#Access point setup

[chronurgy]

I don't necessarily think that tumblr is going to go down in the next month or anything, but the layoffs are just more evidence of this site's long slow march to shutdown. I don't think it will be sudden (though the possibility that the site goes offline and the few people left lack the ability to get it back up exists) but I do think it's coming.

Obviously this place sucks, they're keeping me in the basement, etc etc. But also there's no other social media I've really been able to make work for me the way I've made tumblr work. I don't really know where I would go next (though I'd like to go somewhere, I think, since I do genuinely enjoy being weird on the internet with you all). Reddit is falling apart and not really comparable so that's a no, bluesky maybe? Except that's more of a Twitter clone and I've never particularly been interested in that. On the other hand, beggars can't be choosers so maybe I've just gotta suck it up. On a third hand (don't ask where I got it), fandom is very much about network effects so where I go is probably dependent on where everyone else goes and I don't think people know that yet and probably can't know that until the final shoe drops.

Discord clearly isn't a proper replacement, but I can give that out to find out where people are going. I have a dreamwidth with one post lol, that's another place I can be found if you want to find me. I dunno. I guess I need to start looking at other options.

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Edit: Now available in Google Doc format if you don't have a Tumblr account 🥰

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗ << it's a link, click it!!

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[orbiilogin]

Netgear Orbi Access Point: Find the Quick Steps Here!

To configure the Netgear Orbi access point, open the web browser and type the orbilogin.com web address in the browser bar. Now enter the login details and you will reach the setup wizards. Now, click on Advanced>Router/AP Mode and then go ahead with the upcoming guidelines to configure the further procedure. For the complete setup process, visit us here!

[arolesbianism]

Thinking abt her <333333 (oni gas range)

[cudyrouter]

Converting your current wired network to a wireless one is simple with the Cudy AC1200 gigabit wireless access point setup. You should use an Ethernet cable for connecting your PC and extender. Go to the “http://www.cudy.net” website and enter the login and password for your extender to log in. For further details, go to our website right now.

[a-soft-fluffy-girl]

TL;DR: Steam just made library sharing so much fucking easier and so much fucking better. Instead of login-trading, it's just a simple goddamn invite.

Read this. Really. It's a good read. Because it shows that, full-stop, Valve isn't just doubling down on their stance to make sure that people can and should be able to share their copies of digital goods as easily as they can physical ones, but they're making it better and easier than ever.

But you know how Steam allowed you to, with either friends or family, link accounts with another person to be able to establish an ability to share game libraries with one another? The general gist of Steam Family Sharing was that, with a limit of five people plus you (six in total) on a limit of ten computers total could share account access to willingly mix your libraries. You could play theirs. They could play yours.

This was a huge boon. It was meant to emulate sharing a physical copy of a game. A way to allow children to play games their parents or siblings had bought without having to fork over double the cash to buy it a second game. But it had some major limitations and drawbacks, and was archaic to use.

If a person did not share the same computer, you had to manually log into that computer to give it and the accounts on it access. This wouldn't be a problem if both accounts were used on the same computer, but many households (and astronomically more family and friend groups) had multiple computers, all used by different people.

If that computer, at any point, was hard reset to any point before the sharing occurred, you lost access. And had to do the whole process again. This was also an issue with computer transfers. The whole kit and kaboodle needed to be redone on upgrades. On top of that, the old computer is now just dead weight that you may not realize you have to manually revoke access to.

Putting your account information on another person's computer opens up security issues. They could, intentionally or accidentally, land themselves on your account if the login information was stored. Which could easily lead to purchases or bans you did not want to happen.

If anyone was, at any point, playing any game on their own library, you had no access to their games. Even if it was a totally different game, you had to wait your turn as if waiting for their computer to be freed up to sit at. (Admittedly this is kind of like the "mom said it's my turn on the xbox" meme, but hey, kinda archaic.)

You could not choose whose library you accessed a game from. Not at all. It always prioritized the first library it gained access from, DLC access and multiplayer be damned. If another friend you were accepting games from had more DLC? Too bad.

And yet here we are. Steam Families Beta fixes EVERYTHING about the above issues. By just going through Settings > Interface > client Beta Participation and clicking onto Steam Families Beta? You get:

No more login sharing. No more computer links. You can now choose which person's library you borrowed from. And you can play any other game from someone's library, even while they're in-game. It just needs to be a different game than what they're playing.

Pick five people. Invite them to your family. And now everyone has access to everyone's library. My goddamn library went from 150-ish to almost a goddamn thousand in ten minutes of setup.

Account sharing and password sharing are dirty words that "lose" billions of dollars. Netflix, Hulu, Amazon, Max. They aren't game storefronts, but they still allow you to access massive libraries and scream like you murdered their firstborns for daring to share your password with your mother after you moved out.

Microsoft tried pushing to demonize and undercut used games sales and borrowed copies of physical games. Remember the first attempt to reveal the Xbox One? People forget, but these vultures tried to make an always online console that checked to see if you were the account that owned the game, even if you had a physical disc, and prevent access to the disc's contents if you weren't the original downloader.

Valve walked the fuck up. Valve tapped the mic. And Valve dropped the fucking thing right onto the ground with one feature's revamp.

About the only issues I can see with this are twofold:

If someone sharing your library gets banned from a game's servers... so do you. No one else in the family does, but the both of you do. This is... rather unpleasant, because banhammers can be dropped quite frequently by mistake. I'd urge Valve to rethink this one, but I see the logic: don't cheat and effectively bite the hand feeding you. Still making me side-eye that, though.

If you leave a family you've joined? You have to wait a YEAR to join a new one. It's to prevent people form jumping ship to another group and screwing over who's in the former one in the process, but a YEAR? OUCH.

Problems aside, though... it's probably the biggest fucking power move I have ever seen a media distributor make in the current economic climate. It's the kind of thing that would let so many new games be available in a way that's easier than ever. Just a few clicks to send or accept an invite, and bam. Permanent access to dozens or even hundreds of new games with so much more freedom than earlier drafts of the system.

It's the kind of thing that slaps you in the face with positivity after so many Ls from the games and media industries. And I'm all the fuck for a W like this.

[newwifiextender]

Netgear Access Point Setup : Find the Way

Are you unable to find How To Set Up a Netgear Wireless Router as an Access Point? Then don’t worry, you are at the right place. Here you will get to know how to do the same.Netgear WiFi extender is a wireless repeater, which is placed between the base router and the location where you want better wireless coverage. 

It also expands the WiFi network, by connecting to your existing network and improving coverage. And it repeats the wireless signal from your router to expand its coverage. Netgear WiFi extender is also known as a WiFi booster. Performing Netgear Access Point Setup is not a challenging task, it is simpler than you think. If you are unable to do this on your own, then here are some simple steps to do the same. Simply go through the following guide for Netgear Access Point Setup.

Methods for How To Set Up a Netgear Wireless Router as an Access Point

If you ask yourself, what to do with unused wireless network devices, then you may need to learn How To Set Up a Netgear Wireless Router as an Access Point. Using an old router as an access point helps to extend the range of the network and eliminate those dead spots. If you don’t know How To Set Up a Netgear Wireless Router as an Access Point.

Then the following instructions will help you to do the same. Simply go through the below steps for the Netgear Access Point Setup.

Firstly, you need to cover the WAN or internet port of the secondary router with tape to prevent you from accidentally using it later.

After this, launch a web browser on the device, which is connected to the network of your router.

And then enter www.routerlogin.net on the address field of the web browser.

Now Netgear WiFi extender login page will appear, login with your default credentials i.e., username and password.

The default name of the WiFi extender is “Admin” and fill in the login information carefully because the username and password are case-sensitive.

After this basic home page or dashboard will appear on the screen.

From the homepage, click on “Advanced,” and then on “Advanced Setup.”

After this, choose “Wireless Access Point.” Some models might use slightly different menu labels, like Router / AP / Bridge Mode.

Then from the Nighthawk Pro Gaming routers, click on the “Settings” option.

And then click on “Setup,” and then choose “Wireless Access Point.”

Now select “Access Point” mode, and choose the IP Address settings on this access point.

Also, make sure that you get it from the existing router by default. Only enable fixed IP settings on this device setting if you have advanced network experience.

And if you want to do it manually, then assign a specific IP address to the router while it is in AP mode. 

After doing this, click on “Apply” and lose the Internet connection between your router and your computer. Now our Netgear router is in AP mode.

Sum up

Certainly, the above instructions will help you with How To Set Up a Netgear Wireless Router as an Access Point. So, before seeking help from some, go through the above easy, and simple methods to do the same. And it is also required to follow the above steps as given.

Netgear Access Point Setup does not require too many steps, you just need to go through some simple and easy steps to do the same. From now on, you can use your Netgear as an access point.If the above steps are unable to help you with Netgear Access Point Setup. Then you may need expert assistance. Try to get in touch with Netgear experts. They will provide you with full assistance, and also help you with Netgear Access Point Setup.

[pastelaeqy]

very generic swap AU for ava. Lots of yap below the cut where I talk about important changes and my thoughts about the differences between victim and Mitsi here.

couple important differences between her and victim

The big one is that she doesn't actually pursue revenge until she realises the guy who tortured her malewife would give her access to the guy who killed her malewife; before this, she basically has a big personality change, becomes a bit bitter, cold, managing with an iron fist etc and changes Rocket Corp's focus from general tech to arms/defence using blueprints victim had made.

unlike victim, who loses like 90% of his workforce and tanks the share prices, Mitsi instead sells to the gov because they are now obviously wanting some protection against terrorists. Whereas victim is too caught up in his own trauma to think of any other future for the company, Mitsi capitalises off the fear The Disappearance caused and quickly becomes the wealthiest figure in the entire Outernet. I think she’d be an absolutely terrifying boss using her old personality as more of a Customer Service mask. This would definitely be obvious though and I think it would make her more terrifying if anything 

As to how victim dies in the disappearance, my best guess is once people start disappearing from the party, he realises it’s to do with Newgrounds very quickly and he rushes over there with the rocket he fixed probably not long after he landed. He gets there, finds her, and saves her in a final moment of self sacrifice. I think this is a good setup because it puts Mitsi (and Agent) in the exact position Agent is in canon whilst also allowing Mitsi to see who the culprit was. I think it’s a good (temporary…) ending for victim as well, since he dies on his own terms rather than that of his creator’s

It's not until The Showdown that she realises she has a proper shot at getting revenge AND getting victim back; I'm certain victim has at least told her a little about how he was made, and she realises that she could totally get that revenge she's been craving for years whilst also convincing victim's creator to "make him again". Another big difference between victim and Mitsi here is that whilst victim quite obviously stews in his rage and grief for an extensive period of time (and quite frankly never actually has any real proof TCO and Alan are working together and simply just assumes that until he gets that showdown clip), Mitsi doesn’t let it show until she knows it’s actionable i.e. she has solid proof that going after TCO would give her access to Alan. 

Something else to add on here is that where victim is more or less using Mitsi’s death as an excuse for revenge, Mitsi is using her love for victim as a motivator. Because Mitsi simply doesn’t have the sort of background victim does (the disappearance is like THE traumatic event of her life rather than one of several), victim takes the emotional centre of her eventual desire for revenge. In canon, it’s pretty clear victim is more obsessed with getting revenge on Alan than getting revenge on TCO (still absolutely brutal towards TCO though, don’t get me wrong); his hatred for Alan/TCO outshines his love for Mitsi.

Big flaw here is that she doesn't really grasp how bad Alan was to victim; she’s so deadset on getting him back that she won’t stop and think “how might this actually be a bad thing”. I wouldn’t imagine he would be normal after being revived again and I think this would work as a good climactic point of conflict for like act 3. Where in canon there’s a good chance Mitsi will be revived no immediate consequences (thanks orange), victim would be redrawn the same way he had been all those years ago (and hence would not actually look like the victim Mitsi knew in the first place). A nice touch of “revived but came back wrong” to get Mitsi to hop off the revenge train. Another big aspect here is that victim would be like “what have you done to our company” much in the same way id assume Mitsi would in canon.

Overall I think the events we see in canon (other than the ones I have described) would play out about the same. I think it would be clearer that Rocket Corp. has a way bigger presence in the Outernet rather than being some weird creepy company that people vaguely remember as having a change in management some time after the disappearance. Mitsi would be probably more precise (and markedly less brutal) in capturing and extracting information from TCO because Mitsi doesn’t have the inferiority complex victim does. I think he’d still take a couple hits though, but Mitsi has no need to exemplify her control over TCO like victim does; she just needs to weaken him enough to make him talk.

That’s all i’ve really thought about so far. She’s spinning around in my mind like she’s in a microwave.

[vaguely-concerned]

My two cents on how much of Mind!Varric is Rook’s mind trying to fill the blank space and how much is Solas actively talking through a convenient blood magic paper doll of the mind: I think it's a mix of both, a truly collaborative psychosocial horrorshow if you would, but waaaay more towards the second. It feels too directed and tactical at times to be anything else. Rook's mind is willing to go along with the denial phase as far as it can fucking carry them to not have to face the grief and regret and does its part in papering over details that don’t make any sense, the way brains will strive to create coherent meaning even out of deeply confusing input, but to my understanding it's a collaborateur in how that plays out, not the instigator or control center. Solas is using it as a path to agency and to gather insight into Rook as a person unguarded as he can't count on in his own guise. (That stoic option that leads to him being like 'oh I see you're cautiously denying me access to your inner life. well. at least you still have Varric to talk to. y'know as an outlet :)'. You absolute BITCH Solas! That alone convinced me that he HAS to have an active hand in it on some level.)

My guess is that it takes considerable effort on Solas’ part to make Mind!Varric do anything more involved or complicated than seeming to sit up in bed and give casual commentary, and that’s why he keeps having eerie five minute shallow pep talks with you before he announces he conveniently needs a nap aaanyway good luck kid you got this haha. When he’s just spouting NPC lines from his bedrest, I’m ready to believe that could be Rook’s mind being allowed to improv lines for him more freely because it’s less about Solas trying to get something out of them or working an angle and more ‘Still here! Still totally alive and fine and the mentor figure you know and love and trust :) don’t even worry about it! Thankfully there is no war in Ba Sing Sei, as we all know’ upkeep work lol. Rook’s mind is allowed to set the tone of Varric, the outlines, but not always the content. 

AND, on a (beautifully fucked up) character psychology level, I feel like Solas is indulging in actually getting to be the good supportive mentor figure to Rook with one hand to assuage the guilt he feels about what he's done -- and what he's going to do -- to them with the other. Same internal logic as he uses in Trespasser about the Qun. ‘Almost everyone is going to die from the course of action I’m doggedly pursuing eventually. But at least I can make their last years happier and freer and kinder than they would have been otherwise. and that kind of makes up for it right. a little bit. doesn't it. doesn't that make it better at least. I need that to make it better)'. Did I really take your beloved mentor and friend from you if you don’t know yet that I did? Some philosophers would argue not really! So it’s probably almost ok actually. Isn’t it even a little noble that I’m taking all this grief and guilt on myself and shielding you for now. With undertones that I’m not sure he would realize himself (and might be mortified by if he did) that he is so incredibly lonely, and even a dishonest and indirect emotional connection is more than nothing when you’re that desperate. In this setup he gets idk. Both the control he craves so incredibly badly in relationships and over himself, and the scraps, the fading afterimages, of intimacy and warmth and companionship, even second hand. The one thing Solas and Rook agree on deep deep down is that they really wish Varric weren't gone. They're handshake memeing this in the saddest and most creepy way possible.

I think an important element too is that Solas needs Rook and their team to *succeed* —  up to a certain point. He needs someone to hold the two other elven mean girls off until he can get out of here. Ideally, in a perfect world, even do all the hard work of killing them so he can swoop in at the end and do his thing when both sides are exhausted and out of resources to stop him, and then Bob’s your uncle! Same logic as he was using with Corypheus, and after that worked out so well, too! King of choosing to never learn from a single solitary mistake he’s ever made even though i fully believe he could have the capacity to Fen’Harel <3 The underlying idea isn’t flawed, you see, it was just unforeseen circumstances getting in the way. This time for sure it’ll all work out the way I cleverly imagined it in my head beforehand. Cue By Talos this can’t be happening etc. in the form of a statue almost crushing him like a bug. 

So he's providing guidance and forging Rook into a leader from two angles: one Rook might not trust, and one they probably will. Shaping them into what he needs slowly and carefully. He’s helping you hone your team into their most effective state, as he might have done with his own agents back in the day, setting up his chess pieces even if he has to squint through two glimpsed realities to do it haha. Pincer maneuver of an insidious stealth mentor you never asked for. Also… at one point mind Varric gives you a whole little monologue about how Solas' problem is that he’s always seen his interpersonal connections as flaws and see where it’s landed him, all alone and the worst part? it hasn’t even worked. it’s all been for nothing he’s back where he began with nothing to show for it but his mistakes. Like...that has such strong 'uh okay happy to play your therapist from two rooms away here what the fuck kind of traumadump is this' energy to me, I’m not sure Rook like. Thinks that much about Solas as a private person. So much of Solas' self-loathing and futile insights into his own flaws seem to shine through in Mind!Varric's dialogue all the time — I just can't believe that there's no guiding hand behind it as it were. 

Most of all. I feel like people underestimate the degree to which Solas is incredibly funny. As in, he has a very consistent and recognizable sense of humour. It’s one of my very favourite things about him. We must remember — it is crucial that we always keep in mind ��� Orlesian accent and wig Solas from May The Dread Wolf Take You (my beloved, the explanation for why I love this dude even with the. All of the everything else. No one does it quite like him). He is not at all above doing things or adding little flourishes for his own obscure amusement, in fact that seems to me to be one of his most consistent traits. The Randy Dowager Quarterly comment Varric has? The ‘Maybe this is the Dread Wolf’s revenge. Forcing us to house sit for him’ thing? To Me this is 100% Solas amusing himself in his boring Fade jail surrounded by the screaming hellscape of all his regrets. Source: it came to me as divine revelation through pure vibes trust me bro 

If nothing else I find it much more narratively interesting personally if the connection between Rook and Solas really is that defenselessly intimate and entwined (and so unbalanced!), and the sense of violation and invasion and betrayal afterwards consequently all the more nauseatingly intense. Even if you kept him at arm’s length in the open, he’s been under your skin the whole time, looking around, gathering what he needs to destroy you, wearing the face of a friend. Regretfully, probably, but choosing to do it every step of the way anyway. (Sound familiar, Inquisitor? Solas doesn’t have that many tricks when you actually look at it, he keeps returning to old tried and true ones like a dog with a bone haha.) Maybe he even genuinely meant some of it as mercy, which only makes it so much worse. It makes his sin against his own core principles of autonomy and the freedom of all beings in mind, spirit and body so much more juicily grave if it’s something he pursues actively and consistently, rather than it half-falling into his lap as a happy accident mainly orchestrated by Rook’s own subconscious. Solas, too, is at his very lowest point, the closest to giving in and becoming his own antithesis fully that he’s ever been, and it makes the choice of whether you still reach out your hand to him one last time or not all the more impactful and difficult.

[poolseason]

more Ninjagelion AU

Setup: In the aftermath of a cataclysmic event on the Dark Island where humans accidentally awakened an entity known as the [OVERLORD] the world was plunged into eternal chaos. 20 years later, Ninjago has managed to rebuild. Now in New Ninjago City, a bustling and lively hub at the heart of Ninjago, has been under attack by monsters- onis, dragons, serpents, unexplainable beasts,- creatures made from the [OVERLORD]'s darkness. Luckily the Special Division ELEMENTS is here to protect the realm from these monstrous threats, with the NINJA mechs. This cant be possible without some valuable members of the team!

Characters, lore, and more ↓

Characters:

Pixal: In this au she's a human scientist, and probably the one person who knows the most about how the NINJA mechs are created. She's in charge of the technical division, and head of research and development. During a monster battle, her order's are second to Cole's. Her highest priority is the integrity of the mechs, to the point she might be a bit negligent of the safety of their pilots. Pixal is deeply involved in some suspicious agendas involving the secret entities hidden under the base, and while she's the most knowledgeable person in the force, she's not the most trustworthy. Pixal is Zane's personal "doctor" and knows more about his schematics than anyone else. She created the Nindroid plugs (aka the Dummy system, an autopilot of sorts) with his personality data. Pixal is also one of the few people who know what happened to the original Dr. Julien and Echo.

Jay: For a little history on him, Jay is on the younger side, have graduated from college a couple of years ago. He originally interned here as an electrical engineer in the Weapons Deparment, but Pixal saw his skill and ingenuity and gave him an unrefusable return offer in the R&D department as her right hand. Jay's parents, Ed and Edna Walker were colleagues of Cyrus Borg and were involved in the engineering and design of the Geofront and NNC's civilian safety infrastructure, so Jay's always been somewhat interested in ELEMENT's work. It was kind of a dream come true when the Pixal Borg hired him. During monster attacks, Jay's in charge of making sure the NINJA mechs operate properly, have access to their weapons and gear, and making sure the NNC fortress moves as needed. Jay's always seen with his goggles and he almost never follows uniform protocol.

Jay is also one of the few Technicians who personally work with the Pilots, he's one of the first people Lloyd warmed up to at ELEMENTS, and he becomes kind of a big brother figure to him after one particularly crazy mission when he has to personally go out onto the field with Lloyd in Unit-01. When Nya arrives the pair work together a lot outside of pilot training, but Nya definitely likes him and he... needs to figure some things out. whoops!

Skylor: Having grown up in the aftermath of the 2nd (Overlord) Impact, Skylor's seen a lot of destruction and cruelty, even first hand from her own father who lead a doomsday cult that wreaked havoc on innocent communities trying to survive in the near apocalyptic event. Vowing to protect the world from similar chaos, she joined the NINJA program's tactical division. When the monster attacks began, she's in-charge of monitoring the enemy's health, pilot life signs, and mapping.

Dareth: His last name is Presley bc of the Elvis hair and inspiration lmao. He's not really a high ranking member of the organization but Cole and the others seem to really trust him, despite his mess ups. Dareth normally handles ferrying radio messages between ground teams and mission control. Dareth is a relaxed guy who values a positive work environment, even if that kind of makes him a bad employee. He's a very good uncle figure to a lot of members of ELEMENTS

MORE Cole: Cole is the leader of the tactical division. He was drafted into the military when he was only a young teenager in the aftermath of the [OVERLORD] but he was recognized by Wu and not long after he completed college and grad school he was quickly hired by ELEMENTS to oversee the tactical division. He's vengeful towards the Overlord's darkness monsters because his mother Lily was the captain of the disastrous expedition to the Dark Island 20 years ago. The dog tags he wears are his own and his mother's.

Lloyd and Zane, on neural headsets: As pilots of a NINJA mech they have a lot of pressure on them, obviously this can cause a lot of mental turmoil and stress. In order to pilot a mech they must synchronize their own mind to their mech's soul*, so stress isn't really a good thing for a pilot to have. Zane was programmed to not experience such emotions, but over the course of the series, its proven that he grows to feel quite strongly and become more human. Despite his programming, the lack of emotion early on was actually a detriment to his ability to pilot, since the NINJA soul wouldn't be able to synchronize it's feelings with an entity that feels nothing. Sometimes its necessary for pilots to wear more complicated neural headsets and spinal connections for more controlled sync testing. During the cross-sync experiment when Zane and Lloyd traded units, they were stuck wearing extra uncomfortable test suits -- too many wires and junk! The only downside to extra connection is that the mech could overload and go berserk. (which big surprise, happened!), so usually Lloyd, the designated Unstable Pilottm, only needs the barebones neural interface in most situations.

[gremlingottoosilly]

Thinkingggg about a Reader who gets kidnapped by König but can’t be arsed to care all that much because a) he’s incredibly hot and b) her living situation was genuinely really really bad. Like to the point that when she tells him about it, it distresses him to know that his pretty thing had to live like that.

Konig being in a "Bitch, you live like this" situation with his pretty darling. He was actually fucking horrified when he first got to your place - he had seen war prisoner cells that looked better and torture chambers with much cozier setups. He also doesn't think that having three roommates who all look like they take and sell meth mixed with dish cleaner is a good environment for his darling wife. He is glad he took you away before something bad could happen - he is glad that the only thing you wanted from that rancid apartment of yours were some personal things that can be easily cleaned and given to you. He will get rid of them eventually, not wanting anything to remind you of your old, pathetic life - but he can indulge you for now since you're being such a good girl for him. You don't fight, you don't resist - you might be a little bit bored with sitting in his house the whole day, but he brings you plenty of enrichment. Games, books, whatever you want - he doesn't mind giving you limited internet access in terms of online shopping, as long as you're under his supervision and don't try to call the police. You don't ever try to escape, which worries him at first - while he is glad you're such a good sport about being kidnapped and dragged into his house where he barely even cleaned up his gans enough to make you a nice little play area, Konig is also worried, that this is all just an act, a ploy to make him trust you and then easily running away. But, then again - you're too fucking adorable to do this, you pretty thing. God, he fucking loves you. He needs to have you as his doll, adorable darling, but he is too weak and pathetic even to try to run anywhere he can't find you. You can try and resist him, of course, but he will always find you in the end - would always force his cock into you, always makes you put up at least a little fight so sex won't get too boring.

[howtofightwrite]

If someone is training to hunt monsters in a modern day setting (like an urban fantasy story), what might be a good starting point for learning how to use weapons? If they don't specialize in a specific type of entity, and it's one that can be brought down physically, what other things do you think it might be good for someone to be taught?

So, I've said this before as a bit, but monster hunting wouldn't really be about combat most of the time. There's probably some edge cases, like vampires, where you're fundamentally looking at a human with superpowers, but against the vast majority of critters, monster hunting would be more like, well, hunting, or pest control.

If the monster is exceedingly lethal, you don't want to be getting into fights with it. That means taking a more methodical approach to identify and exploit weaknesses, and then eliminating it like any other pest.

Ironically, while the book is a bit crude at times, one of the first examples that comes to mind is Vampire$ by John Steakley, (and the film adaptation by John Carpenter.) The priority there is to identify vampire nests during the day, then use specialized stake guns attached to winches to drag the vampires out into the sun, before collapsing the building entirely.

This means, you're probably better off looking at people with backgrounds in animal control, exterminators, park rangers, game wardens, and similar backgrounds, rather than military or law enforcement backgrounds. (Though, technically, rangers may fall under the header of LEOs.)

Effectively dealing with any animal (and most cryptids tend to fall into this category) involves learning about its behavior. Now, obviously, if you're dealing with some incredibly reclusive creature that's evaded detection by the modern world, it does strain credibility a bit when someone wanders in with a complete understanding of their behavior. (See: Every bigfoot expert ever.) But, the basic premise is foundational if your characters are going to go out hunting those creatures.

When you're dealing with more overtly supernatural foes, then the focus on information they'd need would change somewhat. But, in a lot of ways, the same template holds. It's critical for your hunters to understand the limits and favored behaviors of those creatures.

Now, obviously, you can have very different approaches. I was recently reminded of the old World of Darkness Demon Hunter X splat, where one of the groups detailed (in a modern urban fantasy setting) were using extensive cybernetic augmentations to directly fight monsters (with a very anime inspired aesthetic.) If you have the setup for it, you can go in really wild directions with your urban fantasy monster hunters, and the advice of a relatively low-power group that treat cryptids the same way you'd treat a rat infestation might not be applicable. Similarly, hunting vampires and werewolves may involved more conventional, military tactics, if that's what you're looking for.

It does depend on what your story calls for, and I'll readily admit, my main observation here has more to do with how modern horror writing tends to present these creatures, and then looking for a practical solution to the problem they pose. (Also the juxtaposition is funny. You start out expecting Blade, and instead get some random guys in jumpsuits with animal control poles, who are going to grab the horrific deathbeasts, stick them in crates, and ship them off to a preserve in Montana.

-Starke

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[cudyrouter]

You must proceed with the Outdoor Cudy AC1200 gigabit wireless access point setup properly. To set up the device, you must log into the web interface using the default IP address. Through these addresses, you can access the login page. After that, you can add the device and follow the on-screen instructions to set it up accurately. Still unable to set up the access point? Get in touch with our team right away.

[gracie-eilish]

your braids like a pattern (love you to the moon and to saturn)

an: this is not the ‘seven’ fic i’ve been working on! i just needed a cute title to do with braids lol!

The living room was warm and quiet, lit only by the soft glow of the movie playing on the TV and the string lights you’d hung months ago that never failed to make the space feel cozy. You and Billie were sprawled on the couch, wrapped in a soft blanket. Her arms were around you, and her fingers absentmindedly played with your hair as you leaned into her chest.

She’d been doing it for the past twenty minutes, her fingers gently threading through the strands, brushing lightly against your scalp. It sent little shivers of comfort down your spine, making you melt further into her embrace.

“Baby, you have the softest hair,” Billie murmured suddenly, her voice low and affectionate. “I swear, I could do this all night.”

You smiled, your eyes still on the screen. “I’m not stopping you, love. It feels amazing.”

She chuckled, pressing a kiss to the top of your head. “Good. I was gonna keep going whether you liked it or not.”

Her teasing tone made you laugh, and you tilted your head back slightly to glance up at her. Billie met your gaze with a cheeky grin, her blue eyes sparkling with mischief.

A few minutes later, she shifted slightly, her fingers still in your hair. “Alright, lovie,” she said, her voice taking on her signature playful edge. “The couch cuddling setup isn’t cutting it. I want full access to your hair.”

You turned to look at her, raising an eyebrow. “Full access?”

She nodded playfully and sat up straighter, pulling the blanket off and patting the floor in front of her. “Come sit on the floor, I wanna braid it.”

You hesitated for a moment, but the way she looked at you—with that mix of playfulness and affection—made it impossible to say no. You slid off the couch and settled on the floor between her legs, leaning back against her as she ran her fingers through your hair again.

“There we go,” Billie said softly, her hands now fully immersed in your hair. “I still can’t get over this color on you. The pink roots are so fucking cute.”

You felt your cheeks flush, a warm tingle spreading through you at her words. A few weeks ago you had a salon appointment booked anyways, but at the last minute Billie convinced you to get fun colored roots like her own. So now your hair was a dark almost black color but with pink roots topping it off.

“You are the one who convinced me to do it, remember?” you replied, tilting your head slightly as her fingers worked through the strands.

“Yes I do remember. I was right about it too,” she said confidently, leaning down to kiss your temple. “You look stunning and I’m a genius.”

You laughed, rolling your eyes. “Humble as ever.”

“Hey, I’m just calling it like I see it,” she teased, giving your shoulders a quick squeeze before reaching for the brush that got left on the coffee table. “Now, hold still, mamas.”

Her tone was light and cheeky, but her touch was nothing but gentle. She brushed your hair with care, starting at the ends and working her way up to avoid any tangles. Every so often, she’d pause to run her fingers through it again, clearly enjoying the softness. Not that you were complaining, her touch massaging your scalp lightly making you sleepy and happy. Your eyes were barely open at this point.

“I love when you braid your hair this,” she said after a while, “It makes your roots peek through… it’s so hot.”

You couldn’t help but laugh, shaking your head slightly. “It’s not exactly a sexy hairstyle, Billie.”

“Um, excuse me,” she said, feigning offense. “Anything you do is sexy, pretty girl. Don’t argue with me.”

Her teasing made you smile, and you leaned back against her legs. “Okay, fine. I won’t argue.”

“Good,” she said with a smirk, pressing another kiss to the top of your head.

Her hands were steady as she divided your hair into sections, starting the first braid with practiced ease. Billie had always been surprisingly good at things like this—thoughtful and detail-oriented in a way that made you fall for her even more.

“You’ve got the prettiest hair, baby,” she murmured as she secured the first braid with a small elastic. “I wanna play with it all the time.”

“Baby,” you scoffed playfully, “you do play with it all the time.”

“Not enough,” she said dramatically, starting on the second braid. “I’m thinking I need to start a daily hair-braiding routine.“

“I think you’d get bored of me eventually,” you teased.

Billie paused her braiding to lean down, her lips brushing against your ear, and whispered, her voice low and sincere. “I could never get bored of you.”

Her words sent a warm rush through you, and you tilted your head back slightly to meet her eyes. She smiled down at you, her gaze soft and full of affection before she planted a noisy kiss to your cheek, making you giggle.

A few minutes later, she tied off the second braid with a flourish, her hands resting on your shoulders as she admired her work. “There we go,” she said proudly. “Two perfect braids for my perfect girl.”

You turned to look at her, smiling as you reached up to touch one of the braids. “Thank you lovie. You did such a good job,” you replied in a silly voice, mimicking Billie’s own funny voice she did to make you laugh sometimes.

“Anytime,” she said, leaning down to kiss your forehead. “Seriously, though, you look so good like this. I might need to keep you all to myself for the rest of the night.”

You laughed, leaning into her touch as her hands rubbed soothing circles on your shoulders. “You already have me all to yourself, Billie.”

She grinned, her arms wrapping around you as she pulled you back into her lap. “Now that,” she said as you stood up and made your way back to cuddling on the couch, “is incredible news.” Her tone full of playful arrogance making you snort with laughter as you snuggled onto her lap.

You stayed like that for a while, her arms around you and her chin resting on your shoulder, the two of you perfectly content in each other’s presence. The movie still played in the background, but neither of you paid much attention. All that mattered was the warmth of her touch and the comfort of being so close.

“I love you, baby,” Billie murmured after a while, her lips brushing against your ear.

You smiled, your heart swelling with affection as you turned to kiss her cheek. “I love you too, Billie.”

It was a quiet, simple moment, but it was perfect—just you, Billie, and the warmth of the love you shared.

And the cutest braids Billie had ever seen.

[see-arcane]

Hearing today's interaction with the General, Comtesse and 'Millarca' out loud really strikes home 1) how elaborate a setup the charade is, which also highlights 2) how little Carmilla ultimately gives a damn about her eventual snacking spree on the lower class women of the village once she gets around to Laura's home. Because look at all the effort that went into planting her with Bertha and the General. It didn't have to be them, of course. Bertha just caught Millie's eye. But the point is the place it happened: a giant extravagant Rich and Important People masquerade.

The General mentions that he's the closest one to a 'nobody' there, just as Laura's father exists in the shallow end of the well-to-do pool--while still living in a castle with servants. And isn't it something how Millie and her crew have sniffed out targets within that balancing area. Obviously well off (not peasants, lame) but also obviously not big enough in the hierarchy to draw attention if a tragedy were to befall them; at least not enough to go hunting after the crew. (Give or take a General with a vendetta.)

I keep circling it now. How Carmilla/Millarca/Mircalla can and does very easily very quickly target random victims to her taste in the village entirely on her own and drinks them to death in no time. No invitation. No theatre-quality ruses with la Comtesse and company and staged tragic happenings. Just her and her own power, settling for the unpolished girls she has access to in order to preserve her honeymoon period with Laura a little longer.

All this pageantry to attach herself to Bertha, to Laura, and, we can guess, other pedigreed victims in the past, is just that for her. Pageantry. Picking her next meal with her pinkie up. And I think that's important to acknowledge when examining the difference between that MO and her attachment to Laura, regardless of what future chapters will try to insinuate otherwise.

Because if Laura had been any other upper(ish) class girl, she would have been as dead as Bertha ages ago. Drunk and loved to death and promptly ditched. But Carmilla is committed to her and to collecting her into vampirism to drag along with or without consent; a decision the novella never shows her making with any other victim. It's just been corpses all the way down. Either with hasty throwaway meals in the village or dragged out loving suppers made of girls like Bertha. However complicit Carmilla is or isn't in her own monstrosity, she is making choices within it, those choices are classist and self-serving to an undead aristocrat's palette, and they have all ended with her victim, treated with care or not, dead.

And Laura breaks that habit. She isn't just another case of Carmilla playing with her food. She is a spur of true love cracking through who knows how many lifetimes' worth of playacted romance with victims past.

For those who think I am taking le Fanu's wedged in explanation, no, I am not agreeing with the bullshit stance of 'all vampires are faking their love for their victims all the time always! especially the gay ones!!' that the story ultimately tries to pin in place. I'm saying that Carmilla has shown she proves that assumption wrong in both directions.

She doesn't seduce the peasant girls. She just breaks in, chugs them, kills them, and moves on.

She does star in intricate traveling theatre setups to get planted in more than one plush abode with a pretty daughter in it. And with them she does bother with friendship, charm, romance, et cetera, because she sees them as worth bothering with.

And Laura? Laura she latches onto with all the possessive bottomless love that the story implies was thrust upon her once upon a time; the same kind of Love that brought her into undeath. A love she hasn't felt herself once since then, not enough to collect any companion into vampirism. Except for Laura.

Apart from being grateful at having the podcast turn up old stones in this story that I'd either forgotten or completely overlooked. It's a refresher in how genuinely complicated Carmilla is as a character and as a villain. I've run into reads of her that are all purely sympathetic to the point of sanding down all her actions into being someone else's will, it's not her fault she's like this, there's nothing to take away from the story that paints her in a bad light that isn't just the man characters being wrong about vampires and lesbians and lesbian vampires!

And I didn't understand why that irked me so much until I realized that this borders on the same edge of Dracula's defanged makeover into a patchwork woeful dreamboy caricature made of traits that belong to anyone other than himself. Because we like Carmilla. We love Carmilla. She is The Classic Lesbian Vampire and Can Do No Wrong!

Except she does. She very much does, regardless of what biases are there to read in the male characters' framing of vampirism/homosexuality/impurity/Other etc.

The classism is there. The needless serial killing (VS taking a few sips and running) is there. The longing so great it demands she must steal Laura away is there. Just as the love is there, bringing with it the bitter agony and self-made misery of fear that Laura, her Laura, will learn the truth soon, that Carmilla's willpower is second to Carmilla's wants, and she will conscript the girl she loves because that is how a monster loves; it was how she was 'loved' and made what she is.

And God! Think of what would come after Laura being turned! Not just the revelation of what Millie has forced on her, but everything Carmilla has done for ages. All that death she's breezed through for so long is now suddenly a sword hanging over her head, held up by the thread of Laura's affection and her ignorance to what said beloved has been up to on her nights out.

Carmilla isn't a tragic monster because she's inherently innocent and the narrative has simply maligned and mistreated her. Carmilla is tragic because she's been a casual, canny and far from helpless monster for well over a century and is only now being tripped up by the bittersweet fact of her love and all the dread and shame that comes with being a bastard (gender neutral) and knowing that any moment your paramour will learn the truth of what you are.

tl; dr: Today's chapter hit me with an epiphany stick. Just as Dracula didn't deserve to be defanged by over a century of sanitizing and sexifying, Carmilla doesn't deserve to have all her sharp edges blunted into a helpless anti-villain/antihero because Girl. She's in on this gothic horror villain shit. Said villain shit needs acknowledging to make the reality of her romance with Laura stand out as truly tragically shattering to her undead lifestyle.

[beeseverywhen]

The recent bathroom investigation has brought up some interesting points, so, some information on toilets in working class homes in the uk:

bathrooms being in working class houses is a relatively new thing in the uk (last century in new builds but took a long time for older buildings to catch up) and when it began, as to be expected, it happened in stages. you can generally see evidence of this when you go in older houses and you can kind of see in a lot of them how they would have been built.

(there are some differences in england and wales vs scotland but more on that later)

ok so in cities in the 19th century the common situation was back to back houses (generally terraced houses in england and blocks of flats in scotland) with courtyards in the middle of 2. the courtyards would have a toilet some distance from the back door (because of smell and vermin ect) shared by all the households. there was a move in the 19th century for every court to have its own water pump for use by the households there (previously there would have been water pumps at the ends of streets ect)

an interesting difference between england and scotland is that scottish working class housing tended to have kitchens in the flats, whereas it took longer for this to happen in england with sculleries being shared for much longer. this makes perfect sense when you consider the weather. having a more open plan living space with your own range was a great way of staying warm, a lot of scottish tenements had built in beds in the shared kitchen/living room

as sewage disposal systems improved toilets could be closer to living spaces. new builds at this time began to have toilets joined on to the home though the door would still be outside. all the same, going out the backdoor to a door on the same wall was much nicer in the cold of night than to the end of a courtyard. in tenement buildings we began to see toilets being added at the end of halls, often you'd have 1 shared toilet between 2 floors.

now this change is recent enough that you can still find evidence of it. eventually it began to be expected that every family home should have its own conveniences. starting with sculleries and taps in most homes. then to every home having its own range and cooking happening inside the home. the sculleries moved closer to what we'd recognize as a kitchen now, and in new builds, bathrooms began moving their way indoors. at first, this was with fixed bathtubs (rather than the tin baths that had been common, as well as visiting public bathhouses) and at first they were often in sculleries rather than in a separate bathroom.

eventually there was a move towards actual bathrooms, though the toilets remained in a separate room at first. there was some resistance to having the toilet door inside the home at first by some people as they had been used to having the toilet away from the living space for cleanliness sake (not to mention, it was cheaper to build this way) and this led to a few experiments with some bizare setups for toilets

so this is an example from the mile cross estate. a door has been added but originally this would have been ourdoors. however, theyve set the doors at an angle and put a porch between them. the toilet is outside of the house but its not fully outdoors

of course this didnt wind up being the way forward and most of these attached toilets have since been converted so they can be accessed from the inside.

whats interesting is, while inside bathrooms were being included in newbuilds in the 50s, and expectations changed so most older houses were converted in the years after. not all were.

there were still houses with 'down the bottom of the garden' toilets in the 80s (my dad lived in one) though they were few and far between by then. in my childhood, it wasnt uncommon for outdoor toilets attached to the house where you had to go out the backdoor to use them, to still exist, but they tended to be in addition to a full bathroom inside the house (usually awkwardly placed in a too small attic room, or on a diagonal, or downstairs in what once was a parlour.

which brings us on to yesterdays flat:

in 1961 7% of houses in england and wales still had no toilet inside or attatched to (and accessed from outdoors) their home

in scotland 9 years later, a quarter of people were still sharing a toilet outside their home

this campaign kickstarted conversions in tenements so they all included toilets. thats why these flats without them are so uncommon now. but as in the article above about pat from the mile end estate, tenants were perfectly entitled to decline renovations. of course, most wouldnt have. but for those who didnt particularly want the hassle of renovations, didnt want to give up space in their homes, and were happy carrying on as before, well. the roll out of bathrooms in every other tenement would only have made this easier. the shared toilet was only being shared by them now.

later on, it would become mandatory for all homes to have toilets, and so when faced with a longstanding tenant in a flat with no toilet, who has been the sole user of the shared toilet for the past decade, its likely easy to tick the box of 'yes the home has a toilet' by just adding the communal toilet on to the deeds.

not to say it wouldnt cause complications: that flat was unmortgagable and this is likely a big reason why. a property without clear property boundaries causes issues from a liability perspective. its difficult to insure and a lot of mortgage companies wont want to take on that risk