#By everyone I mean Sokka

[spitfiregal]

Okay forget the shipping wars for a moment, 

Someone said that Toph would be angry with Katara if she knew about the Waterbending scroll/pirate episode in Book 1 because of how Katara reacts to her insurance fraud bit (I would @ them but I can’t remember their url and it’s been a hot sec since they posted it).  

But remember the Waterbending scroll/pirate episode? 

Remember when everyone freaked out because Katara stole something? 

And she was like But knowledge, to end the war and everyone else said no, stealing is bad. 

And then Toph is like Insurance fraud™ and no one said anything because money? 

If anything, Katara should be angry when no else disapproves of Insurance Fraud because of how she was treated during the waterbending scroll/pirate episode. 

[comradekatara]

sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

[yourhighness6]

Saw a shitpost about how the steambabies would be airbenders because of the elements mixing and all I could think was that it was the ultimate ex's revenge

[fanfic-gremlin-ft-trauma]

domestic zukka hc: zuko’s love language is physical touch & sokka loves nothing more than the shy surprise on zuko’s face whenever sokka gives him exactly what he wants.

sokka had his suspicions zuko was extremely tactile, but it took him a few months to compile a mental register of just all the ways zuko likes to be touched by sokka. Whether it’s a hand on his thigh, a thumb running over the back of his hand, or sokka’s fingers latched around his wrist when they’re walking; whether it’s a soft kiss on his cheek, his forehead, the nape of his neck, the inside of his knee; whether it’s their hands intertwining out of sheer habit; whether it’s the soothing feeling of sokka’s fingers gently scratching his scalp when zuko lays his head in sokka’s lap; whether it’s sokka tenderly cradling zuko’s face with overwhelming tenderness every chance he gets, because he knows that’s zuko’s absolute favourite; whether it’s sokka kissing the top of his head goodnight when zuko’s laying on his chest, caressing zuko’s cheekbone with a lazy thumb until his breath evens out and he’s asleep and safe in sokka’s warmth.

It’s the casual intimacy that always gets to zuko and reminds him hourly of just how much he adores and trusts sokka. It’s the physical manifestation of giving and receiving the kind of love he never thought he’d be able to experience. It’s the mute reassurance sokka feels the same exact way about him.

-franceblr

hi what the fuck is this. HIGSHJBAJHBHJBABJHSBHJHJBSHBJABHJAHBJHBJSHJBSHJBHJBSHJBAJHKJKAKJAKKAJSJSKKA UMMMMMMMM???? E X C U S E M E????? this is tHE BEST THING. EVER???? So hahahaaaaa what iffffff I reread this one million billion times??? What then?? So franceblr how does a gift basket wrapped in silk and ribbons sound? With a lil sticky note and flower attached to it? You deserve it for this. How does it feel to be the flame that melted my cold, icy heart. How does. How do you feel after dropping this like it shouldn’t belong in a MUSEUM. THIS ASK IS A NATIONAL TREASURE 😭😭

[starlooove]

Racist white ppl who don’t realize they’re racist getting mad about gojo is so funny

[your-royal-momoness]

[ansiedead]

soulless, unfortunately

[ultfreakme]

Sokka when he's older should have a sword, club, Boomerang and a fan. The fan is mandatory too actually wtf is the point if he didn't continue training with the Kyoshi Warriors? He's one of them now.

[storybook-souls]

me being told for years to watch avatar the last airbender and not doing it until summer 2020 🤝 me being told for years to read the raven cycle and not doing it until now

[comradekatara]

You've mentioned Zuko's "inability to kill" before, so could I ask you to elaborate on that?

sure. zuko is banished for, essentially, committing treason. he says to ozai that he was banished for "speaking out of turn," but simply speaking out of turn is not actually why ozai banished him. zuko said that people shoudn't have to die for the sake of further empowering the fire nation, and that goes against their nation's entire ethos. zuko lacks, as azula puts it, that "killer instinct that is just so fire nation."

while zuko does set fire to suki's village in his quest to capture aang, and you could argue that he may have committed other such acts offscreen, we never actually see him outright kill anyone. unlike zhao, who kills the moon, and azula, who kills aang in a manner that would have ended the entire avatar line had katara not revived him, zuko threatens and intimidates and harms, but when it comes down to it, he does not actually kill, because he simply cannot.

he threatens to kill zhao, and if he had killed zhao, no one in the audience would fault him for it. zuko does not even burn him upon winning their agni kai, going against custom; zhao calls him a coward for it. zhao tries to kill zuko on multiple occasions, including when he blows up zuko's entire ship. but, when the ocean spirit is dragging zhao under, zuko still extends his hand in a futile attempt to save zhao. contrast this scene with sokka arguing to leave zuko for dead in the same episode. he legitimately does not have a problem with letting zuko die, because, as he says, zuko would do the same thing to them (at least, sokka seems to think so).

sokka kills combustion man, toph kills yu and xin fu, and neither of them have any regrets. conversely, katara cannot kill yon rha, and aang cannot kill ozai. like sokka and toph, they are justified in killing these men, perhaps even more so (since yin and xin fu did not actually attempt to kill toph, "only" kidnap her), but they ultimately choose mercy. like zuko on kyoshi island, aang and katara's actions, such as blowing up the factory in jang hui, may have had indirect casualties (i don't count aang being merged with the ocean spirit because he was not truly in control), but they are never able to kill directly, because when faced with another human being, regardless of how much they may hate them, their pathos prevents them from delivering that killing blow.

zuko, as a foil to aang and katara and the deuteragonist of the narrative, is also someone whose instincts prevent him from being the cold-blooded killer his nation expects of him. it is why, unlike the rest of his family (including iroh), he is unable to produce lightning; he is too sensitive to become the perfect weapon his father wants him to be, which is why azula's reveal is so thrilling and terrifying to the audience, because she is what ozai wants in a protege, unlike zuko, who try as he might, fails at embodying the fire nation values of ruthlessness and power at any cost.

[snekdood]

ok so i watched the new avatar show (yes obviously thats what my post earlier was about, duh,i wanted to watch it before sharing my thoughts) and it was. iight.

[mbat]

alright i just tried to watch the new avatar show, i usually try and give shows a 3 episode rule to see if i like them or not but i didnt even finish the 2nd episode, it was like... just really boring. it didnt have any... oomph? it didnt even feel like the characters were bonding, they just kinda met eachother and immediately went 'oh were besties forever now!' idk

i dont like to be super critical of media if i dont hate it or anything but it was just underwhelming. hell yeah if you like it though, just not for me

[ssreeder]

heyy:)

May I ask how the next chapter is going/ if you‘ve started writing it yet? (Don‘t wanna stress you, I‘m just interested)

have a nice day:))

Hiiii I have absolutely started the next chapter lol. I’m actually trying to finish the damn thing. I have 13k and 1 1/2 POVs left then the editing soooo I’ll probably post next weekend? (I gotta give my lovely beta time to do her thing)

It’s going pretty good all things considered… Better for some lol. Zuko is kind of making things difficult, & Sokka is absolutely making things difficult & Jee is just trying to figure out what the fuck is going on.

(Toph knows exactly what’s going on)

:) :D

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[melzula]

zuko confiding in sokka to be his wingman to try to get together with you?

a/n: sokka sharing his back bending skills with zuko we love to see it. also this takes place post-war

summary: Zuko isn’t sure how to tell you he likes you, so he looks to Sokka for guidance

Zuko watches longingly from across the room as you dance with Katara and enjoy the night’s festivities. Your eyes sparkle with joy and your smile is so infectious it has everyone around you beaming. Everyone seems to want your attention, and so he hadn’t been able to speak to you much since the party began, but he desperately wants to be near you.

“You know you look like a total creep when you stand in the corner and stare, right?” Sokka notes, interrupting Zuko’s sulking.

“I’m not staring!” The Fire Lord says defensively, but he knows he’s not fooling anyone.

“Come on, buddy, it’s a party! Lighten up! Go mingle!”

“I don’t want to mingle,” Zuko grumbles indignantly, “I just want to talk to y/n.”

“Then go talk to her!” Sokka encourages as if it’s the most easiest thing in the world. “It’s not like you haven’t talked to her before. She’s our friend!”

“I know that,” the boy bites irritably. Deflating, he sighs, “But it’s different this time.”

“What do you mean?” Sokka says, his demeanor morphing into that of a more serious tone.

“I… I think I have feelings for her.”

“You what?!” Sokka exclaims, earning a few puzzled stares from nearby partygoers. Zuko sends his friend a harsh look and urges him to be quiet.

“I know, I know. What am I thinking? She’s perfect, she’d never go for someone like me,” he admits in quiet defeat. “It’s stupid of me to feel this way.”

“What? No way, that’s not true,” his friend insists encouragingly. “You’re a great guy! You just need to work on your romance game.”

“My what?” Zuko retorts skeptically.

“Your romance game! Look, if you want y/n to like you then you have to work your charm.”

“I don’t have any charm to work.”

“Sure you do, it’s easy! Take it from your old buddy Sokka, the ladies love me. Just follow my advice and by the end of the night y/n will be dying for you to ask her out!”

Zuko is skeptical of his friend’s words and hesitant to take Sokka’s offer of help, but he knows he’s hopeless on his own and there aren’t many other options. With a relenting sigh, Zuko gives his friend an agreeing nod.

“What should I do first?”

“Just follow my lead,” the boy says with a wink before loudly calling you and his sister over. Zuko does his best to mask his embarrassment and puts on his best attempt of a smile as you and Katara saunter over arm-in-arm.

“Hi, guys!” You greet cheerily. “King Kue really knows how to throw a party, doesn’t he?”

“He sure does! Say, that’s a really nice dress,” Sokka compliments before harshly elbowing Zuko’s side. “Don’t you agree, Zuko?”

“Uh, yes, it is,” he stammers nervously, his face immediately turning red. “You look very beautiful.”

“Thank you,” you reply with a bashful smile. “You don’t think it’s too much?”

“Not at all,” he says earnestly. “You could never be too much.”

“You know, y/n, Zuko here was just telling me how much he wants to dance,” your friend informs you much to the Fire Lord’s dismay.

“What?! That’s not-“

“Oh, well, would you like to dance with me, Zuko?” You ask with a careful smile, delicately holding your hand out for him to take. His protests immediately die in his throat as he takes in your gentle features, the world almost seeming to come to a halt as he focuses on you before him. Your beauty almost physically pains him, and he wished he knew how to tell you this without coming off like a total creep.

Zuko hesitates before taking your hand, knowing that whatever happens next could alter your friendship forever, but the idea of physical touch is almost too tempting, and so he gently grabs hold of your hand and guides you back to the dance floor.

The musicians play a melody of traditional Earth Kingdom waltzes, and despite knowing nothing about dancing Zuko does his best to match your pace. His hands are suffocatingly warm against your skin, but you never once complain. You say nothing when he steps on your toes repeatedly or gets caught on your dress, and in spite of how awkward you both look compared to the other couples on the floor you seem to be having the most fun out of them all.

“You’re doing wonderful,” you encourage, giggling when he missteps and nearly trips over his own feet.

“I’m awful at this,” he argues exasperatedly. “I’m sorry you got stuck with such a lousy dance partner.”

“I don’t care about how good you can dance. I’m just happy you’re dancing with me,” you admit, looking away bashfully to hide your smile. “I haven’t really been able to speak to you much tonight, so I appreciate being with you now.”

Over your shoulder, Zuko spots Sokka from across the way. The water tribe boy waves his arms frantically and gestures for Zuko to make his move. The Fire Lord simply scowls before swallowing down his nerves and looking back to you.

“Y/n,” he calls faintly, gently guiding your face to look back up at him. “I’ve been wanting to talk to you all night, but it’s been hard. You’re so full of life, you draw people in with just your smile, and so I didn’t think I’d get the chance to finally be alone with you and tell you that- well, that I have feelings for you. I want to be the one that makes you smile, the one that dances with you at every party.”

“Zuko,” you murmur softly, taken aback by his confession. He takes your surprise as rejection and looks down with a dejected smile.

“I know, we’re friends. It’s strange of me to think we could be more, but I just needed to tell you.”

“No, that’s not it,” you quickly correct him, “I-I’m just surprised because I didn’t think you felt the same way I did.”

"You mean… you like me back?” Zuko asks in disbelief.

“Of course I do! What’s not to like?” You tease with a smile. “All night I was hoping you’d come up to me, and even though Katara said I should be the one to make the first move I was too scared to try. I’m glad you told me because I feel the same.”

You feel as if your heart could burst when he carefully tilts your chin up to meet your lips in a kiss. Ever since he joined your group you’d wanted nothing more than for him to see you as you saw him, and after months of what you thought was one-sided pining it seems Zuko has felt the same way about you all along. It took some time for things to come out in the open, but now that they are you couldn’t be any happier.

And unbeknownst to either of you, Katara and Sokka share high-fives behind your back in celebration of their successful plan.

| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @livelaughlovekuni @lovialy

| atla tags: @sirkekselord @niktwazny303

[bouncybongfairy]

Freezer Burn

Prince Zuko x Fem Reader Smut

Summary: Tensions are running high which causes a argument between Zuko and yourself. He bruises the confidence you have in your hunting abilities and reaffirms your fear of being a burden. Wanting to prove otherwise, you go out in the cold to hunt. Feeling guilty about how he treated you, he goes out to find you. The two of you find some innovative ways to keep warm.

Word Count: 2.0k+

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Everyone was having a rough day of travel, even Appa was reaching his limit. It was freezing and the optimism of finding a warm place to sleep was fading in everyone. Anng found a small cave that would work for the night. It was on a small mountain and overlooked an even smaller village. Zuko started making a fire while Katara and yourself set up the tents. Yang and Sokka were already asleep, curled into Appa’s thick fur. You were hungry but so was everyone else. 

“Are we going to be able to hunt for food soon? Or get some water?” you asked. 

“We could but I don’t think the cold would allow us to be out there for long. Not to mention there wouldn’t be any animals out, it's just too cold,” she said. 

“Not to mention you’d barely come home with anything in good weather,” Zuko grumbled, poking at the fire. He’d been making cracks at you all day, at first you could ignore him. Excusing his behavior on fatigue and hunger pains, but now you were taking it personally. 

“You’re not a prince among us, so stop acting like it” you say in hopes of lowering his ego.

“I am the best fighter and hunter, the past two battles you’ve only slowed us down. Maybe if we had a successful kill earlier we wouldn’t be hungry now,” he said. 

“Zuko don’t say that!” Katara snapped. 

All day you’d been beating yourself up over that mistake. Deep down you knew the rest of the group was irritated about you costing them the meal earlier. It just reaffirmed your insecurity. Grabbing your bow and arrows, you start putting your clothes back on while preparing for a hunt. 

“We’re all really tired and yes we may be hungry but you’re not the sole reason for that. Zuko is obviously just grumpy, don’t let his outburst get to you,” she says, grabbing your arm. 

Deep down you wanted to listen and calm down, rest for a while. Your pride however wouldn’t allow you to stop yourself. As you left, you could hear Katara yelling at Zuko to apologize. The feeling of dread bubbled in your stomach, you didn’t want to make anyone worry but your ego was clouding your judgment. Everyone in the group had their own ways of helping and at times you did feel like a burden. Extra weight that Appa had to carry on his back. It wasn’t that you were mad about what Zuko said, you were more frustrated that it was true. At this point it felt like you’d been walking for hours. The snow was coming down hard, without any signs of lightning. Not eating and your lack of rest was starting to get to you. Your stomach felt like it was eating away at itself. Eyes burning and muscles starting to stiffen from the cold penetrating your clothes. You tried not to go too far, knowing you couldn’t carry an animal in the cold that far. But you had to get some distance between you and the cave in order to find any wild game. Finally spotting a young Moose Lion, looking lost and confused, you almost hesitated when readying your bow. After successfully hitting the animal, your body floods with adrenaline. This quickly fades as you realize you’ll have to drag the thing home. Seemingly underestimating the size which caused a struggle when walking back. Even though it was freezing, you’d broken into a sweat. Starting to feel lightheaded, you took a moment to catch your breath. 

Katara was pacing at the entrance of the cave, anxious for your arrival. He wouldn’t admit it, but Zuko was feeling his own regret about how he’d spoken to you. He didn’t mean to let his anger get the best of him, it just sort of happened. 

“I think I should go out to look for her, she could be freezing to death,” she said, starting to get dressed.

“You can’t, it’s a full blown blizzard,” Zuko said, standing up. 

“Well we can’t just leave her to die out there!” Katara snaps, upset that he would even suggest stopping her from leaving. 

“I know, but only a fire bender would have the resources to survive such severe weather. I’ll go,” he said, making the fire sustainable for the time he’d be gone for. 

“Just be careful,” Katara said as he walked into the cold.

Once he felt just how bad it was outside, his guilt intensified. It wasn’t true what he said about you being a burden. He was just feeling insecure about his own place in the group. Simply projecting his inner turmoil onto you. Knowing it pushed you this far was getting to him. He took a deep breath and started following the faint track you left. Even though a fresh layer of snow was now covering the foot prints, it was still enough to follow. At times Zuko would use his fire for warmth and light. Getting desperate, he began calling your name out. Fatigue was starting to affect him as well. He finally thought he saw you, laying against the animal. He assumed you were just pulling the arrow out but when he got closer he noticed you were passed out. He immediately started assessing you, looking around knowing he had to find shelter that was closer than the rest of the group. Using his fire, he melts a coating of snow and ice, covering a small cave. The animal luckily kept you warm while he wasn’t there but he was still worried about your fingers. They had practically no color and your lips were tinted blue. Once he got you inside the cave, next to the fire he created, he brought the animal in. Impressed that you shot it right through the chest. Taking off his outer layers and bundling you up in them. He was relieved to see the color coming back to your fingertips and cheeks. Checking every once in a while to make sure you were getting too close and burning yourself. 

The two of you wouldn’t be able to make the trip back any time soon, so Zuko began skinning and sectioning off the meat. Washing his hands with melted snow he was slowly collecting. As he roasted the meat, he couldn’t help but admire your beauty. Your eyelashes were long and the light from the fire was illuminating your face. Sleeping with your lips slightly parted, hair completely unraveled from the tight bun it once was in. After a couple hours, you slowly began to come too. Sitting up rubbing your eyes, Zuko rushes over to you.

“Are you okay?” he asks, brushing the hair out of your face. He grabbed a bowl of water, bringing it to your lips,

“Sit closer to the fire,” he said, helping you sit up fully. Still weak, you were wobbling while you sat criss-crossed. Still shivering a bit because your back was cold, not able to feel the heat from the fire. Zuko notices this and comes to sit behind you, stabilizing and warming you up. He was using a stick to roast the meat he’d prepared from the animal. It smelt really good, and was the only reason you were keeping your eyes open. He brought the stick to your lips but you were too weak to rip a piece off. Trying to bite a small chunk but not having the strength to actually get a bite. He laughs at your attempt and rips a small piece off, bringing it to your mouth. He repeated this a couple times, giving you sips of water in between. Letting you digest, he rests his chin on top of your head and keeps cooking. After eating, you could feel yourself gaining strength and energy. Becoming more aware of your surroundings.

“What happened?” you asked, looking around and noticing it was only you and Zuko. 

“You went out to hunt and passed out. I came looking for you but the storm was too powerful to travel back to camp with you and the kill. So we're camping here for the night,” he explained, adding more wood to the fire. 

That was when you slowly started putting the pieces of your memory back together. You were grateful to be sheltered now, definitely counting your blessings. Noticing that Zuko wasn’t wearing a shirt, you took off what he gave you. He accepted it but didn’t put it on right away, instead just laying it on his neck like a scarf. 

“I’m sorry for egging you on like that, and for not stopping you from leaving,” he said, moving his chin from your head to your collarbone. 

“It was my decision, I knew it wasn’t a good idea. It was my stubbornness that put both of us at risk,” you said. 

“I like that you're stubborn, that you don’t listen to people who underestimate you,” he said.

“I thought you hated me,” you chuckle. 

“I know that’s what I show but it couldn’t be further than the truth,” he spoke softly. 

“Oh yeah? Why’s that?” you asked, moving your back closer against his chest. 

“As mean as I’ve been, you always are so nice and understanding. Even when I don’t deserve it,” he said. 

“Zuko you always deserve it, you’re easy to love,” you say, turning to face him. 

His face was bright red and for the first time you were seeing his vulnerability. Just slightly, like he didn’t want to give too much away. You move his hair out of the way and look at his scar. Although he looked a little embarrassed, he tilted his head so you could get a full look. Without thinking, you started kissing the skin around his eye. He ended up catching your lips with his. Immediately you move so that you’re straddling his lap. His back was pressed against the wall of the cave, your back was facing the fire. Running your fingers through his hair, admiring how soft the strands were. He moaned into your mouth as you pulled and tugged. Rocking your hips against crotch, your stomach tightening after feeling him get hard. You take in a sharp intake of breath and narrow down, focusing on rubbing against his shaft. Zuko’s hips began to buck involuntarily, which led to his taking his pants off. You follow his lead and do the same, also removing your top. Using his hands to rock your hips against his. Partly because he liked spreading your wetness along himself but also enjoying watching your chest bounce. He takes one of your nipples into his mouth, you let out a strangled moan. The pleasure was so intense the rocking of your hips was becoming erratic. Seeing you react so intensely to his touch made him go somewhat feral. 

Flipping you over so your back is against the cold ground. He was feverishly kissing your neck and chest, at times making you giggle. He smiled down at you, taking in how beautiful your eyes were in the soft glow of the fire. Your entire body felt like it was burning down to your core. Pulling your knees to your chest, taking the hint he sat up. He was now towering above you, his member laying on your front. Leaking pre-cum onto your lower stomach. He grabs himself, slapping his dick on your pussy. Enjoying the moans and whines coming from your mouth every time he rubbed his tip against your clit. He enjoyed watching you beneath him, desperate for his touch. A relief only he could provide you. Unable to take any more foreplay, he presses into you. Muttering curses as he is overwhelmed by your heat. How tight you felt around him and your moans matching up with his movement made him feel overstimulated. Like he couldn’t slow his heart rate down. Watching as your tits bounced with every thrust, how braindead you were from pleasure. He presses his hands down on your stomach so he could feel this cock pounding in and out of you. The sudden pressure was enough to send you over the edge. Pulling Zuko down and raking your nails down his back, 

“Fuck!” he said it loud, right in your ear. 

His thrusts were unrelenting as he chased his orgasm. Groaning and moaning into your shoulder as he finally came. Rutting into you as he came inside you, pressing himself as close as he could be to you. Petting his hair and whispering encouraging things into his hair. He laid down beside you, pulling you into his chest before covering the two of you with a woven quilt. Giving the fire one last hit before drifting off to sleep with you.