medical advice.

“Unfortunately, frontman Liam Gallagher is unwell with viral laryngitis and has been advised by his doctor that he will not be performing at today’s V Festival.” ⁰² ― Oasis Official Website

It wasn't until 2017, long after Oasis had broken up, that Liam Gallagher confessed that he had been diagnosed with Hashimoto 's disease around nine years ago. ⁰³ Nine years ago was exactly when Oasis were working on their last album. Hashimoto's thyroiditis is an autoimmune disease that causes the thyroid gland to enlarge, swelling towards the front of the neck and preventing the thyroid hormones from functioning properly. It can cause various complications and greatly affects the voice, so it must have been a very difficult time for Liam, who said that losing his voice was his biggest fear.

“Liam also complained of laryngitis pain in Jisan in 2009 and was diagnosed by a doctor” ― Tweet from Nine Entertainment, the organizer of the Oasis Korea concert and Valley Rock Festival, after Noel Gallagher’s press conference in 2011

Looking back on the 7th album tour, we can see that Liam's health was continuously an issue during this period, although the specific name of the illness was not known. On January 19th, 2009, at the Düsseldorf concert, the entire European tour schedule was postponed with the announcement, "The doctor diagnosed Liam with edema of his vocal cords and recommended 48 hours of complete rest." ⁰⁴ And it was reported that he was diagnosed with pain in his larynx during the successful Jisan Valley Rock Festival concert in Korea on July 26th. The vocal cords and larynx are organs located close to the thyroid gland. Laryngitis was also mentioned in the notice of cancellation of the V Festival Chelmsford concert about a month later.

So Liam had been struggling with laryngitis at least for months, he had been singing through pain every gig, and when one night he couldn’t do that and canceled, he was slandered by Noel and his mates in the media.

⁰² Oasis Official Website Notice / Secondary Source SCYHO.com Full Text:http://www.stopcryingyourheartout.co.uk/2009/08/oasis-pull-out-of-v-festival.html

⁰³ NetEase Cloud Music Liam Gallagher Interview:https://youtu.be/1qspPsG05hM?t=305

⁰⁴ Official Oasis website notice / Secondary source SCYHO.com Full text:http://www.stopcryingyourheartout.co.uk/2009/01/oasis-dusseldorf-concert-postponed.html

―August 24, 2009: The Sun's Gordon Smart column «No More UK Oasis Gigs After Band Pull Out Of V Festival» ⁰⁵

The day after the 23rd show was cancelled, Gordon Smart published a column in The Sun with the headline: " No more Oasis UK shows after V Festival cancelled ".

Noel Gallagher had been constantly criticizing and maliciously distorting Liam in interviews aimed at promoting his seventh album, and had often mocked Liam in his tour diary, which was like his personal blog, but from 2009, Liam could not stand it anymore and began responding to Noel's remarks through interviews and Twitter. Gordon Smart criticized Liam's responses in his column, while also sowing rumours about the cancellation of V Festival (which would later be mentioned specifically in Noel Gallagher's press conference) and predicted that Oasis would split up after the Milan show at the end of this month.

“Oasis played the V Festival in Staffordshire without a hitch, and Liam was drinking until 3am. Then the doctors were called in yesterday morning and told us Liam’s throat was in a bad state. As much as brothers like to punch each other in the face, they’re professionals. The Chelmsford show was called off because Liam’s throat just couldn’t handle it.”

“As Noel and Liam grow apart, their paths are headed in the same direction. With brothers flying in different planes and hotels and having little in common in terms of friendships, interests or personalities, it looks like the Milan show later this month will be Oasis’ last.”

⁰⁵ The Sun Bizarre Column (original source removed) / Secondary source SCYHO.com Full text:http://www.stopcryingyourheartout.co.uk/2009/08/no-more-uk-oasis-gigs-after-band-pull.html

―August 24, 2009: Liam's tweet response to Gordon Smart's column

Gordon Smart's column shocked the British press and the public at the time. Not only music media, tabloids, but also major media outlets such as the Guardian cited The Sun in their articles, and Liam also responded immediately to the column. On that day, Liam first apologized to fans for the cancellation of his V Festival Chelmsford performance and thanked the bands who had replaced Oasis. Liam's tweet about Gordon Smart's column is as follows.

―August 28, 2009: Paris Rock en Seine concert canceled and Noel Gallagher announced his departure

Rock en Seine Billboard Announcement: Oasis show cancelled due to fight between band members.

The Sun's column stirred up a storm in Britain, and the Gallagher brothers reunited in Paris six days after their Staffordshire gig on the 22nd. What were the brothers fighting about? It's obvious. Noel didn't even admit that the fight in Paris was caused by a column written by one of Noel Gallagher's closest associates .

Two hours after the show was cancelled due to a brotherly feud, a short notice was posted on the Oasis official website stating Noel Gallagher's reason for leaving the band: "I can no longer work with Liam for another day." ⁰⁶

⁰⁶ Oasis Official Website Notice / Secondary Source Billboard Quote Article:https://www.billboard.com/music/music-news/noel-gallagher-quits-oasis-1266002/

―August 29, 2009: Oasis official website Noel Gallagher's withdrawal statement ⁰⁷

At the time, the official Oasis website only gave space for posting to Noel Gallagher among the members, and during the 7th album tour, Noel's tour diary was uploaded. The greeting to fans and the statement of withdrawal from Oasis were also posted in this tour diary, and I will excerpt the part of the full text that mentions the reason for withdrawal and other members.

“It is not important to mention the specifics, and there are too many to list, but I think you have a right to know that the level of verbal and violent threats directed at me, my family, my friends and my colleagues has reached a point where it can no longer be tolerated. And the lack of support and understanding from management and the rest of the band has left me with no choice but to find a new path.”

“I would like to say a word to the good people of V Festival who had to go through the same thing as I did. I apologize again - although I don't know why I should apologize since it had nothing to do with me. I was in top form and ready to put on a great show. Unfortunately, the rest of the band didn't.”

As criticism spread to Gem and Andy due to this statement, Liam drew the line, saying that he was the only one who had a bad relationship with Noel Gallagher and that it had nothing to do with the other members. The lack of support and understanding from the other band members mentioned in the statement was mentioned again in the 2011 press conference, and when Noel Gallagher mentioned Andy Bell's name and attacked him, it gave new fodder to the fans who were busy throwing stones at him for the breakup of Oasis.

⁰⁷ Oasis Official Website Tales From The Middle Of Nowhere / 2nd source SCYHO.com Full text:http://www.stopcryingyourheartout.co.uk/2009/08/noel-gallagher-reveals-why-he-quit.html

When Noel Gallagher announced his departure from the band, the remaining members of Oasis, who were still in their Paris hotel, decided to continue making music together , and within a week of returning to the UK, they had begun working on demos. Unlike Noel Gallagher, who had announced plans for a solo career, Liam announced in many interviews in 2009 shortly after the breakup that Liam, Gem and Andy were continuing the band together and were working on demos for a new album.

In April 2010, with Beady Eye set to begin recording their first album in earnest, The Sun's Gordon Smart spread another rumour. According to Smart's sources, Andy and Gem were being paid by both sides to work on Noel Gallagher's solo demos while still being in the band with Liam ⁰⁸ - having previously denounced their lack of support and understanding in his departure statement a year earlier, he was hiring them as session workers while he was working on his debut album with Liam because he needed sessions for his own solo demo? This was absolutely ridiculous. Considering that Gordon Smart had inadvertently mentioned in his article for The Sun that he had asked Noel Gallagher for permission, this column was also a deception and sabotage against the members of Beady Eye.

Even though it was a rumor using BDI members, the way it was corrected and even the apology was made was unrelated to them. Two days later, Gordon Smart corrected the rumor by apologizing to Noel Gallagher at the end of his column.

“Noel, a regular reader of The Sun’s Bizarre column, points out that he is not working on a demo with Andy Bell and Gem Archer. Apologies, Chief.” ⁰⁹

⁰⁸ The Sun Bizarre column «Ex-Oasis Lads On A Double» (original source removed) / Secondary source SCYHO.com Full text:http://www.stopcryingyourheartout.co.uk/2010/04/ex-oasis-lads-on-double.html

⁰⁹ The Sun Bizarre Column «Figures Reveal Oasis Made 13m In 2008» (original source deleted) / Secondary source SCYHO.com Full text:https://www.stopcryingyourheartout.co.uk/2010/04/figures-reveal-oasis-made-13m-in-2008.html

Translation: https://www.postype.com/@recipe-for-disaster/post/15327867

#liam gallagher #oasis #rock music #rock #90s #noel gallagher #liam #beady eye #oasis band #analysis #deep dive #2009

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sysy-studyblr · 2 years ago

Text

friday 01/09/23

started official superintensive german A1 classes! learned a few verb conjugations + basic vocabulary. i’m missing a full week (20h) of classes which is stressing me out.

ich bin ein student!

♫ stalker - between friends ♫

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postsofbabel · 4 months ago

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#posts of babel #neue posts of babel #screenreader unfriendly #eyestrain

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literaryeagle · 1 year ago

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Reblogging yet again because I have another update. The English version of this book is now also available as an audiobook from Seven Seas Siren! It’s narrated by Tiffany Grant, the original English dub voice of Asuka. Check it out if you like audiobooks!

For my sixty-fourth Evangelion book review, here is Evangelion ANIMA 3, published by ASCII Media Works. This is the third volume in a series of books that will collect all the chapters of Ikuto Yamashita’s alternate ending to the Evangelion TV series. (I already covered the first volume and second volume in previous reviews, so be sure to check out those posts first!)

This book is not available in English or French, but there are some interesting pictures (the first four pages are in full color, and then the rest of the book’s illustrations are printed in black-and-white). Just keep in mind that Evangelion ANIMA is a light novel, not a manga, so the majority of this book is filled with Japanese text rather than pictures. (EDIT, September 2020: This book is now available in English from Seven Seas Entertainment! Yay! However, once again some of the illustrations are noticeably darker in the English version, which makes the details harder to see. Also, one of the English pages mistakenly says that Crimson A1 is Asuka and Eva-01’s fused form, instead of Asuka and Eva-02’s fused form. Still, it’s great to have an official English release!) Anyway, here’s a piece from one of the full color pages:

The Japanese text in the above image says “Son of Gendo!!”. Yes, the boy with the ponytail (on the upper half of the page) is Shinji, and Rei Quatre is sitting behind him. As for the lower half of that page, the illustration there shows Rei Trois and Kaji. That’s right, Kaji is alive in this story, but he has been brainwashed by Seele. Yikes!

Want to see more? Keep reading for the rest of the book review, plus a few more pictures!

Keep reading

#Evangelion #Shinji Ikari #Asuka Langley Soryu #Crimson A1 #Rei Ayanami #Rei Quatre #Ryoji Kaji #Mari Illustrious Makinami #Evangelion Unit 01 #book review

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knnichs · 2 years ago

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HOW YOU GET THE GIRL — guitarist ! childe x fan ! reader

sfw smau gn ! reader

– ♫ ⁺ @childe_11 is streaming!

“high tide”

JUST TALKIN, TEST STREAM : CHAPTER 01

— READ HERE

( this will redirect you to my au blog, @staarri-au for easier viewing / reading! )

⁺ ▸ SYNOPSIS : sunny days give you warmth, energy and a guitarist named childe (that you are coincidentally a big fan of.)

⁺ ▸ DESCRIPTION : chapter 1 is finally here! this is relatively short since im still figuring out how ill be able to put tons of photos in one post. happy new year everyone! i promise chapter 2 will be much longer hehe

⁺ ▸ ABOUT : You will play as Y/N or YN. Your accounts are @ kiwo.yn (Public), and your private account is @ lockedawayn (Private).

⁺ ▸ TAGLIST : @arraxthatsonjah @inlovewithlondonn @trinketbeans @neuvilutz @esthelily @a1-ic3 @kentply @b0bafl0wer @zamorazz @yuitsurata send a message to my inbox without anon to be tagged!

confused? check the masterpost here

everything is made & written by @staarri / @staarri-au . i do not allow reposts, modification, translating and copying any of my work without permission

#childe #childe x reader #childe x reader fluff #tartaglia #tartaglia fluff #tartaglia x reader #genshin #genshin fluff #genshin x reader #genshin x reader fluff #🎏 : my works #🌊 : hygtg

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the-scungles-of-crungles · 1 year ago

Note

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Ok. Someone tell me what this is. It seems to be some sort of file thing but. Well. Idk. God knows what it is

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