#Bad wolf productions

[claraameliapond]

This is very sad

What about all the children

This is a program about hope

For children and people.

What about all the children this is supposed to be for

RTD

BBC

Bad Wolf Productions

This is horrible of you

And immoral to the greatest degree

How very disgusting of you

The Doctor would be very revolted with this

This is the exact opposite of the entire point of the show, and that the show is made for a free to air national broadcasting service

You're seriously doing this, the show About morality, philosophy and hope, you're immorally taking it away from children and commercialising it in the most exclusive way

How could you

I would very much like it if we could protest against this

We've brought other things back from big commercial company decisions like this

And the cause is much worthier this time

ALSO, how do they expect it to be popular if it's not available on free to air TV

It can never reach the global popularity of 2010 - 2017

Why can't they understand that it's the mass original following they need to cater for- it would continue to be popular and amass new viewers as well if they just let it be available to everyone- young, old, literally everyone who has always loved the show, not new niche audiences that have and never will like it that they should be chasing .

The second it's not casting white males, the second it starts to be more inclusive,

They make its access exclusive

[esonetwork]

Earth Station Who - Disney Takes On Doctor Who

New Post has been published on https://esonetwork.com/earth-station-who-disney-takes-on-doctor-who/

Earth Station Who - Disney Takes On Doctor Who

Recorded live! A new era is upon us as we come upon the 60th anniversary of Doctor Who and along with Russell T Davies and Bad Wolf taking over the show, we got the surprise announcement of a joint distribution deal with Disney Plus. What does this mean for the future of the series and the franchise in general? Mike, Mike, Mary, Melanie Dean, and Dave Chapman share their thoughts on the Doctor’s newest companion, Mickey Mouse!

We want to hear from you! Please write to us at feedback@earthstationwho.com. Also, please subscribe and rate the show on iTunes, Stitcher Radio, Google Plus, or wherever fine podcasts are found. Feedback is always welcome and much appreciated.

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Promotion Promo for Soul Forge Podcast in the middle of the show

If you would like to leave feedback or comment feel free to email us at feedback@earthstationwho.com

[vintage1981]

Why Doctor Who Is About To Change Forever | Who Culture

Doctor Who is coming to Disney Plus, and this silly little phone box show will never be the same again.

[strawbie-doodle]

havent drawn all of them in a WHILE ✸

[commsroom]

i think to really understand hera (and, by extension, her relationship with eiffel) you have to recognize that she values the same things he does. hera works harder than eiffel does because she has to, because more is riding on her doing her job, because the bare minimum she's allowed to get away with and not have everyone die horribly is... still kind of a lot of work, all of the time. and even then, she does the bare minimum when she can. she cuts corners she probably shouldn't. she hates drudge work. and she really hates being told what to do.

eiffel and hera are both prisoners on the hephaestus - and that they're the only two who really know they weren't given a choice is central to their bond as well - but, at the same time. eiffel both embodies and extends to hera a kind of freedom she wants very much. no one else has ever made room for her to goof off or wanted to talk to her about nothing, just wanted to hear her voice, just wanted to make her laugh. wanted to hang out with her and talk, just for a little while, even as he's falling asleep after days without rest.

that's what draws her to eiffel. "you hate rules as much as i do, don't you, doug?" because the first time she ever speaks to him, it's while he's clamoring around in the dark, clearly no idea what he's doing, not having paid attention to anything about the station or the mission or, of course, the rules. because she tells him about the contraband cigarettes floating out of his pocket and makes a point of keeping it a shared secret. she likes those things about him.

[hyakunana]

Getting properly prepared for the cutscene decisive battle

[aries-rising-on-an-aquarius-tide]

Now that Kelli has been gone for a bit, I feel like I can get this off my chest: Wolf Productions done fucked up.

Not for the first time, and not right from square one. But gosh, what a waste.

Kelli Giddish's Rollins was the only female character with the depth and acting chops behind her on the show since Cabot was a regular. She showed up and was able to go toe to toe with Mariska in carrying episodes - both personally related to her character, or to cases - not to mention had electric chemistry with Benson (sexual or not, take your pick).

With all the flack that SVU had taken over the years for not having a more diverse cast in regards to sexuality, Amanda was the earliest and best opportunity they had to develop a complex, interesting storyline of an adult woman coming to her sexuality late in life. I am not even necessarily the most ravenous Rolivia Shipper out there, but I'm heartbroken that they took Amanda's character over the years into the most boring, obvious, dissatisfying of directions.

I adored Amanda's wild/problematic side. Her episodes with her fighting with Amaro, dealing with her gambling addiction, shooting her sister's ex, or going rogue undercover are my favorite episodes of basically the last 10 yrs of the show. It was so good to finally have someone in the squad who was easier to relate to in a real-world sense. Someone who went to a Big Girl job in the day, but in the off hours was a mess with a rebellious streak.

It was always my hope that they would turn around the storylines where she seemed to chase men that were purposely bad for her, into a realization that it was because she was more emotionally into women. It fits so perfectly with her childhood, her background, and had ready-made holes in existing canon where they could have written it in with ease. (Pretending to be Liv's gf at the sperm bank, the remarks she makes in the episode Plastic, questioning her second pregnancy, etc.)

Instead, they had Carisi mope after her for years, all through the seasons where she showed no interest in him. I lost 50% of my respect for Carisi when he had that sulking tantrum after she fucked the bartender in Intent (a sexist double-standard btw, which would have never flown with fans if it had been Rollins pouting bc Carisi turned her down), and the other 50% after Carisi became ADA, with the writers seeming to then write him as rather victim-blaming.

The biggest irony, in my opinion, is that Dick Wolf complains that giving the fans EO will make the show too 'soap opera-y,' when what he/they did with Rollisi and Kelli's exit was far and away the most soap opera-esque thing they ever wrote! Fuck off with that obvious shit! Oh, the once-troubled blonde who is now straight as an arrow, rides off into the sunset with the Catholic altar boy and trades her powerful feminist position for a 9-5 (don't come for me, there's nothing wrong w being a professor, that's not the point here) and her two kids. Eat all of my ass, Mr. Cis-het, White, Only-Primetime-Billionaire Wolf. 🙄***

To make matters worse, they specifically brought in a POC actress to play a bisexual character, only to write her out as fast as possible for absolutely no discernable reason!?! The utter waste of what they did with Kat Tamin is an equal travesty. Give me Kat waking up in Amanda's bed. Give me Amanda making pancakes for breakfast and Kat carrying the kids to the table. Give me anything but the bullshit, Caucasian tripe that they sold us with Rollisi!!!

*takes deep breath*

And if - IF - the powers that be couldn't think beyond the end of an average-length cock when it came to Rollins, then for the love of all that is holy: her chemistry with Sergeant Khaldun was 1) vastly more believable 2) hotter 3) more diverse as an overall cast option and 4) less cringeworthily obvious.

I have loved SVU since I was 16 yrs old, and even though I gave up watching it around The People v. Richard Wheatley (for reasons unrelated to this specific rant), I still lurk in the background and keep myself vaguely caught up. But it's getting impossible to defend a lot of the choices they have made in the last three or four years. Good talent is so hard to hang onto these days in H'wood, and Dick Wolf seems just as, if not more, determined to fuck up his show as Chris Carter was in the 90s with TXF.

Thanks for coming to my TED Rant. 😮‍💨✌🏻

- HeartEyes4Mariska

***Not to mention the Barisi Shippers got robbed in the process.

[attractthecrows]

being haunted by your oc's stories and also anxious about anyone else seeing them and also desperate for interaction on the topic is. well it's not great

[spikeghost]

I am BEGGING them to use some practical gore effects. Literally begging them.

[txttletale]

how would you recommend watching doctor who? there are so many different guys idk how it works.

so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.

the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.

if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.

anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.

another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.

there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.

finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.

so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:

rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth

but i want to start with classic who because i'm a contrarian

alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:

an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.

spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.

if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.

i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.

finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:

spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child

all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned

[queenie-avenue]

Terms and Conditions Apply.

💌 ⤻ THE CEO, ADRIAN HOUDE

—> you're the sweet little intern, and he's the big bad wolf who wants to eat you up.

⤻ reader is written as a female, yandere male, age gap, power dynamic, toxic obsession, slightly suggestive, slight financial abuse, set in london, this is a drabble but full fics of him will be made in the future

🦋 ⤻ archives.

TOP TEN BACHELORS NEAR YOU!

1. Adrian Houde.

Tall, Handsome, Rich, Successful, Ambitious. Ask anyone with more than half a braincell and they will immediately tell you that all these traits are what Adrian Houde has! Born from the rich Houde Family known for their luxury fashion products, he had risen the ranks as CEO of his family's company a few years back.

And boy oh boy, has he made himself known. From various (fake) scandals of him dating various women, to his success in the market in revolutionising his family's industry in fast fashion but still remaining loyal to his grandmother's routes as a custom tailor who first gained traction in France.

Perhaps Mister Houde's only flaw is that he has been on this bachelor list for far too long! He's already in his mid-30s, can you believe this guy has been single for so long?

So, to the lady who catches his eye, good luck surviving all the jealous women who are going to come after you, sweetheart!

✧ Ƹ̵̡Ӝ̵̨̄Ʒ ✧

Adrian Houde is a proud man. I mean, who wouldn't be, right? He was successful, and rich, and practically everyone — regardless of gender or age — wanted to be with him or be like him. He was the pinnacle of a great man, just like his father had said he would be.

So why was it that when you entered the office, looking like a lost little puppy dog, that you captured his interest immediately. Perhaps it was the coffee stains on your skirt and the way your eyes sparkled with desire for greatness. He had seen that spark many times before. In his own eyes, actually. From the moment he saw himself in the mirror as a teen who became aware of the legacy on his shoulders, he knew he was bound for greatness. And you, a simple woman, of all people, carried that same determination and ambition within those cute eyes of yours.

You couldn't blame him for being intrigued by you.

Especially when you looked at him with so much fear in your eyes he couldn't help but laugh.

"I am so sorry, sir- I had no idea anyone was in the meeting room this early." You apologised frantically, holding a bunch of papers and a small, slightly shabby notebook.

"No, no." Adrian voice was smooth and sweet, a mixture of his French accent and his London boy accent he had gotten from the years of being raised in London. "Don't apologise. I was a bit too early to the meeting room, it seems." He said, taking his hands out of the pockets of his suits, raising out his hand towards you.

"Adrian Houde." He introduced out of courtesy.

Hurriedly, you rushed to take his hand, firmly shaking it like you had been taught.

You touch sent shivers down his spine. Was it because your hands were cold or was it something else about you?

Either way, he liked it.

"[y/n] [l/n], sir. It's a pleasure to meet you." You smiled at him, that glow from your eyes never fading.

"[y/n] [l/n]," he repeated, allowing the syllables to roll down his tongue like something falling down the stairs, bouncing. "A pretty name, for a pretty girl." He chuckled cooly as he pulled his hand away.

"I've never seen you before, Miss [y/n]. Are you new?" He inquired.

"Ah, I'm an intern. I just- uh, got posted here recently." You smiled. "I'm a fashion design major."

He couldn't help but be a bit disappointed by that. You were a fashion design major, which meant that you and him would probably not see each other often unless he kept paying visits to the fashion department.

"Wonderful. It's nice to see such wonderful young minds in my company." The older man said as he adjusted the cuffs of his suit with a relaxed grin. "I just know you'll do great in this company."

That blush on your cheeks after he complimented you drove him crazy.

That was how your first meeting concluded.

✧ Ƹ̵̡Ӝ̵̨̄Ʒ ✧

You were so intriguing that Adrian just couldn't keep his mind off you. The moment he returned to his office, he called up his secretary and immediately requested for your file.

When he got it, he couldn't help but obsess over it. Your portfolio was so perfect. From all your university extracurriculars to all your little quirks that the intreviewers had noted down, they were all there for him to overanalyse and understand. Your designs, he had to say, surpassed his grandmother's when she first started out the business.

His fingers traced past all the small details of the sketches of the dresses and suits you made and he wondered what you would look like as a model. Sure, you were the artist, but what if you were a muse?

He couldn't help but imagine you draped in fabrics, nothing else underneath.

He shook his head out of it.

Where was all this coming from? He was a gentleman, his grandmother had taught him to be one.

Brushing those thoughts aside, he went back to admiring your work with a smile.

Indeed, you were an asset he couldn't lose.

✧ Ƹ̵̡Ӝ̵̨̄Ʒ ✧

Afterwards, he invested a lot of time into you. He would always drop by to the studio to talk to the head fashion designers then he would come find you, especially during your break where no one else would see you.

He disliked seeing you with others, terrified that someone else might steal his skilled intern away. No, he couldn't let any business rivals take you away from him.

Or at least, that was his justification.

Adrian would always watch you sketch your dresses behind you till you noticed and promptly let out a yelp. He enjoyed that fear in your eyes but what he enjoyed even more was the constant ambition sparkling in your pupils.

Right, you were his intern and his future designer. It was normal for him to be so invested in your growth.

After all, he was a gentleman. His grandmother had emphasised him to be in all his teachings, so this wasn't wrong. He wasn't preying on the cute intern because he wanted her. No, no, he was being a good boss by observing your actions and your growth.

Another defense as to why he began to nick your drawing pens away.

He would always replace them by gifting you more expensive pen though, a gift for you "allowing" him to have a close-up of the materials you use.

Plus, his future designer deserved the best.

You were his, after all.

"You lost another pen? No worries, I can gift you this one. Hm? Don't worry about it. Think of this as... an investment on your career."

[tinkerbelle05]

I'm there for you

Characters: 42!Miles Morales x Black!Fem!reader

Genre: Fluff, slight angst

Summary: Hcs of how Miles treats and takes care of you during your period

Warnings: period and it's symptoms are a major feature in this hc so if this triggers you pls scroll away

He buys you all of the tea and heating pads that you desire. If you want it, he buys it. Simple.

When you first called him, crying about how terrible the pain was, he made it his mission to make you feel better. With the help of the internet and a flustered store clerk, he bought all types of pads, tampons, and pain killers. He knew what pads his mom liked but he had no idea what pads you liked. So he bought them all.

After that fiasco, he now memorized what products you liked and what you didn't like. He knows how to make your favorite tea by heart too; black tea, lemon or lime (though lime is preferred), 2 spoons of sugar (go up if needed), and you liked to mix the tea yourself depending on how bad your cramps are.

He knew that you liked listening to calming music when you were falling asleep to “try to fight the cramps”. Now Miles didn't understand how that could possibly work but he put on a playlist anyway.

He always has tampons or pads with him no matter where y’all go to. The corner store for a quick snack or a fancy restaurant for a date night.

He knows about the hot flashes you get while on your period so he puts on the AC for you even in the dead of winter when he gotta put on 2 hoodies just not to shake.

Knows how to deal with your many mood swings. When you're angry at him he lets you win even if you are wrong, when sad he hugs you and wipes away the tears, and when Are you happy he shares your excitement.

He even knows what type of food to keep stocked in the house so it won’t trigger your nausea. He got that wheat bread you like, applesauce, bananas, and other bland foods that you can eat.

Overall, Miles makes you feel loved and cared for when you're at your lowest point.

Tags: @butterfi, @zomb1te, @jam-skullz, @hoeboat101, @justbeethings, @dreamxcollide, @shibble, @sleepdeprivationis4coolkids, @somber-starz, @maypersonne, @rosebunny, @midnight-the-shadow-wolf, @mur-docs, @emgavi, @sawi-06, @707xn, @niktwazny303, @nagi3seastorm, @ghostsimp000, @cloudstrifefantatic, @vixqn, @yourtsahik, @angelzira, @im-jisoo-im-okay, @itstooearly-its3am, @universallypeanutpizzapersona, @sodapopzds, @andhdi68a, @gricelovesu, @sciamachy-after-dusk, @mewxzx, @star-light18464, @liural, @peter-parkers-gf, @wraithlueintheirlittleworld, @targaryenstormborn

Taglist & Masterlist & Reqs Info

Reqs are open!!

[pix3lplays]

HSR dating headcanon: You Hate a Person

+ Sam is the type of person who will hate who you hate if you're together. He will attack without mercy and take great joy and pride in crushing your opposition.

+ Svarog will consider them an enemy and mark them in the communal system so his bots prevent them from ever reaching you, but won't straight up attack unless provoked/he senses enmity and danger. The person you hate would definitely be banned from his internal territory unless circumstances required their presence (like the fate of the planet).

+ Screwllum would take the longest to actually feel mutual hatred, if that's even possible, because it's too personal for him. You can't fault a wolf and rabbit for being natural enemies, after all. He'd mediate between you when possible, act as guide and insulator. He understands completely why people feel such strong emotions, especially if caused by negative experiences, but he's the type who would coach you that hatred is seldom productive. Now, if said person was truly despicable, he'd likely see them stand trial for whatever injustice or evil has been committed. It would take a lot of torture and pain to inspire hatred.

Oooh hi, what an intriguing prompt~

And you wrote all three of my robot boys?? You’re spoiling me, anon…

Okay, okay my thoughts…

+Sam: yeah that totally checks out. Sometimes it doesn’t even matter WHY you don’t like the person, he just wants to start a fight, and your hatred is a decent enough excuse.

+Svarog: Makes sense to me. He doesn’t believe in using violence unless absolutely necessary. Even if you’d actually like Svarog to rough them up a bit he won’t indulge you unless he HAS to. But yeah you’re just sorta…waiting for them to slip up so you have an excuse to sic your Robot on them, haha…

+Screwllum: Also yes! Really hard to imagine Screwllum actually hating someone, even if they are pure evil. He’ll just make them face the consequences of their actions-He gets that hatred is a human emotion, but he’s also a scientist. He knows that hatred is bad for your health, so he’ll try to encourage you to let go. He’ll take care of the situation. He won’t let them bother you anymore. Just try to relax. He doesn’t want you living a life of hatred.

Thank you anon for the robot content~

[commsroom]

doug eiffel is a radio guy in every sense. eiffel still listens to music on the radio and he complains about what they play, but no matter how many times people tell him he can just listen to his own music instead, he wants to listen to the radio and complain about it, so he won’t stop. eiffel thinks it’s sacrilege when classic rock stations play anything more recent than the 80s.

[tearueful]

Play With Fire ( Homelander x Reader)

18+ for language, female (plus size♥) reader | You walk into an elevator with Homelander...💋 [AO3 Link] [Chapter 2]

You can only stare at Ashley’s cold dismissal. Not Ashley Barrett, of course. You’re not high up enough to get personally fired by the CEO. Her assistant is the one doing it, also Ashley. 

There were too many fucking Ashleys in this office.

Your head is buzzing and you can’t exactly focus on the words that spill out of her mouth. She has such a pleasant smile plastered on her lips. A fake, corporate smile as she tells you that as of today? You no longer work at Vought International. A job you had scraped and clawed for. Survived an unpaid internship in fucking New York City for, moonlighting as a waitress in a diner where patrons had sticky hands even for one such as you.

You stare at her, having no idea what words her placid smile makes. Something about turning your badge in at the front desk on your way out. That they’ve packed everything up at your desk already and it will show up to your house in two to four business days. An easier transition, she says. How kind.

Neatly packaging your existence away and shipping it off in the post as if it didn’t fucking matter. You blink and you’re already stalking out of the office. The dismissal had been clear. They had saved it for when you normally would be packing up for the day. Less drama. Always better to fire someone on a Friday afternoon. Not many witnesses. At least you can slink out with some scraps of your dignity. Before you realize it, you’re fast walking through the hallway to the elevator lobby. All your mind can focus on is getting in that elevator and escaping this fucked up place. That is your one goal as your insides churn with bitter anger and your brain buzzes.

Your rage is impotent, with no outlet. What could you even do? Nothing against Vought. Not with their airtight security. You knew how Vought paid everyone and anyone off to make undesirables vanish. How they mopped up the ‘accidents’ of their precious supe products. How your firing was another one of those casualties, dismissed at a whim of the Seven. You knew specifically who. That star-spangled blonde bastard. One typo led to one tantrum from the supe and you had to suffer for it.

Rage pushes your feet to move a little quicker as you spot the open elevator doors. Someone must have just exited, you see the retreating forms of a handful of people down the opposite end of the hall. Perfect, except those doors are closing and you’re too impatient to wait in the lobby a moment longer.

At the sight of the closing elevator doors, your feet pick up their pace. You can’t stay in this building a moment long, not in this hallway with the chance of spotting anyone you know who may recognize the set of your face as something amiss.. Some of them know you well enough to know that would mean something’s wrong, or they knew the bad news before you. That gives you the motivation to snap a hand out to stop those closing doors, praying it’s empty so you can take a breath alone. You need it.You deserve it. It’s the least the universe can do for you at this moment. The universe is not kind today.

The doors stop at the presence of your hand while you slip through the opening. Your regret is almost instantaneous as you step into the re-opening doors because there stood Homelander.

Fucking Homelander in his stupid suit, looking all the world like Uncle Sam shat out the perfect Boyscout. Except, you know far better. There was a monster in that human suit.

He looks ever the caged predator within the confines of the enclosed metal space, wholly uninterested in you. There’s only the briefest of glances your way before his attention is back on the elevator’s LED number display. Oh, but you hate him. Stuffed up supe, high on his own importance.

You’d seen him about the office, from a distance. A wolf among doting sheep, bleating for his attention. How did anyone dare to get close when he flashed those canines? You should flee, but the elevator doors click behind you with a finality. No, fuck it. Fuck him. You don’t care. All you care about is getting out of this shit hole and this elevator ride will be your last here. One way or another. The white hot rage is back to roiling in your gut and you feel as if you’d choke on it.

Homelander’s cold blue gaze flickers over you once more as you stew, taking you all in within an instant. Your badge and your name. Another useless Vought employee, a wriggling worm at his feet. The Hero Management Department by the logo on your badge, but he’s never noticed you. No wonder. You’re too short. Someone who could get lost in a crowd. His lips turn up in a cruel sneer. Fat, too. A pudgy, little grub. At least you’re dressed well. You need to be if you work here. Almost demure in that dress that must have cost half your pathetic paycheck. He wants to be disgusted by you, but you meet his eyes. People rarely did that. There’s fire burning in those wide eyes. A defiance he’s not used to seeing often. Especially not from something as breakable as you. It gives Homelander pause. He’s puzzled. That sort of volatile hatred was usually reserved for dear William, but you? It was almost comical seeing such a delicate thing like you sparking with it. You looked like a little firecracker about to go off and Homelander wonders what sorts of sparks you’d show.

Your expression was utterly, almost eerily calm yet he could feel the rage rolling off of you, it was a palpable taste on his tongue. An almost bitter tang that made Homelander reflexively lick his lips. That gets your attention. Previously, you’d let your eyes dart around the elevator in your unrest. Now your eyes fixate on the flick of Homelander’s tongue while the wheels within your brain begin to whirl. What is the stupidest thing you could do on your last day at Vought? Something reckless and impulsive. Suicidal even.

He watches you with interest now that you’re daring to meet his gaze, scrutinizing this little mortal confined in the elevator with him with anger steaming off your body. Normally, Vought employees fawned over him while reeking of fear. They cowered and all but tried to tongue his taint in their need to appease him and soothe Homelander’s volatile moods. Yet here you were, looking as much like a caged animal within the confines of the elevator as he felt most of the time. 

Homelander senses the shift in you, from anger to something else. He can’t pinpoint it, not yet. Not with how the adrenaline pumps through your veins as you fix your eyes on his face, a heady perfume if there ever was one. It’s a little like prey backed into a corner, finally deciding fight over flight. Homelander doesn’t fear you or any possible outburst you could throw his way. How could he? He’s a god and you’re an ant. Still, he’s curious as to what you’ll do. Homelander can see the tension in your body, how your muscles coil before a pounce.

You weren’t quick, by any means. Homelander could have deflected you with his pinky finger, but the determination in your eyes kept him still. What were you even planning to do to him, of all people? Seeing you unleashing your anger on him would amuse the supe. Give him a valid reason to crush your fragile skull in his fist with a satisfying wet crunch. Yet, you surprised him. All that anger and vitriol boiling over shifted into something else entirely, but it still burns.  It burns so much that you need to let it out. Which you do, by pressing your lips against Homelander’s. It’s pure impulse and oh so reckless. He’s killed people for lesser slights but you don’t care. Not in that moment. You want this, maybe even need it. Need to vent out all your frustration on the man who caused all this in the first place.

So you dig your nails into the leather fabric of Homelander’s suit, having to get up on your toes to press your lips against his own. 

They’re surprisingly soft, Homelander’s lips. You hadn’t expected it. A contrast to the lack of give against his body because leaning into Homelander is like leaning into a brick wall. Unmovable. The only give is from his lips and you suspect that’s because you took the supe by surprise.

The audacity of this little bug!

Homelander’s eyes are wide, shocked even at your brazen act. Staring down at this impertinent little human daring to touch him.There’s a desperation in your act, in how your face is still twisted up in rage and confusion but softening as you stubbornly keep your lips moving against his own.

Still so curious. 

He lets you kiss him, even goes as far to settle into the kiss himself. He can’t help it. Softness was a rare thing for him to feel and you really are oh so soft against him. Pliable and willing now that you’ve settled into properly kissing him. You’re not bad at this either, knowing exactly what sort of coaxing pressure to give him while teasing Homelander into giving back more.

So he does.

Homelander hooks you in the steel grip of one hand, fingers digging into your waist and he finds you yielding. Soft and giving as your lips. He should have expected that given your size, but he finds that he likes it. He can dig his fingers in a little deeper with no fear of snapping ribs with the slightest of pressure.

Homelander is kissing you back. Fucking Homelander! You half expected to get thrown across the elevator shaft for your action, but he was almost holding you gently. Almost. This close you can feel the restrained power of him that all but hums through the supe’s body. It should frighten you, but it’s thrilling having a monster yield so readily to you of all people.

You need something to ground yourself because this can't be real! You grab for Homelander's hair, sliding your fingers through it. Idly, you muse at the softness. It wasn't gelled and hard to the touch as you expected. Leave-in conditioner, that must be it. The thought makes you smile into the kiss, tightening your hold on Homelander's hair with a playful tug to coax his mouth closer.

You don’t expect the needy moan Homelander releases against your lips at the gentle tug. Would have never expected such a sound from a man like him. You greedily swallow it up, using it to your advantage to slide your tongue over his lips. They part under the pressure and then you’re kissing Homelander deeper. This is far from an innocent, impulsive act now. He’s meeting your fire, consumed by the flames as much as you are. More so because now Homelander seems intent on devouring you as he fits his lips to yours, bruising them while his tongue slides slick over your own within your mouth. He growls. Homelander fucking growls into the kiss and you feel that tremor down to your toes, arousal a white hot flash through your system. Thus it really can’t be helped when you mold your curves into the hard lines of his body, fingernails scraping at Homelander’s scalp while you try to taste every corner of his mouth. His free hand even comes up to take an ample handful of your ass as he pulls you flush against him properly, and is that- Holy fuck.

The chime of the elevator hitting the ground floor snaps you both out of the moment. You jerk apart and even in his surprise, Homelander’s grip is loose enough for you to step away safely. You stare up at him a beat, taking in Homelander’s flushed features and how he pants.

You did that. You did that to the most powerful supe of the Seven, possibly the most powerful supe in the world. Smug satisfaction settles on your shoulders for a moment.

You can see the rage building in his eyes, disgust twisting up Homelander’s features and there’s even the glaring threat of red sparking in his gaze. Holy shit. Your heart squeezes as the smugness shifts to the instinct to survive. It’s time to flee or die.

Homelander sneers at you and you know he’s about to say something scathing to put you in your place before he obliterates you. Instead of cowering, you flash him a thousand watt smile. The sort you’ve employed on dates with hapless men to get them giving dopey grins right back to you. It works well enough.

He blinks, the red glare vanishing from his eyes. People in this tower never smile at Homelander like that. Another surprise. You exit stage left before he recovers, almost running into someone on your way out of the elevator. It’s Ashley. CEO Ashley this time, with tablet in hand.

Her gaze flicks up from the screen as she gives a little start before suspicion tinges her features. “Weren’t you fired?” She whispers the words under her breath, brushing past you before stiffening up at the sight of the supe still within the elevator. “Homelander! There you are!” She chirps out with faux cheerfulness and a dead smile. “I’ve got fantastic news on your latest numbers!” That gives you enough time to slip away, with Ashley crowding up to Homelander eagerly to stroke his ego so he’s kept calm for another day and no one dies. You certainly didn’t die. Personally, you think the supe’s mind will be occupied by other things today. You turn your badge in at security’s front desk with a self satisfied smirk.

For his part, Homelander silently steps out of the elevator with eyes fixed on your retreating frame. He doesn’t register Ashley’s yammering as she tries to tell him the good news about a ten point boost. No, Homelander’s mind is too busy contemplating what he will do to you. Little bugs like you can’t get away with taunting gods.

A wide, shark-like grin spreads Homelander's lips now that he has revenge on his mind. He snaps his attention to Ashley, voice sharp as Homelander lifts a finger in her face for silence “Ashley. That woman. Give me her name, now.”