#Am i insane?

[xxdarkxmoth17xx]

[viperra1]

HELLOOOOO!!!!!!!!!! I MADE AN ANIMATIC!!!!!!!! this features my courier 6 oc, vulture, and some moments from his michevious adventures with his buddiess! boone is quetly pining type, in my opinion, and he usually waits for other people to make a first move, be it friendship or something more. after he lost carla, he lost his will to be approacable at all, so it's a surprise even for him when he starts to ... like :) ... the courier. luckily, my man vulture is a social guy, but!!! he does not rush anything and he hesitates to make a first move, because he's afraid as fuck to make a mistake and push boone too hard and ruin the carefully nurtured bond between them.

(veronica and acrade SHIP this.) so, the resolution of their ..... situation ',:) .... happened very slowly. but in the end, they made it!! and now, here's some of my FAVOURITE keyframes for ya!!!! (there's a lot of them)

ty all for the support :')

song is from FNV radio, called Something's Gotta Give by Bing Crosby

[smokeysweater]

Masterlink It was over a month until you saw John again, a long overthinking month of sitting around the house staring blankly off into space, barely anyone to keep you company, aside from the occasional visit to the grocery store and your hand at night time, thinking of sharp blue eyes and a scruffy beard. You had no way of Contacting john either, you two weren’t exactly that close, or at least you thought you weren’t, to have his personal work number, you did have his regular one but you figured that he probably wouldn’t be using it while off on a mission, so you were by yourself until than, what else was one to do beside try and busy themself? you had tried, and failed to get into various different things while john was gone, it felt strange, weird. You were never anxious for him to be home before. You couldn’t kept your mind focused on anything, even on things that you usually loved doing. reading? Couldn’t get past the first page Painting? Got distracted a quarter way through Crocheting? Threw your hooks across the room at the first problem. it was hell. Why were you acting like this? why was John Price, making you act like this? why did that ring affect you so much that thought alone had kept you on the couch for days, mindlessly watching a trash television show as your mind raced through every single goddamn interaction you two have ever had. your mind distracted too distracted in fact that you didn’t hear the door unlock too distracted that you didn’t hear the four pairs of footsteps enter the house not distracted enough to feel a distinctly familiar scarred hand touch your forehead, a matching coolness of metal on the ring finger hard to miss. there, in all his mystical glory, stood price, amused smile spread across his face, with three very unfamiliar faces stood behind him, peering down at you just the same. His velvety smooth deep voice ringing out in your aching ears. “Hey dove, ‘m home, ya miss me?”

[charcuteriecrab]

If you couldn't tell, my package finally arrived

[overleftdown]

this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.

[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.

on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.

food for thought.

[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?

this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.

i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.

[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.

there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.

that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.

[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.

felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.

i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.

[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.

GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.

[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?

and farleigh ate.

[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.

farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.

[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!

GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.

the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.

i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.

oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.

[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.

[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?

here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.

[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.

i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.

i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!

even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.

he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.

and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.

[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,

[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!

and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.

[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.

something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.

this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!

[pinksepia]

Am I still human…?

Reference: link

Gore version (twitter): link

[ghysry]

I have no idea why but I think Five would relate to the animal pigeon the most. We domesticated these beautiful things thousands of years ago, and now, after loving them for so long, we leave them to die thinking they're still loved. They keep coming back because they think they're still loved. And we abandoned them for what.

All he wanted was the love he once had.

[borderlandsresearcher]

AM I CRAZY OR AREN'T LIU KANG AND KUNG LAO COUSINS??????? IDK WHERE I GOT THIS BELIEF FROM BUT I KEEP SEEING SHIP ART OF THEM TOGETHER AND GOOGLE KEEPS TELLING ME THEY ARE COUSINS. SOMEONE HELP ME OMG.

[iamamythologicalcreature]

Sentences or Sketches or Something... Sunday

Hello strangers! It's been a long time since I last did a progress post of any kind - thank you everyone who's continued to tag me so I don't get left behind! And thanks to @noblecorgi, @alexalexinii, @you-remind-me-of-the-babe, @blackberrysummerblog, @thewholelemon, @mooncello, @monbons, @prettygoododds, @shrekgogurt, and @youarenevertooold for tagging me, today. (I feel so loved! <3) I'm looking forward to seeing what everyone's up to.

It's still Sunday in my neck of the woods, though just barely. And yes, I've used my "sentences" banner, but... It's a bit more chaotic than that. Honestly, I wasn't sure about doing a post today because I'm a bit all over the place, but then I figured... eh, why not? I am all over the place LOL.

So here's your snippet from the collective efforts of Jo's creativity, lately, under the cut. (Because I ramble...)

On the Haunting of Simon Snow... I haven't forgotten about it! Nor is it abandoned. As I keep telling anyone who will listen, I have a rough draft, which basically amounts to an outline, meaning I have way too much figured out to just let the story fade away. XD I attempted to work on Chapter 2 earlier this month, and ran into some roadblocks - of the architectural variety.

So I've started to research manor houses and English estates like mad. I'm going to do the thing. I'm going to figure out Pitch Manor. Why? Because my brain won't let me gloss over paltry details such as the location of Simon in the grand scheme of the house, or how and where the roof attaches and where that tree is going to be. It's annoying, but I figure... This is a fun puzzle, too. One I hope to be able to share with the fandom at large once it's complete.

This little snippet is from an early design I've since scrapped (but you never know what might come around, again.)

"That's great, Jo, but how about some sentences?"

Okay. Ahem. Here's... some Simon sentences... that have just been scribbled out. *cough*

I sit there and listen to the man on the other side as he blathers on about extra fees associated with estate deliveries due to distance and blah blah bloody fucking blah. I wish he’d just say it. Just say 'this is the Pitch Manor tax.' No one ever does. But everyone charges it.

I HAVE WRITTEN SEE THERE'S PROOF.

Okay, moving on...

The other thing I'm working on is illustrations for @mooncello's beautiful fanfic, "Lost Boys." I just posted art from Chapter 1 here, and I'm working on art for Chapter 2, now. The story is stuffed to the gills with absolutely gorgeous imagery, so choosing what to illustrate is a challenge. Hopefully it all works out, and in the meantime, here are a couple doodles.

(I was telling Heath last night... this morning...? about how all illustrations start out as baby sketches XD These are the little babes in the creative nursery, basically. Also I have never posted baby sketches before and I'm kinda nervous about it. But. Well. >.> )

THERE YOU HAVE IT. A couple of my reasons for being so entirely absent from all other aspects of the fandom. (Also I got hit with the flu super hard, but doing better now!)

Tags for future wipsdays/hello's! @leithillustration, @artsyunderstudy (thank you for listening to me ramble about Pitch Manor), @erzbethluna, @nightimedreamersworld, @cutestkilla (thank you for also listening to me ramble about Pitch Manor sorry I'm reworking it again XD), @angelsfalling16, @fatalfangirl, @hushed-chorus (thank you for being my secret-garden-enabler XD), @rimeswithpurple, @best--dress, @whatevertheweather, @ileadacharmedlife, @scribble-tier, @imagineacoolusername, @brilla-brilla-estrellita, @alleycat0306, @ivelovedhimthroughworse, @tender-ministrations, @katmiscellanious, @anxious-m3ss, @bubble-gumhead, @ebbpettier, @facewithoutheart, @bazzybelle, @theimpossibledemon, @aristocratic-otter, @ic3-que3n, @palimpsessed, @raenestee

[dickinson-devotee]

Okay here's my unhinged Bruce thought of the day; I think if he did this haircut again it would be BRILLIANT.

HEAR ME OUT. The 90s are BACK, y'all. What better time for this glorious throwback? It would suit his face so well to return to this style! I HAVE A VISION.

[iamchaos1234]

Hexsquad au but like, Heartstopper, ya know? Luz takes Charlie's place, Amity Nick's, Willow as Elle, Hunter as Tau, Gus as Aled??? Am I insane or like???

[doom-dreaming]

am i the weird one for not wanting to hear about how long people have been "trying for a baby" ? like does that make me weird? or is everyone else weird for being so fixated on it

[sag3-th3-mag3]

TUBBO I AGREE WITH YOU

IVE BEEN THINKING ABOUT WHAT IF THE FEDERATION BUGS THEIR WORKERS!! LIKE THE FEDERATION BADGE. THATS WHY THEY KNOW EVERYTHING!!

I AM GOING INSANE

[emptyadderallbottle]

Something I've noticed about Ballistic's name

His name is August

He has sculptures of Greek/Roman(?) Gods (I don't remember which one 😭)

But I need to know, IS HIS NAME/CHARACTER A REFERENCE TO FUCKING AUGUSTUS CAESER

THE ROMAN EMPERORER????

DOES THIS MAKE SENSE TO ANYONE ELSE????

[gothcroissant]

starting to sincerely believe I am losing friends/not getting invited to things for the sin of showing up to indoor events in a mask?

[plunderingpennies]

Watching Batman Caped Crusader and had a minute long laughing fit cause one of Penguin’s goons looks like Kendall Roy