pilferedinstagram

[thecollectibles]

Art by Angela Sung

[gebo4482]

Angela Sung

Cara / X

[dbjup]

Angela Sung

Iceland

Created for Warrior Painters Calendar 2021

[probablygayattorneys]

don't read the last page but i stay when it's hard or it's wrong or we're making mistakes i want your midnights but i'll be cleaning up bottles with you on new years day

(New Year's Day, Taylor Swift)

[kdramaladies]

endless list of kdrama ladies

Everyone has a youth. A time that’s more beautiful because it’s awkward and clumsy, a time that shines brilliantly. A time when you’re not afraid of anything because you have nothing to lose, and a time when you’re excited because you can have anything, everything. That’s now, age 24, my youth. Although I’m still uneasy and nervous, I’m perfect without needing anything else..

KIM BOK JOO, WEIGHTLIFTING FAIRY KIM BOK JOO (2017)

[ame-gosh]

[t4tcecilos]

DIES SOBS ON THE FLOOR EXPLODES INTO A MILLION PIECES

[etelectromexa]

[hotvintagepoll]

Propaganda

Cyd Charisse (The Bandwagon, Brigadoon, Singin’ in the Rain)—LEGS LEGS LEGS I would sell my soul for the legs of Cyd Charisse - she oozed style and glamour and sex appeal!! And she could DANCE! She was dancing next to the greats - Gene Kelly, Fred Astaire but they are never who you're looking at because why would you when you can look at her. I will only sit through too long ballet breaks for her. If there was any woman who you could call sex on legs it was her. These dances are everything to meeee (she comes in at the minute mark) and this dance too of course is iconic. In the words of Fred Astaire 'When you've danced with Cyd Charisse you stay danced with'

Mbissine Thérèse Diop (Black Girl)—She’s a Senegalese actress known for starring in Black Girl, one of the first African films to receive international attention/acclaim. So much of the movie relies on her ability to convey her character’s sense of isolation/loneliness, she’s so amazing, I really wish she had acted more. However, she just recently appeared in the film Cuties!

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Cyd Charisse:

Arguably the Best female dancer of her time, she supposedly insured her legs for $5 million dollars. Stole the show whenever she had a dance number, even if she went uncredited. Musicals started to go out of fashion so unfortunately she didn't have as many big roles as she should have, but those she did are unforgettable. The Broadway Melody number in Singin' in the Rain - the green dress!

Incredibly, Cyd Charisse only started learning to dance as a rehab exercise to strengthen her body after a childhood bout of polio. She was in high demand as a dance partner, Fred Astaire called her beautiful dynamite and said "When you've danced with her, you stayed danced with". She was one of a few leading ladies to dance with both Astaire and Kelly, declaring them both delicious. Kelly apparently was stronger, while Astaire was more coordinated. She also said her husband would always know who she had been dancing with because Kelly left her bruised, while Astaire didn't leave a mark. She's better known for her dance numbers today, but she was a leading lady in her time! Her Scottish accent in Brigadoon leaves a lot to be desired, but compared to the other actors in the movie, it's almost good. She appeared in The Harvey Girls alongside Judy Garland and Angela Lansbury in her first speaking role, but she really burst onto the scene with Singin' in the Rain and her infamous Broadway Melody Ballet number with Gene Kelly (no one could handle a length of fabric like Cyd Charisse). She was brought in because Debbie Reynolds wasn't really a dancer and Kelly was notoriously a stickler about his Vision. After that she starred opposite Astaire in The Band Wagon, which was a bit of a flop but created some enduringly incredible dance numbers. She went on to star in a number of MGM movies, and was one of the last of the Studio era stars to remain on contract. Since we've got up to 1970, I'm including her opening routine in The Silencers (1966) to show just how long she was making a splash - she's into her 40s here and still a siren:

and of course, the iconic Broadway Melody Ballet -

She had amazing legs, and she knew how to use them! You probably know her best from the dream sequence in Singin' In The Rain. She was such a stunning dancer, and all her dance scenes are hard to look away from.

Legs for days, beautiful dancer in the most iconic scenes of Singin in the Rain. She's glorious. As some guys sung to her in It's Always fair weather, 'baby you knock me out!'

Photos do not do Cyd Charisse justice, unfortunately, because she is at her hottest while dancing, which she was exquisitely good at. Just go watch her first number in Singin' in the Rain, in that green dress; nothing I could say here will be more convincing that that.

Dancing in the Dark clip:

She's an amazing dancer and my favorite from the period. Here's her and Fred Astaire in the Band Wagon:

I just like a woman who's there to be really incredibly good at dancing.

She could pirouette in pointes or tear it up in taps. Fred Astaire called her "beautiful dynamite" and wrote, "That Cyd! When you've danced with her you stay danced with." Gene Kelly partnered with her three times. Her legs were (reportedly) insured for $5 million in 1952 ($57.8 million in 2024 dollars)! Everyone in this poll will be iconic, but for raw physical grace, Cyd is up there with the best.

One of the most talented female dancers in Hollywood history, but what sets her apart from other competitors for that title is that she...umm...well let's be blunt, she was the dancer who put sex into it. The one who said "Hey, you know that A+ leg tone that naturally develops from doing this for a living? Why don't I let people see that? Like at every opportunity?" She reportedly insured her legs for five million dollars after hitting it big, which just goes to show that fame makes you crazy. It should have been ten million.

Mbissine Thérèse Diop:

[justarandombrit]

Okay, so in case anyone couldn't make it to the livestream (and just because I wanted to), I wrote down some notes while watching it, so if anyone wants to read them, they're below the cut. (Also sorry ANI fans, my dad came in to borrow a pencil while the ANI segment was happening, so I missed a lot of it)

. There was a 4 minute long intro voice over before AVPM

. James watched AVPM

. 600,000 and Lauren plays the green screen piano

. 700,000 and Lauren does an architectural digest on the green screen house

. Jon really loves Ready To Go

. Darren keeps letting Joey know he sounds like shit on old recordings

. Pinball Pete’s burnt down 🙏🙏

. MAMD was the first student produced album to make the charts

. A Very Potter Sequel’s name came before A Very Potter Musical

. They accidentally wrote Harry Potter and the Cursed Child

. James gave Julia Albain leg splints

. During Starship the entire cast was breathing fibreglass

. Starship was called “knowingly amateurish”

. Darren was supposed to write 15 songs for Starship, but he got cast on GLEE

. Darren flew in to join a rehearsal as a surprise, ran in singing Beauty and everyone was so pissed

. Everyone still loves Kick It Up A Notch

. Nick: “Which was Holy Musical B@man-

Lauren: “Fuck yeah”

. They made up Sweet Tooth, and then found out he was an actual Batman villain

. Matt came up with “Calendar Man, your days are numbered” in his dream, and it was so good it forced him awake to instantly call Nick

. Everyone thought the flying machine joke was the best AVPM joke

. Goin' Back To Hogwarts Reprise made everyone cry

. AVPSY was five hours long

. Curt saw AVPSY

. Darren arrived 2 hours before the show and didn't get a chance to read through a lot of the script

. Darren came up with “I hope you find that swimming pool”

. Joey ate one banana on the day of AVPSY and during Sidekick went “I'm losing my vision”

. They had to pay the hotel union $11,000 to use THEIR OWN microphones, and Darren's STILL BROKE

. Jeff accidentally washed out his Aladdin hair dye

. A.J. Holmes had the same agent as Jafar's original VA, and they got him to do the intro and say “pee” and “poop” in Jafar's voice

. ANI was, as we know, expected to be a hit, and, as we know, it was not

. TTO was, as we know, expected to fail, and, as we know, did not

. TTO had a batshit cast party

. Pierce used to ask Matt insanely complicated questions before bed, e.g, “How did WWII happen?”

. Firebringer was a really old concept

. Literally no one questioned why the “I don't really wanna do the work today” clip had loads of people dressed as cavewomen + cavemen

. Firebringer was the first show Jon saw live

. They made up all the Hatchetfield shows at the same time

. Nick kept making sure Paul was having fun

. The song from the Pirate Show, “Born To Be Wretched goes so fucking hard. Like if a sea shanty was a musical theatre song essentially

. Mariah: “Rich gays, please give”

. Lauren choreographed Show Stoppin' Number

. People actually gave Lauren their phones when she asked in Inevitable, and they would take them backstage and take selfies before giving them back. One time it was locked and she shouted “WHAT'S THE PASSCODE?!?!?”

. Joey: “I'm in the middle of Wiggle”

. Everyone was ill during Black Friday

. Bryce saw Black Friday

. BRYCE GOT THE APPLE

. Nick told her “Interesting things happen here” when showing her to the seat

. Ahhh when Jeff played Tom…

. Angela was in Jaime’s improv class

. Angela is no longer on vocal rest

. Angela had to kill Sherman with a finger gun one night

. Will was 100% ready for NPMD

. Will was at a party they went to during A Very Starkid Reunion

. HAPPY BIRTHDAY DEAR STARKID

. Rip Kim

. The Docks of Troutspear is sung by Matt’s favourite character (it also slaps)

. The Pit Stop in Hatchetfield livestream is going to be a tag team deathmatch

. I love Starkid so much

[thecollectibles]

Art by Angela Sung

[princesssarisa]

Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

[could-transition-save-him]

Angela from Lobotomy Corporation/Library of Ruina

Reasoning:a song sung from Angela's perspective includes the line "inside the mirror do you see, someone else in that body?" with the music video showing him looking in the mirror and seeing his mom's reflection. his character arc involves defying what his parents and society as a whole expects from him to choose his own path. the first thing he did after escaping his parents' control was cutting his hair. is a robot(robots are just inherently trans), and spends most of library of ruina gradually changing into a human, with several characters' treatment of him over this highly resembling transphobia(eg. saying they can tell he's a machine no matter how hard he tries to act human, and later calling him a freak over his part-human, part-machine nature). look it wouldn't have saved him from the 1000000 year time loop nightmare facility any sooner but maybe he would've chosen a less destructive way of venting his frustration after escaping if he had testosterone.

Submitted by @mothgirlthing

[pleasanttaleswithkaityb]

The Pleasant Twins Household

Spring, Year 1

Amid the sweet aroma of freshly baked goods and the soft hum of the bakery, Angela's mind is a whirlwind of doubt. With every batch of pastries, her thoughts spiral further from the warmth of the oven to the chilling prospect of the bakery's future. She feels the weight of her sister's pregnancy and its implications, each cake decorated a stark reminder of her fading Simternet dreams. As the day's end nears, the idea of selling the bakery creeps into her mind, a looming decision that could mark the end of one chapter and the forced beginning of another, her aspirations hanging in the balance like the final note of a song yet to be sung.

Previous || Next

Algorithm doing you dirty? Did you miss out on the beginning of the season? First time coming across my story? (hi! :3 welcome to the neighborhood!) I've got y'all covered!

Check out the The Beginning of the Pleasant Twins' Spring here!

[veryprivateart]

Landscapes by Angela Sung

Her website, Ig

[phereshift]

Tagged by @cozy-fish-crow 🥰 rules: answer and tag nine people you want to get to know better and catch up with.

Favourite Colour: It changes like every year but at the moment it is a lovely orange-yellow. Probably helps that it's the colour I overuse as an overlay layer for all my art too.

Last Song: Something off of lime cordiale's discography... I think it's because I hear their music at work (coworker has an aus indie playlist) but they've been my latest background noise while I do uni work and I've been SO productive omg. I've just had them on shuffle. Currently Reading: I haven't really made time for anything other than some self-indulgent fanfics tbh :C My last novel was Northern Lights by Philip Pullman. Currently Watching: If you ignore how long it's been since I watched an episode then it's the clone wars tv show... I can't watch tv while I draw so I'm never usually watching anything though q-q

Currently Craving: I need strawberries back in season so that I can have homemade strawberry milk asap. I was also craving watermelon last week but that's just the iron deficiency :') Coffee or Tea: tea! Hobby to try: I recently tried out gouache (I've been staring non-stop at Angela Sung's work, her gouache is SO good) so... I'd like to put more time into that. Otherwise I've also learned how to sharpen my pencils for figure drawing with a box cutter + sandpaper and it's mildly reignited an old interest in wood carving. Current AU: Well. For starters, I always have an infinite number of things going at any given time and that includes fic lmao. My writing is also mostly just for myself but I do have a Star Wars AU exploring Obi-wan (maybe a little bit of quinlan too) with themes of post-mission recovery and community support systems in the drafts somewhere. I think this makes it sound more put together than what it is (which is a simple, self-indulgent fic haha) but I love exploring the Jedi community even if my Star Wars knowledge is limited. Also including my current personal art WIP since I'm more likely to finish it/I am more of an artist than a writer. Which is Tusken Raider fanart that I am absolutely suffering through... one of those 'I got most of it done months ago and now I have to find the motivation to go back and finish it' T_T

Tragically I am not bold enough to tag people so I will be taking the coward's way out and doing an open tag!