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dduane · 1 year

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Hello.

I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?

Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.

This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.

(Adding a cut here, because this goes on a bit...)

In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.

So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for it—not obsessively, just persistently, a couple/few times a week—using the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.

Additionally: I would start politely, but repeatedly—again, maybe once or twice a week at least, and not stopping—tweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.

I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.

And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.

After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)

...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blink—if sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.

As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.

...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)

ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.

#Writers Guild strike #DoTheWriteThing #WGAStrong

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touchstonehomeproducts · 2 years

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Holiday Sale! Save While Supplies Last! Touchstone Valueline 30003 Motorized TV Lift with Remote Control for only $299!! Order now on Amazon, https://amzn.to/3iJ1gcM

#holiday sale #tv lifts #touchstone tv lifts #valueline TV lift #amazon deals #DIY Projects #home decor

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naanu-deal-tricks · 2 years

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#smart tv #amazon sale

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moneyalphanews · 2 years

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Black Friday deals 2022 LIVE — Sales at Amazon, Argos, and Currys; plus cheap TV, iPhone & Nintendo Switch bargains

BLACK FRIDAY is just days away \- but there’s already a host of great early bargains available to snap up now.Brits are grabbing everything from toys and tech to fashion and food in the run-up to Read Full Text

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#and Currys; plus cheap TV #Argos #Black Friday deals 2022 LIVE — Sales at Amazon #iPhone & Nintendo Switch bargains #Money #News #Top #UK #US

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unimatrix-420 · 2 years

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FRIENDS-themed tote ($19)

#merch #friends #phoebe buffay #friends tv #friends tv show #princess conseula banana hammock #totes #tote bag #for sale #amazon merch #friends merch #buy my stuff

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newscontinuous · 2 years

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#amazon #great indian festival sale #smart tv #festive season #bumper discount offer #led tv #discount

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widecare · 2 years

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#amazon fire tv cube #amazon new fire tv cube #amazon fire tv cube india #amazon fire tv cube price #fire tv cube price in india #fire tv cube india #amazon sales

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blubberquark · 6 months

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Auto-Generated Junk Web Sites

I don't know if you heard the complaints about Google getting worse since 2018, or about Amazon getting worse. Some people think Google got worse at search. I think Google got worse because the web got worse. Amazon got worse because the supply side on Amazon got worse, but ultimately Amazon is to blame for incentivising the sale of more and cheaper products on its platform.

In any case, if you search something on Google, you get a lot of junk, and if you search for a specific product on Amazon, you get a lot of junk, even though the process that led to the junk is very different.

I don't subscribe to the "Dead Internet Theory", the idea that most online content is social media and that most social media is bots. I think Google search has gotten worse because a lot of content from as recently as 2018 got deleted, and a lot of web 1.0 and the blogosphere got deleted, comment sections got deleted, and content in the style of web 1.0 and the blogosphere is no longer produced. Furthermore, many links are now broken because they don't directly link to web pages, but to social media accounts and tweets that used to aggregate links.

I don't think going back to web 1.0 will help discoverability, and it probably won't be as profitable or even monetiseable to maintain a useful web 1.0 page compared to an entertaining but ephemeral YouTube channel. Going back to Web 1.0 means more long-term after-hours labour of love site maintenance, and less social media posting as a career.

Anyway, Google has gotten noticeably worse since GPT-3 and ChatGPT were made available to the general public, and many people blame content farms with language models and image synthesis for this. I am not sure. If Google had started to show users meaningless AI generated content from large content farms, that means Google has finally lost the SEO war, and Google is worse at AI/language models than fly-by-night operations whose whole business model is skimming clicks off Google.

I just don't think that's true. I think the reality is worse.

Real web sites run by real people are getting overrun by AI-generated junk, and human editors can't stop it. Real people whose job it is to generate content are increasingly turning in AI junk at their jobs.

Furthermore, even people who are setting up a web site for a local business or an online presence for their personal brand/CV are using auto-generated text.

I have seen at least two different TV commercials by web hosting and web design companies that promoted this. Are you starting your own business? Do you run a small business? A business needs a web site. With our AI-powered tools, you don't have to worry about the content of your web site. We generate it for you.

There are companies out there today, selling something that's probably a re-labelled ChatGPT or LLaMA plus Stable Diffusion to somebody who is just setting up a bicycle repair shop. All the pictures and written copy on the web presence for that repair shop will be automatically generated.

We would be living in a much better world if there was a small number of large content farms and bot operators poisoning our search results. Instead, we are living in a world where many real people are individually doing their part.

#dead internet theory #small web #large language models #search engine optimisation

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ofmdrecaps · 16 days

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09/04/2024 - 09/05/2024 Daily OFMD Recap

TLDR; Rhys Darby; Taika Waititi; Nathan Foad; Samba Schutte; Leslie Jones; Kristian Nairn; Madeleine Sami; Vico Ortiz; Eliza Cossio; OFMD Rewind with AOC and Astroglide; Articles; Fan Spotlight; Cast Cards; Love Notes; Daily Darby/Today's Taika;

Hey crew, multiple 2 day recaps coming tonight. Sorry for the delay.

== Rhys Darby ==

Rhys is going to be starting up a substack (similar to Patreon). He's really excited about it as you can tell-- Gizmo Darby is not so excited however.

Source: Rhys' Tiktok/Instagram

== Taika Waititi ==

Taika out in Paris with Rita <3

Source: Instagram

== Nathan Foad ==

Nathan off to see Matthew Maher at Rose City Comic Con and giving us all the feels on the way!

Source: Nathan Foad's Instagram Stories

== Samba Schutte ==

Heyyy! Samba's going to be at the Dream Theatre in Los Angelos on Oct 5th, 2024! You can get comedy night tickets on their website!

Source: Theatre of Hearts Instagram

Really cute story Samba shared about a fan on twitter btw!

Source: Samba Schutte's Twitter

== Leslie Jones ==

Leslie's coming to Colorado Sept 13! For all our OFMD Colorado crew, you can catch her at the Union Colony Civic Center in Greeley! For tickets, visit her site!

Source: Leslie Jones' Instagram

== Kristian Nairn ==

Kristian on his way to Rose City ComicCon!

Source: Kristian Nairn's Instagram

Hey UK Crew! Kristian's got a signing set up for Oct 3 at the Forbidden Planet London Megastore! You can RSVP here if you're interested!

Source: Forbidden Planet Instagram

More Kristian News-- his book is being featured on Amazon and there's a great article highlighting it in The Washington Post! "Beyond The Throne as one of [Amazon's] Best Books of September"

Source: Kristian's Instagram

= Wee John Wednesday Notes =

Some fun OFMD News: He's gonna try to do a WJW Live at Rose City Comic Con in Portland this upcoming weekend (and drag some other cast members into it if he can).

Kristian shared some awesome gifts people gave him! (He said you do not have to bring gifts to meet him but he will always love them, but don't feel bad if you don't please!) Some I recognized from various artists we know (but there were a lot more):

@smudgeandfrank

@/samanthareiofficial

@/unclear_atypicality

@/bairnecessitiesco Kristian has a website with his books on it-- but he's got some limited edition Guitar Picks he's got on sale, there's only 100 available. He is also getting a WJW put up soon! Not available quite yet though.

Website

T-Shirt

LE Guitar Picks

Other fun things:

Kristian loves Rabbits!

He's getting some rune tattoos in Portland when he visits Rose City Comic Con!

Wanna watch it? It's available on Instagram!

View this post on Instagram

A post shared by Kristian Nairn (@kristiannairn)

instagram

Source: Kristian Nairn's Instagram

== Madeleine Sami ==

Deadloch S2 is being filmed in Darwin!

Source: 'I Love Darwin' Facebook Page

== Vico Ortiz ==

Source: Vico's Instagram

== Eliza Cossio ==

One of our dear writers, Eliza Cossio is being featured on a podcast! You can listen in here!

Source: Eliza Cossio's Instagram Stories

== OFMD Rewind with AOC ==

Our friends over at @adoptourcrew are working together with @astroglideofficial and doing a Full Rewatch of OFMD together! It starts Sept 12 @ 2:30PM PDF / 5:30PM EDT / 10:30PM BST!

Source: Adopt Our Crew Twitter

== Articles ==

Thank you @adoptourcrew for sharing these great articles!

Most Controversial TV Show Cancellations

Yahoo Article

Source: Adopt Our Crew Twitter

== Fan Spotlight ==

= Cast Cards =

Thank you to the ever-dedicated @melvisik for keeping up with these Cast Cards! Catching up tonight with several, please check them out below!

David Van Dyke - Visual Effects Supervisor (VFX Supervisor).

Stephen W. Shriver - Lovely stunt double to Fred Armisen!

Emily Buntyn - Casting Associate!

Kendell Wells - CJ's stunt double that whipped Taika in the balls!

Morgan Smith - Executive in Charge of Casting!

Stephen Bralver - Nathan's stunt double, possibly the one who 'lost his shoes' in Nathan's story at the San Jose Con!

Chris Denison - Stunt Water Safety, probably the person who makes sure our lovely cast stays safe in the whilst submerged.

Steve Aizzo - Rhys' Stunt Double!

Source: @melvisik's Twitter

== Love Notes ==

Hey lovelies. Love Notes are brief tonight. I just wanted to remind you that kindness is one of the greatest gifts you can give to yourself and anyone else. It's not free, but it costs a lot less than most things. No matter how hard things have been, no matter how much kindness you've received, kindness continues to be one of the greatest world-changers and you're still trying to be kind, and I am so proud of you for that. You are so very lovely, don't forget that <3

Source: StayCloseToYourself Instagram

== Daily Darby / Today's Taika ==

Just some dancing... these two are too cute! Gifs courtesy of the darling @fandomsmeantheworldtome and @ marv3lic1ous!

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rubystatic · 1 year

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Asking For Trouble

I wasn't sure what to write for my first post here. I haven't written for Hazbin Hotel before, but I figured what better introduction to the fandom than a literal introduction between Alastor and the reader? I've had this scene rattling around in my head for a few weeks, so I hope you enjoy it.

Pairing: Alastor x Reader

Contents: demonic summoning, Alastor being an eldritch horror, hints of gore, blood, minor self-injury (not sh)

The red paint glistens like fresh blood in the light of the candles. A dozen or more of them, scattered around your living room, resting atop the coffee table, the TV stand, melted onto the top of the bookcase and the windowsill. Thick, black candles you bought from the Halloween clearance sale at the local big box store. You don’t think colour matters, but it felt right for the occasion. If you’re going to do this, you might as well do it right.

A clear space dominates the centre of the room—all the furniture has been pushed aside, crowding up against the walls to make room. You’ve rolled up the living room rug and propped it against the stairs.

When you first moved into your basement apartment, you were dismayed to discover that it had a poured concrete floor, and that the landlord hadn’t bothered to put in carpet or laminate or even cheap lino. However, beggars couldn’t be choosers, and the rent price was such a steal, you didn’t dare question him on it in case he decided he wanted a less whiny tenant.

You have reason to be grateful for it now, though. A red pentagram painted on a wooden floor or carpet would be a quick way to make sure you never got back your security deposit. A bit of turpentine and it’ll be like this never happened.

Assuming that you’re still alive. If this even works.

The thing that started it all, a simple black notebook—some Moleskine rip-off—sits open at the edge of your circle, along with a whole mess of measuring implements. A simple protractor wasn’t good enough for something like this. You’d had to buy some stuff off the internet, and now your Amazon recommendations looked like a geometry professor’s wet dream.

And there I was, thinking 10th grade math would never get me anywhere in the real world.

You pick up the notebook, glancing between the scrawled diagrams and measurements and your own summoning circle. It looks right. It had better be, since you spent all afternoon hunched over, painting it with dollar store acrylic paints. Oh, and your life depends on it. Can’t forget that much.

The notebook is a journal of sorts. You found it behind the bookcase when you first moved in, wedged there and forgotten. The pages are covered in the feverish scrawl of a previous resident. At first you felt a little weird about reading it, but curiosity overcame any moral quandary you had in the end.

The journal outlines the three month period it took for a young writer to seemingly descend into madness as his work was rejected, over and over. As his girlfriend left him, his father died, and his life fell to pieces. He became more and more desperate, his writing growing erratic. His writing research had already led him down some occult paths, but it seemed he’d decided to pursue them even further.

Which was you’ve come to be kneeling on your living room floor, trying to summon a demon.

Taking a deep breath, you flip to the last page, where the invocation is written, the pen almost tearing through the paper in some places. It’s the last entry.

You reach out, and use your fingertips to push a plate of venison over the boundary line, into the centre of the pentagram. The meat is a dark, pinkish red, practically pulsing with blood and vitality, as the journal instructs.

Getting it necessitated a trip outside city limits to a questionable butcher in the countryside who specialised in game meat. The journal is very clear—it has to be fresh. Supermarket meat won’t cut it.

Everything is in place. There’s nothing left to do but begin.

You take a deep breath, your hands trembling slightly as you lift the journal, holding it open. You have a strange feeling of duality, that you’re both at once powerful and ridiculous. Someone tearing open the veil between worlds to seek higher (or lower) power, and someone playing pretend.

You force yourself to ignore the latter, pushing it aside and holding onto the image that what you’re doing is going to work. Faith is important, even if it isn’t invested wisely.

“Let—”

Oh, shit, you’ve forgotten a step.

Dropping the journal in your haste, you reach for the small pen knife lying at the edge of the circle. Gritting your teeth, you tighten your grip on the wooden handle, and make a small cut on the side of your thumb. Holding your fist out over the circle, you let a few beads of blood, looking almost black in the candle light, splatter the venison.

You open a bandaid and slap it over the cut, pleased you haven’t completely sliced your palm open like they do in movies. Don’t they know how long that takes to heal?

Anyway, back to the demon summoning.

“Let this offering of flesh and blood open the veil between the earthly realm and the depths of Hell,” you read aloud, your voice becoming stronger with every word.

No wonder that writer guy couldn’t get his shit published if this is how he wrote everything. Despite the stilted prose, you keep reciting it aloud, just glad it’s not in Latin, or worse, rhyming.

“I summon you, o’ Deal Maker, Keeper of Bargains, Purchaser of Souls—”

Seriously? Writer of Bullshit, more like.

“I summon you, Alastor!”

You hold your breath as the last echoes of your voice fade from the walls, waiting for something to happen. The candles continue to flicker gently, and you can hear the muted hubbub of voices from your neighbour’s TV upstairs. Your knees are starting to hurt from sitting on the floor.

Sighing, you let the journal drop to the floor. It hasn’t worked. Of course.

Why did you think this was going to work? Summoning a demon of all things—

The candles ripple as if stirred by a breath, then their flames spike upwards, rigid. The light throws shadows across the walls, but the shadows don’t move in the right way. They sway back and forth, almost in a trance, as if the room is tilting side to side.

The candle flames stretch up and up, thinning out into streamers. The golden glow dims, before blooming a bright, venal red. Your ears fill with the sound of static as the painted lines of the summoning circle begin to glow crimson. Smoke boils up from the centre into a plume of pulsing fog, backlit by the red light and twitching shadows.

Something very old, buried and half-forgotten in your DNA screams at you to run, but you’re frozen to the spot, gaping as a figure takes form within the smoke. A tall, thin silhouette, long limbs distorted. Ice seeps into your gut.

The smoke clears, leaving an apparition, a demon, in your living room. It is not the monster you expected. No red skin, no black pits for eyes, no fire and brimstone… But whatever he is, he’s definitely not human.

Stretching from floor to ceiling, he must be seven feet tall or more, with a thin, attenuated form and an inhumanly narrow waist. The demon is a vision in red, from his hair to his suit to his eyes, red on red, his pupils black slits in a sea of glowing crimson.

It’s his smile that truly terrifies you, though.

His teeth gleaming, the colour of aged ivory. Two rows of sharp, dagger-like points, ready to sink into flesh, designed to rend and tear. Whatever this creature is, death sustains him.

Red hair, tipped in black, frames his face in a short bob, and tufts up at the top in what you think might be ears. Two small, black antlers jut from the top of his head.

The static in your ears crescendos like a wave crashing over your head, and the demon’s smile widens. He hums to himself, his voice a crackle, and looks around your meagre apartment. Finally, his gaze comes to rest back on you, the most interesting thing here.

“My, my,” he says, a strange, Transatlantic twang to his voice, “it’s been a while since someone summoned me. You really know how to set the mood, don’t you? Summoning circle, candles, and what’s this?”

He leans down to pick up the plate of venison. Your blood has seeped into the meat by now, indistinguishable from the dead deer’s blood. The demon uses his gloved hand to pick up a morsel of the meat, his red eyes widening in pleasure, before popping it into his mouth like an hors d'oeuvre.

“Delicious,” he praises. “Not a bit of fat on it, either. How did you know venison is my favourite?”

Before you can answer, his gaze lights upon the abandoned journal. He lets out a chuckle that’s half radio static.

“Oh, that old thing. I should have known!” He slaps his knee in an over-the-top display of amusement. “You’re all so eager to throw yourselves into the Abyss! Humans, lemmings, what’s the difference?!”

The demon pretended to wipe a tear of mirth from his eye, before finally paying attention to you again. His grin cranked up a notch, practically splitting his face in half, and his hooded red eyes gleamed at you.

“I haven’t introduced myself. How remiss of me. The name’s Alastor. A pleasure to meet you, my dear.”

The static in his voice fuzzed out, leaving behind a raspy baritone.

“Now, what can I do for you, darling?”

#rubystatic #hazbin hotel #hazbin hotel alastor #alastor x reader #hazbin hotel imagines #hazbin hotel headcanons #hazbin hotel fanfiction #d's list of sins

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turianhumanclient · 1 year

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What I know about the situation at Zaum Studio OÜ, developers of Disco Elysium

Perhaps you've heard of the deplorable situation of Disco Elysium's fired leads, of the oust by majority shareholder and CEO, of the lawsuits and rest of the cultural association and 'old guard' still at work there, quiet and held quiet by corporate policy and perhaps embittered by the 'auteur' theory holding parasocial public.

What I am going to share with you is information that is publicly available through Estonian and United Kingdom company registers. I haven't seen any news outlet feature this information yet.

WHAT IS NEW HERE?

Ilmar Kompus, the current CEO who was installed in 2020, had actually been a shareholder all along since Zaum Studio's founding in Estonia.

Kaur Kender, the author in his own right and producer at Zaum, has founded a lot of game development companies in Estonia and United Kingdom, while Zaum worked, published and updated Disco Elysium. These apparently went nowhere, some of them are now defunct. All of them had Ilmar Kompus or some ZAUM subsidiary as shareholders, and some also shared correspondence addresses with ZAUM's UK subsidiaries.

The 'game pitch' that cost Zaum 4,8 million euros and funded Kompus' acquisition of majority share from Linnamäe, the so called Pioneer One, has been previously reported by one gaming news outlet to have come via Anu Reiman's YESSIRNOSIR Limited. I have discovered that Kaur Kender held a game company in UK called Pioneer One Ltd that was active between years 2018-2022, and it had an Estonian artist Kristiina Ago as its secretary. I cannot prove that it was this entity that sold it instead, but it is a glaring coincidence nevertheless.

Kaur Kender and later Ilmar Kompus have founded a succession of ZAUM studios (Zaum London, Zaum UK, Disco Elysium UK and now Zaum Studio Limited) which have held the main development operations in UK. Kurvits and Rostov/Taal hold minority shares in Zaum UK. The later ones are all Ilmar Kompus-held in shares. I suspect this is a method of his to sever the fired leads' means of control to the company's branches in UK.

Both the 'main line' of Zaum's UK companies and Zaum Studio OÜ back in Estonia have loaned money to the tune of millions to Newelysium and Revachol in UK (Note, Revachol OÜ in Estonia is held by ZAUM cultural association members and is not a game studio)

What does it all mean then? I am not certain. I have not practical experience in game dev industry to say whether constantly making side companies or shells is a sign of a healthy leadership.

However looking at all the shell companies made near annually, and how the successive ‘main studios’ have consolidated into Kompus’ hands, I am going to speculate a bit. This has been a long con. Whether there was going to be a product that sold well or not, Kompus, Haavel and Kender were going be the ones collecting the jackpot. There were shell companies being established even as the game was floundering after the estonians’ walkout. All the ‘artists’ had to do was just do the work and not get in the way of money.

But then ZA/UM made an award-winning darling game of the year. TV show adaptation deals. Lead developers like Kurvits and Hindpere standing at the Game Awards Show spotlight. Audience eating up all that and latching onto whatever crumb and morsel might come next.

A clean exit sale out of a modest studio became impossible. Now there were developers in the studio who knew they were worth A LOT and with shareholders’ power both in Zaum Studio OÜ and Zaum UK Ltd to hamper any sale to Tencent, Amazon or Microsoft. Now we reach the part of “toxic misogynist auteurs trying to steal the IP for themselves.” who had to be let go.

Kender's lawsuit around the turn of 2022-2023 and divestiture of his Zaum Studio OÜ shares as result muddles the water for this speculated theory even more as he still holds directorship in a number of shell companies with Kompus back in UK. There is also Dark Maths Studios that he founded this April in UK, so it remains to be seen what he'll do and if its with Kompus and Haavel or alone.

#disco elysium #zaum #studio zaum #za/um #studio za/um #robert kurvits #robert kurvitz #alexander rostov #sander taal #helen hindpere #tonis haavel #tõnis haavel #kaur kender #ilmar kompus #püha ja õudne lõhn #terrible and sacred air #pjõl #pjol #aleksander rostov

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