#BUT REALLY IS MORE LIKE CINEMA

[bibimagines]

Q! FOREVER'S AND Q!CELLBIT'S FIGHT TRANSLATION PT/ENG PT.1

(is it really a fight when you are begging your best friend/family to come back to you? just saying)

*also I won't put the "Q" but its ROLEPLAY ONLY

C: this is not our son, STOP DANCING *hits him*

F: respect me, please

C: this is not you, THIS IS NOT YOU. hear me out, look in my eyes *hits him again to stop him dancing* I CAN'T LOSE YOU NOW TOO. I NEED YOU HERE WITH ME.

F: please-

C: YOU ARE THE ONLY PERSON I TRUST IN THIS GODDAMN ISLAND FOREVER

F: -get out. Get Out, please.

C: Look at our son-

F: I need some time alone with Richas

C: look at our son

F: I WANT TO STAY ALONE WITH RICHAS

C: SO GO FUCKING LOOK FOR HIM WITH ME!!!!

F: GET OUT, MAN

C: Go after him with me!

F: GO DO WHATEVER YOU WANT WITH YOUR LIFE, BUT I WANT TO STAY HERE, FUCKING RESPECT ME

*silence*

C: this is not our son, Forever. This is not our son!

F: Please Cellbit, just respect me man, I'm asking you, let me have some time with Richas, PLEASE.

C: you are gonna have the whole time in world to stay with him, when WE BRING HIM BACK. THIS IS NOT RICHARLYSON *BREAKS RICHARLYSTONE BED* FOREVER!!!!

*gasp*

(depressão....)

CINEMAAAAAA

[wakesirens]

was alien romulus a retread of the first movie except with more explicit pregnancy/body horror yes. did it absolutely rip grossnasty style. yes

[ipushedthewrongbutton]

i’ve been scratching my head over the whole watcher situation. I’m not a fan myself but got dragged into it cus of the people I follow, i only watched their puppet history series and the buzzfeed unsolved series from way back- honestly, i couldn’t care less if they locked all their stuff behind a paywall. I’m so neutral on this whole thing, i might as well be swiss.

but i’m not neutral? In fact, the whole thing really bothers me and i couldn’t figure out why.

cus i get it, yanno. As a company that thrives on creativity, i understand you’d wanna cut yourself off the mega-capatalist-giant that is youtube to get rid of annoying restrictions, and asking monetary support from your audience so you can really stretch the limit of your creativity. I GET IT.

And it STILL bothers me!

And then I figured it out:

the whole “any future videos they’ll be making will EXCLUSIVELY be available through a streaming service you have to pay a monthly subscription for” comes less across as “please support us monetarily so we can grow as creators”, and comes more across as “if you want to continue being a fan, or even being a part of the audience, you’re gonna have to pay up. You have no choice in the matter. It’s either pay, or you’re not a ‘real’ fan or a ‘real’ part of our audience.”

THAT’S what’s bothering me about it. It feels like they’re gatekeeping who gets to be part of their community with money (that not everyone might have). And knowing where they come from and how they started…. That’s… extremely tone deaf. To put it gently.

[daily-crowley]

Crowley Of The Day: gorgeous 😍

(I used up all my hashtags that I couldn’t do my usual GO tags that I always do lol I don’t care)

[thenotoriousscuttlecliff]

People will watch this show shoot on location, be shown behind the scenes footage on location, and still cry "fake" while ignoring all the obvious greenscreen in the Jackson trilogy.

[zilabee]

love everyone's theories about what George, Paul or Ringo's films might be like, but we have met men before, yeah? four films about the four beatles is definitely code for a three and a half hour bio-epic about John Lennon's important life, and then some half hearted twenty minute mini features about the other three and how much they loved John

[chloedoesart]

What's better than one bird-ish thing with a gun? Two bird-ish things with guns.

I created this fake screenshot style piece for the cinema art prompt in the AHiT discord server. It's based on a movie idea I've had for a while involving my character working with The Conductor on a western. The plot revolves around the fact that they're the only two birds that look like each other; they meet due to a case of stolen identity and have a sort of rivals to partners arc. I won't go into the details here, but I'd definitely like to make it into a more fleshed out story someday!

Until then, enjoy this dramatic moment where they're being epic cowboys together.

[tleeaves]

The art is lovely and now I'm gonna ramble because that's what I do when I care about something.

For the love of women, please PLEASE can fan artists remember to add muscle to their Shadowhunter ladies? I'll commend Bowater for cleverly giving James that sculpted and lean look without making him a beefcake (nothing against beefcakes, I'd love to hug them), but Cordelia is once again suffering from Arms And Shoulders Too Slender It's Hard To Even Imagine Her Picking Up A Sword. There is some there, yes, but artists shouldn't be afraid of giving particularly Female Main Characters weight and toned muscle. Cordelia is supposed to be nearly the same height as James as far as I can remember, and she's curvy, and full, and she wields a sword like it's second nature to her. Please explain why she looks so tiny in James' lap.

Also I'm pretty sure marriage runes are supposed to go over the heart whenever possible (thinking about Will's parabatai rune being over his heart instead -- he didn't get Tessa to draw over the scar, did he??) and... either I'm looking at the picture wrong or James' rune is not over where his heart should be.

For the matter, where are their other runes and scars?? James' Voyance rune isn't even on his hand. And I'm pretty sure he's right handed. I could have that wrong though.

Another thing: no one can ever decide what Cordelia's hair looks like and it's the funniest thing to me. This is what happens when all you do is vaguely say the colour is like fire but also like rose petals but also a flowing river of those things but also is Red (probably for redhead, but then from there I never understand where the rose petal analogy comes from considering the typical rose is a deep bloody colour -- I do acknowledge the existence of those light orange varieties though which might more closely resemble red hair). In the end, I'm glad readers can infer what they want and imagine the characters how they like.

Anyone else think James looks like he's built like a tennis player? Oddly specific, maybe, but it was a thought I had. Mostly the arms and somewhat narrow body.

James' hair is nice, his eyes are an interesting take on gold in the shadows. Bowater managed to also make him look closely related to his father, so bravo for that.

In the end, the focus is obviously on the marriage runes and not other physical aspects outside of it being clear that this is James and Cordelia. Bowater's style is very beautiful and elegant. Love the way fabric and lighting is done too. I'll add also that it is possible to be a smaller person who is slender but still strong so I mean Cordelia's not necessarily done wrong, I just interpret her appearance differently. Obviously, they're both hot and they're both attractive and I have my qualms with the series, chronicles, and author -- the fandom I am so-so on, though I'm still here, aren't I? And I'm taking the time to ramble about my thoughts on a piece of fanart -- but this is good. Gorgeous, even. Both James and Cordelia are beautiful.

[street-corner-felines]

Zero Day (2002)

[finexbright]

.

[doloresdisparue]

i think one reason why the musical works so well for me is that music is one of the few ways that a changing medium can come close to emulating the effect of nabokovs dazzling prose. music affects (many) people on an emotional level and catchy music and rhymes can pull you along just as fast if you let your guard down. there's a reason "dante, petrach and poe" is maybe the catchiest tune in the show - it's also humbert at his most blatantly abject. if you don't listen to the lyrics you're bopping along before you know it even though this man with his lovely singing is going into great detail about the sex appeal of (quote) "barely pubescent" children.

just like in the novel humbert is pulling out all the stops of the medium to get the audience on his side, utilising the trappings of musical and emotions associated with certain numbers and types of music to package the awful things he's saying - and the lyrics are more explicit than most adaptations ever dared to be regarding the full horror of the story. you could write an analysis like this about probably each of the songs individually (and ideally someone who knows more about music theory than me should do that) but especially with "dante" and "lolita" the love song/lament that either opens or closes the show depending on the version the lyrics are so spine crawling (arguably also tell me, tell me, though the context does more than the lyrics there) while the music invites you immediately to side with the figure performing them.

any adaptation that can't rely fully on nabokov's prose needs to find something equally seductive and that's a hurdle for most other mediums that i think really bizarrely makes the musical stage very well suited to tell "lolita".

[mariocki]

The Nesting (Massacre Mansion, 1981)

"It may come as a surprise to you that a physicist could even contemplate the existence of paranormal phenomena."

"But you admit to the possibility."

"I admit the possibility of the unknown. I admit that science is only beginning to understand its own discoveries. But I do not believe in evil spirits or painted phantoms in windows."

[just-a-little-unionoid]

y'all gay people in my phone aren't obsessed enough with The Visitor From the Future and it displeases me :(

[cuteniaarts]

Small drawing collection of my latest creation Emran as a teenager/freshly minted Air Acolyte, for my dear partner in unhinged OC shenanigans @katkastrofa, as promised <3

[electricea]

my cinema stopped doing ghiblifest (where they do a ghibli film for every month, my american friend thinks it's bc of distribution issues but idk) and we barely have any anime films now, life is pain.