#But I swear this is SO important

[kingdom-falls]

This is your reminder to floss your teeth. Even if it's been weeks, months, even years, please do so. They're gonna ache and your mouth will look like a slasher movie with how much blood comes out, but I promise you the feeling of having the buildup somewhat cleaned is so nice. I just went to town with flosser picks on my mouth and it feels better even though I can still see gunk. I know self care can be difficult, but as someone who had enamel dysplasia, needed a mouth spreader for most of elementary and middle school, and still has an uneven palate? Even the smallest difference helps in the long run, especially with his expensive dental work is and how cavities can impact your quality of life

[beanghostprincess]

On Luffy's birthday, I wanna remind all of you that one of the things that makes him one of the most influential and ground-breaking shonen protagonists is that he makes things happen. No fate or prophecy or destiny leads his path. He's the one choosing, freely, what he wants to do and he will do it. And in consequence, he makes things happen in the manga that affect everybody around him. The story doesn't tell him what to do and instead, he is the one telling how the story should go. That and the fact that his whole character is meant to spread the message of following your dreams and living with laughter and joy are the reasons why celebrating his existence is so important to so many.

[the-heart-of-a-monster]

THoaM Issue 9 PAGE 11

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new to thoam or want to reread the comic but its really awkward to do on tumblr mobile? The official website has got you covered!

[fangirl-nadir]

[mo-mode]

Back on my Screenwriter soap box while watching PJO: They should have bought a bunch of oil diffusers.

(Edit: This post was made before someone pointed out to me that I missed a key line of dialogue, but my points and theories still stand for the same reasons backing up my original post so I’m not changing anything. The dialogue I missed lets us know that Hermes told Percy the lotus was being pumped into the air off-screen. It’s also implies (? I’m still on the fence about this one?) that Hermes told him what day it is, but I missed these during my first three watches because of how quick and vague it was. Which actually kind of supports my point on why visual indicators are so important. Without these, it’s easy to miss key information. And remember, it’s a kid’s show. ANYWAY my conclusions haven’t changed, and I still believe these edits would work better than the quick line of dialogue so just keep this in mind. Thanks.)

(I’m not being nit-picky. I swear. Just hear me out.) So the weirdest thing to me in episode six was how Percy just…learned everything so quickly without any visual indicators? Like they know time passed because it’s dark outside, but how did he know it was Thursday? They know they were affected by the lotus flowers, but how does he know it was pumped into the air? This irked me because even if he’s smart enough to figure some of this out himself (which he is) we as the audience should still be able to follow his thought process instead of learning after the fact.

What if there were oil diffusers?

So imagine the trio walks into the Lotus, figures out this is like the Odyssey, and decides not to eat anything. They waltz in super confident that they cracked the code, but they were wrong. How do we know? Because the moment they enter the crowd, we get an establishing shot of a lotus-branded oil diffuser letting out steam.

Immediately, we as the audience realize their mistake, making it just that more tantalizing to watch. As the episode continues, we realize they’re everywhere. There’s a diffuser in the plants, on the counter, between the game tables, always right out of the corner of our eyes. They just keep churning out lotus-scented oil into the air, which we can infer because we’re smart. (Remember that.)

Now when Percy realizes what’s going on, we know HOW they’re doing it and HOW Percy knows without being told!! Because they were there the whole time.

Onto Thursday.

Consider: A watch.

What if Hermes has the only watch in the casino until the trio walks in with their own?

Let’s give Annabeth one of those cheap, funky watches that gives the time, day, month, year, etc. Something you get from a kids toy catalogue. It’s waterproof, glows in the dark, has an alarm or whatever. I feel like Annabeth would have one of those. (And honestly, she might already. I forgot.) The most important feature for us, though, is the day. It clearly tells us the day of the week.

It’s pretty easy to establish that Annabeth has the watch. Just do it the same way they establish the date: Percabeth arguing over it in the truck. Annabeth shows him the watch. Establishing shot of the watch’s face. That’s it. No bells or whistles necessary. Then when they get to the casino, Annabeth checks it one more time (without an establishing shot, she just does it casually) and they walk in.

(It’s so easy. I promise.)

While Grover is walking around alone, he tries to check the time and realizes there’s no clocks. (Which ngl is super common in casinos already, but it’s creepy nonetheless.) Yada yada, he gets sucked in by Augustus and that’s how he gets got.

Meanwhile, Percy and Annabeth keep meaning to check the time, but every time they do, someone tries to hand them an appetizer or a drink, which makes them forget OR Annabeth’s hubris keeps her from checking. (Percy: Time check? Annabeth: Its only been five minutes. We’re fine. We need to focus.)

And that brings us to Hermes. After their chat, yada yada, Annabeth “leaves” and Hermes gets all cryptic, then he makes a BIG show of checking his watch, and THAT’S when Percy realizes something’s wrong because oh no they haven’t checked the time. So he finds Annabeth, they see it’s dark outside, they check her watch, and it’s Thursday.

“But we didn’t eat anything!” Annabeth says. Percy looks at the diffusers by the entrance. It dawns on him. “They’re pumping it into the air.”

That’s how you VISUALLY SHOW US THINGS instead of Percy just figuring everything out off-camera and telling us!!!!

Now, you may be thinking “Oh but do they have the budget for that??” Do you know how cheap these props are? Just bulk buy like six oil diffusers, slap a homemade sticker of a lotus flower on them, and keep moving them into every shot. And they’re quiet!! They wouldn’t interfere with the sound, the steam is visible enough to be caught on camera without messing with the lighting, they actually look really cool in some lighting, and they fit the atmosphere of a hotel/casino!! Then the watch is like $15, fits with Annabeth’s character, and totally matches her outfit.

It’s CHEAP! It’s EASY! It DOESN’T CUT INTO THE RUN TIME! It’s AESTHETICALLY PLEASING! ANNABETH GETS A SICK WATCH!! NO DOWNSIDES!!!!

The biggest problem with this show isn’t how accurate it is to the book or how much money they have or that they’re “Disney-fying” it. The problem is they are TELLING US things instead of SHOWING us. And not to beat a dead horse because everyone’s heard of “Show Don’t Tell” but like??? This is exactly why everyone is taught this over and over again in school?? Because people still do it anyway all the time???

There’s also something else I learned (or really just picked up) when I got my B.A. in Creative Writing: Good shows are predictable.

Whether it’s a case of the audience learning what’s going to happen before it happens or them watching the show again and realizing how obvious the answer was the whole time, audiences always want to feel smart. They want to interact with the material. If you don’t give them the opportunity to pick apart the mystery themselves by setting down clues, they’ll give up on interacting with the show and lose interest. That’s why you SHOW them things. There are several moments where this show is completely unpredictable, not because it’s complex but because it doesn’t let you predict it. That doesn’t make it bad—the comedy and character development is doing a great job of carrying the show’s weight so far. But it definitely doesn’t make the show good.

It’s like Rube Goldberg machines. Or dominoes! We don’t watch those crazy 1000+ domino videos so we can watch the last one fall. We watch it to see HOW they fall. Take one domino out, and it’s unsatisfactory. It doesn’t work anymore.

But some oil diffusers and a watch??? Little clues that make the realization that more visually appealing??? THAT’S SATISFYING

Anyway, these are just two things that could have been done, but weren’t. Most of the show is stellar. I think it just needs a little bit of editing here and there. I studied this for like years, and I needed to get this off my chest. That’s it.

Rick Riordan, if you ever see this, I am available for hire :) I would love to be a script doctor please please please please

[calciferstims]

senshi stimboard

if you’re seeing this, then senshi wants you to take care of yourself and go eat some food <3

sources: 🧡🧡🤎 | 🥘🍲🥘 | 🤎🧡🧡

[atsufae]

My entry for @esmiara 's dtiys !!

Your art is so pretty I couldn't not draw this

[thefiresofpompeii]

something about the fairies taunting jack with rose petals no less. something about the toymaker covering the unit hq in rose petals while he gets shot at. you’ll never get away from the sound of the woman that loves you blessed you with the curse of eternal life

jack loses everybody he loves over and over again and as a reminder of that, rose petals.

the doctor loses everybody he loves over and over again and as a reminder of that, rose petals.

tell me that doesn’t sound remarkably similar to the way fifteen describes the goblins to ruby. the goblins are part of the toymaker’s “legions” — ancient and mysterious entities from the dawn of time, slipping in through the cracks in reality, stimulated by human belief and superstition. goblins abduct little children for their own ends and so do the “fairies”. you don’t know where the chicken or the egg is, where history ends and mythology begins: did the folklore emerge from sightings of the real creatures, or did the creatures coalesce like an egregore because of the proliferation of the folklore about them, a manifestation of humanity’s deepest fears come alive ever since the toymaker changed the rules of the game?

but was it the toymaker? could this all be a chain reaction, kickstarted billions of years ago (or only nineteen, depending on how you look at it) when one headstrong young woman looked into the time vortex and turned herself into a literal deus ex machina, defying all laws of reality, raising the dead and disintegrating the death-bringers? could that have been the moment (lol.) when it all began to unravel?

i haven’t seen classic who. what do i know. but maybe it wasn’t the line of salt at the edge of the universe. maybe it was one girl, seeing everything that ever was, everything that will ever happen, anything that ever could be. the fairies haven’t stopped pursuing jack ever since: he’s the living evidence of her miracle. they slaughter his entire train carriage but they don’t touch a hair on his head. other children are the fairies’ chosen ones, yes, but jack is the chosen one of their goddess. the bad wolf

i wonder who that jonathan groff character in the upcoming series is.

[solivagantingrebel]

OKAY SO GHOSTSOAP AND PET NAME THOUGHTS,,

Ghost who just got in a relationship with Soap and is pretty new to dating and being in a committed relationship, he wants to do couple-y things with Soap, and he knows Soap wants more lovey dovey stuff from him but he's somewhat clueless about the whole thing and ends up being way too serious and intense about it.

He gets in this weird conundrum about names - pet names in particular. He wants to give Soap one, and 'Johnny' can definitely count as something similar since he exclusively uses it for him but it's not exactly that. He also does not want to be awkward about the whole thing. Johnny deserves the world and then some, the least he can do is put an effort and be purposeful about it. So, he ends up researching pet names, reading relationship articles, running himself mad trying to figure out what would be perfect; to the point of whispering different pet names out when he's cuddling with Johnny and thinks he's asleep. (he's not - completely that is- soap dismissed that it was real the first few times but after it kept happening, he secretly relishes how cute ghost is being)

It gets to the point that Soap is already casually dropping all these Gaelic pet names for him and he's still stiffly calling him 'Johnny' and nothing else because for the life of him, he can't figure it out. Then, one day, he's just randomly bantering and cuddling with Soap and Johnny says something stupid and he just goes "fucking hell, love" while shaking his head and he freezes a second after because he realises what he said and Johnny's staring at him all wide eyed and shocked, and he's panicking.

Because out of everything, anything, the most basic of pet names slips out. Hell, 'love' is something you can say to a stranger, something you can say to anyone where he's from and it doesn't even-

Johnny's looking at him, blue eyes murky with the slightest hint of tears and yet there's a smile on his lips that's softer than anything he's ever seen. He doesn't even get to think before he's leaning over to grasp Ghost's face tightly to kiss him until they don't have a breath left in their lungs and when they finally pull away, Johnny looks at him like he's holding everything and more between his hands.

(because soap knows ghost, he knows he doesn't say things he doesn't mean and when he said love casually, as if there wasn't a world where he wasn't his love - he knew he meant it wholeheartedly)

[sunnymainecoonx]

Bad Sans Poly for my dearest @cakesmelons ;3

I had an art crisis the entire year so I'm like experimenting and testing with art and sh- so here you go, some bad sans snuggles(I'm still relearning how to draw, barely recovered)

[hall0wedwyrm]

the new TailsTube.......... I can't yall.

Tails saying this is a segment of his show about talking to hedgehogs he's met..... and brings out Sonic AND Shadow as the first guests... where was Amy...... why not Sonic and Amy.... Sega I know what you're doing.

Why did Sonic need to be there. Shadow and Tails could have talked

why did Shadow need to be there. Sonic joked about it just being The Bros talkin Shadow lore

it could have been Tails doing a reintroduction to Shadow for the newcomers and prep for Movie/Generations

WAS THIS JUST TO GET THEM TO SAY SOMETHING NICE ABOUT EACHOTHER HOLD ON. TAILS-

"Well they say opposites attract!" TAILS YOU CAN'T SAY THAT. YOU'RE GONNA MAKE US GO CRAZY STOPPP

"anything you can do I can do better" and then Sonic mocking him....

Sonic saying he was impressed that Shadow had a super form. Shadow being impressed that Sonic could preform chaos control with a fake emerald.

Sonic calling Shadow faker........... Shadow calling Sonic blue hedgehog.............. they were reminiscing I swear on it...

I'm so normal about them. and that's why I wrote all of this.

[beanghostprincess]

Usopp obtaining Conqueror's haki makes so much sense to me and I genuinely think he deserves it on Elbaf please please please

[eelektroenthusiast]

There were some... roadblocks and complications when they were baking christmas cookies for the depot agents (what a trainwreck) (how it even got this bad exactly is up to your imagination ;b)

[waywardted]

I really do have love to give. I just don't know where to put it.                - Magnolia (1999)

[prapais]

paisky + gentleness after sex

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.